manuel cohen

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  • Reflection of the park in the steel page of the Open Book sculpture, by Diane Mclean, installed 2015, in the Parc Clichy-Batignolles - Martin Luther-King, a new development of parkland and buildings developed since 2007 and set to cover 10 hectares in size, in the Batignolles area of the 17th arrondissement of Paris, France. The sculpture was gifted by Queen Elizabeth II in 2014 as a symbol of friendship between France and Britain. Made from steel, the sculpture invites us to reflect on our history and write our own future. The park has been developed from a large railway freight yard district and is a sustainable development with green space, many natural ecosystems and renewable energy sources. Picture by Manuel Cohen
    LC19_PARIS_MC_1363.jpg
  • Reflection of apartment blocks along the Quai de Valmy in the Canal Saint-Martin, in the 10th arrondissement of Paris, France. The Canal Saint-Martin is a 4.6km long waterway between the Canal de l'Ourcq and river Seine, built 1802-25 to provide a fresh water source to the city and provide a trade route for canal barges. Picture by Manuel Cohen
    LC19_PARIS_MC_0115.jpg
  • Reflection in the glass of the cabinet of censers, and hand printed wallpaper using gold leaf by Atelier d’Offard, using interlacing patterns reminiscent of the Neo-Romanesque period of the 19th century, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0397.jpg
  • Reflection of the Berliner Philharmonie concert hall, home to the Berlin Philharmonic Orchestra, built 1960-63 by Hans Sharoun, in the glass windows  of the Kunstbewerbemuseum or Museum of Decorative Arts, at the Kulturforum, Berlin, Germany. Picture by Manuel Cohen
    LC14_BERLIN_MC0220.jpg
  • Berliner Dom or Berlin Cathedral, designed by Julius Raschdorff and completed 1905 in Historicist style, reflected in the glass facade of the Radisson Blu Hotel, on the opposite bank of the River Spree, Berlin, Germany. Picture by Manuel Cohen
    LC14_BERLIN_MC0468.jpg
  • Berliner Dom or Berlin Cathedral, designed by Julius Raschdorff and completed 1905 in Historicist style, reflected in the glass facade of the Radisson Blu Hotel, on the opposite bank of the River Spree, Berlin, Germany. Picture by Manuel Cohen
    LC14_BERLIN_MC0469.jpg
  • Edificio Colon or Colon Building, also known as the Torre Maritima, built 1970, a 28 storey office skyscraper named after Christopher Columbus, 1451-1506, in the Ciutat Vella or Old Town district, on Avinguda de les Drassanes, in Barcelona, Catalonia, Spain, reflected in the window of the Museu Maritim de Barcelona, or Barcelona Maritime Museum. The museum is housed in the former medieval royal shipyards and arsenals at Drassanes. It houses exhibits on the maritime history of Catalonia, including many ships and boats built in the shipyards of Barcelona. Picture by Manuel Cohen
    LC20_SPAIN_MC_1158.jpg
  • Tree at sunrise, reflected in a window at El Capricho de Gaudi, or Villa Quijano, a Modernist villa designed by Antoni Gaudi, 1852-1926, and built 1883-85 under his assistant Cristobal Cascante, in Comillas, Cantabria, Spain. The villa was commissioned by Maximo Diaz de Quijano as a summer house. It is from Gaudi's orientalist period, with azulejos tiles and domes. The building has housed a museum since 2009. Picture by Manuel Cohen
    LC21_SPAIN_MC_0680.jpg
  • Tree at sunrise, reflected in a window at El Capricho de Gaudi, or Villa Quijano, a Modernist villa designed by Antoni Gaudi, 1852-1926, and built 1883-85 under his assistant Cristobal Cascante, in Comillas, Cantabria, Spain. The villa was commissioned by Maximo Diaz de Quijano as a summer house. It is from Gaudi's orientalist period, with azulejos tiles and domes. The building has housed a museum since 2009. Picture by Manuel Cohen
    _CC_8426.jpg
  • Reflection of buildings in a glass facade of the Pavilion of the Fernsehturm or Television Tower, 1965-1969, by Hermann Henselmann, on Alexanderplatz, and the buildings of Karl-Liebknecht Strasse behind, Berlin, Germany. Picture by Manuel Cohen
    LC14_BERLIN_MC0476.jpg
  • Reflection of the Plant History Glasshouse (formerly Australian Glasshouse) in the windows of the New Caledonia Glasshouse (formerly The Mexican Hothouse) both built in the 1830s by Charles Rohault de Fleury, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. In the background is the Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver or Winter Gardens), 1936, RenÈ Berger. Low angle view showing the glass and metal structures reflecting in late afternoon light. The New Caledonia Glasshouse, or Hothouse, was the first French glass and iron building.
    Mnhn_GS_MCohen_145.jpg
  • Plant History Glasshouse (formerly Australian Glasshouse), 1830s, Rohault de Fleury, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Panoramic view from above of a reflection showing the metal and glass roof structure. The pool of water is on paving stones which are classified as Historical Monuments.
    Mnhn_GS_MCohen_090.jpg
  • Plant History Glasshouse (formerly Australian Glasshouse), 1834, Charles Rohault de Fleury, Jardin des Plantes, Museum d'Histoire Naturelle, Paris, France. Detail of the metal and glass structure seen in a early morning light with the reflection of the cloudy sky. Through the three small windows luxuriant vegetation may be seen inside the glasshouse in the middle of this colourful mosaic.
