manuel cohen

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  • Portrait of Samuel Bernard, Count of Coubert, a financier, with a hunting rifle, painting by Nicolas Mignard, 1606-68, in the Chateau de Chenonceau, built 1514–22 in late Gothic and early Renaissance style on the River Cher near Chenonceaux, Indre-et-Loire, France. The chateau was extended on a bridge across the river, commissioned by Diane de Poitiers and built 1556-59 by Philibert de l'Orme, with a gallery added 1570–76 by Jean Bullant. Diane de Poitiers, Catherine de Medici and Louise Dupin have all contributed to the development of Chenonceau through the centuries. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_1081.jpg
  • Chien barbet gardant du gibier, or Barbet dog guarding game, detail, oil painting on canvas, 1728, by Jean-Baptiste Oudry, 1686-1755, in the Musee de la Chasse et de la Nature, Paris, France. The dog is seen in a protective pose with one paw on the hunting rifle. Oudry was a French 18th century Rococo painter, known for still life and hunting scenes, many of which were commissioned by King Louis XV. Picture by Manuel Cohen
    LC15_ART_MC034.jpg
  • Sculpture of a French infantryman with a grenade and rifle, on the Monument to the soldiers who fought and died at the Battle of Vauquois, built 1926 on the site of the old town hall, on the French side of the Butte de Vauquois, 25km West of Verdun, Meuse, Lorraine, France, site of the Battle of Vauquois, 1915-18, in World War One. The monument was designed by Monestier and built by the sculptor Roussel. It is an obelisk in the shape of a lantern of the dead, with sculptures on an armed French soldier, a mutilated tree (a marker for French soldiers) and a tunneler. Picture by Manuel Cohen
    LC15_VERDUN_MC077.jpg
  • Chien barbet gardant du gibier, or Barbet dog guarding game, detail, oil painting on canvas, 1728, by Jean-Baptiste Oudry, 1686-1755, in the Musee de la Chasse et de la Nature, Paris, France. The dog is seen in a protective pose with a rifle, leather hunting bag, dead duck and 4 other game birds. Oudry was a French 18th century Rococo painter, known for still life and hunting scenes, many of which were commissioned by King Louis XV. Picture by Manuel Cohen
    LC15_ART_MC038.jpg
  • Chien barbet gardant du gibier, or Barbet dog guarding game, oil painting on canvas, 1728, by Jean-Baptiste Oudry, 1686-1755, in the Musee de la Chasse et de la Nature, Paris, France. The dog is seen in a protective pose with a rifle, leather hunting bag, dead duck and 4 other game birds. Oudry was a French 18th century Rococo painter, known for still life and hunting scenes, many of which were commissioned by King Louis XV. Picture by Manuel Cohen
    LC15_ART_MC039.jpg
  • Barbet dog in front of a mallard (Chien barbet devant un colvert), detail, oil painting on canvas, by Jean Baptiste Simeon Chardin, 1699-1779, in a private collection, France. In this hunting scene, a dog approaches a dead mallard, which forms a still life element with a rifle and hunting bag. This painting is thought to have been completed in the 1730s, and is unusual for Chardin in that it depicts a live animal. Picture by Manuel Cohen
    LC15_ART_MC026.JPG
  • Barbet dog in front of a mallard (Chien barbet devant un colvert), oil painting on canvas, by Jean Baptiste Simeon Chardin, 1699-1779, in a private collection, France. In this hunting scene, a dog approaches a dead mallard, which forms a still life element with a rifle and hunting bag. This painting is thought to have been completed in the 1730s, and is unusual for Chardin in that it depicts a live animal. Picture by Manuel Cohen
    LC15_ART_MC027.jpg
  • Battle of San Jacinto, detail, 1895, by Henry McArdle, 1836-1908, in the Senate, in the Texas State Capitol, designed in 1881 by Elijah E Myers and built 1882-88, Austin, Texas, USA. The painting depicts the conflict and chaos as 800 Texans defeat Santa Anna's 1,600 Mexican Army soldiers on April 21st, 1836, ending the Texas Revolution. Picture by Manuel Cohen
    LC17_TEXAS_MC035.jpg
  • First floor room with landscape wall paintings and displays of weaponry in cabinets, in the Medici Villa of Cerreto Guidi, built 1555-75 for Cosimo I de Medici as a hunting lodge, in the village of Cerreto Guidi, Tuscany, Italy. The architects who remodelled the building in the 16th century were Bernardo Buontalenti, Davide Fortuni and Alfonso Parigi. The villa was owned by the Medicis until the 18th century when passed to the Habsburg-Lorraines. It is now a museum, the Museo Storico della Caccia e del Territorio, or Museum of Hunting and Territory, and forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_114.jpg
  • Knight's Hall, with displays of armour, weapons and helmets, at the Palazzo Conte Federico, a 12th century Arabic Norman palace in Palermo, Sicily, Italy. The Federico counts bought the palace in the mid 17th century and are responsible for commissioning many of the decorations in place today. Picture by Manuel Cohen
    LC20_ITALY_MC_599.jpg
  • Weapons belonging to the mafia sequestered by the carabinieri, or Italian police, black and white photograph from the exhibition No Mafia Memorial, in Palermo, Sicily, Italy. The No Mafia Memorial explores the growth and history of the mafia, and its impact on the Sicilian population. Picture by Manuel Cohen
    LC20_ITALY_MC_038.jpg
  • Dead game birds and leather hunting bag, detail from Chien barbet gardant du gibier, or Barbet dog guarding game, oil painting on canvas, 1728, by Jean-Baptiste Oudry, 1686-1755, in the Musee de la Chasse et de la Nature, Paris, France. Oudry was a French 18th century Rococo painter, known for still life and hunting scenes, many of which were commissioned by King Louis XV. Picture by Manuel Cohen
