manuel cohen

Show Navigation
  • Portfolio
  • Search (in english)
  • Reportages
  • Fine Art Prints
  • About
  • Contact
  • Instagram
  • Facebook
  • PicRights

Search Results

Refine Search
Match all words
Match any word
Prints
Personal Use
Royalty-Free
Rights-Managed
(leave unchecked to
search all images)
{ 29 images found }

Loading ()...

  • Mineral pigments belonging to a painter and used for mixing paints, from the Villa Oplontis or Villa Poppaea, 79 BC, in the climatically controlled laboratory dedicated to applied research, in the Parco Archeologico di Pompei, or Archaeological Park of Pompeii, Campania, Italy. Pompeii was a Roman city which was buried in ash after the eruption of Vesuvius in 79 AD. The site is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC18_ITALY_MC_107.jpg
  • Selection of ground coloured pigments to create a specific dye, at Le Colorium, a dyeing studio created in 2001 by Master Dyer Matthieu le Tessier, in Belleville in the 20th arrondissement of Paris, France. Le Colorium uses traditional dyeing techniques to create pigments to dye fabrics, lace, feathers and threads for clients including Dior, Louis Vuitton, Yves St-Laurent, Christian Lacroix and many others, creating works for the fashion, textile, furnishings and entertainment industries. Picture by Manuel Cohen
    250417_Colorium_MC009.jpg
  • Lowering strings of pearls into a glass containing dye, at Le Colorium, a dyeing studio created in 2001 by Master Dyer Matthieu le Tessier, in Belleville in the 20th arrondissement of Paris, France. Le Colorium uses traditional master dyer techniques to create pigments to dye fabrics, lace, feathers and threads for clients including Dior, Louis Vuitton, Yves St-Laurent, Christian Lacroix and many others, creating works for the fashion, textile, furnishings and entertainment industries. Picture by Manuel Cohen
    250417_Colorium_MC010.jpg
  • Jars of colour pigments used for mixing glazes for ceramics, in the workshop at Ceramiques Saint Vincens, in Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. The ceramics centre was founded in the 1930s by Firmin Bauby, and produces traditional catalan ceramics which are glazed and hand decorated. Picture by Manuel Cohen
    LC20_FRANCE_MC_1201.jpg
  • Coloured pigments used to mix dyes on the windowsill of the Atelier de Teinture or Dyeing Workshops, at the Gobelins Manufactory, a historic tapestry workshop, at Le Mobilier National, which commissions and conserves state furniture, in the 13th arrondissement of Paris, France. The dyeing workshop was founded by Colbert in 1665, when a limited palette of natural dyes were used. In 1838 Eugene Chevreul created his chromatic circle, which is now digitised and used for mixing synthetic dyes. Picture by Manuel Cohen
    LC20_PARIS_MC_150.jpg
  • Shelf of bottles of coloured pigments used to mix dyes, in the Atelier de Teinture or Dyeing Workshops, at the Gobelins Manufactory, a historic tapestry workshop, at Le Mobilier National, which commissions and conserves state furniture, in the 13th arrondissement of Paris, France. The dyeing workshop was founded by Colbert in 1665, when a limited palette of natural dyes were used. In 1838 Eugene Chevreul created his chromatic circle, which is now digitised and used for mixing synthetic dyes. Picture by Manuel Cohen
    LC20_PARIS_MC_149.jpg
  • Pouring the mixed dye from a ladle into a tank of feathers, where the liquid has been heated to the correct temperature, at Le Colorium, a dyeing studio created in 2001 by Master Dyer Matthieu le Tessier, in Belleville in the 20th arrondissement of Paris, France. Le Colorium uses traditional master dyer techniques to create pigments to dye fabrics, lace, feathers and threads for clients including Dior, Louis Vuitton, Yves St-Laurent, Christian Lacroix and many others, creating works for the fashion, textile, furnishings and entertainment industries. Picture by Manuel Cohen
    250417_Colorium_MC008.jpg
