manuel cohen

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  • Flats on Peabody Square, with narrow arched entrance, designed in Italianate style by Henry Astley Darbishire, 1825-99, architect to the Peabody Trust 1864-1885, on Blackfriars St, Waterloo, London, England. This housing was built specifically for the hard working poor people of London, by the philanthropic housing association The Peabody Trust. The houses were built in a square around a courtyard and strict regulations were imposed on the residents. Picture by Manuel Cohen
    LC17_ENGLAND_MC_222.jpg
  • Bust of Justo Serra (right) and statue of Francisco Miranda (left), on the Square de l’Amerique-Latine, created 1931, at the Porte de Champerret, in the 17th arrondissement of Paris, France.  Around the bronze statue of general Francisco Miranda are 9 busts of heroes, writers and patriots of South America. Picture by Manuel Cohen
    LC19_PARIS_MC_1263.jpg
  • Square chamber, decorated with scenes of battles of the Marshall de Villars, at the Chateau de Vaux-le-Vicomte, designed by Louis Le Vau, 1612-70, and built 1658-61 for marquis Nicolas Fouquet, in Maincy, Seine-et-Marne, France. The room is decorated in French Renaissance style, with a ceiling a la francaise and a frieze of Roman warriors in a victory parade beneath. The room contains 2 oval oak tables, a portrait of Nicolas Fouquet by Claude Lefebvre, 1632-75, and tapestries of the Story of Diana, c. 1630, made at La Planche and designed by Toussaint Dubreuil. The chateau is built in Baroque style, with decoration by Charles Le Brun, 1619-90, and grounds designed by landscape architect Andre le Notre, 1613-1700. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC19_FRANCE_MC_0248.jpg
  • Louis XIV, marble bust, inspired by Bernini, with the king in armour, in the Square chamber, at the Chateau de Vaux-le-Vicomte, designed by Louis Le Vau, 1612-70, and built 1658-61 for marquis Nicolas Fouquet, in Maincy, Seine-et-Marne, France. The room is decorated in French Renaissance style, and is decorated with scenes of battles of the Marshall de Villars. The chateau is built in Baroque style, with decoration by Charles Le Brun, 1619-90, and grounds designed by landscape architect Andre le Notre, 1613-1700. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC19_FRANCE_MC_0239.jpg
  • St Nicholas Church, built 1732-37 in Baroque style by the architect Kilian Ignaz Dientzenhofer, with 2 steeples and a large octagonal dome, Old Town Square or Staromestske namesti, Prague, Czech Republic. The historic centre of Prague was declared a UNESCO World Heritage Site in 1992. Picture by Manuel Cohen
    LC13_PRAGUE_MC143.jpg
  • Evening view of Old Town Square or Staromestske namesti with the Tyn Church or Church of Our Lady before Tyn, built 14th - 15th centuries in the late Gothic style, with multiple spires on each tower, Prague, Czech Republic. The historic centre of Prague was declared a UNESCO World Heritage Site in 1992. Picture by Manuel Cohen
    LC13_PRAGUE_MC135.jpg
  • Nelson's Column, 1843, by William Railton, silhouetted on the wet pavement of Trafalgar Square amid pedestrians, London, UK. Picture by Manuel Cohen
    LC_London_MC196.jpg
  • Nelson's Column, 1843, by William Railton, silhouetted on the wet pavement of Trafalgar Square amid pedestrians and umbrellas, London, UK. Picture by Manuel Cohen
    LC_London_MC198.jpg
  • Evening view of stalls at Djemma el Fna square and marketplace, Medina, Marrakech, Morocco. The minaret of the Koutoubia mosque towers over the square. Picture by Manuel Cohen
    LCMOROCCO_12_MC178.jpg
  • Shoppers, shops and horse and cart in Djemma el Fna square and marketplace, Medina, Marrakech, Morocco. Picture by Manuel Cohen
    LCMOROCCO_12_MC094.jpg
  • Crowds and shops in Djemma el Fna square and marketplace, Medina, Marrakech, Morocco. Picture by Manuel Cohen
    LCMOROCCO_12_MC096.jpg
  • Crowds and shops at the Djemma el Fna square and marketplace, Medina, Marrakech, Morocco. Picture by Manuel Cohen
    LCMOROCCO_12_MC168.jpg
  • The Sebilj, a public fountain in Ottoman style made from wood on a stone base, built 1891, in Bascarsija Square, Sarajevo, Bosnia and Herzegovina. The square is also called Pigeon Square as people sit in the cafes drinking coffee and feeding the many pigeons which congregate here. The city was founded by the Ottomans in 1461. Picture by Manuel Cohen
    LC15_Sarajevo_MC054.jpg
  • Detail of the Madonna Verona Roman sculpture, 4th century, Piazza delle Erbe, Verona, Italy, with the frescoes, 16th century, on the facade of Casa Mazzanti in the background. The Piazza delle Erbe (Square of Herbs) stands on the old Roman Forum, and remains the centre of city life. In the centre of the square is a fountain built in 1368, perhaps by Bonino da Campione with a 4th century Roman statue, known as the "Madonna Verona". Picture by Manuel Cohen.
