manuel cohen

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  • Patrick Chauvet, rector, seated on a red velvet chaise longue in a wood panelled room in the sacristy at the Cathedrale Notre-Dame de Paris, or Notre-Dame cathedral, built 1163-1345 in French Gothic style, on the Ile de la Cite in the 4th arrondissement of Paris, France. Patrick Chauvet is a prelate, preacher and catholic theologian, and has served as rector-archpriest at the cathedral since June 2016. In the sacristy, preparations are made for services and mass, and books and robes are stored. Photographed on 20th February 2019 by Manuel Cohen
    20022019_PatrickChauvetRecteurNDP_MC...jpg
  • Patrick Chauvet, rector, seated on a red velvet chaise longue in a wood panelled room in the sacristy at the Cathedrale Notre-Dame de Paris, or Notre-Dame cathedral, built 1163-1345 in French Gothic style, on the Ile de la Cite in the 4th arrondissement of Paris, France. Patrick Chauvet is a prelate, preacher and catholic theologian, and has served as rector-archpriest at the cathedral since June 2016. In the sacristy, preparations are made for services and mass, and books and robes are stored. Photographed on 20th February 2019 by Manuel Cohen
    20022019_PatrickChauvetRecteurNDP_MC...jpg
  • Patrick Chauvet, rector, seated on a red velvet chaise longue in a wood panelled room in the sacristy at the Cathedrale Notre-Dame de Paris, or Notre-Dame cathedral, built 1163-1345 in French Gothic style, on the Ile de la Cite in the 4th arrondissement of Paris, France. Patrick Chauvet is a prelate, preacher and catholic theologian, and has served as rector-archpriest at the cathedral since June 2016. In the sacristy, preparations are made for services and mass, and books and robes are stored. Photographed on 20th February 2019 by Manuel Cohen
    20022019_PatrickChauvetRecteurNDP_MC...jpg
  • Arches, atlante and sibyls holding tablets, sculptural detail from the Sacristy, designed by Andres de Vandelvira, 1509–75, and sculpted by Esteban Jamete, 1515-65, at the Sacra Capilla del Salvador, or Sacred Chapel of the Saviour, designed by Diego de Siloe and Andres de Vandelvira and built for Francisco de los Cobos in 1536 in Spanish Renaissance style and consecrated in 1559, on the Plaza Vazquez de Molina, in Ubeda, Jaen, Andalusia, Spain. The Renaissance buildings of Ubeda and Baeza are listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC183.jpg
  • Bust of a bare-breasted woman emerging from a circular recess in the wall, sculptural detail from the Sacristy, designed by Andres de Vandelvira, 1509–75, and sculpted by Esteban Jamete, 1515-65, at the Sacra Capilla del Salvador, or Sacred Chapel of the Saviour, designed by Diego de Siloe and Andres de Vandelvira and built for Francisco de los Cobos in 1536 in Spanish Renaissance style and consecrated in 1559, on the Plaza Vazquez de Molina, in Ubeda, Jaen, Andalusia, Spain. The Renaissance buildings of Ubeda and Baeza are listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC120.jpg
  • Patrick Kollannur, sacristan, preparing the textiles to be used during mass, which are kept in drawers in the main room of the sacristy at the Cathedrale Notre-Dame de Paris, or Notre-Dame cathedral, built 1163-1345 in French Gothic style, on the Ile de la Cite in the 4th arrondissement of Paris, France. On the right is a priest's embroidered chasuble which is worn during mass. In this room, preparations are made for services and mass, and books and robes are stored. Picture by Manuel Cohen
    LC19_PARIS_MC_0431.jpg
  • Sacristy, built 1812-13 on the order of Napoleon Bonaparte, in the Basilique Saint-Denis, Paris, France. The ceiling and woodwork were carved by Meziere in 1810-11, and the walls are lined with paintings chosen to reflect the politics of the day. The basilica is a large medieval 12th century Gothic abbey church and burial site of French kings from 10th - 18th centuries. Picture by Manuel Cohen
    LC18_FRANCE_MC_0426.JPG
  • Arches, caryatid with mournful expression and sibyls holding tablets, sculptural detail from the Sacristy, designed by Andres de Vandelvira, 1509–75, and sculpted by Esteban Jamete, 1515-65, at the Sacra Capilla del Salvador, or Sacred Chapel of the Saviour, designed by Diego de Siloe and Andres de Vandelvira and built for Francisco de los Cobos in 1536 in Spanish Renaissance style and consecrated in 1559, on the Plaza Vazquez de Molina, in Ubeda, Jaen, Andalusia, Spain. The Renaissance buildings of Ubeda and Baeza are listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC188.jpg
  • Bust of a man emerging from a circular recess in the wall, sculptural detail from the Sacristy, designed by Andres de Vandelvira, 1509–75, and sculpted by Esteban Jamete, 1515-65, at the Sacra Capilla del Salvador, or Sacred Chapel of the Saviour, designed by Diego de Siloe and Andres de Vandelvira and built for Francisco de los Cobos in 1536 in Spanish Renaissance style and consecrated in 1559, on the Plaza Vazquez de Molina, in Ubeda, Jaen, Andalusia, Spain. The Renaissance buildings of Ubeda and Baeza are listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC123.jpg
  • Priest preparing for mass in the sacristy at the Cathedrale Notre-Dame de Paris, or Notre-Dame cathedral, built 1163-1345 in French Gothic style, on the Ile de la Cite in the 4th arrondissement of Paris, France. In this room, preparations are made for services and mass, and books and robes are stored. Picture by Manuel Cohen
    LC19_PARIS_MC_0367.jpg
  • Sacristy at the Cathedrale Notre-Dame de Paris, or Notre-Dame cathedral, built 1163-1345 in French Gothic style, on the Ile de la Cite in the 4th arrondissement of Paris, France. In this room, preparations are made for services and mass, and books and robes are stored. Picture by Manuel Cohen
    LC19_PARIS_MC_0360.jpg
