manuel cohen

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  • Ronot press, reconstructed, and statue of Allegory of Industry, at the Conservatoire des Arts de la Metallurgie, or Conservatory of the Arts of Metallurgy, formerly the lower factory of the foundry at Dommartin-le-Franc, in the Blaise valley, Haute-Marne, Grand Est, France. The Ronot press is a huge 8m tall stamping press weighing 150 tons, used in the Bragarde Ronot company 1931-2014, built by Delattre and Frouard in Dammarie-les-Lys. Picture by Manuel Cohen
    LC21_FRANCE_MC_1875.jpg
  • Monumental oak capstan wine press known as 'Tetu', installed 1478, in the Chateau du Clos Vougeot, built in Renaissance style in the 16th century, on the site of a 12th century winery built by monks from the nearby Abbey of Citeaux, Burgundy, France. This huge press has a 9.5m long lever consisting of 6 reinforced oak beams, and an enormous trough. The chateau sits in the Burgundy Clos de Vougeot vineyard, near the Route des Grands Crus between Dijon and Beaune in Cote-d'Or in Bourgogne-Franche-Comte. The chateau, which still houses a medieval vat-house and presses, Cistercian cellar and original kitchens, has been the headquarters of the Confrerie des Chevaliers du Tastevin since 1945. It is listed as a historic monument. Picture by Manuel Cohen
    LC16_FRANCE_MC_0314.jpg
  • Monumental oak capstan wine press known as 'Tetu', installed 1478, in the Chateau du Clos Vougeot, built in Renaissance style in the 16th century, on the site of a 12th century winery built by monks from the nearby Abbey of Citeaux, Burgundy, France. This huge press has a 9.5m long lever consisting of 6 reinforced oak beams, and an enormous trough. The chateau sits in the Burgundy Clos de Vougeot vineyard, near the Route des Grands Crus between Dijon and Beaune in Cote-d'Or in Bourgogne-Franche-Comte. The chateau, which still houses a medieval vat-house and presses, Cistercian cellar and original kitchens, has been the headquarters of the Confrerie des Chevaliers du Tastevin since 1945. It is listed as a historic monument. Picture by Manuel Cohen
    LC16_FRANCE_MC_0313.jpg
  • The mystic grape press, with angels screwing press to make wine, lancet window from the South transept, by Jacques Simon, commissioned in 1954 by the Corporation des Vins de Champagne, the lobby of Champagne producers, after damage to the original windows in WWII, in the Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0535.jpg
  • Heat moulding press, 1874, used to shape battle saddles, at the Ateliers de la Garde Republicaine, or workshops of the Republican Guard, 10, Avenue de la Republique, Paris, France. The machine is used by saddle harnessers responsible for maintaining the saddles and weapon harnesses, some dating from the First World War and still used by the cavalry regiment, using high quality leather and traditional manufacturing methods. The Garde Republicaine was founded by Napoleon in 1802. It is part of the Gendarmerie and is responsible for security, guards of honour, military ceremonies and horseback patrols. In its workshops, master craftsmen maintain the equipment used by the horsemen and infantrymen, using traditional and sometimes ancient techniques passed down through the generations. Picture by Manuel Cohen
    LC18_FRANCE_MC_0547.jpg
  • Saddle harnessers using the heat moulding press, 1874, used to shape battle saddles, at the Ateliers de la Garde Republicaine, or workshops of the Republican Guard, 10, Avenue de la Republique, Paris, France. The saddle harnessers maintain the saddles and weapon harnesses, some dating from the First World War and still used by the cavalry regiment, using high quality leather and traditional manufacturing methods. The Garde Republicaine was founded by Napoleon in 1802. It is part of the Gendarmerie and is responsible for security, guards of honour, military ceremonies and horseback patrols. In its workshops, master craftsmen maintain the equipment used by the horsemen and infantrymen, using traditional and sometimes ancient techniques passed down through the generations. Picture by Manuel Cohen
    LC18_FRANCE_MC_0533.jpg
  • Wooden wine press in Montebello castle, built early 14th century for the Rusconi family, with a keep of 1313, and expanded 1462-90, in Bellinzona, Ticino, Switzerland. The castle is linked to the town by crenellated defensive walls. The castle is listed as a UNESCO World Heritage Site and now houses the Archaeological and Civic Museum, opened 1974. Picture by Manuel Cohen
    LC18_Bellinzona_MC011.jpg
  • Monumental oak capstan wine press installed 1478, in the Chateau du Clos Vougeot, built in Renaissance style in the 16th century, on the site of a 12th century winery built by monks from the nearby Abbey of Citeaux, Burgundy, France. The chateau sits in the Burgundy Clos de Vougeot vineyard, near the Route des Grands Crus between Dijon and Beaune in Cote-d'Or in Bourgogne-Franche-Comte. The chateau, which still houses a medieval vat-house and presses, Cistercian cellar and original kitchens, has been the headquarters of the Confrerie des Chevaliers du Tastevin since 1945. It is listed as a historic monument. Picture by Manuel Cohen
    LC16_FRANCE_MC_0315.jpg
  • Monumental oak capstan wine press installed 1478, in the Chateau du Clos Vougeot, built in Renaissance style in the 16th century, on the site of a 12th century winery built by monks from the nearby Abbey of Citeaux, Burgundy, France. The chateau sits in the Burgundy Clos de Vougeot vineyard, near the Route des Grands Crus between Dijon and Beaune in Cote-d'Or in Bourgogne-Franche-Comte. The chateau, which still houses a medieval vat-house and presses, Cistercian cellar and original kitchens, has been the headquarters of the Confrerie des Chevaliers du Tastevin since 1945. It is listed as a historic monument. Picture by Manuel Cohen
    LC16_FRANCE_MC_0316.jpg