    LC_ITALY_11049.jpg
  • Piazza San Pietro (St. Peter's Square) and San Pietro in Vaticano (St Peter's Basilica), 16th - 17th century, Vatican City, Rome, Italy. The square was designed by Bernini, 1656 - 1667, and is outlined by a monumental colonnade. The current building of St Peter's Basilica began under Pope Julius II in 1506 and was completed in 1615 under Pope Paul V. Donato Bramante was to be the first chief architect, Michelangelo designed the dome which was completed by Giacomo della Porta with the assistance of Domenico Fontana. Picture by Manuel Cohen
    LCITALY12_MC096.jpg
  • San Pietro in Vaticano (St Peter's Basilica), 16th - 17th century, Vatican City, Rome, Italy, with in the foreground, Egyptian obelisk dating back 13th century BC installed in St. Peter's Square in 1585 by order of Pope Sixtus V. The current building began under Pope Julius II in 1506 and was completed in 1615 under Pope Paul V. Donato Bramante was to be the first chief architect, Michelangelo designed the dome which was completed by Giacomo della Porta with the assistance of Domenico Fontana and St. Peter's Square was designed by Bernini, 1656 - 1667. Picture by Manuel Cohen
    LCITALY12_MC091.jpg
  • Piazza San Pietro (St. Peter's Square) and San Pietro in Vaticano (St Peter's Basilica), 16th - 17th century, Vatican City, Rome, Italy. The square was designed by Bernini, 1656 - 1667, and is outlined by a monumental colonnade. The current building of St Peter's Basilica began under Pope Julius II in 1506 and was completed in 1615 under Pope Paul V. Donato Bramante was to be the first chief architect, Michelangelo designed the dome which was completed by Giacomo della Porta with the assistance of Domenico Fontana. Picture by Manuel Cohen
    LCITALY12_MC087.jpg
  • Piazza San Pietro (St. Peter's Square) and San Pietro in Vaticano (St Peter's Basilica), 16th - 17th century, Vatican City, Rome, Italy. The square was designed by Bernini, 1656 - 1667, and is outlined by a monumental colonnade. The current building of St Peter's Basilica began under Pope Julius II in 1506 and was completed in 1615 under Pope Paul V. Donato Bramante was to be the first chief architect, Michelangelo designed the dome which was completed by Giacomo della Porta with the assistance of Domenico Fontana. Picture by Manuel Cohen
    LCITALY12_MC086.jpg
  • Piazza San Pietro (St. Peter's Square) and San Pietro in Vaticano (St Peter's Basilica) at dusk, 16th - 17th century, Vatican City, Rome, Italy. The square was designed by Bernini, 1656 - 1667, and is outlined by a monumental colonnade. The current building of St Peter's Basilica began under Pope Julius II in 1506 and was completed in 1615 under Pope Paul V. Donato Bramante was to be the first chief architect, Michelangelo designed the dome which was completed by Giacomo della Porta with the assistance of Domenico Fontana. Picture by Manuel Cohen
    LCITALY12_MC570.jpg
  • Piazza San Pietro (St. Peter's Square) and San Pietro in Vaticano (St Peter's Basilica) at dusk, 16th - 17th century, Vatican City, Rome, Italy. The square was designed by Bernini, 1656 - 1667, and is outlined by a monumental colonnade. The current building of St Peter's Basilica began under Pope Julius II in 1506 and was completed in 1615 under Pope Paul V. Donato Bramante was to be the first chief architect, Michelangelo designed the dome which was completed by Giacomo della Porta with the assistance of Domenico Fontana. Picture by Manuel Cohen
    LCITALY12_MC571.jpg
  • People sitting in the square, Capileira, in the gorge of the Poqueira river, Alpujarra, Andalucia, Southern Spain. Moorish influence is seen in the distinctive cubic architecture of the Sierra Nevada's Alpujarra region, reminiscent of Berber architecture in Morocco's Atlas Mountains. Photograph by Manuel Cohen.
    LCSPAIN12_MC300.jpg
  • Detail of window, Tellya Sheikh Mosque, founded 16th century, restored 19th century, Khast Imam Square, Tashkent, Uzbekistan, pictured on July 4, 2010, in the afternoon. Tashkent's main Friday mosque holds the Osman Koran, claimed to be the world's oldest, in its library. Tashkent, 2000 year old capital city of Uzbekistan, a Silk Road city whose name means "Stone Fortress", is now very modern due to a disastrous earthquake in 1966, after which it was greatly rebuilt. However, some of the old buildings still stand in the glittering modern city. Picture by Manuel Cohen.
    LC_UZBEKISTAN_0710_MC327.jpg
  • Low angle view of Sant Climent de Taull church, 1123, consecrated by Ramon Guillem, the bishop of Roda, Taull, Province of Lleida, Catalonia, Spain. The church of Sant Climent is the largest; its characteristic Lombard architecture and interior decoration make it the symbol of Catalan Romanesque architecture. Its most imposing feature is its bell tower: it is square in plan and soars from a simulated solid base to six storeys. This is a church with three naves separated by cylindrical columns, topped by three semicircular apses. It is known for its campanile and for its murals, which were removed to the MNAC (National Art Museum of Catalonia, Barcelona) in 1922, to prevent the theft of the murals. The Catalan Romanesque churches of the Vall de Boí were declared a World Heritage Site by UNESCO in November 2000. Picture by Manuel Cohen.
    LCSPAIN11_MC021.jpg
  • Low angle view of Sant Climent de Taull church, 1123, consecrated by Ramon Guillem, the bishop of Roda, Taull, Province of Lleida, Catalonia, Spain. The church of Sant Climent is the largest; its characteristic Lombard architecture and interior decoration make it the symbol of Catalan Romanesque architecture. Its most imposing feature is its bell tower: it is square in plan and soars from a simulated solid base to six storeys. This is a church with three naves separated by cylindrical columns, topped by three semicircular apses. It is known for its campanile and for its murals, which were removed to the MNAC (National Art Museum of Catalonia, Barcelona) in 1922, to prevent the theft of the murals. The Catalan Romanesque churches of the Vall de Boí were declared a World Heritage Site by UNESCO in November 2000. Picture by Manuel Cohen.
    LCSPAIN11_MC018.jpg
  • Low angle view of Sant Climent de Taull church, 1123, consecrated by Ramon Guillem, the bishop of Roda, Taull, Province of Lleida, Catalonia, Spain. The church of Sant Climent is the largest; its characteristic Lombard architecture and interior decoration make it the symbol of Catalan Romanesque architecture. Its most imposing feature is its bell tower: it is square in plan and soars from a simulated solid base to six storeys. This is a church with three naves separated by cylindrical columns, topped by three semicircular apses. It is known for its campanile and for its murals, which were removed to the MNAC (National Art Museum of Catalonia, Barcelona) in 1922, to prevent the theft of the murals. The Catalan Romanesque churches of the Vall de Boí were declared a World Heritage Site by UNESCO in November 2000. Picture by Manuel Cohen.
