manuel cohen

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  • Un lapin, deux grives morts et quelques grains de paille sur une table de pierre, or A rabbit, two dead thrushes and a few grains of straw on a stone table, detail, oil painting on canvas, c. 1755, by Jean-Baptiste-Simeon Chardin, 1699-1779, in the Musee de la Chasse et de la Nature, Paris, France. Chardin is an 18th century French painter known for his oil paintings of still life and genre scenes. The concentration on only a few elements and delicate application of paint in his hunting still lifes shows great empathy for his subjects. Picture by Manuel Cohen
    LC15_ART_MC029.jpg
  • Canard colvert a la bigarade, or Mallard duck with bitter orange, detail, oil painting on canvas, c. 1730, by Jean-Baptiste-Simeon Chardin, 1699-1779, in the Musee de la Chasse et de la Nature, Paris, France. Chardin is an 18th century French painter known for his oil paintings of still life and genre scenes. The concentration on only a few elements and delicate application of paint in his hunting still lifes shows great empathy for his subjects. Picture by Manuel Cohen
    LC15_ART_MC030.jpg
  • Head of duck, detail from Canard colvert a la bigarade, or Mallard duck with bitter orange, oil painting on canvas, c. 1730, by Jean-Baptiste-Simeon Chardin, 1699-1779, in the Musee de la Chasse et de la Nature, Paris, France. Chardin is an 18th century French painter known for his oil paintings of still life and genre scenes. The concentration on only a few elements and delicate application of paint in his hunting still lifes shows great empathy for his subjects. Picture by Manuel Cohen
    LC15_ART_MC031.jpg
  • Wing and foot of duck, detail from Canard colvert a la bigarade, or Mallard duck with bitter orange, oil painting on canvas, c. 1730, by Jean-Baptiste-Simeon Chardin, 1699-1779, in the Musee de la Chasse et de la Nature, Paris, France. Chardin is an 18th century French painter known for his oil paintings of still life and genre scenes. The concentration on only a few elements and delicate application of paint in his hunting still lifes shows great empathy for his subjects. Picture by Manuel Cohen
    LC15_ART_MC032.jpg
  • Canard colvert a la bigarade, or Mallard duck with bitter orange, oil painting on canvas, c. 1730, by Jean-Baptiste-Simeon Chardin, 1699-1779, in the Musee de la Chasse et de la Nature, Paris, France. Chardin is an 18th century French painter known for his oil paintings of still life and genre scenes. The concentration on only a few elements and delicate application of paint in his hunting still lifes shows great empathy for his subjects. Picture by Manuel Cohen
    LC15_ART_MC037.jpg
  • Un lapin, deux grives morts et quelques grains de paille sur une table de pierre, or A rabbit, two dead thrushes and a few grains of straw on a stone table, oil painting on canvas, c. 1755, by Jean-Baptiste-Simeon Chardin, 1699-1779, in the Musee de la Chasse et de la Nature, Paris, France. Chardin is an 18th century French painter known for his oil paintings of still life and genre scenes. The concentration on only a few elements and delicate application of paint in his hunting still lifes shows great empathy for his subjects. Picture by Manuel Cohen
    LC15_ART_MC036.jpg
  • Lapin mort avec perdrix rouge et bigarade, or Dead rabbit with red partridge and bitter orange, oil painting on canvas, 1727-28, by Jean-Baptiste-Simeon Chardin, 1699-1779, in the Musee de la Chasse et de la Nature, Paris, France. Chardin is an 18th century French painter known for his oil paintings of still life and genre scenes. The concentration on only a few elements and delicate application of paint in his hunting still lifes shows great empathy for his subjects. Picture by Manuel Cohen
    LC15_ART_MC040.jpg
  • Dead game birds and leather hunting bag, detail from Chien barbet gardant du gibier, or Barbet dog guarding game, oil painting on canvas, 1728, by Jean-Baptiste Oudry, 1686-1755, in the Musee de la Chasse et de la Nature, Paris, France. Oudry was a French 18th century Rococo painter, known for still life and hunting scenes, many of which were commissioned by King Louis XV. Picture by Manuel Cohen
    LC15_ART_MC033.jpg
  • Dead game birds, detail from Chien barbet gardant du gibier, or Barbet dog guarding game, oil painting on canvas, 1728, by Jean-Baptiste Oudry, 1686-1755, in the Musee de la Chasse et de la Nature, Paris, France. Oudry was a French 18th century Rococo painter, known for still life and hunting scenes, many of which were commissioned by King Louis XV. Picture by Manuel Cohen
    LC15_ART_MC035.jpg
  • Still from a film of 2 lesbians, from the Denkmal fur die im Nationalsozialismus verfolgten Homosexuellen, or Memorial to Homosexuals persecuted under Nazism, by Michael Elmgreen and Ingar Dragset, opened 2008, Tiergarten, Berlin, Germany. The memorial consists of a concrete cube with a window through which plays a film of 2 men or women kissing. Picture by Manuel Cohen
