manuel cohen

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  • Decorative box hedge and on the left, the Residence Andre Honnorat, inaugurated 1953, which houses the International Centre for Short Stays, or CICS, hosting exchange students, in the Cite Internationale Universitaire de Paris, in the 14th arrondissement of Paris, France. The building was designed by Lucien Bechmann, 1880-1968, and Jean-Frederic Larson in 1936 and was originally the CIUP's dispensary before being converted to residences. The CIUP or Cite U was founded in 1925 after the First World War by Andre Honnorat and Emile Deutsch de la Meurthe to create a place of cooperation and peace amongst students and researchers from around the world. It consists of 5,800 rooms in 40 residences, accepting another 12,000 student residents each year. Picture by Manuel Cohen. Further clearances may be requested.
    LC17_FRANCE_MC_0515.jpg
  • View from the library of the Maison Internationale, looking towards the Residence Andre Honnorat, inaugurated 1953, which houses the International Centre for Short Stays, or CICS, hosting exchange students, in the Cite Internationale Universitaire de Paris, in the 14th arrondissement of Paris, France. The building was designed by Lucien Bechmann, 1880-1968, and Jean-Frederic Larson in 1936 and was originally the CIUP's dispensary before being converted to residences. The CIUP or Cite U was founded in 1925 after the First World War by Andre Honnorat and Emile Deutsch de la Meurthe to create a place of cooperation and peace amongst students and researchers from around the world. It consists of 5,800 rooms in 40 residences, accepting another 12,000 student residents each year. Picture by Manuel Cohen. Further clearances may be requested.
    LC17_FRANCE_MC_0510.jpg
  • Residence Andre Honnorat, inaugurated 1953, which houses the International Centre for Short Stays, or CICS, hosting exchange students, in the Cite Internationale Universitaire de Paris, in the 14th arrondissement of Paris, France. The building was designed by Lucien Bechmann, 1880-1968, and Jean-Frederic Larson in 1936 and was originally the CIUP's dispensary before being converted to residences. The CIUP or Cite U was founded in 1925 after the First World War by Andre Honnorat, 1868-1950, and Emile Deutsch de la Meurthe, 1847-1924, to create a place of cooperation and peace amongst students and researchers from around the world. It consists of 5,800 rooms in 40 residences, accepting another 12,000 student residents each year. Picture by Manuel Cohen. Further clearances may be requested
    LC16_FRANCE_MC_0705.jpg
  • Painted ceiling with African Zodiac, in the steward's office, in the Residence Lucien Paye, designed by Jean Vernon, Bruno Philippe and Albert Laprade, 1883-1978, and inaugurated 1949, in the Cite Internationale Universitaire de Paris, in the 14th arrondissement of Paris, France. Originally the Overseas French Territories House, the building was later used to house students from Sub-Saharan African countries. Pierre Meauze sculpted the pillars at the entrance and Anna Quinquaud made the bas-reliefs on the facade. The CIUP or Cite U was founded in 1925 after the First World War by Andre Honnorat and Emile Deutsch de la Meurthe to create a place of cooperation and peace amongst students and researchers from around the world. It consists of 5,800 rooms in 40 residences, accepting another 12,000 student residents each year. Picture by Manuel Cohen. L'autorisation de reproduire cette œuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0625.jpg
  • Detail of a tapestry in the Gallery (between the entrance hall and the Salle des Fetes), by Roger Bezombes, 1913-1994, in the Residence Lucien Paye, designed by Jean Vernon, Bruno Philippe and Albert Laprade, 1883-1978, and inaugurated 1949, in the Cite Internationale Universitaire de Paris, in the 14th arrondissement of Paris, France. Bezombes has designed huge tapestries made by Ateliers Hamot in Aubusson, with legendary characters, traditions, African animals and Madagascan flora. Originally the Overseas French Territories House, the building was later used to house students from Sub-Saharan African countries. Pierre Meauze sculpted the pillars at the entrance and Anna Quinquaud made the bas-reliefs on the facade. The CIUP or Cite U was founded in 1925 after the First World War by Andre Honnorat and Emile Deutsch de la Meurthe to create a place of cooperation and peace amongst students and researchers from around the world. It consists of 5,800 rooms in 40 residences, accepting another 12,000 student residents each year. Picture by Manuel Cohen. L'autorisation de reproduire cette œuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0624.jpg
  • Detail of couple dancing from a tapestry in the Gallery (between the entrance hall and the Salle des Fetes), by Roger Bezombes, 1913-1994, in the Residence Lucien Paye, designed by Jean Vernon, Bruno Philippe and Albert Laprade, 1883-1978, and inaugurated 1949, in the Cite Internationale Universitaire de Paris, in the 14th arrondissement of Paris, France. Bezombes has designed huge tapestries made by Ateliers Hamot in Aubusson, with legendary characters, traditions, African animals and Madagascan flora. Originally the Overseas French Territories House, the building was later used to house students from Sub-Saharan African countries. Pierre Meauze sculpted the pillars at the entrance and Anna Quinquaud made the bas-reliefs on the facade. The CIUP or Cite U was founded in 1925 after the First World War by Andre Honnorat and Emile Deutsch de la Meurthe to create a place of cooperation and peace amongst students and researchers from around the world. It consists of 5,800 rooms in 40 residences, accepting another 12,000 student residents each year. Picture by Manuel Cohen. L'autorisation de reproduire cette œuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0621.jpg
  • Staircase and pebble mosaic floor resembling fabric design, in the hall of the Residence Lucien Paye, designed by Jean Vernon, Bruno Philippe and Albert Laprade, 1883-1978, and inaugurated 1949, in the Cite Internationale Universitaire de Paris, in the 14th arrondissement of Paris, France. Originally the Overseas French Territories House, the building was later used to house students from Sub-Saharan African countries. The CIUP or Cite U was founded in 1925 after the First World War by Andre Honnorat and Emile Deutsch de la Meurthe to create a place of cooperation and peace amongst students and researchers from around the world. It consists of 5,800 rooms in 40 residences, accepting another 12,000 student residents each year. Picture by Manuel Cohen. L'autorisation de reproduire cette œuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0622.jpg
  • Detail of a couple dancing from a tapestry in the Gallery (between the entrance hall and the Salle des Fetes), by Roger Bezombes, 1913-1994, in the Residence Lucien Paye, designed by Jean Vernon, Bruno Philippe and Albert Laprade, 1883-1978, and inaugurated 1949, in the Cite Internationale Universitaire de Paris, in the 14th arrondissement of Paris, France. Bezombes has designed huge tapestries made by Ateliers Hamot in Aubusson, with legendary characters, traditions, African animals and Madagascan flora. Originally the Overseas French Territories House, the building was later used to house students from Sub-Saharan African countries. Pierre Meauze sculpted the pillars at the entrance and Anna Quinquaud made the bas-reliefs on the facade. The CIUP or Cite U was founded in 1925 after the First World War by Andre Honnorat and Emile Deutsch de la Meurthe to create a place of cooperation and peace amongst students and researchers from around the world. It consists of 5,800 rooms in 40 residences, accepting another 12,000 student residents each year. Picture by Manuel Cohen. L'autorisation de reproduire cette œuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0620.jpg
  • Tapestry in the Salle des Fetes, by Roger Bezombes, 1913-1994, in the Residence Lucien Paye, designed by Jean Vernon, Bruno Philippe and Albert Laprade, 1883-1978, and inaugurated 1949, in the Cite Internationale Universitaire de Paris, in the 14th arrondissement of Paris, France. Bezombes has designed huge tapestries made by Ateliers Hamot in Aubusson, with legendary characters, traditions, African animals and Madagascan flora. The parquet flooring is in ebony, bilinga and padauk. Originally the Overseas French Territories House, the building was later used to house students from Sub-Saharan African countries. Pierre Meauze sculpted the pillars at the entrance and Anna Quinquaud made the bas-reliefs on the facade. The CIUP or Cite U was founded in 1925 after the First World War by Andre Honnorat and Emile Deutsch de la Meurthe to create a place of cooperation and peace amongst students and researchers from around the world. It consists of 5,800 rooms in 40 residences, accepting another 12,000 student residents each year. Picture by Manuel Cohen. L'autorisation de reproduire cette œuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0619.JPG
