manuel cohen

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  • Mud Woman Rolls On, 2011, sculpture of a Native American woman and her 3 children, made from clay and plant fibre, by Roxanne Swentzell, b. 1962, from the collection of the Denver Art Museum, Denver, Colorado, USA. Picture by Manuel Cohen
    LC16_COLORADO_MC_202.jpg
  • Standing Woman, bronze, 1932, by Gaston Lachaise (1882-1935), Tuileries Gardens, Paris, France. Picture by Manuel Cohen
    LC12_Paris_MC127.jpg
  • Joan Miro's Woman and bird (Femme et oiseau, Dona i ocell), painted bronze, 1967, the Joan Miro Foundation, 1975, Josep Lluís Sert, Barcelona, Spain. Picture by Manuel Cohen
    LCSPAIN12_MC060.jpg
  • Woman with a Mandolin, 1910, oil painting by Georges Braque, 1882-1963, from the Musee Thyssen-Bornemisza, Madrid, Spain. This is an example of Braque's period of Analytical Cubism, 1908-12, where the subject is fragmented, seen from multiple viewpoints with overlapping planes. Picture by Manuel Cohen
    LC15_ART_MC016.jpg
  • Bust of a woman, c. 1484-96, marble sculpture by Francesco Laurana, 1430-1502, from the Musee du Louvre, Paris, France. This unknown princess with her hair tightly hidden is thought to be a posthumous portrait of the Infanta Eleanor of Aragon, who died in 1405. Picture by Manuel Cohen
    LC15_ART_MC011.jpg
  • Woman in the courtyard in front of the main entrance of the  Sultan Ahmed Mosque (Sultan Ahmet Camii), or Blue Mosque, 1609-16, by Mehmet Aga, Istanbul, Marmara, Turkey. Built near the Hagia Sophia, the Blue Mosque combines Byzantine elements with Islamic architecture in the Classical Ottoman style. The blue tiles of the interior inspired its popular name. The historical areas of the city were declared a UNESCO World Heritage Site in 1985. Picture by Manuel Cohen.
    LC13_Turkey_MC003.jpg
  • Dona i Ocell, (Woman and Bird), 1982, Joan Miro, Parc Joan Miro, Barcelona, Spain. The sculpture was covered in tiles by the artist's collaborator Joan Gardy Artigas. Picture by Manuel Cohen
    LCSPAIN12_MC196.jpg
  • Dona i Ocell, (Woman and Bird), 1982, Joan Miro, Parc Joan Miro, Barcelona, Spain. The sculpture was covered in tiles by the artist's collaborator Joan Gardy Artigas. Picture by Manuel Cohen
    LCSPAIN12_MC195.jpg
  • Dona i Ocell, (Woman and Bird), 1982, Joan Miro, Parc Joan Miro, Barcelona, Spain. The sculpture was covered in tiles by the artist's collaborator Joan Gardy Artigas. Picture by Manuel Cohen
    LCSPAIN12_MC194.jpg
  • Dona i Ocell, (Woman and Bird), 1982, Joan Miro, Parc Joan Miro, Barcelona, Spain. The sculpture was covered in tiles by the artist's collaborator Joan Gardy Artigas. Picture by Manuel Cohen
    LCSPAIN12_MC193.jpg
  • Dona i Ocell, (Woman and Bird), 1982, Joan Miro, Parc Joan Miro, Barcelona, Spain. The sculpture was covered in tiles by the artist's collaborator Joan Gardy Artigas. Picture by Manuel Cohen
    LCSPAIN12_MC192.jpg
  • Dona i Ocell, (Woman and Bird), 1982, Joan Miro, Parc Joan Miro, Barcelona, Spain. The sculpture was covered in tiles by the artist's collaborator Joan Gardy Artigas. Picture by Manuel Cohen
    LCSPAIN12_MC191.jpg
  • Dona i Ocell, (Woman and Bird), 1982, Joan Miro, Parc Joan Miro, Barcelona, Spain. The sculpture was covered in tiles by the artist's collaborator Joan Gardy Artigas. Picture by Manuel Cohen
    LCSPAIN12_MC190.jpg
  • Sculpted head of a woman, from the Museum Of Apollonia near the Ardenica monastery in Fier, Albania. The museum was opened in 1958 to display artefacts found at the nearby Greek Illyrian archaeological site of Apollonia. Apollonia was an ancient Greek city in Illyria, founded in 588 BC by Greek colonists from Corfu and Corinth. It flourished in the Roman period and declined from the 3rd century AD when its harbour was silted up due to an earthquake. Picture by Manuel Cohen
    LC14_Albania_MC359.jpg
  • Woman's cell (women's cells were separated by metal grills), in the Vieille Prison de Trois Rivieres, or Old Prison, built 1816-22 in Palladian style by Francois Baillairge, and used as a jail 1822-1986, now the Quebec Museum of Popular Culture, in Trois-Rivieres, Mauricie, on the Chemin du Roi, Quebec, Canada. The Chemin du Roy or King's Highway is a historic road along the Saint Lawrence river built 1731-37, connecting communities between Quebec City and Montreal. Picture by Manuel Cohen
    LC18_QUEBEC_MC_158.jpg
  • Honoring Early Texas Pioneer Women, 1998, by Linda Sioux Henley, bronze statue of a pioneer woman holding a baby, commissioned by the Daughters of the Republic of Texas, District VIII, on the lawn of the Texas State Capitol, containing the Texas Legislature and the Office of the Governor, designed in 1881 by Elijah E Myers and built 1882-88, Austin, Texas, USA. The building is in Italian Neo-Renaissance style, with both Corinthian and Doric details and a large central dome. The State Capitol houses the Senate, Governor's Office, House of Representatives and Supreme Court. It is listed on the National Register of Historic Places and is a National Historic Landmark. Picture by Manuel Cohen
    LC17_TEXAS_MC011.jpg
  • Fortune teller in the Tuareg Camp, Berber woman in traditional dress with a basket of cards at the Colonial Exhibition of 1907, held in the Jardin d'Agronomie Tropicale, or Garden of Tropical Agronomy, in the Bois de Vincennes in the 12th arrondissement of Paris, postcard from the nearby Musee de Nogent sur Marne, France. The garden was first established in 1899 to conduct agronomical experiments on plants of French colonies. In 1907 it was the site of the Colonial Exhibition and many pavilions were built or relocated here. The garden has since become neglected and many structures overgrown, damaged or destroyed, with most of the tropical vegetation disappeared. The site is listed as a historic monument. Picture by Manuel Cohen / Musee de Nogent sur Marne
    LC17_FRANCE_MC_1181.jpg
  • Ouled Nail tribal woman from Saharan Africa wearing traditional jewellery and headdress, at the Colonial Exhibition of 1907, held in the Jardin d'Agronomie Tropicale, or Garden of Tropical Agronomy, in the Bois de Vincennes in the 12th arrondissement of Paris, postcard from the nearby Musee de Nogent sur Marne, France. The garden was first established in 1899 to conduct agronomical experiments on plants of French colonies. In 1907 it was the site of the Colonial Exhibition and many pavilions were built or relocated here. The garden has since become neglected and many structures overgrown, damaged or destroyed, with most of the tropical vegetation disappeared. The site is listed as a historic monument. Picture by Manuel Cohen / Musee de Nogent sur Marne
