manuel cohen

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  • Tunic of Saint-Louis, or Louis IX of France, 1214-70, linen, missing the left sleeve, catalogued in the collection since the 15th century, housed in the Salle du Tresor, or Treasury, in the Sacristie du Chapitre, built in the 19th century under Viollet le Duc, South of the choir, in the Cathedrale Notre-Dame de Paris, or Notre-Dame cathedral, built 1163-1345 in French Gothic style, on the Ile de la Cite in the 4th arrondissement of Paris, France. The Treasury was completely renovated in 2012. Photographed on 17th December 2018 by Manuel Cohen
    LC19_PARIS_MC_0497.jpg
  • Statue of a warrior with a tunic, lorica (mesh), coat, fibula, torque, spade (sword), cingulum (belt), umbo (shield), Gallo-Roman, part of a larger sculptural group, with fragments of polychrome, late 1st century BC, from Vacheres, in the Musee Lapidaire, or Lapidary Museum, in Avignon, Provence-Alpes-Cote-d'Azur, France. The museum houses archaeological artefacts from the Collection Archeologique de la Fondation Calvet, from the Musee Calvet. Picture by Manuel Cohen
    LC21_FRANCE_MC_1338.JPG
  • Hanging crucifixion sculpture of 'Le Christ aux bras ouverts' or Christ with open arms, by Goudji, French sculptor born 1941, commissioned by the diocese of Le Mans, blessed and opened 20th October 2013 in the choir of the Cathedrale Saint-Julien du Mans or Cathedral of St Julian of Le Mans, Le Mans, Sarthe, Loire, France. Christ is dressed in a tunic as a high priest of the temple of Jerusalem, uniting Christians and Israelites. The cathedral was built from the 6th to the 14th centuries, with both Romanesque and High Gothic elements. It is dedicated to St Julian of Le Mans, the city's first bishop, who established Christianity in the area in the 4th century AD. Picture by Manuel Cohen - Further clearance required, please contact us
    LC15_FRANCE_MC0482.jpg
  • Stele with Jupiter Heliopolitan with a whip and calathos, wearing breastplate decorated with busts of gods, tunic and torque, and 2 bulls, Gallo-Roman high relief, marble with traces of polychrome, late 2nd - early 3rd century AD, in the Musee Lapidaire, or Lapidary Museum, in Avignon, Provence-Alpes-Cote-d'Azur, France. The museum houses archaeological artefacts from the Collection Archeologique de la Fondation Calvet, from the Musee Calvet. Picture by Manuel Cohen
    LC21_FRANCE_MC_1291.JPG
  • Funerary stele of Tertia and her son Jason, with relief of the deceased seated on a diphros (stool) wearing chiton (tunic), himation (cloak) and veil, with a young child, Hellenistic, 3rd century BC, from Naxos, Greece, in the Musee Lapidaire, or Lapidary Museum, in Avignon, Provence-Alpes-Cote-d'Azur, France. The museum houses archaeological artefacts from the Collection Archeologique de la Fondation Calvet, from the Musee Calvet. Picture by Manuel Cohen
    LC21_FRANCE_MC_1340.jpg
  • Statue of Emperor known as the 'Togatus' statue, Julio-Claudian dynasty, 27 BC - 68 AD, man wearing a tunic and toga, marble, found in a house in Langres in 1660, in the Musee de Langres, or Langres Museum of Art and History, in Langres, Haute-Marne, France. the sculpture was restored by Francois Girardon, 1628-1715, who added 2 arms, each holding a roll of parchment, and the smaller marble head of a barbarian. Founded in 1841, the museum has been housed in a new building in the old town since 1997. It exhibits art, artefacts and archaeology from prehistory to the 20th century. Picture by Manuel Cohen
    LC21_FRANCE_MC_0935.JPG
  • Batllo Majesty, a crucifixion sculpture of Christ on the cross, 12th century Romanesque, tempera with walnut, willow, elm and oak, from a church in La Garrotxa, Girona, in the Museu Nacional d'Art de Catalunya, in the Palau Nacional on Montjuic Hill, Barcelona, Catalonia, Spain. The decorative tunic is influenced by Byzantine or Hispano-Muslim fabrics. Picture by Manuel Cohen
    LC21_SPAIN_MC_0539.jpg
  • Batllo Majesty, detail, a crucifixion sculpture of Christ on the cross, 12th century Romanesque, tempera with walnut, willow, elm and oak, from a church in La Garrotxa, Girona, in the Museu Nacional d'Art de Catalunya, in the Palau Nacional on Montjuic Hill, Barcelona, Catalonia, Spain. The decorative tunic is influenced by Byzantine or Hispano-Muslim fabrics. Picture by Manuel Cohen
    LC21_SPAIN_MC_0473.jpg
  • Statue of Joan of Arc (Jeanne d'Arc), 'Jehanne au sacre', 1901, by Prosper díEpinal, in an apsidal chapel in the Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. Her armour is bronze, her face ivory, and her tunic is yellow marble with fleurs de lys incrusted with lapis lazuli. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0556.jpg
  • Statue of Joan of Arc (Jeanne d'Arc), 'Jehanne au sacre', 1901, by Prosper díEpinal, in an apsidal chapel in the Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. Her armour is bronze, her face ivory, and her tunic is yellow marble with fleurs de lys incrusted with lapis lazuli. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0549.jpg
  • Statue of Joan of Arc (Jeanne d'Arc), 'Jehanne au sacre', 1901, by Prosper díEpinal, in an apsidal chapel in the Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. Her armour is bronze, her face ivory, and her tunic is yellow marble with fleurs de lys incrusted with lapis lazuli. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0546.jpg
  • Face of statue of Joan of Arc (Jeanne d'Arc), 'Jehanne au sacre', 1901, by Prosper díEpinal, in an apsidal chapel in the Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. Her armour is bronze, her face ivory, and her tunic is yellow marble with fleurs de lys incrusted with lapis lazuli. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0529.jpg
  • Hanging crucifixion sculpture of 'Le Christ aux bras ouverts' or Christ with open arms, by Goudji, French sculptor born 1941, commissioned by the diocese of Le Mans, blessed and opened 20th October 2013 in the choir of the Cathedrale Saint-Julien du Mans or Cathedral of St Julian of Le Mans, Le Mans, Sarthe, Loire, France. Christ is dressed in a tunic as a high priest of the temple of Jerusalem, uniting Christians and Israelites. The cathedral was built from the 6th to the 14th centuries, with both Romanesque and High Gothic elements. It is dedicated to St Julian of Le Mans, the city's first bishop, who established Christianity in the area in the 4th century AD. Picture by Manuel Cohen - Further clearance required, please contact us
    LC15_FRANCE_MC0476.jpg