    LC14_BERLIN_MC0725.jpg
  • Still from a film of 2 lesbians kissing, from the Denkmal fur die im Nationalsozialismus verfolgten Homosexuellen, or Memorial to Homosexuals persecuted under Nazism, by Michael Elmgreen and Ingar Dragset, opened 2008, Tiergarten, Berlin, Germany. The memorial consists of a concrete cube with a window through which plays a film of 2 men or women kissing. Picture by Manuel Cohen
    LC14_BERLIN_MC0724.jpg
  • Still Life with Clay Jug, oil painting, 1913-47, by Raoul Dufy, 1877-1953, from the Pompidou collection, in the Musee d'Art Hyacinthe Rigaud, an art gallery housed in the Hotel de Lazerme, a private mansion built in the 18th century by the marquis Etienne de Blanes and bought in 1827 by Joseph de Lazerme, and the Hotel de Mailly, on the Rue de l'Age, Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. The museum was renovated and reopened in 2017 and houses 3 exhibitions: Gothic Perpignan, Baroque Perpignan and Modern Perpignan, including works by local artists Hyacinthe Rigaud and Aristide Maillol. Picture by Manuel Cohen - Further clearances required for reproduction (artist's copyright)
    LC20_FRANCE_MC_1351.jpg
  • Chien barbet gardant du gibier, or Barbet dog guarding game, detail, oil painting on canvas, 1728, by Jean-Baptiste Oudry, 1686-1755, in the Musee de la Chasse et de la Nature, Paris, France. The dog is seen in a protective pose with one paw on the hunting rifle. Oudry was a French 18th century Rococo painter, known for still life and hunting scenes, many of which were commissioned by King Louis XV. Picture by Manuel Cohen
    LC15_ART_MC034.jpg
  • Chien barbet gardant du gibier, or Barbet dog guarding game, detail, oil painting on canvas, 1728, by Jean-Baptiste Oudry, 1686-1755, in the Musee de la Chasse et de la Nature, Paris, France. The dog is seen in a protective pose with a rifle, leather hunting bag, dead duck and 4 other game birds. Oudry was a French 18th century Rococo painter, known for still life and hunting scenes, many of which were commissioned by King Louis XV. Picture by Manuel Cohen
    LC15_ART_MC038.jpg
  • Chien barbet gardant du gibier, or Barbet dog guarding game, oil painting on canvas, 1728, by Jean-Baptiste Oudry, 1686-1755, in the Musee de la Chasse et de la Nature, Paris, France. The dog is seen in a protective pose with a rifle, leather hunting bag, dead duck and 4 other game birds. Oudry was a French 18th century Rococo painter, known for still life and hunting scenes, many of which were commissioned by King Louis XV. Picture by Manuel Cohen
    LC15_ART_MC039.jpg
  • Barbet dog in front of a mallard (Chien barbet devant un colvert), detail, oil painting on canvas, by Jean Baptiste Simeon Chardin, 1699-1779, in a private collection, France. In this hunting scene, a dog approaches a dead mallard, which forms a still life element with a rifle and hunting bag. This painting is thought to have been completed in the 1730s, and is unusual for Chardin in that it depicts a live animal. Picture by Manuel Cohen
    LC15_ART_MC026.JPG
  • Barbet dog in front of a mallard (Chien barbet devant un colvert), oil painting on canvas, by Jean Baptiste Simeon Chardin, 1699-1779, in a private collection, France. In this hunting scene, a dog approaches a dead mallard, which forms a still life element with a rifle and hunting bag. This painting is thought to have been completed in the 1730s, and is unusual for Chardin in that it depicts a live animal. Picture by Manuel Cohen
    LC15_ART_MC027.jpg
  • Agnolo Poliziano crowning the head of Homer with a bay leaf wreath, monochrome wall painting by Luigi Catani, 1762-1840, in the Entrance Hall on the first floor or piano nobile, in the Villa di Poggio a Caiano, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_187.jpg
  • Lorenzo the Magnificent receiving the Villa di Poggio from the architect, monochrome wall painting by Luigi Catani, 1762-1840, in the Entrance Hall on the first floor or piano nobile, in the Villa di Poggio a Caiano, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_186.jpg
  • Glazed terracotta frieze with classical scenes, detail, attributed to Bertolodi Giovanni, 1440-91 and Andrea Sansovino, 1467-1529, in the Sala del Fregio or Frieze Room, in the Villa di Poggio a Caiano, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. The frieze was originally on the architrave of the pediment of the loggia of the villa, but was moved inside in 1992 and restored 2010-11. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_185.jpg