    LCSPAIN11_MC017.jpg
  • Ground floor of the Keep or donjon, reached by a small staircase from the first floor and used for storage and housing domestic servants, with a deep well and a large fireplace, Chateau de Vincennes, Ile de France, France. The Keep is 50m high, built 1337-73, the highest fortified medieval building in Europe. It has a square plan 16x16m with a square room on each floor with walls 3m thick, with a turret on each corner. The Chateau was originally built in 1150 as a hunting lodge for Louis VII, with a donjon added in the 14th century, walls in the 15th and further extended in the 17th century. It was an important royal palace until the 18th century. Picture by Manuel Cohen
    LC13_Paris_MC326.jpg
  • A blocked window from the time the Keep or donjon was used as a prison, only letting daylight filter through a narrow slit, Chateau de Vincennes, Ile de France, France. This conversion of the windows was carried out on the first 3 floors. The Keep is 50m high, built 1337-73, the highest fortified medieval building in Europe. It has a square plan 16x16m with a square room on each floor with walls 3m thick, with a turret on each corner. The Chateau was originally built in 1150 as a hunting lodge for Louis VII, with a donjon added in the 14th century, walls in the 15th and further extended in the 17th century. It was an important royal palace until the 18th century. Picture by Manuel Cohen
    LC13_Paris_MC323.jpg
  • Headquarters of the Comando Carabinieri Tutela Patrimonio Culturale (Carabinieri Department for the Protection of Cultural Heritage), 18th century building designed by Filippo Raguzzini architect of the Piazza di Sant'Ignazio (Saint Ignatius' square), 1727-1728, Rome, Italy. Picture by Manuel Cohen
    LCITALY12_MC371.jpg
  • Piazza San Marco or St Mark's Square, with tourists and pigeons, Venice, Italy. In the centre is the Basilica di San Marco or St Mark's Basilica and its campanile or bell tower, rebuilt in 1912 after its collapse in 1902. On either side are the procurator's offices, the Procuratie Vecchie on the left and the Procuratie Nuove on the right. Photographed on 28th October 2018 by Manuel Cohen
    LC18_ITALY_MC_0201.jpg
  • Piazza San Marco or St Mark's Square in the evening, Venice, Italy. In the centre is the Basilica di San Marco or St Mark's Basilica and its campanile or bell tower, rebuilt in 1912 after its collapse in 1902. On either side are the procurator's offices, the Procuratie Vecchie on the left and the Procuratie Nuove on the right. Photographed on 28th October 2018 by Manuel Cohen
    LC18_ITALY_MC_0151.jpg
  • Iglesia de Nuestra Senora de la Victoria or Church of Our Lady of Victory, built 1919 on the Moulay el Mehdi Square in the Ensanche or Spanish Expansion area of Tetouan during the time of the Spanish Protectorate of Morocco 1912-56, in the Rif mountains of Northern Morocco. After the Reconquest of Spain, Tetouan was rebuilt by Andalusian refugees who had been expelled by the Spanish, and the town continued to have a strong Moorish influence in its art and architecture. Picture by Manuel Cohen
    LC13_Morocco_MC172.jpg
  • Donna Leon (New Jersey, United States, 1942), American author of a series of crime novels set in Venice, Italy, such as the international best-selling Commissario Guido Brunetti series, winner of the CWA Macallan Silver Dagger for Fiction. Leon was a lecturer in English literature for the University of Maryland University College - Europe (UMUC-Europe) in Italy and then worked as a professor at the American military base of Vicenza, Italy (1981-1999). Photo by Manuel Cohen. Campo Santa Maria Formosa square, Venice, Italy, on 3rd March 2016.
    03032016_DonnaLeon_MC015.jpg
  • Stained glass window, All Hallows by the Tower, London, UK, founded 675 AD, by The Saxon Abbey of Barking. This stained glass window by M C Farrer Bell, c. 1956, shows the coat of Arms of Port of London Authority established 1909, whose headquarters was in Trinity Square. Motto Floreat Imperii Portus or Let the Imperial Port Flourish. Picture by Manuel Cohen
    LC_London_MC037.jpg
  • Plant History Glasshouse (formerly the Australian Glasshouse) built in the 1830s by Charles Rohault de Fleury, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Detail of Equisetum myriochaetum plants. This image finds its depth of field in the play of light and shadows, in the rocks in the foreground and in the corbel on the wall behind the plants.