  • Press visit and conference at Parc Zoologique de Paris, or Zoo de Vincennes, (Zoological Gardens of Paris, also known as Vincennes Zoo), on October 16, 2012 in 12th arrondissement, Paris, France. Actually closed to the public for renovation works. The Zoo is scheduled to re-open in April 2014. Picture by Manuel Cohen
    PZP_Epopee_MCohen156.JPG
  • Press visit and conference at Parc Zoologique de Paris, or Zoo de Vincennes, (Zoological Gardens of Paris, also known as Vincennes Zoo), on October 16, 2012 in 12th arrondissement, Paris, France. Actually closed to the public for renovation works. The Zoo is scheduled to re-open in April 2014. Picture by Manuel Cohen
    PZP_Epopee_MCohen157.jpg
  • Bernard Tschumi, Bernard Tschumi urbanistes Architectes (BtuA), stroking a giraffe during the press visit and conference at Parc Zoologique de Paris, or Zoo de Vincennes, (Zoological Gardens of Paris, also known as Vincennes Zoo), on October 16, 2012 in 12th arrondissement, Paris, France. Actually closed to the public for renovation works. The Zoo is scheduled to re-open in April 2014. Picture by Manuel Cohen
    PZP_Epopee_MCohen158.jpg
  • Giraffes in their enclosure welcome the press visit and conference at Parc Zoologique de Paris, or Zoo de Vincennes, (Zoological Gardens of Paris, also known as Vincennes Zoo), on October 16, 2012 in 12th arrondissement, Paris, France. Actually closed to the public for renovation works. The Zoo is scheduled to re-open in April 2014. Picture by Manuel Cohen
    PZP_Epopee_MCohen160.jpg
  • Press visit and conference at Parc Zoologique de Paris, or Zoo de Vincennes, (Zoological Gardens of Paris, also known as Vincennes Zoo), on October 16, 2012 in 12th arrondissement, Paris, France. Actually closed to the public for renovation works. The Zoo is scheduled to re-open in April 2014. Picture by Manuel Cohen
    PZP12_VincennesZoo_MC043.JPG
  • Press visit and conference at Parc Zoologique de Paris, or Zoo de Vincennes, (Zoological Gardens of Paris, also known as Vincennes Zoo), on October 16, 2012 in 12th arrondissement, Paris, France. Actually closed to the public for renovation works. The Zoo is scheduled to re-open in April 2014. Picture by Manuel Cohen
    PZP12_VincennesZoo_MC044.jpg
  • Bernard Tschumi, Bernard Tschumi urbanistes Architectes (BtuA), stroking a giraffe during the press visit and conference at Parc Zoologique de Paris, or Zoo de Vincennes, (Zoological Gardens of Paris, also known as Vincennes Zoo), on October 16, 2012 in 12th arrondissement, Paris, France. Actually closed to the public for renovation works. The Zoo is scheduled to re-open in April 2014. Picture by Manuel Cohen
    PZP12_VincennesZoo_MC045.jpg
  • Bernard Tschumi, Bernard Tschumi urbanistes Architectes (BtuA), stroking a giraffe during the press visit and conference at Parc Zoologique de Paris, or Zoo de Vincennes, (Zoological Gardens of Paris, also known as Vincennes Zoo), on October 16, 2012 in 12th arrondissement, Paris, France. Actually closed to the public for renovation works. The Zoo is scheduled to re-open in April 2014. Picture by Manuel Cohen
    PZP12_VincennesZoo_MC046.jpg
  • The House of the Oil Press and the Roman Basilica in the distance, Volubilis, Northern Morocco. There are 58 olive oil pressing places in the city. Volubilis was founded in the 3rd century BC by the Phoenicians and was a Roman settlement from the 1st century AD. Volubilis was a thriving Roman olive growing town until 280 AD and was settled until the 11th century. The buildings were largely destroyed by an earthquake in the 18th century and have since been excavated and partly restored. Volubilis was listed as a UNESCO World Heritage Site in 1997. Picture by Manuel Cohen
    LC14_Morocco_MC035.jpg
  • Bernard Tschumi, Bernard Tschumi urbanistes Architectes (BtuA), stroking a giraffe during the press visit and conference at Parc Zoologique de Paris, or Zoo de Vincennes, (Zoological Gardens of Paris, also known as Vincennes Zoo), on October 16, 2012 in 12th arrondissement, Paris, France. Actually closed to the public for renovation works. The Zoo is scheduled to re-open in April 2014. Picture by Manuel Cohen
    PZP_Epopee_MCohen159.jpg
  • Giraffes in their enclosure welcome the press visit and conference at Parc Zoologique de Paris, or Zoo de Vincennes, (Zoological Gardens of Paris, also known as Vincennes Zoo), on October 16, 2012 in 12th arrondissement, Paris, France. Actually closed to the public for renovation works. The Zoo is scheduled to re-open in April 2014. Picture by Manuel Cohen
    PZP12_VincennesZoo_MC047.jpg
  • Stone basin of an olive oil press, on the acropolis of the ancient ruined Greek city of Selinunte, Sicily, Italy. In the distance is Temple C, built 550 BC, with a peristyle of 6 x 17 Doric columns, 14 of which were re-erected in 1925-27 along with a section of the entablature. It was dedicated to Apollo and is thought to have been used as an archive. Selinunte was founded in 628 BC and was an important Greek colony, home to up to 100,000 people at its peak and abandoned in 250 BC. The city consists of an acropolis housing 2 main streets and 5 temples, 3 other hills with housing and temples and 2 necropoleis. Picture by Manuel Cohen
    LC17_ITALY_MC075.jpg
  • Reconstructed Roman oil press, Volubilis, Northern Morocco, where olive growing was the main industry. Volubilis was founded in the 3rd century BC by the Phoenicians and was a Roman settlement from the 1st century AD. Volubilis was a thriving Roman olive growing town until 280 AD and was settled until the 11th century. The buildings were largely destroyed by an earthquake in the 18th century and have since been excavated and partly restored. Volubilis was listed as a UNESCO World Heritage Site in 1997. Picture by Manuel Cohen
    LC14_Morocco_MC116.jpg
  • Roman stone oil press with a striated conical trunk for making olive oil and Doric columns along the Decumanus Maximus in the distance, Volubilis, Northern Morocco. Volubilis was founded in the 3rd century BC by the Phoenicians and was a Roman settlement from the 1st century AD. Volubilis was a thriving Roman olive growing town until 280 AD and was settled until the 11th century. The buildings were largely destroyed by an earthquake in the 18th century and have since been excavated and partly restored. Volubilis was listed as a UNESCO World Heritage Site in 1997. Picture by Manuel Cohen
