manuel cohen

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  • View from above of a tanner throwing skins into a pit of red dye, Chouara Tannery, Fez, Morocco, pictured on February 22, 2009 in the morning, split into light and shade by the strong sun. The Chouara tannery is the largest of the four ancient tanneries in the Medina of Fez where the traditional work of the tanners has remained unchanged since the 14th century. It is composed of numerous dried-earth pits where raw skins are treated, pounded, scraped and dyed. Tanners work in vats filled with various coloured liquid dyes derived from plant sources. Colours change every two weeks, poppy flower for red, mint for green, indigo for blue, chedar tree for brown and saffron for yellow. Fez, Morocco's second largest city, and one of the four imperial cities, was founded in 789 by Idris I on the banks of the River Fez. The oldest university in the world is here and the city is still the Moroccan cultural and spiritual centre. Fez has three sectors: the oldest part, the walled city of Fes-el-Bali, houses Morocco's largest medina and is a UNESCO World Heritage Site;  Fes-el-Jedid was founded in 1244 as a new capital by the Merenid dynasty, and contains the Mellah, or Jewish quarter; Ville Nouvelle was built by the French who took over most of Morocco in 1912 and transferred the capital to Rabat. Picture by Manuel Cohen.
    LCMOROCCO_FEB09_MC0019.jpg
  • Veronique de Soultrait, wearing a leather apron, at work in her studio and workshop, on the rue Vendome, Lyon, France. Veronique de Soultrait produces works of art and decoration created using braiding techniques, with threads and ropes of cotton, hemp, cork, silk and leather. Pieces created include headboards, screens, mats, hangings, panels and other objects, which are often geometric in design. Photographed on 10th April 2019 by Manuel Cohen
    10042019_VeroniqueDeSoultrait_MC_23.jpg
  • Veronique de Soultrait, wearing a leather apron, at work braiding cord in her studio and workshop, on the rue Vendome, Lyon, France. Veronique de Soultrait produces works of art and decoration created using braiding techniques, with threads and ropes of cotton, hemp, cork, silk and leather. Pieces created include headboards, screens, mats, hangings, panels and other objects, which are often geometric in design. Photographed on 10th April 2019 by Manuel Cohen
    10042019_VeroniqueDeSoultrait_MC_22.jpg
  • Veronique de Soultrait, wearing a leather apron, at work on a piece using coiled and knotted cord and a metal pole, in her studio and workshop, on the rue Vendome, Lyon, France. Veronique de Soultrait produces works of art and decoration created using braiding techniques, with threads and ropes of cotton, hemp, cork, silk and leather. Pieces created include headboards, screens, mats, hangings, panels and other objects, which are often geometric in design. Photographed on 10th April 2019 by Manuel Cohen
    10042019_VeroniqueDeSoultrait_MC_19.jpg
  • Veronique de Soultrait, wearing a leather apron, at work unravelling cord, in her studio and workshop, on the rue Vendome, Lyon, France. Veronique de Soultrait produces works of art and decoration created using braiding techniques, with threads and ropes of cotton, hemp, cork, silk and leather. Pieces created include headboards, screens, mats, hangings, panels and other objects, which are often geometric in design. Photographed on 10th April 2019 by Manuel Cohen
    10042019_VeroniqueDeSoultrait_MC_16.jpg
  • Veronique de Soultrait, wearing a leather apron, at work winding cord around a metal pole, in her studio and workshop, on the rue Vendome, Lyon, France. Veronique de Soultrait produces works of art and decoration created using braiding techniques, with threads and ropes of cotton, hemp, cork, silk and leather. Pieces created include headboards, screens, mats, hangings, panels and other objects, which are often geometric in design. Photographed on 10th April 2019 by Manuel Cohen
    10042019_VeroniqueDeSoultrait_MC_15.jpg
  • Veronique de Soultrait, wearing a leather apron, at work braiding cord, in her studio and workshop, on the rue Vendome, Lyon, France. Veronique de Soultrait produces works of art and decoration created using braiding techniques, with threads and ropes of cotton, hemp, cork, silk and leather. Pieces created include headboards, screens, mats, hangings, panels and other objects, which are often geometric in design. Photographed on 10th April 2019 by Manuel Cohen
    10042019_VeroniqueDeSoultrait_MC_14.jpg
  • Veronique de Soultrait, wearing a leather apron, at work winding cord around a metal pole, in her studio and workshop, on the rue Vendome, Lyon, France. Veronique de Soultrait produces works of art and decoration created using braiding techniques, with threads and ropes of cotton, hemp, cork, silk and leather. Pieces created include headboards, screens, mats, hangings, panels and other objects, which are often geometric in design. Photographed on 10th April 2019 by Manuel Cohen
    10042019_VeroniqueDeSoultrait_MC_13.jpg
  • Ceramicist Valeria Polsinelli at work incising stripes into a clay pot, photographed in 2017, in her studio in Montreuil, a suburb of Paris, France. Polsinelli creates everyday vessels, water jugs, jewellery and figurines and stoppers of female busts, with features and hairstyles from various world cultures. Picture by Manuel Cohen
    03022017_ValeriaPolsinelli_MC012.jpg