    Mnhn_GS_MCohen_512.jpg
  • The Orloj or Prague Astronomical Clock, made by Hanus and installed in 1410 on the southern wall of the Old Town Hall on Old Town Square, Prague, Czech Republic. The clock mechanism has 3 main components: the astronomical dial, representing the position of the Sun and Moon in the sky and displaying various astronomical details; "The Walk of the Apostles", a clockwork hourly show of figures of the Apostles and other moving sculptures striking the time; and a calendar dial with medallions representing the months. It is the third-oldest astronomical clock in the world and the oldest one still working. The historic centre of Prague was declared a UNESCO World Heritage Site in 1992. Picture by Manuel Cohen
    LC13_PRAGUE_MC137.jpg
  • Statue of St Francis of Assisi at the Old Town end of the Charles Bridge or Karluv most, built 1357 - 15th century across the Vltava river, and the dome of the St Franciscus Church, built 1679-89, on the Crusaders Square in the distance, with its monument to Charles IV, Prague, Czech Republic. The historic centre of Prague was declared a UNESCO World Heritage Site in 1992. Picture by Manuel Cohen
    LC13_PRAGUE_MC124.jpg
  • Piazetta Dalmata in the Prioria, home of Gabriele D'Annunzio, 1863-1938, Italian writer, soldier and fascist, at Vittoriale degli italiani, or The Shrine of Italian Victories, his estate and museums at Gardone Riviera, Lake Garda, Brescia, Lombardy, Italy. In the centre of the Dalmatian Square is a stone cylinder with 8 heads of bearded men, representing the 8 veins of the Italian rose. The house was originally the Villa Cargnacco, which was rebuilt by Gian Carlo Maroni from 1922 and developed until 1955. The estate consists of the Prioria, where d'Annunzio lived 1922-38, an amphitheatre, the protected cruiser Puglia, the MAS vessel used by D'Annunzio in 1918 and a mausoleum. It is part of the Grandi Giardini Italiani. Picture by Manuel Cohen
    LC19_ITALY_MC_165.jpg
  • Ring, consisting of 3 square profile rings in yellow gold with rubies and diamonds, from the Eboulis Collection, by Thierry Vendome, jeweller, Paris, France. In this latest collection, the shapes and rhythms of the stones themselves have inspired the design of the modular rings, with organic, gravity-defying flow. Picture by Manuel Cohen
    05112018_EboulisColl_MC_01.jpg
  • Rooftops of the buildings on Rossio Square or Pedro IV Square, with the roof of the Sao Domingos Church on the right, Pombaline, Lisbon, Portugal. Picture by Manuel Cohen
    LC15_LISBON_MC030.jpg
  • Foster & Partners' glass buildings, More London Place, Greater London, UK. Picture by Manuel Cohen.The use of this image may require further clearance / Merci de vous assurer que l'utilisation finale de l'image ne necessite pas d'autorisation supplementaire.
    LC_London_MC164.jpg
  • Rome Against Carthage, marble relief by Giuseppe Mazzullo, 1940, on the Palazzo dell'INPS, (the Istituto Nazionale della Previdenza Sociale or National Institute of Social Security), 1940-54, designed by Giovanni Muzio, Mario Paniconi and Giulio Pediconi, on the Piazza delle Esedre, renamed Piazzale delle Nazioni Uniti, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC062.jpg
  • Sala Cinese or Chinese Hall in the Caffe Florian, on St Mark's Square or Piazza San Marco, Venice, Italy. This coffee house was founded in 1720 and is one of the oldest continuously operated cafes in the world. It was restored in 1858 by Lodovico Cadorinj and artists employed to paint on the walls. The city of Venice is an archipelago of 117 small islands separated by canals and linked by bridges, in the Venetian Lagoon. The historical centre of Venice is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_ITALY_MC_0110.jpg
  • The gatehouse with its 2 entry towers on the East wall of the Chateau de Dourdan, built 1220-22 by Guillaume de Flamenville under Philippe Auguste, replacing an earlier wooden structure, Dourdan, Hurepoix, Essonne, France. The castle is built on a square plan, with towers along the sides, at 3 of the corners and an isolated donjon at the 4th, and is surrounded by a dry moat. From 1672-1852 it became a prison, and now houses a history museum. The castle became an Historical Monument in 1964. Picture by Manuel Cohen
    LC14_France_MC033.jpg
  • Plaster bust of Saint Louis or King Louis IX of France, 1214-70,  commissioned by Joseph Guyot in 1911, after the original in the Sainte Chapelle in Paris, in the communal hall in the donjon or keep of the Chateau de Dourdan, built 1220-22 by Guillaume de Flamenville under Philippe Auguste, replacing an earlier wooden structure, Dourdan, Hurepoix, Essonne, France. In 1652, Louis gave the castle to his mother, Anne of Austria. The castle is built on a square plan, with towers along the sides, at 3 of the corners and an isolated donjon at the 4th, and is surrounded by a dry moat. From 1672-1852 it became a prison, and now houses a history museum. The castle became an Historical Monument in 1964. Picture by Manuel Cohen
    LC14_France_MC019.jpg
  • The dry moat and gatehouse with its 2 entry towers on the East wall of the Chateau de Dourdan, built 1220-22 by Guillaume de Flamenville under Philippe Auguste, replacing an earlier wooden structure, Dourdan, Hurepoix, Essonne, France. The castle is built on a square plan, with towers along the sides, at 3 of the corners and an isolated donjon at the 4th, and is surrounded by a dry moat. From 1672-1852 it became a prison, and now houses a history museum. The castle became an Historical Monument in 1964. Picture by Manuel Cohen
    LC14_France_MC030.jpg
  • Dry moat, tower and behind, the donjon or keep of the Chateau de Dourdan, built 1220-22 by Guillaume de Flamenville under Philippe Auguste, replacing an earlier wooden structure, Dourdan, Hurepoix, Essonne, France. The castle is built on a square plan, with towers along the sides, at 3 of the corners and an isolated donjon at the 4th, and is surrounded by a dry moat. From 1672-1852 it became a prison, and now houses a history museum. The castle became an Historical Monument in 1964. Picture by Manuel Cohen
    LC14_France_MC032.jpg
  • The gatehouse with its 2 entry towers on the East wall of the Chateau de Dourdan, built 1220-22 by Guillaume de Flamenville under Philippe Auguste, replacing an earlier wooden structure, Dourdan, Hurepoix, Essonne, France. The castle is built on a square plan, with towers along the sides, at 3 of the corners and an isolated donjon at the 4th, and is surrounded by a dry moat. From 1672-1852 it became a prison, and now houses a history museum. The castle became an Historical Monument in 1964. Picture by Manuel Cohen
    LC14_France_MC015.jpg
  • Arrowslit in the wall of the Chateau de Dourdan, built 1220-22 by Guillaume de Flamenville under Philippe Auguste, replacing an earlier wooden structure, Dourdan, Hurepoix, Essonne, France. The castle is built on a square plan, with towers along the sides, at 3 of the corners and an isolated donjon at the 4th, and is surrounded by a dry moat. From 1672-1852 it became a prison, and now houses a history museum. The castle became an Historical Monument in 1964. Picture by Manuel Cohen
    LC14_France_MC017.jpg
  • Door corbel carved with a trefoil leaf in the commandant's bedroom, on the second floor of the donjon or keep of the Chateau de Dourdan, built 1220-22 by Guillaume de Flamenville under Philippe Auguste, replacing an earlier wooden structure, Dourdan, Hurepoix, Essonne, France. The castle is built on a square plan, with towers along the sides, at 3 of the corners and an isolated donjon at the 4th, and is surrounded by a dry moat. From 1672-1852 it became a prison, and now houses a history museum. The castle became an Historical Monument in 1964. Picture by Manuel Cohen
    LC14_France_MC022.jpg
  • Temple of Hadrian, 2nd century AD, Curetes Street, Ephesus, Izmir, Turkey. The temple was built by Quintilius before 138 AD and was dedicated to the Emperor Hadrian, who came to visit the city from Athens in 128 AD. The colonnade in front of the cella supports a so-called Syrian gable. The reliefs over the door lintel depicting the Ephesian foundation myth were added later. Around 300 AD statues of the emperors Diocletian, Constantius, Maximianus and later Theodosius I were erected, of which inscribed bases are preserved. The facade of the temple has 4 Corinthian style columns supporting a curved arch, in the middle of which contains a relief of Tyche, goddess of victory. The side columns are square. The pedestal with inscriptions in front of the temple, are the bases for the statues of emperors Diocletian, Maximian, Constantius I, and Galerius; the originals of the statues have not been found yet. Ephesus was an ancient Greek city founded in the 10th century BC, and later a major Roman city, on the Ionian coast near present day Selcuk. Picture by Manuel Cohen
    LC13_Turkey_MC386.jpg
  • Picadilly Circus Underground station, London, UK. Picture by Manuel Cohen The use of this image may require further clearance / Merci de vous assurer que l'utilisation finale de l'image ne necessite pas d'autorisation supplementaire.