  • Tapestry in the Gallery (between the entrance hall and the Salle des Fetes), by Roger Bezombes, 1913-1994, in the Residence Lucien Paye, designed by Jean Vernon, Bruno Philippe and Albert Laprade, 1883-1978, and inaugurated 1949, in the Cite Internationale Universitaire de Paris, in the 14th arrondissement of Paris, France. Bezombes has designed huge tapestries made by Ateliers Hamot in Aubusson, with legendary characters, traditions, African animals and Madagascan flora. The parquet flooring is in ebony, bilinga and padauk. Originally the Overseas French Territories House, the building was later used to house students from Sub-Saharan African countries. Pierre Meauze sculpted the pillars at the entrance and Anna Quinquaud made the bas-reliefs on the facade. The CIUP or Cite U was founded in 1925 after the First World War by Andre Honnorat and Emile Deutsch de la Meurthe to create a place of cooperation and peace amongst students and researchers from around the world. It consists of 5,800 rooms in 40 residences, accepting another 12,000 student residents each year. Picture by Manuel Cohen. L'autorisation de reproduire cette œuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0617.jpg
  • Tapestry in the Gallery (between the entrance hall and the Salle des Fetes), by Roger Bezombes, 1913-1994, in the Residence Lucien Paye, designed by Jean Vernon, Bruno Philippe and Albert Laprade, 1883-1978, and inaugurated 1949, in the Cite Internationale Universitaire de Paris, in the 14th arrondissement of Paris, France. Bezombes has designed huge tapestries made by Ateliers Hamot in Aubusson, with legendary characters, traditions, African animals and Madagascan flora. Originally the Overseas French Territories House, the building was later used to house students from Sub-Saharan African countries. Pierre Meauze sculpted the pillars at the entrance and Anna Quinquaud made the bas-reliefs on the facade. The CIUP or Cite U was founded in 1925 after the First World War by Andre Honnorat and Emile Deutsch de la Meurthe to create a place of cooperation and peace amongst students and researchers from around the world. It consists of 5,800 rooms in 40 residences, accepting another 12,000 student residents each year. Picture by Manuel Cohen. L'autorisation de reproduire cette œuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0618.jpg
  • Detail of a tapestry in the Salle des Fetes, by Roger Bezombes, 1913-1994, in the Residence Lucien Paye, designed by Jean Vernon, Bruno Philippe and Albert Laprade, 1883-1978, and inaugurated 1949, in the Cite Internationale Universitaire de Paris, in the 14th arrondissement of Paris, France. Bezombes has designed huge tapestries made by Ateliers Hamot in Aubusson, with legendary characters, traditions, African animals and Madagascan flora. Originally the Overseas French Territories House, the building was later used to house students from Sub-Saharan African countries. Pierre Meauze sculpted the pillars at the entrance and Anna Quinquaud made the bas-reliefs on the facade. The CIUP or Cite U was founded in 1925 after the First World War by Andre Honnorat and Emile Deutsch de la Meurthe to create a place of cooperation and peace amongst students and researchers from around the world. It consists of 5,800 rooms in 40 residences, accepting another 12,000 student residents each year. Picture by Manuel Cohen. L'autorisation de reproduire cette œuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0616.jpg
  • Detail of a tapestry in the Salle des Fetes, by Roger Bezombes, 1913-1994, in the Residence Lucien Paye, designed by Jean Vernon, Bruno Philippe and Albert Laprade, 1883-1978, and inaugurated 1949, in the Cite Internationale Universitaire de Paris, in the 14th arrondissement of Paris, France. Bezombes has designed huge tapestries made by Ateliers Hamot in Aubusson, with legendary characters, traditions, African animals and Madagascan flora. Originally the Overseas French Territories House, the building was later used to house students from Sub-Saharan African countries. Pierre Meauze sculpted the pillars at the entrance and Anna Quinquaud made the bas-reliefs on the facade. The CIUP or Cite U was founded in 1925 after the First World War by Andre Honnorat and Emile Deutsch de la Meurthe to create a place of cooperation and peace amongst students and researchers from around the world. It consists of 5,800 rooms in 40 residences, accepting another 12,000 student residents each year. Picture by Manuel Cohen. L'autorisation de reproduire cette œuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0613.jpg
  • Detail of a tapestry in the Salle des Fetes, by Roger Bezombes, 1913-1994, in the Residence Lucien Paye, designed by Jean Vernon, Bruno Philippe and Albert Laprade, 1883-1978, and inaugurated 1949, in the Cite Internationale Universitaire de Paris, in the 14th arrondissement of Paris, France. Bezombes has designed huge tapestries made by Ateliers Hamot in Aubusson, with legendary characters, traditions, African animals and Madagascan flora. Originally the Overseas French Territories House, the building was later used to house students from Sub-Saharan African countries. Pierre Meauze sculpted the pillars at the entrance and Anna Quinquaud made the bas-reliefs on the facade. The CIUP or Cite U was founded in 1925 after the First World War by Andre Honnorat and Emile Deutsch de la Meurthe to create a place of cooperation and peace amongst students and researchers from around the world. It consists of 5,800 rooms in 40 residences, accepting another 12,000 student residents each year. Picture by Manuel Cohen. L'autorisation de reproduire cette œuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0611.jpg
  • Detail of a tapestry in the Salle des Fetes, by Roger Bezombes, 1913-1994, in the Residence Lucien Paye, designed by Jean Vernon, Bruno Philippe and Albert Laprade, 1883-1978, and inaugurated 1949, in the Cite Internationale Universitaire de Paris, in the 14th arrondissement of Paris, France. Bezombes has designed huge tapestries made by Ateliers Hamot in Aubusson, with legendary characters, traditions, African animals and Madagascan flora. Originally the Overseas French Territories House, the building was later used to house students from Sub-Saharan African countries. Pierre Meauze sculpted the pillars at the entrance and Anna Quinquaud made the bas-reliefs on the facade. The CIUP or Cite U was founded in 1925 after the First World War by Andre Honnorat and Emile Deutsch de la Meurthe to create a place of cooperation and peace amongst students and researchers from around the world. It consists of 5,800 rooms in 40 residences, accepting another 12,000 student residents each year. Picture by Manuel Cohen. L'autorisation de reproduire cette œuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0610.jpg
  • Tapestry in the Salle des Fetes, by Roger Bezombes, 1913-1994, in the Residence Lucien Paye, designed by Jean Vernon, Bruno Philippe and Albert Laprade, 1883-1978, and inaugurated 1949, in the Cite Internationale Universitaire de Paris, in the 14th arrondissement of Paris, France. Bezombes has designed huge tapestries made by Ateliers Hamot in Aubusson, with legendary characters, traditions, African animals and Madagascan flora. The parquet flooring is in ebony, bilinga and padauk. Originally the Overseas French Territories House, the building was later used to house students from Sub-Saharan African countries. Pierre Meauze sculpted the pillars at the entrance and Anna Quinquaud made the bas-reliefs on the facade. The CIUP or Cite U was founded in 1925 after the First World War by Andre Honnorat and Emile Deutsch de la Meurthe to create a place of cooperation and peace amongst students and researchers from around the world. It consists of 5,800 rooms in 40 residences, accepting another 12,000 student residents each year. Picture by Manuel Cohen. L'autorisation de reproduire cette œuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0608.jpg
  • Tapestry in the Salle des Fetes, by Roger Bezombes, 1913-1994, in the Residence Lucien Paye, designed by Jean Vernon, Bruno Philippe and Albert Laprade, 1883-1978, and inaugurated 1949, in the Cite Internationale Universitaire de Paris, in the 14th arrondissement of Paris, France. Bezombes has designed huge tapestries made by Ateliers Hamot in Aubusson, with legendary characters, traditions, African animals and Madagascan flora. Originally the Overseas French Territories House, the building was later used to house students from Sub-Saharan African countries. Pierre Meauze sculpted the pillars at the entrance and Anna Quinquaud made the bas-reliefs on the facade. The CIUP or Cite U was founded in 1925 after the First World War by Andre Honnorat and Emile Deutsch de la Meurthe to create a place of cooperation and peace amongst students and researchers from around the world. It consists of 5,800 rooms in 40 residences, accepting another 12,000 student residents each year. Picture by Manuel Cohen. L'autorisation de reproduire cette œuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0609.jpg