    LC14_Morocco_MC171.jpg
  • Roman stone oil press with a striated conical trunk at Volubilis, Northern Morocco, where olive growing was the main industry. Volubilis was founded in the 3rd century BC by the Phoenicians and was a Roman settlement from the 1st century AD. Volubilis was a thriving Roman olive growing town until 280 AD and was settled until the 11th century. The buildings were largely destroyed by an earthquake in the 18th century and have since been excavated and partly restored. Volubilis was listed as a UNESCO World Heritage Site in 1997. Picture by Manuel Cohen
    LC14_Morocco_MC034.jpg
  • Reconstructed Roman oil press in a house in Volubilis, Northern Morocco, where olive growing was the main industry. Volubilis was founded in the 3rd century BC by the Phoenicians and was a Roman settlement from the 1st century AD. Volubilis was a thriving Roman olive growing town until 280 AD and was settled until the 11th century. The buildings were largely destroyed by an earthquake in the 18th century and have since been excavated and partly restored. Volubilis was listed as a UNESCO World Heritage Site in 1997. Picture by Manuel Cohen
    LC14_Morocco_MC003.jpg
  • Roman stone oil press with a striated conical trunk at Volubilis, Northern Morocco, where olive growing was the main industry. Volubilis was founded in the 3rd century BC by the Phoenicians and was a Roman settlement from the 1st century AD. Volubilis was a thriving Roman olive growing town until 280 AD and was settled until the 11th century. The buildings were largely destroyed by an earthquake in the 18th century and have since been excavated and partly restored. Volubilis was listed as a UNESCO World Heritage Site in 1997. Picture by Manuel Cohen
    LC14_Morocco_MC011.jpg
  • Agence France Presse headquarters, Place de la Bourse, in the 2nd arrondissement of Paris, France. The building was designed by Robert Camelot and Jean-Claude Rochette and built 1957-61. The Agence France Presse is the oldest news agency in the world, founded in 1835 by Charles-Louis Havas, 1783-1858, under the name Havas agency. Picture by Manuel Cohen
    LC19_PARIS_MC_0874.JPG
  • Berat National Ethnographic Museum, opened 1979 in Berat, South-Central Albania, capital of the District of Berat and the County of Berat. The museum houses everyday objects from throughout Berat's history, including a wooden case, wall-closets, chimneys, a well, an olive press, wool press and many large ceramic dishes, teaching us about the historical domestic culture of Berat's citizens. Picture by Manuel Cohen
    LC14_Albania_MC095.jpg
  • Apostles, from the window of the Mystical Wine Press, stained glass window, 1625, by Linard Gonthier, in a side chapel in the Cathedral Saint-Pierre-et-Saint-Paul, begun 1208 in Gothic style and completed in the 17th century, in Troyes, Aube, Grand Est, France. This window was commissioned by canon Jean Bareto and represents the eucharist, inspired by the iconography of the Tree of Jesse. The cathedral is a historic monument. Picture by Manuel Cohen
    LC22_FRANCE_MC_0516.jpg
  • Press at the winery, built 1771, at the Chateau de la Chaize, designed by Jules Hardouin-Mansart for Francois de la Chaise, and built 1674-76, at Odenas, Rhone, France. The 400 hectare estate boasts Beaujolais vineyards planted in the 18th century. The chateau and its winery are listed as historic monuments. Picture by Manuel Cohen
    LC22_FRANCE_MC_0333.jpg
  • Apostles, detail from the Window of the Mystical Wine Press, stained glass window, 1625, by Linard Gonthier, in a side chapel in the Cathedral Saint-Pierre-et-Saint-Paul, begun 1208 in Gothic style and completed in the 17th century, in Troyes, Aube, Grand Est, France. This window was commissioned by canon Jean Bareto and represents the eucharist, inspired by the iconography of the Tree of Jesse. The cathedral is a historic monument. Picture by Manuel Cohen
    LC22_FRANCE_MC_0024.jpg
  • Wine press, plate from the Encyclopaedia of Diderot and Alembert, first edition, published 1751, 35 volumes, in the library of the Maison de l’Outil et de la Pensee Ouvriere, with over 32,000 books, specialising in manual labour, housed in the Hotel de Mauroy, built c. 1560, in Troyes, Aube, Grand Est, France. Picture by Manuel Cohen
    LC22_FRANCE_MC_0436.jpg
  • Front page of Le Canard Enchaine, issue number 201, 5th year, published 5th May 1920, with a cartoon by Guilac featuring a chained duck and a headline 'Le Canard de nouveau enchaine', as the newspaper's title reverted to its original from the brief period it was called Le Canard Dechaine after WWI to celebrate the end of military censorship of the press. Le Canard Enchaine is a satirical weekly newspaper, founded in 1915 during the First World War by Maurice Marechal, Jeanne Marechal and H P Gassier. It features investigative journalism, political cartoons, business and political leaks and bogus interviews. In 2015 the newspaper celebrated its 100th anniversary. Picture by Manuel Cohen
    LC_HISTORY_MC_0196.jpg
  • Gallo-Roman funerary stela fragment with relief of fabric press, in the Musee Saint-Remi, an art and archaeology museum in the Basilique Saint Remi or Abbey of Saint-Remi, founded 6th century, in Reims, Marne, Grand Est, France. The abbey is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_FRANCE_MC_2614.jpg
  • Front page of Le Canard Dechaine (the newspaper's headline was briefly changed to this after WWI to celebrate the end of military censorship of the press), issue number 176 & 177, 4th year, published 12th & 19th November 1919, with headline, 'La France a vote' (France has voted) and a map of France filled with political figures, referring to the legislative election, the first election after WWI, held on 16th and 30th November 1919. Le Canard Enchaine is a satirical weekly newspaper, founded in 1915 during the First World War by Maurice Marechal, Jeanne Marechal and H P Gassier. It features investigative journalism, political cartoons, business and political leaks and bogus interviews. In 2015 the newspaper celebrated its 100th anniversary. Picture by Manuel Cohen
