manuel cohen

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  • Pearl diver finding a pearl inside an oyster on a tourist pearl diving activity trip from Ras Raya port, Muharraq, Bahrain. Tourist pearl activities are strictly monitored, with each person catching up to 60 oysters. Muharraq is a city on the Pearling Path and with a strong history of pearl diving and pearl trade, where 17 buildings form part of a UNESCO World Heritage Site celebrating the pearl trade. Picture by Manuel Cohen
    LC19_BAHREIN_MC_032.jpg
  • Pearl diver opening oysters on a tourist pearl diving activity trip from Ras Raya port, Muharraq, Bahrain. Tourist pearl activities are strictly monitored, with each person catching up to 60 oysters. Muharraq is a city on the Pearling Path and with a strong history of pearl diving and pearl trade, where 17 buildings form part of a UNESCO World Heritage Site celebrating the pearl trade. Picture by Manuel Cohen
    LC19_BAHREIN_MC_031.jpg
  • Pearl diver opening oysters on a tourist pearl diving activity trip from Ras Raya port, Muharraq, Bahrain. Tourist pearl activities are strictly monitored, with each person catching up to 60 oysters. Muharraq is a city on the Pearling Path and with a strong history of pearl diving and pearl trade, where 17 buildings form part of a UNESCO World Heritage Site celebrating the pearl trade. Picture by Manuel Cohen
    LC19_BAHREIN_MC_033.jpg
  • Schloss Charlottenburg or Charlottenburg Palace, built 1695-1713 by Johann Arnold Nering in Baroque and Rococo style, seen from across the lake, Charlottenburg, Charlottenburg-Wilmersdorf, Berlin, Germany. The original palace was commissioned by Sophie Charlotte, the wife of Friedrich III, Elector of Brandenburg and later Friedrich I of Prussia. Prussian rulers occupied the palace until the late 19th century. After being badly damaged in the war, the palace was restored and is now a major tourist attraction. Picture by Manuel Cohen
    LC14_BERLIN_MC0619.jpg
  • Schloss Charlottenburg or Charlottenburg Palace, built 1695-1713 by Johann Arnold Nering in Baroque and Rococo style, seen from across the lake, Charlottenburg, Charlottenburg-Wilmersdorf, Berlin, Germany. The original palace was commissioned by Sophie Charlotte, the wife of Friedrich III, Elector of Brandenburg and later Friedrich I of Prussia. Prussian rulers occupied the palace until the late 19th century. After being badly damaged in the war, the palace was restored and is now a major tourist attraction. Picture by Manuel Cohen
    LC14_BERLIN_MC0618.jpg
  • Bridge across the lake at the Schloss Charlottenburg or Charlottenburg Palace, built 1695-1713 by Johann Arnold Nering in Baroque and Rococo style, Charlottenburg, Charlottenburg-Wilmersdorf, Berlin, Germany. The original palace was commissioned by Sophie Charlotte, the wife of Friedrich III, Elector of Brandenburg and later Friedrich I of Prussia. Prussian rulers occupied the palace until the late 19th century. After being badly damaged in the war, the palace was restored and is now a major tourist attraction. Picture by Manuel Cohen
    LC14_BERLIN_MC0614.jpg
  • Bridge across the lake at the Schloss Charlottenburg or Charlottenburg Palace, built 1695-1713 by Johann Arnold Nering in Baroque and Rococo style, Charlottenburg, Charlottenburg-Wilmersdorf, Berlin, Germany. The original palace was commissioned by Sophie Charlotte, the wife of Friedrich III, Elector of Brandenburg and later Friedrich I of Prussia. Prussian rulers occupied the palace until the late 19th century. After being badly damaged in the war, the palace was restored and is now a major tourist attraction. Picture by Manuel Cohen
    LC14_BERLIN_MC0613.jpg
  • Schloss Charlottenburg or Charlottenburg Palace, built 1695-1713 by Johann Arnold Nering in Baroque and Rococo style, seen from across the lake, Charlottenburg, Charlottenburg-Wilmersdorf, Berlin, Germany. The original palace was commissioned by Sophie Charlotte, the wife of Friedrich III, Elector of Brandenburg and later Friedrich I of Prussia. Prussian rulers occupied the palace until the late 19th century. After being badly damaged in the war, the palace was restored and is now a major tourist attraction. Picture by Manuel Cohen
    LC14_BERLIN_MC0612.jpg
  • Schloss Charlottenburg or Charlottenburg Palace, built 1695-1713 by Johann Arnold Nering in Baroque and Rococo style, seen from the formal gardens, Charlottenburg, Charlottenburg-Wilmersdorf, Berlin, Germany. The original palace was commissioned by Sophie Charlotte, the wife of Friedrich III, Elector of Brandenburg and later Friedrich I of Prussia. Prussian rulers occupied the palace until the late 19th century. After being badly damaged in the war, the palace was restored and is now a major tourist attraction. Picture by Manuel Cohen
    LC14_BERLIN_MC0628.jpg
  • Detail of the facade of the Schloss Charlottenburg or Charlottenburg Palace, with atlantes surrounding window openings and Corinthian capitals on columns supporting the balcony, built 1695-1713 by Johann Arnold Nering in Baroque and Rococo style, Charlottenburg, Charlottenburg-Wilmersdorf, Berlin, Germany. The original palace was commissioned by Sophie Charlotte, the wife of Friedrich III, Elector of Brandenburg and later Friedrich I of Prussia. Prussian rulers occupied the palace until the late 19th century. After being badly damaged in the war, the palace was restored and is now a major tourist attraction. Picture by Manuel Cohen
    LC14_BERLIN_MC0620.jpg
  • Statue of the goddess Athena in the grounds of the Schloss Charlottenburg or Charlottenburg Palace, built 1695-1713 by Johann Arnold Nering in Baroque and Rococo style, Charlottenburg, Charlottenburg-Wilmersdorf, Berlin, Germany. The original palace was commissioned by Sophie Charlotte, the wife of Friedrich III, Elector of Brandenburg and later Friedrich I of Prussia. Prussian rulers occupied the palace until the late 19th century. After being badly damaged in the war, the palace was restored and is now a major tourist attraction. Picture by Manuel Cohen
    LC14_BERLIN_MC0616.jpg
  • Stream with trees reflected in the water, in the grounds of the Schloss Charlottenburg or Charlottenburg Palace, built 1695-1713 by Johann Arnold Nering in Baroque and Rococo style, Charlottenburg, Charlottenburg-Wilmersdorf, Berlin, Germany. The original palace was commissioned by Sophie Charlotte, the wife of Friedrich III, Elector of Brandenburg and later Friedrich I of Prussia. Prussian rulers occupied the palace until the late 19th century. After being badly damaged in the war, the palace was restored and is now a major tourist attraction. Picture by Manuel Cohen
    LC14_BERLIN_MC0615.jpg
  • Statue of a cherub holding a bird, from the Schloss Charlottenburg or Charlottenburg Palace, built 1695-1713 by Johann Arnold Nering in Baroque and Rococo style, Charlottenburg, Charlottenburg-Wilmersdorf, Berlin, Germany. The original palace was commissioned by Sophie Charlotte, the wife of Friedrich III, Elector of Brandenburg and later Friedrich I of Prussia. Prussian rulers occupied the palace until the late 19th century. After being badly damaged in the war, the palace was restored and is now a major tourist attraction. Picture by Manuel Cohen
