manuel cohen

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  • Tsar Nicolas II with Albert Thomas, 1878-1932, and Rene Viviani, 1862-1925, at the imperial general headquarters, May 1916, during the First World War, photograph published in L'Illustration no.3864, 24th March 1917. This is one of the last photographs sent to L'Illustration by the Russian court photographer. Some of them date from 1916 but permission to publish was only granted on 20th March 1917. Picture by Manuel Cohen
    LC_HISTORY_MC_0293.jpg
  • Tsar Nicolas II, his son and his daughters the Grand Duchesses, with officers of the imperial guard, photograph published in L'Illustration no.3864, 24th March 1917. This is one of the last photographs sent to L'Illustration by the Russian court photographer. Some of them date from 1916 but permission to publish was only granted on 20th March 1917. Picture by Manuel Cohen
    LC_HISTORY_MC_0295.jpg
  • Audience with allied missions in the Imperial Palace at Tsarskoye Selo, 31st January 1917, with left-right, Pokrovsky, Lord Revelstoke, Scialoia, Lord Milner, Sir G Buchanan, Tsar Nicolas II, Miss Carlotti, Doumergue, General Castelnau, General Raggieri and Count Fredericksz, photograph published in L'Illustration no.3864, 24th March 1917. This is one of the last photographs sent to L'Illustration by the Russian court photographer. Some of them date from 1916 but permission to publish was only granted on 20th March 1917. Picture by Manuel Cohen
    LC_HISTORY_MC_0294.jpg
  • Portrait of Victor Hugo, French writer, 1802-85, on his deathbed in May 1885, photograph by Gaspard-Felix Tournachon, known as Nadar, 1820-1910. Copyright © Collection Particuliere Tropmi / Manuel Cohen
    LC_History_MC0127.jpg
  • Self portrait of photographer Manuel Cohen reflected in a mirror, in the bathroom of an abandoned building in a state of dereliction, in the old town or Casc Antic of Tortosa, Tarragona, Spain. Tortosa is an ancient town situated on the Ebro Delta which has a rich heritage dating from Roman times. In recent years, many buildings in the old town have been abandoned and fallen into disrepair. Picture by Manuel Cohen
    LC19_SPAIN_MC040.jpg
  • Portrait of Manuel Cohen, photographer, videographer and remote pilot of S1, S2 and S4 drones, photographed flying a drone in May 2019.
    May2019_ManuelCohen_MC02.jpg
  • Portrait of Manuel Cohen, photographer, videographer and remote pilot of S1, S2 and S4 drones, photographed flying a drone in May 2019.
    May2019_ManuelCohen_MC01.jpg
  • Portrait of Manuel Cohen, photographer, videographer and remote pilot of S1, S2 and S4 drones, photographed flying a drone in May 2019.
    May2019_ManuelCohen_MC03.jpg
  • Self portrait of photographer Manuel Cohen reflected in a mirror, in the bathroom of an abandoned building in a state of dereliction, in the old town or Casc Antic of Tortosa, Tarragona, Spain. Tortosa is an ancient town situated on the Ebro Delta which has a rich heritage dating from Roman times. In recent years, many buildings in the old town have been abandoned and fallen into disrepair. Picture by Manuel Cohen
    IMG_0533.jpg
  • Plant History Glasshouse (formerly Australian Glasshouse), 1830s, Rohault de Fleury, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Panoramic view showing the photographer, Manuel Cohen, reflected by the afternoon light in the glass and metal structure.