    LC17_FRANCE_MC_1180.jpg
  • Ouled Nail tribal woman from Saharan Africa wearing traditional jewellery and headdress, at the Colonial Exhibition of 1907, held in the Jardin d'Agronomie Tropicale, or Garden of Tropical Agronomy, in the Bois de Vincennes in the 12th arrondissement of Paris, postcard from the nearby Musee de Nogent sur Marne, France. The garden was first established in 1899 to conduct agronomical experiments on plants of French colonies. In 1907 it was the site of the Colonial Exhibition and many pavilions were built or relocated here. The garden has since become neglected and many structures overgrown, damaged or destroyed, with most of the tropical vegetation disappeared. The site is listed as a historic monument. Picture by Manuel Cohen / Musee de Nogent sur Marne
    LC17_FRANCE_MC_1179.jpg
  • Saharan African woman from the Ouled Nail tribe on a Mehari dromedary at the Colonial Exhibition of 1907, held in the Jardin d'Agronomie Tropicale, or Garden of Tropical Agronomy, in the Bois de Vincennes in the 12th arrondissement of Paris, postcard from the nearby Musee de Nogent sur Marne, France. The garden was first established in 1899 to conduct agronomical experiments on plants of French colonies. In 1907 it was the site of the Colonial Exhibition and many pavilions were built or relocated here. The garden has since become neglected and many structures overgrown, damaged or destroyed, with most of the tropical vegetation disappeared. The site is listed as a historic monument. Picture by Manuel Cohen / Musee de Nogent sur Marne
    LC17_FRANCE_MC_1177.jpg
  • Limestone bust of a woman with a hood, Roman pudicitia icon used in funerals as an allegory of modesty and chastity, from Cortijo de Dona, donated by Gomez Latorre-Diaz Saro, in the Archaeological Museum of Ubeda, Ubeda, Jaen, Andalusia, Spain. The bust is thought to be part of the Stalacci funerary monuments at Ubeda la Vieja, the old Roman colony of Salaria. Picture by Manuel Cohen
    LC17_SPAIN_MC291.jpg
  • Relief of a woman at a window, believed to be Macee de Leodepart, wife of Jacques Coeur and daughter of the provost of Bourges, on the main facade of the Palais Jacques Coeur, huge manor house built 1443-51 in Flamboyant Gothic style, on the Place Jacques Coeur, Bourges, France. Below the false window is a heart (not seen here), which, paired with the shell symbol (a coquille Saint-Jacques) beneath the other false window, represents the name Jacques Coeur. Jacques Coeur, 1395-1456, was a wealthy merchant and was made master of the mint to King Charles VII in 1438. The building is listed as a historic monument. Picture by Manuel Cohen
    LC17_FRANCE_MC_0209.jpg
  • Relief of a woman at a window, believed to be Macee de Leodepart, wife of Jacques Coeur and daughter of the provost of Bourges, on the main facade of the Palais Jacques Coeur, huge manor house built 1443-51 in Flamboyant Gothic style, on the Place Jacques Coeur, Bourges, France. Below the false window is a heart, which, paired with the shell symbol (a coquille Saint-Jacques) beneath the other false window, represents the name Jacques Coeur. Jacques Coeur, 1395-1456, was a wealthy merchant and was made master of the mint to King Charles VII in 1438. The building is listed as a historic monument. Picture by Manuel Cohen
    LC17_FRANCE_MC_0208.jpg
  • A Hopi woman in Shungopavi, Arizona, weaving a plaited-style basket, photograph by Adam Clark Vroman, 1901, courtesy of the Colorado Historical Society, from the William Henry Jackson Collection, in the Anasazi Heritage Center, an archaeological museum of Native American pueblo and hunter-gatherer cultures, Dolores, Colorado, USA. Picture by Manuel Cohen
    LC16_COLORADO_MC_255.jpg
  • Hopi woman making pottery, possibly for sale, at Moki Pueblo, photograph probably by William Henry Jackson, c. 1875, or Adam Clark Vroman, c. 1900, courtesy of the Colorado Historical Society, William Henry Jackson Collection, in the Anasazi Heritage Center, an archaeological museum of Native American pueblo and hunter-gatherer cultures, Dolores, Colorado, USA. Hopi pottery declined with the arrival of metal cookware in the 19th century, but was reborn c. 1890 when the potter Nampeyo or Harmless Snake adopted ancestral styles from nearby archaeological sites. This photo might show Nampeyo as a teenager. Picture by Manuel Cohen
    LC16_COLORADO_MC_240.jpg
  • Sculpture of a woman, 1530-34, in terracotta, from the Last Supper sculptural group by Philip Hodart made in Renaissance Mannerist style for the refectory of the monastery of Santa Cruz in Coimbra, in the Museu Nacional de Machado de Castro, Coimbra, Portugal. The museum was opened in 1913 and renovated 2004-2012. The city of Coimbra dates back to Roman times and was the capital of Portugal from 1131 to 1255. Its historic buildings are listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_PORTUGAL_MC_211.jpg
  • Fresco of a woman carrying a pot on her head, on a red background, in the cubiculum off the triclinium of the Casa del Sacerdos Amandus, or House of the Priest Amandus, Pompeii, Italy. The fresco is in the Third Style of Roman wall painting, 20–10 BC, characterised by an ornamental elegance in figurative and colourful decoration. Pompeii is a Roman town which was destroyed and buried under 4-6 m of volcanic ash in the eruption of Mount Vesuvius in 79 AD. Buildings and artefacts were preserved in the ash and have been excavated and restored. Pompeii is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_ITALY_MC_0187.jpg
  • Fresco of a woman on a balcony with a maidservant, from the frigidarium or cold pool of the bathhouse of the Casa del Criptoportico, or House of the Cryptoporticus, Pompeii, Italy. This room is decorated in the Second Style of Pompeiian wall painting, 1st century BC. The house is one of the largest in Pompeii and was owned by the Valerii Rufi family and built in the 3rd century BC. It takes its name from the underground corridor used as a wine cellar and lit by small windows. Pompeii is a Roman town which was destroyed and buried under 4-6 m of volcanic ash in the eruption of Mount Vesuvius in 79 AD. Buildings and artefacts were preserved in the ash and have been excavated and restored. Pompeii is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_ITALY_MC_0199.JPG