    LC_London_MC296.jpg
  • Bronze plaque with a bust of Franz Kafka, 1883-1924, Czech writer and philosopher, on the corner of his Birthplace House on the corner of Kaprova Street and Maiselova Street, Jewish quarter, Prague, Czech Republic. Kafka was born in this house on July 3rd 1883 and lived here with his parents for 2 years. A memorial plaque and the name of the square commemorate Franz Kafka. The historic centre of Prague was declared a UNESCO World Heritage Site in 1992. Picture by Manuel Cohen
    LC13_PRAGUE_MC166.jpg
  • Courtyard in the small square cloister, rebuilt 1845-50 in Neo Gothic style during restoration by Lassus and Viollet-le-Duc, at Notre-Dame de Paris, or Notre-Dame cathedral, built 1163-1345 in French Gothic style, on the Ile de la Cite in the 4th arrondissement of Paris, France. In the cloister arcades are 18 stained glass windows made by Alfred Gerente, 1821-68, after designs by Steinhel, depicting the Legend of St Genevieve, patron saint of Paris. Picture by Manuel Cohen
    LC19_PARIS_MC_0435.jpg
  • Cherub, sculptural detail celebrating king James' alliance with England, mainly original but some later Victorian, in James IV’s Great Hall, 1503-13, the chief assembly hall in the castle, on Crown Square, in Edinburgh Castle on Castle Rock, Edinburgh, Scotland. The Great Hall was used as a military barracks in the 17th and 18th centuries and as a military hospital in the 19th century, then restored by Hippolyte Blanc, 1844-1917, to medieval style. The first royal castle built here was under David I in the 12th century, and the site has been built on, attacked and defended ever since. The castle now houses military museums and the National War Museum of Scotland and is run by Historic Scotland. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_050.jpg
  • Thistle, symbol of Scotland, sculptural detail celebrating king James' alliance with England, mainly original but some later Victorian, in James IV’s Great Hall, 1503-13, the chief assembly hall in the castle, on Crown Square, in Edinburgh Castle on Castle Rock, Edinburgh, Scotland. The Great Hall was used as a military barracks in the 17th and 18th centuries and as a military hospital in the 19th century, then restored by Hippolyte Blanc, 1844-1917, to medieval style. The first royal castle built here was under David I in the 12th century, and the site has been built on, attacked and defended ever since. The castle now houses military museums and the National War Museum of Scotland and is run by Historic Scotland. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_049.jpg
  • Green man, symbol of fertility similar to one on the royal sceptre, sculptural detail celebrating king James' alliance with England, mainly original but some later Victorian, in James IV’s Great Hall, 1503-13, the chief assembly hall in the castle, on Crown Square, in Edinburgh Castle on Castle Rock, Edinburgh, Scotland. The Great Hall was used as a military barracks in the 17th and 18th centuries and as a military hospital in the 19th century, then restored by Hippolyte Blanc, 1844-1917, to medieval style. The first royal castle built here was under David I in the 12th century, and the site has been built on, attacked and defended ever since. The castle now houses military museums and the National War Museum of Scotland and is run by Historic Scotland. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_048.jpg
  • Female bust, symbol of love, sculptural detail celebrating king James' alliance with England, mainly original but some later Victorian, in James IV’s Great Hall, 1503-13, the chief assembly hall in the castle, on Crown Square, in Edinburgh Castle on Castle Rock, Edinburgh, Scotland. The Great Hall was used as a military barracks in the 17th and 18th centuries and as a military hospital in the 19th century, then restored by Hippolyte Blanc, 1844-1917, to medieval style. The first royal castle built here was under David I in the 12th century, and the site has been built on, attacked and defended ever since. The castle now houses military museums and the National War Museum of Scotland and is run by Historic Scotland. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_046.jpg
  • Wooden wheel supporting the lighting in the square tower in the Cathedral Saint-Samson, begun in the 13th century on the site of an older church and completed in the 18th century, in Dol-de-Bretagne, Brittany, France. The cathedral is dedicated to one of the founding saints of Brittany and until 1801 was the seat of the archbishopric of Dol. Picture by Manuel Cohen
    LC18_FRANCE_MC_0131.jpg
  • Courtyard in the small square cloister, rebuilt 1845-50 in Neo Gothic style during restoration by Lassus and Viollet-le-Duc, at Notre-Dame de Paris, or Notre-Dame cathedral, built 1163-1345 in French Gothic style, on the Ile de la Cite in the 4th arrondissement of Paris, France. In the cloister arcades are 18 stained glass windows made by Alfred Gerente, 1821-68, after designs by Steinhel, depicting the Legend of St Genevieve, patron saint of Paris. Picture by Manuel Cohen
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  • Sant Climent de Taull, or Church of St Clement of Tahull, a Romanesque catholic church consecrated 1123, in the evening, in La Vall de Boi, Lleida, Catalonia, Spain. Attached to the church is a 6 storey square bell tower. The church is listed as a UNESCO World Heritage Site as part of the Catalan Romanesque Churches of the Vall de Boi. Picture by Manuel Cohen
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  • James IV’s Great Hall, 1503-13, the chief assembly hall in the castle, with displays of armour and weaponry and a grand fireplace, on Crown Square, in Edinburgh Castle on Castle Rock, Edinburgh, Scotland. The Great Hall was used as a military barracks in the 17th and 18th centuries and as a military hospital in the 19th century, then restored by Hippolyte Blanc, 1844-1917, to medieval style. The first royal castle built here was under David I in the 12th century, and the site has been built on, attacked and defended ever since. The castle now houses military museums and the National War Museum of Scotland and is run by Historic Scotland. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_181.jpg
