manuel cohen

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  • Galerie des Combats, detail, sculpture with Romans in red and Gauls in blue, at the entrance to the permanent exhibition space in the Centre d'Interpretation, a visitor centre designed by Bernard Tschumi, at the MuseoParc Alesia, on Mont-Auxois near Alise-Sainte-Reine, Burgundy, France. Alesia was originally a Celtic settlement which became a Gallo-Roman town after being conquered by Julius Caesar during the Gallic Wars. Alesia is the site of the Battle of Alesia, 52 BC, when the Romans under Julius Caesar defeated the Gauls under Vercingetorix. Picture by Manuel Cohen
    LC19_FRANCE_MC_0307.jpg
  • Staircase leading to first floor exhibition rooms, in the Centre d'Interpretation, a visitor centre designed by Bernard Tschumi, cylindrical in form with wooden herringbone slats on the facade, on the site of the Roman army position during the Battle of Alesia, at the MuseoParc Alesia, on Mont-Auxois near Alise-Sainte-Reine, Burgundy, France. Alesia was originally a Celtic settlement which became a Gallo-Roman town after being conquered by Julius Caesar during the Gallic Wars. Alesia is the site of the Battle of Alesia, 52 BC, when the Romans under Julius Caesar defeated the Gauls under Vercingetorix. Picture by Manuel Cohen
    LC19_FRANCE_MC_0385.jpg
  • Galerie des Combats, sculpture with Romans in red and Gauls in blue, at the entrance to the permanent exhibition space in the Centre d'Interpretation, a visitor centre designed by Bernard Tschumi, at the MuseoParc Alesia, on Mont-Auxois near Alise-Sainte-Reine, Burgundy, France. Alesia was originally a Celtic settlement which became a Gallo-Roman town after being conquered by Julius Caesar during the Gallic Wars. Alesia is the site of the Battle of Alesia, 52 BC, when the Romans under Julius Caesar defeated the Gauls under Vercingetorix. Picture by Manuel Cohen
    LC19_FRANCE_MC_0384.jpg
  • Galerie des Combats, sculpture with Romans in red and Gauls in blue, at the entrance to the permanent exhibition space in the Centre d'Interpretation, a visitor centre designed by Bernard Tschumi, at the MuseoParc Alesia, on Mont-Auxois near Alise-Sainte-Reine, Burgundy, France. Alesia was originally a Celtic settlement which became a Gallo-Roman town after being conquered by Julius Caesar during the Gallic Wars. Alesia is the site of the Battle of Alesia, 52 BC, when the Romans under Julius Caesar defeated the Gauls under Vercingetorix. Picture by Manuel Cohen
    LC19_FRANCE_MC_0383.jpg
  • Staircase leading to first floor exhibition rooms, in the Centre d'Interpretation, a visitor centre designed by Bernard Tschumi, cylindrical in form with wooden herringbone slats on the facade, on the site of the Roman army position during the Battle of Alesia, at the MuseoParc Alesia, on Mont-Auxois near Alise-Sainte-Reine, Burgundy, France. Alesia was originally a Celtic settlement which became a Gallo-Roman town after being conquered by Julius Caesar during the Gallic Wars. Alesia is the site of the Battle of Alesia, 52 BC, when the Romans under Julius Caesar defeated the Gauls under Vercingetorix. Picture by Manuel Cohen
    LC19_FRANCE_MC_0382.jpg
  • Entrance to the Centre d'Interpretation, a visitor centre designed by Bernard Tschumi, cylindrical in form with wooden herringbone slats on the facade, on the site of the Roman army position during the Battle of Alesia, at the MuseoParc Alesia, on Mont-Auxois near Alise-Sainte-Reine, Burgundy, France. Alesia was originally a Celtic settlement which became a Gallo-Roman town after being conquered by Julius Caesar during the Gallic Wars. Alesia is the site of the Battle of Alesia, 52 BC, when the Romans under Julius Caesar defeated the Gauls under Vercingetorix. Picture by Manuel Cohen
    LC19_FRANCE_MC_0381.jpg
  • Centre d'Interpretation, a visitor centre designed by Bernard Tschumi, cylindrical in form with wooden herringbone slats on the facade, on the site of the Roman army position during the Battle of Alesia, at the MuseoParc Alesia, on Mont-Auxois near Alise-Sainte-Reine, Burgundy, France. Alesia was originally a Celtic settlement which became a Gallo-Roman town after being conquered by Julius Caesar during the Gallic Wars. Alesia is the site of the Battle of Alesia, 52 BC, when the Romans under Julius Caesar defeated the Gauls under Vercingetorix. Picture by Manuel Cohen
    LC19_FRANCE_MC_0380.jpg
  • Gallic inscription in latin characters, 'Martialis, son of Dannotalos, offered Ucuetis this building and that with blacksmiths who honor Ucuetis in Alesia', discovered in 1839 near the forum, in the collection of the Musee Municipal d’Alise, displayed in the Centre d'Interpretation, a visitor centre designed by Bernard Tschumi, at the MuseoParc Alesia, on Mont-Auxois near Alise-Sainte-Reine, Burgundy, France. Alesia was originally a Celtic settlement which became a Gallo-Roman town after being conquered by Julius Caesar during the Gallic Wars. Alesia is the site of the Battle of Alesia, 52 BC, when the Romans under Julius Caesar defeated the Gauls under Vercingetorix. Picture by Manuel Cohen
    LC19_FRANCE_MC_0309.jpg
  • Gallic inscription in latin characters, 'Martialis, son of Dannotalos, offered Ucuetis this building and that with blacksmiths who honor Ucuetis in Alesia', discovered in 1839 near the forum, in the collection of the Musee Municipal d’Alise, displayed in the Centre d'Interpretation, a visitor centre designed by Bernard Tschumi, at the MuseoParc Alesia, on Mont-Auxois near Alise-Sainte-Reine, Burgundy, France. Alesia was originally a Celtic settlement which became a Gallo-Roman town after being conquered by Julius Caesar during the Gallic Wars. Alesia is the site of the Battle of Alesia, 52 BC, when the Romans under Julius Caesar defeated the Gauls under Vercingetorix. Picture by Manuel Cohen
    LC19_FRANCE_MC_0310.jpg
  • Onager or stone-thrower, a Roman torsion powered siege engine or catapult, in the Centre d'Interpretation, a visitor centre designed by Bernard Tschumi, at the MuseoParc Alesia, on Mont-Auxois near Alise-Sainte-Reine, Burgundy, France. The onager applies the principle of distortion with a lever arm lowered by force and rising abruptly, launching balls of different calibres cut on the spot. Alesia was originally a Celtic settlement which became a Gallo-Roman town after being conquered by Julius Caesar during the Gallic Wars. Alesia is the site of the Battle of Alesia, 52 BC, when the Romans under Julius Caesar defeated the Gauls under Vercingetorix. Picture by Manuel Cohen
    LC19_FRANCE_MC_0308.jpg
  • Earthenware platter from Creil, detail, with Vercingetorix Saviour of the Fatherland, printed <br />
decoration of a Gallic cavalry charge, 1870-80, in the Centre d'Interpretation, a visitor centre designed by Bernard Tschumi, at the MuseoParc Alesia, on Mont-Auxois near Alise-Sainte-Reine, Burgundy, France. Alesia was originally a Celtic settlement which became a Gallo-Roman town after being conquered by Julius Caesar during the Gallic Wars. Alesia is the site of the Battle of Alesia, 52 BC, when the Romans under Julius Caesar defeated the Gauls under Vercingetorix. Picture by Manuel Cohen
    LC19_FRANCE_MC_0306.jpg
