manuel cohen

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  • Three figures, prehistoric rock painting, c. 8000 - 6000 BC, at the Cuevas de la Arana, Bicorp, Valencia, Spain. The Cuevas de la Arana are listed as a UNESCO World Heritage Site, the Rock art of the Iberian Mediterranean Basin. Picture by Manuel Cohen
    LC19_SPAIN_MC169.jpg
  • Wild goat and deer, prehistoric rock painting, c. 8000 - 6000 BC, at the Cuevas de la Arana, Bicorp, Valencia, Spain. The Cuevas de la Arana are listed as a UNESCO World Heritage Site, the Rock art of the Iberian Mediterranean Basin. Picture by Manuel Cohen
    LC19_SPAIN_MC165.JPG
  • Hunting scene with men firing bows and arrows at wild goat, and a wounded goat, prehistoric rock painting, c. 8000 - 6000 BC, at the Cuevas de la Arana, Bicorp, Valencia, Spain. The Cuevas de la Arana are listed as a UNESCO World Heritage Site, the Rock art of the Iberian Mediterranean Basin. Picture by Manuel Cohen
    LC19_SPAIN_MC164.jpg
  • 'Bicorp Man', a man climbing lianas to collect honey from wild bees, prehistoric rock painting, c. 8000 - 6000 BC, at the Cuevas de la Arana, Bicorp, Valencia, Spain. The Cuevas de la Arana are listed as a UNESCO World Heritage Site, the Rock art of the Iberian Mediterranean Basin. Picture by Manuel Cohen
    LC19_SPAIN_MC163.JPG
  • Deer, prehistoric rock painting, c. 8000 - 6000 BC, at the Cuevas de la Arana, Bicorp, Valencia, Spain. The Cuevas de la Arana are listed as a UNESCO World Heritage Site, the Rock art of the Iberian Mediterranean Basin. Picture by Manuel Cohen
    LC19_SPAIN_MC170.jpg
  • Figures and zigzag lines, prehistoric rock painting, c. 8000 - 6000 BC, at the Cuevas de la Arana, Bicorp, Valencia, Spain. The Cuevas de la Arana are listed as a UNESCO World Heritage Site, the Rock art of the Iberian Mediterranean Basin. Picture by Manuel Cohen
    LC19_SPAIN_MC168.JPG
  • Hunting scene with men and wild goats, prehistoric rock painting, c. 8000 - 6000 BC, at the Cuevas de la Arana, Bicorp, Valencia, Spain. The Cuevas de la Arana are listed as a UNESCO World Heritage Site, the Rock art of the Iberian Mediterranean Basin. Picture by Manuel Cohen
    LC19_SPAIN_MC167.jpg
  • Wild goat, prehistoric rock painting, c. 8000 - 6000 BC, at the Cuevas de la Arana, Bicorp, Valencia, Spain. The Cuevas de la Arana are listed as a UNESCO World Heritage Site, the Rock art of the Iberian Mediterranean Basin. Picture by Manuel Cohen
    LC19_SPAIN_MC166.jpg
  • 'Bicorp Man', a man climbing lianas to collect honey from wild bees, prehistoric rock painting, c. 8000 - 6000 BC, at the Cuevas de la Arana, Bicorp, Valencia, Spain. The Cuevas de la Arana are listed as a UNESCO World Heritage Site, the  Rock art of the Iberian Mediterranean Basin. Picture by Manuel Cohen
    LC19_SPAIN_MC162.JPG
  • 'Bicorp Man', a man climbing lianas to collect honey from wild bees, drawing based on a prehistoric rock painting, c. 6000 BC, at the Cuevas de la Arana, at the Ecomuseo Bicorp, Valencia, Spain. The Bicorp Ecomuseum is a Heritage Interpretation Centre exploring the landscape, history and heritage of the surrounding area, including the cave paintings in the nearby Cuevas de la Arana and the Barranco Moreno, listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC19_SPAIN_MC161.JPG
  • Petroglyphs on rocks along the Yuboa river, at a site used for ceremonies and rituals by the precolumbian Taino people, near Bonao in the Dominican Republic, in the Caribbean. The carvings represent eyes in the form of masks, were created by the chiefdom of Maguana, and are 1500-500 years old. The rock art here, which is painted, drawn and carved, is thought to be related to birth, rain and fertility, and to the worship of the goddess Atabey, Mother of Waters in the Taino culture. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_293.jpg
  • Petroglyphs on rocks along the Yuboa river, at a site used for ceremonies and rituals by the precolumbian Taino people, near Bonao in the Dominican Republic, in the Caribbean. The carvings represent eyes in the form of masks, were created by the chiefdom of Maguana, and are 1500-500 years old. The rock art here, which is painted, drawn and carved, is thought to be related to birth, rain and fertility, and to the worship of the goddess Atabey, Mother of Waters in the Taino culture. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_288.jpg
  • Petroglyphs on rocks along the Yuboa river, at a site used for ceremonies and rituals by the precolumbian Taino people, near Bonao in the Dominican Republic, in the Caribbean. The carvings represent eyes in the form of masks, were created by the chiefdom of Maguana, and are 1500-500 years old. The rock art here, which is painted, drawn and carved, is thought to be related to birth, rain and fertility, and to the worship of the goddess Atabey, Mother of Waters in the Taino culture. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_375.jpg
  • Petroglyphs on rocks along the Yuboa river, at a site used for ceremonies and rituals by the precolumbian Taino people, near Bonao in the Dominican Republic, in the Caribbean. The carvings represent eyes in the form of masks, were created by the chiefdom of Maguana, and are 1500-500 years old. The rock art here, which is painted, drawn and carved, is thought to be related to birth, rain and fertility, and to the worship of the goddess Atabey, Mother of Waters in the Taino culture. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_294.JPG
  • Petroglyphs on rocks along the Yuboa river, at a site used for ceremonies and rituals by the precolumbian Taino people, near Bonao in the Dominican Republic, in the Caribbean. The carvings represent eyes in the form of masks, were created by the chiefdom of Maguana, and are 1500-500 years old. The rock art here, which is painted, drawn and carved, is thought to be related to birth, rain and fertility, and to the worship of the goddess Atabey, Mother of Waters in the Taino culture. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_295.jpg
  • Petroglyphs on rocks along the Yuboa river, at a site used for ceremonies and rituals by the precolumbian Taino people, near Bonao in the Dominican Republic, in the Caribbean. The carvings represent eyes in the form of masks, were created by the chiefdom of Maguana, and are 1500-500 years old. The rock art here, which is painted, drawn and carved, is thought to be related to birth, rain and fertility, and to the worship of the goddess Atabey, Mother of Waters in the Taino culture. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_292.jpg