  • Glazed terracotta frieze with classical scenes, detail, attributed to Bertolodi Giovanni, 1440-91 and Andrea Sansovino, 1467-1529, in the Sala del Fregio or Frieze Room, in the Villa di Poggio a Caiano, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. The frieze was originally on the architrave of the pediment of the loggia of the villa, but was moved inside in 1992 and restored 2010-11. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_184.jpg
  • Portrait of Vittoria Della Rovere, 1622-94, Grand Duchess of Tuscany, wife of Ferdinando II de Medici, painting, detail, by Justus Sutermans, 1597-1681, in the Reception Room in the Apartment of King Vittorio Emanuele II of Savoy, in the Villa di Poggio a Caiano, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. The apartment consists of 4 rooms used as the country seat of the King and his wife, the Countess of Mirafiori, Rosa Vercellana, known as the Bella Rosina. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_183.jpg
  • Return of Cicero from Exile, a metaphor for Cosimo I de Medici's expulsion and triumphal return to Florence, fresco, c. 1520, by Franciabigio, 1482-1525, in the Sala di Leone X, in the Villa di Poggio a Caiano, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. The hall was designed by Sangallo in 1485 and is painted with frescoes by Pontormo, Allori, Andrea del Sarto and Franciabigio exalting the glory of the Medici dynasty. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_182.jpg
  • Pietra Serena staircase, leading to the bedroom of King Victor Emmanuel II, previously used by Francesco I de Medici, Grand Duke of Tuscany, in the Stanza del Camino or Fireplace Room in the Apartment of Bianca Cappello, wife of Francesco I, in the Villa di Poggio a Caiano, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_164.jpg
  • Fireplace, white marble, Renaissance, with 2 atlantes, in the Stanza del Camino or Fireplace Room in the Apartment of Bianca Cappello, wife of Francesco I de Medici, Grand Duke of Tuscany, in the Villa di Poggio a Caiano, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_163.jpg
  • Sala dei Biliardi, or Billiards Room, in 19th century Savoyard style, with ceiling frescoes of a pergola with cherubs and cupids, in the Villa di Poggio a Caiano, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_161.jpg
  • Teatro delle Commedie, used for plays and concerts, designed before 1675 by Marguerite-Louise d'Orleans, wife of Cosimo III de Medici, in the Villa di Poggio a Caiano, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_160.jpg
  • Staircase, designed in 1807 by Poccianti, 1774-1858, leading from ground floor to second floor, with hanging lantern, in the Villa di Poggio a Caiano, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_159.jpg
  • Lorenzo the Magnificent receiving the Villa di Poggio from the architect, monochrome wall painting by Luigi Catani, 1762-1840, in the  Entrance Hall on the first floor or piano nobile, in the Villa di Poggio a Caiano, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_158.jpg
  • Medici Family tree, 1642-70, copy of an original 17th century Florentine painting, in the Sala del Fregio or Frieze Room, in the Villa di Poggio a Caiano, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_157.jpg
  • Glazed terracotta frieze with classical scenes, detail, attributed to Bertolodi Giovanni, 1440-91 and Andrea Sansovino, 1467-1529, in the Sala del Fregio or Frieze Room, in the Villa di Poggio a Caiano, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. The frieze was originally on the architrave of the pediment of the loggia of the villa, but was moved inside in 1992 and restored 2010-11. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_156.jpg
  • Glazed terracotta frieze with classical scenes, detail, attributed to Bertolodi Giovanni, 1440-91 and Andrea Sansovino, 1467-1529, in the Sala del Fregio or Frieze Room, in the Villa di Poggio a Caiano, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. The frieze was originally on the architrave of the pediment of the loggia of the villa, but was moved inside in 1992 and restored 2010-11. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_155.jpg
  • Chariot of the sun, glazed terracotta frieze with classical scenes, detail, attributed to Bertolodi Giovanni, 1440-91 and Andrea Sansovino, 1467-1529, in the Sala del Fregio or Frieze Room, in the Villa di Poggio a Caiano, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. The frieze was originally on the architrave of the pediment of the loggia of the villa, but was moved inside in 1992 and restored 2010-11. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_154.jpg
  • Glazed terracotta frieze with classical scenes, detail, attributed to Bertolodi Giovanni, 1440-91 and Andrea Sansovino, 1467-1529, in the Sala del Fregio or Frieze Room, in the Villa di Poggio a Caiano, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. The frieze was originally on the architrave of the pediment of the loggia of the villa, but was moved inside in 1992 and restored 2010-11. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_153.jpg