  • Mithras, relief of the Persian god wearing Phrygian cap wearing tunic and fibula, with apple tree, Roman, marble, 3rd century AD, in Lugdunum Museum, an archaeology museum housing Celtic, Roman and pre-Roman artefacts, designed by Bernard Zehrfuss and opened 1975, on the Roman site of Lugdunum in Lyon, Auvergne-Rhone-Alpes, France. The Roman city of Lugdunum was founded in 43 BC by Lucius Munatius Plancus on an existing Gallic site, now part of a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_FRANCE_MC_0631.jpg
  • Statue of Athena, Greek goddess of wisdom and war, wearing a peplos tunic with head of Medusa and a plumed Corinthian helmet, Parthenos type, Roman copy 2nd century AD of a Greek original from 3rd century BC, from Athens, in the Musee Lapidaire, or Lapidary Museum, in Avignon, Provence-Alpes-Cote-d'Azur, France. The museum houses archaeological artefacts from the Collection Archeologique de la Fondation Calvet, from the Musee Calvet. Picture by Manuel Cohen
    LC21_FRANCE_MC_1307.jpg
  • Statue of Athena, Greek goddess of wisdom and war, detail, wearing a peplos tunic with head of Medusa and a plumed Corinthian helmet, Parthenos type, Roman copy 2nd century AD of a Greek original from 3rd century BC, from Athens, in the Musee Lapidaire, or Lapidary Museum, in Avignon, Provence-Alpes-Cote-d'Azur, France. The museum houses archaeological artefacts from the Collection Archeologique de la Fondation Calvet, from the Musee Calvet. Picture by Manuel Cohen
    LC21_FRANCE_MC_1308.jpg
  • Funerary stele of Aischra, with relief of a young woman representing the deceased wearing hypendyma (tunic), himation (cloak) and veil, seated on diphros (stool), holding a box with a servant girl and another seated woman veiling her face in a gesture of mourning, Hellenistic Greek, late 3rd century BC, from Rhodes, in the Musee Lapidaire, or Lapidary Museum, in Avignon, Provence-Alpes-Cote-d'Azur, France. The museum houses archaeological artefacts from the Collection Archeologique de la Fondation Calvet, from the Musee Calvet. Picture by Manuel Cohen
    LC21_FRANCE_MC_1310.jpg
  • Funerary relief of Metroas, depicting banquet scene with woman wearing chiton (tunic), himation (cloak) and veil and 3 reclining men on a kline or daybed, drinking from cups, and a 2 small servant figures, 1st century AD from Cyzicus, Greece, in the Musee Lapidaire, or Lapidary Museum, in Avignon, Provence-Alpes-Cote-d'Azur, France. The museum houses archaeological artefacts from the Collection Archeologique de la Fondation Calvet, from the Musee Calvet. Picture by Manuel Cohen
    LC21_FRANCE_MC_1317.jpg
  • Reclining woman wearing jewellery, tunic, cloak and veil, sarcophagus lid, terracotta, Roman, late 2nd century AD, from Etruria, in the Musee Lapidaire, or Lapidary Museum, in Avignon, Provence-Alpes-Cote-d'Azur, France. The museum houses archaeological artefacts from the Collection Archeologique de la Fondation Calvet, from the Musee Calvet. Picture by Manuel Cohen
    LC21_FRANCE_MC_1339.jpg
  • Funerary stele with relief of seated woman wearing tunic, cloak and veil with a snake and a young servant girl holding a fan and a writing tablet or mirror, Hellenistic Greek, 2nd - 1st century BC, from the Cyclades, in the Musee Lapidaire, or Lapidary Museum, in Avignon, Provence-Alpes-Cote-d'Azur, France. The museum houses archaeological artefacts from the Collection Archeologique de la Fondation Calvet, from the Musee Calvet. Picture by Manuel Cohen
    LC21_FRANCE_MC_1341.jpg
  • Funerary stele of Aischra, detail, with relief of a young woman representing the deceased wearing hypendyma (tunic), himation (cloak) and veil, seated on diphros (stool), holding a box with a servant girl and another seated woman veiling her face in a gesture of mourning, Hellenistic Greek, late 3rd century BC, from Rhodes, in the Musee Lapidaire, or Lapidary Museum, in Avignon, Provence-Alpes-Cote-d'Azur, France. The museum houses archaeological artefacts from the Collection Archeologique de la Fondation Calvet, from the Musee Calvet. Picture by Manuel Cohen
    LC21_FRANCE_MC_1343.jpg
  • Dancer wearing a chiton (Greek tunic), Gallo-Roman relief fragment, 1st century AD, from a funerary monument or mausoleum, excavated in the Arles ramparts, in the Musee de l'Arles Antique, an archaeological museum built 1995 by Henri Ciriani and extended in 2013, at Arles, Provence-Alpes-Cote d'Azur, France. The museum is built on the ruins of the Roman Circus, and houses many artefacts from the town's Gallo-Roman history from 1st century BC. Picture by Manuel Cohen
    LC21_FRANCE_MC_1141.jpg
  • Christ in Majesty, fresco transferred to canvas, late 12th century, Romanesque, from the apse of the parish church of Sant Pau in Esterri de Cardos, Pallars Sobira, in the Museu Nacional d'Art de Catalunya, in the Palau Nacional on Montjuic Hill, Barcelona, Catalonia, Spain. Christ is in a mandorla, wearing a cruciferous halo and dressed in a tunic and cloak decorated with precious stones. He makes a gesture of blessing and holds a closed book. He is surrounded by the 4 evangelist symbols, including the lion of St Mark (bottom right), resembling a bear. Picture by Manuel Cohen
    LC21_SPAIN_MC_0520.jpg
  • Christ in Majesty, detail, fresco transferred to canvas, late 12th century, Romanesque, from the apse of the parish church of Sant Pau in Esterri de Cardos, Pallars Sobira, in the Museu Nacional d'Art de Catalunya, in the Palau Nacional on Montjuic Hill, Barcelona, Catalonia, Spain. Christ is in a mandorla, wearing a cruciferous halo and dressed in a tunic and cloak decorated with precious stones. He makes a gesture of blessing and holds a closed book. He is surrounded by the 4 evangelist symbols. Picture by Manuel Cohen
    LC21_SPAIN_MC_0453.jpg
  • Model of a Roman auxiliary soldier, a non-citizen from conquered lands recruited and fighting for Rome, in the Roman Army Museum, Hadrian's Wall, Northumberland, England. Auxiliaries were often hired due to specific fighting skills and were employed to fight in countries other than their homeland. Auxiliaries wore a chainmail shirt over a tunic, leather or woollen trousers, a helmet and a large oval shield made from leather or wood. Hadrian's Wall was built 73 miles across Britannia, now England, 122-128 AD, under the reign of Emperor Hadrian, ruled 117-138, to mark the Northern extent of the Roman Empire and guard against barbarian attacks from the Picts to the North. The Roman Army Museum at Carvoran fort is run by the Vindolanda Charitable Trust and forms part of the Hadrian's Wall UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_ENGLAND_MC_152.jpg