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  • Statue of Heinrich Zille, 1858-1929, painter and photographer, by Thorsten Stegmann, 1969, Nikolai district, Mitte, Berlin, Germany. Picture by Manuel Cohen
    LC14_BERLIN_MC0022.jpg
  • Autoportrait de Robert Cohen, photographe et fondateur de l'agence de presse photo AGIP en 1935, avec son Rolleiflex, sur le tournage de Napoléon mis en scène par Sacha Guitry en 1954 : Alex Archambault, coiffeur, prepare Michèle Morgan dans le rôle de Josephine de Beauharnais. Photo : Robert Cohen / © Manuel Cohen
    LC_Archives_Robert_Cohen002.jpg
  • Robert Cohen, photographe et fondateur de l'agence de presse photo AGIP en 1935, circa 1934. Album familial. © Manuel Cohen
    LC_Archives_Robert_Cohen001.JPG
  • Robert Cohen, photographe et fondateur de l'agence de presse photo AGIP en 1935, circa 1965, dans un avion Air France. © Manuel Cohen
    LC_Archives_Robert_Cohen003.jpg
  • Robert Cohen, photographe et fondateur de l'agence de presse photo AGIP en 1935, circa 1965 © Manuel Cohen
    LC_Archives_Robert_Cohen004.jpg
  • Robert Cohen, photographe et fondateur de l'agence de presse photo AGIP en 1935, 10 decembre 1966 : "autoportrait devant une glace". © Manuel Cohen
    LC_Archives_Robert_Cohen007.jpg
  • Robert Cohen, photographe et fondateur de l'agence de presse photo AGIP en 1935, circa 1950 © Manuel Cohen
    LC_Archives_Robert_Cohen009.jpg
  • Robert Cohen, photographe et fondateur de l'agence de presse photo AGIP en 1935, circa 1970 © Manuel Cohen
    LC_Archives_Robert_Cohen006.jpg
  • Robert Cohen, photographe et fondateur de l'agence de presse photo AGIP en 1935, circa 1950 © Manuel Cohen
    LC_Archives_Robert_Cohen008.jpg
  • Robert Cohen, photographe et fondateur de l'agence de presse photo AGIP en 1935,  circa 1955, Paris, France. © Manuel Cohen
    LC_Archives_Robert_Cohen010.jpg
  • Robert Cohen, photographe et fondateur de l'agence de presse photo AGIP en 1935, 14 decembre 1941, Paris France. © Manuel Cohen
    LC_Archives_Robert_Cohen011.jpg
  • Robert Cohen, photographe et fondateur de l'agence de presse photo AGIP en 1935, circa 1945, Paris, France. © Manuel Cohen
    LC_Archives_Robert_Cohen012.jpg
  • Robert Cohen, photographe et fondateur de l'agence de presse photo AGIP en 1935 : Carte Presse 1960. © Manuel Cohen
    LC_Archives_Robert_Cohen013.jpg
  • Robert Cohen, photographe et fondateur de l'agence de presse photo AGIP en 1935 : Autorisation de reportage de la Chambre Syndicale de la Couture Parisienne delivree en 1955 jusqu'au 26 fevrier 1959. © Manuel Cohen
    LC_Archives_Robert_Cohen015.jpg
  • Robert Cohen, photographe et fondateur de l'agence de presse photo AGIP en 1935 : Carte Presse 1965. © Manuel Cohen
    LC_Archives_Robert_Cohen014.jpg
  • Robert Cohen, photographe et fondateur de l'agence de presse photo AGIP en 1935 : laissez-passer SIRPA 1977
    LC_Archives_Robert_Cohen016.jpg
  • Robert Cohen, photographe et fondateur de l'agence de presse photo AGIP en 1935, 1er aout 1945, Paris, France. © Manuel Cohen
    LC_Archives_Robert_Cohen005.jpg
  • Ship docked at Papeete harbour, photograph by an unknown photographer, early 20th century, <br />
in the MTI-TFM Collection (fonds de la Polynesie Francaise), in the Musee de Tahiti et des Iles, or Te Fare Manaha, at Punaauia, on the island of Tahiti, in the Windward Islands, Society Islands, French Polynesia. The Museum of Tahiti and the Islands was opened in 1974 and displays collections of nature and anthropology, habitations and artefacts, social and religious life and the history of French Polynesia. Picture by Manuel Cohen
