manuel cohen

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  • CORINTH, GREECE - APRIL 16 : A detail of Roman sculpture, on April 16, 2007 in Corinth, Greece. This sculpted profile of a lion's head is seen in the early morning light with the Temple of Apollo in the background. Corinth, founded in Neolithic times, was a major Ancient Greek city, until it was razed by the Romans in 146 BC. Rebuilt a century later it was destroyed by an earthquake in Byzantine times. (Photo by Manuel Cohen)
    DGREECE07_10_117.jpg
  • Tuthmosis III, ruled 1479-25 BC, in profile wearing the atef crown, collar and false beard, with serpent, god of the Hermopolitan Ogdoad, painted limestone relief, 1490-36 BC, 18th dynasty New Kingdom, from the mortuary temple of Thutmosis III at Deir el Bahri, in the Luxor Museum, inaugurated 1975, in Luxor, Egypt. Picture by Manuel Cohen
    LC22_EGYPT_MC_0087.jpg
  • Amun-Min, or Amun merged with the fertility god Minin profile wearing double crown, collar and false beard, god of the Hermopolitan Ogdoad, painted limestone relief, 1479-25 BC, New Kingdom, from the Temple of Thutmosis III, 18th dynasty, at Deir el Bahri, in the Luxor Museum, inaugurated 1975, in Luxor, Egypt. This relief was later destroyed and restored. Picture by Manuel Cohen
    LC22_EGYPT_MC_0088.jpg
  • Amun-Min, or Amun merged with the fertility god Minin profile wearing double crown, collar and false beard, god of the Hermopolitan Ogdoad, detail, painted limestone relief, 1479-25 BC, New Kingdom, from the Temple of Thutmosis III, 18th dynasty, at Deir el Bahri, in the Luxor Museum, inaugurated 1975, in Luxor, Egypt. This relief was later destroyed and restored. Picture by Manuel Cohen
    LC22_EGYPT_MC_0089.jpg
  • Celtic silver monetary coins issued by the Aedui, with profile head of Dumnorix on the front and on the reverse, a Gallic soldier from the time of the Gallic Wars wearing a long sword and a sign in the shape of a wild boar, holding trophies, a war trumpet and a severed head, in the Musee de la Civilisation Celtique, or Museum of Celtic Civilisation, designed by Pierre-Louis Faloci, opened 1996, at Bibracte, a Gaulish oppidum or fortified city, once the capital of the Aedui, at Mont Beuvray near Autun in Burgundy, France. The museum explores the discovery and excavation of the site of Bibracte, its context within the Celtic period, and the life of the Aedui at Bibracte. Picture by Manuel Cohen
    LC19_FRANCE_MC_0363.JPG
  • Stained glass window, detail, with grisaille decoration and fermaillet or bosse of the head of a crowned king in profile, 13th century, in the Chapelle de la Vierge, or Chapel of the Virgin, in the Basilique Saint-Urbain de Troyes, or Basilica of Saint Urban of Troyes, a 13th century Gothic church in Troyes, Aube, France. The windows were restored in 1879. The basilica was founded in 1262 under Pope Urban IV and consecrated in 1382, although the building was not completed until the 20th century. It is listed as a national monument. Picture by Manuel Cohen
    LC17_FRANCE_MC_1471.jpg
  • Biro sketch of a man in profile, from a sketchbook used for developing characters, used since 2000, by Grzegorz Rosinski, 1941-, Polish comic book artist. Rosinski was born in Stalowa Wola, Poland, and now lives in Switzerland, and is the author and designer of many Polish comic book series. He created Thorgal with Belgian writer Jean Van Hamme. The series was first published in Tintin in 1977 and has been published by Le Lombard since 1980. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Picture by Manuel Cohen / Further clearances requested, please contact us and/or visit www.lelombard.com
    LC16_ROSINSKI_MC_030.JPG
  • A detail of Roman sculpture, on April 16, 2007 in Corinth, Greece. This sculpted profile of a lion's head is seen in the early morning light with the Temple of Apollo in the background. Corinth, founded in Neolithic times, was a major Ancient Greek city, until it was razed by the Romans in 146 BC.
    LCGREECE07_10_155.jpg
  • Medallion relief of Paris, son of Priam in profile, wearing a helmet of a ram's head and horns, triangular pediment above a door in the Upper Courtyard of the Hotel Lallemant, a mansion built 1495-1518 in French Renaissance style by the Lallemant merchant family, in Bourges, Centre Val de Loire, France. At the top of this triangle is depicted a ball of fire, either a reference to the fire of 1487, or perhaps a symbol of alchemy. The sculptural decoration on the building, made by both French and Italian sculptors, has been interpreted by Fulcanelli and others as having an alchemical symbolism. Since 1951 the building has housed the Musee des Arts Decoratifs and it was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC17_FRANCE_MC_0653.jpg
  • Detail of a decorative panel under a window on a house in the Jewish quarter or Josefov, with a star of David and piles of money and 2 medallions depicting profile silhouettes of a man and a woman, Prague, Czech Republic. The historic centre of Prague was declared a UNESCO World Heritage Site in 1992. Picture by Manuel Cohen
    LC13_PRAGUE_MC118.jpg
  • EXCLUSIVE (b/w photo) Two statues of kings or high officials located at the entrance Z of the harem of Sargon II palace, Khorsabad, Iraq, Middle East. Lost at Shatt al-Arab in 1855. Picture: Victor Place (1818 - 1875)...Additional info :..2 statues de l'entrée Z du Harem. Palais de Sargon II. Khorsabad (N.A. pl. 31 bis Profil). Perdue Chatt el Arab 1855. Profil de la deuxième statue inédit. Cliché Victor Place
    DREPRO070076.jpg
  • Jeune Fille de Profil, painting, 1896, by Aristide Maillol, 1861-1944, from the Musee d'Orsay, Paris, in the Musee d'Art Hyacinthe Rigaud, an art gallery housed in the Hotel de Lazerme, a private mansion built in the 18th century by the marquis Etienne de Blanes and bought in 1827 by Joseph de Lazerme, and the Hotel de Mailly, on the Rue de l'Age, Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. The museum was renovated and reopened in 2017 and houses 3 exhibitions: Gothic Perpignan, Baroque Perpignan and Modern Perpignan, including works by local artists Hyacinthe Rigaud and Aristide Maillol. Picture by Manuel Cohen - Further clearances required for reproduction (artist's copyright)
    LC20_FRANCE_MC_1356.jpg
  • EXCLUSIVE (b/w photo) Photograph and drawing of a statue of king or high official located at the entrance Z of the harem of Sargon II palace, Khorsabad, Iraq, Middle East. Lost at Shatt al-Arab in 1855...Additional info :..1ere statue à l'entrée Z du Harem. Palais de Sargon II. Khorsabad (N.A. pl. 31 bis Profil). Perdue Chatt el Arab 1855.
