manuel cohen

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  • Kufic Arabic script on the 14th century Mamluk watchtower of Shobak castle, built by the Crusader King Baldwin I of Jerusalem in 1115, on the plain of Edom, Jordan. This crusader castle, originally called Mons Realis, fell to Saladin in 1189 after an 18 month siege. It was occupied by the Mamluks in the 14th century and underwent many renovations in this period. It sits on the caravan and pilgrimage routes from Syria to Arabia. Picture by Manuel Cohen
    LC12_Jordan_MC302.jpg
  • Arabic script carved into stone from Shobak castle, built by the Crusader King Baldwin I of Jerusalem in 1115, on the plain of Edom, Jordan. This crusader castle, originally called Mons Realis, fell to Saladin in 1189 after an 18 month siege. It was occupied by the Mamluks in the 14th century and underwent many renovations in this period. It sits on the caravan and pilgrimage routes from Syria to Arabia. Picture by Manuel Cohen
    LC12_Jordan_MC305.jpg
  • Arabic script carved into stone from Shobak castle, built by the Crusader King Baldwin I of Jerusalem in 1115, on the plain of Edom, Jordan. This crusader castle, originally called Mons Realis, fell to Saladin in 1189 after an 18 month siege. It was occupied by the Mamluks in the 14th century and underwent many renovations in this period. It sits on the caravan and pilgrimage routes from Syria to Arabia. Picture by Manuel Cohen
    LC12_Jordan_MC305_2.jpg
  • Stone carved with an Ogham inscription, the earliest form of writing known in Ireland, in the National Museum of Ireland – Archaeology, a branch of the National Museum Of Ireland, opened 1890, on Kildare St in Dublin, Ireland. Ogham script is a system of linear symbols cut on either side, or across, a baseline. It is modeled on the Roman alphabet and consists of 20 letters. The key to translating the script is found in the Book of Ballymote, and over 300 inscriptions survive on stone, dating to 4th - 6th centuries, probably intended as commemorative stones or boundary markers. Picture by Manuel Cohen
    LC18_Ireland_MC_043.jpg
  • Detail of kufic script and vegetal motifs in tesserae (glass mosaic with gold or coloured backing), in the dome above the maqsura, a richly decorated ribbed vault with small dome in front of the mihrab, redecorated under Al-Hakam II in 961, in the Cathedral-Great Mosque of Cordoba, in Cordoba, Andalusia, Southern Spain. The ceiling is decorated with kufic script, floral motifs, and a sunburst radiating from a tiny central star, with light coming from 8 latticed side windows. The first church built here by the Visigoths in the 7th century was split in half by the Moors, becoming half church, half mosque. In 784, the Great Mosque of Cordoba was begun in its place and developed over 200 years, but in 1236 it was converted into a catholic church, with a Renaissance cathedral nave built in the 16th century. The historic centre of Cordoba is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_SPAIN_MC212.JPG
  • Detail of kufic script and vegetal motifs in tesserae (glass mosaic with gold or coloured backing), in the dome above the maqsura, a richly decorated ribbed vault with small dome in front of the mihrab, redecorated under Al-Hakam II in 961, in the Cathedral-Great Mosque of Cordoba, in Cordoba, Andalusia, Southern Spain. The ceiling is decorated with kufic script, floral motifs, and a sunburst radiating from a tiny central star, with light coming from 8 latticed side windows. The first church built here by the Visigoths in the 7th century was split in half by the Moors, becoming half church, half mosque. In 784, the Great Mosque of Cordoba was begun in its place and developed over 200 years, but in 1236 it was converted into a catholic church, with a Renaissance cathedral nave built in the 16th century. The historic centre of Cordoba is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_SPAIN_MC211.jpg
  • Detail of dome and minaret, Gur-Emir Mausoleum, 1404, Samarkand, Uzbekistan Samarkand, Uzbekistan, pictured on July 17, 2010, at night, its colours picked out by floodlighting. Gur-Emir Mausoleum, or Tomb of the Ruler, was built by Timur in 1404 for his favourite grandson, Mohammed Sultan, and became the mausoleum for the Timurid dynasty. The simply formed building is an octagonal drum beneath an azure fluted dome (diameter: 15m, height: 12.5m). Its walls are tiled in blue and white geometric and epigraphic patterns including the words 'God is Immortal' in 3m. high white Kufic script around the top of the drum. Samarkand, a city on the Silk Road, founded as Afrosiab in the 7th century BC, is a meeting point for the world's cultures. Its most important development was in the Timurid period, 14th to 15th centuries. Picture by Manuel Cohen.
    LC_UZBEKISTAN_0710_MC101.jpg
  • A close up atmospheric view of traditional tiles with Arabic script in Meknes, one of Morocco's Imperial cities, which was redeveloped under Sultan Ismail Moulay (1634-1727) pictured on December 20, 2009. Meknes is a fortified city built from pise, or clay and straw, and was designed to be the political capital of Morocco, as opposed to Fez, the religious capital. Picture by Manuel Cohen
    LCMOROCCODEC09_MC009.jpg
  • Decorative plasterwork with Arabic script and azulejos tiles, in the Patio de las Doncellas, or Courtyard of the Maidens, in the Mudejar Palace, or Palacio del Rey Don Pedro, built by Pedro I of Castile, 1334-1369, in 1364, in the Real Alcazar, a Moorish royal palace in Seville, Andalusia, Spain. The Patio de las Doncellas is a courtyard surrounded by muqarnas arches and a central sunken garden. It is the main courtyard of the palace and was named after the Moorish annual tradition of demanding 100 virgins from their Christian kingdoms. The ground floor is in typical Mudejar style but the upper floor was added 1540-72 and shows Renaissance influences. The Alcazar was first founded as a fort in 913, then developed as a palace in the 11th, 12th and 13th centuries and used by both Muslim and Christian rulers. The Alcazar is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC094.jpg
  • Arch and alfiz with decorative plasterwork and Arabic script, in the Salon del Techo de Carlos V, or Charles V Ceiling Room, in the Mudejar Palace, or Palacio del Rey Don Pedro, built by Pedro I of Castile, 1334-1369, in 1364, in the Real Alcazar, a Moorish royal palace in Seville, Andalusia, Spain. The room's coffered wooden ceiling was made 1541-43 by Sebastian de Segovia. The Alcazar was first founded as a fort in 913, then developed as a palace in the 11th, 12th and 13th centuries and used by both Muslim and Christian rulers. The Alcazar is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC091.jpg
  • Decorative plasterwork in blue and red with Arabic script, in the Salon del Techo de Felipe II, or Philip II Ceiling Room, in the Mudejar Palace, or Palacio del Rey Don Pedro, built by Pedro I of Castile, 1334-1369, in 1364, in the Real Alcazar, a Moorish royal palace in Seville, Andalusia, Spain. The ceiling is made of square coffers carved and painted with geometric designs. The room is accessed from both the Garden of The Prince and the Salon de Embajadores, or Hall of Ambassadors, by way of the Arch of the Peacock (symbol of permanence, immortality and monarchy). The Alcazar was first founded as a fort in 913, then developed as a palace in the 11th, 12th and 13th centuries and used by both Muslim and Christian rulers. The Alcazar is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC085.jpg
  • Decorative plasterwork with Arabic script, in the Patio de las Doncellas, or Courtyard of the Maidens, in the Mudejar Palace, or Palacio del Rey Don Pedro, built by Pedro I of Castile, 1334-1369, in 1364, in the Real Alcazar, a Moorish royal palace in Seville, Andalusia, Spain. The Patio de las Doncellas is a courtyard surrounded by muqarnas arches and a central sunken garden. It is the main courtyard of the palace and was named after the Moorish annual tradition of demanding 100 virgins from their Christian kingdoms. The ground floor is in typical Mudejar style but the upper floor was added 1540-72 and shows Renaissance influences. The Alcazar was first founded as a fort in 913, then developed as a palace in the 11th, 12th and 13th centuries and used by both Muslim and Christian rulers. The Alcazar is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC069.jpg
