manuel cohen

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  • Workbench covered in glass paste houses, in the studio of sculptor Pauline Betin, b. 1986, in Betton, near Rennes, Ille-et-Vilaine, Brittany, France. Betin is a sculptor in glass paste who produces work exploring the nature of landscape and the crossover from urban to rural landscapes. Her work explores themes of the natural and man-made, the personal and collective, using contrasts of opacity and transparency; matt and shiny surfaces, and drawing, photography and sculpture. Picture by Manuel Cohen
    09062018_PaulineBetin_MC_07.jpg
  • Workbench covered in glass paste houses, in the studio of sculptor Pauline Betin, b. 1986, in Betton, near Rennes, Ille-et-Vilaine, Brittany, France. Betin is a sculptor in glass paste who produces work exploring the nature of landscape and the crossover from urban to rural landscapes. Her work explores themes of the natural and man-made, the personal and collective, using contrasts of opacity and transparency; matt and shiny surfaces, and drawing, photography and sculpture. Picture by Manuel Cohen
    09062018_PaulineBetin_MC_06.jpg
  • Saddle harnessers' work table at the Ateliers de la Garde Republicaine, or workshops of the Republican Guard, 10, Avenue de la Republique, Paris, France. The saddle harnessers maintain the saddles and weapon harnesses, some dating from the First World War and still used by the cavalry regiment, using high quality leather and traditional manufacturing methods. The Garde Republicaine was founded by Napoleon in 1802. It is part of the Gendarmerie and is responsible for security, guards of honour, military ceremonies and horseback patrols. In its workshops, master craftsmen maintain the equipment used by the horsemen and infantrymen, using traditional and sometimes ancient techniques passed down through the generations. Picture by Manuel Cohen
    LC18_FRANCE_MC_0543.jpg
  • Dans son atelier parisien, le 20 janvier 2011, le sculpteur orfèvre Goudji travaille des pièces de futures créations. Plan américain de l'artiste à son établi martelant le bras d'un ange objet d'une future création. In his Parisian studio, on January 20, 2011, goldsmith Goudji is working new creations of his trade. Mid-length view of the artist working at his workbench. Born in Georgia in 1941, Goudji has lived in Paris since 1974, due to the personal intervention of President Georges Pompidou. Here he produces his numerous contemporary works of goldsmithery in such widely differing fields as Church Art, swords, jewellery and sculpture. Picture by Manuel Cohen
    012011_Goudji_Atelier_MC009.jpg
  • Dans son atelier parisien, le 20 janvier 2011, le sculpteur orfèvre Goudji travaille des pièces de futures créations. Portrait de l'artiste au travail. In his Parisian studio, on January 20, 2011, goldsmith Goudji is working new creations of his trade. Low angle view of the artist working at his workbench. Born in Georgia in 1941, Goudji has lived in Paris since 1974, due to the personal intervention of President Georges Pompidou. Here he produces his numerous contemporary works of goldsmithery in such widely differing fields as Church Art, swords, jewellery and sculpture. Picture by Manuel Cohen
    012011_Goudji_Atelier_MC003.jpg
  • Dans son atelier parisien, le 20 janvier 2011, le sculpteur orfèvre Goudji travaille des pièces de futures créations. Portrait de l'artiste au travail. In his Parisian studio, on January 20, 2011, goldsmith Goudji is working new creations of his trade. low angle portrait of the artist at his workbench. Born in Georgia in 1941, Goudji has lived in Paris since 1974, due to the personal intervention of President Georges Pompidou. Here he produces his numerous contemporary works of goldsmithery in such widely differing fields as Church Art, swords, jewellery and sculpture. Picture by Manuel Cohen
    012011_Goudji_Atelier_MC006.jpg
  • Mood board, workbench and tools in the studio of Fflur Owen, a leatherworker who makes leather sculptures and objects inspired by nature, at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_061.jpg
  • Mood board, workbench and tools in the studio of Fflur Owen, a leatherworker who makes leather sculptures and objects inspired by nature, at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_064.jpg
  • Hammered metal disc and vessel on the workbench in the studio of Adele Brereton, jeweller and silversmith, at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Adele makes work inspired by found objects, often hammering the metal into or around found or man-made shapes to create one-off pieces. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_117.jpg
  • Moulded black leather hemispheres on the workbench in the studio of Fflur Owen, a leatherworker who makes leather sculptures and objects inspired by nature, at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_080.jpg
  • Mood board, workbench and tools in the studio of Fflur Owen, a leatherworker who makes leather sculptures and objects inspired by nature, at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_070.jpg