    DREPRO070077.jpg
  • Spanish writer and journalist, Cristina Fallaras, winner of the Spanish Hammett Prize at Gijon Crime Fiction Festival in 2012 for her last crime fiction novel "Las ninas perdidas" (The Lost Girls), Roca 2011, in Barcelona, Catalonia, Spain on January 09, 2013. Picture by Manuel Cohen
    010913_CristinaFallaras_MC003.jpg
  • Monument a Cezanne (Monument to Cezanne), 1925, lead, by Aristide Maillol (1861-1944),Tuileries Gardens (Jardin des Tuileries), 1664, Le Notre, Paris, France. Picture by Manuel Cohen
    LC_PARIS_11_MC161.jpg
  • Monument a Cezanne (Monument to Cezanne), 1925, lead, by Aristide Maillol (1861-1944),Tuileries Gardens (Jardin des Tuileries), 1664, Le Notre, Paris, France. Picture by Manuel Cohen
    LC_PARIS_11_MC158.jpg
  • DIANA, statue, bronze, Pompeii, near the temple of Apollo, 2nd century BC, West of the Forum
    LCITALY070503.JPG
  • A detail of Roman sculpture, on April 16, 2007 in Corinth, Greece. Two lions eat a basket of fruit on this fragment of Roman relief sculpture. Corinth, founded in Neolithic times, was a major Ancient Greek city, until it was razed by the Romans in 146 BC. Rebuilt a century later it was destroyed by an earthquake in Byzantine times.
    LCGREECE07_10_159.jpg
  • CORINTH, GREECE - APRIL 15 : A detail of a sculpture on April 15, 2007 in Corinth, Greece. This statue of a horse's head is to be found in the Museum at Corinth. The horse shows great spirit and sports a curling mane. Corinth, founded in Neolithic times, was a major Ancient Greek city, until it was razed by the Romans in 146 BC. Rebuilt a century later it was destroyed by an earthquake in Byzantine times. (Photo by Manuel Cohen)
    DGREECE07_10_085.jpg
  • Alexander the Great blessed by Amon Min, god of fertility, relief, detail, in the barque hall in the Amon shrine, at the Luxor Temple, built c. 1392 BC, under Amenhotep III, 18th dynasty, New Kingdom, and Tutankhamun, Horemheb and Ramesses II, at Thebes, Luxor, Egypt. The relief was commissioned by Alexander, who appears as a pharaoh and king of Egypt, but it was completed under Philip III of Macedon. Thebes is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_EGYPT_MC_0572.jpg
  • Alexander the Great given life in the form on an ankh by the god Montu with falcon's head and solar disc, relief, in the barque hall in the Amon shrine, at the Luxor Temple, built c. 1392 BC, under Amenhotep III, 18th dynasty, New Kingdom, and Tutankhamun, Horemheb and Ramesses II, at Thebes, Luxor, Egypt. The relief was commissioned by Alexander, who appears as a pharaoh and king of Egypt, but it was completed under Philip III of Macedon. Thebes is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_EGYPT_MC_0571.jpg
  • Alexander the Great blessed by Amon Min, god of fertility, relief, in the barque hall in the Amon shrine, at the Luxor Temple, built c. 1392 BC, under Amenhotep III, 18th dynasty, New Kingdom, and Tutankhamun, Horemheb and Ramesses II, at Thebes, Luxor, Egypt. The relief was commissioned by Alexander, who appears as a pharaoh and king of Egypt, but it was completed under Philip III of Macedon. Thebes is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_EGYPT_MC_0569.jpg
  • Assyrian prisoners of war captured under Ramesses II, each with a cartouche listing provinces conquered, relief, at the Luxor Temple, built c. 1392 BC, under Amenhotep III, 18th dynasty, New Kingdom, and Tutankhamun, Horemheb and Ramesses II, at Thebes, Luxor, Egypt. Thebes is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_EGYPT_MC_0565.jpg
  • African prisoners of war captured under Ramesses II, each with a cartouche listing provinces conquered, relief, at the Luxor Temple, built c. 1392 BC, under Amenhotep III, 18th dynasty, New Kingdom, and Tutankhamun, Horemheb and Ramesses II, at Thebes, Luxor, Egypt. Thebes is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_EGYPT_MC_0562.jpg
  • Assyrian prisoners of war captured under Ramesses II, each with a cartouche listing provinces conquered, relief, at the Luxor Temple, built c. 1392 BC, under Amenhotep III, 18th dynasty, New Kingdom, and Tutankhamun, Horemheb and Ramesses II, at Thebes, Luxor, Egypt. Thebes is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_EGYPT_MC_0561.jpg
  • African prisoners of war captured under Ramesses II, each with a cartouche listing provinces conquered, relief, at the Luxor Temple, built c. 1392 BC, under Amenhotep III, 18th dynasty, New Kingdom, and Tutankhamun, Horemheb and Ramesses II, at Thebes, Luxor, Egypt. Thebes is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_EGYPT_MC_0432.jpg
  • African prisoners of war captured under Ramesses II, each with a cartouche listing provinces conquered, relief, at the Luxor Temple, built c. 1392 BC, under Amenhotep III, 18th dynasty, New Kingdom, and Tutankhamun, Horemheb and Ramesses II, at Thebes, Luxor, Egypt. Thebes is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_EGYPT_MC_0431.jpg
  • Amun Min, god of fertility, with erect phallus and wearing tall crown and false beard, relief, at the Luxor Temple, built c. 1392 BC, under Amenhotep III, 18th dynasty, New Kingdom, and Tutankhamun, Horemheb and Ramesses II, at Thebes, Luxor, Egypt. Thebes is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_EGYPT_MC_0430.jpg
  • Amenhotep III holding a papyrus stem, relief, at the Luxor Temple, built c. 1392 BC, under Amenhotep III, 18th dynasty, New Kingdom, and Tutankhamun, Horemheb and Ramesses II, at Thebes, Luxor, Egypt. Thebes is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_EGYPT_MC_0428.jpg