  • Wooden door with carved and painted design in geometric shapes and Arabic script, in the Patio de las Doncellas, or Courtyard of the Maidens, in the Mudejar Palace, or Palacio del Rey Don Pedro, built by Pedro I of Castile, 1334-1369, in 1364, in the Real Alcazar, a Moorish royal palace in Seville, Andalusia, Spain. The Patio de las Doncellas is a courtyard surrounded by muqarnas arches and a central sunken garden. It is the main courtyard of the palace and was named after the Moorish annual tradition of demanding 100 virgins from their Christian kingdoms. The ground floor is in typical Mudejar style but the upper floor was added 1540-72 and shows Renaissance influences. The Alcazar was first founded as a fort in 913, then developed as a palace in the 11th, 12th and 13th centuries and used by both Muslim and Christian rulers. The Alcazar is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC057.jpg
  • Decorative plasterwork with Arabic script and azulejos tiles, in the Patio de las Doncellas, or Courtyard of the Maidens, in the Mudejar Palace, or Palacio del Rey Don Pedro, built by Pedro I of Castile, 1334-1369, in 1364, in the Real Alcazar, a Moorish royal palace in Seville, Andalusia, Spain. The Patio de las Doncellas is a courtyard surrounded by muqarnas arches and a central sunken garden. It is the main courtyard of the palace and was named after the Moorish annual tradition of demanding 100 virgins from their Christian kingdoms. The ground floor is in typical Mudejar style but the upper floor was added 1540-72 and shows Renaissance influences. The Alcazar was first founded as a fort in 913, then developed as a palace in the 11th, 12th and 13th centuries and used by both Muslim and Christian rulers. The Alcazar is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC056.jpg
  • Decorative plasterwork with Arabic script and the 3 towered castle of Castile and azulejos tiles, in the Patio de las Doncellas, or Courtyard of the Maidens, in the Mudejar Palace, or Palacio del Rey Don Pedro, built by Pedro I of Castile, 1334-1369, in 1364, in the Real Alcazar, a Moorish royal palace in Seville, Andalusia, Spain. The Patio de las Doncellas is a courtyard surrounded by muqarnas arches and a central sunken garden. It is the main courtyard of the palace and was named after the Moorish annual tradition of demanding 100 virgins from their Christian kingdoms. The ground floor is in typical Mudejar style but the upper floor was added 1540-72 and shows Renaissance influences. The Alcazar was first founded as a fort in 913, then developed as a palace in the 11th, 12th and 13th centuries and used by both Muslim and Christian rulers. The Alcazar is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC049.jpg
  • Decorative plasterwork with Arabic script from the Salon de Embajadores, or Hall of Ambassadors, in the Mudejar Palace, or Palacio del Rey Don Pedro, built by Pedro I of Castile in 1364, in the Real Alcazar, a Moorish royal palace in Seville, Andalusia, Spain. The Hall of Ambassadors was the throne room of King Don Pedro I, 1334-1369. The square shape of the room represents the earth and the circular dome, dating to 1427, represents the universe. The Alcazar was first founded as a fort in 913, then developed as a palace in the 11th, 12th and 13th centuries and used by both Muslim and Christian rulers. The Alcazar is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC033.jpg
  • Decorative plasterwork with Arabic script and the lion of Leon (Castile and Leon) and azulejos tiles, in the Patio de las Doncellas, or Courtyard of the Maidens, in the Mudejar Palace, or Palacio del Rey Don Pedro, built by Pedro I of Castile, 1334-1369, in 1364, in the Real Alcazar, a Moorish royal palace in Seville, Andalusia, Spain. The Patio de las Doncellas is a courtyard surrounded by muqarnas arches and a central sunken garden. It is the main courtyard of the palace and was named after the Moorish annual tradition of demanding 100 virgins from their Christian kingdoms. The ground floor is in typical Mudejar style but the upper floor was added 1540-72 and shows Renaissance influences. The Alcazar was first founded as a fort in 913, then developed as a palace in the 11th, 12th and 13th centuries and used by both Muslim and Christian rulers. The Alcazar is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC029.jpg
  • Decorative plasterwork in blue and red with Arabic script, in the Salon del Techo de Felipe II, or Philip II Ceiling Room, in the Mudejar Palace, or Palacio del Rey Don Pedro, built by Pedro I of Castile, 1334-1369, in 1364, in the Real Alcazar, a Moorish royal palace in Seville, Andalusia, Spain. The ceiling is made of square coffers carved and painted with geometric designs. The room is accessed from both the Garden of The Prince and the Salon de Embajadores, or Hall of Ambassadors, by way of the Arch of the Peacock (symbol of permanence, immortality and monarchy). The Alcazar was first founded as a fort in 913, then developed as a palace in the 11th, 12th and 13th centuries and used by both Muslim and Christian rulers. The Alcazar is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC013.jpg
  • Decorative plasterwork with Arabic script, in the Patio de las Doncellas, or Courtyard of the Maidens, in the Mudejar Palace, or Palacio del Rey Don Pedro, built by Pedro I of Castile, 1334-1369, in 1364, in the Real Alcazar, a Moorish royal palace in Seville, Andalusia, Spain. The Patio de las Doncellas is a courtyard surrounded by muqarnas arches and a central sunken garden. It is the main courtyard of the palace and was named after the Moorish annual tradition of demanding 100 virgins from their Christian kingdoms. The ground floor is in typical Mudejar style but the upper floor was added 1540-72 and shows Renaissance influences. The Alcazar was first founded as a fort in 913, then developed as a palace in the 11th, 12th and 13th centuries and used by both Muslim and Christian rulers. The Alcazar is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC100.jpg
  • Architectural detail of the Puerta de San Jose, one of the East facade entrances to the Cathedral-Great Mosque of Cordoba, on the Calle del Magistrado Gonzalez Frances in Cordoba, Andalusia, Southern Spain. This section shows a horseshoe arch with red brick and intricately carved vegetal patterns, with an inscription in kufic script. The Moorish gate is named after St Joseph, whose chapel is on the other side of the door, and was restored in 1913 by Ricardo Velazquez Bosco. The first church built here by the Visigoths in the 7th century was split in half by the Moors, becoming half church, half mosque. In 784, the Great Mosque of Cordoba was begun in its place and developed over 200 years, but in 1236 it was converted into a catholic church, with a Renaissance cathedral nave built in the 16th century. The historic centre of Cordoba is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_SPAIN_MC143.jpg
  • Decorative detail on the wall of the Koski Mehmed Pasha mosque, built 1618, in Mostar, Bosnia and Herzegovina, with Arabic kufic script above. The town is named after the mostari or bridge keepers of the Stari Most or Old Bridge. Mostar developed in the 15th and 16th centuries as an Ottoman frontier town and is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_Mostar_MC006.jpg
  • Decorative ceiling of the Gazi Husrev-beg Mosque, built 1530-32, with kufic Arabic script in the circular design, Sarajevo, Bosnia and Herzegovina. The complex includes a maktab and madrasa (Islamic primary and secondary schools), a bezistan (vaulted marketplace)and a hammam. The mosque was renovated after damage during the 1992 Siege of Sarajevo during the Yugoslav War. Picture by Manuel Cohen
    LC15_Sarajevo_MC030.jpg
  • Detail of the decorative ceiling of the Gazi Husrev-beg Mosque, built 1530-32, with kufic Arabic script in the circular design, Sarajevo, Bosnia and Herzegovina. The complex includes a maktab and madrasa (Islamic primary and secondary schools), a bezistan (vaulted marketplace)and a hammam. The mosque was renovated after damage during the 1992 Siege of Sarajevo during the Yugoslav War. Picture by Manuel Cohen
    LC15_Sarajevo_MC029.jpg
  • Detail of the wall decoration including Arabic script in a room on the first floor of the Zafra House, a small Nasrid palace built in the 14th century, in El Albayzin, the medieval Moorish old town of Granada, Andalusia, Southern Spain. The house opened to the public in 1991 after 2 years of restoration and is now used as the Centre for Historic Studies of Granada and its Kingdom. From the 8th to the 15th centuries, Granada was under muslim rule and retains a distinctive Moorish heritage. Granada was listed as a UNESCO World Heritage Site in 1984. Picture by Manuel Cohen
    LC14_GRANADA_MC360.jpg