  • Workbench and sculpture in the studio of sculptor Pauline Betin, b. 1986, in Betton, near Rennes, Ille-et-Vilaine, Brittany, France. Betin is a sculptor in glass paste who produces work exploring the nature of landscape and the crossover from urban to rural landscapes. Her work explores themes of the natural and man-made, the personal and collective, using contrasts of opacity and transparency; matt and shiny surfaces, and drawing, photography and sculpture. Picture by Manuel Cohen
    09062018_PaulineBetin_MC_09.jpg
  • Workbench and raw materials in the Soleil Rouge workshop of Nicolas Desbons, metalworker and artist, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC083.jpg
  • Bronze ornaments and plates on a workbench in the Atelier de Lustrerie-Bronze, or Bronze Chandelier Workshop, at Le Mobilier National, which commissions and conserves state furniture, in the 13th arrondissement of Paris, France. The workshop deals mainly with gilded bronze pieces such as chandeliers, sconces, pendulums, candelabras, andirons, candlesticks and furniture bronzes from the 17th century to the present day. Picture by Manuel Cohen
    LC20_PARIS_MC_266.jpg
  • Mood board, workbench and tools in the studio of Fflur Owen, a leatherworker who makes leather sculptures and objects inspired by nature, at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_063.jpg
  • Workbench and raw materials in the Soleil Rouge workshop of Nicolas Desbons, metalworker and artist, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC083.jpg
  • Dans son atelier parisien, le 20 janvier 2011, le sculpteur orfèvre Goudji travaille des pièces de futures créations. Détail des mains de l'artiste au travail. In his Parisian studio, on January 20, 2011, goldsmith Goudji is working new creations of his trade. Detail of Goudji's hands working. Born in Georgia in 1941, Goudji has lived in Paris since 1974, due to the personal intervention of President Georges Pompidou. Here he produces his numerous contemporary works of goldsmithery in such widely differing fields as Church Art, swords, jewellery and sculpture. Picture by Manuel Cohen
    012011_Goudji_Atelier_MC005.jpg
  • Dans son atelier parisien, le 20 janvier 2011, le sculpteur orfèvre Goudji travaille des pièces de futures créations. Détail des mains de l'artiste au travail. In his Parisian studio, on January 20, 2011, goldsmith Goudji is working new creations of his trade. Detail of Goudji's hands working. Born in Georgia in 1941, Goudji has lived in Paris since 1974, due to the personal intervention of President Georges Pompidou. Here he produces his numerous contemporary works of goldsmithery in such widely differing fields as Church Art, swords, jewellery and sculpture. Picture by Manuel Cohen
    012011_Goudji_Atelier_MC004.jpg
  • Dans son atelier parisien, le 20 janvier 2011, le sculpteur orfèvre Goudji travaille des pièces de futures créations. Portrait de l'artiste au travail. In his Parisian studio, on January 20, 2011, goldsmith Goudji is working new creations of his trade. Portrait of the artist working. Born in Georgia in 1941, Goudji has lived in Paris since 1974, due to the personal intervention of President Georges Pompidou. Here he produces his numerous contemporary works of goldsmithery in such widely differing fields as Church Art, swords, jewellery and sculpture. Picture by Manuel Cohen
    012011_Goudji_Atelier_MC002.jpg
  • Dans son atelier parisien, le 12 janvier 2011, l'orfèvre Goudji révèle et explique les outils les plus familiers de son art. Nait en Géorgie en 1941, Goudji vit à Paris depuis 1974 sur intervention personnelle du Président de la République Georges Pompidou, où il produit sa création d'orfèvre contemporain. Ses oeuvres sont innombrables tant en Art d'Eglise, Epées, Bijoux que sculptures diverses. In his Parisian studio, on 12th January 2011, goldsmith Goudji demonstrates and explains the  most familiar tools of his trade. Born in Georgia in 1941, Goudji has lived in Paris since 1974, due to the personal intervention of  President Georges Pompidou.  Here he produces his numerous contemporary works of goldsmithery in  such widely differing fields as Church Art, swords, jewellery and sculpture. Picture by Manuel Cohen
    011211_Goudji_MC016.jpg
  • Dans son atelier parisien, le 20 janvier 2011, le sculpteur orfèvre Goudji travaille des pièces de futures créations. Détail des mains de l'artiste au travail. In his Parisian studio, on January 20, 2011, goldsmith Goudji is working new creations of his trade. Detail of Goudji's hands working. Born in Georgia in 1941, Goudji has lived in Paris since 1974, due to the personal intervention of President Georges Pompidou. Here he produces his numerous contemporary works of goldsmithery in such widely differing fields as Church Art, swords, jewellery and sculpture. Picture by Manuel Cohen
    012011_Goudji_Atelier_MC008.jpg
  • Dans son atelier parisien, le 12 janvier 2011, l'orfèvre Goudji révèle et explique les outils les plus familiers de son art. Nait en Géorgie en 1941, Goudji vit à Paris depuis 1974 sur intervention personnelle du Président de la République Georges Pompidou, où il produit sa création d'orfèvre contemporain. Ses oeuvres sont innombrables tant en Art d'Eglise, Epées, Bijoux que sculptures diverses. In his Parisian studio, on 12th January 2011, goldsmith Goudji demonstrates and explains the  most familiar tools of his trade. Born in Georgia in 1941, Goudji has lived in Paris since 1974, due to the personal intervention of  President Georges Pompidou.  Here he produces his numerous contemporary works of goldsmithery in  such widely differing fields as Church Art, swords, jewellery and sculpture. Picture by Manuel Cohen