  • Mother goddess, statue in limestone, 2nd century AD, from the collection of the Fond Society des Sciences de Semur, in the Centre d'Interpretation, a visitor centre designed by Bernard Tschumi, at the MuseoParc Alesia, on Mont-Auxois near Alise-Sainte-Reine, Burgundy, France. Alesia was originally a Celtic settlement which became a Gallo-Roman town after being conquered by Julius Caesar during the Gallic Wars. Alesia is the site of the Battle of Alesia, 52 BC, when the Romans under Julius Caesar defeated the Gauls under Vercingetorix. Picture by Manuel Cohen
    LC19_FRANCE_MC_0305.JPG
  • Galerie des Combats, sculpture with Romans in red and Gauls in blue, at the entrance to the permanent exhibition space in the Centre d'Interpretation, a visitor centre designed by Bernard Tschumi, at the MuseoParc Alesia, on Mont-Auxois near Alise-Sainte-Reine, Burgundy, France. Alesia was originally a Celtic settlement which became a Gallo-Roman town after being conquered by Julius Caesar during the Gallic Wars. Alesia is the site of the Battle of Alesia, 52 BC, when the Romans under Julius Caesar defeated the Gauls under Vercingetorix. Picture by Manuel Cohen
    LC19_FRANCE_MC_0304.jpg
  • Displays on the Battle of Alesia, in the Centre d'Interpretation, a visitor centre designed by Bernard Tschumi, at the MuseoParc Alesia, on Mont-Auxois near Alise-Sainte-Reine, Burgundy, France. Alesia was originally a Celtic settlement which became a Gallo-Roman town after being conquered by Julius Caesar during the Gallic Wars. Alesia is the site of the Battle of Alesia, 52 BC, when the Romans under Julius Caesar defeated the Gauls under Vercingetorix. Picture by Manuel Cohen
    LC19_FRANCE_MC_0300.JPG
  • Roman torsion powered siege engines or catapults, the scorpio (left) and the onager or stone-thrower (right), in the Centre d'Interpretation, a visitor centre designed by Bernard Tschumi, at the MuseoParc Alesia, on Mont-Auxois near Alise-Sainte-Reine, Burgundy, France. The onager applies the principle of distortion with a lever arm lowered by force and rising abruptly,  launching balls of different calibres cut on the spot. The scorpio is a kind of giant crossbow firing long arrows with huge force. Alesia was originally a Celtic settlement which became a Gallo-Roman town after being conquered by Julius Caesar during the Gallic Wars. Alesia is the site of the Battle of Alesia, 52 BC, when the Romans under Julius Caesar defeated the Gauls under Vercingetorix. Picture by Manuel Cohen
    LC19_FRANCE_MC_0301.jpg
  • Displays on the Battle of Alesia, in the Centre d'Interpretation, a visitor centre designed by Bernard Tschumi, at the MuseoParc Alesia, on Mont-Auxois near Alise-Sainte-Reine, Burgundy, France. Alesia was originally a Celtic settlement which became a Gallo-Roman town after being conquered by Julius Caesar during the Gallic Wars. Alesia is the site of the Battle of Alesia, 52 BC, when the Romans under Julius Caesar defeated the Gauls under Vercingetorix. Picture by Manuel Cohen
    LC19_FRANCE_MC_0299.JPG
  • Displays on the Roman army, in the Centre d'Interpretation, a visitor centre designed by Bernard Tschumi, at the MuseoParc Alesia, on Mont-Auxois near Alise-Sainte-Reine, Burgundy, France. Alesia was originally a Celtic settlement which became a Gallo-Roman town after being conquered by Julius Caesar during the Gallic Wars. Alesia is the site of the Battle of Alesia, 52 BC, when the Romans under Julius Caesar defeated the Gauls under Vercingetorix. Picture by Manuel Cohen
    LC19_FRANCE_MC_0298.jpg
  • Diorama in the permanent exhibition rooms in the Centre d'Interpretation, a visitor centre designed by Bernard Tschumi, at the MuseoParc Alesia, on Mont-Auxois near Alise-Sainte-Reine, Burgundy, France. Alesia was originally a Celtic settlement which became a Gallo-Roman town after being conquered by Julius Caesar during the Gallic Wars. Alesia is the site of the Battle of Alesia, 52 BC, when the Romans under Julius Caesar defeated the Gauls under Vercingetorix. Picture by Manuel Cohen
    LC19_FRANCE_MC_0297.jpg
  • Centre d'Interpretation, a visitor centre designed by Bernard Tschumi, cylindrical in form with wooden herringbone slats on the facade, on the site of the Roman army position during the Battle of Alesia, at the MuseoParc Alesia, on Mont-Auxois near Alise-Sainte-Reine, Burgundy, France. Alesia was originally a Celtic settlement which became a Gallo-Roman town after being conquered by Julius Caesar during the Gallic Wars. Alesia is the site of the Battle of Alesia, 52 BC, when the Romans under Julius Caesar defeated the Gauls under Vercingetorix. Picture by Manuel Cohen
    LC19_FRANCE_MC_0296.jpg
  • Centre d'Interpretation, a visitor centre designed by Bernard Tschumi, cylindrical in form with wooden herringbone slats on the facade, on the site of the Roman army position during the Battle of Alesia, at the MuseoParc Alesia, on Mont-Auxois near Alise-Sainte-Reine, Burgundy, France. Alesia was originally a Celtic settlement which became a Gallo-Roman town after being conquered by Julius Caesar during the Gallic Wars. Alesia is the site of the Battle of Alesia, 52 BC, when the Romans under Julius Caesar defeated the Gauls under Vercingetorix. Picture by Manuel Cohen
    LC19_FRANCE_MC_0295.JPG
  • Centre d'Interpretation, a visitor centre designed by Bernard Tschumi, cylindrical in form with wooden herringbone slats on the facade, on the site of the Roman army position during the Battle of Alesia, at the MuseoParc Alesia, on Mont-Auxois near Alise-Sainte-Reine, Burgundy, France. Alesia was originally a Celtic settlement which became a Gallo-Roman town after being conquered by Julius Caesar during the Gallic Wars. Alesia is the site of the Battle of Alesia, 52 BC, when the Romans under Julius Caesar defeated the Gauls under Vercingetorix. Picture by Manuel Cohen
    DRN_LC19_FRANCE_MC_0350.jpg
  • Centre d'Interpretation, a visitor centre designed by Bernard Tschumi, cylindrical in form with wooden herringbone slats on the facade, on the site of the Roman army position during the Battle of Alesia, aerial view, at the MuseoParc Alesia, on Mont-Auxois near Alise-Sainte-Reine, Burgundy, France. Alesia was originally a Celtic settlement which became a Gallo-Roman town after being conquered by Julius Caesar during the Gallic Wars. Alesia is the site of the Battle of Alesia, 52 BC, when the Romans under Julius Caesar defeated the Gauls under Vercingetorix. Picture by Manuel Cohen
    DRN_LC19_FRANCE_MC_0334.jpg
  • Centre d'Interpretation, a visitor centre designed by Bernard Tschumi, cylindrical in form with wooden herringbone slats on the facade, on the site of the Roman army position during the Battle of Alesia, aerial view, at the MuseoParc Alesia, on Mont-Auxois near Alise-Sainte-Reine, Burgundy, France. Alesia was originally a Celtic settlement which became a Gallo-Roman town after being conquered by Julius Caesar during the Gallic Wars. Alesia is the site of the Battle of Alesia, 52 BC, when the Romans under Julius Caesar defeated the Gauls under Vercingetorix. Picture by Manuel Cohen
    DRN_LC19_FRANCE_MC_0333.jpg
  • Centre d'Interpretation, a visitor centre designed by Bernard Tschumi, cylindrical in form with wooden herringbone slats on the facade, on the site of the Roman army position during the Battle of Alesia, at the MuseoParc Alesia, on Mont-Auxois near Alise-Sainte-Reine, Burgundy, France. Alesia was originally a Celtic settlement which became a Gallo-Roman town after being conquered by Julius Caesar during the Gallic Wars. Alesia is the site of the Battle of Alesia, 52 BC, when the Romans under Julius Caesar defeated the Gauls under Vercingetorix. Picture by Manuel Cohen