    LC14_BERLIN_MC0617.jpg
  • Detail of the cupola, added 1701 by architect Johann Friedrich Eosander, and allegorical roof statues at the Schloss Charlottenburg or Charlottenburg Palace, built 1695-1713 by Johann Arnold Nering in Baroque and Rococo style, Charlottenburg, Charlottenburg-Wilmersdorf, Berlin, Germany. The original palace was commissioned by Sophie Charlotte, the wife of Friedrich III, Elector of Brandenburg and later Friedrich I of Prussia. Prussian rulers occupied the palace until the late 19th century. After being badly damaged in the war, the palace was restored and is now a major tourist attraction. Picture by Manuel Cohen
    LC14_BERLIN_MC0627.jpg
  • Schloss Charlottenburg or Charlottenburg Palace, built 1695-1713 by Johann Arnold Nering in Baroque and Rococo style, seen from the formal gardens, Charlottenburg, Charlottenburg-Wilmersdorf, Berlin, Germany. The original palace was commissioned by Sophie Charlotte, the wife of Friedrich III, Elector of Brandenburg and later Friedrich I of Prussia. Prussian rulers occupied the palace until the late 19th century. After being badly damaged in the war, the palace was restored and is now a major tourist attraction. Picture by Manuel Cohen
    LC14_BERLIN_MC0611.jpg
  • Red telephone boxes, designed by Sir Giles Gilbert Scott (1880 - 1960), preserved as a tourist attraction near Covent Garden, London, UK, beneath a rainy day. Picture by Manuel Cohen
    LC_London_MC191.jpg
  • Carved entrance with wooden door at the Sheikh Salman bin Ahmed Al-Fateh Fort, or Riffa Fort, built in the 17th century and rebuilt as the ruling Al Khalifa family home in 1812, at Riffa, Bahrain. The fort is square with 2 circular and 2 rectangular towers at its corners, and 3 courtyards. It was restored in the 20th century and is now a tourist attraction. Picture by Manuel Cohen
    LC19_BAHREIN_MC_129.jpg
  • Sheikh Salman bin Ahmed Al-Fateh Fort, or Riffa Fort, built in the 17th century and rebuilt as the ruling Al Khalifa family home in 1812, at Riffa, Bahrain. The fort is square with 2 circular and 2 rectangular towers at its corners, and 3 courtyards. It was restored in the 20th century and is now a tourist attraction. Picture by Manuel Cohen
    LC19_BAHREIN_MC_132.jpg
  • Crenellated ramparts and corner tower of the Sheikh Salman bin Ahmed Al-Fateh Fort, or Riffa Fort, built in the 17th century and rebuilt as the ruling Al Khalifa family home in 1812, at Riffa, Bahrain. The fort is square with 2 circular and 2 rectangular towers at its corners, and 3 courtyards. It was restored in the 20th century and is now a tourist attraction. Picture by Manuel Cohen
    LC19_BAHREIN_MC_134.JPG
  • Aerial view of Abbotsford House, built 1817-25 by Sir Walter Scott, 1771-1832, Scottish writer and poet, near Melrose, in the Borders, Scotland. The building is in Scottish Baronial style and includes Scott's personal collections of books, furniture and Scottish historical artefacts, making it a centre for European Romanticism. The Scott family still own the building, which is open to the public as a tourist attraction. Picture by Manuel Cohen
    DRN_LC18_SCOTLAND_MC_222.JPG
  • Aerial view of Abbotsford House, built 1817-25 by Sir Walter Scott, 1771-1832, Scottish writer and poet, near Melrose, in the Borders, Scotland. The building is in Scottish Baronial style and includes Scott's personal collections of books, furniture and Scottish historical artefacts, making it a centre for European Romanticism. The Scott family still own the building, which is open to the public as a tourist attraction. Picture by Manuel Cohen
    DRN_LC18_SCOTLAND_MC_221.JPG
  • Hand painted chinoiserie wallpaper, detail of family, in the Chinese drawing room, in Abbotsford House, built 1817-25 by Sir Walter Scott, 1771-1832, Scottish writer and poet, near Melrose, in the Borders, Scotland. The wallpaper was a gift from Scott’s cousin Hugh Scott, who worked for the East India Company. The building is in Scottish Baronial style and includes Scott's personal collections of books, furniture and Scottish historical artefacts, making it a centre for European Romanticism. The Scott family still own the building, which is open to the public as a tourist attraction. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_115.jpg
  • Abbotsford House, built 1817-25 by Sir Walter Scott, 1771-1832, Scottish writer and poet, near Melrose, in the Borders, Scotland. The building is in Scottish Baronial style and includes Scott's personal collections of books, furniture and Scottish historical artefacts, making it a centre for European Romanticism. The Scott family still own the building, which is open to the public as a tourist attraction. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_107.jpg
  • Statue of a Greek man with shield and sword at the gates of the Schloss Charlottenburg or Charlottenburg Palace, built 1695-1713 by Johann Arnold Nering in Baroque and Rococo style, Charlottenburg, Charlottenburg-Wilmersdorf, Berlin, Germany. The original palace was commissioned by Sophie Charlotte, the wife of Friedrich III, Elector of Brandenburg and later Friedrich I of Prussia. Prussian rulers occupied the palace until the late 19th century. After being badly damaged in the war, the palace was restored and is now a major tourist attraction. Picture by Manuel Cohen
    LC14_BERLIN_MC0551.jpg
  • Statue of Friedrich Wilhelm I on horseback, 1696-1700, by Andreas Schluter, in the cour d'honneur of the Schloss Charlottenburg or Charlottenburg Palace, built 1695-1713 by Johann Arnold Nering in Baroque and Rococo style, Charlottenburg, Charlottenburg-Wilmersdorf, Berlin, Germany. The original palace was commissioned by Sophie Charlotte, the wife of Friedrich III, Elector of Brandenburg and later Friedrich I of Prussia. Prussian rulers occupied the palace until the late 19th century. After being badly damaged in the war, the palace was restored and is now a major tourist attraction. Picture by Manuel Cohen
    LC14_BERLIN_MC0550.jpg
  • Statue of Friedrich Wilhelm I on horseback, 1696-1700, by Andreas Schluter, in the cour d'honneur of the Schloss Charlottenburg or Charlottenburg Palace, built 1695-1713 by Johann Arnold Nering in Baroque and Rococo style, Charlottenburg, Charlottenburg-Wilmersdorf, Berlin, Germany. The original palace was commissioned by Sophie Charlotte, the wife of Friedrich III, Elector of Brandenburg and later Friedrich I of Prussia. Prussian rulers occupied the palace until the late 19th century. After being badly damaged in the war, the palace was restored and is now a major tourist attraction. Picture by Manuel Cohen
    LC14_BERLIN_MC0549.jpg
  • Panoramic view of Spain, seen from Tangier, Morocco, pictured on December 27, 2009. A terrace stands on the seafront of Tangier with a view across the Straits of Gibraltar to Spain. Tangier, the 'White City', gateway to North Africa, a port on the Straits of Gibraltar where the Meditaerranean meets the Atlantic is an ancient city where many cultures, Phoenicians, Berbers, Portuguese and Spaniards have all left their mark. With its medina, palace and position overlooking two seas the city is now being developed as a tourist attraction and modern port. Picture by Manuel Cohen