  • Tourist visiting the Luxor Temple, built c. 1392 BC, under Amenhotep III, 18th dynasty, New Kingdom, and Tutankhamun, Horemheb and Ramesses II, at Thebes, Luxor, Egypt. Behind is the relief of Alexander the Great given life in the form on an ankh by the god Montu with falcon's head and solar disc, and (left) Amun Re, in the barque hall in the Amon shrine. The relief was commissioned by Alexander, who appears as a pharaoh and king of Egypt, but it was completed under Philip III of Macedon. Thebes is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_EGYPT_MC_0429.jpg
  • African prisoners of war captured under Ramesses II, each with a cartouche listing provinces conquered, relief, at the Luxor Temple, built c. 1392 BC, under Amenhotep III, 18th dynasty, New Kingdom, and Tutankhamun, Horemheb and Ramesses II, at Thebes, Luxor, Egypt. Thebes is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_EGYPT_MC_0423.jpg
  • Son of Ramesses II, relief, at the Luxor Temple, built c. 1392 BC, under Amenhotep III, 18th dynasty, New Kingdom, and Tutankhamun, Horemheb and Ramesses II, at Thebes, Luxor, Egypt. Thebes is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_EGYPT_MC_0422.jpg
  • Nefertari, with cow horns and solar disc symbolic of Hathor and feathers of Ra, relief, in the Court of Ramesses II, at the Luxor Temple, built c. 1392 BC, under Amenhotep III, 18th dynasty, New Kingdom, and Tutankhamun, Horemheb and Ramesses II, at Thebes, Luxor, Egypt. This relief was added later to a statue usurped by Nefertari's husband, Ramesses II. Thebes is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_EGYPT_MC_0419.jpg
  • Assyrian prisoners of war captured under Ramesses II, each with a cartouche listing provinces conquered, relief, at the Luxor Temple, built c. 1392 BC, under Amenhotep III, 18th dynasty, New Kingdom, and Tutankhamun, Horemheb and Ramesses II, at Thebes, Luxor, Egypt. Thebes is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_EGYPT_MC_0416.jpg
  • Mother of Hatshepsut while pregnant, after divine fertilisation by the god Amon Re, painted relief on the lower terrace of the mortuary temple of Hatshepsut, built 15th century BC, at Deir el-Bahari in the Theban Necropolis, Thebes, Luxor, Egypt. Queen Hatshepsut was the 5th pharaoh of the 18th dynasty in the New Kingdom. The temple consists of 3 terraces built into the cliffs, with the sanctuary of the barque of Amun-Re, Hathor shrine and Anubis shrine. The Theban Necropolis is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_EGYPT_MC_0225.jpg
  • Anubis, jackal-headed god of the dead, holding sceptre and ankh, painted relief on the south wall of the Anubis shrine, on the middle terrace of the mortuary temple of Hatshepsut, built 15th century BC, at Deir el-Bahari in the Theban Necropolis, Thebes, Luxor, Egypt. The Anubis shrine consists of a hypostyle hall and 2 other rooms, with walls covered in reliefs and paintings. The temple consists of 3 terraces built into the cliffs, with the sanctuary of the barque of Amun-Re, Hathor shrine and Anubis shrine. The Theban Necropolis is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_EGYPT_MC_0227.jpg
  • Amon and Tuthmosis I, the 2 fathers of Hatshepsut, detail, relief in the mortuary temple of Hatshepsut, built 15th century BC, at Deir el-Bahari in the Theban Necropolis, Thebes, Luxor, Egypt. Queen Hatshepsut was the 5th pharaoh of the 18th dynasty in the New Kingdom. The temple consists of 3 terraces built into the cliffs, with the sanctuary of the barque of Amun-Re, Hathor shrine and Anubis shrine. The Theban Necropolis is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_EGYPT_MC_0274.jpg
  • Offering scene, with figure holding ankh, wearing tall crown and false royal beard, relief of the Expedition to the Land of Punt, on the Punt Portico on the middle terrace of the mortuary temple of Hatshepsut, built 15th century BC, at Deir el-Bahari in the Theban Necropolis, Thebes, Luxor, Egypt. The Egyptians took 5 boats of goods to Punt in Somalia to trade for frankincense trees, gold, ebony, ivory and exotic animals. Queen Hatshepsut was the 5th pharaoh of the 18th dynasty in the New Kingdom. The temple consists of 3 terraces built into the cliffs, with the sanctuary of the barque of Amun-Re, Hathor shrine and Anubis shrine. The Theban Necropolis is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_EGYPT_MC_0276.jpg
  • Anubis, jackal-headed god of the dead, painted relief in the Anubis shrine, on the middle terrace of the mortuary temple of Hatshepsut, built 15th century BC, at Deir el-Bahari in the Theban Necropolis, Thebes, Luxor, Egypt. The Anubis shrine consists of a hypostyle hall and 2 other rooms, with walls covered in reliefs and paintings. The temple consists of 3 terraces built into the cliffs, with the sanctuary of the barque of Amun-Re, Hathor shrine and Anubis shrine. The Theban Necropolis is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_EGYPT_MC_0280.jpg
  • Anubis, jackal-headed god of the dead, enthroned, with a pile of offerings including cows and birds, painted relief in the Anubis shrine, on the middle terrace of the mortuary temple of Hatshepsut, built 15th century BC, at Deir el-Bahari in the Theban Necropolis, Thebes, Luxor, Egypt. The Anubis shrine consists of a hypostyle hall and 2 other rooms, with walls covered in reliefs and paintings. The temple consists of 3 terraces built into the cliffs, with the sanctuary of the barque of Amun-Re, Hathor shrine and Anubis shrine. The Theban Necropolis is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_EGYPT_MC_0283.jpg