  • Reliefs by Anna Quinquaud, 1890-1984, on the Residence Lucien Paye, designed by Jean Vernon, Bruno Philippe and Albert Laprade, 1883-1978, and inaugurated 1949, in the Cite Internationale Universitaire de Paris, in the 14th arrondissement of Paris, France. Originally the Overseas French Territories House, the building was later used to house students from Sub-Saharan African countries. Pierre Meauze, 1913-1978, sculpted the pillars at the entrance and Anna Quinquaud made the bas-reliefs on the facade. The CIUP or Cite U was founded in 1925 after the First World War by Andre Honnorat and Emile Deutsch de la Meurthe to create a place of cooperation and peace amongst students and researchers from around the world. It consists of 5,800 rooms in 40 residences, accepting another 12,000 student residents each year. Picture by Manuel Cohen. L'autorisation de reproduire cette œuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0440.jpg
  • Sculpted pillar with African figure by Pierre Meauze, 1913-1978, on the facade of the Residence Lucien Paye, designed by Jean Vernon, Bruno Philippe and Albert Laprade, 1883-1978, and inaugurated 1949, in the Cite Internationale Universitaire de Paris, in the 14th arrondissement of Paris, France. Originally the Overseas French Territories House, the building was later used to house students from Sub-Saharan African countries. Pierre Meauze sculpted the pillars at the entrance and Anna Quinquaud, 1890-1984, made the bas-reliefs on the facade. The CIUP or Cite U was founded in 1925 after the First World War by Andre Honnorat and Emile Deutsch de la Meurthe to create a place of cooperation and peace amongst students and researchers from around the world. It consists of 5,800 rooms in 40 residences, accepting another 12,000 student residents each year. Picture by Manuel Cohen. L'autorisation de reproduire cette œuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0436.jpg
  • Sculpted pillar with African figure by Pierre Meauze, 1913-1978, on the facade of the Residence Lucien Paye, designed by Jean Vernon, Bruno Philippe and Albert Laprade, 1883-1978, and inaugurated 1949, in the Cite Internationale Universitaire de Paris, in the 14th arrondissement of Paris, France. Originally the Overseas French Territories House, the building was later used to house students from Sub-Saharan African countries. Pierre Meauze sculpted the pillars at the entrance and Anna Quinquaud, 1890-1984, made the bas-reliefs on the facade. The CIUP or Cite U was founded in 1925 after the First World War by Andre Honnorat and Emile Deutsch de la Meurthe to create a place of cooperation and peace amongst students and researchers from around the world. It consists of 5,800 rooms in 40 residences, accepting another 12,000 student residents each year. Picture by Manuel Cohen. L'autorisation de reproduire cette œuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0437.jpg
  • Reliefs by Anna Quinquaud, 1890-1984, on the Residence Lucien Paye, designed by Jean Vernon, Bruno Philippe and Albert Laprade, 1883-1978, and inaugurated 1949, in the Cite Internationale Universitaire de Paris, in the 14th arrondissement of Paris, France. Originally the Overseas French Territories House, the building was later used to house students from Sub-Saharan African countries. Pierre Meauze, 1913-1978, sculpted the pillars at the entrance and Anna Quinquaud made the bas-reliefs on the facade. The CIUP or Cite U was founded in 1925 after the First World War by Andre Honnorat and Emile Deutsch de la Meurthe to create a place of cooperation and peace amongst students and researchers from around the world. It consists of 5,800 rooms in 40 residences, accepting another 12,000 student residents each year. Picture by Manuel Cohen. L'autorisation de reproduire cette œuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0435.jpg
  • Main entrance with relief carvings on the pillars by Pierre Meauze, 1913-1978, of the Residence Lucien Paye, designed by Jean Vernon, Bruno Philippe and Albert Laprade, 1883-1978, and inaugurated 1949, in the Cite Internationale Universitaire de Paris, in the 14th arrondissement of Paris, France. Originally the Overseas French Territories House, the building was later used to house students from Sub-Saharan African countries. The CIUP or Cite U was founded in 1925 after the First World War by Andre Honnorat and Emile Deutsch de la Meurthe to create a place of cooperation and peace amongst students and researchers from around the world. It consists of 5,800 rooms in 40 residences, accepting another 12,000 student residents each year. Picture by Manuel Cohen. L'autorisation de reproduire cette œuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0504.JPG
  • Residence Lucien Paye, designed by Jean Vernon, Bruno Philippe and Albert Laprade, 1883-1978, and inaugurated 1949, in the Cite Internationale Universitaire de Paris, in the 14th arrondissement of Paris, France. Originally the Overseas French Territories House, the building was later used to house students from Sub-Saharan African countries. Pierre Meauze, 1913-1978, sculpted the pillars at the entrance and Anna Quinquaud, 1890-1984, made the bas-reliefs on the facade. The CIUP or Cite U was founded in 1925 after the First World War by Andre Honnorat, 1868-1950, and Emile Deutsch de la Meurthe, 1847-1924, to create a place of cooperation and peace amongst students and researchers from around the world. It consists of 5,800 rooms in 40 residences, accepting another 12,000 student residents each year. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandée auprès de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC16_FRANCE_MC_0710.jpg
  • Detail of a tapestry in the Gallery (between the entrance hall and the Salle des Fetes), by Roger Bezombes, 1913-1994, in the Residence Lucien Paye, designed by Jean Vernon, Bruno Philippe and Albert Laprade, 1883-1978, and inaugurated 1949, in the Cite Internationale Universitaire de Paris, in the 14th arrondissement of Paris, France. Bezombes has designed huge tapestries made by Ateliers Hamot in Aubusson, with legendary characters, traditions, African animals and Madagascan flora. Originally the Overseas French Territories House, the building was later used to house students from Sub-Saharan African countries. Pierre Meauze sculpted the pillars at the entrance and Anna Quinquaud made the bas-reliefs on the facade. The CIUP or Cite U was founded in 1925 after the First World War by Andre Honnorat and Emile Deutsch de la Meurthe to create a place of cooperation and peace amongst students and researchers from around the world. It consists of 5,800 rooms in 40 residences, accepting another 12,000 student residents each year. Picture by Manuel Cohen. L'autorisation de reproduire cette œuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0623.jpg
  • Detail of a tapestry in the Salle des Fetes, by Roger Bezombes, 1913-1994, in the Residence Lucien Paye, designed by Jean Vernon, Bruno Philippe and Albert Laprade, 1883-1978, and inaugurated 1949, in the Cite Internationale Universitaire de Paris, in the 14th arrondissement of Paris, France. Bezombes has designed huge tapestries made by Ateliers Hamot in Aubusson, with legendary characters, traditions, African animals and Madagascan flora. Originally the Overseas French Territories House, the building was later used to house students from Sub-Saharan African countries. Pierre Meauze sculpted the pillars at the entrance and Anna Quinquaud made the bas-reliefs on the facade. The CIUP or Cite U was founded in 1925 after the First World War by Andre Honnorat and Emile Deutsch de la Meurthe to create a place of cooperation and peace amongst students and researchers from around the world. It consists of 5,800 rooms in 40 residences, accepting another 12,000 student residents each year. Picture by Manuel Cohen. L'autorisation de reproduire cette œuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0615.jpg
  • Detail of a tapestry in the Salle des Fetes, by Roger Bezombes, 1913-1994, in the Residence Lucien Paye, designed by Jean Vernon, Bruno Philippe and Albert Laprade, 1883-1978, and inaugurated 1949, in the Cite Internationale Universitaire de Paris, in the 14th arrondissement of Paris, France. Bezombes has designed huge tapestries made by Ateliers Hamot in Aubusson, with legendary characters, traditions, African animals and Madagascan flora. Originally the Overseas French Territories House, the building was later used to house students from Sub-Saharan African countries. Pierre Meauze sculpted the pillars at the entrance and Anna Quinquaud made the bas-reliefs on the facade. The CIUP or Cite U was founded in 1925 after the First World War by Andre Honnorat and Emile Deutsch de la Meurthe to create a place of cooperation and peace amongst students and researchers from around the world. It consists of 5,800 rooms in 40 residences, accepting another 12,000 student residents each year. Picture by Manuel Cohen. L'autorisation de reproduire cette œuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0614.jpg