    LCMOROCCODEC09_MC061.jpg
  • Hotel Continental, Tangier, Morocco pictured on December 17, 2009. A staircase, its angles emphasized by sun and shade, leads to a terrace with palm trees at this gracious traditional Hotel.  Tangier, the 'White City', gateway to North Africa, a port on the Straits of Gibraltar where the Meditaerranean meets the Atlantic is an ancient city where many cultures, Phoenicians, Berbers, Portuguese and Spaniards have all left their mark. With its medina, palace and position overlooking two seas the city is now being developed as a tourist attraction and modern port. Picture by Manuel Cohen
    LCMOROCCODEC09_MC059.jpg
  • Medina, Tangier, Morocco, pictured on December 27, 2009. The stonework of an old wall, with grass growing from it, contasts with the cool white washed walls framing the view. Tangier, the 'White City', gateway to North Africa, a port on the Straits of Gibraltar where the Meditaerranean meets the Atlantic is an ancient city where many cultures, Phoenicians, Berbers, Portuguese and Spaniards have all left their mark. With its medina, palace and position overlooking two seas the city is now being developed as a tourist attraction and modern port. Picture by Manuel Cohen
    LCMOROCCODEC09_MC048.jpg
  • Medina, Tangier, Morocco, pictured on December 27, 2009. A narrow street in the Old Town where clean white and turquoise walls contrast with one old wall whose stonework is bare. Tangier, the 'White City', gateway to North Africa, a port on the Straits of Gibraltar where the Mediterranean meets the Atlantic is an ancient city where many cultures, Phoenicians, Berbers, Portuguese and Spaniards have all left their mark. With its medina, palace and position overlooking two seas the city is now being developed as a tourist attraction and modern port. Picture by Manuel Cohen
    LCMOROCCODEC09_MC047.jpg
  • Medina, Tangier, Morocco, pictured on December 27, 2009. A view through a narrow street showing the dome above the entrance to a mosque. The building is whitewashed with green decoration. Tangier, the 'White City', gateway to North Africa, a port on the Straits of Gibraltar where the Meditaerranean meets the Atlantic is an ancient city where many cultures, Phoenicians, Berbers, Portuguese and Spaniards have all left their mark. With its medina, palace and position overlooking two seas the city is now being developed as a tourist attraction and modern port. Picture by Manuel Cohen
    LCMOROCCODEC09_MC046.jpg
  • Medina, Tangier, Morocco, pictured on December 27, 2009. A lamplit corner of the Old Town showing a steep staircase outside a cafe whose tiny door is marked by a signpost. Tangier, the 'White City', gateway to North Africa, a port on the Straits of Gibraltar where the Meditaerranean meets the Atlantic is an ancient city where many cultures, Phoenicians, Berbers, Portuguese and Spaniards have all left their mark. With its medina, palace and position overlooking two seas the city is now being developed as a tourist attraction and modern port. Picture by Manuel Cohen
    LCMOROCCODEC09_MC042.jpg
  • Skyline, Tangier, Morocco, pictured on December 27, 2009. A rooftop view of Notre Dame de l'Assomption (left) and the Great Mosque (right) in Tangier, the 'White City', gateway to North Africa, a port on the Straits of Gibraltar where the Meditaerranean meets the Atlantic, an ancient city where many cultures, Phoenicians, Berbers, Portuguese and Spaniards have all left their mark. With its medina, palace and position overlooking two seas the city is now being developed as a tourist attraction and modern port. Picture by Manuel Cohen
    LCMOROCCODEC09_MC041.jpg
  • Tangier, Morocco, pictured on December 27, 2009. A rooftop view of the domes, towers and many shaped roofs which form the skyline of Tangier, the 'White City', gateway to North Africa, a port on the Straits of Gibraltar where the Meditaerranean meets the Atlantic, an ancient city where many cultures, Phoenicians, Berbers, Portuguese and Spaniards have all left their mark. With its medina, palace and position overlooking two seas the city is now being developed as a tourist attraction and modern port. Picture by Manuel Cohen
    LCMOROCCODEC09_MC040.jpg
  • Medina, Tangier, Morocco pictured on December 18, 2009. An atmospheric view a man in traditional red Djellaba walking past the walls, doors and windows at haphazard angles in a corner of the old town.Tangier, the 'White City', gateway to North Africa, a port on the Straits of Gibraltar where the Meditaerranean meets the Atlantic is an ancient city where many cultures, Phoenicians, Berbers, Portuguese and Spaniards have all left their mark. With its medina, palace and position overlooking two seas the city is now being developed as a tourist attraction and modern port. Picture by Manuel Cohen
    LCMOROCCODEC09_MC003.jpg
  • Crenellated ramparts of the Sheikh Salman bin Ahmed Al-Fateh Fort, or Riffa Fort, built in the 17th century and rebuilt as the ruling Al Khalifa family home in 1812, at Riffa, Bahrain. The fort is square with 2 circular and 2 rectangular towers at its corners, and 3 courtyards. It was restored in the 20th century and is now a tourist attraction. Picture by Manuel Cohen
    LC19_BAHREIN_MC_128.jpg
  • Sheikh Salman bin Ahmed Al-Fateh Fort, or Riffa Fort, built in the 17th century and rebuilt as the ruling Al Khalifa family home in 1812, at Riffa, Bahrain. The fort is square with 2 circular and 2 rectangular towers at its corners, and 3 courtyards. It was restored in the 20th century and is now a tourist attraction. Picture by Manuel Cohen
    LC19_BAHREIN_MC_127.jpg
  • Pavilion designed by PAD architects containing an interactive exhibition by La Meduse on the history and traditions of the Al Khalifa family, in a courtyard of the Sheikh Salman bin Ahmed Al-Fateh Fort, or Riffa Fort, built in the 17th century and rebuilt as the ruling Al Khalifa family home in 1812, at Riffa, Bahrain. The fort is square with 2 circular and 2 rectangular towers at its corners, and 3 courtyards. It was restored in the 20th century and is now a tourist attraction. Picture by Manuel Cohen
    LC19_BAHREIN_MC_130.jpg
  • Pavilion designed by PAD architects containing an interactive exhibition by La Meduse on the history and traditions of the Al Khalifa family, with a couple reflected, in a courtyard of the Sheikh Salman bin Ahmed Al-Fateh Fort, or Riffa Fort, built in the 17th century and rebuilt as the ruling Al Khalifa family home in 1812, at Riffa, Bahrain. The fort is square with 2 circular and 2 rectangular towers at its corners, and 3 courtyards. It was restored in the 20th century and is now a tourist attraction. Picture by Manuel Cohen
    LC19_BAHREIN_MC_131.jpg