    Mnhn_GS_MCohen_214.jpg
  • Plant History Glasshouse (formerly Australian Glasshouse), 1830s, Rohault de Fleury, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. View from above of a reflection showing the metal and glass roof structure. The pool of water is on paving stones which are classified as Historical Monuments.
    Mnhn_GS_MCohen_048.jpg
  • Reflection of Montjuic Telecommunications Tower, 1991, Santiago Calatrava, Barcelona, Spain. Picture by Manuel Cohen
    LCSPAIN12_MC243.jpg
  • PARIS, FRANCE - JUNE 26 : A detail of a reflection of the Clock Tower of the Gare de Lyon, on June 26, 2008, in the 12th arrondissement of Paris. The station, one of the six main Parisian termini, was built in Art Nouveau style for the World Exhibition in 1900. The Clock Tower stands prominently in the corner of the front courtyard and is similar in style to Big Ben in London. This reflection with a bold summer evening sky captures its grandeur. (Photo by Manuel Cohen)
    DPARIS080544.JPG
  • One New Change, 2010, by Jean Nouvel, City, London, UK, with the dome of St Paul's Cathedral reflected in the cladding of the shopping mall and office building. The geothermally heated building received BREEAM Excellent rating for its environmental performance. The high-tech lift of the building is going down with two figures inside and is replacing a fragment of St Paul's reflection. Picture by Manuel Cohen
    LC_London_MC133.jpg
  • High angle view of a reflection of a tree in a pool, Parc Zoologique de Paris, or Zoo de Vincennes, (Zoological Gardens of Paris, also known as Vincennes Zoo), 1934, by Charles Letrosne, 12th arrondissement, Paris, France, pictured on April 12, 2011 in the morning. In November 2008 the 15 hectare Zoo, part of the Museum National d'Histoire Naturelle (National Museum of Natural History) closed its doors to the public and renovation works will start in September 2011. The Zoo is scheduled to re-open in April 2014. Picture by Manuel Cohen.
    _MG_3998.jpg
  • Reflection of the Kaiser Wilhelm Memorial Church or Kaiser Wilhelm Gedachtniskirche, built 1890s but badly damaged in a bombing raid in 1943, in a shop window, Breitscheidplatz, Berlin, Germany. The church is named after Kaiser Wilhelm I, 1797-1888, and was designed by Franz Schwechten in Romanesque Revival style. Picture by Manuel Cohen
    LC14_BERLIN_MC0610.jpg
  • Reflection of the Dome of 17th century Baroque church of Sant'Agnese in Agone, Piazza Navona, Rome, Italy. Picture by Manuel Cohen .
    LCITALY12_MC589.jpg
  • Reflection of the Arab World Institute (AWI) or Institut du Monde Arabe (IMA) facade into Jussieu University building, 5th arrondissent, Paris, France Picture by Manuel Cohen
    LC_PARIS_11_MC212.jpg
  • Barceloneta beach atmosphere through the terrace and window of a sea front restaurant at sunset, Barcelona, Spain. The customers of the terrace silhouetted against the reflection of the sunlighted beach create a patwork of beach areas. Picture by Manuel Cohen
    LCSPAIN12_MC070.jpg
  • Barceloneta beach atmosphere through the terrace and window of a sea front restaurant at sunset, Barcelona, Spain. The customers of the terrace silhouetted against the reflection of the sunlighted beach create a patwork of beach areas. Picture by Manuel Cohen
    LCSPAIN12_MC069.jpg
  • Barceloneta beach atmosphere through the terrace and window of a sea front restaurant at sunset, Barcelona, Spain. The customers of the terrace silhouetted against the reflection of the sunlighted beach create a patwork of beach areas. Picture by Manuel Cohen
    LCSPAIN12_MC068.jpg
  • Barceloneta beach atmosphere through the terrace and window of a sea front restaurant at sunset, Barcelona, Spain. The customers of the terrace silhouetted against the reflection of the sunlighted beach create a patwork of beach areas. Picture by Manuel Cohen
    LCSPAIN12_MC067.jpg
  • BRUGES, BELGIUM - FEBRUARY 06 : A sidelong view of the Court of Justice buildings with the reflection in the waters of a canal by night on February 06, 2009 in Bruges, West Flanders, Belgium. A dreamlike vision of reflections, shadows and lights of different colors. (Photo by Manuel Cohen)
    LCBRUGES090045.JPG
  • BRUGES, BELGIUM - FEBRUARY 06 : A sidelong view of the Court of Justice buildings with the reflection in the waters of a canal by night on February 06, 2009 in Bruges, West Flanders, Belgium. A dreamlike vision of reflections, shadows and lights of different colors. (Photo by Manuel Cohen)
    DBRUGES090032.JPG
  • BRUGES, BELGIUM - FEBRUARY 06 : A sidelong view of the Court of Justice buildings with the reflection in the waters of a canal by night on February 06, 2009 in Bruges, West Flanders, Belgium. A dreamlike vision of reflections, shadows and lights of different colors. (Photo by Manuel Cohen)
    DBRUGES090035.JPG
  • Detail of reflection of tree in Flamingo Pool, Parc Zoologique de Paris, or Zoo de Vincennes, (Zoological Gardens of Paris, also known as Vincennes Zoo), 1934, by Charles Letrosne, 12th arrondissement, Paris, France, pictured on April 26, 2011 in the morning. In November 2008 the 15 hectare Zoo, part of the Museum National d'Histoire Naturelle (National Museum of Natural History) closed its doors to the public and renovation works will start in September 2011. The Zoo is scheduled to re-open in April 2014. Picture by Manuel Cohen.