  • Ceramicist Valeria Polsinelli at work on a vase by the window, photographed in 2017, in her studio in Montreuil, a suburb of Paris, France. Polsinelli creates everyday vessels, water jugs, jewellery and figurines and stoppers of female busts, with features and hairstyles from various world cultures. Picture by Manuel Cohen
    03022017_ValeriaPolsinelli_MC005.jpg
  • Ceramicist Valeria Polsinelli at work sculpting a female figurine from clay, photographed in 2017, in her studio in Montreuil, a suburb of Paris, France. Polsinelli creates everyday vessels, water jugs, jewellery and figurines and stoppers of female busts, with features and hairstyles from various world cultures. Picture by Manuel Cohen
    03022017_ValeriaPolsinelli_MC006.jpg
  • Veronique de Soultrait, wearing a leather apron, at work braiding cord in her studio and workshop, on the rue Vendome, Lyon, France. Veronique de Soultrait produces works of art and decoration created using braiding techniques, with threads and ropes of cotton, hemp, cork, silk and leather. Pieces created include headboards, screens, mats, hangings, panels and other objects, which are often geometric in design. Photographed on 10th April 2019 by Manuel Cohen
    10042019_VeroniqueDeSoultrait_MC_21.jpg
  • Veronique de Soultrait, wearing a leather apron, at work braiding cord in her studio and workshop, on the rue Vendome, Lyon, France. Veronique de Soultrait produces works of art and decoration created using braiding techniques, with threads and ropes of cotton, hemp, cork, silk and leather. Pieces created include headboards, screens, mats, hangings, panels and other objects, which are often geometric in design. Photographed on 10th April 2019 by Manuel Cohen
    10042019_VeroniqueDeSoultrait_MC_20.jpg
  • Veronique de Soultrait and an assistant, at work braiding cord in her studio and workshop, on the rue Vendome, Lyon, France. Veronique de Soultrait produces works of art and decoration created using braiding techniques, with threads and ropes of cotton, hemp, cork, silk and leather. Pieces created include headboards, screens, mats, hangings, panels and other objects, which are often geometric in design. Photographed on 10th April 2019 by Manuel Cohen
    10042019_VeroniqueDeSoultrait_MC_17.jpg
  • Portrait of Grzegorz Rosinski, Polish comic book artist, born 1941 in Stalowa Wola, Poland, at work on a pastel picture of Thorgal in his new studio, Mollens, Sierre, Switzerland, 9th September 2016. Rosinski is the author and designer of many Polish comic book series, and created Thorgal with Belgian writer Jean Van Hamme in 1977. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Picture by Manuel Cohen
    LC16_ROSINSKI_MC_119.jpg
  • Portrait of Grzegorz Rosinski, Polish comic book artist, born 1941 in Stalowa Wola, Poland, at work on a pastel picture of Thorgal in his new studio, Mollens, Sierre, Switzerland, 9th September 2016. Rosinski is the author and designer of many Polish comic book series, and created Thorgal with Belgian writer Jean Van Hamme in 1977. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Picture by Manuel Cohen
    LC16_ROSINSKI_MC_129.jpg
  • Portrait of Grzegorz Rosinski, Polish comic book artist, born 1941 in Stalowa Wola, Poland, at work on a pastel picture of Thorgal in his new studio, Mollens, Sierre, Switzerland, 9th September 2016. Rosinski is the author and designer of many Polish comic book series, and created Thorgal with Belgian writer Jean Van Hamme in 1977. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Picture by Manuel Cohen
    LC16_ROSINSKI_MC_126.jpg
  • Portrait of Grzegorz Rosinski, Polish comic book artist, born 1941 in Stalowa Wola, Poland, at work on a pastel picture of Thorgal in his new studio, Mollens, Sierre, Switzerland, 9th September 2016. Rosinski is the author and designer of many Polish comic book series, and created Thorgal with Belgian writer Jean Van Hamme in 1977. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Picture by Manuel Cohen
    LC16_ROSINSKI_MC_125.jpg
  • Portrait of Grzegorz Rosinski, Polish comic book artist, born 1941 in Stalowa Wola, Poland, at work on a pastel picture of Thorgal in his new studio, Mollens, Sierre, Switzerland, 9th September 2016. Rosinski is the author and designer of many Polish comic book series, and created Thorgal with Belgian writer Jean Van Hamme in 1977. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Picture by Manuel Cohen
    LC16_ROSINSKI_MC_124.jpg
  • Portrait of Grzegorz Rosinski, Polish comic book artist, born 1941 in Stalowa Wola, Poland, at work on a pastel picture of Thorgal in his new studio, Mollens, Sierre, Switzerland, 9th September 2016. Rosinski is the author and designer of many Polish comic book series, and created Thorgal with Belgian writer Jean Van Hamme in 1977. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Picture by Manuel Cohen
    LC16_ROSINSKI_MC_123.jpg
  • Portrait of Grzegorz Rosinski, Polish comic book artist, born 1941 in Stalowa Wola, Poland, at work on a pastel picture of Thorgal in his new studio, Mollens, Sierre, Switzerland, 9th September 2016. Rosinski is the author and designer of many Polish comic book series, and created Thorgal with Belgian writer Jean Van Hamme in 1977. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Picture by Manuel Cohen
    LC16_ROSINSKI_MC_122.jpg