  • Fresco of a woman, possibly spinning, and a pet dog, in the fountain room in the viridarium or garden of the Casa dell Efebo, or House of the Ephebus, Pompeii, Italy. This is a large, sumptuously decorated house probably owned by a rich family, and named after the statue of the Ephebus found here. The fresco is painted in the Fourth Style of Roman wall painting, c. 60–79 AD, a complex and Baroque style. Pompeii is a Roman town which was destroyed and buried under 4-6 m of volcanic ash in the eruption of Mount Vesuvius in 79 AD. Buildings and artefacts were preserved in the ash and have been excavated and restored. Pompeii is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_ITALY_MC_0145.JPG
  • Woman from Agen in traditional dress, by Jacques Grasset de Saint Sauveur, 1757-1810, from the 'Gens du Petit Peuple', late 18th century, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. Picture by Manuel Cohen
    LC15_FRANCE_MC_1296.jpg
  • Portrait bust of a married woman with curled hairstyle, Roman, from the Museum Of Apollonia near the Ardenica monastery in Fier, Albania. The museum was opened in 1958 to display artefacts found at the nearby Greek Illyrian archaeological site of Apollonia. Apollonia was an ancient Greek city in Illyria, founded in 588 BC by Greek colonists from Corfu and Corinth. It flourished in the Roman period and declined from the 3rd century AD when its harbour was silted up due to an earthquake. Picture by Manuel Cohen
    LC14_Albania_MC329.jpg
  • Portrait bust of a married woman, Roman, from the Museum Of Apollonia near the Ardenica monastery in Fier, Albania. The museum was opened in 1958 to display artefacts found at the nearby Greek Illyrian archaeological site of Apollonia. Apollonia was an ancient Greek city in Illyria, founded in 588 BC by Greek colonists from Corfu and Corinth. It flourished in the Roman period and declined from the 3rd century AD when its harbour was silted up due to an earthquake. Picture by Manuel Cohen
    LC14_Albania_MC330.jpg
  • Sculpted head of a smiling woman with wavy hair, Roman, from the Museum Of Apollonia near the Ardenica monastery in Fier, Albania. The museum was opened in 1958 to display artefacts found at the nearby Greek Illyrian archaeological site of Apollonia. Apollonia was an ancient Greek city in Illyria, founded in 588 BC by Greek colonists from Corfu and Corinth. It flourished in the Roman period and declined from the 3rd century AD when its harbour was silted up due to an earthquake. Picture by Manuel Cohen
    LC14_Albania_MC362.jpg
  • Bust of an aristocratic woman, Roman, from the Museum Of Apollonia near the Ardenica monastery in Fier, Albania. The museum was opened in 1958 to display artefacts found at the nearby Greek Illyrian archaeological site of Apollonia. Apollonia was an ancient Greek city in Illyria, founded in 588 BC by Greek colonists from Corfu and Corinth. It flourished in the Roman period and declined from the 3rd century AD when its harbour was silted up due to an earthquake. Picture by Manuel Cohen
    LC14_Albania_MC352.jpg
  • Woman face spray paint graffiti on a wall at the corner of a street in Brick Lane area, London, UK. Picture by Manuel Cohen
    LC_London_MC125.jpg
  • Woman at her toilet in the Palace of Versailles, engraving of 1690 by Jean Dieu de Saint Jean Delin. Copyright © Collection Particuliere Tropmi / Manuel Cohen
    LC_History_MC0008.jpg
  • Painting of woman in her bath, 1834, from Chateau d'Azay-le-Rideau, 16th century Renaissance chateau, Loire Valley, Inde-et-Loire, France. This painting is a copy of the anonymous painting of Gabrielle d'Estrees in her bath, 1598-1599, at the Musee Conde in Chantilly, which in turn was inspired by Francois Clouet's Diane de Poitiers of 1571, at the National Gallery of Art in Washington. Picture by Manuel Cohen
    LC13_FRANCE_MC119.jpg
  • Woman dressing for a ball with maids in attendance and a harlequin entering the room, 17th century engraving from a series of life at the Palace of Versailles. Copyright © Collection Particuliere Tropmi / Manuel Cohen
    LC_History_MC0007.jpg
  • Woman carrying palm fronds on her head in Skoura, Ouarzazate province, Souss-Massa-Draa, Morocco. Skoura is a fertile oasis lined with immense palm groves. Picture by Manuel Cohen
    LCMOROCCO_12_MC270.jpg
  • Woman cleaning the outside of an earthen building at Ksar Ait Ben Haddou, earthen fortified city, Ounila valley, Ouarzazate province, Morocco. The ksar is a group of earthen houses surrounded by high defensive walls with corner towers, in traditional pre-Saharan style.  The village stands above the Oued Marghen river in the High Atlas and was a stop on the caravan route from the Sahara to Marrakech. It was founded in the 17th century and has been a UNESCO World Heritage Site since 1987. Picture by Manuel Cohen
    LCMOROCCO_12_MC217.jpg
  • Femme Assoupie sur un Lit, or Woman Dozing on a Bed, also known as The Indolent Woman, oil painting, 1899, by Pierre Bonnard, 1867-1947, exhibited in the Musee d'Orsay, Paris, France. Picture by Manuel Cohen
    LC21_FRANCE_MC_0253.jpg
  • Jeune Femme aux yeux clos, or Young Woman with eyes closed, bronze sculpture c. 1885, by Camille Claudel, 1864-1943, cast by Delval, only test cast, 1987, in the Camille Claudel Museum, opened 2017, in Nogent-sur-Seine, Aube, Grand Est, France. Claudel was a female sculptor who moved to Nogent-sur-Seine in 1876. She studied under Alfred Boucher and was a model for, and mistress of, Auguste Rodin. Picture by Manuel Cohen
    LC22_FRANCE_MC_0055.jpg
  • Woman with red scarf, 1901-2, charcoal and wax crayon on paper, by Ramon Casas, 1866-1932, in Casa Rocamora, the Isabelline mansion of art collector Manuel Rocamora y Vidal, where he lived from 1935, on the Carrer de Ballester in El Putxet, Barcelona, Catalonia, Spain. The house is open to the public, managed by the Fundacion Rocamora, and houses the private collection of Manuel Rocamora y Vidal, 1892-1976, including Modernist art, figureheads and ceramics. Picture by Manuel Cohen