  • God Amun-Re, and ancient Greek graffiti painted on the wall, in the Sanctuary of Amun-Re, at the mortuary temple of Hatshepsut, built 15th century BC, at Deir el-Bahari in the Theban Necropolis, Thebes, Luxor, Egypt. Queen Hatshepsut was the 5th pharaoh of the 18th dynasty in the New Kingdom. The temple consists of 3 terraces built into the cliffs, with the sanctuary of the barque of Amun-Re, Hathor shrine and Anubis shrine. The Theban Necropolis is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_EGYPT_MC_0300.jpg
  • Hatshepsut, holding sceptre and ankh, painted relief in the mortuary temple of Hatshepsut, built 15th century BC, at Deir el-Bahari in the Theban Necropolis, Thebes, Luxor, Egypt. Queen Hatshepsut was the 5th pharaoh of the 18th dynasty in the New Kingdom. The temple consists of 3 terraces built into the cliffs, with the sanctuary of the barque of Amun-Re, Hathor shrine and Anubis shrine. The Theban Necropolis is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_EGYPT_MC_0310.jpg
  • Victory parade, with standard bearers followed by soldiers carrying shields, lances, and swords, celebrating a military victory in Kush, late 18th dynasty, painted sandstone relief, from a chapel or temple wall in Karnak, in the Luxor Museum, inaugurated 1975, in Luxor, Egypt. Picture by Manuel Cohen
    LC22_EGYPT_MC_0010.jpg
  • Victory parade, with standard bearers followed by soldiers carrying shields, lances, and swords, celebrating a military victory in Kush, late 18th dynasty, painted sandstone relief, from a chapel or temple wall in Karnak, in the Luxor Museum, inaugurated 1975, in Luxor, Egypt. Picture by Manuel Cohen
    LC22_EGYPT_MC_0011.jpg
  • Statue of Seti I, 2nd pharaoh of the 19th dynasty, New Kingdom, 1323-1279 BC, alabaster, from Karnak in the Luxor Museum, inaugurated 1975, in Luxor, Egypt. The statue has been extensively restored by the Supreme Council of Antiquities (SCA). Picture by Manuel Cohen
    LC22_EGYPT_MC_0025.jpg
  • Queen Hatshepsut as a women making offerings to the god Amun, detail, 1475-68 BC, 18th dynasty, New Kingdom, limestone relief from Karnak, in the Luxor Museum, inaugurated 1975, in Luxor, Egypt. Picture by Manuel Cohen
    LC22_EGYPT_MC_0032.jpg
  • Queen Hatshepsut as a women making offerings to the god Amun, 1475-68 BC, 18th dynasty, New Kingdom, limestone relief from Karnak, in the Luxor Museum, inaugurated 1975, in Luxor, Egypt. Picture by Manuel Cohen
    LC22_EGYPT_MC_0031.jpg
  • Queen Hatshepsut following her husband Thutmosis II, originally depicted as a royal consort, wearing a long dress and holding the sceptre of the god's wives, later modified, relief from a wall fragment, 18th dynasty, c. 1480 BC, New Kingdom, limestone, in the Luxor Museum, inaugurated 1975, in Luxor, Egypt. Picture by Manuel Cohen
    LC22_EGYPT_MC_0033.jpg
  • Colossal head of Amenhotep I, 2nd pharaoh of the 18th dynasty, wearing a tall crown with a protective uraeus, 1525-04 BC, New Kingdom, from the Temple of Amon in Karnak, in the Luxor Museum, inaugurated 1975, in Luxor, Egypt. Picture by Manuel Cohen
    LC22_EGYPT_MC_0036.jpg
  • Head from a colossal statue of Akhenaten or Amenhotep IV, 10th pharaoh of the 18th dynasty, wearing double crown with protective uraeus, c. 1380-35 BC, sandstone, from Karnak, in the Luxor Museum, inaugurated 1975, in Luxor, Egypt. The early Amarna style representations of Amenhotep IV are executed in an exaggerated, rather than idealised, style. Picture by Manuel Cohen
    LC22_EGYPT_MC_0041.jpg
  • Men carrying goods, working in temple storehouses, workshops and breweries, painted sandstone relief, 1365-60 BC, 18th dynasty, New Kingdom, from the wall of the Temple of Amenhotep IV in Karnak, in the Luxor Museum, inaugurated 1975, in Luxor, Egypt. Many fragments like this, or talatat, were used as filling material, removed from the interior of the 9th pylon at Karnak. Picture by Manuel Cohen
    LC22_EGYPT_MC_0042.jpg
  • Men carrying goods, working in temple storehouses, workshops and breweries, painted sandstone relief, 1365-60 BC, from the wall of the Temple of Amenhotep IV in Karnak, in the Luxor Museum, inaugurated 1975, in Luxor, Egypt. Many fragments like this, or talatat, were used as filling material, removed from the interior of the 9th pylon at Karnak. Picture by Manuel Cohen
    LC22_EGYPT_MC_0043.jpg
  • Men carrying goods, working in temple storehouses, workshops and breweries, painted sandstone relief, 1365-60 BC, from the wall of the Temple of Amenhotep IV in Karnak, in the Luxor Museum, inaugurated 1975, in Luxor, Egypt. Many fragments like this, or talatat, were used as filling material, removed from the interior of the 9th pylon at Karnak. Picture by Manuel Cohen
    LC22_EGYPT_MC_0044.jpg
  • Men working in temple storehouses, workshops and breweries, painted sandstone relief, 1365-60 BC, from the wall of the Temple of Amenhotep IV in Karnak, in the Luxor Museum, inaugurated 1975, in Luxor, Egypt. Many fragments like this, or talatat, were used as filling material, removed from the interior of the 9th pylon at Karnak. Picture by Manuel Cohen
    LC22_EGYPT_MC_0046.jpg
  • Man driving oxen, working in temple storehouses, workshops and breweries, painted sandstone relief, 1365-60 BC, from the wall of the Temple of Amenhotep IV in Karnak, in the Luxor Museum, inaugurated 1975, in Luxor, Egypt. Many fragments like this, or talatat, were used as filling material, removed from the interior of the 9th pylon at Karnak. Picture by Manuel Cohen
    LC22_EGYPT_MC_0048.jpg
