manuel cohen

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  • Self portrait of photographer Manuel Cohen reflected in a mirror, in the bathroom of an abandoned building in a state of dereliction, in the old town or Casc Antic of Tortosa, Tarragona, Spain. Tortosa is an ancient town situated on the Ebro Delta which has a rich heritage dating from Roman times. In recent years, many buildings in the old town have been abandoned and fallen into disrepair. Picture by Manuel Cohen
    LC19_SPAIN_MC040.jpg
  • Self portrait of photographer Manuel Cohen reflected in a mirror, in the bathroom of an abandoned building in a state of dereliction, in the old town or Casc Antic of Tortosa, Tarragona, Spain. Tortosa is an ancient town situated on the Ebro Delta which has a rich heritage dating from Roman times. In recent years, many buildings in the old town have been abandoned and fallen into disrepair. Picture by Manuel Cohen
    IMG_0533.jpg
  • Presumed portraits of Raphael (far left) and Pinturicchio, from the Canonisation of Catherine of Siena by Pope Pius II, detail of onlookers holding candles, Renaissance fresco, 1503-8, by Pinturicchio, 1454-1513, after designs by Raphael, depicting the life of Pius II, in the Piccolomini Library, commissioned c. 1492 by Archbishop Cardinal Francesco Todeschini Piccolomini (future Pius III) in memory of his uncle Aeneas Silvius Piccolomini (Pope Pius II), adjacent to the North wall of the Duomo di Siena or Siena Cathedral, built 1196-1348 and consecrated in 1215, in Siena, Tuscany, Italy. The historic centre of Siena is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_ITALY_MC386.jpg
  • Statue of Toussaint Louverture, 1743-1803, leader of the Haitian Revolution, painted bronze, 2014, by Sow Ousmane, 1935-2016, founded by Coubertin, in the courtyard of the Musee du Nouveau Monde, or New World Museum, opened 1982 in the Hotel Fleuriau, an 18th century mansion in La Rochelle, Charente-Maritime, Nouvelle-Aquitaine, France. He is depicted wearing a bicorne and holding the Universal Declaration of the Rights of Man. Picture by Manuel Cohen
    LC23_FRANCE_MC_0630.jpg
  • Statue of Jean Guiton, 1580-1654, admiral of the La Rochelle Fleet 1621-, mayor from 1628 during the Siege of La Rochelle by Louis XIII and Richelieu, bronze, 1911, by sculptor Ernest Henri Dubois, architect Patouillard and founder Gonon, on the Place de l'Hotel de Ville, in La Rochelle, Charente-Maritime, Nouvelle-Aquitaine, France. Picture by Manuel Cohen
    LC23_FRANCE_MC_0632.jpg
  • Statue of Toussaint Louverture, 1743-1803, leader of the Haitian Revolution, painted bronze, 2014, by Sow Ousmane, 1935-2016, founded by Coubertin, in the courtyard of the Musee du Nouveau Monde, or New World Museum, opened 1982 in the Hotel Fleuriau, an 18th century mansion in La Rochelle, Charente-Maritime, Nouvelle-Aquitaine, France. He is depicted wearing a bicorne and holding the Universal Declaration of the Rights of Man. Picture by Manuel Cohen
    LC23_FRANCE_MC_0600.jpg
  • Portrait of Gottfried Abraham de Heimbach, a merchant based in La Rochelle, oil painting on canvas, 18th century, by unknown artist, in the Musee du Nouveau Monde, or New World Museum, opened 1982 in the Hotel Fleuriau, an 18th century mansion home to merchant Aime-Benjamin Fleuriau, 1707-1877, in La Rochelle, Charente-Maritime, Nouvelle-Aquitaine, France. The museum explores links between France and the Americas, including the slave trade. Picture by Manuel Cohen
    LC23_FRANCE_MC_0599.jpg
  • Portrait of Jean Guiton, 1580-1654, admiral of the La Rochelle Fleet 1621-, mayor from 1628 during the Siege of La Rochelle by Louis XIII and Richelieu, oil painting on canvas, 17th century, by unknown artist, in the Musee des Beaux-Arts, a fine art museum housing in the Hotel de Crussol d'Uzes, a Neoclassical episcopal palace in La Rochelle, Charente-Maritime, Nouvelle-Aquitaine, France. Picture by Manuel Cohen
    LC23_FRANCE_MC_0678.jpg
  • Portrait of a naval officer with his black slave, oil painting on canvas, after 1750, by unknown artist, in the Musee du Nouveau Monde, or New World Museum, opened 1982 in the Hotel Fleuriau, an 18th century mansion home to merchant Aime-Benjamin Fleuriau, 1707-1877, in La Rochelle, Charente-Maritime, Nouvelle-Aquitaine, France. The slave wears a metal collar, holds a sealed letter and points to a ship. The museum explores links between France and the Americas, including the slave trade. Picture by Manuel Cohen
    LC23_FRANCE_MC_0676.jpg
  • Portrait of Marie-Jeanne Grellier with her slave, oil painting on canvas, 1718, by Chanteloup, in the Musee du Nouveau Monde, or New World Museum, opened 1982 in the Hotel Fleuriau, an 18th century mansion home to merchant Aime-Benjamin Fleuriau, 1707-1877, in La Rochelle, Charente-Maritime, Nouvelle-Aquitaine, France. The Grelliers were plantation owners in the Dominican Republic. The girl accepts fruit from a platter held by her slave, who wears a metal collar and turban. The museum explores links between France and the Americas, including the slave trade. Picture by Manuel Cohen
    LC23_FRANCE_MC_0674.jpg
  • Statue of Jean Guiton, 1580-1654, admiral of the La Rochelle Fleet 1621-, mayor from 1628 during the Siege of La Rochelle by Louis XIII and Richelieu, bronze, 1911, by sculptor Ernest Henri Dubois, architect Patouillard and founder Gonon, on the Place de l'Hotel de Ville, in La Rochelle, Charente-Maritime, Nouvelle-Aquitaine, France. Picture by Manuel Cohen