    LC20_SPAIN_MC_1418.jpg
  • Femme a la pensee, or Thinking Woman, oil painting by School of Hans Holbein the Younger, 1497-1543, in the style of Barthel Bruyn the Younger, 1530-1610, in the Chambre du Maitre de Maison, used by Gilles Berthelot in the 16th century, in the Chateau d'Azay-le-Rideau, a Renaissance chateau built 1515-27 by Gilles Berthelot on the foundations of an 11th century fortress, Loire Valley, Indre-et-Loire, France. It is built in both Italian and French styles on an island in the Indre river, and is one of the earliest French Renaissance chateaux. It is listed as a historic monument and is part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_FRANCE_MC_0914.jpg
  • Femme cousant dans un interieur, or Woman sewing in an interior, oil painting, 1905, by Felix Vallotton, 1865-1925, in the Musee d'Art Moderne de Troyes, inaugurated 1982, in the former Episcopal Palace, built 16th and 17th centuries, in Troyes, Aube, Grand Est, France. The museum holds French painting collections from the mid 19th century to 1960s. Picture by Manuel Cohen
    LC21_FRANCE_MC_1521.jpg
  • Woman reading, 1901-2, charcoal and wax crayon on paper, by Ramon Casas, 1866-1932, in Casa Rocamora, the Isabelline mansion of art collector Manuel Rocamora y Vidal, where he lived from 1935, on the Carrer de Ballester in El Putxet, Barcelona, Catalonia, Spain. The house is open to the public, managed by the Fundacion Rocamora, and houses the private collection of Manuel Rocamora y Vidal, 1892-1976, including Modernist art, figureheads and ceramics. Picture by Manuel Cohen
    LC20_SPAIN_MC_1419.jpg
  • Solitude, bronze statue of a black slave woman who was freed in 1794 and beaten to death while pregnant in 1802 after Napoleon restored slavery in Guadeloupe, inaugurated 2022, by Didier Audrat, in the Jardin Solitude, Place du General Catroux, in the 17th arrondissement of Paris, Ile-de-France, France. This is the first statue of a real black woman in Paris, and she is depicted defiantly protesting against slavery. It was inaugurated on 10th May 2022, the National Day to Commemorate Memories of Slave Trade, Slavery and their Abolition. Picture by Manuel Cohen
    LC22_FRANCE_MC_0129.jpg
  • Solitude, detail, bronze statue of a black slave woman who was freed in 1794 and beaten to death while pregnant in 1802 after Napoleon restored slavery in Guadeloupe, inaugurated 2022, by Didier Audrat, in the Jardin Solitude, Place du General Catroux, in the 17th arrondissement of Paris, Ile-de-France, France. This is the first statue of a real black woman in Paris, and she is depicted defiantly protesting against slavery. It was inaugurated on 10th May 2022, the National Day to Commemorate Memories of Slave Trade, Slavery and their Abolition. Picture by Manuel Cohen
    LC22_FRANCE_MC_0120.jpg
  • Solitude, bronze statue of a black slave woman who was freed in 1794 and beaten to death while pregnant in 1802 after Napoleon restored slavery in Guadeloupe, inaugurated 2022, by Didier Audrat, in the Jardin Solitude, Place du General Catroux, in the 17th arrondissement of Paris, Ile-de-France, France. This is the first statue of a real black woman in Paris, and she is depicted defiantly protesting against slavery. It was inaugurated on 10th May 2022, the National Day to Commemorate Memories of Slave Trade, Slavery and their Abolition. Picture by Manuel Cohen
    LC22_FRANCE_MC_0121.jpg
  • Funerary stele of Aischra, with relief of a young woman representing the deceased wearing hypendyma (tunic), himation (cloak) and veil, seated on diphros (stool), holding a box with a servant girl and another seated woman veiling her face in a gesture of mourning, Hellenistic Greek, late 3rd century BC, from Rhodes, in the Musee Lapidaire, or Lapidary Museum, in Avignon, Provence-Alpes-Cote-d'Azur, France. The museum houses archaeological artefacts from the Collection Archeologique de la Fondation Calvet, from the Musee Calvet. Picture by Manuel Cohen
    LC21_FRANCE_MC_1310.jpg
  • Polla funerary stele, with relief of woman sitting on a diphros (stool) offering handshake to another woman, representing the deceased, Hellenistic Greek, 1st century BC, unknown origin, in the Musee Lapidaire, or Lapidary Museum, in Avignon, Provence-Alpes-Cote-d'Azur, France. The museum houses archaeological artefacts from the Collection Archeologique de la Fondation Calvet, from the Musee Calvet. Picture by Manuel Cohen
    LC21_FRANCE_MC_1311.jpg
  • Funerary stele of Aischra, detail, with relief of a young woman representing the deceased wearing hypendyma (tunic), himation (cloak) and veil, seated on diphros (stool), holding a box with a servant girl and another seated woman veiling her face in a gesture of mourning, Hellenistic Greek, late 3rd century BC, from Rhodes, in the Musee Lapidaire, or Lapidary Museum, in Avignon, Provence-Alpes-Cote-d'Azur, France. The museum houses archaeological artefacts from the Collection Archeologique de la Fondation Calvet, from the Musee Calvet. Picture by Manuel Cohen
    LC21_FRANCE_MC_1343.jpg
  • The Dragon pursues the Woman, with the dragon spewing water from his mouth to make a river to carry away the woman, who has been given eagle's wings, detail of the third piece depicting the Dragon, from the Tenture de l'Apocalypse or Apocalypse Tapestry, made 1373-82 by Nicolas Bataille in the workshop of Robert Poincon after preparatory drawings by Hennequin de Bruges, in the Musee de la Tapisserie de l'Apocalypse, in the Chateau d'Angers, Angers, Maine-et-Loire, France. The tapestry was commissioned by Louis I duc d'Anjou and depicts the Apocalypse of John. It measures 140m and is divided into 6 pieces with 90 scenes. Although bequeathed to Angers Cathedral by King Rene in the 15th century, the tapestry was reconstructed and restored in the 19th century, listed as a historic monument and exhibited in the castle. Picture by Manuel Cohen
    LC21_FRANCE_MC_0371.jpg