  • Pouring the mixed dye from a ladle into a tank of feathers, where the liquid has been heated to the correct temperature, at Le Colorium, a dyeing studio created in 2001 by Master Dyer Matthieu le Tessier, in Belleville in the 20th arrondissement of Paris, France. Le Colorium uses traditional master dyer techniques to create pigments to dye fabrics, lace, feathers and threads for clients including Dior, Louis Vuitton, Yves St-Laurent, Christian Lacroix and many others, creating works for the fashion, textile, furnishings and entertainment industries. Picture by Manuel Cohen
    250417_Colorium_MC007.jpg
  • Pouring the mixed dye from a ladle into a tank where the liquid has been heated to the correct temperature, at Le Colorium, a dyeing studio created in 2001 by Master Dyer Matthieu le Tessier, in Belleville in the 20th arrondissement of Paris, France. Le Colorium uses traditional master dyer techniques to create pigments to dye fabrics, lace, feathers and threads for clients including Dior, Louis Vuitton, Yves St-Laurent, Christian Lacroix and many others, creating works for the fashion, textile, furnishings and entertainment industries. Picture by Manuel Cohen
    250417_Colorium_MC006.jpg
  • Preparation of a dye in a ladle, before being poured into a tank where the liquid has been heated to the correct temperature, at Le Colorium, a dyeing studio created in 2001 by Master Dyer Matthieu le Tessier, in Belleville in the 20th arrondissement of Paris, France. Le Colorium uses traditional master dyer techniques to create pigments to dye fabrics, lace, feathers and threads for clients including Dior, Louis Vuitton, Yves St-Laurent, Christian Lacroix and many others, creating works for the fashion, textile, furnishings and entertainment industries. Picture by Manuel Cohen
    250417_Colorium_MC005.jpg
  • Preparation of a dye in a ladle, before being poured into a tank where the liquid has been heated to the correct temperature, at Le Colorium, a dyeing studio created in 2001 by Master Dyer Matthieu le Tessier, in Belleville in the 20th arrondissement of Paris, France. Le Colorium uses traditional master dyer techniques to create pigments to dye fabrics, lace, feathers and threads for clients including Dior, Louis Vuitton, Yves St-Laurent, Christian Lacroix and many others, creating works for the fashion, textile, furnishings and entertainment industries. Picture by Manuel Cohen
    250417_Colorium_MC003.jpg
  • Pouring the mixed dye from a ladle into a tank where the liquid has been heated to the correct temperature, at Le Colorium, a dyeing studio created in 2001 by Master Dyer Matthieu le Tessier, in Belleville in the 20th arrondissement of Paris, France. Le Colorium uses traditional master dyer techniques to create pigments to dye fabrics, lace, feathers and threads for clients including Dior, Louis Vuitton, Yves St-Laurent, Christian Lacroix and many others, creating works for the fashion, textile, furnishings and entertainment industries. Picture by Manuel Cohen
    250417_Colorium_MC004.jpg
  • Vicente Benlloch Caballer painting a fan at Abanicos Vibenca, on Plaza Lope de Vega in Valencia, Spain. This family business was started in 1910 by Antonio Benlloch Martinez, and continued by his son and now his grandson. The fans are made and painted by hand. Picture by Manuel Cohen
    LC21_SPAIN_MC_0106.jpg
  • Vicente Benlloch Caballer painting a fan at Abanicos Vibenca, on Plaza Lope de Vega in Valencia, Spain. This family business was started in 1910 by Antonio Benlloch Martinez, and continued by his son and now his grandson. The fans are made and painted by hand. Picture by Manuel Cohen
    LC21_SPAIN_MC_0107.jpg
  • Vicente Benlloch Caballer painting a fan at Abanicos Vibenca, on Plaza Lope de Vega in Valencia, Spain. This family business was started in 1910 by Antonio Benlloch Martinez, and continued by his son and now his grandson. The fans are made and painted by hand. Picture by Manuel Cohen
    LC21_SPAIN_MC_0108.jpg