  • Portrait of Grzegorz Rosinski, Polish comic book artist, born 1941 in Stalowa Wola, Poland, at work on a pastel picture of Thorgal in his new studio, Mollens, Sierre, Switzerland, 9th September 2016. Rosinski is the author and designer of many Polish comic book series, and created Thorgal with Belgian writer Jean Van Hamme in 1977. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Picture by Manuel Cohen
    LC16_ROSINSKI_MC_120.jpg
  • Portrait of Grzegorz Rosinski, Polish comic book artist, born 1941 in Stalowa Wola, Poland, at work on a pastel picture of Thorgal in his new studio, Mollens, Sierre, Switzerland, 9th September 2016. Rosinski is the author and designer of many Polish comic book series, and created Thorgal with Belgian writer Jean Van Hamme in 1977. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Picture by Manuel Cohen
    LC16_ROSINSKI_MC_118.jpg
  • Portrait of Grzegorz Rosinski, Polish comic book artist, born 1941 in Stalowa Wola, Poland, at work on a painting from the Thorgal series in his outdoor studio area on a verandah in his garden at his home in Mollens, Sierre, Switzerland, 9th September 2016. Rosinski is the author and designer of many Polish comic book series, and created Thorgal with Belgian writer Jean Van Hamme in 1977. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Picture by Manuel Cohen
    LC16_ROSINSKI_MC_136.jpg
  • Portrait of Grzegorz Rosinski, Polish comic book artist, born 1941 in Stalowa Wola, Poland, at work on a painting from the Thorgal series in his outdoor studio area on a verandah in his garden at his home in Mollens, Sierre, Switzerland, 9th September 2016. Rosinski is the author and designer of many Polish comic book series, and created Thorgal with Belgian writer Jean Van Hamme in 1977. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Picture by Manuel Cohen
    LC16_ROSINSKI_MC_133.jpg
  • Portrait of Grzegorz Rosinski, Polish comic book artist, born 1941 in Stalowa Wola, Poland, at work on a painting from the Thorgal series in his outdoor studio area on a verandah in his garden at his home in Mollens, Sierre, Switzerland, 9th September 2016. Rosinski is the author and designer of many Polish comic book series, and created Thorgal with Belgian writer Jean Van Hamme in 1977. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Picture by Manuel Cohen
    LC16_ROSINSKI_MC_134.jpg
  • Portrait of Grzegorz Rosinski, Polish comic book artist, born 1941 in Stalowa Wola, Poland, at work on a painting from the Thorgal series in his outdoor studio area on a verandah in his garden at his home in Mollens, Sierre, Switzerland, 9th September 2016. Rosinski is the author and designer of many Polish comic book series, and created Thorgal with Belgian writer Jean Van Hamme in 1977. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Picture by Manuel Cohen
    LC16_ROSINSKI_MC_135.jpg
  • Portrait of Grzegorz Rosinski, Polish comic book artist, born 1941 in Stalowa Wola, Poland, at work on a pastel picture of Thorgal in his new studio, Mollens, Sierre, Switzerland, 9th September 2016. Rosinski is the author and designer of many Polish comic book series, and created Thorgal with Belgian writer Jean Van Hamme in 1977. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Picture by Manuel Cohen
    LC16_ROSINSKI_MC_130.jpg
  • Portrait of Grzegorz Rosinski, Polish comic book artist, born 1941 in Stalowa Wola, Poland, at work on a pastel picture of Thorgal in his new studio, Mollens, Sierre, Switzerland, 9th September 2016. Rosinski is the author and designer of many Polish comic book series, and created Thorgal with Belgian writer Jean Van Hamme in 1977. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Picture by Manuel Cohen
    LC16_ROSINSKI_MC_128.jpg
  • Portrait of Grzegorz Rosinski, Polish comic book artist, born 1941 in Stalowa Wola, Poland, at work on a pastel picture of Thorgal in his new studio, Mollens, Sierre, Switzerland, 9th September 2016. Rosinski is the author and designer of many Polish comic book series, and created Thorgal with Belgian writer Jean Van Hamme in 1977. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Picture by Manuel Cohen
    LC16_ROSINSKI_MC_127.jpg
  • Portrait of Grzegorz Rosinski, Polish comic book artist, born 1941 in Stalowa Wola, Poland, at work on a painting from the Thorgal series in his outdoor studio area on a verandah in his garden at his home in Mollens, Sierre, Switzerland, 9th September 2016. Rosinski is the author and designer of many Polish comic book series, and created Thorgal with Belgian writer Jean Van Hamme in 1977. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Picture by Manuel Cohen
    LC16_ROSINSKI_MC_137.JPG
  • Scene of a blacksmith at work in the Middle Ages. Image taken from the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. Picture by Manuel Cohen
    LC11_FRANCE_MC016.jpg
  • Scene of a blacksmith at work in the Middle Ages stoking his fire. Image taken from the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. Picture by Manuel Cohen
    LC11_FRANCE_MC018.jpg
  • Monument to prisoners sent to the work camps (bronze), Jean Gallo, Pere Lachaise Cemetery (Cimetiere du Pere-Lachaise) Paris, France, opened 1804, designed by Alexandre-Theodore Brongniart. Named after Pere Francois de la Chaise (1624-1709), confessor to Louis XIV (1638-1713), who lived in the Jesuit house on the site of the chapel. Picture by Manuel Cohen
    LC_PARIS_11_MC146.jpg