  • Hand painted chinoiserie wallpaper, detail of bird, fruit trees and flowers, in the Chinese drawing room, in Abbotsford House, built 1817-25 by Sir Walter Scott, 1771-1832, Scottish writer and poet, near Melrose, in the Borders, Scotland. The wallpaper was a gift from Scott’s cousin Hugh Scott, who worked for the East India Company. The building is in Scottish Baronial style and includes Scott's personal collections of books, furniture and Scottish historical artefacts, making it a centre for European Romanticism. The Scott family still own the building, which is open to the public as a tourist attraction. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_117.jpg
  • Portrait of Walter Scott with his dogs Camp and Percy in the Yarrow valley, detail, painted 1809 by Sir Henry Raeburn, 1756-1823, in the Chinese drawing room, in Abbotsford House, built 1817-25 by Sir Walter Scott, 1771-1832, Scottish writer and poet, near Melrose, in the Borders, Scotland. The building is in Scottish Baronial style and includes Scott's personal collections of books, furniture and Scottish historical artefacts, making it a centre for European Romanticism. The Scott family still own the building, which is open to the public as a tourist attraction. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_116.jpg
  • Hand painted chinoiserie wallpaper, detail of people in garden, in the Chinese drawing room, in Abbotsford House, built 1817-25 by Sir Walter Scott, 1771-1832, Scottish writer and poet, near Melrose, in the Borders, Scotland. The wallpaper was a gift from Scott’s cousin Hugh Scott, who worked for the East India Company. The building is in Scottish Baronial style and includes Scott's personal collections of books, furniture and Scottish historical artefacts, making it a centre for European Romanticism. The Scott family still own the building, which is open to the public as a tourist attraction. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_114.jpg
  • Library, with carved oak ceiling, containing Scott's collection of books, manuscripts, tracts and chapbooks, in Abbotsford House, built 1817-25 by Sir Walter Scott, 1771-1832, Scottish writer and poet, near Melrose, in the Borders, Scotland. The building is in Scottish Baronial style and includes Scott's personal collections of books, furniture and Scottish historical artefacts, making it a centre for European Romanticism. The Scott family still own the building, which is open to the public as a tourist attraction. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_113.jpg
  • Bust of Walter Scott, by Sir Francis Chantrey, in the library, containing Scott's collection of books, manuscripts, tracts and chapbooks, in Abbotsford House, built 1817-25 by Sir Walter Scott, 1771-1832, Scottish writer and poet, near Melrose, in the Borders, Scotland. The building is in Scottish Baronial style and includes Scott's personal collections of books, furniture and Scottish historical artefacts, making it a centre for European Romanticism. The Scott family still own the building, which is open to the public as a tourist attraction. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_112.jpg
  • Chinese drawing room, with harps belonging to Scott's daughter Sophia, and hand painted chinoiserie wallpaper, in Abbotsford House, built 1817-25 by Sir Walter Scott, 1771-1832, Scottish writer and poet, near Melrose, in the Borders, Scotland. The portrait above the fireplace depicts Scott with his dogs Camp and Percy in the Yarrow valley, painted 1809 by Sir Henry Raeburn. The building is in Scottish Baronial style and includes Scott's personal collections of books, furniture and Scottish historical artefacts, making it a centre for European Romanticism. The Scott family still own the building, which is open to the public as a tourist attraction. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_111.jpg
  • Library, with carved oak ceiling, containing Scott's collection of books, manuscripts, tracts and chapbooks, in Abbotsford House, built 1817-25 by Sir Walter Scott, 1771-1832, Scottish writer and poet, near Melrose, in the Borders, Scotland. The building is in Scottish Baronial style and includes Scott's personal collections of books, furniture and Scottish historical artefacts, making it a centre for European Romanticism. The Scott family still own the building, which is open to the public as a tourist attraction. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_110.jpg
  • Abbotsford House, built 1817-25 by Sir Walter Scott, 1771-1832, Scottish writer and poet, near Melrose, in the Borders, Scotland. The building is in Scottish Baronial style and includes Scott's personal collections of books, furniture and Scottish historical artefacts, making it a centre for European Romanticism. The Scott family still own the building, which is open to the public as a tourist attraction. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_109.jpg
  • Abbotsford House, built 1817-25 by Sir Walter Scott, 1771-1832, Scottish writer and poet, near Melrose, in the Borders, Scotland. The building is in Scottish Baronial style and includes Scott's personal collections of books, furniture and Scottish historical artefacts, making it a centre for European Romanticism. The Scott family still own the building, which is open to the public as a tourist attraction. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_108.jpg
  • The Fernsehturm or Television Tower, built 1965-69 on Alexanderplatz, Berlin, Germany. The tower was built by East Germany or the GDR and is now a tourist attraction, with a revolving restaurant and viewing platform. It is the tallest structure in Germany. Picture by Manuel Cohen
    LC14_BERLIN_MC0947.JPG
  • Marble sarcophagus of Queen Louise of Mecklenburg, wife of King Frederick Wilhelm III, in her mausoleum designed by Heinrich Gentz after her death in 1810 and later extended by Karl Friedrich Schinkel, in the grounds of the Schloss Charlottenburg or Charlottenburg Palace, built 1695-1713, Charlottenburg, Charlottenburg-Wilmersdorf, Berlin, Germany. The original palace was commissioned by Sophie Charlotte, wife of Friedrich III, and was occupied by Prussian rulers until the late 19th century. After being badly damaged in the war, the palace was restored and is now a major tourist attraction. Picture by Manuel Cohen
    LC14_BERLIN_MC0984.jpg
  • Bust of Queen Louise of Mecklenburg, wife of King Frederick Wilhelm III, in her mausoleum designed by Heinrich Gentz after her death in 1810 and later extended by Karl Friedrich Schinkel, in the grounds of the Schloss Charlottenburg or Charlottenburg Palace, built 1695-1713, Charlottenburg, Charlottenburg-Wilmersdorf, Berlin, Germany. The original palace was commissioned by Sophie Charlotte, wife of Friedrich III, and was occupied by Prussian rulers until the late 19th century. After being badly damaged in the war, the palace was restored and is now a major tourist attraction. Picture by Manuel Cohen
    LC14_BERLIN_MC0985.jpg
