manuel cohen

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  • Birch wood in autumn at the Nordbahnhof Park, begun 2004, Mitte, Berlin, Germany. In the Ackerstrasse area, an old railway station, the Berlin wall site and urban wasteland has been transformed into a park area with streetball pitch, sunbathing hammocks, meadows, pathways and a birch wood. Picture by Manuel Cohen
    LC14_BERLIN_MC1045.jpg
  • Wood samples at the Atelier d'Ebenesterie, or Cabinetmaking Workshop, at Le Mobilier National, which commissions and conserves state furniture, in the 13th arrondissement of Paris, France. The workshop maintains and restores wooden, inlaid and marquetry furniture from the state collection, and develops new conservation techniques. Picture by Manuel Cohen
    LC20_PARIS_MC_090.jpg
  • Carved and painted cedar wood from reception room, Kasbah of the Glaoua family, Telouet, High Atlas, Morocco. The fortress was begun in the 19th century as the residence Thami el Glaoui, 1879-1956, who was Pasha of Marrakech 1912-56. It sits at 1800m in the Atlas mountains on an ancient caravan route from the Sahara to Marrakech. Picture by Manuel Cohen
    LCMOROCCO_12_MC233.jpg
  • Sawdust and wood shavings, detail, in the studio of Eleanor Lakelin, wood sculptor, at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Eleanor makes pieces which celebrate the natural shapes and eccentricities of wood, using lathing, chiseling and carving techniques to make vessels which expose the patterns and gnarls within the natural forms. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 1st June 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_036.jpg
  • Sawdust and wood remnants in the studio of Eleanor Lakelin, wood sculptor, at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Eleanor makes pieces which celebrate the natural shapes and eccentricities of wood, using lathing, chiseling and carving techniques to make vessels which expose the patterns and gnarls within the natural forms. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 1st June 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_033.jpg
  • Growths within a piece of wood, detail, in the studio of Eleanor Lakelin, wood sculptor, at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Eleanor makes pieces which celebrate the natural shapes and eccentricities of wood, using lathing, chiseling and carving techniques to make vessels which expose the patterns and gnarls within the natural forms. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 1st June 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_052.jpg
  • Growths within a piece of wood, detail, in the studio of Eleanor Lakelin, wood sculptor, at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Eleanor makes pieces which celebrate the natural shapes and eccentricities of wood, using lathing, chiseling and carving techniques to make vessels which expose the patterns and gnarls within the natural forms. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 1st June 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_051.jpg
  • Egg-shaped piece of wood with exposed gnarled interior, on a machine in the studio of Eleanor Lakelin, wood sculptor, in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Eleanor makes pieces which celebrate the natural shapes and eccentricities of wood, using lathing, chiseling and carving techniques to make vessels which expose the patterns and gnarls within the natural forms. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 1st June 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_039.jpg
  • Eleanor Lakelin, wood sculptor, seen through an open window at work oiling a sculpture outside her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Eleanor makes pieces which celebrate the natural shapes and eccentricities of wood, using lathing, chiseling and carving techniques to make vessels which expose the patterns and gnarls within the natural forms. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 1st June 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_058.jpg
  • Hole in a wooden vessel, detail, in the studio of Eleanor Lakelin, wood sculptor, at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Eleanor makes pieces which celebrate the natural shapes and eccentricities of wood, using lathing, chiseling and carving techniques to make vessels which expose the patterns and gnarls within the natural forms. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 1st June 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_053.jpg
  • Wooden vessel with multiple holes, in the studio of Eleanor Lakelin, wood sculptor, at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Eleanor makes pieces which celebrate the natural shapes and eccentricities of wood, using lathing, chiseling and carving techniques to make vessels which expose the patterns and gnarls within the natural forms. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 1st June 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_035.jpg