  • Vicente Benlloch Caballer painting a fan at Abanicos Vibenca, on Plaza Lope de Vega in Valencia, Spain. This family business was started in 1910 by Antonio Benlloch Martinez, and continued by his son and now his grandson. The fans are made and painted by hand. Picture by Manuel Cohen
    LC21_SPAIN_MC_0109.jpg
  • Vicente Benlloch Caballer painting a fan at Abanicos Vibenca, on Plaza Lope de Vega in Valencia, Spain. This family business was started in 1910 by Antonio Benlloch Martinez, and continued by his son and now his grandson. The fans are made and painted by hand. Picture by Manuel Cohen
    LC21_SPAIN_MC_0110.jpg
  • Ceramic artist at work hand painting ceramic decorations in the workshop at Ceramiques Saint Vincens, in Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. Behind her are shelves with jars of colour glazes. The ceramics centre was founded in the 1930s by Firmin Bauby, and produces traditional catalan ceramics which are glazed and hand decorated. Picture by Manuel Cohen
    LC20_FRANCE_MC_1184.jpg
  • Bronze vase containing iron oxide or hematite, used to make red dye or paint, found in the Villa Oplontis or Villa Poppaea, 79 BC, in the climatically controlled laboratory dedicated to applied research, in the Parco Archeologico di Pompei, or Archaeological Park of Pompeii, Campania, Italy. Pompeii was a Roman city which was buried in ash after the eruption of Vesuvius in 79 AD. The site is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC18_ITALY_MC_106.jpg
  • Painted window frame with an extremely rare use of the colour lilac, from the Courtyard of the Harem, Glaoui Palace, early 19th century, in Fes, Fes-Boulemane, Northern Morocco. The room has a central fountain, zellige tilework and a carved balcony which is damaged and in need of restoration. Thami Glaoui, Pasha of Marrakech, used this as his Fes residence. The complex consists of 30 fountains, 17 houses, 2 hammams, an oil mill, a mausoleum and cemetery, a madrasa, gardens and stables. Picture by Manuel Cohen
    LC14_Morocco_MC272.jpg
  • Tanks for dye at Le Colorium, a dyeing studio created in 2001 by Master Dyer Matthieu le Tessier, in Belleville in the 20th arrondissement of Paris, France. Le Colorium uses traditional dyeing techniques to create pigments to dye fabrics, lace, feathers and threads for clients including Dior, Louis Vuitton, Yves St-Laurent, Christian Lacroix and many others, creating works for the fashion, textile, furnishings and entertainment industries. Picture by Manuel Cohen
    250417_Colorium_MC001.jpg
  • Matthieu Le Tessier, Master Dyer, pouring dye into a tank containing water which has been preheated to the correct temperature, at Le Colorium, a dyeing studio created in 2001 by Matthieu le Tessier, in Belleville in the 20th arrondissement of Paris, France. Le Colorium uses traditional dyeing techniques to create pigments to dye fabrics, lace, feathers and threads for clients including Dior, Louis Vuitton, Yves St-Laurent, Christian Lacroix and many others, creating works for the fashion, textile, furnishings and entertainment industries. Picture by Manuel Cohen
    250417_Colorium_MC002.jpg
  • Detail of 1 of the 75 octagonal panels from the wooden coffered ceiling, made 1541-43 by Sebastian de Segovia during the reign of Emperor Charles V, in the Salon del Techo de Carlos V, or Charles V Ceiling Room, in the Mudejar Palace, or Palacio del Rey Don Pedro, built by Pedro I of Castile, 1334-1369, in 1364, in the Real Alcazar, a Moorish royal palace in Seville, Andalusia, Spain. The ceiling is made from pine wood with ground colour pigments, and the panels are carved with floral designs and busts. The Alcazar was first founded as a fort in 913, then developed as a palace in the 11th, 12th and 13th centuries and used by both Muslim and Christian rulers. The Alcazar is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC095.jpg