  • Saint-Louis reestablishing the tombs of his ancestors the royal kings in the choir of the church at Saint-Denis, c. 1231, detail of a painting by Landon in the sacristy of the Basilique Saint-Denis, Paris, France. The basilica is a large medieval 12th century Gothic abbey church and burial site of French kings from 10th - 18th centuries. Picture by Manuel Cohen
    LC18_FRANCE_MC_0511.jpg
  • Bust of a man emerging from a circular recess in the wall, sculptural detail from the Sacristy, designed by Andres de Vandelvira, 1509–75, and sculpted by Esteban Jamete, 1515-65, at the Sacra Capilla del Salvador, or Sacred Chapel of the Saviour, designed by Diego de Siloe and Andres de Vandelvira and built for Francisco de los Cobos in 1536 in Spanish Renaissance style and consecrated in 1559, on the Plaza Vazquez de Molina, in Ubeda, Jaen, Andalusia, Spain. The Renaissance buildings of Ubeda and Baeza are listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC186.jpg
  • Sacristy, designed by Andres de Vandelvira, 1509–75, and sculpted by Esteban Jamete, 1515-65, at the Sacra Capilla del Salvador, or Sacred Chapel of the Saviour, designed by Diego de Siloe and Andres de Vandelvira and built for Francisco de los Cobos in 1536 in Spanish Renaissance style and consecrated in 1559, on the Plaza Vazquez de Molina, in Ubeda, Jaen, Andalusia, Spain. The Renaissance buildings of Ubeda and Baeza are listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC182.jpg
  • Bust of a man emerging from a circular recess in the wall, sculptural detail from the Sacristy, designed by Andres de Vandelvira, 1509–75, and sculpted by Esteban Jamete, 1515-65, at the Sacra Capilla del Salvador, or Sacred Chapel of the Saviour, designed by Diego de Siloe and Andres de Vandelvira and built for Francisco de los Cobos in 1536 in Spanish Renaissance style and consecrated in 1559, on the Plaza Vazquez de Molina, in Ubeda, Jaen, Andalusia, Spain. The Renaissance buildings of Ubeda and Baeza are listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC146.jpg
  • Head of an atlante, sculptural detail from the Sacristy, designed by Andres de Vandelvira, 1509–75, and sculpted by Esteban Jamete, 1515-65, at the Sacra Capilla del Salvador, or Sacred Chapel of the Saviour, designed by Diego de Siloe and Andres de Vandelvira and built for Francisco de los Cobos in 1536 in Spanish Renaissance style and consecrated in 1559, on the Plaza Vazquez de Molina, in Ubeda, Jaen, Andalusia, Spain. The Renaissance buildings of Ubeda and Baeza are listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC122.jpg
  • Ceiling of the Sacristy, designed by Andres de Vandelvira, 1509–75, and sculpted by Esteban Jamete, 1515-65, at the Sacra Capilla del Salvador, or Sacred Chapel of the Saviour, designed by Diego de Siloe and Andres de Vandelvira and built for Francisco de los Cobos in 1536 in Spanish Renaissance style and consecrated in 1559, on the Plaza Vazquez de Molina, in Ubeda, Jaen, Andalusia, Spain. The Renaissance buildings of Ubeda and Baeza are listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC119.jpg
  • Figure in a medallion holding a coat of arms, sculptural detail from the Sacristy, designed by Andres de Vandelvira, 1509–75, and sculpted by Esteban Jamete, 1515-65, at the Sacra Capilla del Salvador, or Sacred Chapel of the Saviour, designed by Diego de Siloe and Andres de Vandelvira and built for Francisco de los Cobos in 1536 in Spanish Renaissance style and consecrated in 1559, on the Plaza Vazquez de Molina, in Ubeda, Jaen, Andalusia, Spain. The Renaissance buildings of Ubeda and Baeza are listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC118.jpg
  • Gables of the western sacristy, with words Honore (honour) and Forca (force), catalan invocations fo the apocalypse, completed 2016, at the Basilica de la Sagrada Familia, an unfinished catholic church designed in Gothic Revival, Art Nouveau and Modernist style by Antoni Gaudi, 1852-1926, and begun in 1882 by Francisco de Paula del Villar, continued from 1883 by Gaudi, consecrated 2010 and still undergoing construction, in Eixample, Barcelona, Catalonia, Spain. The basilica is a UNESCO World Heritage Site. Photographed 2021. Picture by Manuel Cohen
    LC21_SPAIN_MC_0838.jpg
  • Gables of the western sacristy, with words Honore (honour), Poder (power) and Force (force), catalan invocations fo the apocalypse, completed 2016, at the Basilica de la Sagrada Familia, an unfinished catholic church designed in Gothic Revival, Art Nouveau and Modernist style by Antoni Gaudi, 1852-1926, and begun in 1882 by Francisco de Paula del Villar, continued from 1883 by Gaudi, consecrated 2010 and still undergoing construction, in Eixample, Barcelona, Catalonia, Spain. The basilica is a UNESCO World Heritage Site. Photographed 2021. Picture by Manuel Cohen
    LC21_SPAIN_MC_0841.jpg
  • Bust of a bare-breasted smiling woman emerging from a circular recess in the wall, sculptural detail from the Sacristy, designed by Andres de Vandelvira, 1509–75, and sculpted by Esteban Jamete, 1515-65, at the Sacra Capilla del Salvador, or Sacred Chapel of the Saviour, designed by Diego de Siloe and Andres de Vandelvira and built for Francisco de los Cobos in 1536 in Spanish Renaissance style and consecrated in 1559, on the Plaza Vazquez de Molina, in Ubeda, Jaen, Andalusia, Spain. The Renaissance buildings of Ubeda and Baeza are listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC124.jpg
  • Patrick Kollannur, sacristan, preparing a monstrance where an unleavened sacramental bread or Host will be placed by the priest, during the ceremony of the veneration of the Holy Crown of Thorns, in the main room of the sacristy at the Cathedrale Notre-Dame de Paris, or Notre-Dame cathedral, built 1163-1345 in French Gothic style, on the Ile de la Cite in the 4th arrondissement of Paris, France. On the right is a priest's embroidered chasuble which is worn during mass. In this room, preparations are made for services and mass, and books and robes are stored. Picture by Manuel Cohen
    LC19_PARIS_MC_0433.jpg