    011211_Goudji_MC022.jpg
  • Dans son atelier parisien, le 12 janvier 2011, l'orfèvre Goudji révèle et explique les outils les plus familiers de son art. Nait en Géorgie en 1941, Goudji vit à Paris depuis 1974 sur intervention personnelle du Président de la République Georges Pompidou, où il produit sa création d'orfèvre contemporain. Ses oeuvres sont innombrables tant en Art d'Eglise, Epées, Bijoux que sculptures diverses. In his Parisian studio, on 12th January 2011, goldsmith Goudji demonstrates and explains the  most familiar tools of his trade. Born in Georgia in 1941, Goudji has lived in Paris since 1974, due to the personal intervention of  President Georges Pompidou.  Here he produces his numerous contemporary works of goldsmithery in  such widely differing fields as Church Art, swords, jewellery and sculpture. Picture by Manuel Cohen
    011211_Goudji_MC017.jpg
  • Dans son atelier parisien, le 20 janvier 2011, le sculpteur orfèvre Goudji travaille des pièces de futures créations. Détail des mains de l'artiste au travail. In his Parisian studio, on January 20, 2011, goldsmith Goudji is working new creations of his trade. Detail of Goudji's hands at work. Born in Georgia in 1941, Goudji has lived in Paris since 1974, due to the personal intervention of President Georges Pompidou. Here he produces his numerous contemporary works of goldsmithery in such widely differing fields as Church Art, swords, jewellery and sculpture. Picture by Manuel Cohen
    012011_Goudji_Atelier_MC001.jpg
  • Dans son atelier parisien, le 12 janvier 2011, l'orfèvre Goudji révèle et explique les outils les plus familiers de son art. Nait en Géorgie en 1941, Goudji vit à Paris depuis 1974 sur intervention personnelle du Président de la République Georges Pompidou, où il produit sa création d'orfèvre contemporain. Ses oeuvres sont innombrables tant en Art d'Eglise, Epées, Bijoux que sculptures diverses. In his Parisian studio, on 12th January 2011, goldsmith Goudji demonstrates and explains the  most familiar tools of his trade. Born in Georgia in 1941, Goudji has lived in Paris since 1974, due to the personal intervention of  President Georges Pompidou.  Here he produces his numerous contemporary works of goldsmithery in  such widely differing fields as Church Art, swords, jewellery and sculpture. Picture by Manuel Cohen
    011211_Goudji_MC018.jpg
  • Dans son atelier parisien, le 20 janvier 2011, le sculpteur orfèvre Goudji travaille des pièces de futures créations. Détail des mains de l'artiste au travail. In his Parisian studio, on January 20, 2011, goldsmith Goudji is working new creations of his trade. Detail of Goudji's hands working. Born in Georgia in 1941, Goudji has lived in Paris since 1974, due to the personal intervention of President Georges Pompidou. Here he produces his numerous contemporary works of goldsmithery in such widely differing fields as Church Art, swords, jewellery and sculpture. Picture by Manuel Cohen
    012011_Goudji_Atelier_MC007.jpg
  • Dans son atelier parisien, le 12 janvier 2011, l'orfèvre Goudji révèle et explique les outils les plus familiers de son art. Nait en Géorgie en 1941, Goudji vit à Paris depuis 1974 sur intervention personnelle du Président de la République Georges Pompidou, où il produit sa création d'orfèvre contemporain. Ses oeuvres sont innombrables tant en Art d'Eglise, Epées, Bijoux que sculptures diverses. In his Parisian studio, on 12th January 2011, goldsmith Goudji demonstrates and explains the  most familiar tools of his trade. Born in Georgia in 1941, Goudji has lived in Paris since 1974, due to the personal intervention of  President Georges Pompidou.  Here he produces his numerous contemporary works of goldsmithery in  such widely differing fields as Church Art, swords, jewellery and sculpture. Picture by Manuel Cohen
    011211_Goudji_MC021.jpg
  • Kitchens, with hog, basket of fruit, range and copper pans, in the basement of the Chateau de Vaux-le-Vicomte, designed by Louis Le Vau, 1612-70, and built 1658-61 for marquis Nicolas Fouquet, in Maincy, Seine-et-Marne, France. The chateau is built in Baroque style, with decoration by Charles Le Brun, 1619-90, and grounds designed by landscape architect Andre le Notre, 1613-1700. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC19_FRANCE_MC_0224.jpg
  • Carpenter at work in the Atelier de Menuiserie en Sieges, or Carpentry Workshop for Seats, at Le Mobilier National, which commissions and conserves state furniture, in the 13th arrondissement of Paris, France. The workshop makes and restores wooden chairs and other furniture, and treats their surfaces, such as painted, varnished or gilded wooden furniture. Picture by Manuel Cohen
    LC20_PARIS_MC_190.jpg