  • The Corral del Carbon or the Coal House, a 14th century Nazari building originally used as an alhondiga, a corn exchange or grain store, then a charcoal market, inn, comedy theatre and housing, in El Albayzin, the medieval Moorish old town of Granada, Andalusia, Southern Spain. The entrance tower seen here is decorated with stucco work, including kufic Arabic script and a large horseshoe arch, with mocarabe work inside the portico. From the 8th to the 15th centuries, Granada was under muslim rule and retains a distinctive Moorish heritage. Granada was listed as a UNESCO World Heritage Site in 1984. Picture by Manuel Cohen
    LC14_GRANADA_MC331.jpg
  • Tiles in geometric patterns and carved stucco walls with kufic Arabic script in the Court of the Myrtles, or Patio de los Arrayanes, built in the 14th century under Yusuf I, in the Comares Palace, Alhambra Palace, Granada, Andalusia, Southern Spain. The Alhambra was begun in the 11th century as a castle, and in the 13th and 14th centuries served as the royal palace of the Nasrid sultans. The huge complex contains the Alcazaba, Nasrid palaces, gardens and Generalife. Picture by Manuel Cohen
    LC14_GRANADA_MC142.jpg
  • Polychrome mocarabe work and square columns with carved floral decoration and Arabic script, around a wooden coffered ceiling in the Court of the Lions, built 1362 in the second reign of Muhammad V, in the Nasrid dynasty Palace of the Lions, Alhambra Palace, Granada, Andalusia, Southern Spain. The Alhambra was begun in the 11th century as a castle, and in the 13th and 14th centuries served as the royal palace of the Nasrid sultans. The huge complex contains the Alcazaba, Nasrid palaces, gardens and Generalife. Picture by Manuel Cohen
    LC14_GRANADA_MC143.jpg
  • Section of intricately carved stucco wall with chain designs, floral decoration and stylised Arabic script, in the Court of the Lions, built 1362 in the second reign of Muhammad V, in the Nasrid dynasty Palace of the Lions, Alhambra Palace, Granada, Andalusia, Southern Spain. The Alhambra was begun in the 11th century as a castle, and in the 13th and 14th centuries served as the royal palace of the Nasrid sultans. The huge complex contains the Alcazaba, Nasrid palaces, gardens and Generalife. Picture by Manuel Cohen
    LC14_GRANADA_MC152.jpg
  • Detail of a cursive Kufic koranic inscription in carved stucco with zellige tiles below, in the central courtyard of the Al-Attarine Madrasa, a religious school built 1323-25 by the Marinid Sultan Uthman II Abu Said, who ruled 1310-31, in the medina of Fes, Fes-Boulemane, Northern Morocco. This courtyard has a central marble fountain, a zellige tiled floor and lower walls and intricate carved stucco and wooden walls with horseshoe arches and pillars. Cursive Kufic script is included in the tilework and stucco. The medina of Fes was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_Morocco_MC231.jpg
  • View from below of the ceiling domes showing Islamic script, Hagia Sophia, Istanbul, Turkey. Here we see the main dome on the right and supporting half-domes with pendentives supporting their weight. Hagia Sophia, The Church of the Holy Wisdom, has been a Byzantine church, an Ottoman mosque and is now a museum. The current building, the third on the site, was commissioned by Emperor Justinian I and is a very fine example of Byzantine architecture. It was built 532-37 by Isidore of Miletus and Anthemius of Tralles. Picture by Manuel Cohen
    LC13_Turkey_MC028.jpg
  • The Greek Actor (L'Acteur Grec), bronze, 19th century by Charles Arthur Bourgeois (1838-86), Luxembourg Gardens, Paris, France. The actor is holding a script and has a mask pushed back across his forehead. In the distance the Pantheon, 1758-90, the National Mausoleum, is visible. Photograph by Manuel Cohen.
    LC12_Paris_MC204.jpg
  • The Greek Actor (L'Acteur Grec), bronze, 19th century by Charles Arthur Bourgeois (1838-86), Luxembourg Gardens, Paris, France. The actor is holding a script and has a mask pushed back across his forehead. In the distance the Pantheon, 1758-90, the National Mausoleum, is visible. Photograph by Manuel Cohen.
    LC12_Paris_MC174.jpg
  • Detail of The Greek Actor (L'Acteur Grec), bronze, 19th century by Charles Arthur Bourgeois (1838-86), Luxembourg Gardens, Paris, France. The actor is holding a script and has a mask pushed back across his forehead. Photograph by Manuel Cohen.
    LC12_Paris_MC176.jpg
  • The Greek Actor (L'Acteur Grec), bronze, 19th century by Charles Arthur Bourgeois (1838-86), Luxembourg Gardens, Paris, France. The actor is holding a script and has a mask pushed back across his forehead. In the distance the Pantheon, 1758-90, the National Mausoleum, is visible. Photograph by Manuel Cohen.
    LC12_Paris_MC175.jpg
  • General view of Gur-Emir Mausoleum with the cupula of the Ak-Sarai Mausoleum, (White Palace) in the distance (left), Samarkand, Uzbekistan, pictured on July 18, 2010, in the afternoon. Gur-Emir Mausoleum, or Tomb of the Ruler, was built by Timur in 1404 for his favourite grandson, Mohammed Sultan, and became the mausoleum for the Timurid dynasty. The simply formed building is an octagonal drum beneath an azure fluted dome (diameter: 15m, height: 12.5m). Its walls are tiled in blue and white geometric and epigraphic patterns including the words 'God is Immortal' in 3m. high white Kufic script around the top of the drum. The Ak-Sarai Mausoleum, located South East of the Gur-Emir Mausoleum, is also a Timurid tomb, commissioned by Abu Sa'id (1451-1468/9). Samarkand, a city on the Silk Road, founded as Afrosiab in the 7th century BC, is a meeting point for the world's cultures. Its most important development was in the Timurid period, 14th to 15th centuries. Picture by Manuel Cohen.
    LC_UZBEKISTAN_0710_MC110.jpg
  • Night-view of Gur-Emir Mausoleum, 1404, Samarkand, Uzbekistan Samarkand, Uzbekistan, pictured on July 17, 2010, its colours picked out by floodlighting. Gur-Emir Mausoleum, or Tomb of the Ruler, was built by Timur in 1404 for his favourite grandson, Mohammed Sultan, and became the mausoleum for the Timurid dynasty. The simply formed building is an octagonal drum beneath an azure fluted dome (diameter: 15m, height: 12.5m). Its walls are tiled in blue and white geometric and epigraphic patterns including the words 'God is Immortal' in 3m. high white Kufic script around the top of the drum. Samarkand, a city on the Silk Road, founded as Afrosiab in the 7th century BC, is a meeting point for the world's cultures. Its most important development was in the Timurid period, 14th to 15th centuries. Picture by Manuel Cohen.
    LC_UZBEKISTAN_0710_MC102.jpg
  • Detail of dome and minaret, Gur-Emir Mausoleum, 1404, Samarkand, Uzbekistan, pictured on July 15, 2010, at dawn. Gur-Emir Mausoleum, or Tomb of the Ruler, was built by Timur in 1404 for his favourite grandson, Mohammed Sultan, and became the mausoleum for the Timurid dynasty. The simply formed building is an octagonal drum beneath an azure fluted dome (diameter: 15m, height: 12.5m). Its walls are tiled in blue and white geometric and epigraphic patterns including the words 'God is Immortal' in 3m. high white Kufic script around the top of the drum. Samarkand, a city on the Silk Road, founded as Afrosiab in the 7th century BC, is a meeting point for the world's cultures. Its most important development was in the Timurid period, 14th to 15th centuries. Picture by Manuel Cohen.
    LC_UZBEKISTAN_0710_MC061.jpg
  • Detail of dome and minaret, Gur-Emir Mausoleum, 1417-20, Samarkand, Uzbekistan, pictured on July 15, 2010, at dawn. Gur-Emir Mausoleum, or Tomb of the Ruler, was built by Timur in 1404 for his favourite grandson, Mohammed Sultan, and became the mausoleum for the Timurid dynasty. The simply formed building is an octagonal drum beneath an azure fluted dome (diameter: 15m, height: 12.5m). Its walls are tiled in blue and white geometric and epigraphic patterns including the words 'God is Immortal' in 3m. high white Kufic script around the top of the drum. Samarkand, a city on the Silk Road, founded as Afrosiab in the 7th century BC, is a meeting point for the world's cultures. Its most important development was in the Timurid period, 14th to 15th centuries. Picture by Manuel Cohen.
    LC_UZBEKISTAN_0710_MC058.jpg
  • General view of Gur-Emir Mausoleum, 1417-20,Samarkand, Uzbekistan, pictured on July 15, 2010, at dawn. Gur-Emir Mausoleum, or Tomb of the Ruler, was built by Timur in 1404 for his favourite grandson, Mohammed Sultan, and became the mausoleum for the Timurid dynasty. The simply formed building is an octagonal drum beneath an azure fluted dome (diameter: 15m, height: 12.5m). Its walls are tiled in blue and white geometric and epigraphic patterns including the words 'God is Immortal' in 3m. high white Kufic script around the top of the drum. Samarkand, a city on the Silk Road, founded as Afrosiab in the 7th century BC, is a meeting point for the world's cultures. Its most important development was in the Timurid period, 14th to 15th centuries. Picture by Manuel Cohen.