    LC17_POLYNESIA_MC_292.jpg
  • Giuseppe Verdi, 1813-1901, Italian composer of operas, photograph, c. 1855, by Gaspard-Felix Tournachon, known as Nadar, 1820-1910, French photographer. Copyright © Collection Particuliere Tropmi / Manuel Cohen
    LC_HISTORY_MC_0178.jpg
  • Giuseppe Verdi, 1813-1901, Italian composer of operas, photograph, c. 1855, by Gaspard-Felix Tournachon, known as Nadar, 1820-1910, French photographer. Copyright © Collection Particuliere Tropmi / Manuel Cohen
    LC_HISTORY_MC_0177.jpg
  • Piotr Illitch Tchaikovsky, 1840-93, Russian composer of the late Romantic period, photograph, c. 1875, by unknown photographer. Copyright © Collection Particuliere Tropmi / Manuel Cohen
    LC_HISTORY_MC_0176.jpg
  • Gioachino Rossini, 1792-1868, Italian composer and writer of operas, photograph c. 1880 by Gaspard-Felix Tournachon, known as Nadar, 1820-1910, French photographer. Copyright © Collection Particuliere Tropmi / Manuel Cohen
    LC_HISTORY_MC_0174.jpg
  • Maurice Ravel, 1875-1937, French composer, pianist and conductor, and Vaslav Nijinsky, 1889-1950, Russian ballet dancer and choreographer, playing the piano, photograph, 1912, by unknown photographer. Copyright © Collection Particuliere Tropmi / Manuel Cohen
    LC_HISTORY_MC_0173.jpg
  • Maurice Ravel, 1875-1937, French composer, pianist and conductor, photograph, 1910, by unknown photographer. Copyright © Collection Particuliere Tropmi / Manuel Cohen
    LC_HISTORY_MC_0172.jpg
  • Maurice Ravel, 1875-1937, French composer, pianist and conductor (front) with friends at the home of Florent Schmitt, 1870-1958, French composer (standing, in profile), photograph, c. 1910, by unknown photographer. Copyright © Collection Particuliere Tropmi / Manuel Cohen
    LC_HISTORY_MC_0171.jpg
  • Richard Strauss, 1864-1949, German composer of the late Romantic and early modern eras, with R Burg and M Fuchs at the Bayreuth festival, a music festival in Bayreuth, Germany, photograph, 1934, by unknown photographer. Copyright © Collection Particuliere Tropmi / Manuel Cohen
    LC_HISTORY_MC_0168.jpg
  • Arnold Schonberg, 1874-1951, Austrian composer and painter, photograph with music and handwriting, 1911, by unknown photographer. Copyright © Collection Particuliere Tropmi / Manuel Cohen
    LC_HISTORY_MC_0162.jpg
  • Richard Strauss, 1864-1949, German composer of the late Romantic and early modern eras, photograph, 1890, by unknown photographer. Copyright © Collection Particuliere Tropmi / Manuel Cohen
    LC_HISTORY_MC_0163.jpg
  • Maurice Ravel, 1875-1937, French composer, pianist and conductor in the courtyard of the Conservatoire de Musique, Paris, France, photograph, 1920, by unknown photographer. Copyright © Collection Particuliere Tropmi / Manuel Cohen
    LC_HISTORY_MC_0161.jpg
  • Anna de Noailles, 1876-1933, Romanian-French writer, photograph by unknown photographer, c. 1900. Copyright © Collection Particuliere Tropmi / Manuel Cohen
    LC_History_MC0124.jpg
  • Portrait of Paul Claudel, 1868-1955, French poet, dramatist and diplomat, brother of Camille Claudel, c. 1920, photographer unknown. Copyright © Collection Particuliere Tropmi / Manuel Cohen
    LC_History_MC0099.jpg
  • Portrait of Gabriel Faure, 1845-1924, French composer, c. 1920, photographer unknown. Copyright © Collection Particuliere Tropmi / Manuel Cohen
    LC_History_MC0100.jpg
  • Portrait of Johann Strauss II, 1825-99, Austrian composer and Johannes Brahms, 1833-97, German composer, at Bad Ischl, an Austrian spa town in Salzkammergut, c. 1890, photographer unknown. Copyright © Collection Particuliere Tropmi / Manuel Cohen
