manuel cohen

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  • Triangular glass building with spire seen from below, More London Place, Greater London, UK. Picture by Manuel Cohen
    LC_London_MC119.jpg
  • City Hall, Foster & Partners, 2002, Southbank, River Thames, London, UK, and Tower Bridge, 1886-94, in the background seen from More London Place. Nicknamed the London Egg, the 45m high City Hall is the headquarters of the Greater London Authority. Its glass and steel structure incorporates environmentally friendly features such as solar panels. Picture by Manuel Cohen
    LC_London_MC118.jpg
  • Modern buildings of More London Place with a tower of Tower Bridge and a fragment of the City Hall visible in the background, Greater London, UK. Picture by Manuel Cohen
    LC_London_MC116.jpg
  • Modern buildings of More London Place with a tower of Tower Bridge visible in the far distance, Greater London, UK. Picture by Manuel Cohen
    LC_London_MC115.jpg
  • Shard London Bridge, also known as London Bridge Tower, 2012, Renzo Piano seen from More London Place, Greater London, UK. Picture by Manuel Cohen
    LC_London_MC114.jpg
  • Lobby of a building, More London Riverside, Greater London, UK. Picture by Manuel Cohen
    LC_London_MC113.jpg
  • City Hall, Foster & Partners, 2002, Southbank, River Thames, London, UK, and Tower Bridge, 1886-94, in the background and guardrail of the Scoop Arena in the foreground. Nicknamed the London Egg, the 45m high City Hall is the headquarters of the Greater London Authority. Its glass and steel structure incorporates environmentally friendly features such as solar panels. Picture by Manuel Cohen
    LC_London_MC112.jpg
  • City Hall, Foster & Partners, 2002, Southbank, River Thames, London, UK, and Tower Bridge, 1886-94, in the background seen from the Scoop Arena. Nicknamed the London Egg, the 45m high City Hall is the headquarters of the Greater London Authority. Its glass and steel structure incorporates environmentally friendly features such as solar panels. Picture by Manuel Cohen
    LC_London_MC111.jpg
  • Tower Bridge, 1886-94, by architect Sir Horace Jones and engineer Sir John Wolfe Barry, River Thames, London, UK seen from More London Place. The bascule bridge, symbol of London, is reflected in the glass wall of a modern hotel as well as two pedestrians walking in the evening. Picture by Manuel Cohen
    LC_London_MC110.jpg
  • No.1 London Bridge, postmodern high-rise building, 1986, John S. Bonnington Partnership with the Shard London Bridge, also known as London Bridge Tower, 2012, Renzo Piano, in the background, Greater London, UK. Picture by Manuel Cohen.The use of this image may require further clearance / Merci de vous assurer que l'utilisation finale de l'image ne necessite pas d'autorisation supplementaire.
    LC_London_MC173.jpg
  • Shard London Bridge, also known as London Bridge Tower, 2012, Renzo Piano seen from More London Place, Greater London, UK. Picture by Manuel Cohen.The use of this image may require further clearance / Merci de vous assurer que l'utilisation finale de l'image ne necessite pas d'autorisation supplementaire.
    LC_London_MC177.jpg
  • Foster & Partners' glass buildings, More London Place, Greater London, UK. Picture by Manuel Cohen.The use of this image may require further clearance / Merci de vous assurer que l'utilisation finale de l'image ne necessite pas d'autorisation supplementaire.
    LC_London_MC163.jpg
  • Foster & Partners' glass buildings, More London Place, Greater London, UK. Picture by Manuel Cohen.The use of this image may require further clearance / Merci de vous assurer que l'utilisation finale de l'image ne necessite pas d'autorisation supplementaire.