    LC_HISTORY_MC_0195.jpg
  • Front page of Le Canard Dechaine, issue number 172, 4th year, published 15th October 1919, with satirical cartoons featuring ducks and a headline, 'Le Canard est dechaine' (the newspaper's headline was briefly changed to this after WWI to celebrate the end of military censorship of the press). Le Canard Enchaine is a satirical weekly newspaper, founded in 1915 during the First World War by Maurice Marechal, Jeanne Marechal and H P Gassier. It features investigative journalism, political cartoons, business and political leaks and bogus interviews. In 2015 the newspaper celebrated its 100th anniversary. Picture by Manuel Cohen
    LC_HISTORY_MC_0194.jpg
  • Visitor in the old press room where the juices were collected, at Pressoria, a Champagne Interpretation Centre, opened July 2021 in the former Maison Pommery pressing centre, offering an interactive visitor experience exploring the history and production of champagne, at Ay-Champagne, Marne, Grand Est, France. The vineyards at Ay are listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_FRANCE_MC_1659.jpg
  • Sculpted capital from the Romanesque cloister representing a harvest scene, with wine makers carrying a jar and barrel of wine or grape press and vine scroll motifs, 11th century, Santa Maria Cathedral or Cathedral of St Mary of Girona, in the town of Girona, at the confluence of the rivers Ter, Onyar, Galligants and Guell, Catalonia, Spain. The colonnade of the cloister is made of Romanesque arches supported by double columns with over 70 capitals carved with fantastic creatures and vegetal motifs. Master craftsmen were brought in from the Roussillon and Italy to carve the capitals, inspired by medieval illuminated manuscripts. The surrounding galleries are home to tombs of rich members of the monastery, dating to the 14th - 18th centuries. The cathedral was begun in the 11th century in Romanesque style, and later continued in the 14th century in Catalan Gothic style, redesigned by Pere Sacoma in 1312 and built by the school of Mallorcan architect Jaume Fabre. Of the original Romanesque building only the 12th century cloister and a bell tower remain. The cathedral was completed in the 18th century. Picture by Manuel Cohen
    LCSPAIN13_MC049.jpg
  • Sculpted capital from the Romanesque cloister representing a harvest scene, with wine makers carrying a jar and barrel of wine or grape press and vine scroll motifs, 11th century, Santa Maria Cathedral or Cathedral of St Mary of Girona, in the town of Girona, at the confluence of the rivers Ter, Onyar, Galligants and Guell, Catalonia, Spain. The colonnade of the cloister is made of Romanesque arches supported by double columns with over 70 capitals carved with fantastic creatures and vegetal motifs. Master craftsmen were brought in from the Roussillon and Italy to carve the capitals, inspired by medieval illuminated manuscripts. The surrounding galleries are home to tombs of rich members of the monastery, dating to the 14th - 18th centuries. The cathedral was begun in the 11th century in Romanesque style, and later continued in the 14th century in Catalan Gothic style, redesigned by Pere Sacoma in 1312 and built by the school of Mallorcan architect Jaume Fabre. Of the original Romanesque building only the 12th century cloister and a bell tower remain. The cathedral was completed in the 18th century. Picture by Manuel Cohen
    LCSPAIN13_MC048.jpg
  • Kitchen, 13th century, with bread oven, butter churn, cider press and pewter pots, in the Castle of Veves, built c. 1410, at Celles in Wallonia, Namur, Ardennes, Belgium. A castle has occupied this site since the 7th century. The current Renaissance building is pentagonal with 6 towers. Picture by Manuel Cohen
    LC21_FRANCE_MC_2194.jpg
  • Stained glass window of the Mystical Wine Press, 1625, by Linard Gonthier, in a side chapel in the Cathedral Saint-Pierre-et-Saint-Paul, or Troyes Cathedral, begun 1208 in Gothic style and completed in the 17th century, in Troyes, Aube, Grand Est, France. The cathedral is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_2791.jpg
  • Abdullah Al Zayed House, an old traditional Bahraini house, restored and reopened in 2003 as the Abdullah Al Zayed House for Bahraini Press Heritage, as part of the Sheik Ebrahim Center, in Muharraq, Bahrain. On the left is a mural by eL Seed, a French Tunisian street artist. Muharraq is a city on the Pearling Path and with a strong history of pearl diving and pearl trade, where 17 buildings form part of a UNESCO World Heritage Site celebrating the pearl trade. Picture by Manuel Cohen
    LC19_BAHREIN_MC_252.jpg
  • The Baths of Gallienus, the House of the Oil Press and the Basilica, 217 AD, in the distance, at Volubilis, Northern Morocco. Volubilis was founded in the 3rd century BC by the Phoenicians and was a Roman settlement from the 1st century AD. Volubilis was a thriving Roman olive growing town until 280 AD and was settled until the 11th century. The buildings were largely destroyed by an earthquake in the 18th century and have since been excavated and partly restored. Volubilis was listed as a UNESCO World Heritage Site in 1997. Picture by Manuel Cohen
    LC14_Morocco_MC058.jpg
  • Ancient stone oil presses on a mountainside above the reservoir formed by the Sidi Chahed Dam, built 1990s, in the El Kalaa Zerhoun region in Northern Morocco, 30km from Fes and Meknes. Picture by Manuel Cohen
    LC14_Morocco_MC299.jpg
  • Robert Cohen, photographe et fondateur de l'agence de presse photo AGIP en 1935 : Carte Presse 1960. © Manuel Cohen
    LC_Archives_Robert_Cohen013.jpg
  • Robert Cohen, photographe et fondateur de l'agence de presse photo AGIP en 1935 : Carte Presse 1965. © Manuel Cohen
    LC_Archives_Robert_Cohen014.jpg