  • Glazed terracotta frieze with classical scenes, detail, attributed to Bertolodi Giovanni, 1440-91 and Andrea Sansovino, 1467-1529, in the Sala del Fregio or Frieze Room, in the Villa di Poggio a Caiano, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. The frieze was originally on the architrave of the pediment of the loggia of the villa, but was moved inside in 1992 and restored 2010-11. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_152.JPG
  • Virtue, fresco, detail, by Alessandro Allori, 1535-1607, above a door in the Sala di Leone X, in the Villa di Poggio a Caiano, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. The hall was designed by Sangallo in 1485 and is painted with frescoes by Pontormo, Allori, Andrea del Sarto and Franciabigio exalting the glory of the Medici dynasty. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_151.jpg
  • Barrel vaulted coffered stucco ceiling, with many Medicean emblems including the central coat of arms of Giovanni de Medici or Pope Leo X, in the Main Hall, designed by Sangallo in 1485, in the Villa di Poggio a Caiano, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. The hall is painted with frescoes by Pontormo, Allori, Andrea del Sarto and Franciabigio exalting the glory of the Medici dynasty. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_150.jpg
  • Barrel vaulted coffered stucco ceiling, with many Medicean emblems including the central coat of arms of Giovanni de Medici or Pope Leo X, in the Main Hall, designed by Sangallo in 1485, in the Villa di Poggio a Caiano, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. The hall is painted with frescoes by Pontormo, Allori, Andrea del Sarto and Franciabigio exalting the glory of the Medici dynasty. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_149.jpg
  • Study, with Prussian chandelier and candlesticks in gilded bronze and painted glass, in the Apartment of Elisa and the Bella Rosina, in the Villa di Poggio a Caiano, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. These rooms were lived in from 1809 by Elisa Bonaparte Baciocchi, sister of Napoleon and Grand Duchess of Tuscany, then from 1856 by Rosa Vercellana, the Bella Rosina, wife of Vittorio Emanuele II. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_148.jpg
  • Apotheosis of Cosimo the elder Introduced to Jupiter by the City of Florence, 1698, by Anton Domenico Gabbiani for Ferdinando de Medici, ceiling fresco, in the Dining Room, in the Villa di Poggio a Caiano, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_147.jpg
  • Portrait of Ferdinand II de Medici, 1610-70, Grand Duke of Tuscany, painting, detail, by Justus Sutermans, 1597-1681, in the Reception Room in the Apartment of King Vittorio Emanuele II of Savoy, in the Villa di Poggio a Caiano, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. The apartment consists of 4 rooms used as the country seat of the King and his wife, the Countess of Mirafiori, Rosa Vercellana, known as the Bella Rosina. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_145.jpg
  • King's Bedroom, in the Apartment of King Vittorio Emanuele II of Savoy, designed after 1865, in the Villa di Poggio a Caiano, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. The apartment consists of 4 rooms used as the country seat of the King and his wife, the Countess of Mirafiori, Rosa Vercellana, known as the Bella Rosina. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_146.jpg
  • Portrait of Vittoria Della Rovere, 1622-94, Grand Duchess of Tuscany, wife of Ferdinando II de Medici, painting, detail, by Justus Sutermans, 1597-1681, in the Reception Room in the Apartment of King Vittorio Emanuele II of Savoy, in the Villa di Poggio a Caiano, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. The apartment consists of 4 rooms used as the country seat of the King and his wife, the Countess of Mirafiori, Rosa Vercellana, known as the Bella Rosina. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_144.jpg
  • Portrait o Maria Maddalena of Austria, 1589-1631, Grand Duchess of Tuscany, wife of Cosimo II de Medici, painting, detail, by Justus Sutermans, 1597-1681, in the Reception Room in the Apartment of King Vittorio Emanuele II of Savoy, in the Villa di Poggio a Caiano, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. The apartment consists of 4 rooms used as the country seat of the King and his wife, the Countess of Mirafiori, Rosa Vercellana, known as the Bella Rosina. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_143.jpg