  • Statue of Joan of Arc (Jeanne d'Arc), 'Jehanne au sacre', 1901, by Prosper díEpinal, in an apsidal chapel in the Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. Her armour is bronze, her face ivory, and her tunic is yellow marble with fleurs de lys incrusted with lapis lazuli. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0548.jpg
  • Hanging crucifixion sculpture of 'Le Christ aux bras ouverts' or Christ with open arms, by Goudji, French sculptor born 1941, commissioned by the diocese of Le Mans, blessed and opened 20th October 2013 in the choir of the Cathedrale Saint-Julien du Mans or Cathedral of St Julian of Le Mans, Le Mans, Sarthe, Loire, France. Christ is dressed in a tunic as a high priest of the temple of Jerusalem, uniting Christians and Israelites. The suspended alpha and omega symbolise that Christ is the beginning and the end. The cathedral was built from the 6th to the 14th centuries, with both Romanesque and High Gothic elements. It is dedicated to St Julian of Le Mans, the city's first bishop, who established Christianity in the area in the 4th century AD. Picture by Manuel Cohen - Further clearance required, please contact us
    LC15_FRANCE_MC0500.jpg
  • Hanging crucifixion sculpture of 'Le Christ aux bras ouverts' or Christ with open arms, by Goudji, French sculptor born 1941, commissioned by the diocese of Le Mans, blessed and opened 20th October 2013 in the choir of the Cathedrale Saint-Julien du Mans or Cathedral of St Julian of Le Mans, Le Mans, Sarthe, Loire, France. Christ is dressed in a tunic as a high priest of the temple of Jerusalem, uniting Christians and Israelites. The suspended alpha and omega symbolise that Christ is the beginning and the end. The cathedral was built from the 6th to the 14th centuries, with both Romanesque and High Gothic elements. It is dedicated to St Julian of Le Mans, the city's first bishop, who established Christianity in the area in the 4th century AD. Picture by Manuel Cohen - Further clearance required, please contact us
    LC15_FRANCE_MC0484.jpg
  • Head of the hanging crucifixion sculpture of 'Le Christ aux bras ouverts' or Christ with open arms, by Goudji, French sculptor born 1941, commissioned by the diocese of Le Mans, blessed and opened 20th October 2013 in the choir of the Cathedrale Saint-Julien du Mans or Cathedral of St Julian of Le Mans, Le Mans, Sarthe, Loire, France. Christ is dressed in a tunic as a high priest of the temple of Jerusalem, uniting Christians and Israelites. The cathedral was built from the 6th to the 14th centuries, with both Romanesque and High Gothic elements. It is dedicated to St Julian of Le Mans, the city's first bishop, who established Christianity in the area in the 4th century AD. Picture by Manuel Cohen - Further clearance required, please contact us
    LC15_FRANCE_MC0473.jpg
  • Nailed feet of the hanging crucifixion sculpture of 'Le Christ aux bras ouverts' or Christ with open arms, by Goudji, French sculptor born 1941, commissioned by the diocese of Le Mans, blessed and opened 20th October 2013 in the choir of the Cathedrale Saint-Julien du Mans or Cathedral of St Julian of Le Mans, Le Mans, Sarthe, Loire, France. Christ is dressed in a tunic as a high priest of the temple of Jerusalem, uniting Christians and Israelites. The cathedral was built from the 6th to the 14th centuries, with both Romanesque and High Gothic elements. It is dedicated to St Julian of Le Mans, the city's first bishop, who established Christianity in the area in the 4th century AD. Picture by Manuel Cohen - Further clearance required, please contact us
    LC15_FRANCE_MC0472.jpg
  • Hanging crucifixion sculpture of 'Le Christ aux bras ouverts' or Christ with open arms, by Goudji, French sculptor born 1941, commissioned by the diocese of Le Mans, blessed and opened 20th October 2013 in the choir of the Cathedrale Saint-Julien du Mans or Cathedral of St Julian of Le Mans, Le Mans, Sarthe, Loire, France. Christ is dressed in a tunic as a high priest of the temple of Jerusalem, uniting Christians and Israelites. The suspended alpha and omega symbolise that Christ is the beginning and the end. The cathedral was built from the 6th to the 14th centuries, with both Romanesque and High Gothic elements. It is dedicated to St Julian of Le Mans, the city's first bishop, who established Christianity in the area in the 4th century AD. Picture by Manuel Cohen - Further clearance required, please contact us
    LC15_FRANCE_MC0471.jpg
  • Hanging crucifixion sculpture of 'Le Christ aux bras ouverts' or Christ with open arms, by Goudji, French sculptor born 1941, commissioned by the diocese of Le Mans, blessed and opened 20th October 2013 in the choir of the Cathedrale Saint-Julien du Mans or Cathedral of St Julian of Le Mans, Le Mans, Sarthe, Loire, France. Christ is dressed in a tunic as a high priest of the temple of Jerusalem, uniting Christians and Israelites. The suspended alpha and omega symbolise that Christ is the beginning and the end. The cathedral was built from the 6th to the 14th centuries, with both Romanesque and High Gothic elements. It is dedicated to St Julian of Le Mans, the city's first bishop, who established Christianity in the area in the 4th century AD. Picture by Manuel Cohen - Further clearance required, please contact us
    LC15_FRANCE_MC0462.jpg
  • Mithras, relief of the Persian god wearing Phrygian cap wearing tunic and fibula, with apple tree, Roman, marble, 3rd century AD, in Lugdunum Museum, an archaeology museum housing Celtic, Roman and pre-Roman artefacts, designed by Bernard Zehrfuss and opened 1975, on the Roman site of Lugdunum in Lyon, Auvergne-Rhone-Alpes, France. The Roman city of Lugdunum was founded in 43 BC by Lucius Munatius Plancus on an existing Gallic site, now part of a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_FRANCE_MC_0578.jpg
  • Funerary stela of Lutatia Lupata, a 16 year old girl, dedicated to the Mane gods or the souls of the deceased, marble, 2nd century AD, from the necropolis at Cerro de San Albin, in the Museo Nacional de Arte Romano, or National Museum of Roman Art, designed by Rafael Moneo and built 1981-86, housing Roman collections from the colony of Emerita Augusta, founded in 25 BC by Emperor Augustus, now modern-day Merida, Extremadura, Spain. The stela is in the style of a temple, depicting the deceased wearing a long sleeved tunic and playing a pandarium or similar stringed musical instrument. The Roman remains in Merida are listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_SPAIN_MC_1124.jpg