  • Intrados with cherub heads and skulls, sculptural detail from the Sacristy, designed by Andres de Vandelvira, 1509–75, and sculpted by Esteban Jamete, 1515-65, at the Sacra Capilla del Salvador, or Sacred Chapel of the Saviour, designed by Diego de Siloe and Andres de Vandelvira and built for Francisco de los Cobos in 1536 in Spanish Renaissance style and consecrated in 1559, on the Plaza Vazquez de Molina, in Ubeda, Jaen, Andalusia, Spain. The Renaissance buildings of Ubeda and Baeza are listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC117.jpg
  • Atlante and sibyls holding tablets, sculptural detail from the Sacristy, designed by Andres de Vandelvira, 1509–75, and sculpted by Esteban Jamete, 1515-65, at the Sacra Capilla del Salvador, or Sacred Chapel of the Saviour, designed by Diego de Siloe and Andres de Vandelvira and built for Francisco de los Cobos in 1536 in Spanish Renaissance style and consecrated in 1559, on the Plaza Vazquez de Molina, in Ubeda, Jaen, Andalusia, Spain. The Renaissance buildings of Ubeda and Baeza are listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC115.jpg
  • Pinnacle with star and ceramic relief of grapes, atop of the western sacristy, completed 2016, at the Basilica de la Sagrada Familia, an unfinished catholic church designed in Gothic Revival, Art Nouveau and Modernist style by Antoni Gaudi, 1852-1926, and begun in 1882 by Francisco de Paula del Villar, continued from 1883 by Gaudi, consecrated 2010 and still undergoing construction, in Eixample, Barcelona, Catalonia, Spain. The basilica is a UNESCO World Heritage Site. Photographed 2021. Picture by Manuel Cohen
    LC21_SPAIN_MC_0837.jpg
  • Saint-Louis accepting the oriflamme or battle standard in Saint-Denis, in 1248, detail of a painting by Jean-Jacques Francois le Barbier, the Elder, 1738-1826, in the sacristy of the Basilique Saint-Denis, Paris, France. The basilica is a large medieval 12th century Gothic abbey church and burial site of French kings from 10th - 18th centuries. Picture by Manuel Cohen
    LC18_FRANCE_MC_0431.jpg
  • Pinnacle with star, Amen, JHS and ceramic relief of grapes, atop of the western sacristy, completed 2016, at the Basilica de la Sagrada Familia, an unfinished catholic church designed in Gothic Revival, Art Nouveau and Modernist style by Antoni Gaudi, 1852-1926, and begun in 1882 by Francisco de Paula del Villar, continued from 1883 by Gaudi, consecrated 2010 and still undergoing construction, in Eixample, Barcelona, Catalonia, Spain. The basilica is a UNESCO World Heritage Site. Photographed 2021. Picture by Manuel Cohen
    LC21_SPAIN_MC_0824.jpg
  • Gothic pediment above the door to the sacristy, in the South ambulatory of the Cathedrale Notre-Dame de Paris, or Notre-Dame cathedral, built 1163-1345 in French Gothic style, on the Ile de la Cite in the 4th arrondissement of Paris, France. In the sacristy, preparations are made for services and mass, and books and robes are stored. Photographed on 17th December 2018 by Manuel Cohen
    LC19_PARIS_MC_0480.jpg
  • The bones of kings placed in the Cour des Valois in 1793 are removed to be placed in a vault, on the 20th January 1817, detail of a painting by Francois Joseph Heim, 1787-1865, in the sacristy of the Basilique Saint-Denis, Paris, France. The basilica is a large medieval 12th century Gothic abbey church and burial site of French kings from 10th - 18th centuries. Picture by Manuel Cohen
    LC18_FRANCE_MC_0427.jpg
  • Rib-vaulted ceiling with decorative bosses in the Sacristy or Chapterhouse, built in the mid 15th century under Bishop Lopez Barrientos, in Cuenca Cathedral or the Cathedral of Our Lady of Grace and Saint Julian, built 1182-1270 in Gothic style, Cuenca, Spain. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC625.jpg
  • Bust of a bare-breasted smiling woman emerging from a circular recess in the wall, sculptural detail from the Sacristy, designed by Andres de Vandelvira, 1509–75, and sculpted by Esteban Jamete, 1515-65, at the Sacra Capilla del Salvador, or Sacred Chapel of the Saviour, designed by Diego de Siloe and Andres de Vandelvira and built for Francisco de los Cobos in 1536 in Spanish Renaissance style and consecrated in 1559, on the Plaza Vazquez de Molina, in Ubeda, Jaen, Andalusia, Spain. The Renaissance buildings of Ubeda and Baeza are listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC187.jpg
  • Caryatid with mournful expression and sibyl holding tablet, sculptural detail from the Sacristy,  designed by Andres de Vandelvira, 1509–75, and sculpted by Esteban Jamete, 1515-65, at the Sacra Capilla del Salvador, or Sacred Chapel of the Saviour, designed by Diego de Siloe and Andres de Vandelvira and built for Francisco de los Cobos in 1536 in Spanish Renaissance style and consecrated in 1559, on the Plaza Vazquez de Molina, in Ubeda, Jaen, Andalusia, Spain. The Renaissance buildings of Ubeda and Baeza are listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC147.jpg
  • Priest preparing for mass in the sacristy at the Cathedrale Notre-Dame de Paris, or Notre-Dame cathedral, built 1163-1345 in French Gothic style, on the Ile de la Cite in the 4th arrondissement of Paris, France. In this room, preparations are made for services and mass, and books and robes are stored. Picture by Manuel Cohen
    LC19_PARIS_MC_0365.jpg
  • Priest preparing for mass in the sacristy at the Cathedrale Notre-Dame de Paris, or Notre-Dame cathedral, built 1163-1345 in French Gothic style, on the Ile de la Cite in the 4th arrondissement of Paris, France. In this room, preparations are made for services and mass, and books and robes are stored. Picture by Manuel Cohen
    LC19_PARIS_MC_0364.jpg
  • Bust of a man wearing a lion helmet emerging from a circular recess in the wall, sculptural detail from the Sacristy, designed by Andres de Vandelvira, 1509–75, and sculpted by Esteban Jamete, 1515-65, at the Sacra Capilla del Salvador, or Sacred Chapel of the Saviour, designed by Diego de Siloe and Andres de Vandelvira and built for Francisco de los Cobos in 1536 in Spanish Renaissance style and consecrated in 1559, on the Plaza Vazquez de Molina, in Ubeda, Jaen, Andalusia, Spain. The Renaissance buildings of Ubeda and Baeza are listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC125.jpg