  • Robert Cohen, photographe et fondateur de l'agence de presse photo AGIP en 1935 : Autorisation de reportage de la Chambre Syndicale de la Couture Parisienne delivree en 1955 jusqu'au 26 fevrier 1959. © Manuel Cohen
    LC_Archives_Robert_Cohen015.jpg
  • Robert Cohen, photographe et fondateur de l'agence de presse photo AGIP en 1935 : laissez-passer SIRPA 1977
    LC_Archives_Robert_Cohen016.jpg
  • Robert Cohen, photographe et fondateur de l'agence de presse photo AGIP en 1935, circa 1945, Paris, France. © Manuel Cohen
    LC_Archives_Robert_Cohen012.jpg
  • Saddle harnessers pressing leather for a saddle, at the Ateliers de la Garde Republicaine, or workshops of the Republican Guard, 10, Avenue de la Republique, Paris, France. The saddle harnessers maintain the saddles and weapon harnesses, some dating from the First World War and still used by the cavalry regiment, using high quality leather and traditional manufacturing methods. The Garde Republicaine was founded by Napoleon in 1802. It is part of the Gendarmerie and is responsible for security, guards of honour, military ceremonies and horseback patrols. In its workshops, master craftsmen maintain the equipment used by the horsemen and infantrymen, using traditional and sometimes ancient techniques passed down through the generations. Picture by Manuel Cohen
    LC18_FRANCE_MC_0532.jpg
  • Saddle harnessers pressing leather for a saddle, at the Ateliers de la Garde Republicaine, or workshops of the Republican Guard, 10, Avenue de la Republique, Paris, France. The saddle harnessers maintain the saddles and weapon harnesses, some dating from the First World War and still used by the cavalry regiment, using high quality leather and traditional manufacturing methods. The Garde Republicaine was founded by Napoleon in 1802. It is part of the Gendarmerie and is responsible for security, guards of honour, military ceremonies and horseback patrols. In its workshops, master craftsmen maintain the equipment used by the horsemen and infantrymen, using traditional and sometimes ancient techniques passed down through the generations. Picture by Manuel Cohen
    LC18_FRANCE_MC_0531.jpg
  • Saddle harnessers pressing leather for a saddle, at the Ateliers de la Garde Republicaine, or workshops of the Republican Guard, 10, Avenue de la Republique, Paris, France. The saddle harnessers maintain the saddles and weapon harnesses, some dating from the First World War and still used by the cavalry regiment, using high quality leather and traditional manufacturing methods. The Garde Republicaine was founded by Napoleon in 1802. It is part of the Gendarmerie and is responsible for security, guards of honour, military ceremonies and horseback patrols. In its workshops, master craftsmen maintain the equipment used by the horsemen and infantrymen, using traditional and sometimes ancient techniques passed down through the generations. Picture by Manuel Cohen
    LC18_FRANCE_MC_0530.jpg
  • Robert Cohen, photographe et fondateur de l'agence de presse photo AGIP en 1935, circa 1965, dans un avion Air France. © Manuel Cohen
    LC_Archives_Robert_Cohen003.jpg
  • Robert Cohen, photographe et fondateur de l'agence de presse photo AGIP en 1935, circa 1965 © Manuel Cohen
    LC_Archives_Robert_Cohen004.jpg
  • Robert Cohen, photographe et fondateur de l'agence de presse photo AGIP en 1935, 1er aout 1945, Paris, France. © Manuel Cohen
    LC_Archives_Robert_Cohen005.jpg
  • Robert Cohen, photographe et fondateur de l'agence de presse photo AGIP en 1935, 10 decembre 1966 : "autoportrait devant une glace". © Manuel Cohen
    LC_Archives_Robert_Cohen007.jpg
  • Robert Cohen, photographe et fondateur de l'agence de presse photo AGIP en 1935, circa 1950 © Manuel Cohen
    LC_Archives_Robert_Cohen009.jpg
  • Robert Cohen, photographe et fondateur de l'agence de presse photo AGIP en 1935, circa 1970 © Manuel Cohen
    LC_Archives_Robert_Cohen006.jpg
  • Robert Cohen, photographe et fondateur de l'agence de presse photo AGIP en 1935, circa 1950 © Manuel Cohen
    LC_Archives_Robert_Cohen008.jpg
  • Robert Cohen, photographe et fondateur de l'agence de presse photo AGIP en 1935,  circa 1955, Paris, France. © Manuel Cohen
    LC_Archives_Robert_Cohen010.jpg
  • Robert Cohen, photographe et fondateur de l'agence de presse photo AGIP en 1935, 14 decembre 1941, Paris France. © Manuel Cohen
    LC_Archives_Robert_Cohen011.jpg
  • Autoportrait de Robert Cohen, photographe et fondateur de l'agence de presse photo AGIP en 1935, avec son Rolleiflex, sur le tournage de Napoléon mis en scène par Sacha Guitry en 1954 : Alex Archambault, coiffeur, prepare Michèle Morgan dans le rôle de Josephine de Beauharnais. Photo : Robert Cohen / © Manuel Cohen
    LC_Archives_Robert_Cohen002.jpg
  • Robert Cohen, photographe et fondateur de l'agence de presse photo AGIP en 1935, circa 1934. Album familial. © Manuel Cohen
    LC_Archives_Robert_Cohen001.JPG
  • Framed portrait of Maurice Marechal, founder of Le Canard Enchaine, in the editorial offices of the newspaper, photograph. The photograph is in the collection of the Archives du Canard Enchaine. Le Canard Enchaine is a satirical weekly newspaper, founded in 1915 during the First World War by Maurice Marechal, Jeanne Marechal and H P Gassier. It features investigative journalism, political cartoons, business and political leaks and bogus interviews. In 2015 the newspaper celebrated its 100th anniversary. Picture by Manuel Cohen
    LC_HISTORY_MC_0213.jpg
  • Front page of Le Canard Enchaine, issue number 2771, 58th year, published 5th December 1973, with headline 'Oh! Marcellin, quelle Watergaffe!', in reference to the Affaire des Plombiers, with the Direction de la Surveillance du Territoire and Raymond Marcellin accused of spying on the offices of Le Canard Enchaine. Le Canard Enchaine is a satirical weekly newspaper, founded in 1915 during the First World War by Maurice Marechal, Jeanne Marechal and H P Gassier. It features investigative journalism, political cartoons, business and political leaks and bogus interviews. In 2015 the newspaper celebrated its 100th anniversary. Picture by Manuel Cohen