  • Slaves working on a tobacco plantation, engraving, 1722, from Nouveau Voyage aux Iles de l’Amerique, by Jean-Baptiste Labat, 1663-1738, in the Musee d'histoire de Nantes, in the Chateau des ducs de Bretagne, in Nantes, Pays de la Loire, France. Although not as important as sugar or coffee, tobacco was grown in the colonies and exported to France. The museum opened in 2007 and covers the history of Nantes, focusing on slavery, world wars, industrialisation and the chateau. Picture by Manuel Cohen
    LC21_FRANCE_MC_0024.jpg
  • Nicolas Desbons, metalworker and artist, at work on a plaster and clay mould for a figurative sculpture, and a standing clay sculpture, in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC078.jpg
  • Nicolas Desbons, metalworker and artist, at work on the plaster and clay mould of a figurative sculpture, photographed in 2017, in his Soleil Rouge workshop in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC077.jpg
  • Nicolas Desbons, metalworker and artist, at work on a plaster and clay mould for a figurative sculpture, and a standing clay sculpture, in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC078.jpg
  • Nicolas Desbons, metalworker and artist, at work on the plaster and clay mould of a figurative sculpture, photographed in 2017, in his Soleil Rouge workshop in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC076.jpg
  • Nicolas Desbons, metalworker and artist, at work on the plaster and clay mould of a figurative sculpture, photographed in 2017, in his Soleil Rouge workshop in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC077.jpg
  • Nicolas Desbons, metalworker and artist, at work on the plaster and clay mould of a figurative sculpture, photographed in 2017, in his Soleil Rouge workshop in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC076.jpg
  • Adele Brereton, jeweller and silversmith, seen in a mirror reflection at work in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Adele makes work inspired by found objects, often hammering the metal into or around found or man-made shapes to create one-off pieces. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_129.jpg
  • Adele Brereton, jeweller and silversmith, seen in a mirror reflection at work hammering metal in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Adele makes work inspired by found objects, often hammering the metal into or around found or man-made shapes to create one-off pieces. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_128.jpg
  • Adele Brereton, jeweller and silversmith, seen in a mirror reflection at work hammering metal in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Adele makes work inspired by found objects, often hammering the metal into or around found or man-made shapes to create one-off pieces. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_127.jpg
  • Adele Brereton, jeweller and silversmith, seen in a mirror reflection at work at a machine in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Adele makes work inspired by found objects, often hammering the metal into or around found or man-made shapes to create one-off pieces. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_124.jpg
  • Adele Brereton, jeweller and silversmith, seen in a mirror reflection at work at a machine in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Adele makes work inspired by found objects, often hammering the metal into or around found or man-made shapes to create one-off pieces. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_123.jpg
  • Adele Brereton, jeweller and silversmith, seen in a mirror reflection at work at a machine in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Adele makes work inspired by found objects, often hammering the metal into or around found or man-made shapes to create one-off pieces. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_121.jpg
  • Adele Brereton, jeweller and silversmith, at work in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Adele makes work inspired by found objects, often hammering the metal into or around found or man-made shapes to create one-off pieces. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_119.jpg
  • Detail of worker, Chouara tannery, Fez, Morocco, pictured on February 25, 2009 in the evening. As in olden times, no one is rushing home after work. A tanner sitting on the stairs, waiting for a colleague, is enjoying the last rays of sunshine. The Chouara tannery is the largest of the four ancient tanneries in the Medina of Fez where the traditional work of the tanners has remained unchanged since the 14th century. It is composed of numerous dried-earth pits where raw skins are treated, pounded, scraped and dyed. Tanners work in vats filled with various coloured liquid dyes derived from plant sources. Colours change every two weeks, poppy flower for red, mint for green, indigo for blue, chedar tree for brown and saffron for yellow. Fez, Morocco's second largest city, and one of the four imperial cities, was founded in 789 by Idris I on the banks of the River Fez. The oldest university in the world is here and the city is still the Moroccan cultural and spiritual centre. Fez has three sectors: the oldest part, the walled city of Fes-el-Bali, houses Morocco's largest medina and is a UNESCO World Heritage Site;  Fes-el-Jedid was founded in 1244 as a new capital by the Merenid dynasty, and contains the Mellah, or Jewish quarter; Ville Nouvelle was built by the French who took over most of Morocco in 1912 and transferred the capital to Rabat. Picture by Manuel Cohen.