    LC_London_MC164.jpg
  • W Barcelona (Hotel Vela) at sunrise, 2009, Ricardo Bofill, Barcelona, Spain. Picture by Manuel Cohen
    LCSPAIN12_MC147.jpg
  • W Barcelona (Hotel Vela) at sunrise, 2009, Ricardo Bofill, Barcelona, Spain. Picture by Manuel Cohen
    LCSPAIN12_MC146.JPG
  • W Barcelona (Hotel Vela) at dusk, 2009, Ricardo Bofill, Barcelona, Spain. Picture by Manuel Cohen
    LCSPAIN12_MC145.jpg
  • W Barcelona (Hotel Vela) at dusk, 2009, Ricardo Bofill, Barcelona, Spain. Picture by Manuel Cohen
    LCSPAIN12_MC144.jpg
  • W Barcelona (Hotel Vela) at dusk, 2009, Ricardo Bofill, Barcelona, Spain. Picture by Manuel Cohen
    LCSPAIN12_MC142.jpg
  • W Barcelona (Hotel Vela) at dusk, 2009, Ricardo Bofill, Barcelona, Spain. Picture by Manuel Cohen
    LCSPAIN12_MC141.jpg
  • Lloyd's building reflected in the Willis Building, London, UK. Picture by Manuel Cohen
    LC_London_MC145.jpg
  • The Swiss Re building, known as the Gherkin, 1997 -  2004, Foster and Partners, Arup Engineering, London, UK. In the foreground St Andrew Undershaft church can be seen. Picture by Manuel Cohen
    LC_London_MC144.jpg
  • Ground floor of The Swiss Re building, known as the Gherkin, 1997 -  2004, Foster and Partners, Arup Engineering, London, UK. Picture by Manuel Cohen
    LC_London_MC143.jpg
  • Ground floor of The Swiss Re building, known as the Gherkin, 1997 -  2004, Foster and Partners, Arup Engineering, London, UK. Picture by Manuel Cohen
    LC_London_MC142.jpg
  • Heron Tower seen from Swiss Re building, 2011, Kohn Pedersen Fox, Arup Engineering, London, UK. Heron Tower utilises photovoltaic cells to generate renewable energy, allowing it to achieve a BREEAM rating of 'excellent' in January 2010. Picture by Manuel Cohen
    LC_London_MC141.jpg
  • Heron Tower seen from Swiss Re building, 2011, Kohn Pedersen Fox, Arup Engineering, London, UK. Heron Tower utilises photovoltaic cells to generate renewable energy, allowing it to achieve a BREEAM rating of 'excellent' in January 2010. Picture by Manuel Cohen
    LC_London_MC140.jpg
  • Ground floor of The Swiss Re building, known as the Gherkin, 1997 -  2004, Foster and Partners, Arup Engineering, London, UK. Picture by Manuel Cohen
    LC_London_MC139.jpg
  • Woman selecting coloured wool samples from NIMES, the Colour Chart of the Mobilier National, in the Atelier de Teinture et Nuancier, or Dyeing and Colour Chart Workshops, at the Gobelins Manufactory, a historic tapestry workshop, at Le Mobilier National, which commissions and conserves state furniture, in the 13th arrondissement of Paris, France. In 1838 Eugene Chevreul created his chromatic circle, with 3 base colours giving 72 tones and 14,400 colours, which is now digitised and used for mixing synthetic dyes. The current colour chart was devised in 1986 and contains samples of dyed wool in all colours, sorted by hue, clarity, saturation as well as a digital database. Picture by Manuel Cohen
    LC20_PARIS_MC_272.JPG
  • Woman selecting coloured wool samples from NIMES, the Colour Chart of the Mobilier National, in the Atelier de Teinture et Nuancier, or Dyeing and Colour Chart Workshops, at the Gobelins Manufactory, a historic tapestry workshop, at Le Mobilier National, which commissions and conserves state furniture, in the 13th arrondissement of Paris, France. In 1838 Eugene Chevreul created his chromatic circle, with 3 base colours giving 72 tones and 14,400 colours, which is now digitised and used for mixing synthetic dyes. The current colour chart was devised in 1986 and contains samples of dyed wool in all colours, sorted by hue, clarity, saturation as well as a digital database. Picture by Manuel Cohen
    LC20_PARIS_MC_273.jpg
  • Nicolas Desbons, metalworker and artist, selecting squares of steel for a figurative sculpture made by placing steel pieces inside a plaster mould and soldering them together, in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC051.jpg
  • Nicolas Desbons, metalworker and artist, selecting steel pieces for a sculpture made from cross-sections of steel tubes manipulated into organic profiles and soldered together, in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC016.jpg
  • Nicolas Desbons, metalworker and artist, selecting steel pieces for a sculpture made from cross-sections of steel tubes manipulated into organic profiles and soldered together, in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC014.jpg