  • Square stone-lined interior well, excavated in November 1996, in the Chapelle du Crucifix, linked to a second external well by an underground conduit and fed from the same water source, at the Cathedral Saint-Samson, begun in the 13th century on the site of an older church and completed in the 18th century, in Dol-de-Bretagne, Brittany, France. The linking of 2 indoor and outdoor wells is unique in France. The cathedral is dedicated to one of the founding saints of Brittany and until 1801 was the seat of the archbishopric of Dol. Picture by Manuel Cohen
    LC18_FRANCE_MC_0101.jpg
  • Train bridge of the Berlin Stadtbahn or S-Bahn in Hackescher Markt, a square named after a former town mayor of Berlin, Mitte, Berlin, Germany. Picture by Manuel Cohen
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  • The Flame sculpture, 1962-63, by Bernhard Heiliger, 1915-95, on Ernst Reuter Platz, Berlin, Germany. The square is named after the first mayor of Berlin after the war, 1949-53, who represented a flame of hope for Berliners. Picture by Manuel Cohen
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  • Agbar Tower at sunset, 1999 - 2004, Jean Nouvel and B720 architectural studio, Barcelona, Spain. 50,500 square meters built, 142 meters height. Picture by Manuel Cohen
    LCSPAIN12_MC094.jpg
  • Salon de Embajadores, or Hall of Ambassadors, seen through a horseshoe arch, in the Mudejar Palace, or Palacio del Rey Don Pedro, built by Pedro I of Castile in 1364, in the Real Alcazar, a Moorish royal palace in Seville, Andalusia, Spain. The Hall of Ambassadors was the throne room of King Don Pedro I, 1334-1369. The square shape of the room represents the earth and the circular dome, dating to 1427, represents the universe. The Alcazar was first founded as a fort in 913, then developed as a palace in the 11th, 12th and 13th centuries and used by both Muslim and Christian rulers. The Alcazar is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC046.jpg
  • The Patio de las Doncellas, or Courtyard of the Maidens, seen through the arch of the Salon de Embajadores, or Hall of Ambassadors, in the Mudejar Palace, or Palacio del Rey Don Pedro, built by Pedro I of Castile in 1364, in the Real Alcazar, a Moorish royal palace in Seville, Andalusia, Spain. The Hall of Ambassadors was the throne room of King Don Pedro I, 1334-1369. It is a square room with a wooden dome covered in star patterns, added in 1427.  The Patio de las Doncellas is a courtyard surrounded by muqarnas arches and a central sunken garden. The Alcazar was first founded as a fort in 913, then developed as a palace in the 11th, 12th and 13th centuries and used by both Muslim and Christian rulers. The Alcazar is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC002.jpg
  • Decorative plasterwork on the wall of the Salon de Embajadores, or Hall of Ambassadors, with decorative patterns, columns, horseshoe arches and azulejos tiles on the bottom of the walls, in the Mudejar Palace, or Palacio del Rey Don Pedro, built by Pedro I of Castile in 1364, in the Real Alcazar, a Moorish royal palace in Seville, Andalusia, Spain. The Hall of Ambassadors was the throne room of King Don Pedro I, 1334-1369. The square shape of the room represents the earth and the circular dome, dating to 1427, represents the universe. The Alcazar was first founded as a fort in 913, then developed as a palace in the 11th, 12th and 13th centuries and used by both Muslim and Christian rulers. The Alcazar is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC099.jpg
  • Palazzo degli Uffici, headquarters of EUR SpA, built 1937-39 in Fascist style, designed by Gaetano Minnucci, 1896-1980, and built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC073.jpg
  • New York Stock Exchange, designed by George B Post in Neoclassical style, and built in 1903, at 11 Wall St, Lower Manhattan, New York, New York, USA, seen from between the columns of Federal Hall National Memorial. The facade of the NYSE features 2 square corner pillars and 6 columns with Corinthian capitals. The pediment features a sculptural scene by John Quincy Adams Ward entitled Integrity Protecting the Works of Man. Picture by Manuel Cohen
    LC17_NEWYORK_MC_047.jpg
  • Salon de Embajadores, or Hall of Ambassadors, in the Mudejar Palace, or Palacio del Rey Don Pedro, built by Pedro I of Castile in 1364, in the Real Alcazar, a Moorish royal palace in Seville, Andalusia, Spain. The Hall of Ambassadors was the throne room of King Don Pedro I, 1334-1369. The square shape of the room represents the earth and the circular dome, dating to 1427, represents the universe. The Alcazar was first founded as a fort in 913, then developed as a palace in the 11th, 12th and 13th centuries and used by both Muslim and Christian rulers. The Alcazar is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC010.jpg
  • Templo de Vignola or Temple of Eternity, a memorial to Giulia Farnese, wife of Pier Francesco Orsini, at the summit of the Garden of Bomarzo, also known as the Sacro Bosco or Sacred Grove, or the Parco dei Mostri or Park of the Monsters, a monumental Mannerist park complex, c. 1550, made by Pier Francesco Orsini, or Vicino, 1523–1585, Duke of Orsini, designed by Pirro Ligorio, 1512-83, with sculptures by Simone Moschino, 1533-1610, in Bomarzo, Viterbo, Lazio, Italy. The temple is octagonal topped by a cupola and bell, with a square colonnaded portico, in a mixture of Greek, Classical and Renaissance styles. The temple houses the tombs of Giovanni Bettini and Tina Severi, the owners who restored the garden in the 20th century. The gardens are in a wood at the bottom of a valley beneath the Castle of Orsini, with many large sculptures, small buildings and inscribed poems. The layout of the garden is chaotic, in contrast with formal Renaissance gardens, and it has a surrealistic air. The garden was restored in the 1970s and is now a major tourist attraction. Picture by Manuel Cohen