  • The bones of kings placed in the Cour des Valois in 1793 are removed to be placed in a vault, on the 20th January 1817, detail of a painting by Francois Joseph Heim, 1787-1865, in the sacristy of the Basilique Saint-Denis, Paris, France. The basilica is a large medieval 12th century Gothic abbey church and burial site of French kings from 10th - 18th centuries. Picture by Manuel Cohen
    LC18_FRANCE_MC_0428.jpg
  • Bust of a bare-breasted smiling woman emerging from a circular recess in the wall, sculptural detail from the Sacristy, designed by Andres de Vandelvira, 1509–75, and sculpted by Esteban Jamete, 1515-65, at the Sacra Capilla del Salvador, or Sacred Chapel of the Saviour, designed by Diego de Siloe and Andres de Vandelvira and built for Francisco de los Cobos in 1536 in Spanish Renaissance style and consecrated in 1559, on the Plaza Vazquez de Molina, in Ubeda, Jaen, Andalusia, Spain. The Renaissance buildings of Ubeda and Baeza are listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC143.jpg
  • Priest preparing for mass in the sacristy at the Cathedrale Notre-Dame de Paris, or Notre-Dame cathedral, built 1163-1345 in French Gothic style, on the Ile de la Cite in the 4th arrondissement of Paris, France. In this room, preparations are made for services and mass, and books and robes are stored. Picture by Manuel Cohen
    LC19_PARIS_MC_0366.jpg
  • Ornaments, statuettes and a clock, on the cupboards in the sacristy at the Cathedrale Notre-Dame de Paris, or Notre-Dame cathedral, built 1163-1345 in French Gothic style, on the Ile de la Cite in the 4th arrondissement of Paris, France. In this room, preparations are made for services and mass, and books and robes are stored. Picture by Manuel Cohen
    LC19_PARIS_MC_0357.jpg
  • Virgin and child sculpture, on the top of the Gate to Eden, door to the Sacristy, in a corner, designed by Andres de Vandelvira, 1509–75, in Plateresque style, and carved by Esteban Jamete, 1515-65, at the Sacra Capilla del Salvador, or Sacred Chapel of the Saviour, designed by Diego de Siloe and Andres de Vandelvira and built for Francisco de los Cobos in 1536 in Spanish Renaissance style and consecrated in 1559, on the Plaza Vazquez de Molina, in Ubeda, Jaen, Andalusia, Spain. The Renaissance buildings of Ubeda and Baeza are listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC189.jpg
  • Bust of a bare-breasted smiling woman emerging from a circular recess in the wall, sculptural detail from the Sacristy, designed by Andres de Vandelvira, 1509–75, and sculpted by Esteban Jamete, 1515-65, at the Sacra Capilla del Salvador, or Sacred Chapel of the Saviour, designed by Diego de Siloe and Andres de Vandelvira and built for Francisco de los Cobos in 1536 in Spanish Renaissance style and consecrated in 1559, on the Plaza Vazquez de Molina, in Ubeda, Jaen, Andalusia, Spain. The Renaissance buildings of Ubeda and Baeza are listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC148.jpg
  • Arch and atlante, sculptural detail from the Sacristy, designed by Andres de Vandelvira, 1509–75, and sculpted by Esteban Jamete, 1515-65, at the Sacra Capilla del Salvador, or Sacred Chapel of the Saviour, designed by Diego de Siloe and Andres de Vandelvira and built for Francisco de los Cobos in 1536 in Spanish Renaissance style and consecrated in 1559, on the Plaza Vazquez de Molina, in Ubeda, Jaen, Andalusia, Spain. The Renaissance buildings of Ubeda and Baeza are listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC145.jpg
  • Gables of the western sacristy, with words Honore (honour) and Poder (power), catalan invocations fo the apocalypse, completed 2016, at the Basilica de la Sagrada Familia, an unfinished catholic church designed in Gothic Revival, Art Nouveau and Modernist style by Antoni Gaudi, 1852-1926, and begun in 1882 by Francisco de Paula del Villar, continued from 1883 by Gaudi, consecrated 2010 and still undergoing construction, in Eixample, Barcelona, Catalonia, Spain. The basilica is a UNESCO World Heritage Site. Photographed 2021. Picture by Manuel Cohen
    LC21_SPAIN_MC_0825.jpg
  • Bust of a man emerging from a circular recess in the wall, sculptural detail from the Sacristy, designed by Andres de Vandelvira, 1509–75, and sculpted by Esteban Jamete, 1515-65, at the Sacra Capilla del Salvador, or Sacred Chapel of the Saviour, designed by Diego de Siloe and Andres de Vandelvira and built for Francisco de los Cobos in 1536 in Spanish Renaissance style and consecrated in 1559, on the Plaza Vazquez de Molina, in Ubeda, Jaen, Andalusia, Spain. The Renaissance buildings of Ubeda and Baeza are listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC142.jpg
  • Gate to Eden, door to the Sacristy, in a corner, designed by Andres de Vandelvira, 1509–75, in Plateresque style, and carved by Esteban Jamete, 1515-65, at the Sacra Capilla del Salvador, or Sacred Chapel of the Saviour, designed by Diego de Siloe and Andres de Vandelvira and built for Francisco de los Cobos in 1536 in Spanish Renaissance style and consecrated in 1559, on the Plaza Vazquez de Molina, in Ubeda, Jaen, Andalusia, Spain. The Renaissance buildings of Ubeda and Baeza are listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC282.jpg
  • Philippe III the Bold brings the relics of Saint-Louis, his father, to Saint-Denis on 22nd May 1271, painting by Pierre-Narcisse Guerin, 1774-1833, in the sacristy of the Basilique Saint-Denis, Paris, France. The basilica is a large medieval 12th century Gothic abbey church and burial site of French kings from 10th - 18th centuries. Picture by Manuel Cohen
    LC18_FRANCE_MC_0430.jpg