  • Petroglyphs on rocks along the Yuboa river, at a site used for ceremonies and rituals by the precolumbian Taino people, near Bonao in the Dominican Republic, in the Caribbean. The carvings represent eyes in the form of masks, were created by the chiefdom of Maguana, and are 1500-500 years old. The rock art here, which is painted, drawn and carved, is thought to be related to birth, rain and fertility, and to the worship of the goddess Atabey, Mother of Waters in the Taino culture. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_291.jpg
  • Petroglyphs on rocks along the Yuboa river, at a site used for ceremonies and rituals by the precolumbian Taino people, near Bonao in the Dominican Republic, in the Caribbean. The carvings represent eyes in the form of masks, were created by the chiefdom of Maguana, and are 1500-500 years old. The rock art here, which is painted, drawn and carved, is thought to be related to birth, rain and fertility, and to the worship of the goddess Atabey, Mother of Waters in the Taino culture. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_290.jpg
  • Petroglyphs on rocks along the Yuboa river, at a site used for ceremonies and rituals by the precolumbian Taino people, near Bonao in the Dominican Republic, in the Caribbean. The carvings represent eyes in the form of masks, were created by the chiefdom of Maguana, and are 1500-500 years old. The rock art here, which is painted, drawn and carved, is thought to be related to birth, rain and fertility, and to the worship of the goddess Atabey, Mother of Waters in the Taino culture. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_289.jpg
  • Petroglyphs on rocks along the Yuboa river, at a site used for ceremonies and rituals by the precolumbian Taino people, near Bonao in the Dominican Republic, in the Caribbean. The carvings represent eyes in the form of masks, were created by the chiefdom of Maguana, and are 1500-500 years old. The rock art here, which is painted, drawn and carved, is thought to be related to birth, rain and fertility, and to the worship of the goddess Atabey, Mother of Waters in the Taino culture. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_287.jpg
  • Petroglyphs on rocks along the Yuboa river, at a site used for ceremonies and rituals by the precolumbian Taino people, near Bonao in the Dominican Republic, in the Caribbean. The carvings represent eyes in the form of masks, were created by the chiefdom of Maguana, and are 1500-500 years old. The rock art here, which is painted, drawn and carved, is thought to be related to birth, rain and fertility, and to the worship of the goddess Atabey, Mother of Waters in the Taino culture. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_286.jpg
  • Petroglyphs on rocks along the Yuboa river, at a site used for ceremonies and rituals by the precolumbian Taino people, near Bonao in the Dominican Republic, in the Caribbean. The carvings represent eyes in the form of masks, were created by the chiefdom of Maguana, and are 1500-500 years old. The rock art here, which is painted, drawn and carved, is thought to be related to birth, rain and fertility, and to the worship of the goddess Atabey, Mother of Waters in the Taino culture. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_285.jpg
  • Petroglyphs depicting hunting scenes on a cliff face at Wadi Rum, Jordan. Here we see men with camels hunting. Thamudic, Nabataean and Arabic inscriptions testify to widespread literacy in these peoples. In Wadi Rum there are 25,000 rock carvings and 20,000 inscriptions produced over 12,000 years of habitation, from Neolithic to Nabataean. Picture by Manuel Cohen
    LC12_Jordan_MC213.jpg
  • Petroglyphs depicting hunting scenes on a cliff face at Wadi Rum, Jordan. Here we see men with camels hunting various animals (ostriches, gazelles, lions, etc). Thamudic, Nabataean and Arabic inscriptions testify to widespread literacy in these peoples. In Wadi Rum there are 25,000 rock carvings and 20,000 inscriptions produced over 12,000 years of habitation, from Neolithic to Nabataean. Picture by Manuel Cohen
    LC12_Jordan_MC214.jpg
  • Petroglyphs depicting hunting scenes on a cliff face at Wadi Rum, Jordan. Thamudic, Nabataean and Arabic inscriptions testify to widespread literacy in these peoples. In Wadi Rum there are 25,000 rock carvings and 20,000 inscriptions produced over 12,000 years of habitation, from Neolithic to Nabataean. Picture by Manuel Cohen
    LC12_Jordan_MC212.jpg
  • Petroglyphs depicting hunting scenes on a cliff face at Wadi Rum, Jordan. Here we see men with camels hunting various animals. Thamudic, Nabataean and Arabic inscriptions testify to widespread literacy in these peoples. In Wadi Rum there are 25,000 rock carvings and 20,000 inscriptions produced over 12,000 years of habitation, from Neolithic to Nabataean. Picture by Manuel Cohen
    LC12_Jordan_MC211.JPG
  • Petroglyphs depicting hunting scenes on a cliff face at Wadi Rum, Jordan. Here we see men with camels hunting various animals (ostriches, gazelles, lions, etc). Thamudic, Nabataean and Arabic inscriptions testify to widespread literacy in these peoples. In Wadi Rum there are 25,000 rock carvings and 20,000 inscriptions produced over 12,000 years of habitation, from Neolithic to Nabataean. Picture by Manuel Cohen
    LC12_Jordan_MC219.jpg
  • Petroglyphs, images etched into the rock face, by the Basketmaker people, 500-750 AD, at the Ismay Rock Shelter in the Canyons of the Ancients National Monument, Colorado, USA. The Basketmaker were pre-Puebloan people who lived in this area from 1500 BC. The rock shelter itself consists of a sleeping area underneath a rock overhang, whose surfaces are covered with petroglyphs including animals, spirals and long scribe lines. The Canyons of the Ancients National Monument encompasses most of the Hovenweep National Monument and protects over 6000 archaeological sites. Picture by Manuel Cohen
    LC16_COLORADO_MC_053.jpg