    DRN_LC19_FRANCE_MC_0327.JPG
  • Centre d'Interpretation, a visitor centre designed by Bernard Tschumi, cylindrical in form with wooden herringbone slats on the facade, on the site of the Roman army position during the Battle of Alesia, at the MuseoParc Alesia, on Mont-Auxois near Alise-Sainte-Reine, Burgundy, France. Alesia was originally a Celtic settlement which became a Gallo-Roman town after being conquered by Julius Caesar during the Gallic Wars. Alesia is the site of the Battle of Alesia, 52 BC, when the Romans under Julius Caesar defeated the Gauls under Vercingetorix. Picture by Manuel Cohen
    DRN_LC19_FRANCE_MC_0326.jpg
  • Statue of Vercingetorix, Gallic chieftain, plaster, 1864, by Aime Millet, 1819-91, model for the huge statue erected in 1865 on the Western point of the oppidum of Alesia,  in the Centre d'Interpretation, a visitor centre designed by Bernard Tschumi, at the MuseoParc Alesia, on Mont-Auxois near Alise-Sainte-Reine, Burgundy, France. Alesia was originally a Celtic settlement which became a Gallo-Roman town after being conquered by Julius Caesar during the Gallic Wars. Alesia is the site of the Battle of Alesia, 52 BC, when the Romans under Julius Caesar defeated the Gauls under Vercingetorix. Picture by Manuel Cohen
    LC19_FRANCE_MC_0303.jpg
  • Kantharos or wine cup, from Alesia, 1st century BC, partially gilded silver, from the collection of the Musee d’Archeologie Nationale Domaine de Saint-Germain-en-Laye, gift of Napoleon III in 1867, in the Centre d'Interpretation, a visitor centre designed by Bernard Tschumi, at the MuseoParc Alesia, on Mont-Auxois near Alise-Sainte-Reine, Burgundy, France. Alesia was originally a Celtic settlement which became a Gallo-Roman town after being conquered by Julius Caesar during the Gallic Wars. Alesia is the site of the Battle of Alesia, 52 BC, when the Romans under Julius Caesar defeated the Gauls under Vercingetorix. Picture by Manuel Cohen
    LC19_FRANCE_MC_0302.jpg
  • Pearling Path Visitor Center, designed by architect Valerio Olgiati, inaugurated November 2018 and to be opened March 2019, in Muharraq, Bahrain. The complex envelopes archaeological finds and historic buildings and also provides an exhibition and multimedia centre, community spaces, an archive and library and conference and lecture rooms. The centre celebrates the history of pearl diving and pearl trade in Bahrain and forms part of a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC19_BAHREIN_MC_017.jpg
  • Pearling Path Visitor Center, designed by architect Valerio Olgiati, inaugurated November 2018 and to be opened March 2019, in Muharraq, Bahrain. The complex envelopes archaeological finds and historic buildings and also provides an exhibition and multimedia centre, community spaces, an archive and library and conference and lecture rooms. The centre celebrates the history of pearl diving and pearl trade in Bahrain and forms part of a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC19_BAHREIN_MC_015.jpg
  • Pearling Path Visitor Center, designed by architect Valerio Olgiati, inaugurated November 2018 and to be opened March 2019, in Muharraq, Bahrain. The complex envelopes archaeological finds and historic buildings and also provides an exhibition and multimedia centre, community spaces, an archive and library and conference and lecture rooms. The centre celebrates the history of pearl diving and pearl trade in Bahrain and forms part of a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC19_BAHREIN_MC_016.jpg
  • Legoland Discovery Centre, Potsdamer Platz, Berlin, Germany. Picture by Manuel Cohen
    LC14_BERLIN_MC0212.jpg
  • Illustrated information panel depicting past geological volcanic activity, with hot springs, mud pools, lava flows and volcanic eruptions, at the Garden of the Gods Visitor and Nature Center, at the Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_134.jpg
  • Illustrated information panel depicting dinosaurs of the Jurassic Period (Morrison Formation), 150 million years ago, at the Garden of the Gods Visitor and Nature Center, at the Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. These Colorado dinosaurs are a camptosaurs, diplodocus and stegosaurus. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_137.jpg
  • Illustrated information panel depicting dinosaurs of the Jurassic Period (Morrison Formation), 150 million years ago, at the Garden of the Gods Visitor and Nature Center, at the Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. These Colorado dinosaurs are a camptosaur and stegosaurus. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_143.jpg
  • Illustrated information panel depicting dinosaurs of the Cretaceous Period (Dakota Group), 100 million years ago, at the Garden of the Gods Visitor and Nature Center, at the Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. Many dinosaurs lived in this area, including the carnivorous Acrocanthosaurs and the herbivorous Iguanodon Theiophytalia Kerri. Gradually, central Colorado became a coastal region as the vast Cretaceous Seaway formed, eventually covering the middle of what is now North America. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_142.jpg
  • Illustrated information panel depicting dinosaurs of the Cretaceous Period (Pierre Sahle), 70 million years ago, at the Garden of the Gods Visitor and Nature Center, at the Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. Pteranodons flew in the skies above the Cretaceous Seaway and the ferocious pliosaurs lurked in the depth below. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_140.jpg
  • Illustrated information panel depicting the large mammals of the Quarterly Period (Mesa Gravels), 25,000 years ago,  including long-horned bison, short-faced bears and mammoths, at the Garden of the Gods Visitor and Nature Center, at the Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. At higher elevations glaciers covered the modern Rocky Mountains. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_139.jpg
  • Illustrated information panel depicting dinosaurs of the Permian Period (Lyons Sandstone), 280 million years ago, at the Garden of the Gods Visitor and Nature Center, at the Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. Eroded sand from the Rocky Mountains formed towering dunes. A reptilian ancestor to mammals called Lycaenops is known to have prowled these dunes which became the Lyons Sandstone. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_136.jpg
  • Illustrated information panel depicting dinosaurs of the Permian Period (Lyons Sandstone), 280 million years ago, at the Garden of the Gods Visitor and Nature Center, at the Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. Eroded sand from the Rocky Mountains formed towering dunes. A reptilian ancestor to mammals called Lycaenops is known to have prowled these dunes which became the Lyons Sandstone. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_135.jpg