  • Men carrying equipment, working in temple storehouses, workshops and breweries, painted sandstone relief, 1365-60 BC, from the wall of the Temple of Amenhotep IV in Karnak, in the Luxor Museum, inaugurated 1975, in Luxor, Egypt. Many fragments like this, or talatat, were used as filling material, removed from the interior of the 9th pylon at Karnak. Picture by Manuel Cohen
    LC22_EGYPT_MC_0049.jpg
  • Man using weighing scales, working in temple storehouses, workshops and breweries, painted sandstone relief, 1365-60 BC, from the wall of the Temple of Amenhotep IV in Karnak, in the Luxor Museum, inaugurated 1975, in Luxor, Egypt. Many fragments like this, or talatat, were used as filling material, removed from the interior of the 9th pylon at Karnak. Picture by Manuel Cohen
    LC22_EGYPT_MC_0051.jpg
  • Men carrying goods, working in temple storehouses, workshops and breweries, painted sandstone relief, 1365-60 BC, from the wall of the Temple of Amenhotep IV in Karnak, in the Luxor Museum, inaugurated 1975, in Luxor, Egypt. Many fragments like this, or talatat, were used as filling material, removed from the interior of the 9th pylon at Karnak. Picture by Manuel Cohen
    LC22_EGYPT_MC_0050.jpg
  • Colossal statue of Akhenaton or Amenhotep IV, 10th pharaoh of the 18th dynasty, detail, wearing the double crown of Upper and Lower Egypt and false royal beard, holding heka and wast, symbols of judgement, c. 1365-60 BC, sandstone, from Karnak, in the Luxor Museum, inaugurated 1975, in Luxor, Egypt. The early Amarna style representations of Amenhotep IV are executed in an exaggerated, rather than idealised, style. Picture by Manuel Cohen
    LC22_EGYPT_MC_0056.jpg
  • Colossal statue of Akhenaton or Amenhotep IV, 10th pharaoh of the 18th dynasty, detail, wearing the double crown of Upper and Lower Egypt and false royal beard, holding heka and wast, symbols of judgement, c. 1365-60 BC, sandstone, from Karnak, in the Luxor Museum, inaugurated 1975, in Luxor, Egypt. The early Amarna style representations of Amenhotep IV are executed in an exaggerated, rather than idealised, style. Picture by Manuel Cohen
    LC22_EGYPT_MC_0059.jpg
  • Stela of Ramesses III, 2nd pharaoh of the 20th dynasty, with relief of the pharaoh wearing a tall crown and false royal beard, presenting an offering to the god Amun Re, with inscription in hieroglyphs, 1193-62 BC, New Kingdom, sandstone, from Qurna, in the Luxor Museum, inaugurated 1975, in Luxor, Egypt. Picture by Manuel Cohen
    LC22_EGYPT_MC_0095.jpg
  • Head of man with curly hair, from the sarcophagus of the Anastasis or Resurrection, detail, Gallo-Roman, late 4th century AD, in the Musee de l'Arles Antique, an archaeological museum built 1995 by Henri Ciriani and extended in 2013, at Arles, Provence-Alpes-Cote d'Azur, France. The sarcophagus is decorated with early Christian motifs and may have belonged to emperor Constantine II. The museum is built on the ruins of the Roman Circus, and houses many artefacts from the town's Gallo-Roman history from 1st century BC. Picture by Manuel Cohen
    LC21_FRANCE_MC_1204.JPG
  • Coins of various denominations including denarius, sestertius, as and half-as, bronze, Gallo-Roman, 1st - 2nd century AD, excavated in the Vesunna domus in Perigueux, in the Musee Vesunna, Perigueux, Dordogne, France. The coins are stamped with the head of an emperor. The Vesunna Gallo-Roman Museum was built by Jean Nouvel and opened in 2003, to protect and house the excavated remains of the Vesunna domus and exhibit artefacts from the region. Vesunna was founded on the site of modern-day Perigueux in c. 16 BC under Emperor Augustus, and was the Gallo-Roman capital of Petrucores territory. Picture by Manuel Cohen
    LC21_FRANCE_MC_1104.jpg
  • Portrait of Alfons IV the Magnanimous, or Alfonso V of Aragon, 1396-1458, 1427, by Jaume Mateu, tempera on wood, from a group of 15 portraits of the kings and queens of Aragon, which decorated the Council Chamber of Valencia City Hall, in the Museu Nacional d'Art de Catalunya, in the Palau Nacional on Montjuic Hill, Barcelona, Catalonia, Spain. Picture by Manuel Cohen
    LC21_SPAIN_MC_0564.jpg
  • Walker on the footpath ascending the Pic du Canigou, in low cloud, in Pyrenees-Orientales, France. The Canigou stands at 2784m and is the highest of the Eastern peaks of the Pyrenees. Picture by Manuel Cohen
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  • Portrait of Paule de Lazerme in catalan dress, gouache and pastel on paper, 19th August 1954, by Pablo Picasso, 1881-1973, in the Musee d'Art Hyacinthe Rigaud, an art gallery housed in the Hotel de Lazerme, a private mansion built in the 18th century by the marquis Etienne de Blanes and bought in 1827 by Joseph de Lazerme, and the Hotel de Mailly, on the Rue de l'Age, Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. The museum was renovated and reopened in 2017 and houses 3 exhibitions: Gothic Perpignan, Baroque Perpignan and Modern Perpignan, including works by local artists Hyacinthe Rigaud and Aristide Maillol. Picture by Manuel Cohen - Further clearances required for reproduction (artist's copyright)
    LC20_FRANCE_MC_1352.jpg
  • Portrait of Paule Lazerme in catalan dress, black pencil drawing on paper, 19th August 1954, by Pablo Picasso, 1881-1973, in the Musee d'Art Hyacinthe Rigaud, an art gallery housed in the Hotel de Lazerme, a private mansion built in the 18th century by the marquis Etienne de Blanes and bought in 1827 by Joseph de Lazerme, and the Hotel de Mailly, on the Rue de l'Age, Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. The museum was renovated and reopened in 2017 and houses 3 exhibitions: Gothic Perpignan, Baroque Perpignan and Modern Perpignan, including works by local artists Hyacinthe Rigaud and Aristide Maillol. Picture by Manuel Cohen