  • Petroglyphs depicting hunting scenes on a cliff face at Wadi Rum, Jordan. Here we see a camel and an inscription. Thamudic, Nabataean and Arabic inscriptions testify to widespread literacy in these peoples. In Wadi Rum there are 25,000 rock carvings and 20,000 inscriptions produced over 12,000 years of habitation, from Neolithic to Nabataean. Picture by Manuel Cohen
    LC12_Jordan_MC210.JPG
  • Petroglyphs, pictures etched into the rock surface, depicting ancestral Puebloans along the bottom, with other clans at the top including (left-right) Mountain Lion clan, Horned Toad clan, Parrot clan, Mountain Sheep clan and Eagle clan, on the Petroglyph Point Trail, Mesa Verde National Park, Montezuma County, Colorado, USA. The double spiral is a sipapu, representing the place where Pueblo people believe they emerged from the earth, so the rock face tells the story of various clans, their origins and movements. Mesa Verde is the largest archaeological site in America, with Native Americans inhabiting the area from 7500 BC to 13th century AD. It is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_COLORADO_MC_043.jpg
  • Detail of petroglyphs, pictures etched into the rock surface, depicting ancestral Puebloans along the bottom, with other clans at the top including (left-right) Mountain Lion clan, Horned Toad clan, Parrot clan, Mountain Sheep clan and Eagle clan, on the Petroglyph Point Trail, Mesa Verde National Park, Montezuma County, Colorado, USA. The double spiral is a sipapu, representing the place where Pueblo people believe they emerged from the earth, so the rock face tells the story of various clans, their origins and movements. Mesa Verde is the largest archaeological site in America, with Native Americans inhabiting the area from 7500 BC to 13th century AD. It is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_COLORADO_MC_042.jpg
  • Petroglyphs, pictures etched into the rock surface, depicting ancestral Puebloans along the bottom, with other clans at the top including (left-right) Mountain Lion clan, Horned Toad clan, Parrot clan, Mountain Sheep clan and Eagle clan, on the Petroglyph Point Trail, Mesa Verde National Park, Montezuma County, Colorado, USA. The double spiral is a sipapu, representing the place where Pueblo people believe they emerged from the earth, so the rock face tells the story of various clans, their origins and movements. Mesa Verde is the largest archaeological site in America, with Native Americans inhabiting the area from 7500 BC to 13th century AD. It is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_COLORADO_MC_041.jpg
  • Petroglyphs depicting animals etched into the walls of Khazali Canyon, Wadi Rum, Jordan. These rock engravings date from Thamudic times and are accompanied by inscriptions, 4th century BC - 4th century AD. Picture by Manuel Cohen
    LC12_Jordan_MC208.jpg
  • Petroglyphs depicting people, footprints and an antelope etched into the walls of Khazali Canyon, Wadi Rum, Jordan. These rock engravings date from Thamudic times and are accompanied by inscriptions, 4th century BC - 4th century AD. Picture by Manuel Cohen
    LC12_Jordan_MC216.jpg
  • Serra de Godall hills, Ulldecona, Montsia, Tarragona, Spain. The prehistoric paintings over Serra de Godall hills declared world heritage in 1998 by UNESCO make up one of the most important sets of prehistoric Art Levanti in Spain. They date back to Post-Paleolithic time, more than 8000 years ago. Picture by Manuel Cohen
    LCSPAIN11_MC110.jpg
  • Mural painting in Abric number 1 showing a detail of a hunter with bow and arrow in the middle of a hunting scene pictured on August 09, 2011 in Ulldecona, Serra de Godall hills, Catalonia, Spain. The prehistoric paintings over Serra de Godall hills declared world heritage in 1998 by UNESCO make up one of the most important sets of prehistoric Art Levanti in Spain. They date back to Post-Paleolithic time, more than 8000 years ago. These scenes represent the first narrations in European prehistory. Picture by Manuel Cohen
    LC_SPAIN_AUG11_MC005.jpg
  • Serra de Godall hills pictured on August 09, 2011 in Ulldecona, Catalonia, Spain. The prehistoric paintings over Serra de Godall hills declared world heritage in 1998 by UNESCO make up one of the most important sets of prehistoric Art Levanti in Spain. They date back to Post-Paleolithic time, more than 8000 years ago. Picture by Manuel Cohen
    LC_SPAIN_AUG11_MC007.jpg
  • Mural painting in Abric number 4 showing a goat pictured on August 09, 2011 in Ulldecona, Serra de Godall hills, Catalonia, Spain. The prehistoric paintings over Serra de Godall hills declared world heritage in 1998 by UNESCO make up one of the most important sets of prehistoric Art Levanti in Spain. They date back to Post-Paleolithic time, more than 8000 years ago. These scenes represent the first narrations in European prehistory. Picture by Manuel Cohen
    LC_SPAIN_AUG11_MC006.jpg
  • Mural painting in Abric number 1 showing a woman (middle of the picture) with a wounded big game above and hunters on the left of the picture, on August 09, 2011 in Ulldecona, Serra de Godall hills, Catalonia, Spain. The prehistoric paintings over Serra de Godall hills declared world heritage in 1998 by UNESCO make up one of the most important sets of prehistoric Art Levanti in Spain. They date back to Post-Paleolithic time, more than 8000 years ago. These scenes represent the first narrations in European prehistory. Picture by Manuel Cohen
    LC_SPAIN_AUG11_MC004.jpg
  • Mural painting in Abric number 1 showing a woman (left the picture) with a wounded big game above, hunters and a deer on the right of the picture, pictured on August 09, 2011 in Ulldecona, Serra de Godall hills, Catalonia, Spain. The prehistoric paintings over Serra de Godall hills declared world heritage in 1998 by UNESCO make up one of the most important sets of prehistoric Art Levanti in Spain. They date back to Post-Paleolithic time, more than 8000 years ago. These scenes represent the first narrations in European prehistory. Picture by Manuel Cohen
    LC_SPAIN_AUG11_MC003.jpg
  • Mural painting in Abric number 1 showing details a hunting scene with a hunter with bow ans arrow in front of a deer, and on the top, probably the high priest of the hunting group, pictured on August 09, 2011 in Ulldecona, Serra de Godall hills, Catalonia, Spain. The prehistoric paintings over Serra de Godall hills declared world heritage in 1998 by UNESCO make up one of the most important sets of prehistoric Art Levanti in Spain. They date back to Post-Paleolithic time, more than 8000 years ago. These scenes represent the first narrations in European prehistory. Picture by Manuel Cohen