  • Tapestry in the Salle des Fetes, by Roger Bezombes, 1913-1994, in the Residence Lucien Paye, designed by Jean Vernon, Bruno Philippe and Albert Laprade, 1883-1978, and inaugurated 1949, in the Cite Internationale Universitaire de Paris, in the 14th arrondissement of Paris, France. Bezombes has designed huge tapestries made by Ateliers Hamot in Aubusson, with legendary characters, traditions, African animals and Madagascan flora. The parquet flooring is in ebony, bilinga and padauk. Originally the Overseas French Territories House, the building was later used to house students from Sub-Saharan African countries. Pierre Meauze sculpted the pillars at the entrance and Anna Quinquaud made the bas-reliefs on the facade. The CIUP or Cite U was founded in 1925 after the First World War by Andre Honnorat and Emile Deutsch de la Meurthe to create a place of cooperation and peace amongst students and researchers from around the world. It consists of 5,800 rooms in 40 residences, accepting another 12,000 student residents each year. Picture by Manuel Cohen. L'autorisation de reproduire cette œuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0612.jpg
  • Residence Lucien Paye, designed by Jean Vernon, Bruno Philippe and Albert Laprade, 1883-1978, and inaugurated 1949, in the Cite Internationale Universitaire de Paris, in the 14th arrondissement of Paris, France. Originally the Overseas French Territories House, the building was later used to house students from Sub-Saharan African countries. Pierre Meauze, 1913-1978, sculpted the pillars at the entrance and Anna Quinquaud, 1890-1984, made the bas-reliefs on the facade. The CIUP or Cite U was founded in 1925 after the First World War by Andre Honnorat and Emile Deutsch de la Meurthe to create a place of cooperation and peace amongst students and researchers from around the world. It consists of 5,800 rooms in 40 residences, accepting another 12,000 student residents each year. Picture by Manuel Cohen. L'autorisation de reproduire cette œuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0454.jpg
  • Sculpted pillar by Pierre Meauze, 1913-1978, on the facade of the Residence Lucien Paye, designed by Jean Vernon, Bruno Philippe and Albert Laprade, 1883-1978, and inaugurated 1949, in the Cite Internationale Universitaire de Paris, in the 14th arrondissement of Paris, France. Originally the Overseas French Territories House, the building was later used to house students from Sub-Saharan African countries. Pierre Meauze sculpted the pillars at the entrance and Anna Quinquaud, 1890-1984, made the bas-reliefs on the facade. The CIUP or Cite U was founded in 1925 after the First World War by Andre Honnorat and Emile Deutsch de la Meurthe to create a place of cooperation and peace amongst students and researchers from around the world. It consists of 5,800 rooms in 40 residences, accepting another 12,000 student residents each year. Picture by Manuel Cohen. L'autorisation de reproduire cette œuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0438.jpg
  • Reliefs by Anna Quinquaud, 1890-1984, on the Residence Lucien Paye, designed by Jean Vernon, Bruno Philippe and Albert Laprade, 1883-1978, and inaugurated 1949, in the Cite Internationale Universitaire de Paris, in the 14th arrondissement of Paris, France. Originally the Overseas French Territories House, the building was later used to house students from Sub-Saharan African countries. Pierre Meauze, 1913-1978, sculpted the pillars at the entrance and Anna Quinquaud made the bas-reliefs on the facade. The CIUP or Cite U was founded in 1925 after the First World War by Andre Honnorat and Emile Deutsch de la Meurthe to create a place of cooperation and peace amongst students and researchers from around the world. It consists of 5,800 rooms in 40 residences, accepting another 12,000 student residents each year. Picture by Manuel Cohen. L'autorisation de reproduire cette œuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0439.jpg
  • Main entrance with pillars by Pierre Meauze, 1913-1978, and reliefs by Anna Quinquaud, 1890-1984, Residence Lucien Paye, designed by Jean Vernon, Bruno Philippe and Albert Laprade, 1883-1978, and inaugurated 1949, in the Cite Internationale Universitaire de Paris, in the 14th arrondissement of Paris, France. Originally the Overseas French Territories House, the building was later used to house students from Sub-Saharan African countries. Pierre Meauze sculpted the pillars at the entrance and Anna Quinquaud made the bas-reliefs on the facade. The CIUP or Cite U was founded in 1925 after the First World War by Andre Honnorat and Emile Deutsch de la Meurthe to create a place of cooperation and peace amongst students and researchers from around the world. It consists of 5,800 rooms in 40 residences, accepting another 12,000 student residents each year. Picture by Manuel Cohen. L'autorisation de reproduire cette œuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0434.jpg
  • Sulptural detail on the rib-vaults of the ceiling of the interior ramp of the Tour des Minimes, with figures holding the coat of arms of the House of Valois with 3 fleur de lys, at the Chateau d'Amboise, a medieval castle of the Loire Valley which became a royal residence in the 15th century and was largely reworked in the 15th and 16th centuries, at Amboise, Indre-et-Loire, Centre, France. The tower has a wide, shallow ramp large enough to allow horses and carriages access to the royal residence. The chateau is listed as a historic monument and is part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC23_FRANCE_MC_0383.jpg
  • Chateau d'Amboise illuminated at sunset, above the river Loire, at Amboise, Indre-et-Loire, Centre, France. The chateau is a medieval castle which became a royal residence in the 15th century and was largely reworked in the 15th and 16th centuries. It was rebuilt as a Gothic palace under Charles VIII and Renaissance and Italianate additions were installed under Francois I and Henri II. It is listed as a historic monument and is part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC23_FRANCE_MC_0380.jpg
  • Tour des Minimes and Gothic Charles VIII wing of the logis royal of the Chateau d'Amboise, a medieval castle which became a royal residence in the 15th century and was largely reworked in the 15th and 16th centuries, on the River Loire, at Amboise, Indre-et-Loire, Centre, France. The chateau was rebuilt as a Gothic palace under Charles VIII and Renaissance and Italianate additions were installed under Francois I and Henri II. It is listed as a historic monument and is part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC23_FRANCE_MC_0388.jpg
  • Salle des Gardes, or Guardroom, in the Chateau d'Amboise, a medieval castle of the Loire Valley which became a royal residence in the 15th century and was largely reworked in the 15th and 16th centuries, at Amboise, Indre-et-Loire, Centre, France. The chateau was rebuilt as a Gothic palace under Charles VIII and Renaissance and Italianate additions were installed under Francois I and Henri II. It is listed as a historic monument and is part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC23_FRANCE_MC_0382.jpg
  • Tour des Minimes and Gothic Charles VIII wing of the logis royal of the Chateau d'Amboise, a medieval castle which became a royal residence in the 15th century and was largely reworked in the 15th and 16th centuries, on the River Loire, at Amboise, Indre-et-Loire, Centre, France. The chateau was rebuilt as a Gothic palace under Charles VIII and Renaissance and Italianate additions were installed under Francois I and Henri II. It is listed as a historic monument and is part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC23_FRANCE_MC_0387.jpg
  • Charles VIII wing of the logis royal, built in Gothic style with the Promenade des Gardes and a wide balcony overlooking the river Loire, at the Chateau d'Amboise, a medieval castle which became a royal residence in the 15th century and was largely reworked in the 15th and 16th centuries, on the River Loire, at Amboise, Indre-et-Loire, Centre, France. The chateau was rebuilt as a Gothic palace under Charles VIII and Renaissance and Italianate additions were installed under Francois I and Henri II. It is listed as a historic monument and is part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC23_FRANCE_MC_0386.jpg
  • Fondation Hellenique, or Hellenic Foundation, designed by Nikolaos Zahos, 1875-1941, for Greek students and inaugurated in 1932, in the Cite Internationale Universitaire de Paris, in the 14th arrondissement of Paris, France. On the left is the Residence Lucien Paye, designed by Albert Laprade and inaugurated in 1949. The CIUP or Cite U was founded in 1925 after the First World War by Andre Honnorat and Emile Deutsch de la Meurthe to create a place of cooperation and peace amongst students and researchers from around the world. It consists of 5,800 rooms in 40 residences, accepting another 12,000 student residents each year. Picture by Manuel Cohen
    LC17_FRANCE_MC_0444.jpg
  • Royal residence at the Chateau d'Amboise, aerial view, a medieval castle of the Loire Valley which became a royal residence in the 15th century and was largely reworked in the 15th and 16th centuries, at Amboise, Indre-et-Loire, Centre, France. The far section is the Charles VII wing in late Gothic French style, with the Renaissance style Louis XII and Francois I work on the 3rd floor of the turreted perpendicular section. The chateau is listed as a historic monument. Picture by Manuel Cohen
    DRN_LC23_FRANCE_MC_0155.jpg