    _MG_4660.jpg
  • Reflection of the Plant History Glasshouse (formerly Australian Glasshouse) in the windows of the New Caledonia Glasshouse (formerly The Mexican Hothouse) both built in the 1830s by Charles Rohault de Fleury, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. In the background is the Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver or Winter Gardens), 1936, René Berger. Low angle view showing the glass and metal structures reflecting in late afternoon light. The New Caledonia Glasshouse, or Hothouse, was the first French glass and iron building.
    _MG_9226.jpg
  • Reflection of the Grand Gallery of Evolution (right) and the Plant History Glasshouse (formerly Australian Glasshouse) in the windows of the New Caledonia Glasshouse (formerly The Mexican Hothouse). Both glasshouses were built in the 1830s by Charles Rohault de Fleury, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. In the background is the Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver or Winter Gardens), 1936, René Berger. Low angle view showing the glass and metal structures reflecting in late afternoon light. The New Caledonia Glasshouse, or Hothouse, was the first French glass and iron building.
    Mnhn_GSBK_MCohen_676.jpg
  • The Prostitute on the Waters, a personification of the city of Babylon, with reflection of an old woman in the mirror, with angel and St John, detail of the fifth piece depicting the 7 Cups, from the Tenture de l'Apocalypse or Apocalypse Tapestry, made 1373-82 by Nicolas Bataille in the workshop of Robert Poincon after preparatory drawings by Hennequin de Bruges, in the Musee de la Tapisserie de l'Apocalypse, in the Chateau d'Angers, Angers, Maine-et-Loire, France. The tapestry was commissioned by Louis I duc d'Anjou and depicts the Apocalypse of John. It measures 140m and is divided into 6 pieces with 90 scenes. Although bequeathed to Angers Cathedral by King Rene in the 15th century, the tapestry was reconstructed and restored in the 19th century, listed as a historic monument and exhibited in the castle. Picture by Manuel Cohen
    LC21_FRANCE_MC_0653.jpg
  • Adele Brereton, jeweller and silversmith, seen in a mirror reflection at work hammering metal in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Adele makes work inspired by found objects, often hammering the metal into or around found or man-made shapes to create one-off pieces. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_127.jpg
  • Adele Brereton, jeweller and silversmith, seen in a mirror reflection at work at a machine in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Adele makes work inspired by found objects, often hammering the metal into or around found or man-made shapes to create one-off pieces. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_123.jpg
  • Veronique de Soultrait, with 3 of her circular woven pieces, seen in a mirror reflection, in her studio and workshop, on the rue Vendome, Lyon, France. Veronique de Soultrait produces works of art and decoration created using braiding techniques, with threads and ropes of cotton, hemp, cork, silk and leather. Pieces created include headboards, screens, mats, hangings, panels and other objects, which are often geometric in design. Photographed on 10th April 2019 by Manuel Cohen
    10042019_VeroniqueDeSoultrait_MC_30.jpg
  • View of the Grand Salon, decorated by Paul Baudry and Eugene Delaplanche, and the cupola of the Salon de Musique or Music Room, seen in the reflection of a mirror in the Salon de Musique, in Hotel de la Paiva, an Italian Renaissance style mansion built 1856-66 by architect Pierre Manguin, on the Champs-Elysees in the 8th arrondissement of Paris, France. The house was built for the courtesan Esther Bachmann, or La Paiva, and since 1904 has been used by the gentlemen's club, Travellers Club of Paris. The mansion was restored in 2010 by Etienne Poncelet and is listed as a historic monument. Picture by Manuel Cohen
    LC19_PARIS_MC_0073.jpg
  • Reflection of the stained glass window in blue glass with interlacing patterns in lead reminiscent of the Neo-Romanesque period of the 19th century, made by Ateliers Loire, Chartres, in the glass of the ciborium cabinet, in the Upper Chapel, themed as 'L'Engagement' or Commitment, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0372.jpg
  • Chateau d'Azay-le-Rideau, reflection of a turret on the south facade, a Renaissance chateau built 1515-27 by Gilles Berthelot on the foundations of an 11th century fortress, Loire Valley, Indre-et-Loire, France. It is built in both Italian and French styles on an island in the Indre river, and is one of the earliest French Renaissance chateaux. It is listed as a historic monument and is part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_FRANCE_MC_0872.jpg
  • The Prostitute on the Waters, a personification of the city of Babylon, with reflection of an old woman in the mirror, with angel, detail of the fifth piece depicting the 7 Cups, from the Tenture de l'Apocalypse or Apocalypse Tapestry, made 1373-82 by Nicolas Bataille in the workshop of Robert Poincon after preparatory drawings by Hennequin de Bruges, in the Musee de la Tapisserie de l'Apocalypse, in the Chateau d'Angers, Angers, Maine-et-Loire, France. The tapestry was commissioned by Louis I duc d'Anjou and depicts the Apocalypse of John. It measures 140m and is divided into 6 pieces with 90 scenes. Although bequeathed to Angers Cathedral by King Rene in the 15th century, the tapestry was reconstructed and restored in the 19th century, listed as a historic monument and exhibited in the castle. Picture by Manuel Cohen