    LC23_FRANCE_MC_0647.jpg
  • Statue of Toussaint Louverture, 1743-1803, leader of the Haitian Revolution, detail, painted bronze, 2014, by Sow Ousmane, 1935-2016, founded by Coubertin, in the courtyard of the Musee du Nouveau Monde, or New World Museum, opened 1982 in the Hotel Fleuriau, an 18th century mansion in La Rochelle, Charente-Maritime, Nouvelle-Aquitaine, France. He is depicted wearing a bicorne and holding the Universal Declaration of the Rights of Man. Picture by Manuel Cohen
    LC23_FRANCE_MC_0639.jpg
  • Statue of Jean Guiton, 1580-1654, admiral of the La Rochelle Fleet 1621-, mayor from 1628 during the Siege of La Rochelle by Louis XIII and Richelieu, bronze, 1911, by sculptor Ernest Henri Dubois, architect Patouillard and founder Gonon, on the Place de l'Hotel de Ville, in La Rochelle, Charente-Maritime, Nouvelle-Aquitaine, France. Picture by Manuel Cohen
    LC23_FRANCE_MC_0631.jpg
  • Portrait of Jacques Cartier, 1491-1557, explorer who mapped the Gulf of St Lawrence in Canada, etching, by Albert Decaris, 1901-88, in the Musee du Nouveau Monde, or New World Museum, opened 1982 in the Hotel Fleuriau, an 18th century mansion home to merchant Aime-Benjamin Fleuriau, 1707-1877, in La Rochelle, Charente-Maritime, Nouvelle-Aquitaine, France. The museum explores links between France and the Americas, including the slave trade. Picture by Manuel Cohen
    LC23_FRANCE_MC_0620.jpg
  • Portrait of Toussaint Louverture, 1743-1803, leader of the Haitian Revolution, wearing officer's uniform with feathered bicorne and tricolore cockade, lithograph, by Francois-Seraphin Delpech, 1778-1825, and Nicolas-Eustache Maurin, 1799-1850, in the Musee du Nouveau Monde, or New World Museum, opened 1982 in an 18th century mansion in La Rochelle, Charente-Maritime, Nouvelle-Aquitaine, France. Picture by Manuel Cohen
    LC23_FRANCE_MC_0613.jpg
  • Statue of Toussaint Louverture, 1743-1803, leader of the Haitian Revolution, painted bronze, 2014, by Sow Ousmane, 1935-2016, founded by Coubertin, in the courtyard of the Musee du Nouveau Monde, or New World Museum, opened 1982 in the Hotel Fleuriau, an 18th century mansion in La Rochelle, Charente-Maritime, Nouvelle-Aquitaine, France. He is depicted wearing a bicorne and holding the Universal Declaration of the Rights of Man. Picture by Manuel Cohen
    LC23_FRANCE_MC_0601.jpg
  • Statue of Toussaint Louverture, 1743-1803, leader of the Haitian Revolution, detail, painted bronze, 2014, by Sow Ousmane, 1935-2016, founded by Coubertin, in the courtyard of the Musee du Nouveau Monde, or New World Museum, opened 1982 in the Hotel Fleuriau, an 18th century mansion in La Rochelle, Charente-Maritime, Nouvelle-Aquitaine, France. He is depicted wearing a bicorne and holding the Universal Declaration of the Rights of Man. Picture by Manuel Cohen
    LC23_FRANCE_MC_0602.jpg
  • Grave of the Comtesse de Segur, 1799-1874, French writer, in the Cimetiere de Montparnasse, or Montparnasse Cemetery, created 1824, in the 14th arrondissement of Paris, France. The cemetery holds 35,000 plots and houses monuments to the Siege of Paris and the Commune, as well as a 17th century mill tower, the Moulin de la Charite. Picture by Manuel Cohen
    LC22_FRANCE_MC_1753.jpg
  • Grave of the Barret family, and grave of Emmanuel Chabrier, 1841-94, French composer and pianist with bronze bust, in the Cimetiere de Montparnasse, or Montparnasse Cemetery, created 1824, in the 14th arrondissement of Paris, France. The cemetery holds 35,000 plots and houses monuments to the Siege of Paris and the Commune,. On the right is the 17th century mill tower, the Moulin de la Charite. Picture by Manuel Cohen
    LC22_FRANCE_MC_1751.jpg
  • Grave of the family of Charles Pigeon, 1838-1915, French inventor, commissioned 1905, with bronze sculptures of an angel holding a lamp (Pigeon lamp invented and patented by Charles Pigeon), and a bed with life-size figures of Charles and his wife Therese, in the Cimetiere de Montparnasse, or Montparnasse Cemetery, created 1824, in the 14th arrondissement of Paris, France. The cemetery holds 35,000 plots and houses monuments to the Siege of Paris and the Commune, as well as a 17th century mill tower, the Moulin de la Charite. Picture by Manuel Cohen
    LC22_FRANCE_MC_1754.jpg
  • Baudelaire's Cenotaph, in honour of Charles Baudelaire, 1821-67, French poet, 1902, by Jose de Charmoy, 1879-1914, in the Cimetiere de Montparnasse, or Montparnasse Cemetery, created 1824, in the 14th arrondissement of Paris, France. The cemetery holds 35,000 plots and houses monuments to the Siege of Paris and the Commune, as well as a 17th century mill tower, the Moulin de la Charite. Picture by Manuel Cohen
    LC22_FRANCE_MC_1745.jpg
  • Grave of Maurice du Plessys, 1864-1924, French poet, with bust, 1924, by Aristide Charles-Louis Rousaud, 1868-1946, in the Cimetiere de Montparnasse, or Montparnasse Cemetery, created 1824, in the 14th arrondissement of Paris, France. The cemetery holds 35,000 plots and houses monuments to the Siege of Paris and the Commune, as well as a 17th century mill tower, the Moulin de la Charite. Picture by Manuel Cohen
    LC22_FRANCE_MC_1737.jpg