  • The Dragon pursues the Woman, with the dragon spewing water from his mouth to make a river to carry away the woman, who has been given eagle's wings, with St John, detail of the third piece depicting the Dragon, from the Tenture de l'Apocalypse or Apocalypse Tapestry, made 1373-82 by Nicolas Bataille in the workshop of Robert Poincon after preparatory drawings by Hennequin de Bruges, in the Musee de la Tapisserie de l'Apocalypse, in the Chateau d'Angers, Angers, Maine-et-Loire, France. The tapestry was commissioned by Louis I duc d'Anjou and depicts the Apocalypse of John. It measures 140m and is divided into 6 pieces with 90 scenes. Although bequeathed to Angers Cathedral by King Rene in the 15th century, the tapestry was reconstructed and restored in the 19th century, listed as a historic monument and exhibited in the castle. Picture by Manuel Cohen
    LC21_FRANCE_MC_0370.jpg
  • Woman clothed with the sun, depicting a woman sitting on a moon with a crown of stars, giving birth to a baby, who is taken to God by an angel, with dragon and St John, detail of the third piece depicting the Dragon, from the Tenture de l'Apocalypse or Apocalypse Tapestry, made 1373-82 by Nicolas Bataille in the workshop of Robert Poincon after preparatory drawings by Hennequin de Bruges, in the Musee de la Tapisserie de l'Apocalypse, in the Chateau d'Angers, Angers, Maine-et-Loire, France. The tapestry was commissioned by Louis I duc d'Anjou and depicts the Apocalypse of John. It measures 140m and is divided into 6 pieces with 90 scenes. Although bequeathed to Angers Cathedral by King Rene in the 15th century, the tapestry was reconstructed and restored in the 19th century, listed as a historic monument and exhibited in the castle. Picture by Manuel Cohen
    LC21_FRANCE_MC_0388.jpg
  • Woman clothed with the sun, depicting a woman sitting on a moon with a crown of stars, giving birth to a baby, who is taken to God by an angel, with dragon and St John, detail of the third piece depicting the Dragon, from the Tenture de l'Apocalypse or Apocalypse Tapestry, made 1373-82 by Nicolas Bataille in the workshop of Robert Poincon after preparatory drawings by Hennequin de Bruges, in the Musee de la Tapisserie de l'Apocalypse, in the Chateau d'Angers, Angers, Maine-et-Loire, France. The tapestry was commissioned by Louis I duc d'Anjou and depicts the Apocalypse of John. It measures 140m and is divided into 6 pieces with 90 scenes. Although bequeathed to Angers Cathedral by King Rene in the 15th century, the tapestry was reconstructed and restored in the 19th century, listed as a historic monument and exhibited in the castle. Picture by Manuel Cohen
    LC21_FRANCE_MC_0387.jpg
  • Woman clothed with the sun, depicting a woman sitting on a moon with a crown of stars, giving birth to a baby, who is taken to God by an angel, with dragon and St John, detail of the third piece depicting the Dragon, from the Tenture de l'Apocalypse or Apocalypse Tapestry, made 1373-82 by Nicolas Bataille in the workshop of Robert Poincon after preparatory drawings by Hennequin de Bruges, in the Musee de la Tapisserie de l'Apocalypse, in the Chateau d'Angers, Angers, Maine-et-Loire, France. The tapestry was commissioned by Louis I duc d'Anjou and depicts the Apocalypse of John. It measures 140m and is divided into 6 pieces with 90 scenes. Although bequeathed to Angers Cathedral by King Rene in the 15th century, the tapestry was reconstructed and restored in the 19th century, listed as a historic monument and exhibited in the castle. Picture by Manuel Cohen
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  • Jesus at the well of the Samaritan woman, charcoal drawings, made 1882-91, drawn by 2 unknown men, possibly bell ringers, in the bell room of the Eglise Notre-Dame-de-la-Croix de Menilmontant, in the 20th arrondissement of Paris, France. Jesus sits on the edge of the well under trees and talks with the woman, who is thinking. The Church of Our Lady of the Holy Cross of Menilmontant is a Roman catholic church built 1863-80. Picture by Manuel Cohen
    LC19_PARIS_MC_0568.jpg
  • Detail of a portrait of the wife of Dunash Ben Labrat, 920-990, Jewish scholar and poet, by Jose Luis Munoz, b. 1969, in graphite, charcoal, tempera, acrylic, gold leaf and oil on wood, in the Centro Cultural y Museo Casa de Sefarad, a museum and cultural centre opened 2006 in the Jewish quarter of Cordoba, Andalusia, Southern Spain. A manuscript of poetry has been discovered attributed to this unnamed woman, thought to be the earliest example of medieval Spanish poetry written by a woman. The historic centre of Cordoba is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_SPAIN_MC351.jpg
  • "Kämpfende Amazone" (Fighting Amazonian Woman) by August Kiss, 19th century, sculpture of a woman on horseback spearing a lion, outside the Altes Museum or Old Museum, housing the Antique collection of the Berlin State Museums, Museum Island, Mitte, Berlin, Germany. The museum was built 1823-30 by Karl Friedrich Schinkel in neoclassical style to house the Prussian royal family's art collection. The buildings on Museum Island were listed as a UNESCO World Heritage Site in 1999. Picture by Manuel Cohen
    LC14_BERLIN_MC0417.jpg
  • "Kämpfende Amazone" (Fighting Amazonian Woman) by August Kiss, 19th century, sculpture of a woman on horseback spearing a lion, outside the Altes Museum or Old Museum, housing the Antique collection of the Berlin State Museums, Museum Island, Mitte, Berlin, Germany. The museum was built 1823-30 by Karl Friedrich Schinkel in neoclassical style to house the Prussian royal family's art collection. The buildings on Museum Island were listed as a UNESCO World Heritage Site in 1999. Picture by Manuel Cohen
    LC14_BERLIN_MC0414.jpg
  • Jesus has healed the daughter of a Canaanite woman by exorcising her demons. The Canaanite woman kneeling before Jesus, by Thomas Boudin, 1611-12, from the choir screen, Chartres Cathedral, Eure-et-Loir, France. Chartres cathedral was built 1194-1250 and is a fine example of Gothic architecture. It was declared a UNESCO World Heritage Site in 1979. Picture by Manuel Cohen.
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  • Jesus writing in the sand while the accusers of the adulterous woman leave, after Jesus proclaims 'let he who is without sin cast the first stone'. The Adulterous Woman, by Jean de Dieu of Arles, 1679-81, from the choir screen, Chartres Cathedral, Eure-et-Loir, France. Chartres cathedral was built 1194-1250 and is a fine example of Gothic architecture. It was declared a UNESCO World Heritage Site in 1979. Picture by Manuel Cohen.