    LCMOROCCO_FEB09_MC0094.jpg
  • Adele Brereton, jeweller and silversmith, seen in a mirror reflection at work in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Adele makes work inspired by found objects, often hammering the metal into or around found or man-made shapes to create one-off pieces. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_131.jpg
  • Adele Brereton, jeweller and silversmith, seen in a mirror reflection at work in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Adele makes work inspired by found objects, often hammering the metal into or around found or man-made shapes to create one-off pieces. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_130.jpg
  • Adele Brereton, jeweller and silversmith, seen in a mirror reflection at work hammering metal in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Adele makes work inspired by found objects, often hammering the metal into or around found or man-made shapes to create one-off pieces. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_126.jpg
  • Adele Brereton, jeweller and silversmith, seen in a mirror reflection at work at a machine in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Adele makes work inspired by found objects, often hammering the metal into or around found or man-made shapes to create one-off pieces. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_125.jpg
  • Adele Brereton, jeweller and silversmith, seen in a mirror reflection at work at a machine in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Adele makes work inspired by found objects, often hammering the metal into or around found or man-made shapes to create one-off pieces. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_122.jpg
  • Adele Brereton, jeweller and silversmith, seen in a mirror reflection at work at a machine in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Adele makes work inspired by found objects, often hammering the metal into or around found or man-made shapes to create one-off pieces. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_120.jpg
  • Four men at work, one breaking a block of stone, one chiselling a statue, one carrying stones and a mason at work on a cathedral. Detail from a donor window depicting masons building a Gothic cathedral, from the Life of St Sylvester stained glass window, 1210-25, in the ambulatory of Chartres Cathedral, Eure-et-Loir, France. St Sylvester was Pope 314-35 AD during the reign of Constantine the Great (306-37). Chartres cathedral was built 1194-1250 and is a fine example of Gothic architecture. Most of its windows date from 1205-40 although a few earlier 12th century examples are also intact. It was declared a UNESCO World Heritage Site in 1979. Picture by Manuel Cohen
    LC13_FRANCE_MC467.jpg
  • Two trainee joiners work in their workshop, surrounded by the tools of their trade, axes and a saw. They are making trunk feet. Section of joiners at work, 1215-25, from the Life of St Julian the Hospitaller window in the chapel of St Julian in the ambulatory of Chartres Cathedral, Eure-et-Loir, France. Chartres cathedral was built 1194-1250 and is a fine example of Gothic architecture. Most of its windows date from 1205-40 although a few earlier 12th century examples are also intact. It was declared a UNESCO World Heritage Site in 1979. Picture by Manuel Cohen
    LC13_FRANCE_MC514.jpg
  • Emily Kidson, a jewellery designer who works with wood, laminate and silver to create colourful pieces, seen from above at work in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Emily is inspired by urban architectural forms and cuts and finishes each piece by hand. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_178.jpg
  • Fabric artist Betty de Paris, at work in her studio at Cite Aubry, in the 20th arrondissement of Paris, France, hanging fabrics to dry which have been dyed with natural indigo dyes using traditional Japanese techniques. The Japanese indigo vat is a traditional dyeing technique using indigo leaf compost, a vegetal process involving no chemicals. Betty de Paris learned her art of traditional stencil dyeing and finishing from a master in Kyoto, Japan. Working as an artist, designer, consultant and Japanese interpreter, she has participated in numerous museum projects and workshops, regularly exhibits her work and speaks at international conferences. Picture by Manuel Cohen
    220417_BettyofParis_MC002.jpg
  • Detail of St Joseph at work using a plane, from the stained glass window of Prosperity of Work or 0 hipa rupe rupe, by Madame Deanna de Marigny, commissioned in 1968 by Mayor Michel Buillard and Monsignor Hubert Coppenrath, in the Cathedral of Our Lady of Papeete, or Cathedrale Notre Dame de Papeete, planned in 1844 and built in colonial Gothic style 1856-75, on the Rue du General de Gaulle in Papeete, on the island of Tahiti, in the Windward Islands, Society Islands, French Polynesia. Picture by Manuel Cohen
    LC17_POLYNESIA_MC_371.jpg
  • High angle view of dyeing pits, Chourara Tannery, Fez, Morocco, pictured on February 25, 2009 in the evening. Arms and legs working together to remove skins from the dyeing pit at the Chouara tannery which is the largest of the four ancient tanneries in the Medina of Fez where the traditional work of the tanners has remained unchanged since the 14th century. It is composed of numerous dried-earth pits where raw skins are treated, pounded, scraped and dyed. Tanners work in vats filled with various coloured liquid dyes derived from plant sources. Colours change every two weeks, poppy flower for red, mint for green, indigo for blue, chedar tree for brown and saffron for yellow. Fez, Morocco's second largest city, and one of the four imperial cities, was founded in 789 by Idris I on the banks of the River Fez. The oldest university in the world is here and the city is still the Moroccan cultural and spiritual centre. Fez has three sectors: the oldest part, the walled city of Fes-el-Bali, houses Morocco's largest medina and is a UNESCO World Heritage Site;  Fes-el-Jedid was founded in 1244 as a new capital by the Merenid dynasty, and contains the Mellah, or Jewish quarter; Ville Nouvelle was built by the French who took over most of Morocco in 1912 and transferred the capital to Rabat. Picture by Manuel Cohen.