  • Photographs and shelves of materials in the studio of Eleanor Lakelin, wood sculptor, at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Eleanor makes pieces which celebrate the natural shapes and eccentricities of wood, using lathing, chiseling and carving techniques to make vessels which expose the patterns and gnarls within the natural forms. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 1st June 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_034.jpg
  • Eleanor Lakelin, wood sculptor, seen through the open window of her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, UK. Eleanor makes pieces which celebrate the natural shapes and eccentricities of wood, using lathing, chiseling and carving techniques to make vessels which expose the patterns and gnarls within the natural forms. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 1st June 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_059.jpg
  • Eleanor Lakelin, wood sculptor, seen through an open window at work oiling a sculpture outside her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Eleanor makes pieces which celebrate the natural shapes and eccentricities of wood, using lathing, chiseling and carving techniques to make vessels which expose the patterns and gnarls within the natural forms. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 1st June 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_056.jpg
  • Eleanor Lakelin, wood sculptor, seen through an open window at work oiling a sculpture outside her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Eleanor makes pieces which celebrate the natural shapes and eccentricities of wood, using lathing, chiseling and carving techniques to make vessels which expose the patterns and gnarls within the natural forms. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 1st June 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_057.jpg
  • Eleanor Lakelin, wood sculptor, seen through an open window at work oiling a sculpture outside her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Eleanor makes pieces which celebrate the natural shapes and eccentricities of wood, using lathing, chiseling and carving techniques to make vessels which expose the patterns and gnarls within the natural forms. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 1st June 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_055.jpg
  • Hole in a wooden vessel, detail, in the studio of Eleanor Lakelin, wood sculptor, at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Eleanor makes pieces which celebrate the natural shapes and eccentricities of wood, using lathing, chiseling and carving techniques to make vessels which expose the patterns and gnarls within the natural forms. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 1st June 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_054.jpg
  • Hole in a wooden vessel, detail, in the studio of Eleanor Lakelin, wood sculptor, at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Eleanor makes pieces which celebrate the natural shapes and eccentricities of wood, using lathing, chiseling and carving techniques to make vessels which expose the patterns and gnarls within the natural forms. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 1st June 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_050.jpg
  • Open window of the studio of Eleanor Lakelin, wood sculptor, at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Eleanor makes pieces which celebrate the natural shapes and eccentricities of wood, using lathing, chiseling and carving techniques to make vessels which expose the patterns and gnarls within the natural forms. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 1st June 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_049.jpg
  • Eleanor Lakelin, wood sculptor, at work oiling a sculpture outside her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Eleanor makes pieces which celebrate the natural shapes and eccentricities of wood, using lathing, chiseling and carving techniques to make vessels which expose the patterns and gnarls within the natural forms. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 1st June 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_048.jpg
  • Eleanor Lakelin, wood sculptor, at work oiling a sculpture outside her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Eleanor makes pieces which celebrate the natural shapes and eccentricities of wood, using lathing, chiseling and carving techniques to make vessels which expose the patterns and gnarls within the natural forms. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 1st June 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_047.jpg
  • Eleanor Lakelin, wood sculptor, at work in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Eleanor makes pieces which celebrate the natural shapes and eccentricities of wood, using lathing, chiseling and carving techniques to make vessels which expose the patterns and gnarls within the natural forms. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 1st June 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_046.jpg