  • Grave of Honore Champion, 1846-1913, French publisher, 1913, by Albert Bartholome, 1848-1928, in the Cimetiere de Montparnasse, or Montparnasse Cemetery, created 1824, in the 14th arrondissement of Paris, France. The cemetery holds 35,000 plots and houses monuments to the Siege of Paris and the Commune, as well as a 17th century mill tower, the Moulin de la Charite. Picture by Manuel Cohen
    LC22_FRANCE_MC_1734.jpg
  • Burghers of Calais, plaster sculptural group, 1829, by Auguste Rodin, 1840-1917, and (centre), Larass, plaster head of architect Franz Rose, 1903, by Adolfo Wildt, 1868-1931, in the Ca' Pesaro International Gallery of Modern Art, housed in a Baroque palace on the Grand Canal in Venice, Veneto, Italy. Picture by Manuel Cohen
    LC22_ITALY_MC_0713.jpg
  • Sculptures on display in the main first floor room, in the Ca' Pesaro International Gallery of Modern Art, housed in a Baroque palace on the Grand Canal in Venice, Veneto, Italy. Picture by Manuel Cohen
    LC22_ITALY_MC_0712.jpg
  • Portrait of Mme Raoul Dufy, oil painting on canvas, 1930, by Raoul Dufy, 1877-1953, in the Musee des Beaux Arts de Nice, Nice, Provence, France. The museum was founded in 1928 as the Palais des Arts Jules Cheret and is housed in a mansion built 1878 for Elizaveta Vasilievna Kochubey. Picture by Manuel Cohen - Please contact ADAGP or affiliates for artist's reproduction rights
    LC22_FRANCE_MC_1704.jpg
  • La Grande Soeur, or the Big Sister, painting, by <br />
Louise Catherine Breslau, 1856-1927, in the Musee des Beaux Arts de Nice, Nice, Provence, France. The museum was founded in 1928 as the Palais des Arts Jules Cheret and is housed in a mansion built 1878 for Elizaveta Vasilievna Kochubey. Picture by Manuel Cohen
    LC22_FRANCE_MC_1686.jpg
  • Portrait of Joanna of Castile, 1479-1555, or Joanna the Mad, in the Galerie des Illustres, featuring 327 portraits of important figures from history, commissioned 1620-38 by Paul Ardier, in the Chateau de Beauregard, Renaissance chateau begun late 15th century and extended 16th century by Jean du Thier, in Loir-et-Cher, France. The painters are unidentified and mainly copied portraits from other collections. The chateau is listed as a historic monument and forms part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC23_FRANCE_MC_0584.jpg
  • Portrait of Claude de Lorraine, duc de Guise, 1496-1550, in the Galerie des Illustres, featuring 327 portraits of important figures from history, commissioned 1620-38 by Paul Ardier, in the Chateau de Beauregard, Renaissance chateau begun late 15th century and extended 16th century by Jean du Thier, in Loir-et-Cher, France. The painters are unidentified and mainly copied portraits from other collections. The chateau is listed as a historic monument and forms part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC23_FRANCE_MC_0583.jpg
  • Portrait of Hugo de Moncada, 1478-1528, admiral and viceroy of Sicily and Naples, in the Galerie des Illustres, featuring 327 portraits of important figures from history, commissioned 1620-38 by Paul Ardier, in the Chateau de Beauregard, Renaissance chateau begun late 15th century and extended 16th century by Jean du Thier, in Loir-et-Cher, France. The painters are unidentified and mainly copied portraits from other collections. The chateau is listed as a historic monument and forms part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC23_FRANCE_MC_0581.jpg
  • Portrait of Gaston d'Orleans, 1608-60, son of Henri IV, in the Galerie des Illustres, featuring 327 portraits of important figures from history, commissioned 1620-38 by Paul Ardier, in the Chateau de Beauregard, Renaissance chateau begun late 15th century and extended 16th century by Jean du Thier, in Loir-et-Cher, France. The painters are unidentified and mainly copied portraits from other collections. The chateau is listed as a historic monument and forms part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC23_FRANCE_MC_0579.jpg
  • Portrait of king Charles I of England, 1600-49, in the Galerie des Illustres, featuring 327 portraits of important figures from history, commissioned 1620-38 by Paul Ardier, in the Chateau de Beauregard, Renaissance chateau begun late 15th century and extended 16th century by Jean du Thier, in Loir-et-Cher, France. The painters are unidentified and mainly copied portraits from other collections. The chateau is listed as a historic monument and forms part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC23_FRANCE_MC_0578.jpg
  • Portrait of Jean II de Rieux, 1342-1417, lord of Rochefort, marshal of France, in the Galerie des Illustres, featuring 327 portraits of important figures from history, commissioned 1620-38 by Paul Ardier, in the Chateau de Beauregard, Renaissance chateau begun late 15th century and extended 16th century by Jean du Thier, in Loir-et-Cher, France. The painters are unidentified and mainly copied portraits from other collections. The chateau is listed as a historic monument and forms part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC23_FRANCE_MC_0577.jpg