    LCMOROCCO_FEB09_MC0104.jpg
  • Emily Kidson, a jewellery designer who works with wood, laminate and silver to create colourful pieces, at work in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Emily is inspired by urban architectural forms and cuts and finishes each piece by hand. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_172.jpg
  • Emily Kidson, a jewellery designer who works with wood, laminate and silver to create colourful pieces, at work in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Emily is inspired by urban architectural forms and cuts and finishes each piece by hand. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_171.jpg
  • Emily Kidson, a jewellery designer who works with wood, laminate and silver to create colourful pieces, at work in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Emily is inspired by urban architectural forms and cuts and finishes each piece by hand. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_183.jpg
  • Emily Kidson, a jewellery designer who works with wood, laminate and silver to create colourful pieces, at work in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Emily is inspired by urban architectural forms and cuts and finishes each piece by hand. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_182.jpg
  • Emily Kidson, a jewellery designer who works with wood, laminate and silver to create colourful pieces, at work in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Emily is inspired by urban architectural forms and cuts and finishes each piece by hand. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_180.jpg
  • Emily Kidson, a jewellery designer who works with wood, laminate and silver to create colourful pieces, at work in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Emily is inspired by urban architectural forms and cuts and finishes each piece by hand. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_179.jpg
  • Emily Kidson, a jewellery designer who works with wood, laminate and silver to create colourful pieces, seen from above at work in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Emily is inspired by urban architectural forms and cuts and finishes each piece by hand. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_177.jpg
  • Emily Kidson, a jewellery designer who works with wood, laminate and silver to create colourful pieces, seen from above at work in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Emily is inspired by urban architectural forms and cuts and finishes each piece by hand. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_176.jpg
  • Emily Kidson, a jewellery designer who works with wood, laminate and silver to create colourful pieces, seen from above at work in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Emily is inspired by urban architectural forms and cuts and finishes each piece by hand. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_175.jpg
  • Emily Kidson, a jewellery designer who works with wood, laminate and silver to create colourful pieces, at work adjusting a piercing tool in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Emily is inspired by urban architectural forms and cuts and finishes each piece by hand. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_173.jpg
  • Emily Kidson, a jewellery designer who works with wood, laminate and silver to create colourful pieces, at work drawing shapes in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Emily is inspired by urban architectural forms and cuts and finishes each piece by hand. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_174.jpg
  • Fabric artist Betty de Paris, at work in her studio at Cite Aubry, in the 20th arrondissement of Paris, France, dipping a piece of fabric into a vat of natural indigo dyes using traditional Japanese techniques. The Japanese indigo vat is a traditional dyeing technique using indigo leaf compost, a vegetal process involving no chemicals. Betty de Paris learned her art of traditional stencil dyeing and finishing from a master in Kyoto, Japan. Working as an artist, designer, consultant and Japanese interpreter, she has participated in numerous museum projects and workshops, regularly exhibits her work and speaks at international conferences. Picture by Manuel Cohen
    220417_BettyofParis_MC003.jpg
  • Fabric artist Betty de Paris, at work in her studio at Cite Aubry, in the 20th arrondissement of Paris, France, hanging fabrics to dry which have been dyed with natural indigo dyes using traditional Japanese techniques. The Japanese indigo vat is a traditional dyeing technique using indigo leaf compost, a vegetal process involving no chemicals. Betty de Paris learned her art of traditional stencil dyeing and finishing from a master in Kyoto, Japan. Working as an artist, designer, consultant and Japanese interpreter, she has participated in numerous museum projects and workshops, regularly exhibits her work and speaks at international conferences. Picture by Manuel Cohen
    220417_BettyofParis_MC001.jpg
  • A master carpenter lays the roof joists of a stone house, while another carpenter sets a beam with an axe and lays out the other tools on a work bench. Donor window of the carpenters, 1215-25, from the Life of St Julian the Hospitaller window in the chapel of St Julian in the ambulatory of Chartres Cathedral, Eure-et-Loir, France. Chartres cathedral was built 1194-1250 and is a fine example of Gothic architecture. Most of its windows date from 1205-40 although a few earlier 12th century examples are also intact. It was declared a UNESCO World Heritage Site in 1979. Picture by Manuel Cohen
    LC13_FRANCE_MC512.jpg
  • Detail of a tanner working in a pit chatting with a supervisor, Chouara Tannery, Fez, Morocco, pictured on February 25, 2009 in the evening. The Chouara tannery is the largest of the four ancient tanneries in the Medina of Fez where the traditional work of the tanners has remained unchanged since the 14th century. It is composed of numerous dried-earth pits where raw skins are treated, pounded, scraped and dyed. Tanners work in vats filled with various coloured liquid dyes derived from plant sources. Colours change every two weeks, poppy flower for red, mint for green, indigo for blue, chedar tree for brown and saffron for yellow. Fez, Morocco's second largest city, and one of the four imperial cities, was founded in 789 by Idris I on the banks of the River Fez. The oldest university in the world is here and the city is still the Moroccan cultural and spiritual centre. Fez has three sectors: the oldest part, the walled city of Fes-el-Bali, houses Morocco's largest medina and is a UNESCO World Heritage Site;  Fes-el-Jedid was founded in 1244 as a new capital by the Merenid dynasty, and contains the Mellah, or Jewish quarter; Ville Nouvelle was built by the French who took over most of Morocco in 1912 and transferred the capital to Rabat. Picture by Manuel Cohen.
    LCMOROCCO_FEB09_MC0100.jpg
  • High angle view of tanners in the dyeing pits, Chouara tannery, Fez, Morocco pictured on February 25, 2009 in the evening. Arms and legs are working together to remove the skins from the dyeing pit. The Chouara tannery is the largest of the four ancient tanneries in the Medina of Fez where the traditional work of the tanners has remained unchanged since the 14th century. It is composed of numerous dried-earth pits where raw skins are treated, pounded, scraped and dyed. Tanners work in vats filled with various coloured liquid dyes derived from plant sources. Colours change every two weeks, poppy flower for red, mint for green, indigo for blue, chedar tree for brown and saffron for yellow. Fez, Morocco's second largest city, and one of the four imperial cities, was founded in 789 by Idris I on the banks of the River Fez. The oldest university in the world is here and the city is still the Moroccan cultural and spiritual centre. Fez has three sectors: the oldest part, the walled city of Fes-el-Bali, houses Morocco's largest medina and is a UNESCO World Heritage Site;  Fes-el-Jedid was founded in 1244 as a new capital by the Merenid dynasty, and contains the Mellah, or Jewish quarter; Ville Nouvelle was built by the French who took over most of Morocco in 1912 and transferred the capital to Rabat. Picture by Manuel Cohen.