  • Eleanor Lakelin, wood sculptor, at work in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Eleanor makes pieces which celebrate the natural shapes and eccentricities of wood, using lathing, chiseling and carving techniques to make vessels which expose the patterns and gnarls within the natural forms. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 1st June 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_045.jpg
  • Eleanor Lakelin, wood sculptor, at work in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Eleanor makes pieces which celebrate the natural shapes and eccentricities of wood, using lathing, chiseling and carving techniques to make vessels which expose the patterns and gnarls within the natural forms. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 1st June 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_044.jpg
  • Eleanor Lakelin, wood sculptor, at work in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Eleanor makes pieces which celebrate the natural shapes and eccentricities of wood, using lathing, chiseling and carving techniques to make vessels which expose the patterns and gnarls within the natural forms. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 1st June 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_043.jpg
  • Studio of Eleanor Lakelin, wood sculptor, in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Eleanor makes pieces which celebrate the natural shapes and eccentricities of wood, using lathing, chiseling and carving techniques to make vessels which expose the patterns and gnarls within the natural forms. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 1st June 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_042.jpg
  • Studio of Eleanor Lakelin, wood sculptor, in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Eleanor makes pieces which celebrate the natural shapes and eccentricities of wood, using lathing, chiseling and carving techniques to make vessels which expose the patterns and gnarls within the natural forms. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 1st June 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_041.jpg
  • Studio of Eleanor Lakelin, wood sculptor, in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Eleanor makes pieces which celebrate the natural shapes and eccentricities of wood, using lathing, chiseling and carving techniques to make vessels which expose the patterns and gnarls within the natural forms. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 1st June 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_040.jpg
  • Tools and sawdust in the studio of Eleanor Lakelin, wood sculptor, in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Eleanor makes pieces which celebrate the natural shapes and eccentricities of wood, using lathing, chiseling and carving techniques to make vessels which expose the patterns and gnarls within the natural forms. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 1st June 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_038.jpg
  • Finished and unfinished coloured wood and laminate shapes to be assembled into jewellery, in the studio of Emily Kidson, a jewellery designer who works with wood, laminate and silver to create colourful pieces, at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Emily is inspired by urban architectural forms and cuts and finishes each piece by hand. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_168.jpg
  • Reforesting Nottingham, detail, a necklace made from wood, oxidised silver and cotton cord for the MEGA exhibition with Dialogue Collective, by Emily Kidson, a jewellery designer who works with wood, laminate and silver to create colourful pieces, in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Emily is inspired by urban architectural forms and cuts and finishes each piece by hand. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_167.jpg
  • Reforesting Nottingham, a necklace made from wood, oxidised silver and cotton cord for the MEGA exhibition with Dialogue Collective, with its presentation box, by Emily Kidson, a jewellery designer who works with wood, laminate and silver to create colourful pieces, in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Emily is inspired by urban architectural forms and cuts and finishes each piece by hand. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_164.jpg
  • Finished and unfinished coloured wood and laminate shapes to be assembled into jewellery, in the studio of Emily Kidson, a jewellery designer who works with wood, laminate and silver to create colourful pieces, at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Emily is inspired by urban architectural forms and cuts and finishes each piece by hand. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_163.jpg
  • Hole in a wooden vessel, detail, in the studio of Eleanor Lakelin, wood sculptor, at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Eleanor makes pieces which celebrate the natural shapes and eccentricities of wood, using lathing, chiseling and carving techniques to make vessels which expose the patterns and gnarls within the natural forms. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 1st June 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_037.jpg