    LC21_FRANCE_MC_0419.jpg
  • The Prostitute on the Waters, a personification of the city of Babylon, with reflection of an old woman in the mirror, detail of the fifth piece depicting the 7 Cups, from the Tenture de l'Apocalypse or Apocalypse Tapestry, made 1373-82 by Nicolas Bataille in the workshop of Robert Poincon after preparatory drawings by Hennequin de Bruges, in the Musee de la Tapisserie de l'Apocalypse, in the Chateau d'Angers, Angers, Maine-et-Loire, France. The tapestry was commissioned by Louis I duc d'Anjou and depicts the Apocalypse of John. It measures 140m and is divided into 6 pieces with 90 scenes. Although bequeathed to Angers Cathedral by King Rene in the 15th century, the tapestry was reconstructed and restored in the 19th century, listed as a historic monument and exhibited in the castle. Picture by Manuel Cohen
    LC21_FRANCE_MC_0418.jpg
  • Adele Brereton, jeweller and silversmith, seen in a mirror reflection at work in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Adele makes work inspired by found objects, often hammering the metal into or around found or man-made shapes to create one-off pieces. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_131.jpg
  • Adele Brereton, jeweller and silversmith, seen in a mirror reflection at work in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Adele makes work inspired by found objects, often hammering the metal into or around found or man-made shapes to create one-off pieces. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_130.jpg
  • Adele Brereton, jeweller and silversmith, seen in a mirror reflection at work in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Adele makes work inspired by found objects, often hammering the metal into or around found or man-made shapes to create one-off pieces. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_129.jpg
  • Adele Brereton, jeweller and silversmith, seen in a mirror reflection at work hammering metal in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Adele makes work inspired by found objects, often hammering the metal into or around found or man-made shapes to create one-off pieces. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_128.jpg
  • Adele Brereton, jeweller and silversmith, seen in a mirror reflection at work hammering metal in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Adele makes work inspired by found objects, often hammering the metal into or around found or man-made shapes to create one-off pieces. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_126.jpg
  • Adele Brereton, jeweller and silversmith, seen in a mirror reflection at work at a machine in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Adele makes work inspired by found objects, often hammering the metal into or around found or man-made shapes to create one-off pieces. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_125.jpg
  • Adele Brereton, jeweller and silversmith, seen in a mirror reflection at work at a machine in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Adele makes work inspired by found objects, often hammering the metal into or around found or man-made shapes to create one-off pieces. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_124.jpg
  • Adele Brereton, jeweller and silversmith, seen in a mirror reflection at work at a machine in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Adele makes work inspired by found objects, often hammering the metal into or around found or man-made shapes to create one-off pieces. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_122.jpg
  • Adele Brereton, jeweller and silversmith, seen in a mirror reflection at work at a machine in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Adele makes work inspired by found objects, often hammering the metal into or around found or man-made shapes to create one-off pieces. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_121.jpg
  • Adele Brereton, jeweller and silversmith, seen in a mirror reflection at work at a machine in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Adele makes work inspired by found objects, often hammering the metal into or around found or man-made shapes to create one-off pieces. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_120.jpg
  • Facade of the Prefecture de Paris et d'Ile-de-France, joint administrative offices opened in 2011, with a reflection of the Generali tethered hot air balloon, on the edge of the Parc Andre-Citroen, a public park in the Javel quarter, in the 15th arrondissement of Paris, France. The hot air balloon rises in the air, offering tourists views over Paris. The park was created in 1986 on the site of a disused Citroen factory, opened in 1992, and has been recently renovated. Picture by Manuel Cohen
    LC19_PARIS_MC_1289.jpg
  • Veronique de Soultrait, with 2 of her circular woven pieces, seen in a mirror reflection, in her studio and workshop, on the rue Vendome, Lyon, France. Veronique de Soultrait produces works of art and decoration created using braiding techniques, with threads and ropes of cotton, hemp, cork, silk and leather. Pieces created include headboards, screens, mats, hangings, panels and other objects, which are often geometric in design. Photographed on 10th April 2019 by Manuel Cohen