    LC_UZBEKISTAN_0710_MC057.jpg
  • Low angle view of the Gur-Emir Mausoleum, 1417-20,  framed by the monumental entrance arch, Samarkand, Uzbekistan, pictured on July 14, 2010, floodlit at night. Gur-Emir Mausoleum, or Tomb of the Ruler, was built by Timur in 1404 for his favourite grandson, Mohammed Sultan, and became the mausoleum for the Timurid dynasty. The simply formed building is an octagonal drum beneath an azure fluted dome (diameter: 15m, height: 12.5m). Its walls are tiled in blue and white geometric and epigraphic patterns including the words 'God is Immortal' in 3m. high white Kufic script around the top of the drum. Samarkand, a city on the Silk Road, founded as Afrosiab in the 7th century BC, is a meeting point for the world's cultures. Its most important development was in the Timurid period, 14th to 15th centuries. Picture by Manuel Cohen.
    LC_UZBEKISTAN_0710_MC056.jpg
  • General view of monumental arch and Gur-Emir Mausoleum, 1417-20, Samarkand, Uzbekistan, pictured on July 14, 2010, in the warm light of sunset. Gur-Emir Mausoleum, or Tomb of the Ruler, was built by Timur in 1404 for his favourite grandson, Mohammed Sultan, and became the mausoleum for the Timurid dynasty. The simply formed building is an octagonal drum beneath an azure fluted dome (diameter: 15m, height: 12.5m). Its walls are tiled in blue and white geometric and epigraphic patterns including the words 'God is Immortal' in 3m. high white Kufic script around the top of the drum. Samarkand, a city on the Silk Road, founded as Afrosiab in the 7th century BC, is a meeting point for the world's cultures. Its most important development was in the Timurid period, 14th to 15th centuries. Picture by Manuel Cohen.
    LC_UZBEKISTAN_0710_MC047.jpg
  • Detail of stucco work with interlacing pattern and Arabic script, in the Patio of the Gilded Room, between the Mexuar and the Gilded Room or Cuarto Dorado in the Comares Palace, Alhambra Palace, Granada, Andalusia, Southern Spain. It was built under Mohammed V in the 14th century. The Alhambra was begun in the 11th century as a castle, and in the 13th and 14th centuries served as the royal palace of the Nasrid sultans. The huge complex contains the Alcazaba, Nasrid palaces, gardens and Generalife. Granada was listed as a UNESCO World Heritage Site in 1984. Picture by Manuel Cohen
    LC14_GRANADA_MC014.jpg
  • Detail of tiles with geometric and interlacing designs in the Mexuar, meeting room for Council of Ministers and public reception room of the Sultan, Alhambra, Granada, Andalusia, Southern Spain. Above the tiles is cursive Arabic script carved in stucco. The Alhambra was begun in the 11th century as a castle, and in the 13th and 14th centuries served as the royal palace of the Nasrid sultans. The huge complex contains the Alcazaba, Nasrid palaces, gardens and Generalife. Granada was listed as a UNESCO World Heritage Site in 1984. Picture by Manuel Cohen
    LC14_GRANADA_MC010.jpg
  • Stone with carved inscriptions from Letoon, near Xanthos, Antalya, Turkey. Many inscriptions have been uncovered at this site, including the Letoon trilingual, in Lycian Greek and Aramaic, which is held at the Fethiye Museum. The large monoliths with Lycian script are the most important source of knowledge of this lost ancient language. The Letoon or Sanctuary of Leto was the sacred cult centre of Lycia, its most important sanctuary, and was dedicated to the 3 national deities of Lycia, Leto and her twin children Apollo and Artemis. Leto was also worshipped as a family deity and as the guardian of the tomb. The site is 10km South of the ancient city of Xanthos in Lycia, near the modern-day village of Kumluova, Fethiye. Founded in the 6th century BC, the Greek site also flourished throughout Roman times, and a church was built here in the Christian era. The site was abandoned in the 7th century AD. Picture by Manuel Cohen
    LC13_Turkey_MC596.jpg
  • Stone with carved inscriptions in the Lycian language found near the Temple of Apollo, built 4th century BC, at Letoon, near Xanthos, Antalya, Turkey. Many inscriptions have been uncovered at this site, including the Letoon trilingual, in Lycian Greek and Aramaic, which is held at the Fethiye Museum. The large monoliths with Lycian script are the most important source of knowledge of this lost ancient language. The Letoon or Sanctuary of Leto was the sacred cult centre of Lycia, its most important sanctuary, and was dedicated to the 3 national deities of Lycia, Leto and her twin children Apollo and Artemis. Leto was also worshipped as a family deity and as the guardian of the tomb. The site is 10km South of the ancient city of Xanthos in Lycia, near the modern-day village of Kumluova, Fethiye. Founded in the 6th century BC, the Greek site also flourished throughout Roman times, and a church was built here in the Christian era. The site was abandoned in the 7th century AD. Picture by Manuel Cohen
    LC13_Turkey_MC599.jpg
  • Detail of stucco work with interlacing pattern and Arabic script, in the Patio of the Gilded Room, between the Mexuar and the Gilded Room or Cuarto Dorado in the Comares Palace, Alhambra Palace, Granada, Andalusia, Southern Spain. It was built under Mohammed V in the 14th century. The Alhambra was begun in the 11th century as a castle, and in the 13th and 14th centuries served as the royal palace of the Nasrid sultans. The huge complex contains the Alcazaba, Nasrid palaces, gardens and Generalife. Granada was listed as a UNESCO World Heritage Site in 1984. Picture by Manuel Cohen
    LC14_GRANADA_MC013.jpg
  • Stone with carved inscriptions from Letoon, near Xanthos, Antalya, Turkey. Many inscriptions have been uncovered at this site, including the Letoon trilingual, in Lycian Greek and Aramaic, which is held at the Fethiye Museum. The large monoliths with Lycian script are the most important source of knowledge of this lost ancient language. The Letoon or Sanctuary of Leto was the sacred cult centre of Lycia, its most important sanctuary, and was dedicated to the 3 national deities of Lycia, Leto and her twin children Apollo and Artemis. Leto was also worshipped as a family deity and as the guardian of the tomb. The site is 10km South of the ancient city of Xanthos in Lycia, near the modern-day village of Kumluova, Fethiye. Founded in the 6th century BC, the Greek site also flourished throughout Roman times, and a church was built here in the Christian era. The site was abandoned in the 7th century AD. Picture by Manuel Cohen
    LC13_Turkey_MC597.jpg
  • Stone with carved inscriptions in the Lycian language from Letoon, near Xanthos, Antalya, Turkey. Many inscriptions have been uncovered at this site, including the Letoon trilingual, in Lycian Greek and Aramaic, which is held at the Fethiye Museum. The large monoliths with Lycian script are the most important source of knowledge of this lost ancient language. The Letoon or Sanctuary of Leto was the sacred cult centre of Lycia, its most important sanctuary, and was dedicated to the 3 national deities of Lycia, Leto and her twin children Apollo and Artemis. Leto was also worshipped as a family deity and as the guardian of the tomb. The site is 10km South of the ancient city of Xanthos in Lycia, near the modern-day village of Kumluova, Fethiye. Founded in the 6th century BC, the Greek site also flourished throughout Roman times, and a church was built here in the Christian era. The site was abandoned in the 7th century AD. Picture by Manuel Cohen
    LC13_Turkey_MC604.jpg
  • Embroidered Arabic calligraphy, Ottoman period, from Kajtaz House, a traditional Islamic home, originally the harem of a larger homestead built for a 16th century Turkish judge, in Mostar, Bosnia and Herzegovina. The town is named after the mostari or bridge keepers of the Stari Most or Old Bridge. Mostar developed in the 15th and 16th centuries as an Ottoman frontier town and is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_Mostar_MC016.jpg
  • Polychrome mocarabe work above a pillar, and intricately carved stucco walls with floral decoration, in the Court of the Lions, built 1362 in the second reign of Muhammad V, in the Nasrid dynasty Palace of the Lions, Alhambra Palace, Granada, Andalusia, Southern Spain. The Alhambra was begun in the 11th century as a castle, and in the 13th and 14th centuries served as the royal palace of the Nasrid sultans. The huge complex contains the Alcazaba, Nasrid palaces, gardens and Generalife. Picture by Manuel Cohen
    LC14_GRANADA_MC146.jpg
  • Iznik tiles with Arabic inscriptions on the exterior wall of the Green Tomb or Yesil Turbe, mausoleum of the 5th Ottoman Sultan Mehmed I Celebi, Bursa, Turkey. The tomb was built by Mehmed's son and successor Murad II following Mehmed's death in 1421 and is so named because of the green-blue tiles which cover the exterior. The architect, Haci Ivaz Pasha, designed the tomb and the Yesil Mosque opposite. Most of the exterior tiles were replaced following an earthquake in 1855. Picture by Manuel Cohen
    LC13_Turkey_MC040.jpg