  • Salle de Beruges, with wood panelling, oil paintings, and a huge carved white oak canopy from the Notre-Dame-du-Pin abbey in Beruges, Vienne, in the Chateau de la Mercerie, a 19th century Gothic Revival chateau enlarged in Italian Renaissance style in the 20th century, aerial view, in Magnac-Lavalette-Villars, Charente, Nouvelle-Aquitaine, France. The chateau was bought in 1924 by brothers Alphonse and Raymond Rethore, who built the long Italianate wing 1947-70, prompting its nickname 'Versailles Charentais'. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC20_FRANCE_MC_0255.JPG
  • Embrace of Dido and Aeneas, tempera painting on wood, late 14th century, detail of the painted ceiling of the Sala dei Baroni Steri, from the Regional Art Gallery of the Palazzo Abatellis, in the museum of the Palazzo Chiaramonte-Steri, a 14th century palace built for Manfredi III Chiaramont, which became a jail during the Spanish Inquisition, in Palermo, Sicily, Italy. Palermo's Arab and Norman centre is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC20_ITALY_MC_052.jpg
  • Carpenters making a wooden dhow at Al Darwasa Antiques, a traditional wood carving workshop and shop owned by Jamal Shaheen, a master carpenter, in Muharraq, Bahrain. Shaheen and his 10 carpenters create and restore hand crafted dhows, models, benches, tables, ceiling panels and window frames. Picture by Manuel Cohen
    LC19_BAHREIN_MC_036.jpg
  • Carpenters making a wooden dhow at Al Darwasa Antiques, a traditional wood carving workshop and shop owned by Jamal Shaheen, a master carpenter, in Muharraq, Bahrain. Shaheen and his 10 carpenters create and restore hand crafted dhows, models, benches, tables, ceiling panels and window frames. Picture by Manuel Cohen
    LC19_BAHREIN_MC_037.JPG
  • Owner Jamal Shaheen, a master carpenter,  making a model of a wooden dhow at Al Darwasa Antiques, a traditional wood carving workshop and shop in Muharraq, Bahrain. Shaheen and his 10 carpenters create and restore hand crafted dhows, models, benches, tables, ceiling panels and window frames. Picture by Manuel Cohen
    LC19_BAHREIN_MC_105.jpg
  • Owner Jamal Shaheen, a master carpenter, making a model of a wooden dhow at Al Darwasa Antiques, a traditional wood carving workshop and shop in Muharraq, Bahrain. Shaheen and his 10 carpenters create and restore hand crafted dhows, models, benches, tables, ceiling panels and window frames. Picture by Manuel Cohen
    LC19_BAHREIN_MC_106.jpg
  • Public living room or guest room, with parquet floor, panelling, fireplace, marquetry and ceiling in wood, stained and leaded glass with floral patterns, and tapestry panels, by Gaspar Homar, 1870-1953, at the Casa Lleo i Morera, originally built in 1864 as the Casa Rocamora by Joaquim Sitjas, and remodelled 1902-06 by Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923. The project was commissioned by Francesca Morera and overseen after her death by her son Albert Lleo i Morera. The architect employed many Modernist craftsmen on the project, with sculptures by Eusebi Arnau, furniture by Gaspar Homar, ceramics by Antoni Serra i Fiter and mosaics by Mario Maragliano and Lluis Bru. Picture by Manuel Cohen
    LC16_SPAIN_MC412.jpg
  • Public living room or guest room, with parquet floor, panelling, fireplace, marquetry and ceiling in wood, stained and leaded glass with floral patterns, and tapestry panels, by Gaspar Homar, 1870-1953, at the Casa Lleo i Morera, originally built in 1864 as the Casa Rocamora by Joaquim Sitjas, and remodelled 1902-06 by Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923. The project was commissioned by Francesca Morera and overseen after her death by her son Albert Lleo i Morera. The architect employed many Modernist craftsmen on the project, with sculptures by Eusebi Arnau, furniture by Gaspar Homar, ceramics by Antoni Serra i Fiter and mosaics by Mario Maragliano and Lluis Bru. Picture by Manuel Cohen
    LC16_SPAIN_MC415.jpg
  • Public living room or guest room, with parquet floor, panelling, fireplace, marquetry and ceiling in wood, stained and leaded glass with floral patterns, and tapestry panels, by Gaspar Homar, 1870-1953, at the Casa Lleo i Morera, originally built in 1864 as the Casa Rocamora by Joaquim Sitjas, and remodelled 1902-06 by Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923. The project was commissioned by Francesca Morera and overseen after her death by her son Albert Lleo i Morera. The architect employed many Modernist craftsmen on the project, with sculptures by Eusebi Arnau, furniture by Gaspar Homar, ceramics by Antoni Serra i Fiter and mosaics by Mario Maragliano and Lluis Bru. Picture by Manuel Cohen
    LC16_SPAIN_MC403.JPG
  • Public living room or guest room, with parquet floor, panelling and marquetry in wood, and stained and leaded glass and wall coverings with floral patterns, by Gaspar Homar, 1870-1953, at the Casa Lleo i Morera, originally built in 1864 as the Casa Rocamora by Joaquim Sitjas, and remodelled 1902-06 by Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923. The project was commissioned by Francesca Morera and overseen after her death by her son Albert Lleo i Morera. The architect employed many Modernist craftsmen on the project, with sculptures by Eusebi Arnau, furniture by Gaspar Homar, ceramics by Antoni Serra i Fiter and mosaics by Mario Maragliano and Lluis Bru. Picture by Manuel Cohen