    10042019_VeroniqueDeSoultrait_MC_32.jpg
  • Veronique de Soultrait, with 3 of her circular woven pieces, seen in a mirror reflection, in her studio and workshop, on the rue Vendome, Lyon, France. Veronique de Soultrait produces works of art and decoration created using braiding techniques, with threads and ropes of cotton, hemp, cork, silk and leather. Pieces created include headboards, screens, mats, hangings, panels and other objects, which are often geometric in design. Photographed on 10th April 2019 by Manuel Cohen
    10042019_VeroniqueDeSoultrait_MC_31.jpg
  • Veronique de Soultrait, with 3 of her circular woven pieces, seen in a mirror reflection, in her studio and workshop, on the rue Vendome, Lyon, France. Veronique de Soultrait produces works of art and decoration created using braiding techniques, with threads and ropes of cotton, hemp, cork, silk and leather. Pieces created include headboards, screens, mats, hangings, panels and other objects, which are often geometric in design. Photographed on 10th April 2019 by Manuel Cohen
    10042019_VeroniqueDeSoultrait_MC_29.jpg
  • Fresco of a young satyr being offered a bowl of wine by Silenus, in which he sees the reflection of a frightening mask held aloft by another satyr, from a series depicting the initiation ceremonies of a religious or Bacchian cult, in the triclinium of the Casa dei Misteri, or Villa of the Mysteries, a large villa in a suburb of Pompeii, in the Parco Archeologico di Pompei, or Archaeological Park of Pompeii, Campania, Italy. Pompeii was a Roman city which was buried in ash after the eruption of Vesuvius in 79 AD. The site is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC18_ITALY_MC_069.jpg
  • Reflection of the stained glass window in blue glass with interlacing patterns in lead reminiscent of the Neo-Romanesque period of the 19th century, made by Ateliers Loire, Chartres, in the Upper Chapel, themed as 'L'Engagement' or Commitment, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0371.jpg
  • Reflection of a stained glass window in a cabinet with legs of blue and gold glass beads by Murano glassmaker Salviati, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0352.jpg
  • Fresco of Echo and Narcissus, with Narcissus falling in love with his own reflection, on the North wall of a small room off the atrium of the Casa dell Efebo, or House of the Ephebus, Pompeii, Italy. The fresco is in the Fourth Style of Roman wall painting, 60-79 AD, a complex narrative style. This is a large, sumptuously decorated house probably owned by a rich family, and named after the statue of the Ephebus found here. Pompeii is a Roman town which was destroyed and buried under 4-6 m of volcanic ash in the eruption of Mount Vesuvius in 79 AD. Buildings and artefacts were preserved in the ash and have been excavated and restored. Pompeii is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_ITALY_MC_0256.jpg
  • Fresco of Echo and Narcissus, with Narcissus falling in love with his own reflection, on the North wall of a small room off the atrium of the Casa dell Efebo, or House of the Ephebus, Pompeii, Italy. The fresco is in the Fourth Style of Roman wall painting, 60-79 AD, a complex narrative style. This is a large, sumptuously decorated house probably owned by a rich family, and named after the statue of the Ephebus found here. Pompeii is a Roman town which was destroyed and buried under 4-6 m of volcanic ash in the eruption of Mount Vesuvius in 79 AD. Buildings and artefacts were preserved in the ash and have been excavated and restored. Pompeii is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_ITALY_MC_0255.jpg
  • Fresco of Echo and Narcissus, with Narcissus falling in love with his own reflection, on the North wall of a small room off the atrium of the Casa dell Efebo, or House of the Ephebus, Pompeii, Italy. The fresco is in the Fourth Style of Roman wall painting, 60-79 AD, a complex narrative style. This is a large, sumptuously decorated house probably owned by a rich family, and named after the statue of the Ephebus found here. Pompeii is a Roman town which was destroyed and buried under 4-6 m of volcanic ash in the eruption of Mount Vesuvius in 79 AD. Buildings and artefacts were preserved in the ash and have been excavated and restored. Pompeii is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_ITALY_MC_0257.jpg
  • The Roman bridge, built 1st century BC over the Guadalquivir river, and (right) the reflection of the Cathedral-Great Mosque of Cordoba, in Cordoba, Andalusia, Southern Spain. The first church built here by the Visigoths in the 7th century was split in half by the Moors, becoming half church, half mosque. In 784, the Great Mosque of Cordoba was built in its place, but in 1236 it was converted into a catholic church, with a Renaissance cathedral nave built in the 16th century. The historic centre of Cordoba is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_SPAIN_MC158.jpg
  • Reflection of Tower Bridge in the basement of City Hall, seat of the Greater London Assembly, part of the More London Thames riverside development on the South bank of the river Thames, London, England. Picture by Manuel Cohen
    LC15_LONDON_MC005.jpg