  • Portrait de Cosimo III de Medici, 1642-1723, Grand Duke of Tuscany, painting, detail, by Justus Sutermans, 1597-1681, in the Reception Room in the Apartment of King Vittorio Emanuele II of Savoy, in the Villa di Poggio a Caiano, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. The apartment consists of 4 rooms used as the country seat of the King and his wife, the Countess of Mirafiori, Rosa Vercellana, known as the Bella Rosina. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_142.jpg
  • Portrait de Cosimo III de Medici, 1642-1723, Grand Duke of Tuscany, painting, detail, by Justus Sutermans, 1597-1681, in the Reception Room in the Apartment of King Vittorio Emanuele II of Savoy, in the Villa di Poggio a Caiano, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. The apartment consists of 4 rooms used as the country seat of the King and his wife, the Countess of Mirafiori, Rosa Vercellana, known as the Bella Rosina. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_141.jpg
  • Reception Room in the Apartment of King Vittorio Emanuele II of Savoy, designed after 1865, in the Villa di Poggio a Caiano, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. The room has fabric wall coverings, neoclassical ceiling frescoes, Neo Rococco Piemontese furniture and Savoy family portraits. The apartment consists of 4 rooms used as the country seat of the King and his wife, the Countess of Mirafiori, Rosa Vercellana, known as the Bella Rosina. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_139.jpg
  • Bathoom, designed for Elisa Bonaparte Baciocchi, sister of Napoleon and Grand Duchess of Tuscany, designed by Giuseppe Cacialli, with Biedermeier style furniture, grey marble bath and frescoes by Luigi Catani, 1762-1840, in the Villa di Poggio a Caiano, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_138.jpg
  • Bedroom, refurnished in 1865 for the Countess of Mirafiori, the Bella Rosina, wife of Vittorio Emanuele II, with pink floral fabric walls and ceiling by Ferri, a canopied bed and furniture from Modena, in the Villa di Poggio a Caiano, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_137.jpg
  • Bedroom, refurnished in 1865 for the Countess of Mirafiori, the Bella Rosina, wife of Vittorio Emanuele II, with pink floral fabric walls and ceiling by Ferri, a canopied bed and furniture from Modena, in the Villa di Poggio a Caiano, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_136.jpg
  • Bathoom, designed for Elisa Bonaparte Baciocchi, sister of Napoleon and Grand Duchess of Tuscany, designed by Giuseppe Cacialli, with Biedermeier style furniture, grey marble bath and frescoes by Luigi Catani, 1762-1840, in the Villa di Poggio a Caiano, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_135.jpg
  • Bathoom, designed for Elisa Bonaparte Baciocchi, sister of Napoleon and Grand Duchess of Tuscany, designed by Giuseppe Cacialli, with Biedermeier style furniture, grey marble bath and frescoes by Luigi Catani, 1762-1840, in the Villa di Poggio a Caiano, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_134.jpg
  • Dining Room, with ceiling fresco, Apotheosis of Cosimo the elder Introduced to Jupiter by the City of Florence, 1698, by Anton Domenico Gabbiani for Ferdinando de Medici, and stucco designed by Antonio Sailer, in the Villa di Poggio a Caiano, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_133.jpg
  • Syphax of Numidia Receives Scipione after his Defeat of Hasdrubal in Spain, a metaphor for Lorenzo the Magnificent meeting King Ferdinand I of Naples in Naples, fresco, 1578-82, by Alessandro Allori, 1535-1607, in the Sala di Leone X, in the Villa di Poggio a Caiano, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. The hall was designed by Sangallo in 1485 and is painted with frescoes by Pontormo, Allori, Andrea del Sarto and Franciabigio exalting the glory of the Medici dynasty. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_132.jpg
  • Vertumnus and Pomona, fresco, detail, 1519-21, by Pontormo, 1494-1557, in a lunette in the Sala di Leone X, in the Villa di Poggio a Caiano, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. The hall was designed by Sangallo in 1485 and is painted with frescoes by Pontormo, Allori, Andrea del Sarto and Franciabigio exalting the glory of the Medici dynasty. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_131.jpg
  • Vertumnus and Pomona, fresco, detail, 1519-21, by Pontormo, 1494-1557, in a lunette in the Sala di Leone X, in the Villa di Poggio a Caiano, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. The hall was designed by Sangallo in 1485 and is painted with frescoes by Pontormo, Allori, Andrea del Sarto and Franciabigio exalting the glory of the Medici dynasty. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_130.jpg