  • Carpenters at work in the Atelier de Menuiserie en Sieges, or Carpentry Workshop for Seats, at Le Mobilier National, which commissions and conserves state furniture, in the 13th arrondissement of Paris, France. The workshop makes and restores wooden chairs and other furniture, and treats their surfaces, such as painted, varnished or gilded wooden furniture. Picture by Manuel Cohen
    LC20_PARIS_MC_191.jpg
  • Eleanor Lakelin, wood sculptor, seen through the open window of her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, UK. Eleanor makes pieces which celebrate the natural shapes and eccentricities of wood, using lathing, chiseling and carving techniques to make vessels which expose the patterns and gnarls within the natural forms. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 1st June 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_059.jpg
  • Adele Brereton, jeweller and silversmith, seen in a mirror reflection at work at a machine in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Adele makes work inspired by found objects, often hammering the metal into or around found or man-made shapes to create one-off pieces. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_125.jpg
  • Poppy Fuller Abbot, a weaver and textile artist, at work sketching a design in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Poppy creates abstract textile designs often inspired by magic, and has an experimental approach, using sustainable paper yarn and natural dyes in her textiles. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_155.jpg
  • Poppy Fuller Abbot, a weaver and textile artist, at work sewing by hand in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Poppy creates abstract textile designs often inspired by magic, and has an experimental approach, using sustainable paper yarn and natural dyes in her textiles. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_151.jpg
  • Poppy Fuller Abbot, a weaver and textile artist, at work sewing by hand in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Poppy creates abstract textile designs often inspired by magic, and has an experimental approach, using sustainable paper yarn and natural dyes in her textiles. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_149.jpg
  • Atelier Veronique de Soultrait, studio and workshop, on the rue Vendome, Lyon, France. Veronique de Soultrait produces works of art and decoration created using braiding techniques, with threads and ropes of cotton, hemp, cork, silk and leather. Pieces created include headboards, screens, mats, hangings, panels and other objects, which are often geometric in design. Photographed on 10th April 2019 by Manuel Cohen
    10042019_VeroniqueDeSoultrait_MC_34.jpg
  • Veronique de Soultrait, wearing a leather apron, at work braiding cord in her studio and workshop, on the rue Vendome, Lyon, France. Veronique de Soultrait produces works of art and decoration created using braiding techniques, with threads and ropes of cotton, hemp, cork, silk and leather. Pieces created include headboards, screens, mats, hangings, panels and other objects, which are often geometric in design. Photographed on 10th April 2019 by Manuel Cohen
    10042019_VeroniqueDeSoultrait_MC_22.jpg
  • Artworks and inspirations, including sticks and dried grasses, at the Atelier Veronique de Soultrait, a studio and workshop on the rue Vendome, Lyon, France. Veronique de Soultrait produces works of art and decoration created using braiding techniques, with threads and ropes of cotton, hemp, cork, silk and leather. Pieces created include headboards, screens, mats, hangings, panels and other objects, which are often geometric in design. Photographed on 10th April 2019 by Manuel Cohen
    10042019_VeroniqueDeSoultrait_MC_01.JPG
  • Louise Lardeyret from Sinny & Ooko and Hugo Gereart, 'Amis Recycleurs' coordinator, mending a chair in L'Atelier de Rene, the recycling workshop of Cesar Popoff, or 'Rene', where he helps people repair broken appliances and objects, and loans tools, at La Recyclerie, on the Boulevard Ornano, in the 18th arrondissement of Paris, France. La Recyclerie helps and encourages people to rethink, reduce, reuse and recycle, offering a cafe, garden with fresh produce and eggs, support with upcycling and mending, and a varied education programme. Picture by Manuel Cohen
    LC19_PARIS_MC_1193.jpg
  • Portrait of sculptor Pauline Betin, b. 1986, in her studio in Betton, near Rennes, Ille-et-Vilaine, Brittany, France. Betin is a sculptor in glass paste who produces work exploring the nature of landscape and the crossover from urban to rural landscapes. Her work explores themes of the natural and man-made, the personal and collective, using contrasts of opacity and transparency; matt and shiny surfaces, and drawing, photography and sculpture. Picture by Manuel Cohen
    09062018_PaulineBetin_MC_01.JPG
  • Nicolas Desbons, metalworker and artist, selecting steel pieces for a sculpture made from cross-sections of steel tubes manipulated into organic profiles and soldered together, in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC015.jpg
  • Nicolas Desbons, metalworker and artist, selecting steel pieces for a sculpture made from cross-sections of steel tubes manipulated into organic profiles and soldered together, in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC013.jpg