    LC_HISTORY_MC_0210.jpg
  • Journalists from Le Canard Enchaine playing cards at the Cafe du Cadran in Paris, c. 1930, photograph, with (right) Maurice Marechal and his wife Jeanne Marechal, (opposite) Henri Monnier and (centre) Jules Rivet, copyeditor of the newspaper. The photograph is in the collection of the Archives du Canard Enchaine. Le Canard Enchaine is a satirical weekly newspaper, founded in 1915 during the First World War by Maurice Marechal, Jeanne Marechal and H P Gassier. It features investigative journalism, political cartoons, business and political leaks and bogus interviews. In 2015 the newspaper celebrated its 100th anniversary. Picture by Manuel Cohen
    LC_HISTORY_MC_0211.jpg
  • Front page of Le Canard Enchaine, issue number 2000, 40th year, published 18th February 1959, with the headline 'La Fiscalite par la Joie' and poem celebrating the 2000th edition of the newspaper. Le Canard Enchaine is a satirical weekly newspaper, founded in 1915 during the First World War by Maurice Marechal, Jeanne Marechal and H P Gassier. It features investigative journalism, political cartoons, business and political leaks and bogus interviews. In 2015 the newspaper celebrated its 100th anniversary. Picture by Manuel Cohen
    LC_HISTORY_MC_0209.jpg
  • Front page of Le Canard Enchaine, issue number 1838, 37th year, published 11th January 1956, with headlines and cartoons referring to Pierre Poujade, whose party won 52 seats in the 1956 election. The newspaper's title has been changed to Le Canard Empoujade, as Poujadism was on the ascendance. Le Canard Enchaine is a satirical weekly newspaper, founded in 1915 during the First World War by Maurice Marechal, Jeanne Marechal and H P Gassier. It features investigative journalism, political cartoons, business and political leaks and bogus interviews. In 2015 the newspaper celebrated its 100th anniversary. Picture by Manuel Cohen
    LC_HISTORY_MC_0207.jpg
  • Front page of Le Canard Enchaine, issue number 2012, 40th year, published 13th May 1959, on the anniversary of the Algiers Putsch of 1958, with cartoons of crowds marching towards a trap door and the headline, 'General, nous voila! La grande parade du 13 mai'. Le Canard Enchaine is a satirical weekly newspaper, founded in 1915 during the First World War by Maurice Marechal, Jeanne Marechal and H P Gassier. It features investigative journalism, political cartoons, business and political leaks and bogus interviews. In 2015 the newspaper celebrated its 100th anniversary. Picture by Manuel Cohen
    LC_HISTORY_MC_0208.jpg
  • Front page of Le Canard Enchaine, issue number 1212, 24th year, published 20th September 1939 during WWII, with blank spaces as evidence of imposed military censorship. Le Canard Enchaine is a satirical weekly newspaper, founded in 1915 during the First World War by Maurice Marechal, Jeanne Marechal and H P Gassier. It features investigative journalism, political cartoons, business and political leaks and bogus interviews. In 2015 the newspaper celebrated its 100th anniversary. Picture by Manuel Cohen
    LC_HISTORY_MC_0206.jpg
  • Front page of Le Canard Enchaine, issue number 1211, 24th year, published 13th September 1939 during WWII, with blank spaces with scissors symbols symbolising imposed military censorship. Le Canard Enchaine is a satirical weekly newspaper, founded in 1915 during the First World War by Maurice Marechal, Jeanne Marechal and H P Gassier. It features investigative journalism, political cartoons, business and political leaks and bogus interviews. In 2015 the newspaper celebrated its 100th anniversary. Picture by Manuel Cohen
    LC_HISTORY_MC_0205.jpg
  • Page 3 of Le Canard Enchaine, issue number 1209, 24th year, published 30th August 1939, with cartoons and headlines referring to the imminent outbreak of WWII, and a blank space with cartoon of person cutting with scissors, symbolising imposed censorship. Le Canard Enchaine is a satirical weekly newspaper, founded in 1915 during the First World War by Maurice Marechal, Jeanne Marechal and H P Gassier. It features investigative journalism, political cartoons, business and political leaks and bogus interviews. In 2015 the newspaper celebrated its 100th anniversary. Picture by Manuel Cohen
    LC_HISTORY_MC_0204.jpg
  • Front page of Le Canard Enchaine, issue number 1065, 21st year, published 25th November 1936, with headlines referring to the suicide of politician Roger Salengro, who had been accused of desertion during WWI. Le Canard Enchaine is a satirical weekly newspaper, founded in 1915 during the First World War by Maurice Marechal, Jeanne Marechal and H P Gassier. It features investigative journalism, political cartoons, business and political leaks and bogus interviews. In 2015 the newspaper celebrated its 100th anniversary. Picture by Manuel Cohen
    LC_HISTORY_MC_0202.jpg
  • Front page of Le Canard Enchaine, issue number 944, 19th year, published 1st August 1934, with a cartoon featuring a skeleton soldier at a war cemetery and the headline, 'La Commemoration n'est pas le guerre', commenting on 20 years since the start of the First World War. Le Canard Enchaine is a satirical weekly newspaper, founded in 1915 during the First World War by Maurice Marechal, Jeanne Marechal and H P Gassier. It features investigative journalism, political cartoons, business and political leaks and bogus interviews. In 2015 the newspaper celebrated its 100th anniversary. Picture by Manuel Cohen
    LC_HISTORY_MC_0197.jpg
  • Front page of Le Canard Enchaine, issue number 946, 19th year, published 15th August 1934, with a satirical cartoon entitled 'Le Concours de Plage du Canard' and the headline 'Les Joies des Vacances', celebrating the holiday absences of politicians. Le Canard Enchaine is a satirical weekly newspaper, founded in 1915 during the First World War by Maurice Marechal, Jeanne Marechal and H P Gassier. It features investigative journalism, political cartoons, business and political leaks and bogus interviews. In 2015 the newspaper celebrated its 100th anniversary. Picture by Manuel Cohen