  • Illustrated information panel depicting dinosaurs of the Cretaceous Period (Dakota Group), 100 million years ago, at the Garden of the Gods Visitor and Nature Center, at the Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. Many dinosaurs lived in this area, including the carnivorous Acrocanthosaurs and the herbivorous Iguanodon Theiophytalia Kerri. Gradually, central Colorado became a coastal region as the vast Cretaceous Seaway formed, eventually covering the middle of what is now North America. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_141.jpg
  • Illustrated information panel depicting the dinosaurs of the Cretaceous Period (Niobrara Formation), 80 million years ago, at the Garden of the Gods Visitor and Nature Center, at the Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. Ancient marine animal known as Plesiosaurs, along with sharks and relatives of the modern nautilus called ammonites, prowled the deep ocean waters of the Cretaceous Seaway, which then covered central Colorado. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_138.jpg
  • Exhibition in the museum in the visitor centre at Tintagel Castle, built by Richard, 1st Earl of Cornwall in the 13th century, Tintagel Island, Cornwall, England. The ruined castle is linked with Arthurian Legend, as Geoffrey of Monmouth cited it as the place of conception of King Arthur in his 12th century book, History of the Kings of England. The site is managed by English Heritage. Picture by Manuel Cohen
    LC17_ENGLAND_MC_105.jpg
  • Reconstruction of Tintagel Castle, built by Richard, 1st Earl of Cornwall in the 13th century, Tintagel Island, Cornwall, England, as it may have looked in 1240, illustration by Aaron Watson, in the museum at the castle's visitor centre. The castle had two outer wards, and an inner ward containing lodgings and a great hall. The ruined castle is linked with Arthurian Legend, as Geoffrey of Monmouth cited it as the place of conception of King Arthur in his 12th century book, History of the Kings of England. The site is managed by English Heritage. Picture by Manuel Cohen
    LC17_ENGLAND_MC_104.jpg
  • Visitors watching 'Dreams of Modernism', a multimedia presentation on Level 1, an exhibition space entitled Gaudi and Modernism, in the Gaudi Centre Reus (Centro de Interpretacion Reus), Reus, Catalonia, Spain. The Gaudi Centre is a museum dedicated to Antoni Gaudi. The building was designed by architects Joan Sibina, Toshiake Tange and Gabriel Bosques and was opened in May 2007. The audiovisual show covers the birth of Art Nouveau in Europe, Catalan Modernism and the architect Lluis Domenech i Montaner, and the Modernist heritage of Reus. Picture by Manuel Cohen
    LC16_SPAIN_MC126.jpg
  • The Shed (left), an arts and cultural centre designed by Diller Scofidio and Renfro and Rockwell Group and built 2015-19, and Vessel (centre), a structure and visitor attraction designed by Thomas Heatherwick and opened in 2019, at Hudson Yards Public Square, part of the Hudson Yards Redevelopment Project in Midtown, Manhattan, New York City, NY, USA. Both are seen from the High Line, an elevated park along a former New York Central Railroad spur, 1.45 miles long, in Manhattan. Vessel consists of 16 storeys, 154 flights of stairs, 2,500 steps, and 80 landings, offering views over the Hudson River. Picture by Manuel Cohen
    LC20_NYC_USA_MC_007.JPG
  • Modernist terrace, a large brick roof terrace with views over the centre and the city, at CaixaForum Barcelona, a cultural centre opened 2002 in the former Casaramona textile factory built 1911, designed by Josep Puig i Cadafalch, in Montjuic, Barcelona, Catalonia, Spain. In the centre is the Clock Tower, although no clock was ever installed in the iron pinnacle. The centre was repurposed by Japanese architect Arata Isozaki, b. 1931. It is sponsored by La Caixa bank, and holds temporary exhibitions, concerts, educational workshops and films, and has a media library, auditorium, classroom, restaurant and children's activity space. Picture by Manuel Cohen
    LC20_SPAIN_MC_1357.jpg
  • Modernist terrace, a large brick roof terrace with views over the centre and the city, at CaixaForum Barcelona, a cultural centre opened 2002 in the former Casaramona textile factory built 1911, designed by Josep Puig i Cadafalch, in Montjuic, Barcelona, Catalonia, Spain. In the centre is the Clock Tower, although no clock was ever installed in the iron pinnacle. The centre was repurposed by Japanese architect Arata Isozaki, b. 1931. It is sponsored by La Caixa bank, and holds temporary exhibitions, concerts, educational workshops and films, and has a media library, auditorium, classroom, restaurant and children's activity space. Picture by Manuel Cohen
    LC20_SPAIN_MC_1314.jpg
  • Water tower, with spire covered in blue mosaic, with viewing platform for visitors, at CaixaForum Barcelona, a cultural centre opened 2002 in the former Casaramona textile factory built 1911, designed by Josep Puig i Cadafalch, in Montjuic, Barcelona, Catalonia, Spain. The centre was repurposed by Japanese architect Arata Isozaki, b. 1931. It is sponsored by La Caixa bank, and holds temporary exhibitions, concerts, educational workshops and films, and has a media library, auditorium, classroom, restaurant and children's activity space. Picture by Manuel Cohen
    LC20_SPAIN_MC_1315.jpg
  • Modernist terrace, a large brick roof terrace with views over the centre and the city, at CaixaForum Barcelona, a cultural centre opened 2002 in the former Casaramona textile factory built 1911, designed by Josep Puig i Cadafalch, in Montjuic, Barcelona, Catalonia, Spain. In the distance is MNAC, the Museu Nacional d'Art de Catalunya. The centre was repurposed by Japanese architect Arata Isozaki, b. 1931. It is sponsored by La Caixa bank, and holds temporary exhibitions, concerts, educational workshops and films, and has a media library, auditorium, classroom, restaurant and children's activity space. Picture by Manuel Cohen
    LC20_SPAIN_MC_1358.jpg
  • Casimi Casaramona, industrialist who commissioned the building of the factory, date unknown, exhibited at CaixaForum Barcelona, a cultural centre opened 2002 in the former Casaramona textile factory built 1911, designed by Josep Puig i Cadafalch, in Montjuic, Barcelona, Catalonia, Spain. The centre was repurposed by Japanese architect Arata Isozaki, b. 1931. It is sponsored by La Caixa bank, and holds temporary exhibitions, concerts, educational workshops and films, and has a media library, auditorium, classroom, restaurant and children's activity space. Picture by Manuel Cohen
    LC20_SPAIN_MC_1432.jpg
  • Patio designed by Arata Isozaki in white marble, with glass and iron pergola behind, at the entrance to CaixaForum Barcelona, a cultural centre opened 2002 in the former Casaramona textile factory built 1911, designed by Josep Puig i Cadafalch, in Montjuic, Barcelona, Catalonia, Spain. The centre was repurposed by Japanese architect Arata Isozaki, b. 1931. It is sponsored by La Caixa bank, and holds temporary exhibitions, concerts, educational workshops and films, and has a media library, auditorium, classroom, restaurant and children's activity space. Picture by Manuel Cohen
    LC20_SPAIN_MC_1341.jpg