  • Nicolas Desbons, metalworker and artist, selecting steel pieces for a sculpture made from cross-sections of steel tubes manipulated into organic profiles and soldered together, in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC013.jpg
  • Nicolas Desbons, metalworker and artist, selecting squares of steel for a figurative sculpture made by placing steel pieces inside a plaster mould and soldering them together, in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC051.jpg
  • Nicolas Desbons, metalworker and artist, selecting steel pieces for a sculpture made from cross-sections of steel tubes manipulated into organic profiles and soldered together, and a sculpture in the foreground, in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC033.jpg
  • Nicolas Desbons, metalworker and artist, selecting steel pieces for a sculpture made from cross-sections of steel tubes manipulated into organic profiles and soldered together, in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC015.jpg
  • Woman selecting colour samples from NIMES, the Colour Chart of the Mobilier National, in the Atelier de Teinture et Nuancier, or Dyeing and Colour Chart Workshops, at the Gobelins Manufactory, a historic tapestry workshop, at Le Mobilier National, which commissions and conserves state furniture, in the 13th arrondissement of Paris, France. In 1838 Eugene Chevreul created his chromatic circle, with 3 base colours giving 72 tones and 14,400 colours, which is now digitised and used for mixing synthetic dyes. The current colour chart was devised in 1986 and contains samples of dyed wool in all colours, sorted by hue, clarity, saturation as well as a digital database. Picture by Manuel Cohen
    LC20_PARIS_MC_274.jpg
  • Woman selecting colour samples from NIMES, the Colour Chart of the Mobilier National, in the Atelier de Teinture et Nuancier, or Dyeing and Colour Chart Workshops, at the Gobelins Manufactory, a historic tapestry workshop, at Le Mobilier National, which commissions and conserves state furniture, in the 13th arrondissement of Paris, France. In 1838 Eugene Chevreul created his chromatic circle, with 3 base colours giving 72 tones and 14,400 colours, which is now digitised and used for mixing synthetic dyes. The current colour chart was devised in 1986 and contains samples of dyed wool in all colours, sorted by hue, clarity, saturation as well as a digital database. Picture by Manuel Cohen
    LC20_PARIS_MC_275.jpg
  • Woman selecting colour samples from NIMES, the Colour Chart of the Mobilier National, in the Atelier de Teinture et Nuancier, or Dyeing and Colour Chart Workshops, at the Gobelins Manufactory, a historic tapestry workshop, at Le Mobilier National, which commissions and conserves state furniture, in the 13th arrondissement of Paris, France. In 1838 Eugene Chevreul created his chromatic circle, with 3 base colours giving 72 tones and 14,400 colours, which is now digitised and used for mixing synthetic dyes. The current colour chart was devised in 1986 and contains samples of dyed wool in all colours, sorted by hue, clarity, saturation as well as a digital database. Picture by Manuel Cohen
    LC20_PARIS_MC_276.jpg
  • Nicolas Desbons, metalworker and artist, selecting steel pieces for a sculpture made from cross-sections of steel tubes manipulated into organic profiles and soldered together, and a sculpture in the foreground, in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC033.jpg
  • Nicolas Desbons, metalworker and artist, selecting steel pieces for a sculpture made from cross-sections of steel tubes manipulated into organic profiles and soldered together, and a sculpture in the foreground, in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC017.JPG
  • Nicolas Desbons, metalworker and artist, selecting steel pieces for a sculpture made from cross-sections of steel tubes manipulated into organic profiles and soldered together, in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC015.jpg
  • Nicolas Desbons, metalworker and artist, selecting steel pieces for a sculpture made from cross-sections of steel tubes manipulated into organic profiles and soldered together, and a sculpture in the foreground, in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC017.JPG