  • Marble sarcophagus of Queen Louise of Mecklenburg, wife of King Frederick Wilhelm III, in her mausoleum designed by Heinrich Gentz after her death in 1810 and later extended by Karl Friedrich Schinkel, in the grounds of the Schloss Charlottenburg or Charlottenburg Palace, built 1695-1713, Charlottenburg, Charlottenburg-Wilmersdorf, Berlin, Germany. The original palace was commissioned by Sophie Charlotte, wife of Friedrich III, and was occupied by Prussian rulers until the late 19th century. After being badly damaged in the war, the palace was restored and is now a major tourist attraction. Picture by Manuel Cohen
    LC14_BERLIN_MC0983.jpg
  • Marble sarcophagus of Queen Louise of Mecklenburg, wife of King Frederick Wilhelm III, in her mausoleum designed by Heinrich Gentz after her death in 1810 and later extended by Karl Friedrich Schinkel, in the grounds of the Schloss Charlottenburg or Charlottenburg Palace, built 1695-1713, Charlottenburg, Charlottenburg-Wilmersdorf, Berlin, Germany. The original palace was commissioned by Sophie Charlotte, wife of Friedrich III, and was occupied by Prussian rulers until the late 19th century. After being badly damaged in the war, the palace was restored and is now a major tourist attraction. Picture by Manuel Cohen
    LC14_BERLIN_MC0982.jpg
  • Marble sarcophagus of Queen Louise of Mecklenburg, wife of King Frederick Wilhelm III, in her mausoleum designed by Heinrich Gentz after her death in 1810 and later extended by Karl Friedrich Schinkel, in the grounds of the Schloss Charlottenburg or Charlottenburg Palace, built 1695-1713, Charlottenburg, Charlottenburg-Wilmersdorf, Berlin, Germany. The original palace was commissioned by Sophie Charlotte, wife of Friedrich III, and was occupied by Prussian rulers until the late 19th century. After being badly damaged in the war, the palace was restored and is now a major tourist attraction. Picture by Manuel Cohen
    LC14_BERLIN_MC0981.jpg
  • Mausoleum of Queen Louise of Mecklenburg, wife of King Frederick Wilhelm III, designed by Heinrich Gentz after her death in 1810 and later extended by Karl Friedrich Schinkel, in the grounds of the Schloss Charlottenburg or Charlottenburg Palace, built 1695-1713, Charlottenburg, Charlottenburg-Wilmersdorf, Berlin, Germany. The original palace was commissioned by Sophie Charlotte, wife of Friedrich III, and was occupied by Prussian rulers until the late 19th century. After being badly damaged in the war, the palace was restored and is now a major tourist attraction. Picture by Manuel Cohen
    LC14_BERLIN_MC0980.jpg
  • Statue of a Greek man with shield and sword at the gates of the Schloss Charlottenburg or Charlottenburg Palace, built 1695-1713 by Johann Arnold Nering in Baroque and Rococo style, Charlottenburg, Charlottenburg-Wilmersdorf, Berlin, Germany. The original palace was commissioned by Sophie Charlotte, the wife of Friedrich III, Elector of Brandenburg and later Friedrich I of Prussia. Prussian rulers occupied the palace until the late 19th century. After being badly damaged in the war, the palace was restored and is now a major tourist attraction. Picture by Manuel Cohen
    LC14_BERLIN_MC0519.jpg
  • Schloss Charlottenburg or Charlottenburg Palace, built 1695-1713 by Johann Arnold Nering in Baroque and Rococo style, Charlottenburg, Charlottenburg-Wilmersdorf, Berlin, Germany. The original palace was commissioned by Sophie Charlotte, the wife of Friedrich III, Elector of Brandenburg and later Friedrich I of Prussia. Prussian rulers occupied the palace until the late 19th century. After being badly damaged in the war, the palace was restored and is now a major tourist attraction. Picture by Manuel Cohen
    LC14_BERLIN_MC0518.jpg
  • Statue of Friedrich II of Prussia or Frederick the Great at the Schloss Charlottenburg or Charlottenburg Palace, built 1695-1713 by Johann Arnold Nering in Baroque and Rococo style, Charlottenburg, Charlottenburg-Wilmersdorf, Berlin, Germany. The original palace was commissioned by Sophie Charlotte, the wife of Friedrich III, Elector of Brandenburg and later Friedrich I of Prussia. Prussian rulers occupied the palace until the late 19th century. After being badly damaged in the war, the palace was restored and is now a major tourist attraction. Picture by Manuel Cohen
    LC14_BERLIN_MC0554.jpg
  • Statue of Friedrich II of Prussia or Frederick the Great at the Schloss Charlottenburg or Charlottenburg Palace, built 1695-1713 by Johann Arnold Nering in Baroque and Rococo style, Charlottenburg, Charlottenburg-Wilmersdorf, Berlin, Germany. The original palace was commissioned by Sophie Charlotte, the wife of Friedrich III, Elector of Brandenburg and later Friedrich I of Prussia. Prussian rulers occupied the palace until the late 19th century. After being badly damaged in the war, the palace was restored and is now a major tourist attraction. Picture by Manuel Cohen
    LC14_BERLIN_MC0553.jpg
  • Schloss Charlottenburg or Charlottenburg Palace, built 1695-1713 by Johann Arnold Nering in Baroque and Rococo style, seen from the formal gardens, Charlottenburg, Charlottenburg-Wilmersdorf, Berlin, Germany. The original palace was commissioned by Sophie Charlotte, the wife of Friedrich III, Elector of Brandenburg and later Friedrich I of Prussia. Prussian rulers occupied the palace until the late 19th century. After being badly damaged in the war, the palace was restored and is now a major tourist attraction. Picture by Manuel Cohen
    LC14_BERLIN_MC0552.jpg
  • Statue of Friedrich Wilhelm I on horseback, 1696-1700, by Andreas Schluter, in the cour d'honneur of the Schloss Charlottenburg or Charlottenburg Palace, built 1695-1713 by Johann Arnold Nering in Baroque and Rococo style, Charlottenburg, Charlottenburg-Wilmersdorf, Berlin, Germany. The original palace was commissioned by Sophie Charlotte, the wife of Friedrich III, Elector of Brandenburg and later Friedrich I of Prussia. Prussian rulers occupied the palace until the late 19th century. After being badly damaged in the war, the palace was restored and is now a major tourist attraction. Picture by Manuel Cohen
    LC14_BERLIN_MC0548.jpg
  • Schloss Charlottenburg or Charlottenburg Palace, built 1695-1713 by Johann Arnold Nering in Baroque and Rococo style, Charlottenburg, Charlottenburg-Wilmersdorf, Berlin, Germany. The original palace was commissioned by Sophie Charlotte, the wife of Friedrich III, Elector of Brandenburg and later Friedrich I of Prussia. Prussian rulers occupied the palace until the late 19th century. After being badly damaged in the war, the palace was restored and is now a major tourist attraction. Picture by Manuel Cohen
    LC14_BERLIN_MC0594.jpg
  • Schloss Charlottenburg or Charlottenburg Palace, built 1695-1713 by Johann Arnold Nering in Baroque and Rococo style, Charlottenburg, Charlottenburg-Wilmersdorf, Berlin, Germany. The original palace was commissioned by Sophie Charlotte, the wife of Friedrich III, Elector of Brandenburg and later Friedrich I of Prussia. Prussian rulers occupied the palace until the late 19th century. After being badly damaged in the war, the palace was restored and is now a major tourist attraction. Picture by Manuel Cohen
    LC14_BERLIN_MC0593.jpg