  • Stele with Jupiter Heliopolitan with a whip and calathos, wearing breastplate decorated with busts of gods, tunic and torque, and 2 bulls, Gallo-Roman high relief, marble with traces of polychrome, late 2nd - early 3rd century AD, in the Musee Lapidaire, or Lapidary Museum, in Avignon, Provence-Alpes-Cote-d'Azur, France. The museum houses archaeological artefacts from the Collection Archeologique de la Fondation Calvet, from the Musee Calvet. Picture by Manuel Cohen
    LC21_FRANCE_MC_1292.JPG
  • Statue of a warrior with a tunic, lorica (mesh), coat, fibula, torque, sword, cingulum (belt), umbo (shield), Gallo-Roman, part of a larger sculptural group, with fragments of polychrome, late 1st century BC, from Vacheres, in the Musee Lapidaire, or Lapidary Museum, in Avignon, Provence-Alpes-Cote-d'Azur, France. The museum houses archaeological artefacts from the Collection Archeologique de la Fondation Calvet, from the Musee Calvet. Picture by Manuel Cohen
    LC21_FRANCE_MC_1301.jpg
  • Statue of Athena, Greek goddess of wisdom and war, detail, wearing a peplos tunic with head of Medusa and a plumed Corinthian helmet, Parthenos type, Roman copy 2nd century AD of a Greek original from 3rd century BC, from Athens, in the Musee Lapidaire, or Lapidary Museum, in Avignon, Provence-Alpes-Cote-d'Azur, France. The museum houses archaeological artefacts from the Collection Archeologique de la Fondation Calvet, from the Musee Calvet. Picture by Manuel Cohen
    LC21_FRANCE_MC_1309.jpg
  • Votive relief of a hero wearing a chlamys (cloak) and petasus (hat) at an altar, with his horse and a woman wearing chiton (tunic), himation (cloak) and cecryphalus (headband), classical Greek, 4th century BC, from Delos, Cyclades, with modern restoration, in the Musee Lapidaire, or Lapidary Museum, in Avignon, Provence-Alpes-Cote-d'Azur, France. The museum houses archaeological artefacts from the Collection Archeologique de la Fondation Calvet, from the Musee Calvet. Picture by Manuel Cohen
    LC21_FRANCE_MC_1314.jpg
  • Votive relief consecrated by Damocleia, with relief of a goddess wearing a chiton (tunic) with apotygma (folds) wearing a headdress and holding a sceptre and cup, Hellenistic, from the Peloponnese, in the Musee Lapidaire, or Lapidary Museum, in Avignon, Provence-Alpes-Cote-d'Azur, France. The museum houses archaeological artefacts from the Collection Archeologique de la Fondation Calvet, from the Musee Calvet. Picture by Manuel Cohen
    LC21_FRANCE_MC_1318.jpg
  • Stele of Timakratea, fragment, with relief of the deceased, a woman wearing chiton (tunic) and himation (cloak), holding hand of a young girl playing with a dog, Greek, 3rd century BC, from Rhodes, in the Musee Lapidaire, or Lapidary Museum, in Avignon, Provence-Alpes-Cote-d'Azur, France. The museum houses archaeological artefacts from the Collection Archeologique de la Fondation Calvet, from the Musee Calvet. Picture by Manuel Cohen
    LC21_FRANCE_MC_1346.jpg
  • Gallic weapons, Gallo-Roman relief of round shield, military coat, sword on a belt, breastplate, tunic, harness, sword, quiver of arrows and leggings, from a municipal structure commemorating a military victory, early 1st century AD, excavated at the Arles Roman Theatre, in the Musee de l'Arles Antique, an archaeological museum built 1995 by Henri Ciriani and extended in 2013, at Arles, Provence-Alpes-Cote d'Azur, France. The museum is built on the ruins of the Roman Circus, and houses many artefacts from the town's Gallo-Roman history from 1st century BC. Picture by Manuel Cohen
    LC21_FRANCE_MC_1145.jpg
  • Statue of Joan of Arc (Jeanne d'Arc), 'Jehanne au sacre', 1901, by Prosper d'Epinal, in an apsidal chapel in the Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. Her armour is bronze, her face ivory, and her tunic is yellow marble with fleurs de lys incrusted with lapis lazuli. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0642.jpg
  • Hanging crucifixion sculpture of 'Le Christ aux bras ouverts' or Christ with open arms, by Goudji, French sculptor born 1941, commissioned by the diocese of Le Mans, blessed and opened 20th October 2013 in the choir of the Cathedrale Saint-Julien du Mans or Cathedral of St Julian of Le Mans, Le Mans, Sarthe, Loire, France. Christ is dressed in a tunic as a high priest of the temple of Jerusalem, uniting Christians and Israelites. The suspended alpha and omega symbolise that Christ is the beginning and the end. The cathedral was built from the 6th to the 14th centuries, with both Romanesque and High Gothic elements. It is dedicated to St Julian of Le Mans, the city's first bishop, who established Christianity in the area in the 4th century AD. Picture by Manuel Cohen - Further clearance required, please contact us
    LC15_FRANCE_MC0483.jpg
  • Fisherman statue, wearing short tunic and carrying basket of fish, in Lugdunum Museum, an archaeology museum housing Celtic, Roman and pre-Roman artefacts, designed by Bernard Zehrfuss and opened 1975, on the Roman site of Lugdunum in Lyon, Auvergne-Rhone-Alpes, France. The Roman city of Lugdunum was founded in 43 BC by Lucius Munatius Plancus on an existing Gallic site, now part of a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_FRANCE_MC_0644.jpg
  • Statue of a woman wearing a chiton (wool tunic) and chlanyde (wool coat), Hellenistic, 2nd century BC, in the Musee Lapidaire, or Lapidary Museum, in Avignon, Provence-Alpes-Cote-d'Azur, France. The museum houses archaeological artefacts from the Collection Archeologique de la Fondation Calvet, from the Musee Calvet. Picture by Manuel Cohen
    LC21_FRANCE_MC_1316.jpg
  • Funerary stele of Parrhesia, with relief of seated young woman wearing chiton (tunic), himation (cloak) and veil, with a young servant girl holding a box, late Hellenistic, late 2nd century BC, from the Cyclades, Greece, in the Musee Lapidaire, or Lapidary Museum, in Avignon, Provence-Alpes-Cote-d'Azur, France. The museum houses archaeological artefacts from the Collection Archeologique de la Fondation Calvet, from the Musee Calvet. Picture by Manuel Cohen
    LC21_FRANCE_MC_1342.jpg