  • Modernist brick facade, and Clock Tower (no clock was ever installed in the iron pinnacle), at CaixaForum Barcelona, a cultural centre opened 2002 in the former Casaramona textile factory built 1911, designed by Josep Puig i Cadafalch, in Montjuic, Barcelona, Catalonia, Spain. Below is the secret garden, in white marble with a shallow reflecting pool, by Arata Isozaki. The centre was repurposed by Japanese architect Arata Isozaki, b. 1931. It is sponsored by La Caixa bank, and holds temporary exhibitions, concerts, educational workshops and films, and has a media library, auditorium, classroom, restaurant and children's activity space. Picture by Manuel Cohen
    LC20_SPAIN_MC_1307.jpg
  • Modernist street, designed to act as a firebreak between the main workspaces (the previous factory burned down), and the Water Tower, at CaixaForum Barcelona, a cultural centre opened 2002 in the former Casaramona textile factory built 1911, designed by Josep Puig i Cadafalch, in Montjuic, Barcelona, Catalonia, Spain. The centre was repurposed by Japanese architect Arata Isozaki, b. 1931. It is sponsored by La Caixa bank, and holds temporary exhibitions, concerts, educational workshops and films, and has a media library, auditorium, classroom, restaurant and children's activity space. Picture by Manuel Cohen
    LC20_SPAIN_MC_1323.jpg
  • Clock tower (no clock was ever installed in the iron pinnacle) and Modernist brick facade, at CaixaForum Barcelona, a cultural centre opened 2002 in the former Casaramona textile factory built 1911, designed by Josep Puig i Cadafalch, in Montjuic, Barcelona, Catalonia, Spain. Below is the secret garden, in white marble with a shallow reflecting pool, by Arata Isozaki. The centre was repurposed by Japanese architect Arata Isozaki, b. 1931. It is sponsored by La Caixa bank, and holds temporary exhibitions, concerts, educational workshops and films, and has a media library, auditorium, classroom, restaurant and children's activity space. Picture by Manuel Cohen
    LC20_SPAIN_MC_1309.jpg
  • Modernist architect Puig i Cadafalch accepting first prize in the City Council's awards for best industrial building, from the mayor of Barcelona, in 1913, photograph, exhibited at CaixaForum Barcelona, a cultural centre opened 2002 in the former Casaramona textile factory built 1911, designed by Josep Puig i Cadafalch, in Montjuic, Barcelona, Catalonia, Spain. The centre was repurposed by Japanese architect Arata Isozaki, b. 1931. It is sponsored by La Caixa bank, and holds temporary exhibitions, concerts, educational workshops and films, and has a media library, auditorium, classroom, restaurant and children's activity space. Picture by Manuel Cohen
    LC20_SPAIN_MC_1326.jpg
  • Entrance hall, seen through glass windows, at CaixaForum Barcelona, a cultural centre opened 2002 in the former Casaramona textile factory built 1911, designed by Josep Puig i Cadafalch, in Montjuic, Barcelona, Catalonia, Spain. On the ceiling is Space Environment 51-A1 by Lucio Fontana, a neon sculpture created for the 1951 Milan Triennale, resembling a line drawn at random in the air in perpetual motion. On the wall is Splat, 2001, by Sol LeWitt, 1928-2007, an 18m long mural created for this space, with 9 bands of bright colour irregular waves. The centre was repurposed by Japanese architect Arata Isozaki, b. 1931. It is sponsored by La Caixa bank, and holds temporary exhibitions, concerts, educational workshops and films, and has a media library, auditorium, classroom, restaurant and children's activity space. Picture by Manuel Cohen
    LC20_SPAIN_MC_1368.jpg
  • Splat, 2001, by Sol LeWitt, 1928-2007, an 18m long mural created for this space, with 9 bands of bright colour irregular waves, in the entrance hall, at CaixaForum Barcelona, a cultural centre opened 2002 in the former Casaramona textile factory built 1911, designed by Josep Puig i Cadafalch, in Montjuic, Barcelona, Catalonia, Spain. The centre was repurposed by Japanese architect Arata Isozaki, b. 1931. It is sponsored by La Caixa bank, and holds temporary exhibitions, concerts, educational workshops and films, and has a media library, auditorium, classroom, restaurant and children's activity space. Picture by Manuel Cohen
    LC20_SPAIN_MC_1367.jpg
  • Entrance hall, at CaixaForum Barcelona, a cultural centre opened 2002 in the former Casaramona textile factory built 1911, designed by Josep Puig i Cadafalch, in Montjuic, Barcelona, Catalonia, Spain. On the ceiling is Space Environment 51-A1 by Lucio Fontana, a neon sculpture created for the 1951 Milan Triennale, resembling a line drawn at random in the air in perpetual motion. On the left is Splat, 2001, by Sol LeWitt, 1928-2007, an 18m long mural created for this space, with 9 bands of bright colour irregular waves. The centre was repurposed by Japanese architect Arata Isozaki, b. 1931. It is sponsored by La Caixa bank, and holds temporary exhibitions, concerts, educational workshops and films, and has a media library, auditorium, classroom, restaurant and children's activity space. Picture by Manuel Cohen
    LC20_SPAIN_MC_1366.jpg
  • Entrance hall, at CaixaForum Barcelona, a cultural centre opened 2002 in the former Casaramona textile factory built 1911, designed by Josep Puig i Cadafalch, in Montjuic, Barcelona, Catalonia, Spain. On the ceiling is Space Environment 51-A1 by Lucio Fontana, a neon sculpture created for the 1951 Milan Triennale, resembling a line drawn at random in the air in perpetual motion. On the wall is Splat, 2001, by Sol LeWitt, 1928-2007, an 18m long mural created for this space, with 9 bands of bright colour irregular waves. The centre was repurposed by Japanese architect Arata Isozaki, b. 1931. It is sponsored by La Caixa bank, and holds temporary exhibitions, concerts, educational workshops and films, and has a media library, auditorium, classroom, restaurant and children's activity space. Picture by Manuel Cohen
    LC20_SPAIN_MC_1365.jpg
  • Entrance hall, at CaixaForum Barcelona, a cultural centre opened 2002 in the former Casaramona textile factory built 1911, designed by Josep Puig i Cadafalch, in Montjuic, Barcelona, Catalonia, Spain. On the ceiling is Space Environment 51-A1 by Lucio Fontana, a neon sculpture created for the 1951 Milan Triennale, resembling a line drawn at random in the air in perpetual motion. The centre was repurposed by Japanese architect Arata Isozaki, b. 1931. It is sponsored by La Caixa bank, and holds temporary exhibitions, concerts, educational workshops and films, and has a media library, auditorium, classroom, restaurant and children's activity space. Picture by Manuel Cohen
    LC20_SPAIN_MC_1364.jpg
  • Entrance hall, at CaixaForum Barcelona, a cultural centre opened 2002 in the former Casaramona textile factory built 1911, designed by Josep Puig i Cadafalch, in Montjuic, Barcelona, Catalonia, Spain. On the ceiling is Space Environment 51-A1 by Lucio Fontana, a neon sculpture created for the 1951 Milan Triennale, resembling a line drawn at random in the air in perpetual motion. The centre was repurposed by Japanese architect Arata Isozaki, b. 1931. It is sponsored by La Caixa bank, and holds temporary exhibitions, concerts, educational workshops and films, and has a media library, auditorium, classroom, restaurant and children's activity space. Picture by Manuel Cohen
    LC20_SPAIN_MC_1362.jpg