    LC20_FRANCE_MC_1270.jpg
  • Female marble bust, thought to be Agrippina the Younger, Roman empress 15-59 AD, Roman, 1st century AD, in the Palau Reial Major, built as residence for the counts of Barcelona and kings of Aragon and now the MUHBA Placa del Rei, a history museum covering Roman to medieval periods, in Barcelona, Catalonia, Spain. The palace complex includes the Salo del Tinell, the Palatine Chapel of St Agatha built 1302, the Casa Padellas, the Palau Comtal, the Watchtower of King Marti and the Palau del Lloctinent built 1549. The museum is part of MUHBA or the Museu d'Historia de Barcelona. Picture by Manuel Cohen
    LC20_SPAIN_MC_401.jpg
  • Eleanor of Aragon, Renaissance marble bust, 1468, by Francesco Laurana, 1458-1502, from the Monastero di Santa Maria del Bosco, in the Galleria Regionale della Sicilia, or Gallery of Art for the Sicilian region, in the Palazzo Abatellis, designed by Matteo Carnelivari in Gothic-Catalan style, 15th century, on the Via Alloro in the Kalsa district of Palermo, Sicily, Italy. The palace was originally the home of Francesco Abatellis, port master of the Kingdom of Sicily, subsequently became a monastery before opening as a museum in 1954. Picture by Manuel Cohen
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  • Statue of Leon Battista Alberti, 1404-72, Italian Renaissance humanist author, artist, architect and poet, on the facade of the Galleria degli Uffizi, or Uffizi Gallery, an art museum adjacent to the Piazza della Signoria in Florence, Tuscany, Italy. The Uffizi building was begun by Giorgio Vasari in 1560 for Cosimo I de' Medici and completed by Alfonso Parigi and Bernardo Buontalenti in 1581. The historic centre of Florence is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC20_ITALY_MC_289.jpg
  • Hallmark depicting Louis XIV, 1674, steel, engraving, in the Salle de la Manufacture, in the Musee du 11 Conti or Monnaie de Paris, reopened in 2017 after refurbishment, housed in the Hotel de la Monnaie, on Quai de Conti, in the 6th arrondissement of Paris, France. In the mint, gold coins, medals and official decorations are cast and visitors can watch this process taking place. The Paris Mint was founded in 864 AD and has been in the current building since 1775. Picture by Manuel Cohen
    LC19_PARIS_MC_1043.jpg
  • Man sitting, holding scales, representing laziness, charcoal drawings, made 1882-91, drawn by 2 unknown men, possibly bell ringers, in the bell room of the Eglise Notre-Dame-de-la-Croix de Menilmontant, in the 20th arrondissement of Paris, France. The Church of Our Lady of the Holy Cross of Menilmontant is a Roman catholic church built 1863-80. Picture by Manuel Cohen
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  • Ernie LaPointe, b. 1948, great-grandson of Sitting Bull, chief of the Hunkpapa Lakota tribe, holding a drum, on the terrace of Diane Jos' 'Paris avec toits', where bees are kept in hives on Parisian rooftops, Paris, France. Ernie LaPointe is a Native American sun dancer, speaker, writer and founding president of the Sitting Bull Family Foundation. He follows a traditional Lakota life in South Dakota, using oral traditions to perpetuate the history of Sitting Bull. Photographed on 20th May 2019 by Manuel Cohen
    200519_ErnieLapointe_MC04.jpg
  • Ernie LaPointe, b. 1948, great-grandson of Sitting Bull, chief of the Hunkpapa Lakota tribe, holding a drum, on the terrace of Diane Jos' 'Paris avec toits', where bees are kept in hives on Parisian rooftops, Paris, France. Ernie LaPointe is a Native American sun dancer, speaker, writer and founding president of the Sitting Bull Family Foundation. He follows a traditional Lakota life in South Dakota, using oral traditions to perpetuate the history of Sitting Bull. Photographed on 20th May 2019 by Manuel Cohen
    200519_ErnieLapointe_MC03.jpg
  • Ernie LaPointe, b. 1948, great-grandson of Sitting Bull, chief of the Hunkpapa Lakota tribe, holding a drum, on the terrace of Diane Jos' 'Paris avec toits', where bees are kept in hives on Parisian rooftops, Paris, France. Ernie LaPointe is a Native American sun dancer, speaker, writer and founding president of the  Sitting Bull Family Foundation. He follows a traditional Lakota life in South Dakota, using oral traditions to perpetuate the history of Sitting Bull. Photographed on 20th May 2019 by Manuel Cohen
    200519_ErnieLapointe_MC02.jpg
  • Soldier sculpture from the Higgins Boat Monument, with a life-sized replica of a LCVP or Higgins boat made of steel and set in sand as if beached, and sculptures by Fred Hoppe of soldiers running (1 from each of the 3 wars in which Higgins Boats served, World War II, Korean, and Vietnam Wars), inaugurated 2015, at Utah Beach, Saint-Martin-de-Varreville, Cotentin Peninsula, Manche, Normandy, France. The monument also features a statue of Andrew Jackson Higgins, 1886-1952, who designed the boat, of which 1089 were used in D-Day. The monument is next to the Utah Beach Museum. Utah Beach in the Dunes of Saint Martin de Vareville, is where on June 6th 1944 the US Army 4th Infantry Division landed as part of the Allied Invasion, or D-Day landings, during the Second World War. Picture by Manuel Cohen
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  • Front cover of issue no. 224 of Historia, a monthly history magazine, published July 1965, featuring an article on the end of the empire - the abdication of Napoleon. Historia was created by Jules Tallandier and published 1909-37 and again from 1945. Picture by Manuel Cohen