  • A panoramic view of Tangier, Morocco pictured on December 18, 2009. Tangier, the 'White City', gateway to North Africa, a port on the Straits of Gibraltar where the Meditaerranean meets the Atlantic is an ancient city where many cultures, Phoenicians, Berbers, Portuguese and Spaniards have all left their mark. With its medina, palace and position overlooking two seas the city is now being developed as a tourist attraction and modern port. Picture by Manuel Cohen
    LCMOROCCODEC09_MC070.jpg
  • Tangier, Morocco, pictured on December 27, 2009. A panoramic view of Tangier, the 'White City', gateway to North Africa, a port on the Straits of Gibraltar where the Meditaerranean meets the Atlantic is an ancient city where many cultures, Phoenicians, Berbers, Portuguese and Spaniards have all left their mark. With its medina, palace and position overlooking two seas the city is now being developed as a tourist attraction and modern port. Picture by Manuel Cohen
    LCMOROCCODEC09_MC069.jpg
  • Sunrise over the Medina, Tangier, Morocco, pictured on December 27, 2009. Tangier, the 'White City', gateway to North Africa, a port on the Straits of Gibraltar where the Meditaerranean meets the Atlantic is an ancient city where many cultures, Phoenicians, Berbers, Portuguese and Spaniards have all left their mark. With its medina, palace and position overlooking two seas the city is now being developed as a tourist attraction and modern port. Picture by Manuel Cohen
    LCMOROCCODEC09_MC067.jpg
  • Panorama From Hotel Mille et Une Nuits, Tangier, Morocco pictured on December 27, 2009. The elegant seafront hote, with crenellated walls, has a fine view over the Straits of Gibraltar. Tangier, the 'White City', gateway to North Africa, a port on the Straits of Gibraltar where the Meditaerranean meets the Atlantic is an ancient city where many cultures, Phoenicians, Berbers, Portuguese and Spaniards have all left their mark. With its medina, palace and position overlooking two seas the city is now being developed as a tourist attraction and modern port. Picture by Manuel Cohen
    LCMOROCCODEC09_MC062.jpg
  • Hotel Continental, Tangier, Morocco pictured on December 17, 2009. A staircase, its angles emphasized by sun and shade, leads to a terrace with palm trees at this gracious traditional Hotel. Tangier, the 'White City', gateway to North Africa, a port on the Straits of Gibraltar where the Meditaerranean meets the Atlantic is an ancient city where many cultures, Phoenicians, Berbers, Portuguese and Spaniards have all left their mark. With its medina, palace and position overlooking two seas the city is now being developed as a tourist attraction and modern port. Picture by Manuel Cohen
    LCMOROCCODEC09_MC058.jpg
  • Medina, Tangier, Morocco pictured on December 27, 2009. An atmospheric view of a staircase with wrought iron bannister rail, see through a screened window. Tangier, the 'White City', gateway to North Africa, a port on the Straits of Gibraltar where the Meditaerranean meets the Atlantic is an ancient city where many cultures, Phoenicians, Berbers, Portuguese and Spaniards have all left their mark. With its medina, palace and position overlooking two seas the city is now being developed as a tourist attraction and modern port. Picture by Manuel Cohen
    LCMOROCCODEC09_MC057.jpg
  • Medina, Tangier, Morocco pictured on December 27, 2009. An atmospheric view through a screen of people silhouetted as they pass through a gateway in the Old Town. Tangier, the 'White City', gateway to North Africa, a port on the Straits of Gibraltar where the Meditaerranean meets the Atlantic is an ancient city where many cultures, Phoenicians, Berbers, Portuguese and Spaniards have all left their mark. With its medina, palace and position overlooking two seas the city is now being developed as a tourist attraction and modern port. Picture by Manuel Cohen
    LCMOROCCODEC09_MC056.jpg
  • Medina, Tangier, Morocco pictured on December 27, 2009. An atmospheric view through a screened window of a courtyard garden in the Old Town lit by dappled winter sunshine. Tangier, the 'White City', gateway to North Africa, a port on the Straits of Gibraltar where the Meditaerranean meets the Atlantic is an ancient city where many cultures, Phoenicians, Berbers, Portuguese and Spaniards have all left their mark. With its medina, palace and position overlooking two seas the city is now being developed as a tourist attraction and modern port. Picture by Manuel Cohen
    LCMOROCCODEC09_MC055.jpg
  • Medina, Tangier, Morocco, pictured on December 27, 2009. A woman in traditional costume and straw hat makes her way through the shadows of a street in the Old Town. Tangier, the 'White City', gateway to North Africa, a port on the Straits of Gibraltar where the Meditaerranean meets the Atlantic is an ancient city where many cultures, Phoenicians, Berbers, Portuguese and Spaniards have all left their mark. With its medina, palace and position overlooking two seas the city is now being developed as a tourist attraction and modern port. Picture by Manuel Cohen
    LCMOROCCODEC09_MC054.jpg
  • Medina, Tangier, Morocco pictured on December 27, 2009. Crowds in traditional dress walk through a keyhole shaped archway into a street in the Medina. The sun catches the different colours of the headdresses. Tangier, the 'White City', gateway to North Africa, a port on the Straits of Gibraltar where the Meditaerranean meets the Atlantic is an ancient city where many cultures, Phoenicians, Berbers, Portuguese and Spaniards have all left their mark. With its medina, palace and position overlooking two seas the city is now being developed as a tourist attraction and modern port. Picture by Manuel Cohen
    LCMOROCCODEC09_MC053.jpg
  • Medina, Tangier, Morocco pictured on December 27, 2009. A group of men sit along a stone bench in the Old Town. The white cap of one of them catches the rays of the winter afternoon sunshine.  Tangier, the 'White City', gateway to North Africa, a port on the Straits of Gibraltar where the Meditaerranean meets the Atlantic is an ancient city where many cultures, Phoenicians, Berbers, Portuguese and Spaniards have all left their mark. With its medina, palace and position overlooking two seas the city is now being developed as a tourist attraction and modern port. Picture by Manuel Cohen
    LCMOROCCODEC09_MC051.jpg
  • Medina, Tangier, Morocco pictured on December 27, 2009. A woman in traditional costume and cardigan walks confidently past an elaborate gateway in the Old Town, her straw hat and veil shading her from the sunshine. Tangier, the 'White City', gateway to North Africa, a port on the Straits of Gibraltar where the Meditaerranean meets the Atlantic is an ancient city where many cultures, Phoenicians, Berbers, Portuguese and Spaniards have all left their mark. With its medina, palace and position overlooking two seas the city is now being developed as a tourist attraction and modern port. Picture by Manuel Cohen
    LCMOROCCODEC09_MC050.jpg