    LC15_ART_MC033.jpg
  • Portrait of Charles III, King of Spain, 1716-88,<br />
copy of a painting by Francisco de Goya, 1746-1828, in the Museo de las Casas Reales, or Museum of the Royal Houses, in the Colonial Zone of Santo Domingo, capital of the Dominican Republic, in the Caribbean. The museum was opened in 1973 to celebrate the history and culture of the Spanish inhabitants of the colony, and is housed in a 16th century colonial palace originally serving as governor's office and Audiencia Real or Royal Court. Santo Domingo's Colonial Zone is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_362.jpg
  • Portrait of Charles III, King of Spain, 1716-88,<br />
detail, copy of a painting by Francisco de Goya, 1746-1828, in the Museo de las Casas Reales, or Museum of the Royal Houses, in the Colonial Zone of Santo Domingo, capital of the Dominican Republic, in the Caribbean. The museum was opened in 1973 to celebrate the history and culture of the Spanish inhabitants of the colony, and is housed in a 16th century colonial palace originally serving as governor's office and Audiencia Real or Royal Court. Santo Domingo's Colonial Zone is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_271.jpg
  • David Crockett, 1786-1836, American folk hero, frontiersman, soldier, and politician who fought in the Texas Revolution, portrait by S Salomon, 1936, hung in the mezzanine of the Driskill Hotel, built 1886 in Romanesque Revival style by cattle baron Jesse Driskill, on East 6th St or Dirty Sixth, in the Sixth Street Historic District in downtown Austin, Texas, USA. The area was Austin's commercial district in the late 19th century, and the buildings are mainly Victorian brick structures. It is now known for its lively bars, cafes, nightclubs and music venues. Picture by Manuel Cohen
    LC17_TEXAS_MC057.jpg
  • Battle of San Jacinto, detail, 1895, by Henry McArdle, 1836-1908, in the Senate, in the Texas State Capitol, designed in 1881 by Elijah E Myers and built 1882-88, Austin, Texas, USA. The painting depicts the conflict and chaos as 800 Texans defeat Santa Anna's 1,600 Mexican Army soldiers on April 21st, 1836, ending the Texas Revolution. Picture by Manuel Cohen
    LC17_TEXAS_MC033.jpg
  • General Hubert Lyautey, 1854-1934, in Morocco awarding medals to indigenous sniper troops during the First World War, postcard from the nearby Musee de Nogent sur Marne, France. General Lyautey was the first French Resident-General in Morocco from 1912 to 1925. Picture by Manuel Cohen / Musee de Nogent sur Marne
    LC17_FRANCE_MC_1131.jpg
  • Cavalryman, in the Enlisted Men's Barracks, at Fort Davis National Historic Site, a US army fort established 1854, in a canyon in the Davis Mountains in West Texas, USA. The cavalry, first called the Mounted Dragoons, were used infrequently until the mid-1800s when the frontier had pushed westward into the Great Plains, when the nomadic culture of the Indians and the vastness of the West made the cavalry necessary. The fort was built to protect emigrants, mail coaches, and freight wagons on the trails through the State from Comanche and Apache Indians. After the Civil War, several African-American regiments were stationed here. By the 1880s, the fort consisted of one 100 buildings, housing over 400 soldiers. It was abandoned in 1891, but many buildings have been restored and the compound now operates as a historical site and museum. Picture by Manuel Cohen
    LC17_TEXAS_MC229.JPG
  • Battle of San Jacinto, detail, 1895, by Henry McArdle, 1836-1908, in the Senate, in the Texas State Capitol, designed in 1881 by Elijah E Myers and built 1882-88, Austin, Texas, USA. The painting depicts the conflict and chaos as 800 Texans defeat Santa Anna's 1,600 Mexican Army soldiers on April 21st, 1836, ending the Texas Revolution. Picture by Manuel Cohen
    LC17_TEXAS_MC032.jpg
  • Royal Scots Greys Monument, bronze equestrian statue of a Royal Scots Dragoon Guard (Carabinier and Greys) in uniform with bearskin hat, sword and rifle, by William Birnie Rhind, 1853-1933, inaugurated 1906 by the Earl of Rosebery, Princes St Gardens, Edinburgh, Scotland. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_068.jpg
  • Bear Hall, with a stuffed polar bear, in the entrance hall of the Salvador Dali House Museum in Portlligat, Cap de Creus, Cadaques, Catalonia, Spain. The bear is decorated with jewellery, walking sticks, rifles and it holds a lamp. Salvador Dali, 1904-89, Spanish Surrealist painter, lived and worked here from 1930 to 1982, when his partner and muse Gala died. The building was originally several fisherman's cottages which the couple bought and developed, with windows overlooking the bay, a swimming pool and garden studio. The house became a museum in 1997, run by the Dali Foundation. Picture by Manuel Cohen
    LC20_SPAIN_MC_0555.jpg
  • Bear Hall, with a stuffed polar bear, in the entrance hall of the Salvador Dali House Museum in Portlligat, Cap de Creus, Cadaques, Catalonia, Spain. The bear is decorated with jewellery, walking sticks, rifles and it holds a lamp. Salvador Dali, 1904-89, Spanish Surrealist painter, lived and worked here from 1930 to 1982, when his partner and muse Gala died. The building was originally several fisherman's cottages which the couple bought and developed, with windows overlooking the bay, a swimming pool and garden studio. The house became a museum in 1997, run by the Dali Foundation. Picture by Manuel Cohen
    LC20_SPAIN_MC_0702.jpg
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