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  • Statue of Robert the Bruce, 1274-1329, king of Scots 1306-29 and leader of the Scots during the First War of Scottish Independence against England, made 1876, by Andrew Currie, 1812-91, on the castle esplanade at Stirling Castle, Stirling, Scotland. Picture by Manuel Cohen
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  • Portrait of sculptor Pauline Betin, b. 1986, in her studio in Betton, near Rennes, Ille-et-Vilaine, Brittany, France. Betin is a sculptor in glass paste who produces work exploring the nature of landscape and the crossover from urban to rural landscapes. Her work explores themes of the natural and man-made, the personal and collective, using contrasts of opacity and transparency; matt and shiny surfaces, and drawing, photography and sculpture. Picture by Manuel Cohen
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  • Anne Midavaine, director of the Atelier Midavaine, with lacquer and gold leaf panels with a garden design, in the workshop on the Rue des Acacias in the 17th arrondissement of Paris, France. Anne Midavaine is the granddaughter of lacquer artist Louis Midavaine, who founded the company in 1919. The workshop produces lacquer panelling, furniture and objects, mainly to commission, working with an international clientele. Picture by Manuel Cohen
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  • Portraits of Nectanebos and Peleus, father of Achilles, tempera painting on paper, c. 1470, originally decorating the wooden ceiling of a 15th century house in the town, demolished 1970, in the Museo Storico Archeologico, or Museo Castelgrande, in Castelgrande, a large defensive medieval castle in the Old Town of Bellinzona, Ticino, Switzerland. A fortification has been in place here since the 1st century BC, although the current buildings date from the 12th and 15th centuries. The castle is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
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  • Olivier Taieb, film director, cinematographer and writer, in Paris, France, 2017. Picture by Manuel Cohen
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  • Olivier Taieb, film director, cinematographer and writer, in Paris, France, 2017. Picture by Manuel Cohen
    121217_OlivierTaieb_MC_002.jpg
  • Olivier Taieb, film director, cinematographer and writer, in Paris, France, 2017. Picture by Manuel Cohen
    121217_OlivierTaieb_MC_003.jpg
  • Effigy of Charles the Poet, 1394-1465, Duke of Orleans, made 1504, on the funerary monument of the Dukes of Orleans, marble, 16th century, with effigies of Louis, Duke of Orleans, 1372-1407, Valentine Visconti his wife, 1366-1408, and their sons Charles the Poet, 1394-1465, and Philip, 1396-1420, comte de Vertus, in the Chapelle Saint-Michel, in the Basilique Saint-Denis, Paris, France. Statuettes of 24 saints and apostles stand in niches around the tomb, which was commissioned in 1502 by Louis XII and made by Italian artists. This tomb was originally in the Chapelle des Celestins in Paris. The basilica is a large medieval 12th century Gothic abbey church and burial site of French kings from 10th - 18th centuries. Picture by Manuel Cohen
    LC18_FRANCE_MC_0171.jpg
  • Effigy of Valentine Visconti, 1366-1408, wife of Louis of Orleans, made 1504, on the funerary monument of the Dukes of Orleans, marble, 16th century, with effigies of Louis, Duke of Orleans, 1372-1407, Valentine Visconti his wife, 1366-1408, and their sons Charles the Poet, 1394-1465, and Philip, 1396-1420, comte de Vertus, in the Chapelle Saint-Michel, in the Basilique Saint-Denis, Paris, France. Statuettes of 24 saints and apostles stand in niches around the tomb, which was commissioned in 1502 by Louis XII and made by Italian artists. This tomb was originally in the Chapelle des Celestins in Paris. The basilica is a large medieval 12th century Gothic abbey church and burial site of French kings from 10th - 18th centuries. Picture by Manuel Cohen
    LC18_FRANCE_MC_0176.jpg
  • Effigy of Philip, 1396-1420, comte de Vertus, and behind, effigy of Charles the Poet, 1394-1465, Duke of Orleans, made 1504, on the funerary monument of the Dukes of Orleans, marble, 16th century, with effigies of Louis, Duke of Orleans, 1372-1407, Valentine Visconti his wife, 1366-1408, and their sons Charles the Poet, 1394-1465, and Philip, 1396-1420, comte de Vertus, in the Chapelle Saint-Michel, in the Basilique Saint-Denis, Paris, France. Statuettes of 24 saints and apostles stand in niches around the tomb, which was commissioned in 1502 by Louis XII and made by Italian artists. This tomb was originally in the Chapelle des Celestins in Paris. The basilica is a large medieval 12th century Gothic abbey church and burial site of French kings from 10th - 18th centuries. Picture by Manuel Cohen
    LC18_FRANCE_MC_0174.jpg
  • Effigy of Charles V, 1338-80, king of France 1364-80 who commissioned his own funerary sculpture from Andre Beauneveu in 1364, and his wife Jeanne de Bourbon, 1338-77, holding a bag indicating that only the entrails of the deceased are buried here, originally from the Eglise des Celestins in Paris and moved to Saint-Denis in 1816, in the Basilique Saint-Denis, Paris, France. The basilica is a large medieval 12th century Gothic abbey church and burial site of French kings from 10th - 18th centuries. Picture by Manuel Cohen
    LC18_FRANCE_MC_0215.jpg
  • Effigy of Bertrand Du Gesclin, 1320-80, Constable of France 1370-80, commissioned by Charles V, made in 1397 in marble, in the Basilique Saint-Denis, Paris, France. The basilica is a large medieval 12th century Gothic abbey church and burial site of French kings from 10th - 18th centuries. Picture by Manuel Cohen