    LC_History_MC0101.jpg
  • Portrait of Claude Debussy, 1862-1918, French composer of Impressionist music and Emma Bardac, 1862-1934, singer and mistress of both Gabriel Faure and Claude Debussy, on a garden bench in 1914, photographer unknown. Copyright © Collection Particuliere Tropmi / Manuel Cohen
    LC_History_MC0135.jpg
  • Portrait of Marcel Proust, 1871-1922, French novelist and essayist, leaving the Vermeer exhibition at the Musee du Jeu de Paume in Paris, in April or May 1921, photographer unknown. Copyright © Collection Particuliere Tropmi / Manuel Cohen
    LC_History_MC0140.jpg
  • Portrait of dancers from the 'Revue Negre' at the Theatre des Champs-Elysees in Paris, 1927, photographer unknown, in front of the Bal Negre poster of 1927 designed by Paul Colin, 1892-1986. Copyright © Collection Particuliere Tropmi / Manuel Cohen
    LC_History_MC0139.jpg
  • Members of the 'Compagnons du Devoir' or Workers Association of Journeymen of Duty, a form of guild, holding copies of La Guerre Sociale and L'Humanite, communist and antimilitarist newspapers, in 1909, photographer unknown. Copyright © Collection Particuliere Tropmi / Manuel Cohen
    LC_History_MC0143.jpg
  • Portrait of Joris-Karl Huysmans, born Charles-Marie-Georges Huysmans, 1848-1907, French novelist, c. 1900, photographer unknown. Copyright © Collection Particuliere Tropmi / Manuel Cohen
    LC_History_MC0137.jpg
  • Portrait of Marcel Proust, 1871-1922, French novelist and essayist, seated on a couch, c. 1900, photographer unknown. Copyright © Collection Particuliere Tropmi / Manuel Cohen
    LC_History_MC0130.jpg
  • Luis Lonjedo, a Valencian artist, beside his mural paintings El Beso or The Kiss, and Irene, painted in 2016, on Calle Moret, Valencia, Spain. Picture by Manuel Cohen
    LC21_SPAIN_MC_0111.jpg
  • Luis Lonjedo, a Valencian artist, beside his mural paintings El Beso or The Kiss, and Irene, painted in 2016, on Calle Moret, Valencia, Spain. Picture by Manuel Cohen
    LC21_SPAIN_MC_0112.jpg
  • Photograph of Alfred de Vigny by Nadar, 1820-1910, French photographer, in the Petit Musee Vigny, in the former dining room, exhibiting documents, photographs and paintings of Alfred Victor, Comte de Vigny, 1797-1863, French poet, writer, playwright and Romantic, at Le Maine Giraud, a 16th century manor house and country estate, in Champagne-Vigny, Charente, Nouvelle-Aquitaine, France. The property belonged to Alfred de Vigny 1827-63, who restored it and bought the surrounding land, and later to Louise Lachaud, who ran a Parisian literary salon. In 1938 it was bought by the Durand family who planted the vineyard and produce pineau and cognac. It is listed as a historic monument. Picture by Manuel Cohen
    LC20_FRANCE_MC_0313.jpg
  • Portrait of Pablo Picasso, photograph, by Robert Doisneau, French photographer, 1912-94, in the Palau Aguilar, part of the Museu Picasso, an art gallery featuring over 4000 works by Pablo Picasso, 1881-1973, in La Ribera, in the Old City of Barcelona, Catalonia, Spain. The museum opened in 1963 and is housed in 5 adjoining medieval palaces on the Carrer de Montcada. The Palau Aguilar is a 13th century medieval mansion, reworked in the 15th and 18th centuries. It contains a central courtyard, Gothic sculptures, coffered ceilings and 13th century frescoes. Picture by Manuel Cohen
    LC20_SPAIN_MC_1415.jpg
  • EXCLUSIVE (b/w photo) Victor Place (1818 - 1875) in Corbeil, 18th of July 1818, by the photographer of SM l'Empereur, Essonne, France...Additional info :..Victor Place à Corbeil, 18 juillet 1818 - Photographe de SM l'Empereur. 8 bd des Italiens, Paris.