    LCMOROCCO_FEB09_MC0087.jpg
  • High angle view of reflections in the dyeing pits where men are working, Chouara tannery, Fez, Morocco, pictured on February 23, 2009 at sunset. The Chouara tannery is the largest of the four ancient tanneries in the Medina of Fez where the traditional work of the tanners has remained unchanged since the 14th century. It is composed of numerous dried-earth pits where raw skins are treated, pounded, scraped and dyed. Tanners work in vats filled with various coloured liquid dyes derived from plant sources. Colours change every two weeks, poppy flower for red, mint for green, indigo for blue, chedar tree for brown and saffron for yellow. Fez, Morocco's second largest city, and one of the four imperial cities, was founded in 789 by Idris I on the banks of the River Fez. The oldest university in the world is here and the city is still the Moroccan cultural and spiritual centre. Fez has three sectors: the oldest part, the walled city of Fes-el-Bali, houses Morocco's largest medina and is a UNESCO World Heritage Site;  Fes-el-Jedid was founded in 1244 as a new capital by the Merenid dynasty, and contains the Mellah, or Jewish quarter; Ville Nouvelle was built by the French who took over most of Morocco in 1912 and transferred the capital to Rabat. Picture by Manuel Cohen.
    LCMOROCCO_FEB09_MC0048.jpg
  • High angle view of Chouara Tannery, Fez, Morocco, pictured on February 23, 2009 in the evening. A lone tanner works in the shade; behind him the crumbling stuccoed walls soak up the sun. The Chouara tannery is the largest of the four ancient tanneries in the Medina of Fez where the traditional work of the tanners has remained unchanged since the 14th century. It is composed of numerous dried-earth pits where raw skins are treated, pounded, scraped and dyed. Tanners work in vats filled with various coloured liquid dyes derived from plant sources. Colours change every two weeks, poppy flower for red, mint for green, indigo for blue, chedar tree for brown and saffron for yellow. Fez, Morocco's second largest city, and one of the four imperial cities, was founded in 789 by Idris I on the banks of the River Fez. The oldest university in the world is here and the city is still the Moroccan cultural and spiritual centre. Fez has three sectors: the oldest part, the walled city of Fes-el-Bali, houses Morocco's largest medina and is a UNESCO World Heritage Site;  Fes-el-Jedid was founded in 1244 as a new capital by the Merenid dynasty, and contains the Mellah, or Jewish quarter; Ville Nouvelle was built by the French who took over most of Morocco in 1912 and transferred the capital to Rabat. Picture by Manuel Cohen.
    LCMOROCCO_FEB09_MC0047.jpg
  • High angle view of a tanner working in a pit constructed above a small store overlooking the large square of dyeing pits, Chouara Tannery, Fez, Morocco, pictured on February 23, 2009 in the evening. The Chouara tannery is the largest of the four ancient tanneries in the Medina of Fez where the traditional work of the tanners has remained unchanged since the 14th century. It is composed of numerous dried-earth pits where raw skins are treated, pounded, scraped and dyed. Tanners work in vats filled with various coloured liquid dyes derived from plant sources. Colours change every two weeks, poppy flower for red, mint for green, indigo for blue, chedar tree for brown and saffron for yellow. Fez, Morocco's second largest city, and one of the four imperial cities, was founded in 789 by Idris I on the banks of the River Fez. The oldest university in the world is here and the city is still the Moroccan cultural and spiritual centre. Fez has three sectors: the oldest part, the walled city of Fes-el-Bali, houses Morocco's largest medina and is a UNESCO World Heritage Site;  Fes-el-Jedid was founded in 1244 as a new capital by the Merenid dynasty, and contains the Mellah, or Jewish quarter; Ville Nouvelle was built by the French who took over most of Morocco in 1912 and transferred the capital to Rabat. Picture by Manuel Cohen.
    LCMOROCCO_FEB09_MC0046.jpg
  • Detail of a teenager working and learning, Chouara tannery, Fez, Morocco, pictured on February 23, 2009 in the evening. Behind him a young boy is running between the pits. The Chouara tannery is the largest of the four ancient tanneries in the Medina of Fez where the traditional work of the tanners has remained unchanged since the 14th century. It is composed of numerous dried-earth pits where raw skins are treated, pounded, scraped and dyed. Tanners work in vats filled with various coloured liquid dyes derived from plant sources. Colours change every two weeks, poppy flower for red, mint for green, indigo for blue, chedar tree for brown and saffron for yellow. Fez, Morocco's second largest city, and one of the four imperial cities, was founded in 789 by Idris I on the banks of the River Fez. The oldest university in the world is here and the city is still the Moroccan cultural and spiritual centre. Fez has three sectors: the oldest part, the walled city of Fes-el-Bali, houses Morocco's largest medina and is a UNESCO World Heritage Site;  Fes-el-Jedid was founded in 1244 as a new capital by the Merenid dynasty, and contains the Mellah, or Jewish quarter; Ville Nouvelle was built by the French who took over most of Morocco in 1912 and transferred the capital to Rabat. Picture by Manuel Cohen.