    LC16_SPAIN_MC404.jpg
  • Billiards room with lighting by Escofet, wood panelling and furniture by Josep Prat and stained glass doors, in Pavilion no. 6 'dels distingits' of the Institut Pere Mata, a psychiatric hospital built 1897-1912 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, in Reus, Catalonia, Spain. Pavilion no. 6 was used to house wealthy patients in great comfort and modernity, and was in use until 1986. It is now open to the public as part of Reus' Modernist Route and run by the town of Reus, whereas the rest of the building remains a hospital. The building is listed as a Cultural Asset of National Interest. Picture by Manuel Cohen
    LC16_SPAIN_MC184.jpg
  • Internal courtyard of the Bou Inania Madrasa or religious school, founded in 1350 by the Marinid ruler Abu Inan Faris, Meknes, Meknes-Tafilalet, Morocco. The courtyard with its central fountain is decorated with zellige tiles in geometric patterns, carved stucco and cedar wood and is flanked by carved screens. Meknes is a fortified Imperial city redeveloped under Sultan Moulay Ismail, 1634-1727, as Morocco's political capital. Picture by Manuel Cohen
    LC14_Morocco_MC325.JPG
  • Internal courtyard of the Bou Inania Madrasa or religious school, founded in 1350 by the Marinid ruler Abu Inan Faris, Meknes, Meknes-Tafilalet, Morocco. The courtyard with its central fountain is decorated with zellige tiles in geometric patterns, carved stucco and cedar wood and is flanked by carved screens. Meknes is a fortified Imperial city redeveloped under Sultan Moulay Ismail, 1634-1727, as Morocco's political capital. Picture by Manuel Cohen
    LC14_Morocco_MC324.jpg
  • SAVEOCK WATER, CORNWALL, ENGLAND - AUGUST 03: A view from the front of archaeologist Jacqui Wood, her team and students on August 3, 2008 in Saveock Water, Cornwall. They are excavating a Mesolithic platform. (Photo by Manuel Cohen)
    DENGLAND080220.jpg
  • SAVEOCK WATER, CORNWALL, ENGLAND - AUGUST 03: A view from the side of archaeologist Jacqui Wood, her team and students on August 3, 2008 in Saveock Water, Cornwall. They are excavating a Mesolithic platform. (Photo by Manuel Cohen)
    DENGLAND080219.jpg
  • SAVEOCK WATER, CORNWALL, ENGLAND - AUGUST 03: A close up of archaeologist Jacqui Wood, her team and students on August 3, 2008 in Saveock Water, Cornwall. They are excavating a Mesolithic platform. (Photo by Manuel Cohen)
    DENGLAND080218.jpg
  • SAVEOCK WATER, CORNWALL, ENGLAND - AUGUST 03: A view from the front of archaeologist Jacqui Wood, her team and students on August 3, 2008 in Saveock Water, Cornwall. They are excavating a Mesolithic platform.(Photo by Manuel Cohen)
    DENGLAND080216.jpg
  • SAVEOCK WATER, CORNWALL, ENGLAND - AUGUST 03: A view from above of archaeologist Jacqui Wood, her team and students on August 3, 2008 in Saveock Water, Cornwall. They are excavating a Mesolithic platform. (Photo by Manuel Cohen)
    DENGLAND080215.jpg
  • SAVEOCK WATER, CORNWALL, ENGLAND - AUGUST 03: A close up of archaeologist Jacqui Wood, her team and students on August 3, 2008 in Saveock Water, Cornwall. They are excavating a Mesolithic platform. (Photo by Manuel Cohen)
    DENGLAND080214.jpg
  • SAVEOCK WATER, CORNWALL, ENGLAND - AUGUST 03: A view from the side of archaeologist Jacqui Wood, her team and students on August 3, 2008 in Saveock Water, Cornwall. They are excavating a Mesolithic platform. (Photo by Manuel Cohen)
    DENGLAND080212.jpg
  • SAVEOCK WATER, CORNWALL, ENGLAND - AUGUST 03: A view from the side of archaeologist Jacqui Wood, her team and students on August 3, 2008 in Saveock Water, Cornwall. They are excavating a Mesolithic platform. (Photo by Manuel Cohen)
    DENGLAND080208.jpg
  • SAVEOCK WATER, CORNWALL, ENGLAND - AUGUST 03: A portrait of archaeologist Jacqui Wood on August 3, 2008 in Saveock Water, Cornwall, England. Inside her replica Bronze Age Roundhouse she is holding a fragment of an iron cauldron found in a votive pool which she dates between the medieval period to the 17th century (no carbon dating)(Photo by Manuel Cohen)
    DENGLAND080206.jpg
  • SAVEOCK WATER, CORNWALL, ENGLAND - AUGUST 03: Archaeologist Jacqui Wood pointing to the jaw bone of a pig in Pit 35 on August 3, 2008 in Saveock Water, Cornwall, England. This pit was lined with fur,skin side out, and the bottom jaw of a baked pig without teeth was carefully placed between a dog's legs. (Photo by Manuel Cohen)
    DENGLAND080203.jpg
  • SAVEOCK WATER, CORNWALL, ENGLAND - AUGUST 03: Archaeologist Jacqui Wood pointing to the rib cage of a dog in Pit 35 on August 3, 2008 in Saveock Water, Cornwall, England. This pit was lined with fur, skin side out, and the bottom jaw of a baked pig without teeth was carefully placed between the dog's legs. (Photo by Manuel Cohen)
    DENGLAND080201.jpg