  • Portrait of king Charles VI of France, 1368-1422, in the Galerie des Illustres, featuring 327 portraits of important figures from history, commissioned 1620-38 by Paul Ardier, in the Chateau de Beauregard, Renaissance chateau begun late 15th century and extended 16th century by Jean du Thier, in Loir-et-Cher, France. The painters are unidentified and mainly copied portraits from other collections. The chateau is listed as a historic monument and forms part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC23_FRANCE_MC_0576.jpg
  • Portrait of Isabella of Bavaria, or Elisabeth de Baviere, 1371-1435, queen consort of Charles VI of France, in the Galerie des Illustres, featuring 327 portraits of important figures from history, commissioned 1620-38 by Paul Ardier, in the Chateau de Beauregard, Renaissance chateau begun late 15th century and extended 16th century by Jean du Thier, in Loir-et-Cher, France. The painters are unidentified and mainly copied portraits from other collections. The chateau is listed as a historic monument and forms part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC23_FRANCE_MC_0575.jpg
  • Portrait of Ludovico Sforza, duke of Milan, 1452-1508, in the Galerie des Illustres, featuring 327 portraits of important figures from history, commissioned 1620-38 by Paul Ardier, in the Chateau de Beauregard, Renaissance chateau begun late 15th century and extended 16th century by Jean du Thier, in Loir-et-Cher, France. The painters are unidentified and mainly copied portraits from other collections. The chateau is listed as a historic monument and forms part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC23_FRANCE_MC_0573.jpg
  • Portrait of Isabella Clara Eugenia, 1566-1633, Infanta of Spain, in the Galerie des Illustres, featuring 327 portraits of important figures from history, commissioned 1620-38 by Paul Ardier, in the Chateau de Beauregard, Renaissance chateau begun late 15th century and extended 16th century by Jean du Thier, in Loir-et-Cher, France. The painters are unidentified and mainly copied portraits from other collections. The chateau is listed as a historic monument and forms part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC23_FRANCE_MC_0574.jpg
  • Portrait of Charles Bonaventure de Longueval, 2nd count of Bucquoy, 1571-1621, in the Galerie des Illustres, featuring 327 portraits of important figures from history, commissioned 1620-38 by Paul Ardier, in the Chateau de Beauregard, Renaissance chateau begun late 15th century and extended 16th century by Jean du Thier, in Loir-et-Cher, France. The painters are unidentified and mainly copied portraits from other collections. The chateau is listed as a historic monument and forms part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC23_FRANCE_MC_0572.jpg
  • Portrait of Francisco de Toledo, cardinal, 1532-96, in the Galerie des Illustres, featuring 327 portraits of important figures from history, commissioned 1620-38 by Paul Ardier, in the Chateau de Beauregard, Renaissance chateau begun late 15th century and extended 16th century by Jean du Thier, in Loir-et-Cher, France. The painters are unidentified and mainly copied portraits from other collections. The chateau is listed as a historic monument and forms part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC23_FRANCE_MC_0571.jpg
  • Portrait of king James VI and I of Scotland and England, 1566-1625, in the Galerie des Illustres, featuring 327 portraits of important figures from history, commissioned 1620-38 by Paul Ardier, in the Chateau de Beauregard, Renaissance chateau begun late 15th century and extended 16th century by Jean du Thier, in Loir-et-Cher, France. The painters are unidentified and mainly copied portraits from other collections. The chateau is listed as a historic monument and forms part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC23_FRANCE_MC_0570.jpg
  • Portrait of Henry Frederick, prince of Wales, 1594-1612, son of king James VI and I, in the Galerie des Illustres, featuring 327 portraits of important figures from history, commissioned 1620-38 by Paul Ardier, in the Chateau de Beauregard, Renaissance chateau begun late 15th century and extended 16th century by Jean du Thier, in Loir-et-Cher, France. The painters are unidentified and mainly copied portraits from other collections. The chateau is listed as a historic monument and forms part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC23_FRANCE_MC_0569.jpg
  • Portrait of Pedro Enriquez de Acevedo, count of Fuentes, 1525-1610, Spanish general and statesman, in the Galerie des Illustres, featuring 327 portraits of important figures from history, commissioned 1620-38 by Paul Ardier, in the Chateau de Beauregard, Renaissance chateau begun late 15th century and extended 16th century by Jean du Thier, in Loir-et-Cher, France. The painters are unidentified and mainly copied portraits from other collections. The chateau is listed as a historic monument and forms part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC23_FRANCE_MC_0566.jpg
  • Portrait of king Louis XII, 1462-1515, in the Galerie des Illustres, featuring 327 portraits of important figures from history, commissioned 1620-38 by Paul Ardier, in the Chateau de Beauregard, Renaissance chateau begun late 15th century and extended 16th century by Jean du Thier, in Loir-et-Cher, France. The painters are unidentified and mainly copied portraits from other collections. The chateau is listed as a historic monument and forms part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC23_FRANCE_MC_0565.jpg