  • Roman stone shrine or aedicula with sculpture of the winged goddess Victory with half folded wings and billowing tunic suggesting she is hovering, about to land her right foot on a globe, at the Housesteads Roman Fort Museum, Hadrian's Wall, Northumberland, England. Her arms probably held a victor’s wreath and a palm branch. Victory symbolised success in battle and protection against death, and Emperor Hadrian’s work in Britan marked and end to fighting in the North and his Wall, a symbol of victory, defined and protected the province of Britannia. 4 statues of Victory have been recovered from Housesteads. Housesteads Fort was built in 124 AD and is the most complete Roman fort in Britain, built by legionaries to house 10 centuries of auxiliary soldiers based on the frontier. Hadrian's Wall was built 73 miles across Britannia, now England, 122-128 AD, under the reign of Emperor Hadrian, ruled 117-138, to mark the Northern extent of the Roman Empire and guard against barbarian attacks from the Picts to the North. The Housesteads Roman Fort Museum is run by English Heritage and forms part of the Hadrian's Wall UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_ENGLAND_MC_135.jpg
  • Statue of Joan of Arc (Jeanne d'Arc), 'Jehanne au sacre', 1901, by Prosper díEpinal, in an apsidal chapel in the Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. Her armour is bronze, her face ivory, and her tunic is yellow marble with fleurs de lys incrusted with lapis lazuli. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0547.jpg
  • Hanging crucifixion sculpture of 'Le Christ aux bras ouverts' or Christ with open arms, by Goudji, French sculptor born 1941, commissioned by the diocese of Le Mans, blessed and opened 20th October 2013 in the choir of the Cathedrale Saint-Julien du Mans or Cathedral of St Julian of Le Mans, Le Mans, Sarthe, Loire, France. Christ is dressed in a tunic as a high priest of the temple of Jerusalem, uniting Christians and Israelites. The cathedral was built from the 6th to the 14th centuries, with both Romanesque and High Gothic elements. It is dedicated to St Julian of Le Mans, the city's first bishop, who established Christianity in the area in the 4th century AD. Picture by Manuel Cohen - Further clearance required, please contact us
    LC15_FRANCE_MC0452.jpg
  • Saint Louis with a sceptre and Christ's crown of thorns, wearing a stole and deacon's tunic, from a processional banner in the Collegiale Notre-Dame de Poissy, a catholic parish church founded c. 1016 by Robert the Pious and rebuilt 1130-60 in late Romanesque and early Gothic styles, in Poissy, Yvelines, France. Saint Louis or King Louis IX of France was born in Poissy in 1214. The Collegiate Church of Our Lady of Poissy was listed as a Historic Monument in 1840. Picture by Manuel Cohen
    LC14_Paris_MC107.jpg
  • Stone statue of a hunter, 14th century, Fontenay Abbey, Marmagne, Burgundy, France. The hunter is standing, wearing a tunic, cloak and boots, with a hunting horn slung over this shoulder. This Cistercian abbey was founded by Saint Bernard of Clairvaux in 1119, built in the Romanesque style. The abbey itself housed 300 monks from 1200, but was sacked during the French Revolution. Its abbey church is the oldest Cistercian church in France. Picture by Manuel Cohen
    LC13_FRANCE_MC423.jpg
  • Funerary stela, detail, dedicated to the Mane gods or the souls of the deceased, commissioned by Scottus for the burial place of his wife Divixta, shown wearing 2 tunics and a cloak, holding a basket of fruit, excavated in Langres in 1834, in the Musee de Langres, or Langres Museum of Art and History, in Langres, Haute-Marne, France. The statue would originally have been painted. Founded in 1841, the museum has been housed in a new building in the old town since 1997. It exhibits art, artefacts and archaeology from prehistory to the 20th century. Picture by Manuel Cohen
    LC21_FRANCE_MC_1004.jpg
  • Funerary stela, detail, dedicated to the Mane gods or the souls of the deceased, commissioned by Scottus for the burial place of his wife Divixta, shown wearing 2 tunics and a cloak, holding a basket of fruit, excavated in Langres in 1834, in the Musee de Langres, or Langres Museum of Art and History, in Langres, Haute-Marne, France. The statue would originally have been painted. Founded in 1841, the museum has been housed in a new building in the old town since 1997. It exhibits art, artefacts and archaeology from prehistory to the 20th century. Picture by Manuel Cohen
    LC21_FRANCE_MC_1003.jpg
  • Funerary stela of Turrania Philematio and Chia, with portrait reliefs of Chia (right), a freed slave who commissioned the monument and Philematio a former Greek slave of Sextius Terranius, Gallo-Roman, stone with traces of polychrome, 1st century AD, excavated in Arles in 1810, at Arles, Provence-Alpes-Cote d'Azur, France. Both women wear tunics, cloaks, earrings, rings and bracelets and Philematio pulls a veil across her face. The museum is built on the ruins of the Roman Circus, and houses many artefacts from the town's Gallo-Roman history from 1st century BC. Picture by Manuel Cohen
    LC21_FRANCE_MC_1190.jpg
  • Roman sculpture of the Matres or mother-goddesses seated on a bench, wearing tunics and holding cups and possibly fruit, at the Housesteads Roman Fort Museum, Hadrian's Wall, Northumberland, England. Popular on Hadrian’s Wall, the Matres Cult is a military cult originating in Germany. It is thought there was a Matres temple near Knag Burn and 9 Matres sculptures have been found at Housesteads. Housesteads Fort was built in 124 AD and is the most complete Roman fort in Britain, built by legionaries to house 10 centuries of auxiliary soldiers based on the frontier. Hadrian's Wall was built 73 miles across Britannia, now England, 122-128 AD, under the reign of Emperor Hadrian, ruled 117-138, to mark the Northern extent of the Roman Empire and guard against barbarian attacks from the Picts to the North. The Housesteads Roman Fort Museum is run by English Heritage and forms part of the Hadrian's Wall UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_ENGLAND_MC_141.jpg
  • Funerary stela, detail, dedicated to the Mane gods or the souls of the deceased, commissioned by Scottus for the burial place of his wife Divixta, shown wearing 2 tunics and a cloak, holding a basket of fruit, excavated in Langres in 1834, in the Musee de Langres, or Langres Museum of Art and History, in Langres, Haute-Marne, France. The statue would originally have been painted. Founded in 1841, the museum has been housed in a new building in the old town since 1997. It exhibits art, artefacts and archaeology from prehistory to the 20th century. Picture by Manuel Cohen
    LC21_FRANCE_MC_1005.jpg