  • Painted frieze inspired by Arabic kufic calligraphy, 14th century, in the high chapel or Chapelle Sainte-Croix, consecrated 1309, at the Palais des Rois de Majorque, or Palace of the Kings of Majorca, built 1276-1309 by Ramon Pau, Pons Descoll and Bernat Quer, for King James II of Majorca, in Puig del Rey, Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. The fortified palace is in Late Romanesque and Gothic style and is built around 3 courtyards. It was fortified by Louis XI and renovated by Charles V and Vauban in the 15th and 17th centuries. In the 13th century, Perpignan was the capital of the Kingdom of Majorca. The palace is listed as a historic monument. Picture by Manuel Cohen
    LC20_FRANCE_MC_1336.jpg
  • Niche, with mural painting of blue drapery, and painted frieze inspired by Arabic kufic calligraphy, 14th century, in the high chapel or Chapelle Sainte-Croix, consecrated 1309, at the Palais des Rois de Majorque, or Palace of the Kings of Majorca, built 1276-1309 by Ramon Pau, Pons Descoll and Bernat Quer, for King James II of Majorca, in Puig del Rey, Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. The fortified palace is in Late Romanesque and Gothic style and is built around 3 courtyards. It was fortified by Louis XI and renovated by Charles V and Vauban in the 15th and 17th centuries. In the 13th century, Perpignan was the capital of the Kingdom of Majorca. The palace is listed as a historic monument. Picture by Manuel Cohen
    LC20_FRANCE_MC_1186.jpg
  • Room painted with Arabic writing in the Al Ghus House or Pearl Diver House, built early 20th century by a boat captain and used also by pearl divers, a single storey structure with rooms around a colonnade and a central courtyard, in Muharraq, Bahrain. When built, the house afforded access to the tidal island of Bu Maher. Muharraq is a city on the Pearling Path and with a strong history of pearl diving and pearl trade, where 17 buildings form part of a UNESCO World Heritage Site celebrating the pearl trade. Picture by Manuel Cohen
    LC19_BAHREIN_MC_004.jpg
  • Carved marble capitals of the double columns supporting the ceiling of the prayer hall, Grande Mosquee de Paris, designed by Robert Fournez, Maurice Mantout and Charles Heubes, built in Neo-Mudejar style 1922-26 and inaugurated in 1926, as a gesture of thanks to the muslim soldiers who fought in France's colonial troops during the First World War, in the 5th arrondissement of Paris, France. The mosque is built from reinforced concrete, with wooden carvings and mosaics brought from Morocco. The religious spaces include the grand patio, prayer room and minaret, there is an Islamic school and library, and a cafe and hammam or Turkish baths. The mosque was renovated in 1992. Picture by Manuel Cohen
    LC17_FRANCE_MC_1544.jpg
  • Carved marble capitals of the double columns supporting the ceiling of the prayer hall, Grande Mosquee de Paris, designed by Robert Fournez, Maurice Mantout and Charles Heubes, built in Neo-Mudejar style 1922-26 and inaugurated in 1926, as a gesture of thanks to the muslim soldiers who fought in France's colonial troops during the First World War, in the 5th arrondissement of Paris, France. The mosque is built from reinforced concrete, with wooden carvings and mosaics brought from Morocco. The religious spaces include the grand patio, prayer room and minaret, there is an Islamic school and library, and a cafe and hammam or Turkish baths. The mosque was renovated in 1992. Picture by Manuel Cohen
    LC17_FRANCE_MC_1543.jpg
  • Horseshoe arch and decorative plasterwork, in the Patio de las Doncellas, or Courtyard of the Maidens, in the Mudejar Palace, or Palacio del Rey Don Pedro, built by Pedro I of Castile, 1334-1369, in 1364, in the Real Alcazar, a Moorish royal palace in Seville, Andalusia, Spain. The Patio de las Doncellas is a courtyard surrounded by muqarnas arches and a central sunken garden. It is the main courtyard of the palace and was named after the Moorish annual tradition of demanding 100 virgins from their Christian kingdoms. The ground floor is in typical Mudejar style but the upper floor was added 1540-72 and shows Renaissance influences. The Alcazar was first founded as a fort in 913, then developed as a palace in the 11th, 12th and 13th centuries and used by both Muslim and Christian rulers. The Alcazar is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC084.jpg
  • Horseshoe arches with decorative plasterwork crowned with shells, symbolising the life cycle of humans, in the Royal Bedroom, in the Mudejar Palace, or Palacio del Rey Don Pedro, built by Pedro I of Castile, 1334-1369, in 1364, in the Real Alcazar, a Moorish royal palace in Seville, Andalusia, Spain. The bedroom has arched alcoves which were hung with drapes and an alfarje panelled wooden ceiling built in the 14th century. The Alcazar was first founded as a fort in 913, then developed as a palace in the 11th, 12th and 13th centuries and used by both Muslim and Christian rulers. The Alcazar is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC063.jpg
  • Decorative plasterwork and azulejos tiles, in the Patio de las Doncellas, or Courtyard of the Maidens, in the Mudejar Palace, or Palacio del Rey Don Pedro, built by Pedro I of Castile, 1334-1369, in 1364, in the Real Alcazar, a Moorish royal palace in Seville, Andalusia, Spain. The Patio de las Doncellas is a courtyard surrounded by muqarnas arches and a central sunken garden. It is the main courtyard of the palace and was named after the Moorish annual tradition of demanding 100 virgins from their Christian kingdoms. The ground floor is in typical Mudejar style but the upper floor was added 1540-72 and shows Renaissance influences. The Alcazar was first founded as a fort in 913, then developed as a palace in the 11th, 12th and 13th centuries and used by both Muslim and Christian rulers. The Alcazar is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC050.jpg
  • Arch and decorative plasterwork, in the Patio de las Doncellas, or Courtyard of the Maidens, in the Mudejar Palace, or Palacio del Rey Don Pedro, built by Pedro I of Castile, 1334-1369, in 1364, in the Real Alcazar, a Moorish royal palace in Seville, Andalusia, Spain. The Patio de las Doncellas is a courtyard surrounded by muqarnas arches and a central sunken garden. It is the main courtyard of the palace and was named after the Moorish annual tradition of demanding 100 virgins from their Christian kingdoms. The ground floor is in typical Mudejar style but the upper floor was added 1540-72 and shows Renaissance influences. The Alcazar was first founded as a fort in 913, then developed as a palace in the 11th, 12th and 13th centuries and used by both Muslim and Christian rulers. The Alcazar is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC047.jpg
  • Detail of the wooden door with carved and painted design in geometric shapes, in the Patio de las Doncellas, or Courtyard of the Maidens, in the Mudejar Palace, or Palacio del Rey Don Pedro, built by Pedro I of Castile, 1334-1369, in 1364, in the Real Alcazar, a Moorish royal palace in Seville, Andalusia, Spain. The Patio de las Doncellas is a courtyard surrounded by muqarnas arches and a central sunken garden. It is the main courtyard of the palace and was named after the Moorish annual tradition of demanding 100 virgins from their Christian kingdoms. The ground floor is in typical Mudejar style but the upper floor was added 1540-72 and shows Renaissance influences. The Alcazar was first founded as a fort in 913, then developed as a palace in the 11th, 12th and 13th centuries and used by both Muslim and Christian rulers. The Alcazar is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC045.jpg
  • Decorative plasterwork from the wall between the Salon de Embajadores, or Hall of Ambassadors, and the Patio de las Doncellas, or Courtyard of the Maidens, in the Mudejar Palace, or Palacio del Rey Don Pedro, built by Pedro I of Castile in 1364, in the Real Alcazar, a Moorish royal palace in Seville, Andalusia, Spain. The Hall of Ambassadors was the throne room of King Don Pedro I, 1334-1369. The square shape of the room represents the earth and the circular dome, dating to 1427, represents the universe. The Patio de las Doncellas is a courtyard surrounded by muqarnas arches and a central sunken garden. The Alcazar was first founded as a fort in 913, then developed as a palace in the 11th, 12th and 13th centuries and used by both Muslim and Christian rulers. The Alcazar is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC042.jpg
  • Decorative plasterwork on the walls of the Salon de Embajadores, or Hall of Ambassadors, in the Mudejar Palace, or Palacio del Rey Don Pedro, built by Pedro I of Castile in 1364, in the Real Alcazar, a Moorish royal palace in Seville, Andalusia, Spain. The Hall of Ambassadors was the throne room of King Don Pedro I, 1334-1369. The square shape of the room represents the earth and the circular dome, dating to 1427, represents the universe. The Alcazar was first founded as a fort in 913, then developed as a palace in the 11th, 12th and 13th centuries and used by both Muslim and Christian rulers. The Alcazar is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC034.jpg