  • Nicolas Desbons, metalworker and artist, selecting steel pieces for a sculpture made from cross-sections of steel tubes manipulated into organic profiles and soldered together, and a sculpture in the foreground, in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC033.jpg
  • Carpenters at work in the Atelier de Menuiserie en Sieges, or Carpentry Workshop for Seats, at Le Mobilier National, which commissions and conserves state furniture, in the 13th arrondissement of Paris, France. The workshop makes and restores wooden chairs and other furniture, and treats their surfaces, such as painted, varnished or gilded wooden furniture. Picture by Manuel Cohen
    LC20_PARIS_MC_192.jpg
  • Sawdust and wood remnants in the studio of Eleanor Lakelin, wood sculptor, at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Eleanor makes pieces which celebrate the natural shapes and eccentricities of wood, using lathing, chiseling and carving techniques to make vessels which expose the patterns and gnarls within the natural forms. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 1st June 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_033.jpg
  • Open window of the studio of Eleanor Lakelin, wood sculptor, at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Eleanor makes pieces which celebrate the natural shapes and eccentricities of wood, using lathing, chiseling and carving techniques to make vessels which expose the patterns and gnarls within the natural forms. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 1st June 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_049.jpg
  • Eleanor Lakelin, wood sculptor, at work in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Eleanor makes pieces which celebrate the natural shapes and eccentricities of wood, using lathing, chiseling and carving techniques to make vessels which expose the patterns and gnarls within the natural forms. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 1st June 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_046.jpg
  • Eleanor Lakelin, wood sculptor, at work in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Eleanor makes pieces which celebrate the natural shapes and eccentricities of wood, using lathing, chiseling and carving techniques to make vessels which expose the patterns and gnarls within the natural forms. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 1st June 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_045.jpg
  • Fflur Owen, a leatherworker who makes leather sculptures and objects inspired by nature, at work in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_073.jpg
  • Shelves and spools of thread in the studio of Poppy Fuller Abbot, a weaver and textile artist, at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Poppy creates abstract textile designs often inspired by magic, and has an experimental approach, using sustainable paper yarn and natural dyes in her textiles. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_142.jpg
  • Paper yarn threads and woven fabric in the studio of Poppy Fuller Abbot, a weaver and textile artist, at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Poppy creates abstract textile designs often inspired by magic, and has an experimental approach, using sustainable paper yarn and natural dyes in her textiles. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_134.jpg
  • Adele Brereton, jeweller and silversmith, seen in a mirror reflection at work hammering metal in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Adele makes work inspired by found objects, often hammering the metal into or around found or man-made shapes to create one-off pieces. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_127.jpg
  • Adele Brereton, jeweller and silversmith, seen in a mirror reflection at work hammering metal in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Adele makes work inspired by found objects, often hammering the metal into or around found or man-made shapes to create one-off pieces. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_126.jpg
  • Adele Brereton, jeweller and silversmith, seen in a mirror reflection at work at a machine in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Adele makes work inspired by found objects, often hammering the metal into or around found or man-made shapes to create one-off pieces. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_121.jpg
  • Poppy Fuller Abbot, a weaver and textile artist, at work sketching a design in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Poppy creates abstract textile designs often inspired by magic, and has an experimental approach, using sustainable paper yarn and natural dyes in her textiles. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_156.jpg
  • Poppy Fuller Abbot, a weaver and textile artist, at work sewing by hand in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Poppy creates abstract textile designs often inspired by magic, and has an experimental approach, using sustainable paper yarn and natural dyes in her textiles. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_148.jpg