  • Piano and harp in the Salon de Musique, or Music Room, renovated 19th century, with portraits and belongings of the Orleans family, on the second floor of the Logis Royal or Royal Residence, in the Chateau d'Amboise, a medieval castle which became a royal residence in the 15th century and was largely reworked in the 15th and 16th centuries, on the River Loire, at Amboise, Indre-et-Loire, Centre, France. It is listed as a historic monument and is part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC23_FRANCE_MC_0164.jpg
  • Portrait of Emir Abdelkader, 1808-83, Algerian religious and military leader, kept at Amboise as a prisoner of war 1848-52, drawing, in the Salon de Musique, or Music Room, on the second floor of the Logis Royal or Royal Residence, in the Chateau d'Amboise, a medieval castle which became a royal residence in the 15th century and was largely reworked in the 15th and 16th centuries, on the River Loire, at Amboise, Indre-et-Loire, Centre, France. It is listed as a historic monument and is part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC23_FRANCE_MC_0163.jpg
  • Salon de Musique, or Music Room, renovated 19th century, with musical instruments and portraits and belongings of the Orleans family, on the second floor of the Logis Royal or Royal Residence, in the Chateau d'Amboise, a medieval castle which became a royal residence in the 15th century and was largely reworked in the 15th and 16th centuries, on the River Loire, at Amboise, Indre-et-Loire, Centre, France. On the right is a portrait of Emir Abdelkader, 1808-83, Algerian religious and military leader, kept here as a prisoner of war 1848-52. It is listed as a historic monument and is part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC23_FRANCE_MC_0162.jpg
  • Salon de Musique, or Music Room, renovated 19th century, with musical instruments and portraits and belongings of the Orleans family, on the second floor of the Logis Royal or Royal Residence, in the Chateau d'Amboise, a medieval castle which became a royal residence in the 15th century and was largely reworked in the 15th and 16th centuries, on the River Loire, at Amboise, Indre-et-Loire, Centre, France. On the right is a portrait of Emir Abdelkader, 1808-83, Algerian religious and military leader, kept here as a prisoner of war 1848-52. It is listed as a historic monument and is part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC23_FRANCE_MC_0161.jpg
  • Interior ramp of the Tour des Minimes at the Chateau d'Amboise, a medieval castle of the Loire Valley which became a royal residence in the 15th century and was largely reworked in the 15th and 16th centuries, at Amboise, Indre-et-Loire, Centre, France. The tower has a wide, shallow ramp large enough to allow horses and carriages access to the terrace of the royal residence, situated above the river, and was built in Renaissance style with a cross vaulted ceiling. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC23_FRANCE_MC_0170.jpg
  • Cross vaulted ceiling of the interior ramp of the Renaissance Tour des Minimes at the Chateau d'Amboise, a medieval castle of the Loire Valley which became a royal residence in the 15th century and was largely reworked in the 15th and 16th centuries, at Amboise, Indre-et-Loire, Centre, France. The tower has a wide, shallow ramp large enough to allow horses and carriages access to the terrace of the royal residence, situated above the river. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC23_FRANCE_MC_0175.jpg
  • Interior ramp of the Tour des Minimes at the Chateau d'Amboise, a medieval castle of the Loire Valley which became a royal residence in the 15th century and was largely reworked in the 15th and 16th centuries, at Amboise, Indre-et-Loire, Centre, France. The tower has a wide, shallow ramp large enough to allow horses and carriages access to the terrace of the royal residence, situated above the river, and was built in Renaissance style with a cross vaulted ceiling. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC23_FRANCE_MC_0174.jpg
  • Interior ramp of the Tour des Minimes at the Chateau d'Amboise, a medieval castle of the Loire Valley which became a royal residence in the 15th century and was largely reworked in the 15th and 16th centuries, at Amboise, Indre-et-Loire, Centre, France. The tower has a wide, shallow ramp large enough to allow horses and carriages access to the terrace of the royal residence, situated above the river, and was built in Renaissance style with a cross vaulted ceiling. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC23_FRANCE_MC_0173.jpg
  • Cross vaulted ceiling of the interior ramp of the Renaissance Tour des Minimes at the Chateau d'Amboise, a medieval castle of the Loire Valley which became a royal residence in the 15th century and was largely reworked in the 15th and 16th centuries, at Amboise, Indre-et-Loire, Centre, France. The tower has a wide, shallow ramp large enough to allow horses and carriages access to the terrace of the royal residence, situated above the river. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC23_FRANCE_MC_0172.jpg
  • Interior ramp of the Tour des Minimes at the Chateau d'Amboise, a medieval castle of the Loire Valley which became a royal residence in the 15th century and was largely reworked in the 15th and 16th centuries, at Amboise, Indre-et-Loire, Centre, France. The tower has a wide, shallow ramp large enough to allow horses and carriages access to the terrace of the royal residence, situated above the river, and was built in Renaissance style with a cross vaulted ceiling. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC23_FRANCE_MC_0187.jpg
  • Sculpted corbel with coat of arms of the House of Valois, on the cross vaulted ceiling of the interior ramp of the Renaissance Tour des Minimes at the Chateau d'Amboise, a medieval castle of the Loire Valley which became a royal residence in the 15th century and was largely reworked in the 15th and 16th centuries, at Amboise, Indre-et-Loire, Centre, France. The tower has a wide, shallow ramp large enough to allow horses and carriages access to the terrace of the royal residence, situated above the river. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC23_FRANCE_MC_0183.jpg
  • The Chateau d'Amboise, a medieval castle of the Loire Valley which became a royal residence in the 15th century and was largely reworked in the 15th and 16th centuries, on the River Loire, at Amboise, Indre-et-Loire, Centre, France. The Tour des Minimes is to the left, and the royal residence behind. Charles VIII was responsible for much of the building work before his death in 1498, turning the building from a medieval fortress to a Gothic palace. Renaissance and Italianate additions were installed under Francois I and Henri II. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_0930.jpg
  • Porch terrace in the royal residence overlooking the River Loire at the Chateau d'Amboise, a medieval castle of the Loire Valley which became a royal residence in the 15th century and was largely reworked in the 15th and 16th centuries, at Amboise, Indre-et-Loire, Centre, France. Charles VIII was responsible for much of the building work before his death in 1498, turning the building from a medieval fortress to a Gothic palace. Renaissance and Italianate additions were installed under Francois I and Henri II. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_0933.jpg
  • Porch terrace in the royal residence of the Chateau d'Amboise, a medieval castle of the Loire Valley which became a royal residence in the 15th century and was largely reworked in the 15th and 16th centuries, at Amboise, Indre-et-Loire, Centre, France. Charles VIII was responsible for much of the building work before his death in 1498, turning the building from a medieval fortress to a Gothic palace. Renaissance and Italianate additions were installed under Francois I and Henri II. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_0934.jpg
  • Interior ramp of the Tour des Minimes at the Chateau d'Amboise, a medieval castle of the Loire Valley which became a royal residence in the 15th century and was largely reworked in the 15th and 16th centuries, at Amboise, Indre-et-Loire, Centre, France. The tower has a wide, shallow ramp large enough to allow horses and carriages access to the terrace of the royal residence, situated above the river, and was built in Renaissance style with a rib-vaulted ceiling. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_0938.jpg
  • Royal residence seen from the terrace, Chateau d'Amboise, a medieval castle of the Loire Valley which became a royal residence in the 15th century and was largely reworked in the 15th and 16th centuries, at Amboise, Indre-et-Loire, Centre, France. The far section is the Charles VII wing in late Gothic French style, with the Renaissance style Louis XII and Francois I work on the 3rd floor of the turreted perpendicular section. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_0939.jpg
  • Interior ramp of the Tour des Minimes at the Chateau d'Amboise, a medieval castle of the Loire Valley which became a royal residence in the 15th century and was largely reworked in the 15th and 16th centuries, at Amboise, Indre-et-Loire, Centre, France. The tower has a wide, shallow ramp large enough to allow horses and carriages access to the terrace of the royal residence, situated above the river, and was built in Renaissance style with a rib-vaulted ceiling. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_0936.jpg