  • Nicolas Desbons, metalworker and artist, selecting steel pieces for a sculpture made from cross-sections of steel tubes manipulated into organic profiles and soldered together, in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC016.jpg
  • Nicolas Desbons, metalworker and artist, selecting steel pieces for a sculpture made from cross-sections of steel tubes manipulated into organic profiles and soldered together, in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC013.jpg
  • Nicolas Desbons, metalworker and artist, selecting steel pieces for a sculpture made from cross-sections of steel tubes manipulated into organic profiles and soldered together, in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC014.jpg
  • Women matching colours using NIMES, the Colour Chart of the Mobilier National, in the Atelier de Teinture et Nuancier, or Dyeing and Colour Chart Workshops, at the Gobelins Manufactory, a historic tapestry workshop, at Le Mobilier National, which commissions and conserves state furniture, in the 13th arrondissement of Paris, France. In 1838 Eugene Chevreul created his chromatic circle, with 3 base colours giving 72 tones and 14,400 colours, which is now digitised and used for mixing synthetic dyes. The current colour chart was devised in 1986 and contains samples of dyed wool in all colours, sorted by hue, clarity, saturation as well as a digital database. Picture by Manuel Cohen
    LC20_PARIS_MC_270.jpg
  • Nicolas Desbons, metalworker and artist, assembling steel pieces for a sculpture made from cross-sections of steel tubes manipulated into organic profiles and soldered together, in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC011.jpg
  • Nicolas Desbons, metalworker and artist, assembling steel pieces for a sculpture made from cross-sections of steel tubes manipulated into organic profiles and soldered together, in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC011.jpg
  • Visitors selecting insects which allow the vine to flourish, at Pressoria, a Champagne Interpretation Centre, opened July 2021 in the former Maison Pommery pressing centre, offering an interactive visitor experience exploring the history and production of champagne, at Ay-Champagne, Marne, Grand Est, France. The vineyards at Ay are listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_FRANCE_MC_1660.jpg
  • Selecting colour samples from NIMES, the Colour Chart of the Mobilier National, in the Atelier de Teinture et Nuancier, or Dyeing and Colour Chart Workshops, at the Gobelins Manufactory, a historic tapestry workshop, at Le Mobilier National, which commissions and conserves state furniture, in the 13th arrondissement of Paris, France. In 1838 Eugene Chevreul created his chromatic circle, with 3 base colours giving 72 tones and 14,400 colours, which is now digitised and used for mixing synthetic dyes. The current colour chart was devised in 1986 and contains samples of dyed wool in all colours, sorted by hue, clarity, saturation as well as a digital database. Picture by Manuel Cohen
    LC20_PARIS_MC_279.jpg
  • Selection of passementerie pieces in the studio of Elizabeth Ashdown, a textile artist specialising in hand woven and hand embroidered passementerie and fine textiles, in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Elizabeth uses traditional techniques of hand weaving, macrame, hand embroidery, braid making and cord making to produce textile pieces used in home furnishings, fashion, wall hangings and artworks. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_002.jpg
  • Cool Britannia store, selection of British souvenirs, including clothing and accessories, Piccadilly Circus, London, UK. Picture by Manuel Cohen
    LC_London_MC303.jpg
  • Panoramic view of the Cactus Garden, Lanzarote, Canary Islands, Spain, pictured on November 26, 2010 in the afternoon. Designed by local artist Cesar Manrique (1919-92), who restored the windmill and erected metal sculptures, the garden grows over 1000 varieties of cactus selected by botanist Estanislao Gonzales Ferrer. Lanzarote, the Easternmost of the Canary Islands, lies 125km East of the African coast, in the Atlantic Ocean. Like the other islands in this autonomous Spanish archipelago, Lanzarote is originally Volcanic. Picture by Manuel Cohen.