    LC_SPAIN_AUG11_MC002.jpg
  • Mural painting in Abric number 1 showing a hunting scene pictured on August 09, 2011 in Ulldecona, Serra de Godall hills, Catalonia, Spain. The prehistoric paintings over Serra de Godall hills declared world heritage in 1998 by UNESCO make up one of the most important sets of prehistoric Art Levanti in Spain. They date back to Post-Paleolithic time, more than 8000 years ago. These scenes represent the first narrations in European prehistory. Picture by Manuel Cohen
    LC_SPAIN_AUG11_MC001.jpg
  • Gray Rock (left) and South Gateway Rock (right), with the Manitou Springs incline behind and Pikes Peak above, at the Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. The formations are the result of vertical tilting due to the uplift forces of the Rocky Mountains and the Pikes Peak massif, of the horizontal layers of sandstones, conglomerates and limestones, resulting after erosion in the formation of fins and pinnacles. Native Americans have visited the area since 1330 BC and camped here since 250 BC, sheltering under the cliffs and producing rock art. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_157.jpg
  • Gray Rock (left) and South Gateway Rock (right), with the Manitou Springs incline behind and Pikes Peak above, at the Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. The formations are the result of vertical tilting due to the uplift forces of the Rocky Mountains and the Pikes Peak massif, of the horizontal layers of  sandstones, conglomerates and limestones, resulting after erosion in the formation of fins and pinnacles. Native Americans have visited the area since 1330 BC and camped here since 250 BC, sheltering under the cliffs and producing rock art. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_161.jpg
  • Gray Rock (left) and South Gateway Rock (right), with the Manitou Springs incline behind and Pikes Peak above, at the Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. The formations are the result of vertical tilting due to the uplift forces of the Rocky Mountains and the Pikes Peak massif, of the horizontal layers of sandstones, conglomerates and limestones, resulting after erosion in the formation of fins and pinnacles. Native Americans have visited the area since 1330 BC and camped here since 250 BC, sheltering under the cliffs and producing rock art. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_162.jpg
  • Gray Rock (left) and South Gateway Rock (right), with the Manitou Springs incline behind and Pikes Peak above, at the Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. The formations are the result of vertical tilting due to the uplift forces of the Rocky Mountains and the Pikes Peak massif, of the horizontal layers of sandstones, conglomerates and limestones, resulting after erosion in the formation of fins and pinnacles. Native Americans have visited the area since 1330 BC and camped here since 250 BC, sheltering under the cliffs and producing rock art. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_160.jpg
  • Gray Rock (left) and South Gateway Rock (right), with the Manitou Springs incline behind and Pikes Peak above, at the Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. The formations are the result of vertical tilting due to the uplift forces of the Rocky Mountains and the Pikes Peak massif, of the horizontal layers of sandstones, conglomerates and limestones, resulting after erosion in the formation of fins and pinnacles. Native Americans have visited the area since 1330 BC and camped here since 250 BC, sheltering under the cliffs and producing rock art. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_158.jpg
  • Gray Rock (left) and South Gateway Rock (right), with the Manitou Springs incline behind and Pikes Peak above, at the Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. The formations are the result of vertical tilting due to the uplift forces of the Rocky Mountains and the Pikes Peak massif, of the horizontal layers of sandstones, conglomerates and limestones, resulting after erosion in the formation of fins and pinnacles. Native Americans have visited the area since 1330 BC and camped here since 250 BC, sheltering under the cliffs and producing rock art. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_147.jpg
  • Narrow vertical fin formations with rock climbers, at the Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. The formations are the result of vertical tilting due to the uplift forces of the Rocky Mountains and the Pikes Peak massif, of the horizontal layers of sandstones, conglomerates and limestones, resulting after erosion in the formation of fins and pinnacles. Native Americans have visited the area since 1330 BC and camped here since 250 BC, sheltering under the cliffs and producing rock art. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_156.jpg
  • Cathedral Valley with hogback formations and sentinels, Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. The formations are the result of vertical tilting due to the uplift forces of the Rocky Mountains and the Pikes Peak massif, of the horizontal layers of sandstones, conglomerates and limestones, resulting after erosion in the formation of fins and pinnacles. Native Americans have visited the area since 1330 BC and camped here since 250 BC, sheltering under the cliffs and producing rock art. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_154.jpg
  • Fin formations at the Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. The formations are the result of vertical tilting due to the uplift forces of the Rocky Mountains and the Pikes Peak massif, of the horizontal layers of sandstones, conglomerates and limestones, resulting after erosion in the formation of fins and pinnacles. Native Americans have visited the area since 1330 BC and camped here since 250 BC, sheltering under the cliffs and producing rock art. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_152.jpg