  • Funerary stela, detail, dedicated to the Mane gods or the souls of the deceased, commissioned by Scottus for the burial place of his wife Divixta, shown wearing 2 tunics and a cloak, holding a basket of fruit, excavated in Langres in 1834, in the Musee de Langres, or Langres Museum of Art and History, in Langres, Haute-Marne, France. The statue would originally have been painted. Founded in 1841, the museum has been housed in a new building in the old town since 1997. It exhibits art, artefacts and archaeology from prehistory to the 20th century. Picture by Manuel Cohen
    LC21_FRANCE_MC_1002.jpg
  • Funerary stela dedicated to the Mane gods or the souls of the deceased, commissioned by Scottus for the burial place of his wife Divixta, shown wearing 2 tunics and a cloak, holding a basket of fruit, excavated in Langres in 1834, in the Musee de Langres, or Langres Museum of Art and History, in Langres, Haute-Marne, France. The statue would originally have been painted. Founded in 1841, the museum has been housed in a new building in the old town since 1997. It exhibits art, artefacts and archaeology from prehistory to the 20th century. Picture by Manuel Cohen
    LC21_FRANCE_MC_1001.jpg
  • EXCLUSIVE (b/w photo) Photograph and drawing of a statue of king or high official located at the entrance Z of the harem of Sargon II palace, Khorsabad, Iraq, Middle East. Lost at Shatt al-Arab in 1855...Additional info :..1ere statue à l'entrée Z du Harem. Palais de Sargon II. Khorsabad (N.A. pl. 31 bis Profil). Perdue Chatt el Arab 1855.
    DREPRO070077.jpg
  • EXCLUSIVE (b/w photo) Relief depicting a procession of prisonner carrying the tribute of fortificated cities already controled, Temple ou Salle 90 des dépendances, Khorsabad, Iraq, Middle East. Lost at Shatt al-Arab in 1855. See annex Louvre Museum n° 33 to 40. Picture: Victor Place (1818 - 1875)...Additional info :..Khorsabad (Temple ou Salle 90 des dépendances) (N.A. pl. 48-1 "Fragment d'une procession de captifs apportant le tribut de villes fortifiées soumises. Perdu Chatt el Arab 1855. Voir suite Musée du Louvre N° 33 à 40. Cliché Victor Place.
    DREPRO070074.jpg
  • EXCLUSIVE (b/w photo) Relief depicting a Winged Genie, from the Palace at Nimrud (Kalah), Iraq, Middle East. Lost at Shatt al-Arab in 1855. Picture by Victor Place (1818 - 1875)...Additional info :..Nimroud - Palais du N.O. (N.A. pl. 46-3 "Divinité Ailée") - Perdu Chatt el Arab (?) 1855 - Cliché V. Place
    DREPRO070073.jpg
  • EXCLUSIVE (b/w photo) Two statues of kings or high officials located at the entrance Z of the harem of Sargon II palace, Khorsabad, Iraq, Middle East. Lost at Shatt al-Arab in 1855. Picture: Victor Place (1818 - 1875)...Additional info :..2 statues de l'entrée Z du Harem. Palais de Sargon II. Khorsabad (N.A. pl. 31 bis Profil). Perdue Chatt el Arab 1855. Profil de la deuxième statue inédit. Cliché Victor Place
    DREPRO070076.jpg
  • EXCLUSIVE (b/w photo) Victor Place (1818 - 1875) in front of a monumental relief depicting a Eagle-headed winged figure, Nimrud, Iraq, Middle East. Lost at Shatt al-Arab in 1855. (bucket used for magically sprinkling the tree to ensure the fertility of the land)..Additional info :..Victor Place - Génie Ailé à tête d'Aigle. Nimroud N.A. 46.1. Perdu Chatt el Arab 1855. Cliché V. Place. A comparer N° 5 Musée du Louvre.
    DREPRO070069.jpg
  • Funerary relief depicting a reclining man, Valley of Tombs, late 3rd century AD, Palmyra, Syria
    LCSYRIA05002.JPG
  • Funerary stele with relief of nymph or young girl wearing chiton shaking hands with a seated bearded man, representing the deceased father and daughter, Greek, 4th century BC, but reworked in Roman times, from Attica, Greece, in the Musee Lapidaire, or Lapidary Museum, in Avignon, Provence-Alpes-Cote-d'Azur, France. The museum houses archaeological artefacts from the Collection Archeologique de la Fondation Calvet, from the Musee Calvet. Picture by Manuel Cohen
    LC21_FRANCE_MC_1285.jpg
  • Scene of a man in prehistoric times rowing with an oar in a canoe made from a hollowed out tree trunk. Image taken from the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. Picture by Manuel Cohen
    LC11_FRANCE_MC025.jpg
  • Scene of hunter in prehistoric times carrying a dead boar on his shoulders. Image taken from the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. Picture by Manuel Cohen
    LC11_FRANCE_MC026.jpg
  • Scene of men hunting with spears in prehistoric times. Image taken from the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. Picture by Manuel Cohen
    LC11_FRANCE_MC030.jpg
  • Scene of hunter in prehistoric times carrying a dead boar on his shoulders. Image taken from the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. Picture by Manuel Cohen
    LC11_FRANCE_MC034.jpg
  • ATHENS, GREECE - APRIL 10 : A side view of the Porch of the Caryatids of the Erechtheum, on April 10, 2007, in Athens, Greece. The Erechtheum was built on the Acropolis, between 421 and 405 BC, in the Ionic Order. The Porch of the Caryatids is on the South side of the Temple and comprises 6 sculptures of maidens bearing libations, in place of columns, standing on a high base with bead and reel and egg and dart mouldings, and supporting a decorated flat roof. The Caryatids wear a Peplos with a short cloak hanging from their shoulders. Their long thick hair is braided around their head and falls on each shoulder down their back. (Photo by Manuel Cohen)
    DGREECE070412.JPG
  • ATHENS, GREECE - APRIL 10 : A general view of the Porch of the Caryatids of the Erechtheum overlooking the city, on April 10, 2007, in Athens, Greece. The Erechtheum was built on the Acropolis, between 421 and 405 BC, in the Ionic Order. The Porch of the Caryatids is on the South side of the Temple and comprises 6 sculptures of maidens bearing libations, in place of columns, standing on a high base and supporting a decorated flat roof. The Caryatids wear a Peplos with a short cloak hanging from their shoulders. (Photo by Manuel Cohen)
    DGREECE070404.JPG
  • Portrait of king Louis XIV of France, 1638-1715, oil painting on canvas, 1660, possibly by Pierre Mignard, 1612-95, in the antechamber, on the first floor of the Chateau d'Azay-le-Rideau, a Renaissance chateau built 1515-27 by Gilles Berthelot on the foundations of an 11th century fortress, Loire Valley, Indre-et-Loire, France. It is built in both Italian and French styles on an island in the Indre river, and is one of the earliest French Renaissance chateaux. It is listed as a historic monument and is part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_FRANCE_MC_0919.jpg