  • Poppy Fuller Abbot, a weaver and textile artist, at work in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Poppy creates abstract textile designs often inspired by magic, and has an experimental approach, using sustainable paper yarn and natural dyes in her textiles. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_147.jpg
  • Emily Kidson, a jewellery designer who works with wood, laminate and silver to create colourful pieces, at work in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Emily is inspired by urban architectural forms and cuts and finishes each piece by hand. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_183.jpg
  • Emily Kidson, a jewellery designer who works with wood, laminate and silver to create colourful pieces, at work in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Emily is inspired by urban architectural forms and cuts and finishes each piece by hand. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_182.jpg
  • Emily Kidson, a jewellery designer who works with wood, laminate and silver to create colourful pieces, at work in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Emily is inspired by urban architectural forms and cuts and finishes each piece by hand. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_179.jpg
  • Veronique de Soultrait, wearing a leather apron, winding cord on a bobbin in her studio and workshop, on the rue Vendome, Lyon, France. Veronique de Soultrait produces works of art and decoration created using braiding techniques, with threads and ropes of cotton, hemp, cork, silk and leather. Pieces created include headboards, screens, mats, hangings, panels and other objects, which are often geometric in design. Photographed on 10th April 2019 by Manuel Cohen
    10042019_VeroniqueDeSoultrait_MC_33.jpg
  • Veronique de Soultrait, wearing a leather apron, at work unravelling cord, in her studio and workshop, on the rue Vendome, Lyon, France. Veronique de Soultrait produces works of art and decoration created using braiding techniques, with threads and ropes of cotton, hemp, cork, silk and leather. Pieces created include headboards, screens, mats, hangings, panels and other objects, which are often geometric in design. Photographed on 10th April 2019 by Manuel Cohen
    10042019_VeroniqueDeSoultrait_MC_16.jpg
  • Christel Sadde, kinetic artist, threading metal weights with wire in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_42.jpg
  • Hugo Gereart, 'Amis Recycleurs' coordinator, in L'Atelier de Rene, the recycling workshop of Cesar Popoff, or 'Rene', where he helps people repair broken appliances and objects, and loans tools, at La Recyclerie, on the Boulevard Ornano, in the 18th arrondissement of Paris, France. La Recyclerie helps and encourages people to rethink, reduce, reuse and recycle, offering a cafe, garden with fresh produce and eggs, support with upcycling and mending, and a varied education programme. Picture by Manuel Cohen
    LC19_PARIS_MC_1187.jpg
  • Lacquer artist painting with gold leaf on a lacquered panel at the Atelier Midavaine, a lacquer workshop on the Rue des Acacias in the 17th arrondissement of Paris, France. The workshop is run by Anne Midavaine, granddaughter of lacquer artist Louis Midavaine, who founded the company in 1919. The workshop produces lacquer panelling, furniture and objects, mainly to commission, working with an international clientele. Picture by Manuel Cohen
    04102018_AtelierMidavaine_MC_09.jpg
  • Lacquer artist wet sanding a lacquered panel at the Atelier Midavaine, a lacquer workshop on the Rue des Acacias in the 17th arrondissement of Paris, France. The workshop is run by Anne Midavaine, granddaughter of lacquer artist Louis Midavaine, who founded the company in 1919. The workshop produces lacquer panelling, furniture and objects, mainly to commission, working with an international clientele. Picture by Manuel Cohen
    04102018_AtelierMidavaine_MC_12.JPG
  • Saddle harnesser repairing a saddle, at the Ateliers de la Garde Republicaine, or workshops of the Republican Guard, 10, Avenue de la Republique, Paris, France. The saddle harnessers maintain the saddles and weapon harnesses, some dating from the First World War and still used by the cavalry regiment, using high quality leather and traditional manufacturing methods. The Garde Republicaine was founded by Napoleon in 1802. It is part of the Gendarmerie and is responsible for security, guards of honour, military ceremonies and horseback patrols. In its workshops, master craftsmen maintain the equipment used by the horsemen and infantrymen, using traditional and sometimes ancient techniques passed down through the generations. Picture by Manuel Cohen
    LC18_FRANCE_MC_0525.jpg
  • Saddle harnesser repairing a saddle, at the Ateliers de la Garde Republicaine, or workshops of the Republican Guard, 10, Avenue de la Republique, Paris, France. The saddle harnessers maintain the saddles and weapon harnesses, some dating from the First World War and still used by the cavalry regiment, using high quality leather and traditional manufacturing methods. The Garde Republicaine was founded by Napoleon in 1802. It is part of the Gendarmerie and is responsible for security, guards of honour, military ceremonies and horseback patrols. In its workshops, master craftsmen maintain the equipment used by the horsemen and infantrymen, using traditional and sometimes ancient techniques passed down through the generations. Picture by Manuel Cohen