    LC_LANZAROTE_NOV10_MC032.jpg
  • Low angle view of Cactus Garden against the light, Lanzarote, Canary Islands, Spain, pictured on November 26, 2010 in the late afternoon. Designed by local artist Cesar Manrique (1919-92), the garden grows over 1000 varieties of cactus selected by botanist Estanislao Gonzales Ferrer. Lanzarote, the Easternmost of the Canary Islands, lies 125km East of the African coast, in the Atlantic Ocean. Like the other islands in this autonomous Spanish archipelago, Lanzarote is originally Volcanic. Picture by Manuel Cohen.
    LC_LANZAROTE_NOV10_MC005.jpg
  • Selection of passementerie pieces in the studio of Elizabeth Ashdown, a textile artist specialising in hand woven and hand embroidered passementerie and fine textiles, in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Elizabeth uses traditional techniques of hand weaving, macrame, hand embroidery, braid making and cord making to produce textile pieces used in home furnishings, fashion, wall hangings and artworks. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_009.jpg
  • Selection of passementerie pieces in the studio of Elizabeth Ashdown, a textile artist specialising in hand woven and hand embroidered passementerie and fine textiles, in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Elizabeth uses traditional techniques of hand weaving, macrame, hand embroidery, braid making and cord making to produce textile pieces used in home furnishings, fashion, wall hangings and artworks. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_005.jpg
  • Selection of passementerie pieces in the studio of Elizabeth Ashdown, a textile artist specialising in hand woven and hand embroidered passementerie and fine textiles, in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Elizabeth uses traditional techniques of hand weaving, macrame, hand embroidery, braid making and cord making to produce textile pieces used in home furnishings, fashion, wall hangings and artworks. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_003.jpg
  • Selection of ground coloured pigments to create a specific dye, at Le Colorium, a dyeing studio created in 2001 by Master Dyer Matthieu le Tessier, in Belleville in the 20th arrondissement of Paris, France. Le Colorium uses traditional dyeing techniques to create pigments to dye fabrics, lace, feathers and threads for clients including Dior, Louis Vuitton, Yves St-Laurent, Christian Lacroix and many others, creating works for the fashion, textile, furnishings and entertainment industries. Picture by Manuel Cohen
    250417_Colorium_MC009.jpg
  • Photograph of Major General Persifor Frazer Smith, 1798-1858, Commander of the Department of Texas, who selected the site for the fort, ordered its establishment and named it, exhibited at the Fort Davis National Historic Site, a US army fort established 1854, in a canyon in the Davis Mountains in West Texas, USA. The fort was built to protect emigrants, mail coaches, and freight wagons on the trails through the State from Comanche and Apache Indians. After the Civil War, several African-American regiments were stationed here. By the 1880s, the fort consisted of one 100 buildings, housing over 400 soldiers. It was abandoned in 1891, but many buildings have been restored and the compound now operates as a historical site and museum. Picture by Manuel Cohen
    LC17_TEXAS_MC237.jpg
  • Portrait of Grzegorz Rosinski, Polish comic book artist, born 1941 in Stalowa Wola, Poland, selecting a pastel for a picture of Thorgal, in his new studio, Mollens, Sierre, Switzerland, 9th September 2016. Rosinski is the author and designer of many Polish comic book series, and created Thorgal with Belgian writer Jean Van Hamme in 1977. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Picture by Manuel Cohen
    LC16_ROSINSKI_MC_121.jpg
  • Cool Britannia store, selection of British souvenirs, including clothing and accesrories, Piccadilly Circus, London, UK. Picture by Manuel Cohen
    LC_London_MC302.jpg
  • Panoramic view of the Cactus Garden, Lanzarote, Canary Islands, Spain, pictured on November 26, 2010 in the afternoon. Designed by local artist Cesar Manrique (1919-92), who restored the windmill and erected metal sculptures, the garden grows over 1000 varieties of cactus selected by botanist Estanislao Gonzales Ferrer. Lanzarote, the Easternmost of the Canary Islands, lies 125km East of the African coast, in the Atlantic Ocean. Like the other islands in this autonomous Spanish archipelago, Lanzarote is originally Volcanic. Picture by Manuel Cohen.