  • Restaurant and cafe, renovated by architects Turull-Sorensen in 2018, at CaixaForum Barcelona, a cultural centre opened 2002 in the former Casaramona textile factory built 1911, designed by Josep Puig i Cadafalch, in Montjuic, Barcelona, Catalonia, Spain. The centre was repurposed by Japanese architect Arata Isozaki, b. 1931. It is sponsored by La Caixa bank, and holds temporary exhibitions, concerts, educational workshops and films, and has a media library, auditorium, classroom, restaurant and children's activity space. Picture by Manuel Cohen
    LC20_SPAIN_MC_1360.jpg
  • Pergola in the form of a tree, in iron and glass, by Arata Isozaki, at CaixaForum Barcelona, a cultural centre opened 2002 in the former Casaramona textile factory built 1911, designed by Josep Puig i Cadafalch, in Montjuic, Barcelona, Catalonia, Spain. The centre was repurposed by Japanese architect Arata Isozaki, b. 1931. It is sponsored by La Caixa bank, and holds temporary exhibitions, concerts, educational workshops and films, and has a media library, auditorium, classroom, restaurant and children's activity space. Picture by Manuel Cohen
    LC20_SPAIN_MC_1355.jpg
  • Secret garden, in white marble with a shallow reflecting pool, by Arata Isozaki, at CaixaForum Barcelona, a cultural centre opened 2002 in the former Casaramona textile factory built 1911, designed by Josep Puig i Cadafalch, in Montjuic, Barcelona, Catalonia, Spain. The centre was repurposed by Japanese architect Arata Isozaki, b. 1931. It is sponsored by La Caixa bank, and holds temporary exhibitions, concerts, educational workshops and films, and has a media library, auditorium, classroom, restaurant and children's activity space. Picture by Manuel Cohen
    LC20_SPAIN_MC_1354.jpg
  • Secret garden, in white marble with a shallow reflecting pool, by Arata Isozaki, at CaixaForum Barcelona, a cultural centre opened 2002 in the former Casaramona textile factory built 1911, designed by Josep Puig i Cadafalch, in Montjuic, Barcelona, Catalonia, Spain. The centre was repurposed by Japanese architect Arata Isozaki, b. 1931. It is sponsored by La Caixa bank, and holds temporary exhibitions, concerts, educational workshops and films, and has a media library, auditorium, classroom, restaurant and children's activity space. Picture by Manuel Cohen
    LC20_SPAIN_MC_1353.jpg
  • Modernist street, designed to act as a firebreak between the main workspaces (the previous factory burned down), and the Water Tower, at CaixaForum Barcelona, a cultural centre opened 2002 in the former Casaramona textile factory built 1911, designed by Josep Puig i Cadafalch, in Montjuic, Barcelona, Catalonia, Spain. The centre was repurposed by Japanese architect Arata Isozaki, b. 1931. It is sponsored by La Caixa bank, and holds temporary exhibitions, concerts, educational workshops and films, and has a media library, auditorium, classroom, restaurant and children's activity space. Picture by Manuel Cohen
    LC20_SPAIN_MC_1351.jpg
  • Modernist street, designed to act as a firebreak between the main workspaces (the previous factory burned down), and the Clock Tower, at CaixaForum Barcelona, a cultural centre opened 2002 in the former Casaramona textile factory built 1911, designed by Josep Puig i Cadafalch, in Montjuic, Barcelona, Catalonia, Spain. The centre was repurposed by Japanese architect Arata Isozaki, b. 1931. It is sponsored by La Caixa bank, and holds temporary exhibitions, concerts, educational workshops and films, and has a media library, auditorium, classroom, restaurant and children's activity space. Picture by Manuel Cohen
    LC20_SPAIN_MC_1350.jpg
  • Permanent exhibition on the history of the building, its architect and founder, at CaixaForum Barcelona, a cultural centre opened 2002 in the former Casaramona textile factory built 1911, designed by Josep Puig i Cadafalch, in Montjuic, Barcelona, Catalonia, Spain. The centre was repurposed by Japanese architect Arata Isozaki, b. 1931. It is sponsored by La Caixa bank, and holds temporary exhibitions, concerts, educational workshops and films, and has a media library, auditorium, classroom, restaurant and children's activity space. Picture by Manuel Cohen
    LC20_SPAIN_MC_1347.jpg
  • Secret garden, in white marble with a shallow reflecting pool, by Arata Isozaki, at CaixaForum Barcelona, a cultural centre opened 2002 in the former Casaramona textile factory built 1911, designed by Josep Puig i Cadafalch, in Montjuic, Barcelona, Catalonia, Spain. The centre was repurposed by Japanese architect Arata Isozaki, b. 1931. It is sponsored by La Caixa bank, and holds temporary exhibitions, concerts, educational workshops and films, and has a media library, auditorium, classroom, restaurant and children's activity space. Picture by Manuel Cohen
    LC20_SPAIN_MC_1343.jpg
  • Splat, 2001, by Sol LeWitt, 1928-2007, an 18m long mural created for this space, with 9 bands of bright colour irregular waves, in the entrance hall, at CaixaForum Barcelona, a cultural centre opened 2002 in the former Casaramona textile factory built 1911, designed by Josep Puig i Cadafalch, in Montjuic, Barcelona, Catalonia, Spain. The centre was repurposed by Japanese architect Arata Isozaki, b. 1931. It is sponsored by La Caixa bank, and holds temporary exhibitions, concerts, educational workshops and films, and has a media library, auditorium, classroom, restaurant and children's activity space. Picture by Manuel Cohen
    LC20_SPAIN_MC_1339.jpg
  • Splat, 2001, by Sol LeWitt, 1928-2007, an 18m long mural created for this space, with 9 bands of bright colour irregular waves, in the entrance hall, at CaixaForum Barcelona, a cultural centre opened 2002 in the former Casaramona textile factory built 1911, designed by Josep Puig i Cadafalch, in Montjuic, Barcelona, Catalonia, Spain. The centre was repurposed by Japanese architect Arata Isozaki, b. 1931. It is sponsored by La Caixa bank, and holds temporary exhibitions, concerts, educational workshops and films, and has a media library, auditorium, classroom, restaurant and children's activity space. Picture by Manuel Cohen
    LC20_SPAIN_MC_1337.jpg
  • Splat, 2001, by Sol LeWitt, 1928-2007, an 18m long mural created for this space, with 9 bands of bright colour irregular waves, in the entrance hall, at CaixaForum Barcelona, a cultural centre opened 2002 in the former Casaramona textile factory built 1911, designed by Josep Puig i Cadafalch, in Montjuic, Barcelona, Catalonia, Spain. The centre was repurposed by Japanese architect Arata Isozaki, b. 1931. It is sponsored by La Caixa bank, and holds temporary exhibitions, concerts, educational workshops and films, and has a media library, auditorium, classroom, restaurant and children's activity space. Picture by Manuel Cohen
    LC20_SPAIN_MC_1335.jpg
  • Permanent exhibition on the history of the building, its architect and founder, at CaixaForum Barcelona, a cultural centre opened 2002 in the former Casaramona textile factory built 1911, designed by Josep Puig i Cadafalch, in Montjuic, Barcelona, Catalonia, Spain. The centre was repurposed by Japanese architect Arata Isozaki, b. 1931. It is sponsored by La Caixa bank, and holds temporary exhibitions, concerts, educational workshops and films, and has a media library, auditorium, classroom, restaurant and children's activity space. Picture by Manuel Cohen
    LC20_SPAIN_MC_1331.jpg