    LC18_FRANCE_MC_0520.jpg
  • Mathilde Lingee, master glazier, setting glass in lead for a stained glass window by the artist Bernard Quesniaux, photographed 30th August 2017 at the Ateliers Duchemin, Paris, France. Since the 1850s, the Ateliers Duchemin have been making and restoring stained glass. Picture by Manuel Cohen
    300817_DucheminWorkshop_MC009.jpg
  • Mathilde Lingee, master glazier, setting glass in lead for a stained glass window by the artist Bernard Quesniaux, photographed 30th August 2017 at the Ateliers Duchemin, Paris, France. Since the 1850s, the Ateliers Duchemin have been making and restoring stained glass. Picture by Manuel Cohen
    300817_DucheminWorkshop_MC003.jpg
  • Gilles Rousvoal, glass artist and husband of Dominique Duchemin, inheritor of the Ateliers Duchemin, which she has run since 1986, photographed 30th August 2017 at the Ateliers Duchemin, Paris, France. Since the 1850s, the Ateliers Duchemin have been making and restoring stained glass. Picture by Manuel Cohen
    300817_DucheminWorkshop_MC002.jpg
  • Nicolas Desbons, metalworker and artist, working on a figurative sculpture made by placing square of steel inside a plaster mould and soldering them together, in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. On the right is a sculpture of a female torso made from cross-sections of steel tubes manipulated into organic shapes and soldered together. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC049.jpg
  • Inside the Soleil Rouge workshop of Nicolas Desbons, metalworker and artist, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC048.jpg
  • Inside the Soleil Rouge workshop of Nicolas Desbons, metalworker and artist, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC035.jpg
  • Nicolas Desbons, metalworker and artist, soldering steel pieces for a sculpture made from cross-sections of steel tubes manipulated into organic profiles and soldered together, in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC028.jpg
  • Nicolas Desbons, metalworker and artist, soldering steel pieces for a sculpture made from cross-sections of steel tubes manipulated into organic profiles and soldered together, in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC026.jpg
  • Man at work on a steel sculpture inside the Soleil Rouge workshop of Nicolas Desbons, metalworker and artist, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC023.JPG
  • Ceramicist Valeria Polsinelli decorating a vase on a turntable with coloured glazes, photographed in 2017, in her studio in Montreuil, a suburb of Paris, France. Polsinelli creates everyday vessels, water jugs, jewellery and figurines and stoppers of female busts, with features and hairstyles from various world cultures. Picture by Manuel Cohen
    03022017_ValeriaPolsinelli_MC018.jpg
  • Ceramicist Valeria Polsinelli decorating a vase with coloured glazes on a turntable, photographed in 2017, in her studio in Montreuil, a suburb of Paris, France. Polsinelli creates everyday vessels, water jugs, jewellery and figurines and stoppers of female busts, with features and hairstyles from various world cultures. Picture by Manuel Cohen
    03022017_ValeriaPolsinelli_MC017.jpg
  • Inside the Soleil Rouge workshop of Nicolas Desbons, metalworker and artist, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC075.jpg
  • Nicolas Desbons, metalworker and artist, in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. On the press is a figurative sculpture formed by soldering together cross-sections of steel tube which have been manipulated into organic profiles. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC042.jpg
  • Nicolas Desbons, metalworker and artist, soldering steel pieces for a sculpture made from cross-sections of steel tubes manipulated into organic profiles and soldered together, in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC026.jpg
  • Inside the Soleil Rouge workshop of Nicolas Desbons, metalworker and artist, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC019.jpg
  • A tanner softening a piece of leather by hand, from the donor window of the tanners and leather workers, from the Life of St Martin of Tours stained glass window, 1215-25, on the South portal of Chartres Cathedral, Eure-et-Loir, France. St Martin was born c. 316 AD in present day Hungary. As a child he asked to convert to Christianity and was eventually elected bishop of Tours. He was one of the most poplar medieval saints. Chartres cathedral was built 1194-1250 and is a fine example of Gothic architecture. Most of its windows date from 1205-40 although a few earlier 12th century examples are also intact. It was declared a UNESCO World Heritage Site in 1979. Picture by Manuel Cohen
    LC13_FRANCE_MC552.jpg
  • Atelier de Teinture or Dyeing Workshop, at the Gobelins Manufactory, a historic tapestry workshop, at Le Mobilier National, which commissions and conserves state furniture, in the 13th arrondissement of Paris, France. The dyeing workshop was founded by Colbert in 1665, when a limited palette of natural dyes were used. In 1838 Eugene Chevreul created his chromatic circle, which is now digitised and used for mixing synthetic dyes. Picture by Manuel Cohen