  • Portrait of Georges d'Amboise, cardinal, 1460-1510, in the Galerie des Illustres, featuring 327 portraits of important figures from history, commissioned 1620-38 by Paul Ardier, in the Chateau de Beauregard, Renaissance chateau begun late 15th century and extended 16th century by Jean du Thier, in Loir-et-Cher, France. The painters are unidentified and mainly copied portraits from other collections. The chateau is listed as a historic monument and forms part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC23_FRANCE_MC_0564.jpg
  • Portrait of Alfonso of Albuquerque, Portuguese general and Duke of Goa, vice-king of India, 1453-1515, in the Galerie des Illustres, featuring 327 portraits of important figures from history, commissioned 1620-38 by Paul Ardier, in the Chateau de Beauregard, Renaissance chateau begun late 15th century and extended 16th century by Jean du Thier, in Loir-et-Cher, France. The painters are unidentified and mainly copied portraits from other collections. The chateau is listed as a historic monument and forms part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC23_FRANCE_MC_0563.jpg
  • Portrait of Guillaume Gouffier, seigneur de Bonnivet, 1488-1525, French soldier, in the Galerie des Illustres, featuring 327 portraits of important figures from history, commissioned 1620-38 by Paul Ardier, in the Chateau de Beauregard, Renaissance chateau begun late 15th century and extended 16th century by Jean du Thier, in Loir-et-Cher, France. The painters are unidentified and mainly copied portraits from other collections. The chateau is listed as a historic monument and forms part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC23_FRANCE_MC_0562.jpg
  • Portrait of William prince of Orange, in the Galerie des Illustres, featuring 327 portraits of important figures from history, commissioned 1620-38 by Paul Ardier, in the Chateau de Beauregard, Renaissance chateau begun late 15th century and extended 16th century by Jean du Thier, in Loir-et-Cher, France. The painters are unidentified and mainly copied portraits from other collections. The chateau is listed as a historic monument and forms part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC23_FRANCE_MC_0561.jpg
  • Portrait of Robert Dudley, 1st earl of Leicester, 1532-88, English statesman, in the Galerie des Illustres, featuring 327 portraits of important figures from history, commissioned 1620-38 by Paul Ardier, in the Chateau de Beauregard, Renaissance chateau begun late 15th century and extended 16th century by Jean du Thier, in Loir-et-Cher, France. The painters are unidentified and mainly copied portraits from other collections. The chateau is listed as a historic monument and forms part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC23_FRANCE_MC_0560.jpg
  • Portrait of Pope Leo X, 1475-1521, in the Galerie des Illustres, featuring 327 portraits of important figures from history, commissioned 1620-38 by Paul Ardier, in the Chateau de Beauregard, Renaissance chateau begun late 15th century and extended 16th century by Jean du Thier, in Loir-et-Cher, France. The painters are unidentified and mainly copied portraits from other collections. The chateau is listed as a historic monument and forms part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC23_FRANCE_MC_0557.jpg
  • Michael Woolworth, b. 1960, master printer, with Confrontation, lithograph, 2014, by Marc Desgrandchamps, in his studio in Bastille, Paris, France. On the left is Memorandum, lithograph, 2022, by Matt Magee. Born in America, Michael Woolworth moved to Paris in 1979 and opened the Atelier Michael Woolworth in 1985, specialising in lithography, woodcut, monoprint, linocut and etching. Picture by Manuel Cohen
    061022_MichaelWoolworth_MC_04.jpg
  • Michael Woolworth, b. 1960, master printer, and his team, in his studio in Bastille, Paris, France. Born in America, Michael Woolworth moved to Paris in 1979 and opened the Atelier Michael Woolworth in 1985, specialising in lithography, woodcut, monoprint, linocut and etching. Picture by Manuel Cohen
    061022_MichaelWoolworth_MC_61.jpg
  • Michael Woolworth, b. 1960, master printer, in his studio in Bastille, Paris, France. Born in America, Michael Woolworth moved to Paris in 1979 and opened the Atelier Michael Woolworth in 1985, specialising in lithography, woodcut, monoprint, linocut and etching. Picture by Manuel Cohen
    061022_MichaelWoolworth_MC_60.jpg
  • Michael Woolworth, b. 1960, master printer, in his studio in Bastille, Paris, France. Born in America, Michael Woolworth moved to Paris in 1979 and opened the Atelier Michael Woolworth in 1985, specialising in lithography, woodcut, monoprint, linocut and etching. Picture by Manuel Cohen
    061022_MichaelWoolworth_MC_65.jpg
  • Michael Woolworth, b. 1960, master printer, with Memorandum, lithograph, 2022, by Matt Magee, in his studio in Bastille, Paris, France. Born in America, Michael Woolworth moved to Paris in 1979 and opened the Atelier Michael Woolworth in 1985, specialising in lithography, woodcut, monoprint, linocut and etching. On the left are lithographs by Marielle Paul. Picture by Manuel Cohen
    061022_MichaelWoolworth_MC_64.jpg