  • Decorative plasterwork on the walls of the Salon de Embajadores, or Hall of Ambassadors, in the Mudejar Palace, or Palacio del Rey Don Pedro, built by Pedro I of Castile in 1364, in the Real Alcazar, a Moorish royal palace in Seville, Andalusia, Spain. The Hall of Ambassadors was the throne room of King Don Pedro I, 1334-1369. The square shape of the room represents the earth and the circular dome, dating to 1427, represents the universe. The Alcazar was first founded as a fort in 913, then developed as a palace in the 11th, 12th and 13th centuries and used by both Muslim and Christian rulers. The Alcazar is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC028.jpg
  • Decorative plasterwork from the Arco de Pavones, or Peacock's Arch, which separates the Salon del Techo de Felipe II, or Philip II Ceiling Room, from the Salon de Embajadores, or Hall of Ambassadors, in the Mudejar Palace, or Palacio del Rey Don Pedro, built by Pedro I of Castile, 1334-1369, in 1364, in the Real Alcazar, a Moorish royal palace in Seville, Andalusia, Spain. The wall is carved with peacocks (symbol of permanence, immortality and monarchy) and hundreds of other birds in blue and gold decorative plasterwork, with a large arch and within, 3 horseshoe arches separated by columns. The Alcazar was first founded as a fort in 913, then developed as a palace in the 11th, 12th and 13th centuries and used by both Muslim and Christian rulers. The Alcazar is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC012.jpg
  • Decorative plasterwork from the Arco de Pavones, or Peacock's Arch, which separates the Salon del Techo de Felipe II, or Philip II Ceiling Room, from the Salon de Embajadores, or Hall of Ambassadors, in the Mudejar Palace, or Palacio del Rey Don Pedro, built by Pedro I of Castile, 1334-1369, in 1364, in the Real Alcazar, a Moorish royal palace in Seville, Andalusia, Spain. The wall is carved with peacocks (symbol of permanence, immortality and monarchy) and hundreds of other birds in blue and gold decorative plasterwork, with a large arch and within, 3 horseshoe arches separated by columns. The Alcazar was first founded as a fort in 913, then developed as a palace in the 11th, 12th and 13th centuries and used by both Muslim and Christian rulers. The Alcazar is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC011.jpg
  • Screenplay by Xavier Dorison, 16th September 2014, for Le Feu Ecarlate or the Scarlet Fire, Series 35 of the Thorgal comic book series, to be published November 2016, illustrated with 2 painted sketches of characters by Grzegorz Rosinski, 1941-, Polish comic book artist. Rosinski was born in Stalowa Wola, Poland, and now lives in Switzerland, and is the author and designer of many Polish comic book series. He created Thorgal with Belgian writer Jean Van Hamme. The series was first published in Tintin in 1977 and has been published by Le Lombard since 1980. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Le Feu Ecarlate takes place in Bag Dadh, a city under siege by the Magnus force, where Thorgal must find Aniel and save him from the Red Wizards who made him the reincarnation of their Grand Master Kahaniel. Picture by Manuel Cohen / Further clearances requested, please contact us and/or visit www.lelombard.com
    LC16_ROSINSKI_MC_080.jpg
  • Screenplay by Xavier Dorison, 16th September 2014, for Le Feu Ecarlate or the Scarlet Fire, Series 35 of the Thorgal comic book series, to be published November 2016, illustrated with a pencil storyboard sketch and a painted sketch of Thorgal by Grzegorz Rosinski, 1941-, Polish comic book artist. Rosinski was born in Stalowa Wola, Poland, and now lives in Switzerland, and is the author and designer of many Polish comic book series. He created Thorgal with Belgian writer Jean Van Hamme. The series was first published in Tintin in 1977 and has been published by Le Lombard since 1980. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Le Feu Ecarlate takes place in Bag Dadh, a city under siege by the Magnus force, where Thorgal must find Aniel and save him from the Red Wizards who made him the reincarnation of their Grand Master Kahaniel. Picture by Manuel Cohen / Further clearances requested, please contact us and/or visit www.lelombard.com
    LC16_ROSINSKI_MC_079.jpg
  • Screenplay by Xavier Dorison, 16th September 2014, for Le Feu Ecarlate or the Scarlet Fire, Series 35 of the Thorgal comic book series, to be published November 2016, illustrated with 2 ink sketches of Thorgal by Grzegorz Rosinski, 1941-, Polish comic book artist. Rosinski was born in Stalowa Wola, Poland, and now lives in Switzerland, and is the author and designer of many Polish comic book series. He created Thorgal with Belgian writer Jean Van Hamme. The series was first published in Tintin in 1977 and has been published by Le Lombard since 1980. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Le Feu Ecarlate takes place in Bag Dadh, a city under siege by the Magnus force, where Thorgal must find Aniel and save him from the Red Wizards who made him the reincarnation of their Grand Master Kahaniel. Picture by Manuel Cohen / Further clearances requested, please contact us and/or visit www.lelombard.com
    LC16_ROSINSKI_MC_078.jpg
  • Screenplay by Xavier Dorison, 16th September 2014, for Le Feu Ecarlate or the Scarlet Fire, Series 35 of the Thorgal comic book series, to be published November 2016, illustrated with a watercolour sketch of a turbaned Thorgal by Grzegorz Rosinski, 1941-, Polish comic book artist. Rosinski was born in Stalowa Wola, Poland, and now lives in Switzerland, and is the author and designer of many Polish comic book series. He created Thorgal with Belgian writer Jean Van Hamme. The series was first published in Tintin in 1977 and has been published by Le Lombard since 1980. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Le Feu Ecarlate takes place in Bag Dadh, a city under siege by the Magnus force, where Thorgal must find Aniel and save him from the Red Wizards who made him the reincarnation of their Grand Master Kahaniel. Picture by Manuel Cohen / Further clearances requested, please contact us and/or visit www.lelombard.com
    LC16_ROSINSKI_MC_075.jpg
  • Screenplay by Xavier Dorison, 16th September 2014, for Le Feu Ecarlate or the Scarlet Fire, Series 35 of the Thorgal comic book series, to be published November 2016, illustrated with a storyboard sketch with Aniel by Grzegorz Rosinski, 1941-, Polish comic book artist. Rosinski was born in Stalowa Wola, Poland, and now lives in Switzerland, and is the author and designer of many Polish comic book series. He created Thorgal with Belgian writer Jean Van Hamme. The series was first published in Tintin in 1977 and has been published by Le Lombard since 1980. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Le Feu Ecarlate takes place in Bag Dadh, a city under siege by the Magnus force, where Thorgal must find Aniel and save him from the Red Wizards who made him the reincarnation of their Grand Master Kahaniel. Picture by Manuel Cohen / Further clearances requested, please contact us and/or visit www.lelombard.com
    LC16_ROSINSKI_MC_074.jpg
  • Looking through the maqsura, a richly decorated room with intricately carved interlacing fluted arches, redecorated under Al-Hakam II in 961, towards the mihrab portal, a horseshoe arch with rectangular surround or alfiz, richly decorated with tesserae (glass mosaic with gold or coloured backing) with vegetal designs and kufic inscriptions, in the Cathedral-Great Mosque of Cordoba, in Cordoba, Andalusia, Southern Spain. The first church built here by the Visigoths in the 7th century was split in half by the Moors, becoming half church, half mosque. In 784, the Great Mosque of Cordoba was begun in its place and developed over 200 years, but in 1236 it was converted into a catholic church, with a Renaissance cathedral nave built in the 16th century. The historic centre of Cordoba is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_SPAIN_MC344.jpg
  • The mihrab portal, a horseshoe arch and rectangular surround or alfiz richly decorated with tesserae (glass mosaic with gold or coloured backing) with vegetal designs and kufic inscriptions, in the Cathedral-Great Mosque of Cordoba, in Cordoba, Andalusia, Southern Spain. The first church built here by the Visigoths in the 7th century was split in half by the Moors, becoming half church, half mosque. In 784, the Great Mosque of Cordoba was begun in its place and developed over 200 years, but in 1236 it was converted into a catholic church, with a Renaissance cathedral nave built in the 16th century. The historic centre of Cordoba is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_SPAIN_MC341.jpg