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  • Gaspard-Felix Tournachon, known as Nadar, 1820-1910, French photographer, self-portrait turning around, c. 1865. Copyright © Collection Particuliere Tropmi / Manuel Cohen
    LC_HISTORY_MC_0181.jpg
  • Woman modelling for a fashion photographer on Barceloneta beach at sunset, Barcelona, Spain. The four steel cubes of the sculpture L'Estel Ferit (the wounded star of the injured comet) are silhouetted on the sand with the western sunlight. Picture by Manuel Cohen
    LCSPAIN12_MC071.jpg
  • Brother and sisters hand-in-hand in the middle of a square of the old city, Khiva, Uzbekistan, seen from above, lit by the summer late afternoon light on July 5, 2010. The elder sister proudly watches the photographer.
    LC_Uzbekistan_0710_MC004.jpg
  • The Mont-Carmel wing of the Chateau Frontenac and the Dufferin Terrace, photograph, 1910, from the Archives of the Chateau Frontenac, Quebec City, Quebec, Canada. The Chateau Frontenac opened in 1893 and was designed by Bruce Price as a chateau style hotel for the Canadian Pacific Railway company or CPR. This photograph was taken before it was extended in 1924 by William Sutherland Maxwell. The building is now a hotel, the Fairmont Le Chateau Frontenac, and is listed as a National Historic Site of Canada. The Historic District of Old Quebec is listed as a UNESCO World Heritage Site. Copyright Archives Chateau Frontenac / Manuel Cohen
    LC18_QUEBEC_MC_222.jpg
  • Session of parliament during the Russian Revolution in the Duma chamber - the portrait of Tsar Nicolas II has been removed from its frame and the bronze imperial coat of arms taken from the rostrum and soldiers and officers take the place of politicians, photograph from the front page of L'Illustration no.3867, 14th April 1917. The inset photograph shows a Duma session from 1916 with the former president of the Council Sturmer reading a declaration. Picture by Manuel Cohen
    LC_HISTORY_MC_0335.jpg
  • Framed portrait of Maurice Marechal, founder of Le Canard Enchaine, in the editorial offices of the newspaper, photograph. The photograph is in the collection of the Archives du Canard Enchaine. Le Canard Enchaine is a satirical weekly newspaper, founded in 1915 during the First World War by Maurice Marechal, Jeanne Marechal and H P Gassier. It features investigative journalism, political cartoons, business and political leaks and bogus interviews. In 2015 the newspaper celebrated its 100th anniversary. Picture by Manuel Cohen
    LC_HISTORY_MC_0213.jpg
  • Maurice Marechal and his wife Jeanne Marechal, founders of Le Canard Enchaine, and a framed portrait of Maurice Marechal, in the editorial offices of the newspaper, photograph. The photograph is in the collection of the Archives du Canard Enchaine. Le Canard Enchaine is a satirical weekly newspaper, founded in 1915 during the First World War by Maurice Marechal, Jeanne Marechal and H P Gassier. It features investigative journalism, political cartoons, business and political leaks and bogus interviews. In 2015 the newspaper celebrated its 100th anniversary. Picture by Manuel Cohen
    LC_HISTORY_MC_0212.jpg
  • Journalists from Le Canard Enchaine playing cards at the Cafe du Cadran in Paris, c. 1930, photograph, with (right) Maurice Marechal and his wife Jeanne Marechal, (opposite) Henri Monnier and (centre) Jules Rivet, copyeditor of the newspaper. The photograph is in the collection of the Archives du Canard Enchaine. Le Canard Enchaine is a satirical weekly newspaper, founded in 1915 during the First World War by Maurice Marechal, Jeanne Marechal and H P Gassier. It features investigative journalism, political cartoons, business and political leaks and bogus interviews. In 2015 the newspaper celebrated its 100th anniversary. Picture by Manuel Cohen
    LC_HISTORY_MC_0211.jpg