    LC_HISTORY_MC_0199.jpg
  • Front page of Le Canard Enchaine, issue number 1, 1st year, published 10th September 1915 during WWI, with a cartoon featuring a clown with the headline 'Pour faire un Journal en 1915'. Le Canard Enchaine is a satirical weekly newspaper, founded in 1915 during the First World War by Maurice Marechal, Jeanne Marechal and H P Gassier. It features investigative journalism, political cartoons, business and political leaks and bogus interviews. In 2015 the newspaper celebrated its 100th anniversary. Picture by Manuel Cohen
    LC_HISTORY_MC_0192.jpg
  • Front page of Le Canard Enchaine, issue number 159, 4th year, published 16th July 1919, with a full-page cartoon by Lucien Laforge featuring crowds of animals and foreigners leaving the Arc de Triomphe in Paris, and a headline 'Down with German militarism, Long live French militarism'. Le Canard Enchaine is a satirical weekly newspaper, founded in 1915 during the First World War by Maurice Marechal, Jeanne Marechal and H P Gassier. It features investigative journalism, political cartoons, business and political leaks and bogus interviews. In 2015 the newspaper celebrated its 100th anniversary. Picture by Manuel Cohen
    LC_HISTORY_MC_0193.jpg
  • Maurice Marechal and his wife Jeanne Marechal, founders of Le Canard Enchaine, and a framed portrait of Maurice Marechal, in the editorial offices of the newspaper, photograph. The photograph is in the collection of the Archives du Canard Enchaine. Le Canard Enchaine is a satirical weekly newspaper, founded in 1915 during the First World War by Maurice Marechal, Jeanne Marechal and H P Gassier. It features investigative journalism, political cartoons, business and political leaks and bogus interviews. In 2015 the newspaper celebrated its 100th anniversary. Picture by Manuel Cohen
    LC_HISTORY_MC_0212.jpg
  • Front page of Le Canard Enchaine, issue number 1209, 24th year, published 30th August 1939, with the headline 'Anastasie reprend du service', a reference to the imposition of military censorship on the eve of the outbreak of WWII. Le Canard Enchaine is a satirical weekly newspaper, founded in 1915 during the First World War by Maurice Marechal, Jeanne Marechal and H P Gassier. It features investigative journalism, political cartoons, business and political leaks and bogus interviews. In 2015 the newspaper celebrated its 100th anniversary. Picture by Manuel Cohen
    LC_HISTORY_MC_0203.jpg
  • Front page of Le Canard Enchaine, issue number 915, 19th year, published 10th January 1934, with cartoon by Guilac and headlines referring to the Stavisky Affair, the death of the embezzler Alexandre Stavisky and an alleged government cover-up. Le Canard Enchaine is a satirical weekly newspaper, founded in 1915 during the First World War by Maurice Marechal, Jeanne Marechal and H P Gassier. It features investigative journalism, political cartoons, business and political leaks and bogus interviews. In 2015 the newspaper celebrated its 100th anniversary. Picture by Manuel Cohen
    LC_HISTORY_MC_0201.jpg
  • Front page of Le Canard Enchaine, issue number 915, 19th year, published 10th January 1934, with cartoon by Guilac and headlines referring to the Stavisky Affair, the death of the embezzler Alexandre Stavisky and an alleged government cover-up. Le Canard Enchaine is a satirical weekly newspaper, founded in 1915 during the First World War by Maurice Marechal, Jeanne Marechal and H P Gassier. It features investigative journalism, political cartoons, business and political leaks and bogus interviews. In 2015 the newspaper celebrated its 100th anniversary. Picture by Manuel Cohen
    LC_HISTORY_MC_0200.jpg
  • Front page of Le Canard Enchaine, issue number 945, 19th year, published 8th August 1934, with cartoon by Henri Monnier and the headline 'Le Marechal Hindenburg etait un grand ami de la France'. Le Canard Enchaine is a satirical weekly newspaper, founded in 1915 during the First World War by Maurice Marechal, Jeanne Marechal and H P Gassier. It features investigative journalism, political cartoons, business and political leaks and bogus interviews. In 2015 the newspaper celebrated its 100th anniversary. Picture by Manuel Cohen
    LC_HISTORY_MC_0198.jpg
  • Front page of Le Canard Enchaine, issue number 1, published 5th July 1916 during WWI, with a cartoon by H P Gassier depicting a chained duck. Le Canard Enchaine is a satirical weekly newspaper, founded in 1915 during the First World War by  Maurice Marechal, Jeanne Marechal and H P Gassier. It features investigative journalism, political cartoons, business and political leaks and bogus interviews. In 2015 the newspaper celebrated its 100th anniversary. Picture by Manuel Cohen
    LC_HISTORY_MC_0191.jpg
  • Exhibition of articles on Rene Lacoste from the Miroir des Sports 1926-27, and the iconic Lacoste polo shirt, in the Private Lacoste Museum, in Troyes, Aube, Grand Est, France. Lacoste is a ready-to-wear clothing and accessories company founded 1933 by tennis players Rene Lacoste and Andre Gillier, based in Troyes. Picture by Manuel Cohen
    LC21_FRANCE_MC_1739.jpg
  • Machine used to hammer coins, in the Salle magistrale du Grand Monnayage, in the Musee du 11 Conti or Monnaie de Paris, reopened in 2017 after refurbishment, housed in the Hotel de la Monnaie, on Quai de Conti, in the 6th arrondissement of Paris, France. In the mint, gold coins, medals and official decorations are cast and visitors can watch this process taking place. The Paris Mint was founded in 864 AD and has been in the current building since 1775. Picture by Manuel Cohen
    LC19_PARIS_MC_1052.JPG
  • Detail from Le Journal de Sable, a weekly newspaper, with an article on black market activities in the area, published during the German occupation of France during the Second World War, in Sable-sur-Sarthe, Pays de la Loire, France. The Journal de Sable praises the institutions and social systems of Germany in a wildly enthusiastic style. Picture by Manuel Cohen