  • Cathedral Valley with hogback formations and sentinels, Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. The formations are the result of vertical tilting due to the uplift forces of the Rocky Mountains and the Pikes Peak massif, of the horizontal layers of sandstones, conglomerates and limestones, resulting after erosion in the formation of fins and pinnacles. Native Americans have visited the area since 1330 BC and camped here since 250 BC, sheltering under the cliffs and producing rock art. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_159.jpg
  • Cathedral Valley with hogback formations and sentinels, Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. The formations are the result of vertical tilting due to the uplift forces of the Rocky Mountains and the Pikes Peak massif, of the horizontal layers of sandstones, conglomerates and limestones, resulting after erosion in the formation of fins and pinnacles. Native Americans have visited the area since 1330 BC and camped here since 250 BC, sheltering under the cliffs and producing rock art. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_164.jpg
  • Cathedral Valley with hogback formations and sentinels, Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. The formations are the result of vertical tilting due to the uplift forces of the Rocky Mountains and the Pikes Peak massif, of the horizontal layers of sandstones, conglomerates and limestones, resulting after erosion in the formation of fins and pinnacles. Native Americans have visited the area since 1330 BC and camped here since 250 BC, sheltering under the cliffs and producing rock art. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_163.jpg
  • Cathedral Valley with hogback formations and sentinels, Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. The formations are the result of vertical tilting due to the uplift forces of the Rocky Mountains and the Pikes Peak massif, of the horizontal layers of sandstones, conglomerates and limestones, resulting after erosion in the formation of fins and pinnacles. Native Americans have visited the area since 1330 BC and camped here since 250 BC, sheltering under the cliffs and producing rock art. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_155.jpg
  • Cathedral Valley with hogback formations and sentinels, Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. The formations are the result of vertical tilting due to the uplift forces of the Rocky Mountains and the Pikes Peak massif, of the horizontal layers of sandstones, conglomerates and limestones, resulting after erosion in the formation of fins and pinnacles. Native Americans have visited the area since 1330 BC and camped here since 250 BC, sheltering under the cliffs and producing rock art. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_151.jpg
  • Fin formations in Cathedral Valley, at the Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. The formations are the result of vertical tilting due to the uplift forces of the Rocky Mountains and the Pikes Peak massif, of the horizontal layers of sandstones, conglomerates and limestones, resulting after erosion in the formation of fins and pinnacles. Native Americans have visited the area since 1330 BC and camped here since 250 BC, sheltering under the cliffs and producing rock art. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_153.jpg
  • Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. The formations are the result of vertical tilting due to the uplift forces of the Rocky Mountains and the Pikes Peak massif, of the horizontal layers of sandstones, conglomerates and limestones, resulting after erosion in the formation of fins and pinnacles. Native Americans have visited the area since 1330 BC and camped here since 250 BC, sheltering under the cliffs and producing rock art. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_149.jpg
  • Cathedral Valley with hogback formations and sentinels, Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. The formations are the result of vertical tilting due to the uplift forces of the Rocky Mountains and the Pikes Peak massif, of the horizontal layers of sandstones, conglomerates and limestones, resulting after erosion in the formation of fins and pinnacles. Native Americans have visited the area since 1330 BC and camped here since 250 BC, sheltering under the cliffs and producing rock art. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_150.jpg
  • Pinnacles of the Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. The formations are the result of vertical tilting due to the uplift forces of the Rocky Mountains and the Pikes Peak massif, of the horizontal layers of sandstones, conglomerates and limestones, resulting after erosion in the formation of fins and pinnacles. Native Americans have visited the area since 1330 BC and camped here since 250 BC, sheltering under the cliffs and producing rock art. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_148.jpg
  • Cathedral Valley with hogback formations and sentinels, Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. The formations are the result of vertical tilting due to the uplift forces of the Rocky Mountains and the Pikes Peak massif, of the horizontal layers of sandstones, conglomerates and limestones, resulting after erosion in the formation of fins and pinnacles. Native Americans have visited the area since 1330 BC and camped here since 250 BC, sheltering under the cliffs and producing rock art. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_145.jpg
  • Garden of The Gods, with the Three Graces formation (left), an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. The formations are the result of vertical tilting due to the uplift forces of the Rocky Mountains and the Pikes Peak massif, of the horizontal layers of sandstones, conglomerates and limestones, resulting after erosion in the formation of fins and pinnacles. Native Americans have visited the area since 1330 BC and camped here since 250 BC, sheltering under the cliffs and producing rock art. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_146.jpg
  • Pinnacles of the Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. The formations are the result of vertical tilting due to the uplift forces of the Rocky Mountains and the Pikes Peak massif, of the horizontal layers of sandstones, conglomerates and limestones, resulting after erosion in the formation of fins and pinnacles. Native Americans have visited the area since 1330 BC and camped here since 250 BC, sheltering under the cliffs and producing rock art. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_144.jpg