    LCMOROCCO_FEB09_MC0043.jpg
  • Elizabeth Ashdown, a textile artist specialising in hand woven and hand embroidered passementerie and fine textiles, at work weaving on a loom in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Elizabeth uses traditional techniques of hand weaving, macrame, hand embroidery, braid making and cord making to produce textile pieces used in home furnishings, fashion, wall hangings and artworks. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_031.jpg
  • Elizabeth Ashdown, a textile artist specialising in hand woven and hand embroidered passementerie and fine textiles, at work weaving on a loom in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Elizabeth uses traditional techniques of hand weaving, macrame, hand embroidery, braid making and cord making to produce textile pieces used in home furnishings, fashion, wall hangings and artworks. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_030.jpg
  • Elizabeth Ashdown, a textile artist specialising in hand woven and hand embroidered passementerie and fine textiles, at work weaving on a loom in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Elizabeth uses traditional techniques of hand weaving, macrame, hand embroidery, braid making and cord making to produce textile pieces used in home furnishings, fashion, wall hangings and artworks. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_029.jpg
  • Elizabeth Ashdown, a textile artist specialising in hand woven and hand embroidered passementerie and fine textiles, at work weaving on a loom in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Elizabeth uses traditional techniques of hand weaving, macrame, hand embroidery, braid making and cord making to produce textile pieces used in home furnishings, fashion, wall hangings and artworks. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_028.jpg
  • Elizabeth Ashdown, a textile artist specialising in hand woven and hand embroidered passementerie and fine textiles, at work weaving on a loom in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Elizabeth uses traditional techniques of hand weaving, macrame, hand embroidery, braid making and cord making to produce textile pieces used in home furnishings, fashion, wall hangings and artworks. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_027.jpg
  • Elizabeth Ashdown, a textile artist specialising in hand woven and hand embroidered passementerie and fine textiles, at work weaving on a loom in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Elizabeth uses traditional techniques of hand weaving, macrame, hand embroidery, braid making and cord making to produce textile pieces used in home furnishings, fashion, wall hangings and artworks. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_026.jpg
  • Elizabeth Ashdown, a textile artist specialising in hand woven and hand embroidered passementerie and fine textiles, at work braiding by hand in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Elizabeth uses traditional techniques of hand weaving, macrame, hand embroidery, braid making and cord making to produce textile pieces used in home furnishings, fashion, wall hangings and artworks. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_025.jpg
  • Elizabeth Ashdown, a textile artist specialising in hand woven and hand embroidered passementerie and fine textiles, at work braiding by hand in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Elizabeth uses traditional techniques of hand weaving, macrame, hand embroidery, braid making and cord making to produce textile pieces used in home furnishings, fashion, wall hangings and artworks. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_024.jpg
  • Elizabeth Ashdown, a textile artist specialising in hand woven and hand embroidered passementerie and fine textiles, at work braiding by hand in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Elizabeth uses traditional techniques of hand weaving, macrame, hand embroidery, braid making and cord making to produce textile pieces used in home furnishings, fashion, wall hangings and artworks. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_022.jpg
  • Elizabeth Ashdown, a textile artist specialising in hand woven and hand embroidered passementerie and fine textiles, at work braiding by hand in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Elizabeth uses traditional techniques of hand weaving, macrame, hand embroidery, braid making and cord making to produce textile pieces used in home furnishings, fashion, wall hangings and artworks. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_021.jpg
  • Elizabeth Ashdown, a textile artist specialising in hand woven and hand embroidered passementerie and fine textiles, at work in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Elizabeth uses traditional techniques of hand weaving, macrame, hand embroidery, braid making and cord making to produce textile pieces used in home furnishings, fashion, wall hangings and artworks. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_020.jpg
  • Elizabeth Ashdown, a textile artist specialising in hand woven and hand embroidered passementerie and fine textiles, at work in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Elizabeth uses traditional techniques of hand weaving, macrame, hand embroidery, braid making and cord making to produce textile pieces used in home furnishings, fashion, wall hangings and artworks. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_019.jpg
  • Elizabeth Ashdown, a textile artist specialising in hand woven and hand embroidered passementerie and fine textiles, at work in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Elizabeth uses traditional techniques of hand weaving, macrame, hand embroidery, braid making and cord making to produce textile pieces used in home furnishings, fashion, wall hangings and artworks. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_018.jpg
  • Eleanor Lakelin, wood sculptor, seen through an open window at work oiling a sculpture outside her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Eleanor makes pieces which celebrate the natural shapes and eccentricities of wood, using lathing, chiseling and carving techniques to make vessels which expose the patterns and gnarls within the natural forms. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 1st June 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_058.jpg
  • Eleanor Lakelin, wood sculptor, seen through an open window at work oiling a sculpture outside her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Eleanor makes pieces which celebrate the natural shapes and eccentricities of wood, using lathing, chiseling and carving techniques to make vessels which expose the patterns and gnarls within the natural forms. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 1st June 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_056.jpg
  • Eleanor Lakelin, wood sculptor, seen through an open window at work oiling a sculpture outside her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Eleanor makes pieces which celebrate the natural shapes and eccentricities of wood, using lathing, chiseling and carving techniques to make vessels which expose the patterns and gnarls within the natural forms. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 1st June 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_057.jpg
  • Eleanor Lakelin, wood sculptor, at work oiling a sculpture outside her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Eleanor makes pieces which celebrate the natural shapes and eccentricities of wood, using lathing, chiseling and carving techniques to make vessels which expose the patterns and gnarls within the natural forms. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 1st June 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_048.jpg
  • Eleanor Lakelin, wood sculptor, at work oiling a sculpture outside her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Eleanor makes pieces which celebrate the natural shapes and eccentricities of wood, using lathing, chiseling and carving techniques to make vessels which expose the patterns and gnarls within the natural forms. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 1st June 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_047.jpg
  • Eleanor Lakelin, wood sculptor, at work in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Eleanor makes pieces which celebrate the natural shapes and eccentricities of wood, using lathing, chiseling and carving techniques to make vessels which expose the patterns and gnarls within the natural forms. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 1st June 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_046.jpg
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