  • Salle de Beruges, with wood panelling, oil paintings, and a huge carved white oak canopy from the Notre-Dame-du-Pin abbey in Beruges, Vienne, in the Chateau de la Mercerie, a 19th century Gothic Revival chateau enlarged in Italian Renaissance style in the 20th century, aerial view, in Magnac-Lavalette-Villars, Charente, Nouvelle-Aquitaine, France. The chateau was bought in 1924 by brothers Alphonse and Raymond Rethore, who built the long Italianate wing 1947-70, prompting its nickname 'Versailles Charentais'. The chateau is listed as a historic monument. Picture by Manuel Cohen
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  • Al Darwasa Antiques, a traditional wood carving workshop and shop owned by Jamal Shaheen, a master carpenter, in Muharraq, Bahrain. Shaheen and his 10 carpenters create and restore hand crafted dhows, models, benches, tables, ceiling panels and window frames. Picture by Manuel Cohen
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  • Public living room or guest room, with parquet floor, panelling, fireplace, marquetry and ceiling in wood, stained and leaded glass with floral patterns, and tapestry panels, by Gaspar Homar, 1870-1953, at the Casa Lleo i Morera, originally built in 1864 as the Casa Rocamora by Joaquim Sitjas, and remodelled 1902-06 by Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923. The project was commissioned by Francesca Morera and overseen after her death by her son Albert Lleo i Morera. The architect employed many Modernist craftsmen on the project, with sculptures by Eusebi Arnau, furniture by Gaspar Homar, ceramics by Antoni Serra i Fiter and mosaics by Mario Maragliano and Lluis Bru. Picture by Manuel Cohen
    LC16_SPAIN_MC402.jpg
  • SAVEOCK WATER, CORNWALL, ENGLAND - AUGUST 03: A view from the side of archaeologist Jacqui Wood, her team and students on August 3, 2008 in Saveock Water, Cornwall. They are excavating a Mesolithic platform. (Photo by Manuel Cohen)
    DENGLAND080217.jpg
  • SAVEOCK WATER, CORNWALL, ENGLAND - AUGUST 03: A view from above of archaeologist Jacqui Wood, her team and students on August 3, 2008 in Saveock Water, Cornwall. They are excavating a Mesolithic platform. (Photo by Manuel Cohen)
    DENGLAND080213.jpg
  • SAVEOCK WATER, CORNWALL, ENGLAND - AUGUST 03: A portrait of archaeologist Jacqui Wood and team member Dave Thomas in the Field School workshop on August 3, 2008 in Saveock Water, Cornwall, England. She is leading the excavations at the site. (Photo by Manuel Cohen)
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  • SAVEOCK WATER, CORNWALL, ENGLAND - AUGUST 03: A portrait of archaeologist Jacqui Wood on August 3, 2008 in Saveock Water, Cornwall, England. She is leading the excavations at the site. (Photo by Manuel Cohen)
    DENGLAND080205.jpg
  • SAVEOCK WATER, CORNWALL, ENGLAND - AUGUST 03: View from above of dog skeleton in Pit 35 on August 3, 2008 in Saveock Water, Cornwall, England. This pit was lined with fur,skin side out, and the bottom jaw of a baked pig without teeth was carefully placed between a dog's legs. Archaeologist Jacqui Wood is to the right of the pit. (Photo by Manuel Cohen)
    DENGLAND080204.jpg
  • SAVEOCK WATER, CORNWALL, ENGLAND - AUGUST 03: Archaeologist Jacqui Wood pointing to the rib cage of a dog in Pit 35 on August 3, 2008 in Saveock Water, Cornwall, England. This pit was lined with fur, skin side out, and the bottom jaw of a baked pig without teeth was carefully placed between the dog's legs. (Photo by Manuel Cohen)
    DENGLAND080202.jpg
  • SAVEOCK WATER, CORNWALL, ENGLAND - AUGUST 03: A general view of Pit 11 on August 3, 2008 in Saveock Water, Cornwall, England. Archaeologist Jacqui Wood is pointing to pit 11 which contains swan and signet feathers. Behind is pit 9 which holds magpies, a swan pelt and 55 eggs.Pit 10, in the background, was lined with swan pelt and had a large cow bone in it. The items in the pits are well preserved by spring water. (Photo by Manuel Cohen)
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  • Corydalis, a duplex cabin in larch wood offering luxury accommodation in the forest, in the Domaine du Moulin de Trimeule, Marnay-sur-Marne, Haute-Marne, Grand Est, France. Picture by Manuel Cohen
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  • Wooden carving of 4 cats in the cafe El Quatre Gats, on the ground floor of the Casa Marti, a Catalan Modernist building designed by Josep Puig i Cadafalch in 1896, on Carrer Montsio, Barcelona, Catalonia, Spain. The cafe, hostel, cabaret, pub and restaurant was opened by Pere Romeu, 1862-1908, in 1897, inspired by the Le Chat Noir cafe in Paris, and was frequented by many Modernist figures, including Ramon Casas i Carbo, Santiago Rusinol, Miguel Utrillo and Pablo Picasso. The cafe closed in 1903, but was reopened in 1978, with Casa Marti restored in 1991. Picture by Manuel Cohen
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  • SAVEOCK WATER, CORNWALL, ENGLAND - AUGUST 03: A plan of the Mesolithic clay platform on August 3, 2008 in Saveock Water, Cornwall, England. The plan shows the stakes of the dwellings. Pits have been cut into this feature and those coloured in pink have been emptied in antiquity leaving just a few feathers or fur to indicate their previous contents. Excavations here are led by archaeologist Jacqui Wood. (Photo by Manuel Cohen)