  • Reflection of a chamber and arched portico in the pond in the Court of the Myrtles, or Patio de los Arrayanes, built in the 14th century under Yusuf I, in the Comares Palace, Alhambra Palace, Granada, Andalusia, Southern Spain. The Alhambra was begun in the 11th century as a castle, and in the 13th and 14th centuries served as the royal palace of the Nasrid sultans. The huge complex contains the Alcazaba, Nasrid palaces, gardens and Generalife. Picture by Manuel Cohen
    LC14_GRANADA_MC141.jpg
  • Fountain on Sankt Wolfgang Strasse with the reflection of the Fernsehturm or Television tower, Berlin, Germany. Picture by Manuel Cohen
    LC14_BERLIN_MC0537.jpg
  • Reflection of a bronze sculpture of Adam and Eve by Rolf Biebl in the windows of the Kulturbrauerei or Culture Brewery, originally a 19th century brewery building, now a cultural and entertainment centre housing cinemas, theatres, clubs and function rooms, Prenzlauer Berg, Berlin, Germany. Picture by Manuel Cohen
    LC14_BERLIN_MC0569.jpg
  • Reflection of the Fernsehturm or TV Tower, built 1965-69 in the former East Berlin, Alexanderplatz, Berlin, Germany. The tower is 368m tall and the tallest structure in Germany. Picture by Manuel Cohen
    LC14_BERLIN_MC0376.jpg
  • General view of Manueline Cistern of the El Jadida (Mazagan) fortress, built by Francisco and Diogo de Arruda, 16th century, El Jadida, Morocco. El Jadida, previously known as Mazagan (Portuguese: Mazag√£o), was seized in 1502 by the Portuguese, and they controlled this city until 1769. The underground Cistern was originally designed to store munitions. It served as a fencing school before being used after completion of the town walls in 1541 as a tank to store water. The symmetrical construction has a vaulted roof supported by 25 circular and rectangular pillars, with just one central window in the ceiling, 3.5 m in diameter, producing a single shaft of light. The shallow sheet of water produces a shimmering reflection of the vaulted ceiling in the light. Picture by Manuel Cohen
    LCMOROCCO_11_MC001.jpg
  • BRUGES, BELGIUM - FEBRUARY 06 : A sidelong view of the Court of Justice buildings with the reflection in the waters of a canal by night on February 06, 2009 in Bruges, West Flanders, Belgium. The well-lit "Beffroi" (Belfort) appears on the top in the background. (Photo by Manuel Cohen)
    DBRUGES090033.JPG
  • BRUGES, BELGIUM - FEBRUARY 06 : A general view of a canal with bridge on February 06, 2009 in Bruges, West Flanders, Belgium. The reflection of the span and the typical stepped gable roof houses in the water creates a kind of eye under the pedestrian lady crossing the bridge. (Photo by Manuel Cohen)
    DBRUGES090029.JPG
  • BRUGES, BELGIUM - FEBRUARY 06 : A detail of a railing along a canal with the reflection of the typical flemish facades with stepped gable roofs on February 06, 2009 in Bruges, Western Flanders, Belgium. (Photo by Manuel Cohen)
    DBRUGES090026.JPG
  • BRUGES, BELGIUM - FEBRUARY 06 : A detail of a railing along a canal with the reflection of the typical flemish facades with stepped gable roofs on February 06, 2009 in Bruges, Western Flanders, Belgium. (Photo by Manuel Cohen)
    DBRUGES090025.JPG
  • BRUGES, BELGIUM - FEBRUARY 06 : A detail of a small white wall with window covered by a roof in the shape of a bell, in the middle of coloured walls of brick overlooking a canal, on February 06, 2009 in Bruges, West Flanders, Belgium. The sky finds its place in the reflection of the water and embellishes the sparkling white of the small and probably official building in medieval times. (Photo by Manuel Cohen)
    DBRUGES090001.jpg
  • Glass panels of the City Hall, Foster & Partners, 2002, Southbank, River Thames, London, UK, reflecting the Swiss Re building, known as the Gherkin, 1997 -  2004, Foster and Partners, Arup Engineering. Picture by Manuel Cohen.The use of this image may require further clearance / Merci de vous assurer que l'utilisation finale de l'image ne necessite pas d'autorisation supplementaire.
    LC_London_MC176.jpg
  • Glass panels of the City Hall, Foster & Partners, 2002, Southbank, River Thames, London, UK, reflecting Tower Bridge, 1886-94, by architect Sir Horace Jones and engineer Sir John Wolfe Barry. Picture by Manuel Cohen.The use of this image may require further clearance / Merci de vous assurer que l'utilisation finale de l'image ne necessite pas d'autorisation supplementaire.
    LC_London_MC175.jpg
  • Lloyd's building reflected in the Willis Building, London, UK. Picture by Manuel Cohen
    LC_London_MC145.jpg
  • St Paul's Cathedral dome reflected, London, England, UK. 0ne of the largest dome in the world, 111 metres high. Picture by Manuel Cohen
    LC_London_MC136.jpg
  • Skyscrapers and Grande Arche reflected in a metallic sphere, La Defense, Paris, France. Picture by Manuel Cohen
    LC12_Paris_MC123.jpg
  • The Prostitute on the Waters, a personification of the city of Babylon, with reflection of an old woman in the mirror, detail of the fifth piece depicting the 7 Cups, from the Tenture de l'Apocalypse or Apocalypse Tapestry, made 1373-82 by Nicolas Bataille in the workshop of Robert Poincon after preparatory drawings by Hennequin de Bruges, in the Musee de la Tapisserie de l'Apocalypse, in the Chateau d'Angers, Angers, Maine-et-Loire, France. The tapestry was commissioned by Louis I duc d'Anjou and depicts the Apocalypse of John. It measures 140m and is divided into 6 pieces with 90 scenes. Although bequeathed to Angers Cathedral by King Rene in the 15th century, the tapestry was reconstructed and restored in the 19th century, listed as a historic monument and exhibited in the castle. Picture by Manuel Cohen