  • Medina, Tangier, Morocco pictured on December 27, 2009. A view from behind of a woman in green, with two men, approaching an arched gateway in a shady corner of the Old Town. Tangier, the 'White City', gateway to North Africa, a port on the Straits of Gibraltar where the Meditaerranean meets the Atlantic is an ancient city where many cultures, Phoenicians, Berbers, Portuguese and Spaniards have all left their mark. With its medina, palace and position overlooking two seas the city is now being developed as a tourist attraction and modern port. Picture by Manuel Cohen
    LCMOROCCODEC09_MC049.jpg
  • Harbour, Tangier, Morocco, pictured on December 27, 2009. A fisherman works on his boat. Beyond the harbour the city rises in its jumble of new and old buildings.  Tangier, the 'White City', gateway to North Africa, a port on the Straits of Gibraltar where the Meditaerranean meets the Atlantic is an ancient city where many cultures, Phoenicians, Berbers, Portuguese and Spaniards have all left their mark. With its medina, palace and position overlooking two seas the city is now being developed as a tourist attraction and modern port. Picture by Manuel Cohen
    LCMOROCCODEC09_MC045.jpg
  • Seafront promenade, Tangier, Morocco, pictured on December 27, 2009. A long row of white houses, with awnings above the cafes at street level, stretches along the seafront. Old and new buildings are mixed together in the jumbled cityscape behind the promenade. Tangier, the 'White City', gateway to North Africa, a port on the Straits of Gibraltar where the Meditaerranean meets the Atlantic is an ancient city where many cultures, Phoenicians, Berbers, Portuguese and Spaniards have all left their mark. With its medina, palace and position overlooking two seas the city is now being developed as a tourist attraction and modern port. Picture by Manuel Cohen
    LCMOROCCODEC09_MC044.jpg
  • Medina, Tangier, Morocco, pictured on December 27, 2009. Ancient stonewaork is revealed in crumbling walls where a road zigzags up a asteep slope in the Old Town. An ornate archway pierces the wall leading further into the ancient streets of the Medina. Tangier, the 'White City', gateway to North Africa, a port on the Straits of Gibraltar where the Meditaerranean meets the Atlantic is an ancient city where many cultures, Phoenicians, Berbers, Portuguese and Spaniards have all left their mark. With its medina, palace and position overlooking two seas the city is now being developed as a tourist attraction and modern port. Picture by Manuel Cohen
    LCMOROCCODEC09_MC043.jpg
  • Tangier, Morocco, pictured on December 27, 2009. A panoramic view of the city as sun rises over the distant hills. Tangier, the 'White City', gateway to North Africa, a port on the Straits of Gibraltar where the Meditaerranean meets the Atlantic is an ancient city where many cultures, Phoenicians, Berbers, Portuguese and Spaniards have all left their mark. With its medina, palace and position overlooking two seas the city is now being developed as a tourist attraction and modern port. Picture by Manuel Cohen
    LCMOROCCODEC09_MC039.jpg
  • Medina, Tangier, Morocco pictured on December 18, 2009. A boy walks confidently along a street, past the old houses with crumbling white washed walls, balconies and roof terraces. Tangier, the 'White City', gateway to North Africa, a port on the Straits of Gibraltar where the Meditaerranean meets the Atlantic is an ancient city where many cultures, Phoenicians, Berbers, Portuguese and Spaniards have all left their mark. With its medina, palace and position overlooking two seas the city is now being developed as a tourist attraction and modern port. Picture by Manuel Cohen
    LCMOROCCODEC09_MC007.jpg
  • Medina Tangier, Morocco pictured on December 18, 2009. Children play in a sloping street, outside typical Medina houses with overhanging upper stories and shuttered windows. Tangier, the 'White City', gateway to North Africa, a port on the Straits of Gibraltar where the Meditaerranean meets the Atlantic is an ancient city where many cultures, Phoenicians, Berbers, Portuguese and Spaniards have all left their mark. With its medina, palace and position overlooking two seas the city is now being developed as a tourist attraction and modern port. Picture by Manuel Cohen
    LCMOROCCODEC09_MC005.jpg
  • Skyline, Tangier, Morocco pictured on December 18, 2009. Beneath a wintry sky Tangier lives up to its other name, the 'White City'. Gateway to North Africa, a port on the Straits of Gibraltar where the Meditaerranean meets the Atlantic, Tangier is an ancient city where many cultures, Phoenicians, Berbers, Portuguese and Spaniards have all left their mark. With its medina, palace and position overlooking two seas the city is now being developed as a tourist attraction and modern port. Picture by Manuel Cohen
    LCMOROCCODEC09_MC001.jpg
  • Medina, Tangier, Morocco pictured on December 27, 2009. A group of men are barely seen in the shadowy Old Town. One wears a white Djellaba and cap which catch the little available light. Tangier, the 'White City', gateway to North Africa, a port on the Straits of Gibraltar where the Meditaerranean meets the Atlantic is an ancient city where many cultures, Phoenicians, Berbers, Portuguese and Spaniards have all left their mark. With its medina, palace and position overlooking two seas the city is now being developed as a tourist attraction and modern port. Picture by Manuel Cohen
    LCMOROCCODEC09_MC052.jpg
  • Medina, Tangier, Morocco pictured on December 18, 2009. Boys mooch around a semi-derelict area of the Old Town, which is picturesque with its old walls in earth colours, but evidently a tough environment for these young people. Tangier, the 'White City', gateway to North Africa, a port on the Straits of Gibraltar where the Meditaerranean meets the Atlantic is an ancient city where many cultures, Phoenicians, Berbers, Portuguese and Spaniards have all left their mark. With its medina, palace and position overlooking two seas the city is now being developed as a tourist attraction and modern port. Picture by Manuel Cohen
    LCMOROCCODEC09_MC006.jpg
  • Medina, Tangier, Morocco pictured on December 18, 2009. A small figure climbs a long stone staircase with blue and white painted walls in a corner of the old town. Tangier, the 'White City', gateway to North Africa, a port on the Straits of Gibraltar where the Meditaerranean meets the Atlantic is an ancient city where many cultures, Phoenicians, Berbers, Portuguese and Spaniards have all left their mark. With its medina, palace and position overlooking two seas the city is now being developed as a tourist attraction and modern port. Picture by Manuel Cohen
    LCMOROCCODEC09_MC004.jpg
  • Medina Tangier, Morocco pictured on December 18, 2009. An atmospheric view of walls, doors and windows at haphazard angles in a corner of the old town. Tangier, the 'White City', gateway to North Africa, a port on the Straits of Gibraltar where the Meditaerranean meets the Atlantic is an ancient city where many cultures, Phoenicians, Berbers, Portuguese and Spaniards have all left their mark. With its medina, palace and position overlooking two seas the city is now being developed as a tourist attraction and modern port. Picture by Manuel Cohen
    LCMOROCCODEC09_MC002.jpg