  • Michael Woolworth, b. 1960, master printer, and his team, in his studio in Bastille, Paris, France. Born in America, Michael Woolworth moved to Paris in 1979 and opened the Atelier Michael Woolworth in 1985, specialising in lithography, woodcut, monoprint, linocut and etching. Picture by Manuel Cohen
    061022_MichaelWoolworth_MC_62.jpg
  • St Joan of Arc, statue, detail, in the collegiate Eglise Saint-Ours, at the Chateau de Loches, built from 1013 by Foulques Nerra, count of Anjou, at the Cite Royale de Loches, Indre-et-Loire, France. It is listed as a historic monument. Picture by Manuel Cohen
    LC23_FRANCE_MC_0542.jpg
  • Tomb of Agnes Sorel, 1422-50, mistress of Charles VII, with recumbent effigy with angels, rams and canopy, detail, alabaster, restored 19th century, in the collegiate Eglise Saint-Ours, at the Chateau de Loches, built from 1013 by Foulques Nerra, count of Anjou, at the Cite Royale de Loches, Indre-et-Loire, France. It is listed as a historic monument. Picture by Manuel Cohen
    LC23_FRANCE_MC_0541.jpg
  • Tomb of Agnes Sorel, 1422-50, mistress of Charles VII, with recumbent effigy with angels, rams and canopy, detail, alabaster, restored 19th century, in the collegiate Eglise Saint-Ours, at the Chateau de Loches, built from 1013 by Foulques Nerra, count of Anjou, at the Cite Royale de Loches, Indre-et-Loire, France. It is listed as a historic monument. Picture by Manuel Cohen
    LC23_FRANCE_MC_0540.jpg
  • Tomb of Agnes Sorel, 1422-50, mistress of Charles VII, with recumbent effigy with angels, rams and canopy, alabaster, restored 19th century, in the collegiate Eglise Saint-Ours, at the Chateau de Loches, built from 1013 by Foulques Nerra, count of Anjou, at the Cite Royale de Loches, Indre-et-Loire, France. It is listed as a historic monument. Picture by Manuel Cohen
    LC23_FRANCE_MC_0539.jpg
  • Tomb of Agnes Sorel, 1422-50, mistress of Charles VII, with recumbent effigy with angels, rams and canopy, alabaster, restored 19th century, in the collegiate Eglise Saint-Ours, at the Chateau de Loches, built from 1013 by Foulques Nerra, count of Anjou, at the Cite Royale de Loches, Indre-et-Loire, France. It is listed as a historic monument. Picture by Manuel Cohen
    LC23_FRANCE_MC_0548.jpg
  • Bust of doctor Raoul Eugene Hervey, 1845-1913, surgeon at the Hotel-Dieu-Le-Comte 1889-1910, bronze, 1886, by Desire Briden, 1850-1936, cast by Gruet, exhibited in the Hotel-Dieu-Le-Comte, a hospital founded in the 12th century by Henri I le Liberal and rebuilt 1729-64, reopening 2022 after 4 years of renovations as La Cite du Vitrail, exhibiting stained glass, in Troyes, Aube, Grand Est, France. The building is listed as a historic monument. Picture by Manuel Cohen
    LC23_FRANCE_MC_0514.jpg
  • Statue of Jean de Meung, c. 1240-1305, French author of the medieval poem the Roman de la Rose, stone, early 19th century, by Pierre Bouret, 1897-1972, in the garden of the Chateau de Meung-sur-Loire, built 12th - 18th century, Loiret, France. The chateau was the country residence of the bishops of Orleans and also served as a prison. It is listed as a historic monument and forms part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC23_FRANCE_MC_0490.jpg
  • Statue of Jean de Meung, c. 1240-1305, French author of the medieval poem the Roman de la Rose, stone, early 19th century, by Pierre Bouret, 1897-1972, in the garden of the Chateau de Meung-sur-Loire, built 12th - 18th century, Loiret, France. The chateau was the country residence of the bishops of Orleans and also served as a prison. It is listed as a historic monument and forms part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC23_FRANCE_MC_0489.jpg
  • Bust of Lucius Verus, 130-169 AD, Roman emperor, 160-170 AD, white marble, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. Picture by Manuel Cohen
    LC22_ITALY_MC_0656.jpg
  • Gaius Julius Caesar, 100-44 BC, Roman general and statesman, white marble head, 45-44 BC, from Tusculum, Italy, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. Picture by Manuel Cohen
    LC22_ITALY_MC_0655.jpg
  • Gaius Julius Caesar, 100-44 BC, Roman general and statesman, white marble head, 45-44 BC, from Tusculum, Italy, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. Picture by Manuel Cohen
    LC22_ITALY_MC_0653.jpg
  • Sarcophagus with reclining sculpture of the deceased, a woman wearing cloak and jewellery, holding a krater used for initiation into a cult, 280-270 BC, limestone, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. The deceased was probably an eminent figure, possibly first wife or mother of the tomb's founder. Picture by Manuel Cohen
    LC22_ITALY_MC_0646.jpg
  • Statue of a seated goddess on a throne, body 400-380 BC, head c. 240 BC, detail, limestone, from Idalion, Cyprus, Greece, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. Picture by Manuel Cohen
    LC22_ITALY_MC_0625.jpg
  • Statue of a seated goddess on a throne, body 400-380 BC, head c. 240 BC, limestone, from Idalion, Cyprus, Greece, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. Picture by Manuel Cohen
    LC22_ITALY_MC_0624.jpg
  • Female head with curly hair of Greek influence, 450 BC, limestone, from Idalion, Cyprus, Greece, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. Picture by Manuel Cohen
    LC22_ITALY_MC_0623.jpg