    _CC_2389.jpg
  • The Prostitute on the Waters, a personification of the city of Babylon, with reflection of an old woman in the mirror, with angel, detail of the fifth piece depicting the 7 Cups, from the Tenture de l'Apocalypse or Apocalypse Tapestry, made 1373-82 by Nicolas Bataille in the workshop of Robert Poincon after preparatory drawings by Hennequin de Bruges, in the Musee de la Tapisserie de l'Apocalypse, in the Chateau d'Angers, Angers, Maine-et-Loire, France. The tapestry was commissioned by Louis I duc d'Anjou and depicts the Apocalypse of John. It measures 140m and is divided into 6 pieces with 90 scenes. Although bequeathed to Angers Cathedral by King Rene in the 15th century, the tapestry was reconstructed and restored in the 19th century, listed as a historic monument and exhibited in the castle. Picture by Manuel Cohen
    _CC_2390.jpg
  • Brandenburg Gate or Brandenburger Tor (left), 18th century, a neoclassical triumphal arch marking one of the old city gates of Berlin, built by Carl Gotthard Langhans 1788-91, reflected in the window of the D G Bank, Berlin, Germany. Behind is the American Embassy and the Commerzbank. Picture by Manuel Cohen
    LC14_BERLIN_MC1039.jpg
  • The fortified manor house, with turret and archway, 16th century, and its reflection in the water garden, at the Domaine de Villarceaux, Chaussy, France. The domaine is on the site of an 11th century medieval castle and comprises a water garden, manor house and 18th century chateau. It is managed by the Regional Council of the Ile de France, with the owners, Fondation Leopold Mayer. The garden is listed as one of the Notable Gardens of France, and the domaine is a Monument Historique. Picture by Manuel Cohen
    LC14_France_MC715.jpg
  • The fortified manor house, with corner turrets, 16th century, and its reflection in the water garden, at the Domaine de Villarceaux, Chaussy, France. The domaine is on the site of an 11th century medieval castle and comprises a water garden, manor house and 18th century chateau. It is managed by the Regional Council of the Ile de France, with the owners, Fondation Leopold Mayer. The garden is listed as one of the Notable Gardens of France, and the domaine is a Monument Historique. Picture by Manuel Cohen
    LC14_France_MC716.jpg
  • Panoramic view of Manueline Cistern of the El Jadida (Mazagan) fortress, built by Francisco and Diogo de Arruda, 16th century, El Jadida, Morocco. El Jadida, previously known as Mazagan (Portuguese: Mazag„o), was seized in 1502 by the Portuguese, and they controlled this city until 1769. The underground Cistern was originally designed to store munitions. It served as a fencing school before being used after completion of the town walls in 1541 as a tank to store water. The symmetrical construction has a vaulted roof supported by 25 circular and rectangular pillars, with just one central window in the ceiling, 3.5 m in diameter, producing a single shaft of light. The shallow sheet of water produces a shimmering reflection of the vaulted ceiling in the light. Picture by Manuel Cohen
    LCMOROCCO_11_MC067.jpg
  • Panoramic view of Manueline Cistern of the El Jadida (Mazagan) fortress, built by Francisco and Diogo de Arruda, 16th century, El Jadida, Morocco. El Jadida, previously known as Mazagan (Portuguese: Mazag„o), was seized in 1502 by the Portuguese, and they controlled this city until 1769. The underground Cistern was originally designed to store munitions. It served as a fencing school before being used after completion of the town walls in 1541 as a tank to store water. The symmetrical construction has a vaulted roof supported by 25 circular and rectangular pillars, with just one central window in the ceiling, 3.5 m in diameter, producing a single shaft of light. The shallow sheet of water produces a shimmering reflection of the vaulted ceiling in the light. Picture by Manuel Cohen
    LCMOROCCO_11_MC066.jpg
  • The Prostitute on the Waters, a personification of the city of Babylon, with reflection of an old woman in the mirror, with angel and St John, detail of the fifth piece depicting the 7 Cups, from the Tenture de l'Apocalypse or Apocalypse Tapestry, made 1373-82 by Nicolas Bataille in the workshop of Robert Poincon after preparatory drawings by Hennequin de Bruges, in the Musee de la Tapisserie de l'Apocalypse, in the Chateau d'Angers, Angers, Maine-et-Loire, France. The tapestry was commissioned by Louis I duc d'Anjou and depicts the Apocalypse of John. It measures 140m and is divided into 6 pieces with 90 scenes. Although bequeathed to Angers Cathedral by King Rene in the 15th century, the tapestry was reconstructed and restored in the 19th century, listed as a historic monument and exhibited in the castle. Picture by Manuel Cohen
    Pano_CC_2386_CC_23867.jpg
  • Reflection of the Mineralogy Gallery on the right, a Parisian building in the middle and the house of Buffon on the left in the Grande Galerie de l'Evolution (Great Gallery of Evolution) at sunset. The Grande Galerie de l'Evolution (Great Gallery of Evolution) was built by Jules Andre from 1877 to 1889 and located in the Jardin des Plantes, Paris, 5th arrondissement, France. Founded in 1626 by Guy de La Brosse, Louis XIII's physician, the Jardin des Plantes, originally known as the Jardin du Roi, opened to the public in 1640. It became the Museum National d'Histoire Naturelle in 1793 during the French Revolution.