    LC13_FRANCE_MC672.jpg
  • Fresco of woman from Qasr Amra, Jordan. The woman is depicted within a painted niche surrounded by birds. These early Islamic frescoes have strong Persian and Byzantine influences. The original castle complex was built in 723-743 by Walid Ibn Yazid, the future Umayyad Caliph Walid II. It was a fortress with military garrison and residence of the Umayyad Caliphs. Today only the royal pleasure cabin remains, with reception hall and hammam or bath house. Picture by Manuel Cohen
    LC12_Jordan_MC351.jpg
  • Woman seated in an armchair reading, oil painting on wood, 17th century, in the Chateau d'Azay-le-Rideau, a Renaissance chateau built 1515-27 by Gilles Berthelot on the foundations of an 11th century fortress, Loire Valley, Indre-et-Loire, France. It is built in both Italian and French styles on an island in the Indre river, and is one of the earliest French Renaissance chateaux. It is listed as a historic monument and is part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_FRANCE_MC_0923.jpg
  • Femme Accroupie, or Crouching Woman, small scale model in patinated plaster, c. 1881-82, by Camille Claudel, 1864-1943, in the Camille Claudel Museum, opened 2017, in Nogent-sur-Seine, Aube, Grand Est, France. Claudel was a female sculptor who moved to Nogent-sur-Seine in 1876. She studied under Alfred Boucher and was a model for, and mistress of, Auguste Rodin. Picture by Manuel Cohen
    LC22_FRANCE_MC_0064.jpg
  • Tete de femme ebouriffee, or Woman with ruffled hair, oil painting, c. 1945, by Andre Derain, 1880-1954, in the Musee d'Art Moderne de Troyes, inaugurated 1982, in the former Episcopal Palace, built 16th and 17th centuries, in Troyes, Aube, Grand Est, France. The museum holds French painting collections from the mid 19th century to 1960s. Picture by Manuel Cohen
    LC21_FRANCE_MC_1478.jpg
  • La Liseuse, or Woman Reading, oil painting, c. 1922-23, by Henri Matisse, 1869-1954, in the Musee d'Art Moderne de Troyes, inaugurated 1982, in the former Episcopal Palace, built 16th and 17th centuries, in Troyes, Aube, Grand Est, France. The museum holds French painting collections from the mid 19th century to 1960s. Picture by Manuel Cohen
    LC21_FRANCE_MC_1480.jpg
  • Portrait of Mme Saporte, oil painting on canvas, 1904, by Louis Delfau, private collection, with the woman wearing a necklace and earrings of garnet, in the exhibition Le Grenat Catalan, on the history of garnet in the region, at the Palais des Rois de Majorque, or Palace of the Kings of Majorca, built 1276-1309 by Ramon Pau, Pons Descoll and Bernat Quer, for King James II of Majorca, in Puig del Rey, Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. Picture by Manuel Cohen
    LC20_FRANCE_MC_1338.jpg
  • The Prostitute on the Waters, a personification of the city of Babylon, with reflection of an old woman in the mirror, with angel, detail of the fifth piece depicting the 7 Cups, from the Tenture de l'Apocalypse or Apocalypse Tapestry, made 1373-82 by Nicolas Bataille in the workshop of Robert Poincon after preparatory drawings by Hennequin de Bruges, in the Musee de la Tapisserie de l'Apocalypse, in the Chateau d'Angers, Angers, Maine-et-Loire, France. The tapestry was commissioned by Louis I duc d'Anjou and depicts the Apocalypse of John. It measures 140m and is divided into 6 pieces with 90 scenes. Although bequeathed to Angers Cathedral by King Rene in the 15th century, the tapestry was reconstructed and restored in the 19th century, listed as a historic monument and exhibited in the castle. Picture by Manuel Cohen
    LC21_FRANCE_MC_0419.jpg
  • The Prostitute on the Waters, a personification of the city of Babylon, with reflection of an old woman in the mirror, detail of the fifth piece depicting the 7 Cups, from the Tenture de l'Apocalypse or Apocalypse Tapestry, made 1373-82 by Nicolas Bataille in the workshop of Robert Poincon after preparatory drawings by Hennequin de Bruges, in the Musee de la Tapisserie de l'Apocalypse, in the Chateau d'Angers, Angers, Maine-et-Loire, France. The tapestry was commissioned by Louis I duc d'Anjou and depicts the Apocalypse of John. It measures 140m and is divided into 6 pieces with 90 scenes. Although bequeathed to Angers Cathedral by King Rene in the 15th century, the tapestry was reconstructed and restored in the 19th century, listed as a historic monument and exhibited in the castle. Picture by Manuel Cohen
    LC21_FRANCE_MC_0418.jpg
  • Woman in a narrow street in the medina or old town of Moulay Idriss, Meknes-Tafilalet, Northern Morocco. The town sits atop 2 hills on Mount Zerhoun and was founded by Moulay Idriss I, who arrived in 789 AD and ruled until 791, bringing Islam to Morocco and founding the Idrisid Dynasty. It is an important pilgrimage site for muslims. Picture by Manuel Cohen
    LC14_Morocco_MC210.jpg
  • ESSAOUIRA, MOROCCO - MAY 8 : A low angle view of a couple of woman walking along the beach on May 8 2009. They are wearing traditional dresses as they stroll along at the edge of the sea in the morning light. Essaouira, on the windswept Atlantic coast of Morocco, was re-built in the 18th century by French architect Theodore Cornut to the orders of Sultan Ben Abdullah. Surrounded by ramparts it is a charming small town now becoming more popular with tourists. (Photo by Manuel Cohen)
    LCMOROCCO090045.jpg
  • Woman wearing collar, painting, by Michel-Jansz Van Mirevelt, 1566-1641, in the Chateau de Chenonceau, built 1514–22 in late Gothic and early Renaissance style, on the River Cher near Chenonceaux, Indre-et-Loire, France. The chateau was extended on a bridge across the river, commissioned by Diane de Poitiers and built 1556-59 by Philibert de l'Orme, with a gallery added 1570–76 by Jean Bullant. The chateau is listed as a historic monument and forms part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_FRANCE_MC_1284.jpg
  • Femme Accroupie, or Crouching Woman, small scale model in patinated plaster, c. 1884-85, by Camille Claudel, 1864-1943, in the Camille Claudel Museum, opened 2017, in Nogent-sur-Seine, Aube, Grand Est, France. Claudel was a female sculptor who moved to Nogent-sur-Seine in 1876. She studied under Alfred Boucher and was a model for, and mistress of, Auguste Rodin. Picture by Manuel Cohen
    LC22_FRANCE_MC_0063.jpg
  • Femme et enfants au bord de la mer, or Woman and children at the seaside, oil painting in Fauvist style, 1915, by Louis Valtat, 1869-1952, in the Musee d'Art Moderne de Troyes, inaugurated 1982, in the former Episcopal Palace, built 16th and 17th centuries, in Troyes, Aube, Grand Est, France. The museum holds French painting collections from the mid 19th century to 1960s. Picture by Manuel Cohen
    LC21_FRANCE_MC_1520.jpg
  • La Mujer de la Cofia, or The Hat Woman, painted in Paris, 1901, during Picasso's Blue Period, oil painting on canvas, (donation by Jacqueline Picasso 1985), in the Museu Picasso, an art gallery featuring over 4000 works by Pablo Picasso, 1881-1973, in La Ribera, in the Old City of Barcelona, Catalonia, Spain. The museum opened in 1963 and is housed in 5 adjoining medieval palaces on the Carrer de Montcada. Picture by Manuel Cohen - Further clearances required for reproduction (artist's copyright)