  • Mercury - Corax, Roman marble sculpture of the god seated on a rock with a clam and lyre, 2nd century AD, from Casa del Mitreo, a large Roman house built late 1st - early 2nd century AD, in Emerita Augusta, in the Museo Nacional de Arte Romano, or National Museum of Roman Art, designed by Rafael Moneo and built 1981-86, housing Roman collections from the colony of Emerita Augusta, founded in 25 BC by Emperor Augustus, now modern-day Merida, Extremadura, Spain. The house consists of 3 peristyles or courtyards with columns, and is decorated with mosaics and frescoes. The Roman remains in Merida are listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_SPAIN_MC_1057.jpg
  • Mountain landscape, fresco fragment, late 1st century AD, from the balustrade of the podium of the Merida amphitheatre, later reused in a tomb, in the Museo Nacional de Arte Romano, or National Museum of Roman Art, designed by Rafael Moneo and built 1981-86, housing Roman collections from the colony of Emerita Augusta, founded in 25 BC by Emperor Augustus, now modern-day Merida, Extremadura, Spain. The Roman remains in Merida are listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_SPAIN_MC_1104.jpg
  • Piedras Letradas or inscribed stones, Taino petroglyphs and pictograms in the Valle de la Culata near Constanza, in the Parque Nacional Bermudez, Dominican Republic, in the Caribbean. The petroglyphs are 1200-600 years old and were created by the chiefdom of Maguana which was ruled by the Caonabo chief. The area holds both anthropomorphic and zoomorphic petroglyphs and was probably a ceremonial site. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_329.jpg
  • Piedras Letradas or inscribed stones, Taino petroglyphs and pictograms in the Valle de la Culata near Constanza, in the Parque Nacional Bermudez, Dominican Republic, in the Caribbean. The petroglyphs are 1200-600 years old and were created by the chiefdom of Maguana which was ruled by the Caonabo chief. The area holds both anthropomorphic and zoomorphic petroglyphs and was probably a ceremonial site. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_338.jpg
  • Piedras Letradas or inscribed stones, Taino petroglyphs and pictograms in the Valle de la Culata near Constanza, in the Parque Nacional Bermudez, Dominican Republic, in the Caribbean. The petroglyphs are 1200-600 years old and were created by the chiefdom of Maguana which was ruled by the Caonabo chief. The area holds both anthropomorphic and zoomorphic petroglyphs and was probably a ceremonial site. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_339.jpg
  • Piedras Letradas or inscribed stones, Taino petroglyphs and pictograms in the Valle de la Culata near Constanza, in the Parque Nacional Bermudez, Dominican Republic, in the Caribbean. The petroglyphs are 1200-600 years old and were created by the chiefdom of Maguana which was ruled by the Caonabo chief. The area holds both anthropomorphic and zoomorphic petroglyphs and was probably a ceremonial site. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_337.jpg
  • Piedras Letradas or inscribed stones, Taino petroglyphs and pictograms in the Valle de la Culata near Constanza, in the Parque Nacional Bermudez, Dominican Republic, in the Caribbean. The petroglyphs are 1200-600 years old and were created by the chiefdom of Maguana which was ruled by the Caonabo chief. The area holds both anthropomorphic and zoomorphic petroglyphs and was probably a ceremonial site. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_336.jpg
  • Human face on one of the Piedras Letradas or inscribed stones, Taino petroglyphs and pictograms in the Valle de la Culata near Constanza, in the Parque Nacional Bermudez, Dominican Republic, in the Caribbean. The petroglyphs are 1200-600 years old and were created by the chiefdom of Maguana which was ruled by the Caonabo chief. The area holds both anthropomorphic and zoomorphic petroglyphs and was probably a ceremonial site. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_335.jpg
  • Piedras Letradas or inscribed stones, Taino petroglyphs and pictograms in the Valle de la Culata near Constanza, in the Parque Nacional Bermudez, Dominican Republic, in the Caribbean. The petroglyphs are 1200-600 years old and were created by the chiefdom of Maguana which was ruled by the Caonabo chief. The area holds both anthropomorphic and zoomorphic petroglyphs and was probably a ceremonial site. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_334.jpg
  • Piedras Letradas or inscribed stones, Taino petroglyphs and pictograms in the Valle de la Culata near Constanza, in the Parque Nacional Bermudez, Dominican Republic, in the Caribbean. The petroglyphs are 1200-600 years old and were created by the chiefdom of Maguana which was ruled by the Caonabo chief. The area holds both anthropomorphic and zoomorphic petroglyphs and was probably a ceremonial site. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_333.jpg
  • Piedras Letradas or inscribed stones, Taino petroglyphs and pictograms in the Valle de la Culata near Constanza, in the Parque Nacional Bermudez, Dominican Republic, in the Caribbean. The petroglyphs are 1200-600 years old and were created by the chiefdom of Maguana which was ruled by the Caonabo chief. The area holds both anthropomorphic and zoomorphic petroglyphs and was probably a ceremonial site. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_332.jpg
  • Piedras Letradas or inscribed stones, Taino petroglyphs and pictograms in the Valle de la Culata near Constanza, in the Parque Nacional Bermudez, Dominican Republic, in the Caribbean. The petroglyphs are 1200-600 years old and were created by the chiefdom of Maguana which was ruled by the Caonabo chief. The area holds both anthropomorphic and zoomorphic petroglyphs and was probably a ceremonial site. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_331.jpg
  • Piedras Letradas or inscribed stones, Taino petroglyphs and pictograms in the Valle de la Culata near Constanza, in the Parque Nacional Bermudez, Dominican Republic, in the Caribbean. The petroglyphs are 1200-600 years old and were created by the chiefdom of Maguana which was ruled by the Caonabo chief. The area holds both anthropomorphic and zoomorphic petroglyphs and was probably a ceremonial site. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_330.jpg