  • Royal residence seen from the terrace, Chateau d'Amboise, a medieval castle of the Loire Valley which became a royal residence in the 15th century and was largely reworked in the 15th and 16th centuries, at Amboise, Indre-et-Loire, Centre, France. On the left along the ramparts is the Charles VII wing in late Gothic French style, with the Renaissance style Louis XII and Francois I work on the 3rd floor of the perpendicular section. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_0941.jpg
  • Bridge over the River Loire and the Chateau d'Amboise, a medieval castle of the Loire Valley which became a royal residence in the 15th century and was largely reworked in the 15th and 16th centuries, at Amboise, Indre-et-Loire, Centre, France. The Tour des Minimes is to the left, and the royal residence behind. Charles VIII was responsible for much of the building work before his death in 1498, turning the building from a medieval fortress to a Gothic palace. Renaissance and Italianate additions were installed under Francois I and Henri II. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_0944.JPG
  • Royal residence seen from the terrace, Chateau d'Amboise, a medieval castle of the Loire Valley which became a royal residence in the 15th century and was largely reworked in the 15th and 16th centuries, at Amboise, Indre-et-Loire, Centre, France. On the left along the ramparts is the Charles VII wing in late Gothic French style, with the Renaissance style Louis XII and Francois I work on the 3rd floor of the perpendicular section. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_0943.jpg
  • The Chateau d'Amboise, a medieval castle of the Loire Valley which became a royal residence in the 15th century and was largely reworked in the 15th and 16th centuries, on the River Loire, at Amboise, Indre-et-Loire, Centre, France. The Tour des Minimes is to the left, and the royal residence behind. Charles VIII was responsible for much of the building work before his death in 1498, turning the building from a medieval fortress to a Gothic palace. Renaissance and Italianate additions were installed under Francois I and Henri II. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_0945.jpg
  • Interior ramp of the Tour des Minimes at the Chateau d'Amboise, a medieval castle of the Loire Valley which became a royal residence in the 15th century and was largely reworked in the 15th and 16th centuries, at Amboise, Indre-et-Loire, Centre, France. The tower has a wide, shallow ramp large enough to allow horses and carriages access to the terrace of the royal residence, situated above the river, and was built in Renaissance style with a cross vaulted ceiling. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC23_FRANCE_MC_0171.jpg
  • Chateau d'Amboise, a medieval castle which became a royal residence in the 15th century and was largely reworked in the 15th and 16th centuries, on the River Loire, at Amboise, Indre-et-Loire, Centre, France. The Tour des Minimes is to the left, and the royal residence behind. The chateau was rebuilt as a Gothic palace under Charles VIII and Renaissance and Italianate additions were installed under Francois I and Henri II. It is listed as a historic monument and is part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_FRANCE_MC_0864.jpg
  • Sulptural detail on the rib-vaults of the ceiling of the interior ramp of the Tour des Minimes, with figures holding a coat of arms with 3 fleur de lys, at the Chateau d'Amboise, a medieval castle of the Loire Valley which became a royal residence in the 15th century and was largely reworked in the 15th and 16th centuries, at Amboise, Indre-et-Loire, Centre, France. The tower has a wide, shallow ramp large enough to allow horses and carriages access to the terrace of the royal residence, situated above the river, and was built in Renaissance style. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_0937.jpg
  • Interior ramp of the Tour des Minimes at the Chateau d'Amboise, a medieval castle of the Loire Valley which became a royal residence in the 15th century and was largely reworked in the 15th and 16th centuries, at Amboise, Indre-et-Loire, Centre, France. The tower has a wide, shallow ramp large enough to allow horses and carriages access to the terrace of the royal residence, situated above the river, and was built in Renaissance style with a rib-vaulted ceiling. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_0935.jpg
  • Bonzanigo Room, housing work by the furniture maker Giuseppe Bonzanigo, 1745-1820, including grisaille wall sculptures and the blue pastiglia music cabinet (possibly by Bolgie), in the Palazzina di caccia di Stupinigi, a hunting residence, rebuilt and designed early 18th century by Filippo Juvarra for Vittorio Amedeo II of Savoy, in Stupinigi, Nichelino, Piedmont, Italy. The palace is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0521.jpg
  • Salotto degli Specchi, or Hall of Mirrors, decorated in a Rococo style with stucco and mirrors, 1766, by Giovanni Pietro Pozzo, with woodwork by Michele Antonio Rapous and iron chandelier, 1740s, in the Palazzina di caccia di Stupinigi, a hunting residence, rebuilt and designed early 18th century by Filippo Juvarra for Vittorio Amedeo II of Savoy, in Stupinigi, Nichelino, Piedmont, Italy. The palace is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0513.jpg
  • Fresco detail of hunter in the Salone Centrale, or Central Hall, designed by Filippo Juvarra, built 1730-31, decorated 1731-33 by Giuseppe and Domenico Valeriani with frescoes of the Triumph of Diana, in the Palazzina di caccia di Stupinigi, a hunting residence, rebuilt and designed early 18th century by Filippo Juvarra for Vittorio Amedeo II of Savoy, in Stupinigi, Nichelino, Piedmont, Italy. The palace is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0494.jpg
  • Decorative detail from the Salone Centrale, or Central Hall, designed by Filippo Juvarra, built 1730-31, decorated 1731-33 by Giuseppe and Domenico Valeriani with frescoes of the Triumph of Diana, in the Palazzina di caccia di Stupinigi, a hunting residence, rebuilt and designed early 18th century by Filippo Juvarra for Vittorio Amedeo II of Savoy, in Stupinigi, Nichelino, Piedmont, Italy. The palace is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0492.jpg
  • Bedroom, with ceiling fresco 1733 by Charles-Andre van Loo, 1705-65, and painted panels 1737 by Francesco Fariano, in the Appartamenti della Regina, or Queen's Apartments, built 1730s for Polissena of Hesse-Rheinfels-Rotenburg, wife of Carlo Emanuele III of Savoy, in the Palazzina di caccia di Stupinigi, a hunting residence, rebuilt and designed early 18th century by Filippo Juvarra for Vittorio Amedeo II of Savoy, in Stupinigi, Nichelino, Piedmont, Italy. The palace is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0467.jpg
  • St Ambrose, statue by Giovanni Baratta, 1670-1747, 1 of 4 statues in the central niches of the Church of Saint'Uberto, built 1716-29 by Filippo Juvarra for Vittorio Amedeo II, at the Royal Palace of Venaria, or Reggia di Venaria Reale, a royal residence of the House of Savoy, built from 1675 in Baroque style by Amedeo di Castellamonte, for Carlo Emanuele II duke of Savoy, in Venaria Reale, Piedmont, Italy. The palace was restored 1999-2007 and is now a visitor attraction. It is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0393.jpg
  • Rondo of the Piccola Galleria, or Small Gallery, designed 1751 by Benetto Alfieri, between the Hall of Diana and the Church of Sant-Uberto, with statues of the 4 Seasons, 1753, by Simone Martinez, at the Royal Palace of Venaria, or Reggia di Venaria Reale, a royal residence of the House of Savoy, built from 1675 in Baroque style by Amedeo di Castellamonte, for Carlo Emanuele II duke of Savoy, in Venaria Reale, Piedmont, Italy. The palace was restored 1999-2007 and is now a visitor attraction. It is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0384.jpg
  • Capella de Santa Agueda or Chapel of Santa Agata, and the Retaule del Conestable, altarpiece of the Epiphany, 1465, by Jaume Huguet, 1412-92, commissioned by catalan king Pere IV, in catalan Gothic style, in the Palau Reial Major, built as residence for the counts of Barcelona and kings of Aragon and now the Muhba Placa del Rei, a history museum covering Roman to medieval periods, in Barcelona, Catalonia, Spain. The chapel was built in catalan Gothic style in 1302, with a rectangular nave, polygonal apse and polychrome wooden coffered ceiling. The chapel was built by Bertran Riquer, Jaume del Rei and Pere d'Olivera for King James II of Aragon and his wife Blanca of Naples. The palace complex includes the Salo del Tinell built 1359–62, the Palatine Chapel of St Agatha built 1302 and the Palau del Lloctinent built 1549. The museum is part of the Museu de Historia de Barcelona. Picture by Manuel Cohen
    LC20_SPAIN_MC_0867.jpg