  • Caryatid and sibyls holding tablets, sculptural detail from the Sacristy, designed by Andres de Vandelvira, 1509–75, and sculpted by Esteban Jamete, 1515-65, at the Sacra Capilla del Salvador, or Sacred Chapel of the Saviour, designed by Diego de Siloe and Andres de Vandelvira and built for Francisco de los Cobos in 1536 in Spanish Renaissance style and consecrated in 1559, on the Plaza Vazquez de Molina, in Ubeda, Jaen, Andalusia, Spain. The Renaissance buildings of Ubeda and Baeza are listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC121.jpg
  • Sacristy, designed by Hurtado Izquierdo and built 1727-64, in the Granada Charterhouse or Monasterio de la Cartuja, a Carthusian monastery founded 1506, in Baroque style, in Granada, Andalusia, Southern Spain. Granada was listed as a UNESCO World Heritage Site in 1984. Picture by Manuel Cohen
    LC14_GRANADA_MC340.jpg
  • Charles V, Holy Roman Emperor, and Francois I visiting the vaults of the church at Saint-Denis, in 1540, by Antoine-Jean Gros, 1771-1835, in the sacristy of the Basilique Saint-Denis, Paris, France. The basilica is a large medieval 12th century Gothic abbey church and burial site of French kings from 10th - 18th centuries. Picture by Manuel Cohen
    LC18_FRANCE_MC_0512.jpg
  • Sacristy, designed by Hurtado Izquierdo and built 1727-64, in the Granada Charterhouse or Monasterio de la Cartuja, a Carthusian monastery founded 1506, in Baroque style, in Granada, Andalusia, Southern Spain. Granada was listed as a UNESCO World Heritage Site in 1984. Picture by Manuel Cohen
    LC14_GRANADA_MC335.jpg
  • Bust of a man emerging from a circular recess in the wall, sculptural detail from the Sacristy, designed by Andres de Vandelvira, 1509–75, and sculpted by Esteban Jamete, 1515-65, at the Sacra Capilla del Salvador, or Sacred Chapel of the Saviour, designed by Diego de Siloe and Andres de Vandelvira and built for Francisco de los Cobos in 1536 in Spanish Renaissance style and consecrated in 1559, on the Plaza Vazquez de Molina, in Ubeda, Jaen, Andalusia, Spain. The Renaissance buildings of Ubeda and Baeza are listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC149.jpg
  • Female caryatid and relief from the Gate to Eden, door to the Sacristy, designed by Andres de Vandelvira, 1509–75, in Plateresque style, and carved by Esteban Jamete, 1515-65, at the Sacra Capilla del Salvador, or Sacred Chapel of the Saviour, designed by Diego de Siloe and Andres de Vandelvira and built for Francisco de los Cobos in 1536 in Spanish Renaissance style and consecrated in 1559, on the Plaza Vazquez de Molina, in Ubeda, Jaen, Andalusia, Spain. The Renaissance buildings of Ubeda and Baeza are listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC137.jpg
  • Ceiling of the Sacristy, designed by Andres de Vandelvira, 1509–75, and sculpted by Esteban Jamete, 1515-65, at the Sacra Capilla del Salvador, or Sacred Chapel of the Saviour, designed by Diego de Siloe and Andres de Vandelvira and built for Francisco de los Cobos in 1536 in Spanish Renaissance style and consecrated in 1559, on the Plaza Vazquez de Molina, in Ubeda, Jaen, Andalusia, Spain. The Renaissance buildings of Ubeda and Baeza are listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC184.jpg
  • Bust of a bare-breasted smiling woman emerging from a circular recess in the wall, sculptural detail from the Sacristy, designed by Andres de Vandelvira, 1509–75, and sculpted by Esteban Jamete, 1515-65, at the Sacra Capilla del Salvador, or Sacred Chapel of the Saviour, designed by Diego de Siloe and Andres de Vandelvira and built for Francisco de los Cobos in 1536 in Spanish Renaissance style and consecrated in 1559, on the Plaza Vazquez de Molina, in Ubeda, Jaen, Andalusia, Spain. The Renaissance buildings of Ubeda and Baeza are listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC116.jpg
  • Sacristy or Chapterhouse, built in the mid 15th century under Bishop Lopez Barrientos, in Cuenca Cathedral or the Cathedral of Our Lady of Grace and Saint Julian, built 1182-1270 in Gothic style, Cuenca, Spain. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC611.jpg
  • Western sacristy, with words Accio de Gracies, or thanksgiving, 2012, at the Basilica de la Sagrada Familia, an unfinished catholic church designed in Gothic Revival, Art Nouveau and Modernist style by Antoni Gaudi, 1852-1926, and begun in 1882 by Francisco de Paula del Villar, continued from 1883 by Gaudi, consecrated 2010 and still undergoing construction, in Eixample, Barcelona, Catalonia, Spain. The basilica is a UNESCO World Heritage Site. Photographed 2021. Picture by Manuel Cohen
    LC21_SPAIN_MC_0826.jpg
  • Coronation of Marie de Medici on 13th May 1610, painting by Nicolas-Andre Monsiau, 1754-1837, in the sacristy of the Basilique Saint-Denis, Paris, France. The basilica is a large medieval 12th century Gothic abbey church and burial site of French kings from 10th - 18th centuries. Picture by Manuel Cohen
    LC18_FRANCE_MC_0432.jpg
  • Charlemagne blessing the church at Saint-Denis in 775, painting by Charles Meynier, 1763-1832, in the sacristy of the Basilique Saint-Denis, Paris, France. The basilica is a large medieval 12th century Gothic abbey church and burial site of French kings from 10th - 18th centuries. Picture by Manuel Cohen
    LC18_FRANCE_MC_0429.jpg
  • Arch and atlante, sculptural detail from the Sacristy, designed by Andres de Vandelvira, 1509–75, and sculpted by Esteban Jamete, 1515-65, at the Sacra Capilla del Salvador, or Sacred Chapel of the Saviour, designed by Diego de Siloe and Andres de Vandelvira and built for Francisco de los Cobos in 1536 in Spanish Renaissance style and consecrated in 1559, on the Plaza Vazquez de Molina, in Ubeda, Jaen, Andalusia, Spain. The Renaissance buildings of Ubeda and Baeza are listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC185.jpg
  • Virgin and child sculpture, on the top of the Gate to Eden, door to the Sacristy, in a corner, designed by Andres de Vandelvira, 1509–75, in Plateresque style, and carved by Esteban Jamete, 1515-65, at the Sacra Capilla del Salvador, or Sacred Chapel of the Saviour, designed by Diego de Siloe and Andres de Vandelvira and built for Francisco de los Cobos in 1536 in Spanish Renaissance style and consecrated in 1559, on the Plaza Vazquez de Molina, in Ubeda, Jaen, Andalusia, Spain. The Renaissance buildings of Ubeda and Baeza are listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC136.jpg