  • Vertumnus and Pomona, fresco, 1519-21, by Pontormo, 1494-1557, in a lunette in the Sala di Leone X, in the Villa di Poggio a Caiano, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. The hall was designed by Sangallo in 1485 and is painted with frescoes by Pontormo, Allori, Andrea del Sarto and Franciabigio exalting the glory of the Medici dynasty. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_129.JPG
  • Barrel vaulted coffered stucco ceiling, detail, with many Medicean emblems, in the Main Hall, designed by Sangallo in 1485, in the Villa di Poggio a Caiano, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. The hall is painted with frescoes by Pontormo, Allori, Andrea del Sarto and Franciabigio exalting the glory of the Medici dynasty. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_127.jpg
  • Consul Flaminio speaking to the council of the Achaeans, a metaphor for the intervention of Lorenzo the Magnificent in the Dieta di Cremona, fresco, detail, 1578-82, by Alessandro Allori, 1535-1607, in the Sala di Leone X, in the Villa di Poggio a Caiano, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. The hall was designed by Sangallo in 1485 and is painted with frescoes by Pontormo, Allori, Andrea del Sarto and Franciabigio exalting the glory of the Medici dynasty. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_126.jpg
  • Consul Flaminio speaking to the council of the Achaeans, a metaphor for the intervention of Lorenzo the Magnificent in the Dieta di Cremona, fresco, 1578-82, by Alessandro Allori, 1535-1607, in the Sala di Leone X, in the Villa di Poggio a Caiano, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. The hall was designed by Sangallo in 1485 and is painted with frescoes by Pontormo, Allori, Andrea del Sarto and Franciabigio exalting the glory of the Medici dynasty. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_125.jpg
  • Barrel vaulted coffered stucco ceiling, with many Medicean emblems including the central emblem of Giovanni de Medici or Pope Leo X, in the Main Hall, designed by Sangallo in 1485, in the Villa di Poggio a Caiano, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. The hall is painted with frescoes by Pontormo, Allori, Andrea del Sarto and Franciabigio exalting the glory of the Medici dynasty. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_124.jpg
  • Return of Cicero from Exile, a metaphor for Cosimo I de Medici's expulsion and triumphal return to Florence, fresco, c. 1520, by Franciabigio, 1482-1525, in the Sala di Leone X, in the Villa di Poggio a Caiano, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. The hall was designed by Sangallo in 1485 and is painted with frescoes by Pontormo, Andrea del Sarto and Franciabigio exalting the glory of the Medici dynasty. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_123.jpg
  • Sala di Leone X, designed by Sangallo in 1485 and is painted with frescoes by Pontormo, Allori, Andrea del Sarto and Franciabigio exalting the glory of the Medici dynasty, in the Villa di Poggio a Caiano, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. Frescoes over doors and windows represent Virtues, Vertumnus and Pomona and are by Pontormo. The barrel vault coffered stucco ceiling contains Medicean emblems. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_122.jpg
  • Sala di Leone X, designed by Sangallo in 1485 and is painted with frescoes by Pontormo, Allori, Andrea del Sarto and Franciabigio exalting the glory of the Medici dynasty, in the Villa di Poggio a Caiano, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. Frescoes over doors and windows represent Virtues, Vertumnus and Pomona and are by Pontormo. The barrel vault coffered stucco ceiling contains Medicean emblems. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_121.jpg
  • Entrance Hall on the first floor or piano nobile, with monochrome wall paintings by Luigi Catani, 1762-1840, in the Villa di Poggio a Caiano, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_120.jpg
  • Staircase leading to the terrace at the Villa di Poggio a Caiano, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_002.JPG
  • Villa di Poggio a Caiano, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_001.JPG
  • Sundial, 1828, on the facade of the Villa di Poggio a Caiano, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    DRN_LC21_ITALY_MC_198.jpg
  • Villa di Poggio a Caiano, aerial view, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    DRN_LC21_ITALY_MC_196.jpg
  • Villa di Poggio a Caiano, aerial view, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    DRN_LC21_ITALY_MC_194.jpg
  • Villa di Poggio a Caiano, aerial view, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    DRN_LC21_ITALY_MC_195.jpg
  • Villa di Poggio a Caiano, aerial view, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    DRN_LC21_ITALY_MC_193.jpg