  • Piedras Letradas or inscribed stones, Taino petroglyphs and pictograms in the Valle de la Culata near Constanza, in the Parque Nacional Bermudez, Dominican Republic, in the Caribbean. The petroglyphs are 1200-600 years old and were created by the chiefdom of Maguana which was ruled by the Caonabo chief. The area holds both anthropomorphic and zoomorphic petroglyphs and was probably a ceremonial site. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_327.jpg
  • Piedras Letradas or inscribed stones, Taino petroglyphs and pictograms in the Valle de la Culata near Constanza, in the Parque Nacional Bermudez, Dominican Republic, in the Caribbean. The petroglyphs are 1200-600 years old and were created by the chiefdom of Maguana which was ruled by the Caonabo chief. The area holds both anthropomorphic and zoomorphic petroglyphs and was probably a ceremonial site. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_328.jpg
  • Piedras Letradas or inscribed stones, Taino petroglyphs and pictograms in the Valle de la Culata near Constanza, in the Parque Nacional Bermudez, Dominican Republic, in the Caribbean. The petroglyphs are 1200-600 years old and were created by the chiefdom of Maguana which was ruled by the Caonabo chief. The area holds both anthropomorphic and zoomorphic petroglyphs and was probably a ceremonial site. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_326.jpg
  • Piedras Letradas or inscribed stones, Taino petroglyphs and pictograms in the Valle de la Culata near Constanza, in the Parque Nacional Bermudez, Dominican Republic, in the Caribbean. The petroglyphs are 1200-600 years old and were created by the chiefdom of Maguana which was ruled by the Caonabo chief. The area holds both anthropomorphic and zoomorphic petroglyphs and was probably a ceremonial site. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_325.jpg
  • Piedras Letradas or inscribed stones, Taino petroglyphs and pictograms in the Valle de la Culata near Constanza, in the Parque Nacional Bermudez, Dominican Republic, in the Caribbean. The petroglyphs are 1200-600 years old and were created by the chiefdom of Maguana which was ruled by the Caonabo chief. The area holds both anthropomorphic and zoomorphic petroglyphs and was probably a ceremonial site. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_324.jpg
  • Piedras Letradas or inscribed stones, Taino petroglyphs and pictograms in the Valle de la Culata near Constanza, in the Parque Nacional Bermudez, Dominican Republic, in the Caribbean. The petroglyphs are 1200-600 years old and were created by the chiefdom of Maguana which was ruled by the Caonabo chief. The area holds both anthropomorphic and zoomorphic petroglyphs and was probably a ceremonial site. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_323.jpg
  • Piedras Letradas or inscribed stones, Taino petroglyphs and pictograms in the Valle de la Culata near Constanza, in the Parque Nacional Bermudez, Dominican Republic, in the Caribbean. The petroglyphs are 1200-600 years old and were created by the chiefdom of Maguana which was ruled by the Caonabo chief. The area holds both anthropomorphic and zoomorphic petroglyphs and was probably a ceremonial site. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_320.jpg
  • Piedras Letradas or inscribed stones, Taino petroglyphs and pictograms in the Valle de la Culata near Constanza, in the Parque Nacional Bermudez, Dominican Republic, in the Caribbean. The petroglyphs are 1200-600 years old and were created by the chiefdom of Maguana which was ruled by the Caonabo chief. The area holds both anthropomorphic and zoomorphic petroglyphs and was probably a ceremonial site. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_322.jpg
  • Piedras Letradas or inscribed stones, Taino petroglyphs and pictograms in the Valle de la Culata near Constanza, in the Parque Nacional Bermudez, Dominican Republic, in the Caribbean. The petroglyphs are 1200-600 years old and were created by the chiefdom of Maguana which was ruled by the Caonabo chief. The area holds both anthropomorphic and zoomorphic petroglyphs and was probably a ceremonial site. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_321.jpg
  • Precolumbian petroglyph of the Tainos culture depicting a face, in the Cueva de San Gabriel, created by limestone erosion, in the Parque Nacional de los Haitises, or Los Haitises National Park, on the North East coast of the Dominican Republic, in the Caribbean. The park was established in 1976 and consists of limestone karst scenery, mountains, subtropical forest and mangrove forests along the coast. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_048.jpg
  • Cueva de San Gabriel, created by limestone erosion, containing precolumbian petroglyphs of the Tainos culture, in the Parque Nacional de los Haitises, or Los Haitises National Park, on the North East coast of the Dominican Republic, in the Caribbean. The park was established in 1976 and consists of limestone karst scenery, mountains, subtropical forest and mangrove forests along the coast. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_049.jpg
  • Precolumbian pictogram by the indigenous Tainos culture, in the Cueva de la Linea or Cueva del Ferrocaril, created by limestone erosion, in the Parque Nacional de los Haitises, or Los Haitises National Park, on the North East coast of the Dominican Republic, in the Caribbean. The paintings were made using berry juice, mangrove bark, charcoal, manatee grease and bat droppings. The park was established in 1976 and consists of limestone karst scenery, mountains, subtropical forest and mangrove forests along the coast. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_051.jpg
  • Precolumbian pictogram by the indigenous Tainos culture, in the Cueva de la Linea or Cueva del Ferrocaril, created by limestone erosion, in the Parque Nacional de los Haitises, or Los Haitises National Park, on the North East coast of the Dominican Republic, in the Caribbean. The paintings were made using berry juice, mangrove bark, charcoal, manatee grease and bat droppings. The park was established in 1976 and consists of limestone karst scenery, mountains, subtropical forest and mangrove forests along the coast. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_052.jpg