  • Funerary stele, detail, with relief of nymph or young girl wearing chiton shaking hands with a seated bearded man, representing the deceased father and daughter, Greek, 4th century BC, but reworked in Roman times, from Attica, Greece, in the Musee Lapidaire, or Lapidary Museum, in Avignon, Provence-Alpes-Cote-d'Azur, France. The museum houses archaeological artefacts from the Collection Archeologique de la Fondation Calvet, from the Musee Calvet. Picture by Manuel Cohen
    LC21_FRANCE_MC_1286.jpg
  • Funerary stele of young girl, with relief of girl wearing chiton and himation (cloak) offering a doll to a young servant girl, who offers a duck, Greek, marble, early 4th century BC, from Attica, in the Musee Lapidaire, or Lapidary Museum, in Avignon, Provence-Alpes-Cote-d'Azur, France. The museum houses archaeological artefacts from the Collection Archeologique de la Fondation Calvet, from the Musee Calvet. Picture by Manuel Cohen
    LC21_FRANCE_MC_1288.jpg
  • Tomb of Jean d'Artois, d. 1386, son of Robert d'Artois, with recumbent effigy and coat of arms, in the crypt of the Collegiale Notre-Dame et Saint-Laurent, in Eu, Normandy, France. The crypt was redesigned by Louis Philippe after it was damaged during the French Revolution. The church was originally founded in 925 by Guillaume I, comte d'Eu, and became an abbey in the 12th century, which was destroyed during the French Revolution. Only the collegiate church remains, which is owned by the Chateau d'Eu. The church is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_0893.jpg
  • Conquest of Majorca by James I the Conqueror in 1229, detail of soldiers in the encampment, fresco transferred to canvas, by the Master of the Conquest of Majorca, 1285-90, Gothic, from the former Palau Caldes, later Palau Berenguer d'Aguilar, in Carrer de Montcada, Barcelona, in the Museu Nacional d'Art de Catalunya, in the Palau Nacional on Montjuic Hill, Barcelona, Catalonia, Spain. The wall paintings in the Caldes family home are one of the best surviving examples of Linear Gothic Catalan painting. Picture by Manuel Cohen
    LC21_SPAIN_MC_0491.jpg
  • Conquest of Majorca by James I the Conqueror in 1229, detail of soldiers in the encampment, fresco transferred to canvas, by the Master of the Conquest of Majorca, 1285-90, Gothic, from the former Palau Caldes, later Palau Berenguer d'Aguilar, in Carrer de Montcada, Barcelona, in the Museu Nacional d'Art de Catalunya, in the Palau Nacional on Montjuic Hill, Barcelona, Catalonia, Spain. The wall paintings in the Caldes family home are one of the best surviving examples of Linear Gothic Catalan painting. Picture by Manuel Cohen
    LC21_SPAIN_MC_0490.jpg
  • Conquest of Majorca by James I the Conqueror in 1229, detail of soldiers in the encampment, fresco transferred to canvas, by the Master of the Conquest of Majorca, 1285-90, Gothic, from the former Palau Caldes, later Palau Berenguer d'Aguilar, in Carrer de Montcada, Barcelona, in the Museu Nacional d'Art de Catalunya, in the Palau Nacional on Montjuic Hill, Barcelona, Catalonia, Spain. The wall paintings in the Caldes family home are one of the best surviving examples of Linear Gothic Catalan painting. Picture by Manuel Cohen
    LC21_SPAIN_MC_0489.jpg
  • Roman statue of Fortuna, goddess of good fortune, found in the commanding officer’s bath at Birdoswald Roman Fort, Hadrian's Wall, at the Tullie House Museum and Art Gallery, Carlisle, Cumbria, England. This seated statue of the goddess Fortuna is 1 of the most sophisticated works of art from the Wall. She is usually shown with a horn of plenty or cornucopia full of food and flowers and a ship’s rudder, although here we see only the remains of the rudder. Carlisle sits at the Western end of Hadrian's Wall. Hadrian's Wall was built 73 miles across Britannia, now England, 122-128 AD, under the reign of Emperor Hadrian, ruled 117-138, to mark the Northern extent of the Roman Empire and guard against barbarian attacks from the Picts to the North. The wall was fortified with milecastles with 2 turrets in between, and a fort about every 5 Roman miles. Picture by Manuel Cohen
    LC16_ENGLAND_MC_024.jpg
  • Scene of Saint Louis or King Louis IX of France, 1214-70, carrying the relics of the crown of thorns on a cushion to the Sainte Chapelle in Paris, which he had built to house the relics. Image taken from the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. Picture by Manuel Cohen
    LC11_FRANCE_MC002.jpg
  • Scene of Saint Louis or King Louis IX of France, 1214-70, carrying the relics of the crown of thorns on a cushion to the Sainte Chapelle in Paris, which he had built to house the relics, followed by a procession of monks. Image taken from the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. Picture by Manuel Cohen
    LC11_FRANCE_MC003.jpg
  • Scene of a knight from the Middle Ages wearing chainmail. Image taken from the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. Picture by Manuel Cohen
    LC11_FRANCE_MC014.jpg
  • Scene of men in prehistoric times at a river about to get into a canoe made from a hollowed out tree trunk. Image taken from the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. Picture by Manuel Cohen
    LC11_FRANCE_MC023.jpg
  • Scene of hunter in prehistoric times carrying a dead boar on his shoulders. Image taken from the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. Picture by Manuel Cohen
    LC11_FRANCE_MC027.jpg
  • Scene of a hunter about to throw a spear in prehistoric times. Image taken from the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. Picture by Manuel Cohen
    LC11_FRANCE_MC028.jpg
  • Scene of a hunter holding a spear in prehistoric times. Image taken from the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. Picture by Manuel Cohen
    LC11_FRANCE_MC029.jpg
  • Scene of men hunting with spears in prehistoric times. Image taken from the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. Picture by Manuel Cohen
    LC11_FRANCE_MC031.jpg
  • Scene of men hunting with spears in prehistoric times. Image taken from the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. Picture by Manuel Cohen
    LC11_FRANCE_MC032.jpg
  • Angel Gabriel, annunciation group, right jamb statues of the central portal of the western facade of Notre-Dame de Reims (Our Lady of Rheims), pictured on February 15, 2009, 13th - 15th century, Roman Catholic Cathedral where the kings of France were crowned, Reims, Champagne-Ardenne, France.