  • Palau Reial Major, built as residence for the counts of Barcelona and kings of Aragon and now the Muhba Placa del Rei, a history museum covering Roman to medieval periods, in Barcelona, Catalonia, Spain. Behind are the bell tower and Gothic spire of the Cathedral of the Holy Cross and Saint Eulalia, consecrated 1339. The palace complex includes the Salo del Tinell built 1359–62, the Palatine Chapel of St Agatha built 1302 and the Palau del Lloctinent built 1549. The museum is part of the Museu de Historia de Barcelona. Picture by Manuel Cohen
    LC20_SPAIN_MC_434.jpg
  • Roman plaque, 110-130 AD, Carrara marble, with Latin text describing Barcino, the ancient name for Barcelona, founded 10 BC by Emperor Augustus, dedicated by the Divus Augustus priests, in the Palau Reial Major, built as residence for the counts of Barcelona and kings of Aragon and now the Muhba Placa del Rei, a history museum covering Roman to medieval periods, in Barcelona, Catalonia, Spain. The plaque comes from Placa de Sant Miquel, possibly fixed to a door or on the gate. The palace complex includes the Salo del Tinell, the Palatine Chapel of St Agatha built 1302 and the Palau del Lloctinent built 1549. The museum is part of the Museu de Historia de Barcelona. Picture by Manuel Cohen
    LC20_SPAIN_MC_437.jpg
  • Polychrome wooden coffered ceiling of the Capella de Santa Agueda or Chapel of Santa Agata, a catalan Gothic chapel in the Palau Reial Major, built as residence for the counts of Barcelona and kings of Aragon and now the Muhba Placa del Rei, a history museum covering Roman to medieval periods, in Barcelona, Catalonia, Spain. The chapel was built in catalan Gothic style in 1302, with a rectangular nave, polygonal apse and coffered ceiling. The chapel was built by Bertran Riquer, Jaume del Rei and Pere d'Olivera for King James II of Aragon and his wife Blanca of Naples. The palace complex includes the Salo del Tinell built 1359–62, the Palatine Chapel of St Agatha built 1302 and the Palau del Lloctinent built 1549. The museum is part of the Museu de Historia de Barcelona. Picture by Manuel Cohen
    LC20_SPAIN_MC_433.jpg
  • Knights on horseback representing the Marimons of Barcelona, fresco, late 13th - early 14th century, from house on Carrer de Basea in Barcelona, in the Palau Reial Major, built as residence for the counts of Barcelona and kings of Aragon and now the Muhba Placa del Rei, a history museum covering Roman to medieval periods, in Barcelona, Catalonia, Spain. The palace complex includes the Salo del Tinell, the Palatine Chapel of St Agatha built 1302 and the Palau del Lloctinent built 1549. The museum is part of the Museu de Historia de Barcelona. Picture by Manuel Cohen
    LC20_SPAIN_MC_428.jpg
  • Factory ruins where salted fish and garum (a sauce of macerated fish offal, salt and shellfish) were produced in the 5th century, with dolia, large ceramic vessels used for storing garum, in the Palau Reial Major, built as residence for the counts of Barcelona and kings of Aragon and now the Muhba Placa del Rei, a history museum covering Roman to medieval periods, in Barcelona, Catalonia, Spain. The palace complex includes the Salo del Tinell, the Palatine Chapel of St Agatha built 1302 and the Palau del Lloctinent built 1549. The museum is part of the Museu de Historia de Barcelona. Picture by Manuel Cohen
    LC20_SPAIN_MC_425.jpg
  • Roman portrait bust of a woman, 1st century AD, marble, thought to be Empress Agrippina the Younger, 15-51 AD, in the Palau Reial Major, built as residence for the counts of Barcelona and kings of Aragon and now the Muhba Placa del Rei, a history museum covering Roman to medieval periods, in Barcelona, Catalonia, Spain. The palace complex includes the Salo del Tinell, the Palatine Chapel of St Agatha built 1302 and the Palau del Lloctinent built 1549. The museum is part of the Museu de Historia de Barcelona. Picture by Manuel Cohen
    LC20_SPAIN_MC_421.jpg
  • Roman plaque, 110-130 AD, Carrara marble, with Latin text describing Barcino, the ancient name for Barcelona, founded 10 BC by Emperor Augustus, dedicated by the Divus Augustus priests, in the Palau Reial Major, built as residence for the counts of Barcelona and kings of Aragon and now the Muhba Placa del Rei, a history museum covering Roman to medieval periods, in Barcelona, Catalonia, Spain. The plaque comes from Placa de Sant Miquel, possibly fixed to a door or on the gate. The palace complex includes the Salo del Tinell, the Palatine Chapel of St Agatha built 1302 and the Palau del Lloctinent built 1549. The museum is part of the Museu de Historia de Barcelona. Picture by Manuel Cohen
    LC20_SPAIN_MC_417.jpg
  • Main building and the ducal chapel, 14th century, of the Chateau de Germolles, Burgundy, France, built 1385-1400 as the residence of the Dukes of Burgundy. The chateau was built under Philippe le Hardi or Philip the Bold, first Duke of Burgundy of the new royal Valois dynasty, and then given to his wife, Margaret of Flanders, Duchess of Burgundy. The architect Drouet de Dammartin, the sculptors Jean de Marville and Claus Sluter and the painter Jean de Beaumetz all worked on the building. It was subsequently used by Jean sans Peur or John the Fearless, Philippe le Bon or Philip the Good and Charles le Temeraire or Charles the Bold. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC16_FRANCE_MC_0276.JPG
  • Cellar with stone pillars supporting a rib vaulted ceiling, 13th century, in the Chateau de Germolles, Burgundy, France, built 1385-1400 as the residence of the Dukes of Burgundy. This large wine cellar was used for storing wine and food and was part of the original fortress, with both Gothic and Burgundian Romanesque elements. The chateau was built under Philippe le Hardi or Philip the Bold, first Duke of Burgundy of the new royal Valois dynasty, and then given to his wife, Margaret of Flanders, Duchess of Burgundy. The architect Drouet de Dammartin, the sculptors Jean de Marville and Claus Sluter and the painter Jean de Beaumetz all worked on the building. It was subsequently used by Jean sans Peur or John the Fearless, Philippe le Bon or Philip the Good and Charles le Temeraire or Charles the Bold. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC16_FRANCE_MC_0265.jpg
  • Glazed terracotta floor tiles decorated with a lion and heraldic fleur de lys patterns, 14th century, from the Chateau de Germolles, Burgundy, France, built 1385-1400 as the residence of the Dukes of Burgundy. These tiles decorated the floors of the rooms on the first and second floors of the castle, and are decorated with symbols of the Dukes and Duchesses of Burgundy: daisies, lions, roses, thistles, sheep, suns and lilies. The chateau was built under Philippe le Hardi or Philip the Bold, first Duke of Burgundy of the new royal Valois dynasty, and then given to his wife, Margaret of Flanders, Duchess of Burgundy. The architect Drouet de Dammartin, the sculptors Jean de Marville and Claus Sluter and the painter Jean de Beaumetz all worked on the building. It was subsequently used by Jean sans Peur or John the Fearless, Philippe le Bon or Philip the Good and Charles le Temeraire or Charles the Bold. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC16_FRANCE_MC_0261.jpg
  • Glazed terracotta floor tile decorated with a rose, 14th century, from the Chateau de Germolles, Burgundy, France, built 1385-1400 as the residence of the Dukes of Burgundy. These tiles decorated the floors of the rooms on the first and second floors of the castle, and are decorated with symbols of the Dukes and Duchesses of Burgundy: daisies, lions, roses, thistles, sheep, suns and lilies. The chateau was built under Philippe le Hardi or Philip the Bold, first Duke of Burgundy of the new royal Valois dynasty, and then given to his wife, Margaret of Flanders, Duchess of Burgundy. The architect Drouet de Dammartin, the sculptors Jean de Marville and Claus Sluter and the painter Jean de Beaumetz all worked on the building. It was subsequently used by Jean sans Peur or John the Fearless, Philippe le Bon or Philip the Good and Charles le Temeraire or Charles the Bold. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC16_FRANCE_MC_0257.jpg
  • Glazed terracotta floor tile decorated with a sheep underneath a tree, 14th century, from the Chateau de Germolles, Burgundy, France, built 1385-1400 as the residence of the Dukes of Burgundy. These tiles decorated the floors of the rooms on the first and second floors of the castle, and are decorated with symbols of the Dukes and Duchesses of Burgundy: daisies, lions, roses, thistles, sheep, suns and lilies. The chateau was built under Philippe le Hardi or Philip the Bold, first Duke of Burgundy of the new royal Valois dynasty, and then given to his wife, Margaret of Flanders, Duchess of Burgundy. The architect Drouet de Dammartin, the sculptors Jean de Marville and Claus Sluter and the painter Jean de Beaumetz all worked on the building. It was subsequently used by Jean sans Peur or John the Fearless, Philippe le Bon or Philip the Good and Charles le Temeraire or Charles the Bold. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC16_FRANCE_MC_0258.jpg