  • Precolumbian pictogram by the indigenous Tainos culture, in the Cueva de la Linea or Cueva del Ferrocaril, created by limestone erosion, in the Parque Nacional de los Haitises, or Los Haitises National Park, on the North East coast of the Dominican Republic, in the Caribbean. The paintings were made using  berry juice, mangrove bark, charcoal, manatee grease and bat droppings. The park was established in 1976 and consists of limestone karst scenery, mountains, subtropical forest and mangrove forests along the coast. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_053.jpg
  • Precolumbian pictogram of animals by the indigenous Tainos culture, in the Cueva de la Linea or Cueva del Ferrocaril, created by limestone erosion, in the Parque Nacional de los Haitises, or Los Haitises National Park, on the North East coast of the Dominican Republic, in the Caribbean. The paintings were made using berry juice, mangrove bark, charcoal, manatee grease and bat droppings. The park was established in 1976 and consists of limestone karst scenery, mountains, subtropical forest and mangrove forests along the coast. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_054.jpg
  • Precolumbian pictogram of an angry child by the indigenous Tainos culture, in the Cueva de la Linea or Cueva del Ferrocaril, created by limestone erosion, in the Parque Nacional de los Haitises, or Los Haitises National Park, on the North East coast of the Dominican Republic, in the Caribbean. The paintings were made using berry juice, mangrove bark, charcoal, manatee grease and bat droppings. The park was established in 1976 and consists of limestone karst scenery, mountains, subtropical forest and mangrove forests along the coast. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_055.jpg
  • Precolumbian pictogram of a shaman or sorcerer by the indigenous Tainos culture, in the Cueva de la Linea or Cueva del Ferrocaril, created by limestone erosion, in the Parque Nacional de los Haitises, or Los Haitises National Park, on the North East coast of the Dominican Republic, in the Caribbean. The paintings were made using berry juice, mangrove bark, charcoal, manatee grease and bat droppings. The park was established in 1976 and consists of limestone karst scenery, mountains, subtropical forest and mangrove forests along the coast. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_056.jpg
  • Precolumbian pictogram by the indigenous Tainos culture, in the Cueva de la Linea or Cueva del Ferrocaril, created by limestone erosion, in the Parque Nacional de los Haitises, or Los Haitises National Park, on the North East coast of the Dominican Republic, in the Caribbean. The paintings were made using berry juice, mangrove bark, charcoal, manatee grease and bat droppings. The park was established in 1976 and consists of limestone karst scenery, mountains, subtropical forest and mangrove forests along the coast. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_057.jpg
  • Precolumbian pictogram of a dancer by the indigenous Tainos culture, in the Cueva de la Linea or Cueva del Ferrocaril, created by limestone erosion, in the Parque Nacional de los Haitises, or Los Haitises National Park, on the North East coast of the Dominican Republic, in the Caribbean. The paintings were made using berry juice, mangrove bark, charcoal, manatee grease and bat droppings. The park was established in 1976 and consists of limestone karst scenery, mountains, subtropical forest and mangrove forests along the coast. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_058.jpg
  • Precolumbian pictogram of sharks by the indigenous Tainos culture, in the Cueva de la Linea or Cueva del Ferrocaril, created by limestone erosion, in the Parque Nacional de los Haitises, or Los Haitises National Park, on the North East coast of the Dominican Republic, in the Caribbean. The paintings were made using berry juice, mangrove bark, charcoal, manatee grease and bat droppings. The park was established in 1976 and consists of limestone karst scenery, mountains, subtropical forest and mangrove forests along the coast. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_059.jpg
  • Precolumbian pictogram of a heron by the indigenous Tainos culture, in the Cueva de la Linea or Cueva del Ferrocaril, created by limestone erosion, in the Parque Nacional de los Haitises, or Los Haitises National Park, on the North East coast of the Dominican Republic, in the Caribbean. The paintings were made using berry juice, mangrove bark, charcoal, manatee grease and bat droppings. The park was established in 1976 and consists of limestone karst scenery, mountains, subtropical forest and mangrove forests along the coast. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_061.jpg
  • Precolumbian pictogram by the indigenous Tainos culture, in the Cueva de la Linea or Cueva del Ferrocaril, created by limestone erosion, in the Parque Nacional de los Haitises, or Los Haitises National Park, on the North East coast of the Dominican Republic, in the Caribbean. The paintings were made using berry juice, mangrove bark, charcoal, manatee grease and bat droppings. The park was established in 1976 and consists of limestone karst scenery, mountains, subtropical forest and mangrove forests along the coast. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_060.jpg
  • Rocks at Etretat, Impressionist oil painting on canvas, c. 1888, by Claude Emile Schuffenecker, 1851-1934, in the Musee des Beaux Arts de Tours, a fine arts museum founded 1801, and housed since 1910 in the archbishop's palace on the Place Francois Sicard in Tours, Indre-et-Loire, France. The museum houses paintings from 14th - 21st centuries, sculpture, prints, ceramics and furniture, and is listed as a historic monument. Picture by Manuel Cohen
    LC22_FRANCE_MC_1552.jpg
  • St Jerome, with a lion and cardinal's hat, holding a rock, 15th century fresco, at the Ancien Couvent de la Beaumette, also known as the Couvent des Cordeliers d'Angers, a convent built 1452-54 and founded by King Rene, in Angers, Maine-et-Loire, France. The convent complex consists of living quarters, an 18th century cloister, a 15th century chapel, courtyards, a cemetery, gardens and frescoes. The convent is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_0668.jpg
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