    LC16_ITALY_MC_0373.jpg
  • Ground floor of the living room with decorative stained glass windows by Jeroni Ferran Granell i Manresa, furniture by Gaspar Homar and marble work by Alfons Juyol, in the Casa Navas, built 1902-7 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, on the Plaza del Mercadal or Market Square in Reus, Catalonia, Spain. The house was built for Joaquim Navas Padro. The interiors were completed by Alfons Juyol i Bach (marble), Tomas Bergada (paintings), Gaspar Homar (furniture) and Hipolit Montseny (ceramics). The building is listed as a national monument. Picture by Manuel Cohen
    LC16_SPAIN_MC108.jpg
  • Statue of Orlando or Roland, legendary knight, who saved Dubrovnik from a 15 month Saracen siege in the 9th century, on Orlando's Column, Luza Square, at the end of Stradun or Placa, the main street in the Old Town, Dubrovnik, Croatia. Behind is the clock on the Bell Tower. The city developed as an important port in the 15th and 16th centuries and has had a multicultural history, allied to the Romans, Ostrogoths, Byzantines, Ancona, Hungary and the Ottomans. In 1979 the city was listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_DUBROVNIK_MC008.jpg
  • Restaurants in Djemma el Fna square and marketplace at night, Medina, Marrakech, Morocco. The minaret of the Koutoubia mosque can be seen in the background. Picture by Manuel Cohen
    LCMOROCCO_12_MC108.jpg
  • Statue of Orlando or Roland, legendary knight, who saved Dubrovnik from a 15 month Saracen siege in the 9th century, on Orlando's Column, Luza Square, at the end of Stradun or Placa, the main street in the Old Town, Dubrovnik, Croatia. The city developed as an important port in the 15th and 16th centuries and has had a multicultural history, allied to the Romans, Ostrogoths, Byzantines, Ancona, Hungary and the Ottomans. In 1979 the city was listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_DUBROVNIK_MC132.jpg
  • Cafe at Die Hackeschen Hofe, a shopping area on the site of Hackescher Markt, called Hacke's Market after mayor  Hans Christoph Friedrich Graf von Hacke, a market building and square originally built around 1750 and redeveloped after German Reunification into a cultural and commercial centre, Berlin, Germany. Picture by Manuel Cohen
    LC14_BERLIN_MC0435.jpg
  • Tetrapylon or monumental gateway, 2nd century AD, Aphrodisias, Aydin, Turkey. The tetrapylon greeted pilgrims visiting the Temple or Sanctuary of Aphrodite and linked the main North-South street of the town to the Sacred Way leading to a large forecourt in front of the temple. It consists of 4 rows of 4 columns and the pediment over the West columns is decorated with reliefs of Eros and Nike hunting among the acanthus leaves. Aphrodisias was a small ancient Greek city in Caria near the modern-day town of Geyre. It was named after Aphrodite, the Greek goddess of love, who had here her unique cult image, the Aphrodite of Aphrodisias. The city suffered major earthquakes in the 4th and 7th centuries which destroyed most of the ancient structures. Picture by Manuel Cohen
    LC13_Turkey_MC555.jpg
  • Tetrapylon or monumental gateway from the East, 2nd century AD, Aphrodisias, Aydin, Turkey. The tetrapylon greeted pilgrims visiting the Temple or Sanctuary of Aphrodite and linked the main North-South street of the town to the Sacred Way leading to a large forecourt in front of the temple. It consists of 4 rows of 4 columns and the pediment over the West columns is decorated with reliefs of Eros and Nike hunting among the acanthus leaves. Aphrodisias was a small ancient Greek city in Caria near the modern-day town of Geyre. It was named after Aphrodite, the Greek goddess of love, who had here her unique cult image, the Aphrodite of Aphrodisias. The city suffered major earthquakes in the 4th and 7th centuries which destroyed most of the ancient structures. Picture by Manuel Cohen
    LC13_Turkey_MC556.jpg
  • Giant sculpted head in the courtyard of Aphrodisias Museum, Aydin, Turkey. Aphrodisias was a small ancient Greek city in Caria near the modern-day town of Geyre. It was named after Aphrodite, the Greek goddess of love, who had here her unique cult image, the Aphrodite of Aphrodisias. The city suffered major earthquakes in the 4th and 7th centuries which destroyed most of the ancient structures. Picture by Manuel Cohen
    LC13_Turkey_MC547.jpg
  • Ephebus shown in betwwen of garlands, column and mask reliefs from a carved sarcophagus found at Aphrodisias, Aydin, Turkey. Sarcophagi were recovered in various locations, often with designs of garlands and columns. The Sculpture School at Aphrodisias was an important producer of carved marble sarcophagi and friezes from the 1st century BC until the 6th century AD. Many sarcophagi were decorated with lively reliefs, symbolizing the desire to deny the eternal darkness of death. Aphrodisias was a small ancient Greek city in Caria near the modern-day town of Geyre. It was named after Aphrodite, the Greek goddess of love, who had here her unique cult image, the Aphrodite of Aphrodisias. The city suffered major earthquakes in the 4th and 7th centuries which destroyed most of the ancient structures. Picture by Manuel Cohen
    LC13_Turkey_MC550.jpg
  • Stone mason's mark in the form of a cross in a square, carved into the stone on a column in the nave, marking how far he had worked to determine his wages, at the Cathedrale Saint-Julien du Mans or Cathedral of St Julian of Le Mans, Le Mans, Sarthe, Loire, France. The cathedral was built from the 6th to the 14th centuries, with both Romanesque and High Gothic elements. It is dedicated to St Julian of Le Mans, the city's first bishop, who established Christianity in the area in the 4th century AD. Picture by Manuel Cohen