  • Villa di Poggio a Caiano, aerial view, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    DRN_LC21_ITALY_MC_192.jpg
  • Villa di Poggio a Caiano, aerial view, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    DRN_LC21_ITALY_MC_191.jpg
  • Garden of the Villa di Poggio a Caiano, aerial view, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. The English style gardens and pond were designed in 1811 by Giuseppe Manetti. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    DRN_LC21_ITALY_MC_189.jpg
  • Villa di Poggio a Caiano, aerial view, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    DRN_LC21_ITALY_MC_188.jpg
  • We Are Still Here, social street art, mural depicting many raised hands and highlighting issues such as poverty, homelessness, austerity and mental health, by Artists for Justice and Peace, at St John's Church, Princes St, Edinburgh, Scotland. The street paintings at the church are regularly changed and encourage passers by to stop and consider social issues. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_075.jpg
  • Winged cherub with a pilgrim's staff, representing the difficult path of alchemy - the staff is a symbol of masculinity and overcoming dangers, protecting the bearer, from the coffered ceiling of the Oratory, carved in stone with 30 sections, each relating to a process in alchemy, in the Hotel Lallemant, a mansion built 1495-1518 in French Renaissance style by the Lallemant merchant family, in Bourges, Centre Val de Loire, France. The staff can also represent the alembic or alchemical still. The sculptural decoration on the building, made by both French and Italian sculptors, has been interpreted by Fulcanelli and others as having an alchemical symbolism. Since 1951 the building has housed the Musee des Arts Decoratifs and it was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC17_FRANCE_MC_0667.jpg
  • L'Echo, 1953-56, oil painting by Georges Braque, 1882-1963, from a private collection. This late still life work, named for the newspaper on the table, retains elements of Synthetic Cubism, with which Braque continued to experiment throughout his life. Picture by Manuel Cohen
    LC15_ART_MC006.jpg
  • Section of the Berlin Wall depicting a detail from a pinting entitled Himmel und Sucher by Peter Russell, with a still life of a lobster, part of the East Side Gallery, a 1.3km long section of the Wall on Muhlenstrasse painted in 1990 on its Eastern side by 105 artists from around the world, Berlin, Germany. Picture by Manuel Cohen
    LC14_BERLIN_MC0169.jpg
  • Consul Flaminio speaking to the council of the Achaeans, a metaphor for the intervention of Lorenzo the Magnificent in the Dieta di Cremona, fresco, 1578-82, by Alessandro Allori, 1535-1607, in the Sala di Leone X, in the Villa di Poggio a Caiano, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. The hall was designed by Sangallo in 1485 and is painted with frescoes by Pontormo, Allori, Andrea del Sarto and Franciabigio exalting the glory of the Medici dynasty. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_181.jpg
  • Fireplace, white marble, Renaissance, with 2 atlantes, in the Stanza del Camino or Fireplace Room in the Apartment of Bianca Cappello, wife of Francesco I de Medici, Grand Duke of Tuscany, in the Villa di Poggio a Caiano, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_162.jpg
  • Reception Room in the Apartment of King Vittorio Emanuele II of Savoy, designed after 1865, in the Villa di Poggio a Caiano, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. The room has fabric wall coverings, neoclassical ceiling frescoes, Neo Rococo Piemontese furniture and Savoy family portraits. The apartment consists of 4 rooms used as the country seat of the King and his wife, the Countess of Mirafiori, Rosa Vercellana, known as the Bella Rosina. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_140.jpg
  • Hercules in the Garden of the Hesperides, fresco, by Alessandro Allori, 1535-1607, in a lunette in the Sala di Leone X, in the Villa di Poggio a Caiano, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. The hall was designed by Sangallo in 1485 and is painted with frescoes by Pontormo, Allori, Andrea del Sarto and Franciabigio exalting the glory of the Medici dynasty. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_128.JPG
  • Villa di Poggio a Caiano, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    DRN_LC21_ITALY_MC_197.jpg
  • Villa di Poggio a Caiano, aerial view, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    DRN_LC21_ITALY_MC_190.jpg
  • Plant History Glasshouse (formerly Australian Glasshouse), 1830s, Rohault de Fleury, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. General view of renovation works between the Plant History Glasshouse and the incubators. Worker, equipment and plants are laid out as if to form a still life picture.