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  • SAVEOCK WATER, CORNWALL, ENGLAND - AUGUST 02: A view from above of Neolithic spring and winter pools on August 2, 2008 in Saveock Water, Cornwall, England.  The winter pool containing with a stone lined bath is in the foreground. The Spring pool is in the background. Excavated by archaeologist Jacqui Wood and her team. (Photo by Manuel Cohen)
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  • SAVEOCK WATER, CORNWALL, ENGLAND - AUGUST 02: A close up of Neolithic winter pool on August 2, 2008 in Saveock Water, Cornwall, England. A stone lined bath is inserted into the pool. Excavated by archaeologist Jacqui Wood and her team. (Photo by Manuel Cohen)
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  • SAVEOCK WATER, CORNWALL, ENGLAND - AUGUST 03: A general view of Mesolithic clay platform with votive pits cut into it on August 3, 2008 in Saveock Water, Cornwall, England. The excavations here are led by archaeologist Jacqui Wood. (Photo by Manuel Cohen)
    DENGLAND080226.jpg
  • SAVEOCK WATER, CORNWALL, ENGLAND - AUGUST 03: A detail of the remains of a pocket on August 3, 2008 in Saveock Water, Cornwall, England. It was found in a votive pool by archaeologist Jacqui Wood who dates it between the medieval period to the 17th century (no carbon dating). (Photo by Manuel Cohen)
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  • SAVEOCK WATER, CORNWALL, ENGLAND - AUGUST 03: A detail of leather shoe sole on August 3, 2008 in Saveock Water, Cornwall, England. It was in a votive pool by archaeologist Jacqui Wood who dates it between the medieval period to the 17th century (no carbon dating). (Photo by Manuel Cohen)
    DENGLAND080190.jpg
  • Corydalis, a duplex cabin in larch wood offering luxury accommodation in the forest, in the Domaine du Moulin de Trimeule, Marnay-sur-Marne, Haute-Marne, Grand Est, France. Picture by Manuel Cohen
    LC21_FRANCE_MC_1822.jpg
  • Wooden carving of a naked Marquesian woman, in the Paul Gauguin Cultural Center, a museum which opened in 2003, in Atuona, on the island of Hiva Oa, in the Marquesas Islands, French Polynesia. The museum includes a reconstruction of the Maison du Jouir or House of Pleasure, home to French artist Paul Gauguin, 1848-1903, from 1901 to his death, a traditional 2-storey hut with a wooden lintel carved by Gauguin in 1901 with the inscription, 'Be mysterious. Be loving and you will be happy'. Picture by Manuel Cohen
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  • Hall of the twelve columns, Saadian tombs, Medina, Marrakech, Morocco. The tombs, near the Kasbah mosque, date from the reign of Sultan Ahmad al-Mansur, 1578-1603, and contain the mausoleums of members of the Saadi dynasty. The hall of the twelve columns contains the tomb of the Sultan's son Ahmad al-Mansur and contains a stele carved from cedar wood and worked with stucco. The monuments are of Italian Carrara marble and the walls are covered in glazed tiles and carved Koranic verses. Picture by Manuel Cohen
    LCMOROCCO_12_MC156.jpg
  • Hall of the twelve columns, Saadian tombs, Medina, Marrakech, Morocco. The tombs, near the Kasbah mosque, date from the reign of Sultan Ahmad al-Mansur, 1578-1603, and contain the mausoleums of members of the Saadi dynasty. The hall of the twelve columns contains the tomb of the Sultan's son Ahmad al-Mansur and contains a stele carved from cedar wood and worked with stucco. The monuments are of Italian Carrara marble and the walls are covered in glazed tiles and carved Koranic verses. Picture by Manuel Cohen
    LCMOROCCO_12_MC155.jpg
  • Hall of the twelve columns, Saadian tombs, Medina, Marrakech, Morocco. The tombs, near the Kasbah mosque, date from the reign of Sultan Ahmad al-Mansur, 1578-1603, and contain the mausoleums of members of the Saadi dynasty. The hall of the twelve columns contains the tomb of the Sultan's son Ahmad al-Mansur and contains a stele carved from cedar wood and worked with stucco. The monuments are of Italian Carrara marble and the walls are covered in glazed tiles and carved Koranic verses. Picture by Manuel Cohen
    LCMOROCCO_12_MC157.jpg
  • St Abdon and St Sennen, Pre-Baroque Altarpiece, gilded polychrome wood, 1647, by Lazare Tremullas, Abbey Church, Abbaye de Sainte-Marie, 8th-13th centuries, Arles-Sur-Tech, France. The Abbey holds the Sacred Tomb (Sainte tombe, 4th century, which reputedly contains the relics of martyred Saints Abdon and Sennen. Photograph by Manuel Cohen.
    LC12_FRANCE_MC_114.jpg
  • Suffering Christ, Wood, 15th century, (cross dates from a later period), Royaumont Abbey, Val-d'Oise, France. The Cistercian Abbey was founded 1228 by St Louis, and dissolved 1789 after the French Revolution. Photograph by Manuel Cohen.
    LC12_FRANCE_MC_103.jpg
  • Suffering Christ, Wood, 15th century, (cross dates from a later period), Royaumont Abbey, Val-d'Oise, France. The Cistercian Abbey was founded 1228 by St Louis, and dissolved 1789 after the French Revolution. Photograph by Manuel Cohen.
    LC12_FRANCE_MC_104.jpg
  • Suffering Christ, Wood, 15th century, (cross dates from a later period), Royaumont Abbey, Val-d'Oise, France. The Cistercian Abbey was founded 1228 by St Louis, and dissolved 1789 after the French Revolution. Photograph by Manuel Cohen.