  • Patrick Kollannur, sacristan, preparing a monstrance where an unleavened sacramental bread or Host will be placed by the priest, during the ceremony of the veneration of the Holy Crown of Thorns, in the main room of the sacristy at the Cathedrale Notre-Dame de Paris, or Notre-Dame cathedral, built 1163-1345 in French Gothic style, on the Ile de la Cite in the 4th arrondissement of Paris, France. On the right is a priest's embroidered chasuble which is worn during mass. In this room, preparations are made for services and mass, and books and robes are stored. Picture by Manuel Cohen
    LC19_PARIS_MC_0432.jpg
  • Head of a caryatid with mournful expression, sculptural detail from the Sacristy, designed by Andres de Vandelvira, 1509–75, and sculpted by Esteban Jamete, 1515-65, at the Sacra Capilla del Salvador, or Sacred Chapel of the Saviour, designed by Diego de Siloe and Andres de Vandelvira and built for Francisco de los Cobos in 1536 in Spanish Renaissance style and consecrated in 1559, on the Plaza Vazquez de Molina, in Ubeda, Jaen, Andalusia, Spain. The Renaissance buildings of Ubeda and Baeza are listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC144.jpg
  • Entrance to the sacristy in stone and marble, part of the rood screen of 1610 by Jacques Bugier, moved here in 1768, in the ambulatory of the Cathedrale Saint-Julien du Mans or Cathedral of St Julian of Le Mans, Le Mans, Sarthe, Loire, France. On the pediment are terracotta statues by Gervais I Delabarre of St John the Evangelist and St Matthew, and above the Virgin in mourning by Charles Hoyau. The cathedral was built from the 6th to the 14th centuries, with both Romanesque and High Gothic elements. It is dedicated to St Julian of Le Mans, the city's first bishop, who established Christianity in the area in the 4th century AD. Picture by Manuel Cohen
    LC15_FRANCE_MC0443.jpg
  • Ambulatory, and the entrance to the sacristy in stone and marble, part of the rood screen of 1610 by Jacques Bugier, moved here in 1768, in the Cathedrale Saint-Julien du Mans or Cathedral of St Julian of Le Mans, Le Mans, Sarthe, Loire, France. On the pediment are terracotta statues by Gervais I Delabarre of St John the Evangelist and St Matthew, and above the Virgin in mourning by Charles Hoyau. The cathedral was built from the 6th to the 14th centuries, with both Romanesque and High Gothic elements. It is dedicated to St Julian of Le Mans, the city's first bishop, who established Christianity in the area in the 4th century AD. Picture by Manuel Cohen
    LC15_FRANCE_MC0442.jpg
  • Rose window of the sacristy, or La Ventana de Rosa, 1775, designed by Pedro Huizar and restored 1947-52 by Archbishop Robert E Lucey, on the South wall of the church sacristy, at the Mission San Jose, or Mission San Jose y San Miguel de Aguayo, a Spanish catholic colonial mission and church originally established in 1720 and completed in 1782, to spread Christianity among Native Americans, the largest of 4 missions in the San Antonio Missions National Historical Park, in San Antonio, Texas, USA. According to legend, Pedro Huizar constructed this for his beloved Rosa who was lost at sea coming to meet him in the 1770s. The complex was home to 350 Indians and had its own mill and granary. It was restored in the 1930s and again in 2011. It forms part of the San Antonio Missions UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_TEXAS_MC133.jpg
  • Patrick Kollannur, sacristan, wearing his identity pass, in the sacristy of the Cathedrale Notre-Dame de Paris, or Notre-Dame cathedral, built 1163-1345 in French Gothic style, on the Ile de la Cite in the 4th arrondissement of Paris, France. In the sacristy, preparations are made for services and mass, and books and robes are stored. Picture by Manuel Cohen
    LC19_PARIS_MC_0358.jpg
  • Patrick Kollannur, sacristan, talking on the telephone in the sacristy corridor, in the Cathedrale Notre-Dame de Paris, or Notre-Dame cathedral, built 1163-1345 in French Gothic style, on the Ile de la Cite in the 4th arrondissement of Paris, France. In the sacristy, preparations are made for services and mass, and books and robes are stored. Picture by Manuel Cohen
    LC19_PARIS_MC_0402.jpg
  • Patrick Kollannur, sacristan, talking on the telephone in the sacristy corridor, in the Cathedrale Notre-Dame de Paris, or Notre-Dame cathedral, built 1163-1345 in French Gothic style, on the Ile de la Cite in the 4th arrondissement of Paris, France. In the sacristy, preparations are made for services and mass, and books and robes are stored. Picture by Manuel Cohen
    LC19_PARIS_MC_0404.jpg
  • Patrick Kollannur, sacristan, adjusting the chasuble of the priest who will perform midday mass, in the sacristy at the Cathedrale Notre-Dame de Paris, or Notre-Dame cathedral, built 1163-1345 in French Gothic style, on the Ile de la Cite in the 4th arrondissement of Paris, France. In the sacristy, preparations are made for services and mass, and books and robes are stored. Picture by Manuel Cohen
    LC19_PARIS_MC_0424.jpg
  • Patrick Kollannur, sacristan, ringing the bell for mass, in front of the door to the sacristy at the Cathedrale Notre-Dame de Paris, or Notre-Dame cathedral, built 1163-1345 in French Gothic style, on the Ile de la Cite in the 4th arrondissement of Paris, France. In the sacristy, preparations are made for services and mass, and books and robes are stored. Picture by Manuel Cohen
    LC19_PARIS_MC_0411.jpg
  • Patrick Kollannur, sacristan, talking on the telephone in the sacristy corridor, in the Cathedrale Notre-Dame de Paris, or Notre-Dame cathedral, built 1163-1345 in French Gothic style, on the Ile de la Cite in the 4th arrondissement of Paris, France. In the sacristy, preparations are made for services and mass, and books and robes are stored. Picture by Manuel Cohen