    LC18_FRANCE_MC_0229.jpg
  • Effigy of Blanche de France, 1253–1323, Infanta of Castile, daughter of Saint-Louis and Margaret of Provence, originally made in the 14th century for the Eglise des Cordeliers in Paris and moved to Saint-Denis in 1817, in the Basilique Saint-Denis, Paris, France. The basilica is a large medieval 12th century Gothic abbey church and burial site of French kings from 10th - 18th centuries. Picture by Manuel Cohen
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  • Relief portrait of Maria Theresa of Austria, 1638-83, wife of Louis XIV, from her tomb in the crypt of the Basilique Saint-Denis, Paris, France. The basilica is a large medieval 12th century Gothic abbey church and burial site of French kings from 10th - 18th centuries. Picture by Manuel Cohen
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  • Relief portrait of Marie Adelaide de France, 1732-1800, aunt of Charles X, on the tomb of Charles de Valois-Angouleme, Duc d'Angouleme, in the Basilique Saint-Denis, Paris, France. The basilica is a large medieval 12th century Gothic abbey church and burial site of French kings from 10th - 18th centuries. Picture by Manuel Cohen
    LC18_FRANCE_MC_0342.jpg
  • Effigy of Henri II, 1519–59, made after the wax and wood funeral effigies used in their funeral procession, originally in the Rotonde des Valois, commissioned by Catherine de Medici in 1583 and made in marble by Germain Pilon, in the Basilique Saint-Denis, Paris, France. The basilica is a large medieval 12th century Gothic abbey church and burial site of French kings from 10th - 18th centuries. Picture by Manuel Cohen
    LC18_FRANCE_MC_0391.jpg
  • Cenotaph (empty funerary monument) of Louis XIV, 1638-1715, with marble relief portrait designed by Girardon flanked by 2 mourners, commissioned in 1841 by Louis-Philippe, in the Bourbon chapel in the Basilique Saint-Denis, Paris, France. The basilica is a large medieval 12th century Gothic abbey church and burial site of French kings from 10th - 18th centuries. Picture by Manuel Cohen
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  • Portrait of Louis Sforce, Duke of Milan, in the Galerie des Illustres or Gallery of Portraits, early 17th century, in the Chateau de Beauregard, a Renaissance chateau in the Loire Valley, built c. 1545 under Jean du Thiers and further developed after 1617 by Paul Ardier, Comptroller of Wars and Treasurer, in Cellettes, Loir-et-Cher, Centre, France. The Gallery of Portraits is a 26m long room with lapis lazuli ceiling, Delftware tiled floor and decorated with 327 portraits of important European figures living 1328-1643, in the times of Henri III, Henri IV and Louis XIII. The chateau is listed as a historic monument. Picture by Manuel Cohen
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  • Portrait of Cesare Borgia, 1475-1507, Italian nobleman, in the Galerie des Illustres or Gallery of Portraits, early 17th century, in the Chateau de Beauregard, a Renaissance chateau in the Loire Valley, built c. 1545 under Jean du Thiers and further developed after 1617 by Paul Ardier, Comptroller of Wars and Treasurer, in Cellettes, Loir-et-Cher, Centre, France. The Gallery of Portraits is a 26m long room with lapis lazuli ceiling, Delftware tiled floor and decorated with 327 portraits of important European figures living 1328-1643, in the times of Henri III, Henri IV and Louis XIII. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC16_FRANCE_MC_0729.jpg
  • Portrait of Giovanni Pico della Mirandola, 1463-94, Italian Renaissance nobleman and philosopher and Count of Mirandole, in the Galerie des Illustres or Gallery of Portraits, early 17th century, in the Chateau de Beauregard, a Renaissance chateau in the Loire Valley, built c. 1545 under Jean du Thiers and further developed after 1617 by Paul Ardier, Comptroller of Wars and Treasurer, in Cellettes, Loir-et-Cher, Centre, France. The Gallery of Portraits is a 26m long room with lapis lazuli ceiling, Delftware tiled floor and decorated with 327 portraits of important European figures living 1328-1643, in the times of Henri III, Henri IV and Louis XIII. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC16_FRANCE_MC_0726.jpg
  • Portrait of Anton Fugger, 1493-1560, German merchant and nephew of Jacob Fugger, 1510-1515, drawing in silver pen with pen and ink, by  Hans Holbein the Elder, 1460-1524, in the Kupferstichkabinett or Museum of Prints and Drawings, Berlin, Germany. Picture by Manuel Cohen
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  • Portrait of Jean Sans Peur (Jean de Valois or Jean I duc de Bourgogne), or John the Fearless (John of Valois or John I Duke of Burgundy), 1371-1419, oil painting on wood, copy c. 1500 of an original of 1400-10 by an unknown Flemish artist, in the Musee des Beaux-Arts de Dijon, opened 1787 in the Palace of the Dukes of Burgundy in Dijon, Burgundy, France. Picture by Manuel Cohen
    LC16_FRANCE_MC_0137.jpg
  • Portrait of Philippe le Hardi (Philippe II, duc de Bourgogne) or Philip the Bold (Philip II, Duke of Burgundy), 1342-1404, 16th century copy of an original c. 1400 by Jean Malouel, 1365-1415, in the Musee des Beaux-Arts de Dijon, opened 1787 in the Palace of the Dukes of Burgundy in Dijon, Burgundy, France. Jean Malouel was the court painter of Philip the Bold, working in International Gothic style. Picture by Manuel Cohen
    LC16_FRANCE_MC_0138.jpg
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