  • Woman working at spinning machine, photograph from 'Fabra i Coats, Sewn Stories', a digital altarpiece or mural installation by Friends of the Fabra i Coats, using photographs and interviews with former workers, at the old Fabra i Coats factory in San Andreu, Barcelona, Catalonia, Spain. The project was run by the Barcelona History Museum as part of the MUHBA Fabra i Coats project. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_350.jpg
  • Woman working at spinning machine, photograph from 'Fabra i Coats, Sewn Stories', a digital altarpiece or mural installation by Friends of Fabra i Coats, using photographs and interviews with former workers, at the old Fabra i Coats factory in San Andreu, Barcelona, Catalonia, Spain. The project was run by the Barcelona History Museum as part of the MUHBA Fabra i Coats project. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_326.jpg
  • Rene Lacoste and his wife Simone in 1936 in Chantaco, photograph, in the Lacoste Archives, in the Private Lacoste Museum, in Troyes, Aube, Grand Est, France. Lacoste is a ready-to-wear clothing and accessories company founded 1933 by tennis players Rene Lacoste and Andre Gillier, based in Troyes. Credit : Lacoste Museum, photo Manuel Cohen
    LC21_FRANCE_MC_1535.jpg
  • Louis-Philippe Albert d'Orleans, comte de Paris, 1838-94, sitting with a newspaper by the garden wall of the Chateau d'Eu, photograph, by his younger brother Robert d'Orleans, duc de Chartres, in the collection of the Chateau d'Eu, in Eu, Normandy, France. The original was donated by the Association des Amis du Musee Louis-Philippe in 2017. The chateau was begun in 1581 by Henri de Guise and Catherine de Cleves and finished in 1665 by Anne-Marie-Louise d'Orleans, the Grande Mademoiselle. In the 19th century the chateau was a royal residence of King Louis Philippe. The chateau houses the Musee Louis-Philippe and is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_0912.jpg
  • Modernist architect Puig i Cadafalch accepting first prize in the City Council's awards for best industrial building, from the mayor of Barcelona, in 1913, photograph, exhibited at CaixaForum Barcelona, a cultural centre opened 2002 in the former Casaramona textile factory built 1911, designed by Josep Puig i Cadafalch, in Montjuic, Barcelona, Catalonia, Spain. The centre was repurposed by Japanese architect Arata Isozaki, b. 1931. It is sponsored by La Caixa bank, and holds temporary exhibitions, concerts, educational workshops and films, and has a media library, auditorium, classroom, restaurant and children's activity space. Picture by Manuel Cohen
    LC20_SPAIN_MC_1326.jpg
  • Modernist architect Puig i Cadalfach, president of the Mancomunitat de Catalunya (Commonwealth of Catalonia) 1917-25, photograph, exhibited at CaixaForum Barcelona, a cultural centre opened 2002 in the former Casaramona textile factory built 1911, designed by Josep Puig i Cadafalch, in Montjuic, Barcelona, Catalonia, Spain. The centre was repurposed by Japanese architect Arata Isozaki, b. 1931. It is sponsored by La Caixa bank, and holds temporary exhibitions, concerts, educational workshops and films, and has a media library, auditorium, classroom, restaurant and children's activity space. Picture by Manuel Cohen
    LC20_SPAIN_MC_1329.jpg
  • Etienne Terrus painting a canvas en plein air, photograph, in the Musee Terrus Elne, opened 2014, in Elne, Pyrenees-Orientales, Catalogne du Nord, France. The Terrus Museum is dedicated to the life and works of Etienne Terrus, 1857-1922, a painter in oils and watercolour from Elne, and other Roussillonnais contemporaries. Picture by Manuel Cohen
    LC20_FRANCE_MC_0940.jpg
  • Portrait of Etienne Terrus, photograph, in the Musee Terrus Elne, opened 2014, in Elne, Pyrenees-Orientales, Catalogne du Nord, France. The Terrus Museum is dedicated to the life and works of Etienne Terrus, 1857-1922, a painter in oils and watercolour from Elne, and other Roussillonnais contemporaries. Picture by Manuel Cohen
    LC20_FRANCE_MC_0631.jpg