  • Wooden coffered ceiling with 75 octagonal panels, made 1541-43 by Sebastian de Segovia during the reign of Emperor Charles V, in the Salon del Techo de Carlos V, or Charles V Ceiling Room, in the Mudejar Palace, or Palacio del Rey Don Pedro, built by Pedro I of Castile, 1334-1369, in 1364, in the Real Alcazar, a Moorish royal palace in Seville, Andalusia, Spain. The ceiling is made from pine wood with ground colour pigments, and the panels are carved with floral designs and busts. The Alcazar was first founded as a fort in 913, then developed as a palace in the 11th, 12th and 13th centuries and used by both Muslim and Christian rulers. The Alcazar is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC093.jpg
  • Detail of a painted wooden chest depicting a pope blessing the crowds at Sant Climent de Taull church, 1123, consecrated by Ramon Guillem, the bishop of Roda, Taull, Province of Lleida, Catalonia, Spain. The church is one of the best examples of Romanesque architecture. It is known for its campanile and for its murals, which were removed to the MNAC (National Art Museum of Catalonia, Barcelona) in 1922, to prevent the theft of the murals. The murals, which are frescos, were removed by painting them with horsehide glue and then peeling off the hardened glue, carrying the pigments of the mural with it. Sant Climent de Taull church is part of the Catalan Romanesque churches of the Vall de Boí which were declared a World Heritage Site by UNESCO in November 2000. Picture by Manuel Cohen.
    LCSPAIN11_MC032.jpg
  • View from below of pillar and vaulted ceiling of the central apse of Sant Climent de Taull church, 1123, consecrated by Ramon Guillem, the bishop of Roda, Taull, Province of Lleida, Catalonia, Spain. The church is one of the best examples of Romanesque architecture. It is known for its campanile and for its murals, which were removed to the MNAC (National Art Museum of Catalonia, Barcelona) in 1922, to prevent the theft of the murals. The murals, which are frescos, were removed by painting them with horsehide glue and then peeling off the hardened glue, carrying the pigments of the mural with it. Among the murals is a striking rendition of Christ Pantocrator visible at the bottom right of the picture. Sant Climent church is part of the Catalan Romanesque churches of the Vall de Boí which were declared a World Heritage Site by UNESCO in November 2000. Picture by Manuel Cohen.
    LCSPAIN11_MC031.jpg
  • Detail of Mural Painting in the northern abside of Sant Climent de Taull church, 1123, consecrated by Ramon Guillem, the bishop of Roda, Taull, Province of Lleida, Catalonia, Spain. The murals were removed to the MNAC (National Art Museum of Catalonia, Barcelona) in 1922, to prevent the theft of the murals. The murals, which are frescos, were removed by painting them with horsehide glue and then peeling off the hardened glue, carrying the pigments of the mural with it. Picture by Manuel Cohen.
    LCSPAIN11_MC030.jpg
  • General view of the nave with cylindrical columns separating from the aisles, Sant Climent de Taull church, 1123, consecrated by Ramon Guillem, the bishop of Roda, Taull, Province of Lleida, Catalonia, Spain. The cylindrical columns separating the nave from its aisles have no capitals. The murals were removed to the MNAC (National Art Museum of Catalonia, Barcelona) in 1922, to prevent the theft. They are frescos and were removed by painting them with horsehide glue and then peeling off the hardened glue, carrying the pigments of the mural with it. Among the murals is a striking rendition of Christ Pantocrator in the central apse. Sant Climent de Taull is part of the Catalan Romanesque churches of the Vall de Boí which were declared a World Heritage Site by UNESCO in November 2000. Picture by Manuel Cohen
    LCSPAIN11_MC026.jpg
  • New Caledonia Glasshouse (formerly The Mexican Hothouse), 1830s, Charles Rohault de Fleury, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France.  Low angle view of the interior during renovation work; a waterfall is being built and the rocks are being painted with pigments.
    _MG_5739.jpg
  • Facebook
  • Twitter
x