    LC12_FRANCE_MC_106.jpg
  • Struts supporting the metal and wood structure of the roof of the Smithfield or London Central Markets, 19th century, London, UK. Picture by Manuel Cohen
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  • SAVEOCK WATER, CORNWALL, ENGLAND - AUGUST 03: A general view of the ruins of an extensive prehistoric building on August 3, 2008 in Saveock Water, Cornwall, England. Excavations here are led by archaeologist Jacqui Wood. Her team has not yet excavated this building. (Photo by Manuel Cohen)
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  • SAVEOCK WATER, CORNWALL, ENGLAND - AUGUST 02: A detail of Spring stream next to the excavation site on August 2, 2008 in Saveock Water, Cornwall, England. Archaeologist Jacqui Wood is leading the excavations here. (Photo by Manuel Cohen)
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  • SAVEOCK WATER, CORNWALL, ENGLAND - AUGUST 02: A general view of Neolithic mirror pool lined with white quartz on August 2, 2008 in Saveock Water, Cornwall, England. Excavated by archaeologist Jacqui Wood and her team. (Photo by Manuel Cohen)
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  • SAVEOCK WATER, CORNWALL, ENGLAND - AUGUST 03: A general view of Neolithic mirror pool lined with white quartz on August 3, 2008 in Saveock Water, Cornwall, England. Excavated by archaeologist Jacqui Wood and her team. (Photo by Manuel Cohen)
    DENGLAND080233.jpg
  • SAVEOCK WATER, CORNWALL, ENGLAND - AUGUST 02: A general view of Neolithic spring and winter pools on August 2, 2008 in Saveock Water, Cornwall, England. Excavated by archaeologist Jacqui Wood and her team. (Photo by Manuel Cohen)
    DENGLAND080231.jpg
  • SAVEOCK WATER, CORNWALL, ENGLAND - AUGUST 03: A detail of eggs in Pit 9 on August 3, 2008 in Saveock Water, Cornwall, England. Pit 9 was lined with a feathered swan pelt, with two magpies lying side by side on top of 55 eggs, including 7containing fully formed chicks. Excavated by Jacqui Wood and her team. (Photo by Manuel Cohen)
    DENGLAND080229.jpg
  • SAVEOCK WATER, CORNWALL, ENGLAND - AUGUST 03: A view from above of Pit 9 on August 3, 2008 in Saveock Water, Cornwall, England. Pit 9 was lined with a feathered swan pelt, with two magpies lying side by side on top of 55 eggs, including 7containing fully formed chicks. Excavated by Jacqui Wood and her team. (Photo by Manuel Cohen)
    DENGLAND080228.jpg
  • SAVEOCK WATER, CORNWALL, ENGLAND - AUGUST 03: A close up of egg membranes and the remains of a Magpie on August 3, 2008 in Saveock Water, Cornwall, England. They were found in Pit 9 by archaeologist Jacqui Wood and her team. (Photo by Manuel Cohen)
    DENGLAND080227.jpg
  • SAVEOCK WATER, CORNWALL, ENGLAND - AUGUST 02: A detail of votive pits cut into Mesolithic clay platform on August 2, 2008 in Saveock Water, Cornwall, England. The excavations here are led by archaeologist Jacqui Wood. (Photo by Manuel Cohen)
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  • SAVEOCK WATER, CORNWALL, ENGLAND - AUGUST 03: A general view of votive pits and Field School in background on August 3, 2008 in Saveock Water, Cornwall, England. The excavations here are led by archaeologist Jacqui Wood. (Photo by Manuel Cohen)
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  • SAVEOCK WATER, CORNWALL, ENGLAND - AUGUST 03: A close up of stone tools in finds tray, August 3, 2008 in Saveock Water, Cornwall, England. Archaeologist Jacqui Wood is leading the excavation here. (Photo by Manuel Cohen)
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  • SAVEOCK WATER, CORNWALL, ENGLAND - AUGUST 03: A view from the side of archaeologists and students on August 3, 2008 in Saveock Water, Cornwall. Led by Jacqui Wood they are excavating a Mesolithic platform. (Photo by Manuel Cohen)
    DENGLAND080211.jpg
  • SAVEOCK WATER, CORNWALL, ENGLAND - AUGUST 03: A view from the side of archaeologists and students on August 3, 2008 in Saveock Water, Cornwall. Led by Jacqui Wood they are excavating a Mesolithic platform.(Photo by Manuel Cohen)
    DENGLAND080210.jpg
  • SAVEOCK WATER, CORNWALL, ENGLAND - AUGUST 03: A view from the side of archaeologists and students on August 3, 2008 in Saveock Water, Cornwall. Led by Jacqui Wood they are excavating a Mesolithic platform. (Photo by Manuel Cohen)
    DENGLAND080209.jpg
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