    MCohen_DFRANCE090047.JPG
  • Angel Gabriel, annunciation group, right jamb statues of the central portal of the western facade of Notre-Dame de Reims (Our Lady of Rheims), pictured on February 15, 2009, 13th - 15th century, Roman Catholic Cathedral where the kings of France were crowned, Reims, Champagne-Ardenne, France.
    MCohen_DFRANCE090049.JPG
  • Angel Gabriel, annunciation group, right jamb statues of the central portal of the western facade of Notre-Dame de Reims (Our Lady of Rheims), pictured on February 15, 2009, 13th - 15th century, Roman Catholic Cathedral where the kings of France were crowned, Reims, Champagne-Ardenne, France.
    MCohen_DFRANCE090048.JPG
  • ATHENS, GREECE - APRIL 10 : A side view of the Porch of the Caryatids of the Erechtheum, on April 10, 2007, in Athens, Greece. The Erechtheum was built on the Acropolis, between 421 and 405 BC, in the Ionic Order. The Porch of the Caryatids is on the South side of the Temple and comprises 6 sculptures of maidens bearing libations, in place of columns, standing on a high base with bead and reel and egg and dart mouldings, and supporting a decorated flat roof. The Caryatids wear a Peplos with a short cloak hanging from their shoulders. Their long thick hair is braided around their head and falls on each shoulder down their back. (Photo by Manuel Cohen)
    DGREECE070410.JPG
  • ATHENS, GREECE - APRIL 10 : A side view of the Porch of the Caryatids of the Erechtheum, on April 10, 2007, in Athens, Greece. The Erechtheum was built on the Acropolis, between 421 and 405 BC, in the Ionic Order. The Porch of the Caryatids is on the South side of the Temple and comprises 6 sculptures of maidens bearing libations, in place of columns, standing on a high base with bead and reel and egg and dart mouldings, and supporting a decorated flat roof. The Caryatids wear a Peplos with a short cloak hanging from their shoulders. Their long thick hair is braided around their head and falls on each shoulder down their back. (Photo by Manuel Cohen)
    DGREECE070409.JPG
  • ATHENS, GREECE - APRIL 10 : A side view of the Porch of the Caryatids of the Erechtheum, on April 10, 2007, in Athens, Greece. The Erechtheum was built on the Acropolis, between 421 and 405 BC, in the Ionic Order. The Porch of the Caryatids is on the South side of the Temple and comprises 6 sculptures of maidens bearing libations, in place of columns, standing on a high base with bead and reel and egg and dart mouldings, and supporting a decorated flat roof. The Caryatids wear a Peplos with a short cloak hanging from their shoulders. Their long thick hair is braided around their head and falls on each shoulder down their back. (Photo by Manuel Cohen)
    DGREECE070408.JPG
  • ATHENS, GREECE - APRIL 10 : A side view of the Porch of the Caryatids of the Erechtheum, on April 10, 2007, in Athens, Greece. The Erechtheum was built on the Acropolis, between 421 and 405 BC, in the Ionic Order. The Porch of the Caryatids is on the South side of the Temple and comprises 6 sculptures of maidens bearing libations, in place of columns, standing on a high base with bead and reel and egg and dart mouldings, and supporting a decorated flat roof. The Caryatids wear a Peplos with a short cloak hanging from their shoulders. Their long thick hair is braided around their head and falls on each shoulder down their back. (Photo by Manuel Cohen)
    DGREECE070407.JPG
  • ATHENS, GREECE - APRIL 10 : A side view of the Porch of the Caryatids of the Erechtheum, on April 10, 2007, in Athens, Greece. The Erechtheum was built on the Acropolis, between 421 and 405 BC, in the Ionic Order. The Porch of the Caryatids is on the South side of the Temple and comprises 6 sculptures of maidens bearing libations, in place of columns, standing on a high base with bead and reel and egg and dart mouldings, and supporting a decorated flat roof. The Caryatids wear a Peplos with a short cloak hanging from their shoulders. Their long thick hair is braided around their head and falls on each shoulder down their back. (Photo by Manuel Cohen)
    DGREECE070406.JPG
  • Funerary relief depicting a reclining man, Valley of Tombs, late 3rd century AD, Palmyra, Syria Picture by Manuel Cohen
    asyria050095.jpg
  • EXCLUSIVE (b/w photo) Relief depicting a genie. Unknown Source. Khorsabad or Nimrud. Lost at Shatt al-Arab in 1855. Picture by Victor Place. Twisted picture...Additional info :..Origine Inconnue. Khorsabard ou Nimroud (?). Perdu Chatt el Arab 1855. Cliché inversé. Cliché V. Place
    DREPRO070075.jpg
  • EXCLUSIVE (b/w photo) Winged Genie, Palace of King Sargon II, Khorsabad, Iraq, Middle East. Lost at Shatt al-Arab in 1855. Picture by Victor Place...Additional info :..Khorsabad. Palais de Sargon II. (N.A. pl. 46 - 2 "Divinité Ailée de Khorsabad") Perdu Chatt el Arab 1855. Cliché V. Place.
    DREPRO070072.jpg
  • Young woman with raised arm and cecryphalus hairstyle, high relief fragment from a funerary stele, Greek, from Attica, 4th century BC, in the Musee Lapidaire, or Lapidary Museum, in Avignon, Provence-Alpes-Cote-d'Azur, France. The museum houses archaeological artefacts from the Collection Archeologique de la Fondation Calvet, from the Musee Calvet. Picture by Manuel Cohen
    LC21_FRANCE_MC_1289.jpg
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