  • Portrait of Beroldo duke of Saxony, d. 1023, progenitor of the Savoy dynasty, oil painting on canvas, early 17th century, by Piedmontese artist, in the Citroniera or lemon house at the Royal Palace of Venaria, or Reggia di Venaria Reale, a royal residence of the House of Savoy, built from 1675 in Baroque style by Amedeo di Castellamonte, for Carlo Emanuele II duke of Savoy, in Venaria Reale, Piedmont, Italy. The palace was restored 1999-2007 and is now a visitor attraction. It is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0458.jpg
  • Portrait of Catherine of Bavaria, wife of Beroldo of Saxony, detail, oil painting on canvas, early 17th century, by Piedmontese artist, in the Citroniera or lemon house at the Royal Palace of Venaria, or Reggia di Venaria Reale, a royal residence of the House of Savoy, built from 1675 in Baroque style by Amedeo di Castellamonte, for Carlo Emanuele II duke of Savoy, in Venaria Reale, Piedmont, Italy. The palace was restored 1999-2007 and is now a visitor attraction. It is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0457.jpg
  • Portrait of Amedeo I, 975-1042, count of Savoy 1047-51, oil painting on canvas, early 17th century, by Piedmontese artist, in the Citroniera or lemon house at the Royal Palace of Venaria, or Reggia di Venaria Reale, a royal residence of the House of Savoy, built from 1675 in Baroque style by Amedeo di Castellamonte, for Carlo Emanuele II duke of Savoy, in Venaria Reale, Piedmont, Italy. The palace was restored 1999-2007 and is now a visitor attraction. It is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0456.jpg
  • Portrait of Amedeo II, 1050-80, count of Savoy 1078-1080, oil painting on canvas, early 17th century, by Piedmontese artist, in the Citroniera or lemon house at the Royal Palace of Venaria, or Reggia di Venaria Reale, a royal residence of the House of Savoy, built from 1675 in Baroque style by Amedeo di Castellamonte, for Carlo Emanuele II duke of Savoy, in Venaria Reale, Piedmont, Italy. The palace was restored 1999-2007 and is now a visitor attraction. It is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0455.jpg
  • Portrait of Umberto II, 1065-1103, count of Savoy 1080-1103, oil painting on canvas, early 17th century, by Piedmontese artist, in the Citroniera or lemon house, at the Royal Palace of Venaria, or Reggia di Venaria Reale, a royal residence of the House of Savoy, built from 1675 in Baroque style by Amedeo di Castellamonte, for Carlo Emanuele II duke of Savoy, in Venaria Reale, Piedmont, Italy. The palace was restored 1999-2007 and is now a visitor attraction. It is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0454.jpg
  • Portrait of Oddone, 1023-57, count of Savoy 1051-57, oil painting on canvas, early 17th century, by Piedmontese artist, in the Citroniera or lemon house, at the Royal Palace of Venaria, or Reggia di Venaria Reale, a royal residence of the House of Savoy, built from 1675 in Baroque style by Amedeo di Castellamonte, for Carlo Emanuele II duke of Savoy, in Venaria Reale, Piedmont, Italy. The palace was restored 1999-2007 and is now a visitor attraction. It is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0453.jpg
  • Portrait of Adelaide of Susa, or Adelaide of Turin, 1014-91, countess of Savoy, wife of Oddone of Savoy, detail, oil painting on canvas, early 17th century, by Piedmontese artist, in the Citroniera or lemon house at the Royal Palace of Venaria, or Reggia di Venaria Reale, a royal residence of the House of Savoy, built from 1675 in Baroque style by Amedeo di Castellamonte, for Carlo Emanuele II duke of Savoy, in Venaria Reale, Piedmont, Italy. The palace was restored 1999-2007 and is now a visitor attraction. It is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0452.jpg
  • Portrait of Thomas I, 1178-1233, count of Savoy 1189-1233, oil painting on canvas, early 17th century by Piedmontese artist, in the Citroniera or lemon house, at the Royal Palace of Venaria, or Reggia di Venaria Reale, a royal residence of the House of Savoy, built from 1675 in Baroque style by Amedeo di Castellamonte, for Carlo Emanuele II duke of Savoy, in Venaria Reale, Piedmont, Italy. The palace was restored 1999-2007 and is now a visitor attraction. It is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0451.jpg
  • Portrait of Amedeo VIII, 1383-1451, duke of Savoy 1416-40, oil painting on canvas, late 18th century, attributed to Giovanni Panealbo, 1742-1815, in the Citroniera or lemon house at the Royal Palace of Venaria, or Reggia di Venaria Reale, a royal residence of the House of Savoy, built from 1675 in Baroque style by Amedeo di Castellamonte, for Carlo Emanuele II duke of Savoy, in Venaria Reale, Piedmont, Italy. The palace was restored 1999-2007 and is now a visitor attraction. It is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0447.jpg
  • Portrait of Filiberto I, 1465-82,  known as Il Cacciatore or The Hunter, duke of Savoy 1472-82, with hunting dogs and falcon, oil painting on canvas, early 17th century, by Piedmontese artist, in the Citroniera or lemon house at the Royal Palace of Venaria, or Reggia di Venaria Reale, a royal residence of the House of Savoy, built from 1675 in Baroque style by Amedeo di Castellamonte, for Carlo Emanuele II duke of Savoy, in Venaria Reale, Piedmont, Italy. The palace was restored 1999-2007 and is now a visitor attraction. It is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0445.jpg
  • Portrait of Philip II, 1438-97, duke of Savoy 1496-97, oil painting on canvas, late 17th century, by Piedmontese artist, in the Citroniera or lemon house at the Royal Palace of Venaria, or Reggia di Venaria Reale, a royal residence of the House of Savoy, built from 1675 in Baroque style by Amedeo di Castellamonte, for Carlo Emanuele II duke of Savoy, in Venaria Reale, Piedmont, Italy. The palace was restored 1999-2007 and is now a visitor attraction. It is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0444.jpg
  • Portrait of Vittorio Amedeo I, 1587-1637, duke of Savoy 1630-37, oil painting on canvas, late 17th century, by Piedmontese artist, in the Citroniera or lemon house at the Royal Palace of Venaria, or Reggia di Venaria Reale, a royal residence of the House of Savoy, built from 1675 in Baroque style by Amedeo di Castellamonte, for Carlo Emanuele II duke of Savoy, in Venaria Reale, Piedmont, Italy. The palace was restored 1999-2007 and is now a visitor attraction. It is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0442.jpg
  • Portrait of Filiberto II, 1480-1504, duke of Savoy 1497-1504, oil painting on canvas, early 17th century, by Piedmontese artist, in the Citroniera or lemon house at the Royal Palace of Venaria, or Reggia di Venaria Reale, a royal residence of the House of Savoy, built from 1675 in Baroque style by Amedeo di Castellamonte, for Carlo Emanuele II duke of Savoy, in Venaria Reale, Piedmont, Italy. The palace was restored 1999-2007 and is now a visitor attraction. It is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0443.jpg
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