    LC15_FRANCE_MC0495.jpg
  • Chateau de Puivert, a Cathar castle rebuilt in the 13th and 14th centuries in Puivert, Quercob, Aude, France. This was a military castle, built for lookout and defence, and has a square keep tower 35m high, and 5 remaining towers of the original 8. The castle is privately owned and is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC0169.jpg
  • Statues and gargoyles on the Tour de Beurre or Butter Tower, built 1485-1506, at Rouen Cathedral or the Cathedrale de Notre Dame de Rouen, built 12th century in Gothic style, with work continuing through the 13th and 14th centuries, Rouen, Normandy, France. The tower is named for its funding by donations from wealthy citizens in return for the privilege of eating butter during Lent. It is of square plan on 4 levels with an octagonal upper section. Picture by Manuel Cohen
    LC14_France_MC1095.jpg
  • Horus, with falcon head, and Thoth, with ibis head, blessing Hatshepsut, with vases and ankhs, relief, in the barque shrine, in the Precinct of Amun-Re, at the Karnak Temple Complex, Karnak, Thebes, Luxor, Egypt. The image of Hatshepsut has been removed by chiselling in the time of Tuthmosis III. The site was developed c. 2055 BC - 100 AD, from the Middle Kingdom to the Ptolemaic Kingdom and most of the buildings date to the New Kingdom, dedicated to the Theban Triad of Amun, Mut and Khonsu. Thebes is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_EGYPT_MC_0587.jpg
  • Fresco on vaulted ceiling of hall, Qasr Amra, Jordan. This fresco is divided into squares and depicts various forms of work, maybe relating to the building of the castle. Here we see two men carrying a stone block. These early Islamic frescoes have strong Persian and Byzantine influences. The original castle complex was built in 723-743 by Walid Ibn Yazid, the future Umayyad Caliph Walid II. It was a fortress with military garrison and residence of the Umayyad Caliphs. Today only the royal pleasure cabin remains, with reception hall and hammam or bath house. Picture by Manuel Cohen
    LC12_Jordan_MC355.jpg
  • Nicolas Desbons, metalworker and artist, working on a figurative sculpture made by placing squares of steel inside a plaster mould and soldering them together, in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC052.JPG
  • Nicolas Desbons, metalworker and artist, working on a figurative sculpture made by placing squares of steel inside a plaster mould and soldering them together, in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC052.JPG
  • Dome, seen from below with trompe l'oeil coffers with gilded stars, on a hexagonal drum with images and statues of 42 patriarchs and prophets, 1481, by Guidoccio Cozzarelli and Benvenuto di Giovanni, in the Duomo di Siena or Siena Cathedral, built 1196-1348 and consecrated in 1215, designed by Giovanni di Agostino, Giovanni Pisano and Camaino di Crescentino, in Siena, Tuscany, Italy. The cathedral has elements of Italian Gothic, Romanesque, and Classical styes and is built from stripes of white and green-black marble. The historic centre of Siena is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_ITALY_MC344.jpg
  • Tropical rainforest glasshouse (formerly Le Jardin d'Hiver), 1936, RenÈ Berger, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. View from below of a Howea Forsteriana palm tree in the middle of Ficus Glabella foliage against the glass and metal structure of the Art Deco building.
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  • Plant History Glasshouse (formerly the Australian Glasshouse),1830s, Charles Rohault de Fleury, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Detail of cyatheales showing the leaves against a dark background.
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  • Plant History Glasshouse (formerly the Australian Glasshouse),1830s, Charles Rohault de Fleury, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Detail of cyatheales showing the leaves against a dark background.
    Mnhn_GS_MCohen_538.JPG
  • Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Detail of Epidendrum imatophyllum (orchid) flower in the afternoon light.
    Mnhn_GS_MCohen_505.jpg
  • Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Detail of laelia pumila (Brazilian Orchid) flower in the afternoon light.
    Mnhn_GS_MCohen_504.jpg
  • Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Detail of laelia pumila (Brazilian Orchid) flower in the afternoon light.
    Mnhn_GS_MCohen_503.jpg
  • Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Detail of a Setcreasea purpurea.
    Mnhn_GS_MCohen_502.jpg
  • Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Detail of cereus peruvianus monstruosus (Peruvian Apple Cactus) in the afternoon light.
    Mnhn_GS_MCohen_500.jpg
  • Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver or Winter Gardens), 1936, RenÈ Berger, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Detail of arenga englerii Palm Tree fruits lit by the afternoon light.
    Mnhn_GS_MCohen_495.jpg
  • Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver or Winter Gardens), 1936, RenÈ Berger, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Detail of Musa flower in close up with a background of foliage.
    Mnhn_GS_MCohen_493.jpg
  • Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver or Winter Gardens), 1936, RenÈ Berger, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Detail of a delicate Alpinia Zerumbet flower showing the stamen in one of the open blooms, and surrounded by deep green foliage in the afternoon light.
    Mnhn_GS_MCohen_491.jpg
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