    LC20_SPAIN_MC_1114.jpg
  • The Prostitute on the Waters, a personification of the city of Babylon, with reflection of an old woman in the mirror, with angel and St John, detail of the fifth piece depicting the 7 Cups, from the Tenture de l'Apocalypse or Apocalypse Tapestry, made 1373-82 by Nicolas Bataille in the workshop of Robert Poincon after preparatory drawings by Hennequin de Bruges, in the Musee de la Tapisserie de l'Apocalypse, in the Chateau d'Angers, Angers, Maine-et-Loire, France. The tapestry was commissioned by Louis I duc d'Anjou and depicts the Apocalypse of John. It measures 140m and is divided into 6 pieces with 90 scenes. Although bequeathed to Angers Cathedral by King Rene in the 15th century, the tapestry was reconstructed and restored in the 19th century, listed as a historic monument and exhibited in the castle. Picture by Manuel Cohen
    LC21_FRANCE_MC_0653.jpg
  • Woman with Apples (La Femme aux Pommes), bronze, 1937 by Jean Terzieff, Luxembourg Gardens, Paris, France. The statue was created for the 1937 International Exhibition. Photograph by Manuel Cohen - This picture may require further clearance from the sculptor artist
    LC12_Paris_MC207.jpg
  • Woman smoking outside a buiding with metallic structures in the shape of a palm tree and with climbing plants inside, Canary Wharf, West India Docks on the Isle of Dogs, Borough of Tower Hamlets, East London, UK. Picture by Manuel Cohen
    LC_London_MC287.jpg
  • The Prostitute on the Waters, a personification of the city of Babylon, with reflection of an old woman in the mirror, detail of the fifth piece depicting the 7 Cups, from the Tenture de l'Apocalypse or Apocalypse Tapestry, made 1373-82 by Nicolas Bataille in the workshop of Robert Poincon after preparatory drawings by Hennequin de Bruges, in the Musee de la Tapisserie de l'Apocalypse, in the Chateau d'Angers, Angers, Maine-et-Loire, France. The tapestry was commissioned by Louis I duc d'Anjou and depicts the Apocalypse of John. It measures 140m and is divided into 6 pieces with 90 scenes. Although bequeathed to Angers Cathedral by King Rene in the 15th century, the tapestry was reconstructed and restored in the 19th century, listed as a historic monument and exhibited in the castle. Picture by Manuel Cohen
    _CC_2389.jpg
  • The Prostitute on the Waters, a personification of the city of Babylon, with reflection of an old woman in the mirror, with angel, detail of the fifth piece depicting the 7 Cups, from the Tenture de l'Apocalypse or Apocalypse Tapestry, made 1373-82 by Nicolas Bataille in the workshop of Robert Poincon after preparatory drawings by Hennequin de Bruges, in the Musee de la Tapisserie de l'Apocalypse, in the Chateau d'Angers, Angers, Maine-et-Loire, France. The tapestry was commissioned by Louis I duc d'Anjou and depicts the Apocalypse of John. It measures 140m and is divided into 6 pieces with 90 scenes. Although bequeathed to Angers Cathedral by King Rene in the 15th century, the tapestry was reconstructed and restored in the 19th century, listed as a historic monument and exhibited in the castle. Picture by Manuel Cohen
    _CC_2390.jpg
  • Woman clothed with the sun, depicting a woman sitting on a moon with a crown of stars, giving birth to a baby, who is taken to God by an angel, with dragon and St John, detail of the third piece depicting the Dragon, from the Tenture de l'Apocalypse or Apocalypse Tapestry, made 1373-82 by Nicolas Bataille in the workshop of Robert Poincon after preparatory drawings by Hennequin de Bruges, in the Musee de la Tapisserie de l'Apocalypse, in the Chateau d'Angers, Angers, Maine-et-Loire, France. The tapestry was commissioned by Louis I duc d'Anjou and depicts the Apocalypse of John. It measures 140m and is divided into 6 pieces with 90 scenes. Although bequeathed to Angers Cathedral by King Rene in the 15th century, the tapestry was reconstructed and restored in the 19th century, listed as a historic monument and exhibited in the castle. Picture by Manuel Cohen
    _CC_2302.jpg
  • The Dragon pursues the Woman, with the dragon spewing water from his mouth to make a river to carry away the woman, who has been given eagle's wings, detail of the third piece depicting the Dragon, from the Tenture de l'Apocalypse or Apocalypse Tapestry, made 1373-82 by Nicolas Bataille in the workshop of Robert Poincon after preparatory drawings by Hennequin de Bruges, in the Musee de la Tapisserie de l'Apocalypse, in the Chateau d'Angers, Angers, Maine-et-Loire, France. The tapestry was commissioned by Louis I duc d'Anjou and depicts the Apocalypse of John. It measures 140m and is divided into 6 pieces with 90 scenes. Although bequeathed to Angers Cathedral by King Rene in the 15th century, the tapestry was reconstructed and restored in the 19th century, listed as a historic monument and exhibited in the castle. Picture by Manuel Cohen
    _CC_2265.jpg
  • The Dragon pursues the Woman, with the dragon spewing water from his mouth to make a river to carry away the woman, who has been given eagle's wings, with St John, detail of the third piece depicting the Dragon, from the Tenture de l'Apocalypse or Apocalypse Tapestry, made 1373-82 by Nicolas Bataille in the workshop of Robert Poincon after preparatory drawings by Hennequin de Bruges, in the Musee de la Tapisserie de l'Apocalypse, in the Chateau d'Angers, Angers, Maine-et-Loire, France. The tapestry was commissioned by Louis I duc d'Anjou and depicts the Apocalypse of John. It measures 140m and is divided into 6 pieces with 90 scenes. Although bequeathed to Angers Cathedral by King Rene in the 15th century, the tapestry was reconstructed and restored in the 19th century, listed as a historic monument and exhibited in the castle. Picture by Manuel Cohen
    _CC_2264.jpg
  • The Prostitute on the Waters, a personification of the city of Babylon, with reflection of an old woman in the mirror, with angel and St John, detail of the fifth piece depicting the 7 Cups, from the Tenture de l'Apocalypse or Apocalypse Tapestry, made 1373-82 by Nicolas Bataille in the workshop of Robert Poincon after preparatory drawings by Hennequin de Bruges, in the Musee de la Tapisserie de l'Apocalypse, in the Chateau d'Angers, Angers, Maine-et-Loire, France. The tapestry was commissioned by Louis I duc d'Anjou and depicts the Apocalypse of John. It measures 140m and is divided into 6 pieces with 90 scenes. Although bequeathed to Angers Cathedral by King Rene in the 15th century, the tapestry was reconstructed and restored in the 19th century, listed as a historic monument and exhibited in the castle. Picture by Manuel Cohen
    Pano_CC_2386_CC_23867.jpg
  • Woman sitting on a throne (detail), Domus della Fortuna Annonaria (House of the Fortuna Anonaria), 2nd century AD, Ostia Antica, Italy. Her head is turreted and she is holding a cornucopia in her left hand. It has been thought that she represents the Fortuna Annonaria (Fortuna of the grain-supply) or a personnification of the city of Ostia. Picture by Manuel Cohen
    LCITALY12_MC439.jpg