    _MG_1843.jpg
  • Pharmacy, where the apothecary nuns prepared medicines, in Les Hospices de Beaune, or Hotel-Dieu de Beaune, a charitable almshouse and hospital for the poor, built 1443-57 by Flemish architect Jacques Wiscrer, and founded by Nicolas Rolin, chancellor of Burgundy, and his wife Guigone de Salins, in Beaune, Cote d'Or, Burgundy, France. On display are copper stills used to extract ingredients from plants grown in the hospital gardens, and a pestle with bow-strung mortar of 1760, to ease the physical labour of grinding ingredients. The painting, by Charles Michel Cockerel Souville, 1751, depicts the work here of the apothecary Claude Morelos. The hospital was run by the nuns of the order of Les Soeurs Hospitalieres de Beaune, and remained a hospital until the 1970s. The building now houses the Musee de l'Histoire de la Medecine, or Museum of the History of Medicine, and is listed as a historic monument. Picture by Manuel Cohen
    LC16_FRANCE_MC_0122.jpg
  • Painting of the apothecary Claude Morelos at work in the pharmacy of the Hospices de Beaune, by Michel Charles Coquelet Souville, 1751, at Les Hospices de Beaune, or Hotel-Dieu de Beaune, a charitable almshouse and hospital for the poor, built 1443-57 by Flemish architect Jacques Wiscrer, and founded by Nicolas Rolin, chancellor of Burgundy, and his wife Guigone de Salins, in Beaune, Cote d'Or, Burgundy, France. The painting shows the pounding of single drugs using a pestle and mortar, making medicine by heating mixtures, and distillation using stills heated on fires. The hospital was run by the nuns of the order of Les Soeurs Hospitalieres de Beaune, and remained a hospital until the 1970s. The building now houses the Musee de l'Histoire de la Medecine, or Museum of the History of Medicine, and is listed as a historic monument. Picture by Manuel Cohen
    LC16_FRANCE_MC_0099.jpg
  • Scene of Saint Louis or King Louis IX of France, 1214-70, carrying the relics of the crown of thorns on a cushion to the Sainte Chapelle in Paris, which he had built to house the relics, followed by a procession of monks. Image taken from the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. Picture by Manuel Cohen
    LC11_FRANCE_MC003.jpg
  • Scene of the Marquis de Sade, 1740-1814, French writer famous for his sexual exploits, on a bed in his cell with a prostitute. Image taken from the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. Picture by Manuel Cohen
    LC11_FRANCE_MC004.jpg
  • Scene of the Marquis de Sade, 1740-1814, French writer famous for his sexual exploits, on a bed in his cell with a prostitute. Image taken from the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. Picture by Manuel Cohen
    LC11_FRANCE_MC006.jpg
  • Scene of a living room in the Hotel de Ville in Paris, furnished for the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. This is the Salon Cheret, decorated with murals by the French painter Jules Cheret, 1836-1932, including Comedy on the far wall. Picture by Manuel Cohen
    LC11_FRANCE_MC010.jpg
  • Scene of a man playing King Louis XIV of France, 1638-1715, seated on a throne. Image taken from the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. Picture by Manuel Cohen
    LC11_FRANCE_MC009.jpg
  • Scene of an editor's office from the early 20th century. Image taken from the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. Picture by Manuel Cohen
    LC11_FRANCE_MC012.jpg
  • Scene of a knight from the Middle Ages wearing chainmail. Image taken from the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. Picture by Manuel Cohen
    LC11_FRANCE_MC014.jpg
  • Scene of a blacksmith at work in the Middle Ages stoking his fire. Image taken from the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. Picture by Manuel Cohen
    LC11_FRANCE_MC018.jpg
  • Scene from a street market in the Middle Ages with a man selling food, possibly rats. Image taken from the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. Picture by Manuel Cohen
    LC11_FRANCE_MC019.jpg
  • Scene of a woman in the Middle Ages working on a stall in a street market, weighing out chestnuts from a wicker basket. Image taken from the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. Picture by Manuel Cohen
    LC11_FRANCE_MC022.jpg
  • Scene of a hunter holding a spear in prehistoric times. Image taken from the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. Picture by Manuel Cohen
    LC11_FRANCE_MC029.jpg
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