    JDP_MCohen_MNHN_Choix12.jpg
  • General view of Manueline Cistern of the El Jadida (Mazagan) fortress, built by Francisco and Diogo de Arruda, 16th century, El Jadida, Morocco. El Jadida, previously known as Mazagan (Portuguese: Mazag„o), was seized in 1502 by the Portuguese, and they controlled this city until 1769. The underground Cistern was originally designed to store munitions. It served as a fencing school before being used after completion of the town walls in 1541 as a tank to store water. The symmetrical construction has a vaulted roof supported by 25 circular and rectangular pillars, with just one central window in the ceiling, 3.5 m in diameter, producing a single shaft of light. The shallow sheet of water produces a shimmering reflection of the vaulted ceiling in the light. Picture by Manuel Cohen
    LCMOROCCO_11_MC069.jpg
  • Panoramic view of Manueline Cistern of the El Jadida (Mazagan) fortress, built by Francisco and Diogo de Arruda, 16th century, El Jadida, Morocco. El Jadida, previously known as Mazagan (Portuguese: Mazag„o), was seized in 1502 by the Portuguese, and they controlled this city until 1769. The underground Cistern was originally designed to store munitions. It served as a fencing school before being used after completion of the town walls in 1541 as a tank to store water. The symmetrical construction has a vaulted roof supported by 25 circular and rectangular pillars, with just one central window in the ceiling, 3.5 m in diameter, producing a single shaft of light. The shallow sheet of water produces a shimmering reflection of the vaulted ceiling in the light. Picture by Manuel Cohen
    LCMOROCCO_11_MC068.jpg
  • Plant History Glasshouse (formerly Australian Glasshouse), 1834, Charles Rohault de Fleury, Jardin des Plantes, Museum d'Histoire Naturelle, Paris, France. Detail of the metal and glass structure seen in a early morning light with the reflection of the cloudy sky. Through the three small windows luxuriant vegetation may be seen inside the glasshouse in the middle of this colourful mosaic.
    GrandesSerres_MCohen_2009_009.jpg
  • Pavilion designed by PAD architects containing an interactive exhibition by La Meduse on the history and traditions of the Al Khalifa family, with a couple reflected, in a courtyard of the Sheikh Salman bin Ahmed Al-Fateh Fort, or Riffa Fort, built in the 17th century and rebuilt as the ruling Al Khalifa family home in 1812, at Riffa, Bahrain. The fort is square with 2 circular and 2 rectangular towers at its corners, and 3 courtyards. It was restored in the 20th century and is now a tourist attraction. Picture by Manuel Cohen
    LC19_BAHREIN_MC_131.jpg
  • Reflections in the glass cabinet window, with monstrance, stained glass window, hand printed wallpaper and aluminium valance, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0393.jpg
  • Reflections in the glass cabinet window, with monstrances, stained glass window, hand printed wallpaper and aluminium valance, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0392.jpg
  • The Fernsehturm or Television Tower reflected in the window of a shop in the Berolinahaus, built 1929-32 by Peter Behrens, used for retail and offices, on Alexanderplatz, Berlin, Germany. Picture by Manuel Cohen
    LC14_BERLIN_MC0338.jpg
  • Reflections and buildings in Alexanderplatz, Berlin, Germany. Picture by Manuel Cohen
    LC14_BERLIN_MC0477.jpg
  • Paul-Lobe-Haus reflecting the sunset skies, architect Stephane Braunfels, 2001, a government building for the new parliamentary complex in the new government quarter of Berlin, on the banks of the river Spree on Federal Row, Berlin, Germany. It is connected to the Chancellery and together with the Marie-Elisabeth-Luders House on the opposite side of the Spree it forms a formal and functional whole. The building contains more than 900 offices for the parliamentary deputies. It is named after Paul Lobe, 1875-1967, the last democratic president of the Weimar Republic. Picture by Manuel Cohen
    LC14_BERLIN_MC0113.jpg
  • General view of the River Arno, Florence, Tuscany, Italy, pictured on June 8, 2007, in the early morning with reflections. Florence, capital of Tuscany, is world famous for its Renaissance art and architecture. Its historical centre was declared a UNESCO World Heritage Site in 1982. Picture by Manuel Cohen.
    DITALY070485.jpg
  • The New Caledonia Glasshouse (formerly The Mexican Hothouse), 1830s by Charles Rohault de Fleury, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Detail of the glass and metal structure lit by the late afternoon light, in which is reflected a turret of the Great Gallery of Evolution. The New Caledonia Glasshouse, or Hothouse, was the first French glass and iron building.
    Mnhn_GS_MCohen_205.jpg
  • Plant History Glasshouse (formerly Australian Glasshouse), 1830s, Rohault de Fleury, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Detail showing the glass and iron structure at night reflecting the Grand Gallery of Evolution in its many panes. The illuminated foliage inside glows through the reflections.
    Mnhn_GS_MCohen_183.jpg
  • New Caledonia Glasshouse (formerly The Mexican Hothouse), 1830s, Charles Rohault de Fleury, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Low angle view  showing building works in front of the glass and metal structure, in which is reflected the Plant History Glasshouse (formerly Australian Glasshouse), 1830s, Rohault de Fleury, bathed in the late afternoon light. The New Caledonia Glasshouse, or Hothouse, was the first French glass and iron building.
    Mnhn_GS_MCohen_035.jpg
  • Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver or Winter Gardens), 1936, RenÈ Berger, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Detail showing the pool at the bottom of the cave reflecting the luxuriant tropical vegetation in the  Art Deco style building.
    Mnhn_GS_MCohen_251.jpg
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