  • Casaramona factory in 1913, drawing, exhibited at CaixaForum Barcelona, a cultural centre opened 2002 in the former Casaramona textile factory built 1911, designed by Josep Puig i Cadafalch, in Montjuic, Barcelona, Catalonia, Spain. The centre was repurposed by Japanese architect Arata Isozaki, b. 1931. It is sponsored by La Caixa bank, and holds temporary exhibitions, concerts, educational workshops and films, and has a media library, auditorium, classroom, restaurant and children's activity space. Picture by Manuel Cohen
    LC20_SPAIN_MC_1328.jpg
  • Modernist street, designed to act as a firebreak between the main workspaces (the previous factory burned down), at CaixaForum Barcelona, a cultural centre opened 2002 in the former Casaramona textile factory built 1911, designed by Josep Puig i Cadafalch, in Montjuic, Barcelona, Catalonia, Spain. The centre was repurposed by Japanese architect Arata Isozaki, b. 1931. It is sponsored by La Caixa bank, and holds temporary exhibitions, concerts, educational workshops and films, and has a media library, auditorium, classroom, restaurant and children's activity space. Picture by Manuel Cohen
    LC20_SPAIN_MC_1325.jpg
  • Space of Pain (Hinter dem Knochen wird gezahlt), with lead sheets, iron, light bulb and silver rings, a permanent exhibition by Joseph Beuys, at CaixaForum Barcelona, a cultural centre opened 2002 in the former Casaramona textile factory built 1911, designed by Josep Puig i Cadafalch, in Montjuic, Barcelona, Catalonia, Spain. This installation, 1983, is a space of reclusion and isolation from the outside world, in an insulated space covered by large sheets of lead. The centre was repurposed by Japanese architect Arata Isozaki, b. 1931. It is sponsored by La Caixa bank, and holds temporary exhibitions, concerts, educational workshops and films, and has a media library, auditorium, classroom, restaurant and children's activity space. Picture by Manuel Cohen
    LC20_SPAIN_MC_1322.jpg
  • Space of Pain (Hinter dem Knochen wird gezahlt), with lead sheets, iron, light bulb and silver rings, a permanent exhibition by Joseph Beuys, at CaixaForum Barcelona, a cultural centre opened 2002 in the former Casaramona textile factory built 1911, designed by Josep Puig i Cadafalch, in Montjuic, Barcelona, Catalonia, Spain. This installation, 1983, is a space of reclusion and isolation from the outside world, in an insulated space covered by large sheets of lead. The centre was repurposed by Japanese architect Arata Isozaki, b. 1931. It is sponsored by La Caixa bank, and holds temporary exhibitions, concerts, educational workshops and films, and has a media library, auditorium, classroom, restaurant and children's activity space. Picture by Manuel Cohen
    LC20_SPAIN_MC_1321.jpg
  • Entrance hall, seen through glass windows, at CaixaForum Barcelona, a cultural centre opened 2002 in the former Casaramona textile factory built 1911, designed by Josep Puig i Cadafalch, in Montjuic, Barcelona, Catalonia, Spain. On the ceiling is Space Environment 51-A1 by Lucio Fontana, a neon sculpture created for the 1951 Milan Triennale, resembling a line drawn at random in the air in perpetual motion. On the wall is Splat, 2001, by Sol LeWitt, 1928-2007, an 18m long mural created for this space, with 9 bands of bright colour irregular waves. The centre was repurposed by Japanese architect Arata Isozaki, b. 1931. It is sponsored by La Caixa bank, and holds temporary exhibitions, concerts, educational workshops and films, and has a media library, auditorium, classroom, restaurant and children's activity space. Picture by Manuel Cohen
    LC20_SPAIN_MC_1363.jpg
  • Restaurant and cafe, renovated by architects Turull-Sorensen in 2018, at CaixaForum Barcelona, a cultural centre opened 2002 in the former Casaramona textile factory built 1911, designed by Josep Puig i Cadafalch, in Montjuic, Barcelona, Catalonia, Spain. The centre was repurposed by Japanese architect Arata Isozaki, b. 1931. It is sponsored by La Caixa bank, and holds temporary exhibitions, concerts, educational workshops and films, and has a media library, auditorium, classroom, restaurant and children's activity space. Picture by Manuel Cohen
    LC20_SPAIN_MC_1359.jpg
  • Clock tower (no clock was ever installed in the iron pinnacle), at CaixaForum Barcelona, a cultural centre opened 2002 in the former Casaramona textile factory built 1911, designed by Josep Puig i Cadafalch, in Montjuic, Barcelona, Catalonia, Spain. The centre was repurposed by Japanese architect Arata Isozaki, b. 1931. It is sponsored by La Caixa bank, and holds temporary exhibitions, concerts, educational workshops and films, and has a media library, auditorium, classroom, restaurant and children's activity space. Picture by Manuel Cohen
    LC20_SPAIN_MC_1344.jpg
  • Secret garden, in white marble with a shallow reflecting pool, by Arata Isozaki, at CaixaForum Barcelona, a cultural centre opened 2002 in the former Casaramona textile factory built 1911, designed by Josep Puig i Cadafalch, in Montjuic, Barcelona, Catalonia, Spain. The centre was repurposed by Japanese architect Arata Isozaki, b. 1931. It is sponsored by La Caixa bank, and holds temporary exhibitions, concerts, educational workshops and films, and has a media library, auditorium, classroom, restaurant and children's activity space. Picture by Manuel Cohen
    LC20_SPAIN_MC_1342.jpg
  • Modernist architect Puig i Cadalfach, president of the Mancomunitat de Catalunya (Commonwealth of Catalonia) 1917-25, photograph, exhibited at CaixaForum Barcelona, a cultural centre opened 2002 in the former Casaramona textile factory built 1911, designed by Josep Puig i Cadafalch, in Montjuic, Barcelona, Catalonia, Spain. The centre was repurposed by Japanese architect Arata Isozaki, b. 1931. It is sponsored by La Caixa bank, and holds temporary exhibitions, concerts, educational workshops and films, and has a media library, auditorium, classroom, restaurant and children's activity space. Picture by Manuel Cohen
    LC20_SPAIN_MC_1329.jpg
  • Entrance to the permanent exhibition Space of Pain (Hinter dem Knochen wird gezahlt) by Joseph Beuys, at CaixaForum Barcelona, a cultural centre opened 2002 in the former Casaramona textile factory built 1911, designed by Josep Puig i Cadafalch, in Montjuic, Barcelona, Catalonia, Spain. This installation, 1983, is a space of reclusion and isolation from the outside world, in an insulated space covered by large sheets of lead. The centre was repurposed by Japanese architect Arata Isozaki, b. 1931. It is sponsored by La Caixa bank, and holds temporary exhibitions, concerts, educational workshops and films, and has a media library, auditorium, classroom, restaurant and children's activity space. Picture by Manuel Cohen
    LC20_SPAIN_MC_1319.jpg
  • Clock tower (no clock was ever installed in the iron pinnacle), at CaixaForum Barcelona, a cultural centre opened 2002 in the former Casaramona textile factory built 1911, designed by Josep Puig i Cadafalch, in Montjuic, Barcelona, Catalonia, Spain. The centre was repurposed by Japanese architect Arata Isozaki, b. 1931. It is sponsored by La Caixa bank, and holds temporary exhibitions, concerts, educational workshops and films, and has a media library, auditorium, classroom, restaurant and children's activity space. Picture by Manuel Cohen
    LC20_SPAIN_MC_1312.jpg