    LC19_PARIS_MC_0403.jpg
  • Patrick Kollannur, sacristan, adjusting the chasuble of the priest who will perform midday mass, in the sacristy at the Cathedrale Notre-Dame de Paris, or Notre-Dame cathedral, built 1163-1345 in French Gothic style, on the Ile de la Cite in the 4th arrondissement of Paris, France. In the sacristy, preparations are made for services and mass, and books and robes are stored. Picture by Manuel Cohen
    LC19_PARIS_MC_0423.jpg
  • Patrick Kollannur, sacristan, adjusting the chasuble of the priest who will perform midday mass, in the sacristy at the Cathedrale Notre-Dame de Paris, or Notre-Dame cathedral, built 1163-1345 in French Gothic style, on the Ile de la Cite in the 4th arrondissement of Paris, France. In the sacristy, preparations are made for services and mass, and books and robes are stored. Picture by Manuel Cohen
    LC19_PARIS_MC_0422.jpg
  • Patrick Kollannur, sacristan, ringing the bell for mass, in front of the door to the sacristy at the Cathedrale Notre-Dame de Paris, or Notre-Dame cathedral, built 1163-1345 in French Gothic style, on the Ile de la Cite in the 4th arrondissement of Paris, France. In the sacristy, preparations are made for services and mass, and books and robes are stored. Picture by Manuel Cohen
    LC19_PARIS_MC_0412.jpg
  • Identity pass of Patrick Kollannur, sacristan, in the sacristy of the Cathedrale Notre-Dame de Paris, or Notre-Dame cathedral, built 1163-1345 in French Gothic style, on the Ile de la Cite in the 4th arrondissement of Paris, France. In the sacristy, preparations are made for services and mass, and books and robes are stored. Picture by Manuel Cohen
    LC19_PARIS_MC_0359.jpg
  • Patrick Kollannur, sacristan, ringing the bell for mass, in front of the door to the sacristy at the Cathedrale Notre-Dame de Paris, or Notre-Dame cathedral, built 1163-1345 in French Gothic style, on the Ile de la Cite in the 4th arrondissement of Paris, France. In the sacristy, preparations are made for services and mass, and books and robes are stored. Picture by Manuel Cohen
    LC19_PARIS_MC_0417.jpg
  • Patrick Kollannur, sacristan, preparing the chalice to be used during mass, in the sacristy at the Cathedrale Notre-Dame de Paris, or Notre-Dame cathedral, built 1163-1345 in French Gothic style, on the Ile de la Cite in the 4th arrondissement of Paris, France. In this room, preparations are made for services and mass, and books and robes are stored. Picture by Manuel Cohen
    LC19_PARIS_MC_0393.jpg
  • Patrick Kollannur, sacristan, preparing the books which will be read during mass, and finding the correct page to correspond to the day, in the sacristy at the Cathedrale Notre-Dame de Paris, or Notre-Dame cathedral, built 1163-1345 in French Gothic style, on the Ile de la Cite in the 4th arrondissement of Paris, France. In this room, preparations are made for services and mass, and books and robes are stored. Picture by Manuel Cohen
    LC19_PARIS_MC_0385.jpg
  • Patrick Kollannur, sacristan, preparing the books which will be read during mass, and finding the correct page to correspond to the day, in the sacristy at the Cathedrale Notre-Dame de Paris, or Notre-Dame cathedral, built 1163-1345 in French Gothic style, on the Ile de la Cite in the 4th arrondissement of Paris, France. In this room, preparations are made for services and mass, and books and robes are stored. Picture by Manuel Cohen
    LC19_PARIS_MC_0389.jpg
  • Patrick Kollannur, sacristan, sorting the chasubles in the sacristy at the Cathedrale Notre-Dame de Paris, or Notre-Dame cathedral, built 1163-1345 in French Gothic style, on the Ile de la Cite in the 4th arrondissement of Paris, France. In this room, preparations are made for services and mass, and books and robes are stored. Picture by Manuel Cohen
    LC19_PARIS_MC_0396.jpg
  • Patrick Kollannur, sacristan, preparing the chalice to be used during mass, in the sacristy at the Cathedrale Notre-Dame de Paris, or Notre-Dame cathedral, built 1163-1345 in French Gothic style, on the Ile de la Cite in the 4th arrondissement of Paris, France. In this room, preparations are made for services and mass, and books and robes are stored. Picture by Manuel Cohen
    LC19_PARIS_MC_0394.jpg
  • Detail of a wood relief of the Last Supper from the canons' stalls, 13th century, made for the choir but moved to the sacristy in 1935, in the Cathedrale Saint-Julien du Mans or Cathedral of St Julian of Le Mans, Le Mans, Sarthe, Loire, France. The cathedral was built from the 6th to the 14th centuries, with both Romanesque and High Gothic elements. It is dedicated to St Julian of Le Mans, the city's first bishop, who established Christianity in the area in the 4th century AD. Picture by Manuel Cohen
    LC15_FRANCE_MC0490.jpg
  • Patrick Kollannur, sacristan, preparing the books which will be read during mass, and finding the correct page to correspond to the day, in the sacristy at the Cathedrale Notre-Dame de Paris, or Notre-Dame cathedral, built 1163-1345 in French Gothic style, on the Ile de la Cite in the 4th arrondissement of Paris, France. In this room, preparations are made for services and mass, and books and robes are stored. Picture by Manuel Cohen
    LC19_PARIS_MC_0388.jpg
  • Embroidered details with Lamb of God, on a priest's chasuble worn during mass, in the sacristy at the Cathedrale Notre-Dame de Paris, or Notre-Dame cathedral, built 1163-1345 in French Gothic style, on the Ile de la Cite in the 4th arrondissement of Paris, France. In this room, preparations are made for services and mass, and books and robes are stored. Picture by Manuel Cohen
    LC19_PARIS_MC_0401.jpg
  • Patrick Kollannur, sacristan, preparing the chalice to be used during mass, in the sacristy at the Cathedrale Notre-Dame de Paris, or Notre-Dame cathedral, built 1163-1345 in French Gothic style, on the Ile de la Cite in the 4th arrondissement of Paris, France. In this room, preparations are made for services and mass, and books and robes are stored. Picture by Manuel Cohen