  • Woman sitting on a throne, Domus della Fortuna Annonaria (House of the Fortuna Anonaria), 2nd century AD, Ostia Antica, Italy. Her head is turreted and she is holding a cornucopia in her left hand. It has been thought that she represents the Fortuna Annonaria (Fortuna of the grain-supply) or a personnification of the city of Ostia. Picture by Manuel Cohen
    LCITALY12_MC438.jpg
  • Woman sitting on a throne, Domus della Fortuna Annonaria (House of the Fortuna Anonaria), 2nd century AD, Ostia Antica, Italy. Her head is turreted and she is holding a cornucopia in her left hand. It has been thought that she represents the Fortuna Annonaria (Fortuna of the grain-supply) or a personnification of the city of Ostia. Picture by Manuel Cohen
    LCITALY12_MC425.jpg
  • Woman sitting on a throne, Domus della Fortuna Annonaria (House of the Fortuna Anonaria), 2nd century AD, Ostia Antica, Italy. Her head is turreted and she is holding a cornucopia in her left hand. It has been thought that she represents the Fortuna Annonaria (Fortuna of the grain-supply) or a personnification of the city of Ostia. Picture by Manuel Cohen
    LCITALY12_MC424.jpg
  • Couple homme et femme, L’arrivée des occidentaux au Japon (detail), Tsuguharu Foujita (Leonard Foujita or Fujita, 1886-1968), 1929, huile, toile, feuille d'or, 300cm x 600cm, Maison du Japon, Cite Internationale Universitaire de Paris, France. Photo Manuel Cohen..Man and woman couple, Westerners come to Japan (detail), Tsuguharu Foujita (Leonard Foujita or Fujita, 1886-1968), 1929, oil, canvas, golden leaf, 300cm x 600cm, Maison du Japon (Japan House), Cite Internationale Universitaire de Paris, France. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandée auprès de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC_FOUJITA_12_MC012.jpg
  • Couple homme et femme, L’arrivée des occidentaux au Japon (detail), Tsuguharu Foujita (Leonard Foujita or Fujita, 1886-1968), 1929, huile, toile, feuille d'or, 300cm x 600cm, Maison du Japon, Cite Internationale Universitaire de Paris, France. Photo Manuel Cohen..Man and woman couple, Westerners come to Japan (detail), Tsuguharu Foujita (Leonard Foujita or Fujita, 1886-1968), 1929, oil, canvas, golden leaf, 300cm x 600cm, Maison du Japon (Japan House), Cite Internationale Universitaire de Paris, France. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandée auprès de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC_FOUJITA_12_MC010.jpg
  • Femme, L’arrivée des occidentaux au Japon (detail), Tsuguharu Foujita (Leonard Foujita or Fujita, 1886-1968), 1929, huile, toile, feuille d'or, 300cm x 600cm, Maison du Japon, Cite Internationale Universitaire de Paris, France. Photo Manuel Cohen..Woman, Westerners come to Japan (detail), Tsuguharu Foujita (Leonard Foujita or Fujita, 1886-1968), 1929, oil, canvas, golden leaf, 300cm x 600cm, Maison du Japon (Japan House), Cite Internationale Universitaire de Paris, France. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandée auprès de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC_FOUJITA_12_MC009.jpg
  • Mere habillee en rouge et fillette conversant avec couple homme et femme nus, L’arrivée des occidentaux au Japon (detail), Tsuguharu Foujita (Leonard Foujita or Fujita, 1886-1968), 1929, huile, toile, feuille d'or, 300cm x 600cm, Maison du Japon, Cite Internationale Universitaire de Paris, France. Photo Manuel Cohen..Mother with red dress and daughter talking to a naked couple of woman and man, Westerners come to Japan (detail), Tsuguharu Foujita (Leonard Foujita or Fujita, 1886-1968), 1929, oil, canvas, golden leaf, 300cm x 600cm, Maison du Japon (Japan House), Cite Internationale Universitaire de Paris, France. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandée auprès de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC_FOUJITA_12_MC005.JPG
  • View from behind of a woman walking in a narow street of the old city of the Portuguese Fortified city of Mazagan, El Jadida, Morocco. El Jadida, previously known as Mazagan (Portuguese: Mazag„o), was seized in 1502 by the Portuguese, and they controlled this city until 1769.  Picture by Manuel Cohen
    LCMOROCCO_11_MC048.jpg
  • Medina, Tangier, Morocco, pictured on December 27, 2009. A woman in traditional costume and straw hat makes her way through the shadows of a street in the Old Town. Tangier, the 'White City', gateway to North Africa, a port on the Straits of Gibraltar where the Meditaerranean meets the Atlantic is an ancient city where many cultures, Phoenicians, Berbers, Portuguese and Spaniards have all left their mark. With its medina, palace and position overlooking two seas the city is now being developed as a tourist attraction and modern port. Picture by Manuel Cohen
    LCMOROCCODEC09_MC054.jpg
  • Medina, Tangier, Morocco pictured on December 27, 2009. A woman in traditional costume and cardigan walks confidently past an elaborate gateway in the Old Town, her straw hat and veil shading her from the sunshine. Tangier, the 'White City', gateway to North Africa, a port on the Straits of Gibraltar where the Meditaerranean meets the Atlantic is an ancient city where many cultures, Phoenicians, Berbers, Portuguese and Spaniards have all left their mark. With its medina, palace and position overlooking two seas the city is now being developed as a tourist attraction and modern port. Picture by Manuel Cohen
    LCMOROCCODEC09_MC050.jpg
  • Medina, Tangier, Morocco pictured on December 27, 2009. A view from behind of a woman in green, with two men, approaching an arched gateway in a shady corner of the Old Town. Tangier, the 'White City', gateway to North Africa, a port on the Straits of Gibraltar where the Meditaerranean meets the Atlantic is an ancient city where many cultures, Phoenicians, Berbers, Portuguese and Spaniards have all left their mark. With its medina, palace and position overlooking two seas the city is now being developed as a tourist attraction and modern port. Picture by Manuel Cohen
    LCMOROCCODEC09_MC049.jpg
  • Streetscene, Meknes, Morocco pictured on December 26, 2009. A veiled woman, in a white Djellaba, walks towards a light through the dark streets.  Meknes, one of Morocco's Imperial cities, was redeveloped under Sultan Ismail Moulay (1634-1727). It is a fortified city built from pise, or clay and straw, and was designed to be the political capital of Morocco, as opposed to Fez, the religious capital. Picture by Manuel Cohen
    LCMOROCCODEC09_MC038.jpg
  • Streetscene, Meknes, Morocco pictured on December 22, 2009. A ray of late afternoon sunshine catches a woman in a tradional pale blue costume and veil, as she walks along a shady street with her young child. Sacks are piled in the foreground and other pedestrians walk through the shadows behind her. Meknes, one of Morocco's Imperial cities, was redeveloped under Sultan Ismail Moulay (1634-1727). It is a fortified city built from pise, or clay and straw, and was designed to be the political capital of Morocco, as opposed to Fez, the religious capital. Picture by Manuel Cohen
    LCMOROCCODEC09_MC014.jpg
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