  • Warehouse on the ground floor of the Casaramona factory, photograph, date unknown, exhibited at CaixaForum Barcelona, a cultural centre opened 2002 in the former Casaramona textile factory built 1911, designed by Josep Puig i Cadafalch, in Montjuic, Barcelona, Catalonia, Spain. The centre was repurposed by Japanese architect Arata Isozaki, b. 1931. It is sponsored by La Caixa bank, and holds temporary exhibitions, concerts, educational workshops and films, and has a media library, auditorium, classroom, restaurant and children's activity space. Picture by Manuel Cohen
    LC20_SPAIN_MC_1431.jpg
  • Entrance hall, at CaixaForum Barcelona, a cultural centre opened 2002 in the former Casaramona textile factory built 1911, designed by Josep Puig i Cadafalch, in Montjuic, Barcelona, Catalonia, Spain. On the ceiling is Space Environment 51-A1 by Lucio Fontana, a neon sculpture created for the 1951 Milan Triennale, resembling a line drawn at random in the air in perpetual motion. The centre was repurposed by Japanese architect Arata Isozaki, b. 1931. It is sponsored by La Caixa bank, and holds temporary exhibitions, concerts, educational workshops and films, and has a media library, auditorium, classroom, restaurant and children's activity space. Picture by Manuel Cohen
    LC20_SPAIN_MC_1361.jpg
  • Pergola in the form of a tree, in iron and glass, by Arata Isozaki, at CaixaForum Barcelona, a cultural centre opened 2002 in the former Casaramona textile factory built 1911, designed by Josep Puig i Cadafalch, in Montjuic, Barcelona, Catalonia, Spain. The centre was repurposed by Japanese architect Arata Isozaki, b. 1931. It is sponsored by La Caixa bank, and holds temporary exhibitions, concerts, educational workshops and films, and has a media library, auditorium, classroom, restaurant and children's activity space. Picture by Manuel Cohen
    LC20_SPAIN_MC_1345.JPG
  • Palau de les Arts Reina Sofia, an opera house and performing arts centre, opened 2005, in the evening, in the City of Arts and Sciences, in Valencia, Spain. The building contains a main hall, a master hall, an auditorium and the Martin y Soler theatre, and holds operas, theatre performances and music concerts. The City of Arts and Sciences is a large cultural attraction in a drained riverbed in Valencia, designed by Santiago Calatrava and Felix Candela and built 1996-2009. Picture by Manuel Cohen
    LC21_SPAIN_MC_0052.jpg
  • L'Hemisferic, or the Eye of Knowledge, an IMAX cinema, planetarium and laserium, opened 1998 (left), and (right), the Palau de les Arts Reina Sofia, an opera house and performing arts centre, opened 2005, in the City of Arts and Sciences, in Valencia, Spain. The City of Arts and Sciences is a large cultural attraction in a drained riverbed in Valencia, designed by Santiago Calatrava and Felix Candela and built 1996-2009. Picture by Manuel Cohen
    LC21_SPAIN_MC_0060.jpg
  • Roman anchor, found by the Centre de Recuperacio i Investigacios submarines at Blanes in 1959, with 2 dolphins on each side as protectors of seamen, in the Museu Maritim de Barcelona, or Barcelona Maritime Museum, housed in the former medieval royal shipyards and arsenals at Drassanes, Barcelona, Catalonia, Spain. In ancient times, anchors, oars and ship prows were used as votive offerings, and the heaviest anchor a ship carried was known as a sacred anchor. The museum houses exhibits on the maritime history of Catalonia, including many ships and boats built in the shipyards of Barcelona. Picture by Manuel Cohen
    LC20_SPAIN_MC_1163.jpg
  • Entrance hall and bookshop inside the Fondation Louis Vuitton, an art museum and cultural centre designed by Frank Gehry, b. 1929, and built 2008-14, next to the Jardin d'Acclimatation in the Bois de Boulogne, in the 16th arrondissement of Paris, France. In the distance are the towers of La Defense. The building resembles the sails of a boat and houses 11 galleries, an auditorium seating 350 and roof terraces. Picture by Manuel Cohen
    LC19_PARIS_MC_0752.jpg
  • Children learning about construction methods in the exhibition on the trades and tools of builders, in the Cathedraloscope, a cathedrals interpretation centre on the Place de la Cathedrale in Dol-de-Bretagne, Brittany, France. The museum is next to the Cathedral Saint-Samson and provides information on its history and construction. Picture by Manuel Cohen
    LC18_FRANCE_MC_0067.jpg
  • Zuni pottery canteen, 1885-1900, with design representing a rain bird and double-winged dragonflies, part of the Wetherill Family archive at the Anasazi Heritage Centre, Dolores, Colorado, USA. The Wetherill family were ranchers who also discovered many of the Puebloan Ancestral ruins in Colorado, including at Mesa Verde. Picture by Manuel Cohen
    LC16_COLORADO_MC_256.jpg
  • Small pottery canteen with narrow neck, loop handles for attaching straps and a geometric black on white design, from Mesa Verde, 1180-1230 AD, Pueblo III period, from the Anasazi Heritage Centre, Dolores, Colorado, USA.  This canteen may have served a ritual purpose. Picture by Manuel Cohen
    LC16_COLORADO_MC_250.jpg
  • Entrance hall and bookshop inside the Fondation Louis Vuitton, an art museum and cultural centre designed by Frank Gehry, b. 1929, and built 2008-14, next to the Jardin d'Acclimatation in the Bois de Boulogne, in the 16th arrondissement of Paris, France. In the distance are the towers of La Defense. The building resembles the sails of a boat and houses 11 galleries, an auditorium seating 350 and roof terraces. Picture by Manuel Cohen
    LC19_PARIS_MC_0751.jpg
  • Children learning about construction methods in the exhibition on the trades and tools of builders, in the Cathedraloscope, a cathedrals interpretation centre on the Place de la Cathedrale in Dol-de-Bretagne, Brittany, France. The museum is next to the Cathedral Saint-Samson and provides information on its history and construction. Picture by Manuel Cohen
    LC18_FRANCE_MC_0068.jpg
  • Children learning about construction methods in the exhibition on the trades and tools of builders, in the Cathedraloscope, a cathedrals interpretation centre on the Place de la Cathedrale in Dol-de-Bretagne, Brittany, France. The museum is next to the Cathedral Saint-Samson and provides information on its history and construction. Picture by Manuel Cohen
    LC18_FRANCE_MC_0066.jpg
  • Chaco canteen with black on white geometric pattern, 875-1000 AD, Pueblo I - Pueblo II periods, made near Chaco Canyon, New Mexico and found at Chimney Rock near Pagoda Springs, Colorado, from the Anasazi Heritage Centre, Dolores, Colorado, USA. Picture by Manuel Cohen
    LC16_COLORADO_MC_253.jpg
  • Mug and pot lid with black on white geometric painted design, 1180-1280 AD, from Mesa Verde, Pueblo III period, (mug or ceramic lids were rarely produced outside of the Northen San Juan region), from The Anasazi Heritage Centre, Dolores, Colorado, USA. Picture by Manuel Cohen
    LC16_COLORADO_MC_252.jpg
  • Olla, a pot used for cooking and storage, with handles for carrying, Chapin Gray, 575-950 AD, Basketmaker III - Pueblo II periods, from Grass Mesa Village, from the Anasazi Heritage Centre, Dolores, Colorado, USA. This early form of Native American pottery was made without surface decoration. Picture by Manuel Cohen
    LC16_COLORADO_MC_251.jpg
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