    LC19_PARIS_MC_0392.jpg
  • Patrick Kollannur, sacristan, preparing the objects to be used during mass, in the main room of the sacristy at the Cathedrale Notre-Dame de Paris, or Notre-Dame cathedral, built 1163-1345 in French Gothic style, on the Ile de la Cite in the 4th arrondissement of Paris, France. In this room, preparations are made for services and mass, and books and robes are stored. Picture by Manuel Cohen
    LC19_PARIS_MC_0363.jpg
  • Patrick Kollannur, sacristan, preparing the books which will be read during mass, and finding the correct page to correspond to the day, in the sacristy at the Cathedrale Notre-Dame de Paris, or Notre-Dame cathedral, built 1163-1345 in French Gothic style, on the Ile de la Cite in the 4th arrondissement of Paris, France. In this room, preparations are made for services and mass, and books and robes are stored. Picture by Manuel Cohen
    LC19_PARIS_MC_0379.jpg
  • Vaulted sacristy ceiling with gilded decoration, Avila Cathedral, 12th-14th centuries, Avila, Castile and Leon, Spain. Begun, 1095, in Romanesque style with fortifications, the style later switched to Gothic. Picture by Manuel Cohen
    LCSPAIN11_MC326.jpg
  • Patrick Kollannur, sacristan, preparing the books which will be read during mass, and finding the correct page to correspond to the day, in the sacristy at the Cathedrale Notre-Dame de Paris, or Notre-Dame cathedral, built 1163-1345 in French Gothic style, on the Ile de la Cite in the 4th arrondissement of Paris, France. In this room, preparations are made for services and mass, and books and robes are stored. Picture by Manuel Cohen
    LC19_PARIS_MC_0391.jpg
  • Unleavened sacramental bread or the Host, in a gold goblet on a mass tray, to be used during mass, in the sacristy at the Cathedrale Notre-Dame de Paris, or Notre-Dame cathedral, built 1163-1345 in French Gothic style, on the Ile de la Cite in the 4th arrondissement of Paris, France. In this room, preparations are made for services and mass, and books and robes are stored. Picture by Manuel Cohen
    LC19_PARIS_MC_0427.jpg
  • Patrick Kollannur, sacristan, preparing the objects to be used during mass, in the main room of the sacristy at the Cathedrale Notre-Dame de Paris, or Notre-Dame cathedral, built 1163-1345 in French Gothic style, on the Ile de la Cite in the 4th arrondissement of Paris, France. In this room, preparations are made for services and mass, and books and robes are stored. Picture by Manuel Cohen
    LC19_PARIS_MC_0361.jpg
  • Patrick Kollannur, sacristan, preparing the books which will be read during mass, and finding the correct page to correspond to the day, in the sacristy at the Cathedrale Notre-Dame de Paris, or Notre-Dame cathedral, built 1163-1345 in French Gothic style, on the Ile de la Cite in the 4th arrondissement of Paris, France. In this room, preparations are made for services and mass, and books and robes are stored. Picture by Manuel Cohen
    LC19_PARIS_MC_0386.jpg
  • Painting of the Virgin breastfeeding the Christ child, on the wooden armorial plaques in the Sacristy, in Cuenca Cathedral or the Cathedral of Our Lady of Grace and Saint Julian, built 1182-1270 in Gothic style, Cuenca, Spain. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC636.jpg
  • Vaulted sacristy ceiling with gilded decoration and transept, Avila Cathedral, 12th-14th centuries, Avila, Castile and Leon, Spain. Begun, 1095, in Romanesque style with fortifications, the style later switched to Gothic. Picture by Manuel Cohen
    LCSPAIN11_MC325.jpg
  • Patrick Kollannur, sacristan, preparing the books which will be read during mass, and finding the correct page to correspond to the day, in the sacristy at the Cathedrale Notre-Dame de Paris, or Notre-Dame cathedral, built 1163-1345 in French Gothic style, on the Ile de la Cite in the 4th arrondissement of Paris, France. In this room, preparations are made for services and mass, and books and robes are stored. Picture by Manuel Cohen
    LC19_PARIS_MC_0390.jpg
  • Vaulted sacristy ceiling with gilded decoration, Avila Cathedral, 12th-14th centuries, Avila, Castile and Leon, Spain. Begun, 1095, in Romanesque style with fortifications, the style later switched to Gothic. Picture by Manuel Cohen
    LCSPAIN11_MC330.jpg
  • Patrick Kollannur, sacristan, preparing the objects to be used during mass, in the main room of the sacristy at the Cathedrale Notre-Dame de Paris, or Notre-Dame cathedral, built 1163-1345 in French Gothic style, on the Ile de la Cite in the 4th arrondissement of Paris, France. In this room, preparations are made for services and mass, and books and robes are stored. Picture by Manuel Cohen
    LC19_PARIS_MC_0362.jpg
  • Patrick Kollannur, sacristan, sorting the chasubles in the sacristy at the Cathedrale Notre-Dame de Paris, or Notre-Dame cathedral, built 1163-1345 in French Gothic style, on the Ile de la Cite in the 4th arrondissement of Paris, France. In this room, preparations are made for services and mass, and books and robes are stored. Picture by Manuel Cohen
    LC19_PARIS_MC_0398.jpg
  • Patrick Kollannur, sacristan, sorting the chasubles in the sacristy at the Cathedrale Notre-Dame de Paris, or Notre-Dame cathedral, built 1163-1345 in French Gothic style, on the Ile de la Cite in the 4th arrondissement of Paris, France. In this room, preparations are made for services and mass, and books and robes are stored. Picture by Manuel Cohen
    LC19_PARIS_MC_0397.jpg
  • Patrick Kollannur, sacristan, sorting the chasubles in the sacristy at the Cathedrale Notre-Dame de Paris, or Notre-Dame cathedral, built 1163-1345 in French Gothic style, on the Ile de la Cite in the 4th arrondissement of Paris, France. In this room, preparations are made for services and mass, and books and robes are stored. Picture by Manuel Cohen
    LC19_PARIS_MC_0395.jpg
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