  • Women working on fishing nets, photograph from 'Fabra i Coats, Sewn Stories', a digital altarpiece or mural installation by Friends of the Fabra i Coats, using photographs and interviews with former workers, at the old Fabra i Coats factory in San Andreu, Barcelona, Catalonia, Spain. The project was run by the Barcelona History Museum as part of the MUHBA Fabra i Coats project. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_349.jpg
  • Immigrants arriving in America, photograph, 1908, by Lewis Hine, displayed in the National Immigration Museum, in the main building on Ellis Island, the immigration processing centre for the United States from 1892 to 1954, at the mouth of the Hudson river in New York City, NY, USA. Ellis Island and its Immigration Museum are part of the Statue of Liberty National Monument and are managed by the National Park Authority. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_095.jpg
  • Immigrants arriving at Ellis Island on a ship, photograph, displayed in the National Immigration Museum, in the main building on Ellis Island, the immigration processing centre for the United States from 1892 to 1954, at the mouth of the Hudson river in New York City, NY, USA. Ellis Island and its Immigration Museum are part of the Statue of Liberty National Monument and are managed by the National Park Authority. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_094.jpg
  • Interpreters sitting next to the immigrants while immigration officers examine their documents, in the Registry Room, photograph, c. 1912, displayed in the National Immigration Museum, in the main building on Ellis Island, the immigration processing centre for the United States from 1892 to 1954, at the mouth of the Hudson river in New York City, NY, USA. Ellis Island and its Immigration Museum are part of the Statue of Liberty National Monument and are managed by the National Park Authority. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_066.jpg
  • Immigration officer carrying out a psychological assessment on a young immigrant to establish his socio-psychological profile, needed for his admission file, in the Legal Inspection room, photograph, c. 1914, displayed in the National Immigration Museum, in the main building on Ellis Island, the immigration processing centre for the United States from 1892 to 1954, at the mouth of the Hudson river in New York City, NY, USA. Ellis Island and its Immigration Museum are part of the Statue of Liberty National Monument and are managed by the National Park Authority. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_063.jpg
  • Registry Room of the main building, with queueing immigrants waiting to be processed, photograph, c. 1910, displayed in the National Immigration Museum, in the main building on Ellis Island, the immigration processing centre for the United States from 1892 to 1954, at the mouth of the Hudson river in New York City, NY, USA. The registry hall was designed by William Alciphron Boring and Edward Lippincott Tilton and built early 20th century in French Renaissance style. It measures 61x30m and was used for primary inspections, with adjoining rooms used as dormitories and offices. Ellis Island and its Immigration Museum are part of the Statue of Liberty National Monument and are managed by the National Park Authority. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_029.jpg
  • Castle Garden Immigration Station, New York City, where more than 8 million immigrants were processed 1855-90, (copyright New York City Public Library), photograph, c. 1890, displayed in the National Immigration Museum, in the main building on Ellis Island, the immigration processing centre for the United States from 1892 to 1954, at the mouth of the Hudson river in New York City, NY, USA. Ellis Island and its Immigration Museum are part of the Statue of Liberty National Monument and are managed by the National Park Authority. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_028.jpg