  • Head of a goddess or priestess, 600-550 BC, Greek, limestone, from Kition (Larnaca), Cyprus, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. The crown or turban may indicate that this is the Great Goddess of Cyprus. Picture by Manuel Cohen
    LC22_ITALY_MC_0621.jpg
  • Claudius, 10 BC - 54 AD, Roman emperor, late 1st century AD, Roman, white marble, from Susa, Piedmont, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. Picture by Manuel Cohen
    LC22_ITALY_MC_0617.jpg
  • Head, possibly of Pompey the Great, late 2nd - early 1st century BC, Hellenistic, marble and alabaster, on a 16th century Renaissance bust in polychrome marble, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. Picture by Manuel Cohen
    LC22_ITALY_MC_0615.jpg
  • Bust of Trajan, 98-117 AD, Roman emperor, 110-119 AD, Pentelic marble, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. Picture by Manuel Cohen
    LC22_ITALY_MC_0614.jpg
  • Colossal head of Hadrian, 76-138 AD, Roman emperor, mid 2nd century AD, white marble, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. Picture by Manuel Cohen
    LC22_ITALY_MC_0613.jpg
  • Bust of Gallienus, 208-268 AD, Roman emperor, late 3rd century AD, white marble, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. Picture by Manuel Cohen
    LC22_ITALY_MC_0612.jpg
  • Head of a young woman, possibly Cleopatra, Roman, late 1st century BC, marble, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. Picture by Manuel Cohen
    LC22_ITALY_MC_0599.jpg
  • Head of a bearded male god, late 1st century - early 2nd century AD, Roman, white marble, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. Picture by Manuel Cohen
    LC22_ITALY_MC_0587.jpg
  • Head of Sophocles, 497-405 BC, Greek playwright, late 2nd - early 3rd century AD, Roman, white marble, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. Picture by Manuel Cohen
    LC22_ITALY_MC_0585.jpg
  • Archaeology Gallery, with Greek and Roman sculptures, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. Picture by Manuel Cohen
    LC22_ITALY_MC_0582.jpg
  • Thucydides, 460-400 BC, Greek historian, or Theophrastus, 371-287 BC, Greek philosopher, <br />
Roman marble head, 1st century AD, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. Picture by Manuel Cohen
    LC22_ITALY_MC_0584.jpg
  • Internal courtyard in Italian Renaissance style, with 2 storey arcades of basket-handle arches and terracotta medallions featuring Roman emperors, at the Hotel d’Alluye, an hotel particulier or mansion house, built 1498-1508 in Renaissance style for Florimond Robertet, secretary to king Louis XII, at 8 Rue Saint-Honore, in Blois, Loir-et-Cher, France. Most of the mansion was destroyed in the 17th and 19th centuries. It is listed as a historic monument. Picture by Manuel Cohen
    LC23_FRANCE_MC_0374.jpg
  • Doorway to the south west staircase, a remnant of the now-destroyed west wing, in the internal courtyard, built in Italian Renaissance style, with 2 storey arcades of basket-handle arches and terracotta medallions featuring Roman emperors, at the Hotel d’Alluye, an hotel particulier or mansion house, built 1498-1508 in Renaissance style for Florimond Robertet, secretary to king Louis XII, at 8 Rue Saint-Honore, in Blois, Loir-et-Cher, France. Most of the mansion was destroyed in the 17th and 19th centuries. It is listed as a historic monument. Picture by Manuel Cohen
    LC23_FRANCE_MC_0372.jpg
  • Portrait of king Ferdinand VII of Spain, 1784-1833, painting, by Vicente Lopez, 1772-1850, gifted by the king to the prince, in the Chambre du roi d'Espagne, or Bedroom of the King of Spain, where the prince of Asturias (future Ferdinand VII) stayed 1808-14, at the Chateau de Valencay, at Valencay, Indre, France. The chateau was built in Renaissance style 1540 - 18th century, owned by the d'Estampes family 1451-1747 and the Talleyrand-Perigord family 1803-1979. It is listed as a historic monument. Picture by Manuel Cohen
    LC23_FRANCE_MC_0458.jpg
  • Portrait of Madame Grand, or Noel Catherine Vorlee, 1761-1835, wife of Talleyrand, painting, copy of original, 1783, by Elisabeth Louise Vigee Le Brun, 1755-1842, at the Metropolitan Museum in New York, at the Chateau de Valencay, at Valencay, Indre, France. The chateau was built in Renaissance style 1540 - 18th century, owned by the d'Estampes family 1451-1747 and the Talleyrand-Perigord family 1803-1979. It is listed as a historic monument. Picture by Manuel Cohen
    LC23_FRANCE_MC_0457.jpg
  • Portrait of Madame de la Sabliere as Diana the huntress, painting, attributed to Pierre Mignard, 1612-95, in the Chambre de la Princesse de Benevent, bedroom of the wife of Talleyrand, princess of Benevento, at the Chateau de Valencay, at Valencay, Indre, France. The chateau was built in Renaissance style 1540 - 18th century, owned by the d'Estampes family 1451-1747 and the Talleyrand-Perigord family 1803-1979. It is listed as a historic monument. Picture by Manuel Cohen
    LC23_FRANCE_MC_0456.jpg
  • Portrait of Ernest Jean, duc de Courlande, 1690-1772, painting, at the Chateau de Valencay, at Valencay, Indre, France. The chateau was built in Renaissance style 1540 - 18th century, owned by the d'Estampes family 1451-1747 and the Talleyrand-Perigord family 1803-1979. It is listed as a historic monument. Picture by Manuel Cohen
    LC23_FRANCE_MC_0455.jpg