    LC20_PARIS_MC_282.jpg
  • Carpenter at work on a chair back in the Atelier de Menuiserie en sieges, or Carpentry Workshop for Seats, at Le Mobilier National, which commissions and conserves state furniture, in the 13th arrondissement of Paris, France. The workshop makes and restores wooden chairs and other furniture, and treats their surfaces, such as painted, varnished or gilded wooden furniture. Picture by Manuel Cohen
    LC20_PARIS_MC_188.jpg
  • Carpenter at work in the Atelier de Menuiserie en Sieges, or Carpentry Workshop for Seats, at Le Mobilier National, which commissions and conserves state furniture, in the 13th arrondissement of Paris, France. The workshop makes and restores wooden chairs and other furniture, and treats their surfaces, such as painted, varnished or gilded wooden furniture. Picture by Manuel Cohen
    LC20_PARIS_MC_195.jpg
  • Fflur Owen, a leatherworker who makes leather sculptures and objects inspired by nature, with some of her sculptures in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_078.jpg
  • Fflur Owen, a leatherworker who makes leather sculptures and objects inspired by nature, seen from above at work in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_074.jpg
  • Paper yarn threads and a woven fabric in the studio of Poppy Fuller Abbot, a weaver and textile artist, at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Poppy creates abstract textile designs often inspired by magic, and has an experimental approach, using sustainable paper yarn and natural dyes in her textiles. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_144.jpg
  • Adele Brereton, jeweller and silversmith, seen in a mirror reflection at work in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Adele makes work inspired by found objects, often hammering the metal into or around found or man-made shapes to create one-off pieces. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_130.jpg
  • Adele Brereton, jeweller and silversmith, seen in a mirror reflection at work at a machine in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Adele makes work inspired by found objects, often hammering the metal into or around found or man-made shapes to create one-off pieces. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_124.jpg
  • Adele Brereton, jeweller and silversmith, seen in a mirror reflection at work at a machine in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Adele makes work inspired by found objects, often hammering the metal into or around found or man-made shapes to create one-off pieces. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_120.jpg
  • Emily Kidson, a jewellery designer who works with wood, laminate and silver to create colourful pieces, at work in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Emily is inspired by urban architectural forms and cuts and finishes each piece by hand. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_172.jpg
  • Emily Kidson, a jewellery designer who works with wood, laminate and silver to create colourful pieces, at work in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Emily is inspired by urban architectural forms and cuts and finishes each piece by hand. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_171.jpg
  • Poppy Fuller Abbot, a weaver and textile artist, at work sketching a design in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Poppy creates abstract textile designs often inspired by magic, and has an experimental approach, using sustainable paper yarn and natural dyes in her textiles. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_154.jpg
  • Emily Kidson, a jewellery designer who works with wood, laminate and silver to create colourful pieces, at work in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Emily is inspired by urban architectural forms and cuts and finishes each piece by hand. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_180.jpg
  • Emily Kidson, a jewellery designer who works with wood, laminate and silver to create colourful pieces, seen from above at work in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Emily is inspired by urban architectural forms and cuts and finishes each piece by hand. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_178.jpg
  • Emily Kidson, a jewellery designer who works with wood, laminate and silver to create colourful pieces, at work drawing shapes in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Emily is inspired by urban architectural forms and cuts and finishes each piece by hand. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_174.jpg
  • Veronique de Soultrait at work in her studio and workshop, on the rue Vendome, Lyon, France. Veronique de Soultrait produces works of art and decoration created using braiding techniques, with threads and ropes of cotton, hemp, cork, silk and leather. Pieces created include headboards, screens, mats, hangings, panels and other objects, which are often geometric in design. Photographed on 10th April 2019 by Manuel Cohen
    10042019_VeroniqueDeSoultrait_MC_52.jpg
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