    LC_HISTORY_MC_0368.jpg
  • Article from Le Journal de Sable, a weekly newspaper, 24th April 1943, celebrating the 87th birthday of Marechal Petain, published during the German occupation of France during the Second World War, in Sable-sur-Sarthe, Pays de la Loire, France. The Journal de Sable praises the institutions and social systems of Germany in a wildly enthusiastic style. Picture by Manuel Cohen
    LC_HISTORY_MC_0366.jpg
  • Detail from Le Journal de Sable, a weekly newspaper, with information about a social event and notes on the black market, published during the German occupation of France during the Second World War, in Sable-sur-Sarthe, Pays de la Loire, France. The Journal de Sable praises the institutions and social systems of Germany in a wildly enthusiastic style. Picture by Manuel Cohen
    LC_HISTORY_MC_0367.jpg
  • Front cover of Le Journal de Sable, a weekly newspaper, 29th June 1940, published during the German occupation of France during the Second World War, in Sable-sur-Sarthe, Pays de la Loire, France. The Journal de Sable praises the institutions and social systems of Germany in a wildly enthusiastic style. Picture by Manuel Cohen
    LC_HISTORY_MC_0363.jpg
  • Page from Le Journal de Sable, a weekly newspaper, 29th June 1940, with the Order of the Kommandantur, published during the German occupation of France during the Second World War, in Sable-sur-Sarthe, Pays de la Loire, France. The Journal de Sable praises the institutions and social systems of Germany in a wildly enthusiastic style. Picture by Manuel Cohen
    LC_HISTORY_MC_0364.jpg
  • Front cover of Le Journal de Sable, a weekly newspaper, 6th February 1943, published during the German occupation of France during the Second World War, in Sable-sur-Sarthe, Pays de la Loire, France. The Journal de Sable praises the institutions and social systems of Germany in a wildly enthusiastic style, for example in the article here 'Germany's fight against Bolshevism in Europe'. Picture by Manuel Cohen
    LC_HISTORY_MC_0365.jpg
  • Machine used to print the daily Parisian newspaper 'Le Petit Journal', published 1863-1944, invented by H Marinoni, engraving after E Bourdelin, late 19th century. Copyright © Collection Particuliere Tropmi / Manuel Cohen
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  • Concert at the concert hall of the Conservatoire de Paris, illustration from the newspaper 'LíIllustration', 15th April 1849. Copyright © Collection Particuliere Tropmi / Manuel Cohen
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  • View from the side of the Headquarters of the French Daily Newspaper Le Monde on the Boulevard Auguste-Blanqui in Paris. Facade, containing a large fresco adorned by pigeons, drawn by French cartoonist Plantu, is designed by Christian de Portzamparc. Le Monde is one of the two newspapers of record, founded in 1944 by Hubert Beuve-Mery on request of General Charles de Gaulle. In the foreground, the aerial metro railway line from Nation to Charles de Gaulle Etoile. Picture by Manuel Cohen
    LC_Paris_MC013.jpg
  • General view of the Headquarters of the French Daily Newspaper Le Monde on the Boulevard Auguste-Blanqui in Paris. Facade, containing a large fresco adorned by pigeons, drawn by French cartoonist Plantu, is designed by Christian de Portzamparc. Le Monde is one of the two newspapers of record, founded in 1944 by Hubert Beuve-Mery on request of General Charles de Gaulle. In the foreground, the aerial metro railway line from Nation to Charles de Gaulle Etoile. Picture by Manuel Cohen
    LC_Paris_MC012.jpg
  • General view of the Headquarters of the French Daily Newspaper Le Monde on the Boulevard Auguste-Blanqui in Paris. Facade, containing a large fresco adorned by pigeons, drawn by French cartoonist Plantu, is designed by Christian de Portzamparc. Le Monde is one of the two newspapers of record, founded in 1944 by Hubert Beuve-Mery on request of General Charles de Gaulle. In the foreground, the aerial metro railway line from Nation to Charles de Gaulle Etoile. Picture by Manuel Cohen
    LC_Paris_MC011.jpg
  • General view of the Headquarters of the French Daily Newspaper Le Monde on the Boulevard Auguste-Blanqui in Paris. Facade, containing a large fresco adorned by pigeons, drawn by French cartoonist Plantu, is designed by Christian de Portzamparc. Le Monde is one of the two newspapers of record, founded in 1944 by Hubert Beuve-Mery on request of General Charles de Gaulle. Picture by Manuel Cohen
    LC_Paris_MC010.jpg
  • Visitor pressing the grapes 'à la Champenoise', in order to obtain white wine from black grapes, at Pressoria, a Champagne Interpretation Centre, opened July 2021 in the former Maison Pommery pressing centre, offering an interactive visitor experience exploring the history and production of champagne, at Ay-Champagne, Marne, Grand Est, France. The vineyards at Ay are listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_FRANCE_MC_1662.jpg
  • Grape harvest mosaic, fragment with naked man crushing grapes, 2nd century AD, in Lugdunum Museum, an archaeology museum housing Celtic, Roman and pre-Roman artefacts, designed by Bernard Zehrfuss and opened 1975, on the Roman site of Lugdunum in Lyon, Auvergne-Rhone-Alpes, France. The Roman city of Lugdunum was founded in 43 BC by Lucius Munatius Plancus on an existing Gallic site, now part of a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_FRANCE_MC_0638.jpg
  • Noah's Nakedness, with Noah making wine from a grapevine and sleeping, to be covered by his sons, mosaic from the Genesis cycle in the nave of Monreale Cathedral or the Duomo di Monreale, built 1172-89 under King William II in Palermo, Sicily, Italy. The cathedral interior is covered in Byzantine style glass mosaics made 12th and 13th centuries depicting biblical stories. The church is a national monument and forms part of a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC19_ITALY_MC_007.jpg
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