    LC_LANZAROTE_NOV10_MC033.jpg
  • Low angle view of Cactus Garden against the light, Lanzarote, Canary Islands, Spain, pictured on November 26, 2010 in the late afternoon. Designed by local artist Cesar Manrique (1919-92), the garden grows over 1000 varieties of cactus selected by botanist Estanislao Gonzales Ferrer. Lanzarote, the Easternmost of the Canary Islands, lies 125km East of the African coast, in the Atlantic Ocean. Like the other islands in this autonomous Spanish archipelago, Lanzarote is originally Volcanic. Picture by Manuel Cohen.
    LC_LANZAROTE_NOV10_MC009.jpg
  • Low angle view of Cactus Garden against the light, Lanzarote, Canary Islands, Spain, pictured on November 26, 2010 in the late afternoon. Designed by local artist Cesar Manrique (1919-92), the garden grows over 1000 varieties of cactus selected by botanist Estanislao Gonzales Ferrer. Lanzarote, the Easternmost of the Canary Islands, lies 125km East of the African coast, in the Atlantic Ocean. Like the other islands in this autonomous Spanish archipelago, Lanzarote is originally Volcanic. Picture by Manuel Cohen.
    LC_LANZAROTE_NOV10_MC008.jpg
  • Detail of cacti, Cactus Garden, Lanzarote, Canary Islands, Spain, pictured on November 26, 2010 in the afternoon. Designed by local artist Cesar Manrique (1919-92), the garden grows over 1000 varieties of cactus selected by botanist Estanislao Gonzales Ferrer. Lanzarote, the Easternmost of the Canary Islands, lies 125km East of the African coast, in the Atlantic Ocean. Like the other islands in this autonomous Spanish archipelago, Lanzarote is originally Volcanic. Picture by Manuel Cohen.
    LC_LANZAROTE_NOV10_MC007.jpg
  • Low angle view of Cactus Garden against the light, Lanzarote, Canary Islands, Spain, pictured on November 26, 2010 in the late afternoon. Designed by local artist Cesar Manrique (1919-92), the garden grows over 1000 varieties of cactus selected by botanist Estanislao Gonzales Ferrer. Lanzarote, the Easternmost of the Canary Islands, lies 125km East of the African coast, in the Atlantic Ocean. Like the other islands in this autonomous Spanish archipelago, Lanzarote is originally Volcanic. Picture by Manuel Cohen.
    LC_LANZAROTE_NOV10_MC006.jpg
  • General view of the Cactus Garden, Lanzarote, Canary Islands, Spain, pictured on November 26, 2010 in the afternoon. Designed by local artist Cesar Manrique (1919-92), who restored the windmill and erected metal sculptures, the garden grows over 1000 varieties of cactus selected by botanist Estanislao Gonzales Ferrer. Lanzarote, the Easternmost of the Canary Islands, lies 125km East of the African coast, in the Atlantic Ocean. Like the other islands in this autonomous Spanish archipelago, Lanzarote is originally Volcanic. Picture by Manuel Cohen.
    LC_LANZAROTE_NOV10_MC004.jpg
  • SAVEOCK WATER, CORNWALL, ENGLAND - AUGUST 03: A detail of textiles on August 3, 2008 in Saveock Water, Cornwall, England. A selection from the 125 different strips of textile found in a votive pool by archaeologist Jacqui Wood who dates them between the medieval period to the 17th century (no carbon dating).(Photo by Manuel Cohen)
    DENGLAND080193.jpg
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