  • Detail of a painted daisy in the dressing room of Margaret of Bavaria (Marguerite de Baviere, future Duchess of Burgundy), 14th century, with wall paintings by Jean de Beaumetz and his assistant Armoult Picornet, on the first floor of the Chateau de Germolles, Burgundy, France, built 1385-1400 as the residence of the Dukes of Burgundy. The chateau was built under Philippe le Hardi or Philip the Bold, first Duke of Burgundy of the new royal Valois dynasty, and then given to his wife, Margaret of Flanders, Duchess of Burgundy. The architect Drouet de Dammartin, the sculptors Jean de Marville and Claus Sluter and the painter Jean de Beaumetz all worked on the building. It was subsequently used by Jean sans Peur or John the Fearless, Philippe le Bon or Philip the Good and Charles le Temeraire or Charles the Bold. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC16_FRANCE_MC_0245.jpg
  • Sculptural capital by the workshop of Claus Sluter representing a scene from Chretien de Troyes’s novel, Yvain, the Knight with the Lion, on the monumental fireplace, 14th century, originally in a reception room destroyed by fire in the 19th century and now in the great hall, in the Chateau de Germolles, Burgundy, France, built 1385-1400 as the residence of the Dukes of Burgundy. The chateau was built under Philippe le Hardi or Philip the Bold, first Duke of Burgundy of the new royal Valois dynasty, and then given to his wife, Margaret of Flanders, Duchess of Burgundy. The architect Drouet de Dammartin, the sculptors Jean de Marville and Claus Sluter and the painter Jean de Beaumetz all worked on the building. It was subsequently used by Jean sans Peur or John the Fearless, Philippe le Bon or Philip the Good and Charles le Temeraire or Charles the Bold. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC16_FRANCE_MC_0252.jpg
  • Dressing room of Margaret of Bavaria (Marguerite de Baviere, future Duchess of Burgundy), 14th century, with wall paintings by Jean de Beaumetz and his assistant Armoult Picornet, with initials of the ducal couple (P and M) and thistles, on the first floor of the Chateau de Germolles, Burgundy, France, built 1385-1400 as the residence of the Dukes of Burgundy. The chateau was built under Philippe le Hardi or Philip the Bold, first Duke of Burgundy of the new royal Valois dynasty, and then given to his wife, Margaret of Flanders, Duchess of Burgundy. The architect Drouet de Dammartin, the sculptors Jean de Marville and Claus Sluter and the painter Jean de Beaumetz all worked on the building. It was subsequently used by Jean sans Peur or John the Fearless, Philippe le Bon or Philip the Good and Charles le Temeraire or Charles the Bold. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC16_FRANCE_MC_0237.jpg
  • Print of the Porte de Beaune at Chalon sur Saone, 1780, in the collection of the Chateau de Germolles, Burgundy, France, built 1385-1400 as the residence of the Dukes of Burgundy. The chateau de Germolles was built under Philippe le Hardi or Philip the Bold, first Duke of Burgundy of the new royal Valois dynasty, and then given to his wife, Margaret of Flanders, Duchess of Burgundy. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC16_FRANCE_MC_0243.jpg
  • Glazed terracotta floor tiles decorated with a lion and heraldic fleur de lys patterns, 14th century, from the Chateau de Germolles, Burgundy, France, built 1385-1400 as the residence of the Dukes of Burgundy. These tiles decorated the floors of the rooms on the first and second floors of the castle, and are decorated with symbols of the Dukes and Duchesses of Burgundy: daisies, lions, roses, thistles, sheep, suns and lilies. The chateau was built under Philippe le Hardi or Philip the Bold, first Duke of Burgundy of the new royal Valois dynasty, and then given to his wife, Margaret of Flanders, Duchess of Burgundy. The architect Drouet de Dammartin, the sculptors Jean de Marville and Claus Sluter and the painter Jean de Beaumetz all worked on the building. It was subsequently used by Jean sans Peur or John the Fearless, Philippe le Bon or Philip the Good and Charles le Temeraire or Charles the Bold. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC16_FRANCE_MC_0224.jpg
  • Portrait of Francesco Giacinto and Carlo Emanuele II of Savoy, sons of Vittorio Amedeo I and Christine of France, as children with real tennis racket and goldfinch, oil painting on canvas, c. 1638, by Saubada artist, in the Biblioteca, or Library, in the Palazzina di caccia di Stupinigi, a hunting residence, rebuilt and designed early 18th century by Filippo Juvarra for Vittorio Amedeo II of Savoy, in Stupinigi, Nichelino, Piedmont, Italy. The palace is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0529.jpg
  • Royal procession from Stupinigi embarking on a stag hunt, 1771-77, by Vittorio Amedeo Cignaroli, 1730-1800, in the Sala degli Scudieri, or Armiger Hall at the Palazzina di caccia di Stupinigi, a hunting residence, rebuilt and designed early 18th century by Filippo Juvarra for Vittorio Amedeo II of Savoy, in Stupinigi, Nichelino, Piedmont, Italy. The palace is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0528.jpg
  • Classical ruins, painting in the Sala delle Prospettive, or Hall of Perspectives, decorated with restored trompe l'oeil architectural painted panels, 1751-53, by Giovanni Battista Alberoni, used as a living room, in the Palazzina di caccia di Stupinigi, a hunting residence, rebuilt and designed early 18th century by Filippo Juvarra for Vittorio Amedeo II of Savoy, in Stupinigi, Nichelino, Piedmont, Italy. The palace is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0527.jpg
  • Painted wall panel in oriental style with stork and pine tree, by Christiano Wehrlin, in the Sala da Giocco, or Games Room, used as a drawing room and music room in the 18th century, in the apartments of the duke of Chiablese, in the Palazzina di caccia di Stupinigi, a hunting residence, rebuilt and designed early 18th century by Filippo Juvarra for Vittorio Amedeo II of Savoy, in Stupinigi, Nichelino, Piedmont, Italy. The palace is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0526.jpg
  • Stable, by Filippo Juvarra, 1678-1736, with stag sculpture, emblem of Stupinigi, 1766, by Francesco Ladatte, originally atop the central dome, in the Palazzina di caccia di Stupinigi, a hunting residence, rebuilt and designed early 18th century by Filippo Juvarra for Vittorio Amedeo II of Savoy, in Stupinigi, Nichelino, Piedmont, Italy. The stable is now a Portrait Gallery, housing 12 wooden medallions with portraits of Savoy ancestors, commissioned by Vittorio Amedeo II. The palace is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0525.jpg
  • Salone Centrale, or Central Hall, designed by Filippo Juvarra, built 1730-31, decorated 1731-33 by Giuseppe and Domenico Valeriani with frescoes of the Triumph of Diana, and 36 deer head sculptures by Giuseppe Marocco, in the Palazzina di caccia di Stupinigi, a hunting residence, rebuilt and designed early 18th century by Filippo Juvarra for Vittorio Amedeo II of Savoy, in Stupinigi, Nichelino, Piedmont, Italy. The palace is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0524.jpg
  • Painted door housing altar, in the Capella di Sant'Uberto, used until 1767 as the Sala delle Buffetti or banqueting hall, with decorative painting and stucco by Ignazio Birago, Giacomo Borri, Ignazio Nipote and Gaetano Perego, in the Palazzina di caccia di Stupinigi, a hunting residence, rebuilt and designed early 18th century by Filippo Juvarra for Vittorio Amedeo II of Savoy, in Stupinigi, Nichelino, Piedmont, Italy. The palace is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0523.jpg
  • Balcony for musicians in the Salone Centrale, or Central Hall, designed by Filippo Juvarra, built 1730-31, decorated 1731-33 by Giuseppe and Domenico Valeriani with frescoes of the Triumph of Diana, in the Palazzina di caccia di Stupinigi, a hunting residence, rebuilt and designed early 18th century by Filippo Juvarra for Vittorio Amedeo II of Savoy, in Stupinigi, Nichelino, Piedmont, Italy. The palace is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0522.jpg
  • Shuttlecock game, detail of the chinoiserie tempera painted rice paper wallpaper, mid 18th century, in the Salotti Cinese, or Chinese Rooms, in the Palazzina di caccia di Stupinigi, a hunting residence, rebuilt and designed early 18th century by Filippo Juvarra for Vittorio Amedeo II of Savoy, in Stupinigi, Nichelino, Piedmont, Italy. The palace is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0520.jpg
  • Cherubs playing, painted door panel, 1765-66 by Vittorio Amedeo Rapous, 1728-1800, in the Sala da Pranzo, or Dining Room, in the Palazzina di caccia di Stupinigi, a hunting residence, rebuilt and designed early 18th century by Filippo Juvarra for Vittorio Amedeo II of Savoy, in Stupinigi, Nichelino, Piedmont, Italy. The palace is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0519.jpg
  • Sala da Pranzo, or Dining Room, with ceiling and panels painted 1765-66 by Gaetano Perego and Vittorio Amedeo Rapous, 1728-1800, with Neoclassical style furniture and portraits attributed to Liotard, in the Palazzina di caccia di Stupinigi, a hunting residence, rebuilt and designed early 18th century by Filippo Juvarra for Vittorio Amedeo II of Savoy, in Stupinigi, Nichelino, Piedmont, Italy. The palace is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0518.jpg
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