  • Architectural detail of the door of the Puerta del Perdon or Door of Forgiveness, built 1377 and renovated 17th century, one of the North facade entrances to the Cathedral-Great Mosque of Cordoba, on the Calle Cardenal Herrero in Cordoba, Andalusia, Southern Spain. This is a fine example of Mamluk metalwork, with a geometric pattern of hexagonal metal plaques and stars. The first church built here by the Visigoths in the 7th century was split in half by the Moors, becoming half church, half mosque. In 784, the Great Mosque of Cordoba was begun in its place and developed over 200 years, but in 1236 it was converted into a catholic church, with a Renaissance cathedral nave built in the 16th century. The historic centre of Cordoba is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_SPAIN_MC340.jpg
  • Architectural detail of the Puerta de San Ildefonso, built under Al-Hakam II in the 10th century, one of the West facade entrances to the Cathedral-Great Mosque of Cordoba, on the Calle Torrijos in Cordoba, Andalusia, Southern Spain. This detail shows the frame around the arched doorway, with kufic inscription and intricately carved vegetal patterns. The first church built here by the Visigoths in the 7th century was split in half by the Moors, becoming half church, half mosque. In 784, the Great Mosque of Cordoba was begun in its place and developed over 200 years, but in 1236 it was converted into a catholic church, with a Renaissance cathedral nave built in the 16th century. The historic centre of Cordoba is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_SPAIN_MC337.jpg
  • Architectural detail of the Puerta de San Ildefonso, built under Al-Hakam II in the 10th century, one of the West facade entrances to the Cathedral-Great Mosque of Cordoba, on the Calle Torrijos in Cordoba, Andalusia, Southern Spain. This detail shows the frame around the arched doorway, with kufic inscription and intricately carved vegetal patterns. The first church built here by the Visigoths in the 7th century was split in half by the Moors, becoming half church, half mosque. In 784, the Great Mosque of Cordoba was begun in its place and developed over 200 years, but in 1236 it was converted into a catholic church, with a Renaissance cathedral nave built in the 16th century. The historic centre of Cordoba is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_SPAIN_MC335.jpg
  • Architectural detail of the Puerta de San Ildefonso, built under Al-Hakam II in the 10th century, one of the West facade entrances to the Cathedral-Great Mosque of Cordoba, on the Calle Torrijos in Cordoba, Andalusia, Southern Spain. This detail shows the frame of the arch, with kufic inscription, mosaic work and intricately carved vegetal patterns. The first church built here by the Visigoths in the 7th century was split in half by the Moors, becoming half church, half mosque. In 784, the Great Mosque of Cordoba was begun in its place and developed over 200 years, but in 1236 it was converted into a catholic church, with a Renaissance cathedral nave built in the 16th century. The historic centre of Cordoba is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_SPAIN_MC332.jpg
  • Architectural detail of the Puerta de San Ildefonso, built under Al-Hakam II in the 10th century, one of the West facade entrances to the Cathedral-Great Mosque of Cordoba, on the Calle Torrijos in Cordoba, Andalusia, Southern Spain. This detail shows the arch and its frame, with kufic inscription and intricately carved vegetal patterns. The first church built here by the Visigoths in the 7th century was split in half by the Moors, becoming half church, half mosque. In 784, the Great Mosque of Cordoba was begun in its place and developed over 200 years, but in 1236 it was converted into a catholic church, with a Renaissance cathedral nave built in the 16th century. The historic centre of Cordoba is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_SPAIN_MC324.jpg
  • Detail of tesserae (glass mosaic with gold or coloured backing) with vegetal designs and kufic inscriptions on a horseshoe arch on the qibla wall next to the mihrab, in the Cathedral-Great Mosque of Cordoba, in Cordoba, Andalusia, Southern Spain. The first church built here by the Visigoths in the 7th century was split in half by the Moors, becoming half church, half mosque. In 784, the Great Mosque of Cordoba was begun in its place and developed over 200 years, but in 1236 it was converted into a catholic church, with a Renaissance cathedral nave built in the 16th century. The historic centre of Cordoba is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_SPAIN_MC257.jpg
  • Detail of tesserae (glass mosaic with gold or coloured backing) with vegetal designs and kufic inscriptions on a horseshoe arch on the qibla wall next to the mihrab, in the Cathedral-Great Mosque of Cordoba, in Cordoba, Andalusia, Southern Spain. The first church built here by the Visigoths in the 7th century was split in half by the Moors, becoming half church, half mosque. In 784, the Great Mosque of Cordoba was begun in its place and developed over 200 years, but in 1236 it was converted into a catholic church, with a Renaissance cathedral nave built in the 16th century. The historic centre of Cordoba is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_SPAIN_MC224.jpg
  • Looking through the maqsura, a richly decorated room with intricately carved interlacing fluted arches, redecorated under Al-Hakam II in 961, towards the mihrab portal, a horseshoe arch with rectangular surround or alfiz, richly decorated with tesserae (glass mosaic with gold or coloured backing) with vegetal designs and kufic inscriptions, in the Cathedral-Great Mosque of Cordoba, in Cordoba, Andalusia, Southern Spain. The first church built here by the Visigoths in the 7th century was split in half by the Moors, becoming half church, half mosque. In 784, the Great Mosque of Cordoba was begun in its place and developed over 200 years, but in 1236 it was converted into a catholic church, with a Renaissance cathedral nave built in the 16th century. The historic centre of Cordoba is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_SPAIN_MC222.jpg
  • Looking through the maqsura, a richly decorated room with intricately carved interlacing fluted arches, redecorated under Al-Hakam II in 961, towards the mihrab portal, a horseshoe arch with rectangular surround or alfiz, richly decorated with tesserae (glass mosaic with gold or coloured backing) with vegetal designs and kufic inscriptions, in the Cathedral-Great Mosque of Cordoba, in Cordoba, Andalusia, Southern Spain. The first church built here by the Visigoths in the 7th century was split in half by the Moors, becoming half church, half mosque. In 784, the Great Mosque of Cordoba was begun in its place and developed over 200 years, but in 1236 it was converted into a catholic church, with a Renaissance cathedral nave built in the 16th century. The historic centre of Cordoba is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_SPAIN_MC221.jpg
  • Detail of the mihrab portal, a horseshoe arch with rectangular surround or alfiz, richly decorated with tesserae (glass mosaic with gold or coloured backing) with vegetal designs and kufic inscriptions, in the Cathedral-Great Mosque of Cordoba, in Cordoba, Andalusia, Southern Spain. The first church built here by the Visigoths in the 7th century was split in half by the Moors, becoming half church, half mosque. In 784, the Great Mosque of Cordoba was begun in its place and developed over 200 years, but in 1236 it was converted into a catholic church, with a Renaissance cathedral nave built in the 16th century. The historic centre of Cordoba is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_SPAIN_MC218.jpg
  • Detail of tesserae (glass mosaic with gold or coloured backing) with vegetal designs and kufic inscriptions on a horseshoe arch on the qibla wall next to the mihrab, in the Cathedral-Great Mosque of Cordoba, in Cordoba, Andalusia, Southern Spain. The first church built here by the Visigoths in the 7th century was split in half by the Moors, becoming half church, half mosque. In 784, the Great Mosque of Cordoba was begun in its place and developed over 200 years, but in 1236 it was converted into a catholic church, with a Renaissance cathedral nave built in the 16th century. The historic centre of Cordoba is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_SPAIN_MC214.jpg
  • Detail from the mihrab portal, a horseshoe arch and rectangular surround or alfiz richly decorated with tesserae (glass mosaic with gold or coloured backing) with kufic inscriptions, in the Cathedral-Great Mosque of Cordoba, in Cordoba, Andalusia, Southern Spain. The first church built here by the Visigoths in the 7th century was split in half by the Moors, becoming half church, half mosque. In 784, the Great Mosque of Cordoba was begun in its place and developed over 200 years, but in 1236 it was converted into a catholic church, with a Renaissance cathedral nave built in the 16th century. The historic centre of Cordoba is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_SPAIN_MC208.jpg