  • Portrait of Talleyrand, 1754-1838, copy of an original painting, 1808, by Francois Gerard, 1770-1837, at the Chateau de Valencay, at Valencay, Indre, France. The chateau was built in Renaissance style 1540 - 18th century, owned by the d'Estampes family 1451-1747 and the Talleyrand-Perigord family 1803-1979. It is listed as a historic monument. Picture by Manuel Cohen
    LC23_FRANCE_MC_0454.jpg
  • Portrait of Cardinal Duperron, 1556-1618, French politician and catholic clergyman, at the Chateau de Valencay, at Valencay, Indre, France. The chateau was built in Renaissance style 1540 - 18th century, owned by the d'Estampes family 1451-1747 and the Talleyrand-Perigord family 1803-1979. It is listed as a historic monument. Picture by Manuel Cohen
    LC23_FRANCE_MC_0440.jpg
  • Salon Bleu, restored in Empire style in 1902, with Bohemian crystal chandeliers, Louis XV style card table, Chinese Coromandel screen, portraits and lacquerware from China and Japan, at the Chateau de Valencay, at Valencay, Indre, France. The chateau was built in Renaissance style 1540 - 18th century, owned by the d'Estampes family 1451-1747 and the Talleyrand-Perigord family 1803-1979. It is listed as a historic monument. Picture by Manuel Cohen
    LC23_FRANCE_MC_0437.jpg
  • Bust of Talleyrand, 1754-1838, detail, marble, copy of an original, 1839, by Louis Desprez, 1799-1870, in the Chateau de Versailles, at the Chateau de Valencay, at Valencay, Indre, France. The chateau was built in Renaissance style 1540 - 18th century, owned by the d'Estampes family 1451-1747 and the Talleyrand-Perigord family 1803-1979. It is listed as a historic monument. Picture by Manuel Cohen
    LC23_FRANCE_MC_0435.jpg
  • Bust of Talleyrand, 1754-1838, marble, copy of an original, 1839, by Louis Desprez, 1799-1870, in the Chateau de Versailles, at the Chateau de Valencay, at Valencay, Indre, France. The chateau was built in Renaissance style 1540 - 18th century, owned by the d'Estampes family 1451-1747 and the Talleyrand-Perigord family 1803-1979. It is listed as a historic monument. Picture by Manuel Cohen
    LC23_FRANCE_MC_0434.jpg
  • Grand Salon, restored in Empire style in 1902, with Bohemian crystal chandeliers and upholstered chairs, at the Chateau de Valencay, at Valencay, Indre, France. The chateau was built in Renaissance style 1540 - 18th century, owned by the d'Estampes family 1451-1747 and the Talleyrand-Perigord family 1803-1979. It is listed as a historic monument. Picture by Manuel Cohen
    LC23_FRANCE_MC_0431.jpg
  • Galerie des Portraits, or Portrait Gallery, altered in 1902 by the princess of Sagan, housing 6 of the 11 portraits previously displayed since 1817 on the second floor, by Joseph Chabord, 1786-1848, commissioned by Talleyrand to commemorate his family from 10th to 19th century, at the Chateau de Valencay, at Valencay, Indre, France. The chateau was built in Renaissance style 1540 - 18th century, owned by the d'Estampes family 1451-1747 and the Talleyrand-Perigord family 1803-1979. It is listed as a historic monument. Picture by Manuel Cohen
    LC23_FRANCE_MC_0432.jpg
  • Grand Salon, restored in Empire style in 1902, with Bohemian crystal chandeliers and upholstered chairs, at the Chateau de Valencay, at Valencay, Indre, France. The chateau was built in Renaissance style 1540 - 18th century, owned by the d'Estampes family 1451-1747 and the Talleyrand-Perigord family 1803-1979. It is listed as a historic monument. Picture by Manuel Cohen
    LC23_FRANCE_MC_0429.jpg
  • Grand Salon, restored in Empire style in 1902, with Bohemian crystal chandeliers and upholstered chairs, at the Chateau de Valencay, at Valencay, Indre, France. The chateau was built in Renaissance style 1540 - 18th century, owned by the d'Estampes family 1451-1747 and the Talleyrand-Perigord family 1803-1979. It is listed as a historic monument. Picture by Manuel Cohen
    LC23_FRANCE_MC_0428.jpg
  • Salle a Manger, or Dining Room, with seating for up to 36 guests, altered and restored in 1902, at the Chateau de Valencay, at Valencay, Indre, France. The chateau was built in Renaissance style 1540 - 18th century, owned by the d'Estampes family 1451-1747 and the Talleyrand-Perigord family 1803-1979. It is listed as a historic monument. Picture by Manuel Cohen
    LC23_FRANCE_MC_0427.jpg
  • Portrait of Maria Adelaide of Austria, 1822-55, wife of Vittorio Emanuele II, painting, 1861, by Felice Barucco, 1830-1906, in the Galleria dei Ritratti, or Portrait Gallery, in the Castello Reale di Racconigi, royal palace of the House of Savoy, at Racconigi, Cuneo, Piedmont, Italy. The palace is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0581.jpg
  • Portrait of Maria Elisabettta of Savoy, 1800-56, archduchess of Austria, painting, 1840, by Francesco Barucci, in the Castello Reale di Racconigi, royal palace of the House of Savoy, at Racconigi, Cuneo, Piedmont, Italy. The palace is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0580.jpg
  • Portrait of Carlo Alberto of Savoy, 1798-1849, wearing military uniform, painting, attributed to Angelo Capisani, 1808-62, in the Galleria dei Ritratti, or Portrait Gallery, in the Castello Reale di Racconigi, royal palace of the House of Savoy, at Racconigi, Cuneo, Piedmont, Italy. The palace is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0578.jpg
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