  • Detail from the mihrab portal, a horseshoe arch and rectangular surround or alfiz richly decorated with tesserae (glass mosaic with gold or coloured backing) with vegetal designs and kufic inscriptions, in the Cathedral-Great Mosque of Cordoba, in Cordoba, Andalusia, Southern Spain. The first church built here by the Visigoths in the 7th century was split in half by the Moors, becoming half church, half mosque. In 784, the Great Mosque of Cordoba was begun in its place and developed over 200 years, but in 1236 it was converted into a catholic church, with a Renaissance cathedral nave built in the 16th century. The historic centre of Cordoba is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_SPAIN_MC209.jpg
  • Detail from the mihrab portal, a horseshoe arch and rectangular surround or alfiz richly decorated with tesserae (glass mosaic with gold or coloured backing) with vegetal designs and kufic inscriptions, in the Cathedral-Great Mosque of Cordoba, in Cordoba, Andalusia, Southern Spain. The first church built here by the Visigoths in the 7th century was split in half by the Moors, becoming half church, half mosque. In 784, the Great Mosque of Cordoba was begun in its place and developed over 200 years, but in 1236 it was converted into a catholic church, with a Renaissance cathedral nave built in the 16th century. The historic centre of Cordoba is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_SPAIN_MC206.jpg
  • The mihrab portal, a horseshoe arch and rectangular surround or alfiz richly decorated with tesserae (glass mosaic with gold or coloured backing) with vegetal designs and kufic inscriptions, in the Cathedral-Great Mosque of Cordoba, in Cordoba, Andalusia, Southern Spain. The first church built here by the Visigoths in the 7th century was split in half by the Moors, becoming half church, half mosque. In 784, the Great Mosque of Cordoba was begun in its place and developed over 200 years, but in 1236 it was converted into a catholic church, with a Renaissance cathedral nave built in the 16th century. The historic centre of Cordoba is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_SPAIN_MC201.jpg
  • The mihrab portal, a horseshoe arch and rectangular surround or alfiz richly decorated with tesserae (glass mosaic with gold or coloured backing) with vegetal designs and kufic inscriptions, in the Cathedral-Great Mosque of Cordoba, in Cordoba, Andalusia, Southern Spain. The first church built here by the Visigoths in the 7th century was split in half by the Moors, becoming half church, half mosque. In 784, the Great Mosque of Cordoba was begun in its place and developed over 200 years, but in 1236 it was converted into a catholic church, with a Renaissance cathedral nave built in the 16th century. The historic centre of Cordoba is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_SPAIN_MC200.jpg
  • Detail from the mihrab portal, a horseshoe arch and rectangular surround or alfiz richly decorated with tesserae (glass mosaic with gold or coloured backing) with vegetal designs and kufic inscriptions, in the Cathedral-Great Mosque of Cordoba, in Cordoba, Andalusia, Southern Spain. The first church built here by the Visigoths in the 7th century was split in half by the Moors, becoming half church, half mosque. In 784, the Great Mosque of Cordoba was begun in its place and developed over 200 years, but in 1236 it was converted into a catholic church, with a Renaissance cathedral nave built in the 16th century. The historic centre of Cordoba is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_SPAIN_MC184.jpg
  • Detail from inside the mihrab, with carved marble and kufic inscriptions in gold, in the Cathedral-Great Mosque of Cordoba, in Cordoba, Andalusia, Southern Spain. The first church built here by the Visigoths in the 7th century was split in half by the Moors, becoming half church, half mosque. In 784, the Great Mosque of Cordoba was begun in its place and developed over 200 years, but in 1236 it was converted into a catholic church, with a Renaissance cathedral nave built in the 16th century. The historic centre of Cordoba is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_SPAIN_MC180.jpg
  • The mihrab portal, a horseshoe arch and rectangular surround or alfiz richly decorated with tesserae (glass mosaic with gold or coloured backing) with vegetal designs and kufic inscriptions, in the Cathedral-Great Mosque of Cordoba, in Cordoba, Andalusia, Southern Spain. The first church built here by the Visigoths in the 7th century was split in half by the Moors, becoming half church, half mosque. In 784, the Great Mosque of Cordoba was begun in its place and developed over 200 years, but in 1236 it was converted into a catholic church, with a Renaissance cathedral nave built in the 16th century. The historic centre of Cordoba is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_SPAIN_MC178.jpg
  • Open prayer book inside the temple at Blagaj Tekke, a Sufi monastery at Vrelo Brune, the Buna river spring near Blagaj village, near Mostar, Bosnia and Herzegovina. The early 16th century Ottoman monastery complex includes a musafirhana or guest house and turbe or mausoleum, built in the limestone cliffs at the point where the spring emerges from a cave. Picture by Manuel Cohen
    LC15_Mostar_MC032.jpg
  • Embroidered Arabic calligraphy, Ottoman period, from Kajtaz House, a traditional Islamic home, originally the harem of a larger homestead built for a 16th century Turkish judge, in Mostar, Bosnia and Herzegovina. The town is named after the mostari or bridge keepers of the Stari Most or Old Bridge. Mostar developed in the 15th and 16th centuries as an Ottoman frontier town and is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_Mostar_MC015.jpg
  • Mihrab with carved fretwork and mocarabe in the Oratory or Sala de la Oracion in the Madrasa of Granada, a mosque school founded 1349 by the Nasrid King Yusuf I, Sultan of Granada, in El Albayzin, the medieval Moorish old town of Granada, Andalusia, Southern Spain. The madrasa functioned as a university until 1499 and is now part of the University of Granada. From the 8th to the 15th centuries, Granada was under muslim rule and retains a distinctive Moorish heritage. Granada was listed as a UNESCO World Heritage Site in 1984. Picture by Manuel Cohen
    LC14_GRANADA_MC202.jpg
  • Mihrab with carved fretwork and mocarabe in the Oratory or Sala de la Oracion in the Madrasa of Granada, a mosque school founded 1349 by the Nasrid King Yusuf I, Sultan of Granada, in El Albayzin, the medieval Moorish old town of Granada, Andalusia, Southern Spain. The madrasa functioned as a university until 1499 and is now part of the University of Granada. From the 8th to the 15th centuries, Granada was under muslim rule and retains a distinctive Moorish heritage. Granada was listed as a UNESCO World Heritage Site in 1984. Picture by Manuel Cohen
    LC14_GRANADA_MC219.jpg
  • Detail of polychrome carved fretwork and mocarabe in the Oratory or Sala de la Oracion in the Madrasa of Granada, a mosque school founded 1349 by the Nasrid King Yusuf I, Sultan of Granada, in El Albayzin, the medieval Moorish old town of Granada, Andalusia, Southern Spain. The madrasa functioned as a university until 1499 and is now part of the University of Granada. From the 8th to the 15th centuries, Granada was under muslim rule and retains a distinctive Moorish heritage. Granada was listed as a UNESCO World Heritage Site in 1984. Picture by Manuel Cohen
    LC14_GRANADA_MC206.jpg
  • Detail of carved polychrome stucco with cursive Arabic inscriptions, from the Mihrab in the Oratory or Sala de la Oracion in the Madrasa of Granada, a mosque school founded 1349 by the Nasrid King Yusuf I, Sultan of Granada, in El Albayzin, the medieval Moorish old town of Granada, Andalusia, Southern Spain. The madrasa functioned as a university until 1499 and is now part of the University of Granada. From the 8th to the 15th centuries, Granada was under muslim rule and retains a distinctive Moorish heritage. Granada was listed as a UNESCO World Heritage Site in 1984. Picture by Manuel Cohen
    LC14_GRANADA_MC205.jpg
  • Alminar or minaret of the Granada Mosque with kufic inscription under the eaves, built in traditional El Albayzin style and opened 2003, in El Albayzin, the medieval Moorish old town of Granada, Andalusia, Spain. From the 8th to the 15th centuries, Granada was under muslim rule and retains a distinctive Moorish heritage. Granada was listed as a UNESCO World Heritage Site in 1984. Picture by Manuel Cohen
    LC14_GRANADA_MC104.jpg
  • Alminar or minaret of the Granada Mosque with kufic inscription under the eaves, built in traditional El Albayzin style and opened 2003, in El Albayzin, the medieval Moorish old town of Granada, Andalusia, Spain. From the 8th to the 15th centuries, Granada was under muslim rule and retains a distinctive Moorish heritage. Granada was listed as a UNESCO World Heritage Site in 1984. Picture by Manuel Cohen
    LC14_GRANADA_MC114.jpg
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