  • Registry Room of the main building, with queueing immigrants waiting to be processed, photograph, c. 1910, displayed in the National Immigration Museum, in the main building on Ellis Island, the immigration processing centre for the United States from 1892 to 1954, at the mouth of the Hudson river in New York City, NY, USA. The registry hall was designed by William Alciphron Boring and Edward Lippincott Tilton and built early 20th century in French Renaissance style. It measures 61x30m and was used for primary inspections, with adjoining rooms used as dormitories and offices. Ellis Island and its Immigration Museum are part of the Statue of Liberty National Monument and are managed by the National Park Authority. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_010.jpg
  • Sandro Pertini, President of the Italian Republic, c. 1980, with Francesca Serio, mother of the socialist trade unionist Salvatore Carnevale who was murdered by the mafia, black and white photograph from the exhibition No Mafia Memorial, in Palermo, Sicily, Italy. The No Mafia Memorial explores the growth and history of the mafia, and its impact on the Sicilian population. Picture by Manuel Cohen
    LC20_ITALY_MC_040.jpg
  • Members of the Banda Giuliano Salvatore, black and white photograph taken by the journalist Maria Cyliakus, from the exhibition No Mafia Memorial, in Palermo, Sicily, Italy. Salvatore Giuliano was a bandit wanted by the police who worked with a gang of men attacking the police and running the black market. The No Mafia Memorial explores the growth and history of the mafia, and its impact on the Sicilian population. Picture by Manuel Cohen
    LC20_ITALY_MC_039.jpg
  • Weapons belonging to the mafia sequestered by the carabinieri, or Italian police, black and white photograph from the exhibition No Mafia Memorial, in Palermo, Sicily, Italy. The No Mafia Memorial explores the growth and history of the mafia, and its impact on the Sicilian population. Picture by Manuel Cohen
    LC20_ITALY_MC_038.jpg
  • Bandit under arrest steps from jail into the courthouse for trial, undated black and white photograph from the exhibition No Mafia Memorial, in Palermo, Sicily, Italy. The No Mafia Memorial explores the growth and history of the mafia, and its impact on the Sicilian population. Picture by Manuel Cohen
    LC20_ITALY_MC_036.jpg
  • Funeral street scene in Sicily c. 1950, after a murder committed by the mafia, black and white photograph from the exhibition No Mafia Memorial, in Palermo, Sicily, Italy. The No Mafia Memorial explores the growth and history of the mafia, and its impact on the Sicilian population. Picture by Manuel Cohen
    LC20_ITALY_MC_035.jpg
  • Funeral of doctor Orestano, killed by members of Banda Giuliano Salvatore, a group of bandits on the run and wanted by the police, black and white photograph from the exhibition No Mafia Memorial, in Palermo, Sicily, Italy. Salvatore Giuliano was a bandit wanted by the police who worked with a gang of men attacking the police and running the black market. The No Mafia Memorial explores the growth and history of the mafia, and its impact on the Sicilian population. Picture by Manuel Cohen
    LC20_ITALY_MC_034.jpg
  • Members of the Banda Giuliano Salvatore, arrested and chained, undated black and white photograph from the exhibition No Mafia Memorial, in Palermo, Sicily, Italy. Salvatore Giuliano was a bandit wanted by the police, who was also involved in the Movement for the Independence of Sicily. The No Mafia Memorial explores the growth and history of the mafia, and its impact on the Sicilian population. Picture by Manuel Cohen
    LC20_ITALY_MC_033.jpg
  • Photograph of a La Tene Iron Age culture bridge being excavated in Marin-Epagnier, Neuchatel, Switzerland, in the early 20th century, exposing wooden piles in parallel rows of planted posts, in the Musee de la Civilisation Celtique, or Museum of Celtic Civilisation, designed by Pierre-Louis Faloci, opened 1996, at Bibracte, a Gaulish oppidum or fortified city, once the capital of the Aedui, at Mont Beuvray near Autun in Burgundy, France. The museum explores the discovery and excavation of the site of Bibracte, its context within the Celtic period, and the life of the Aedui at Bibracte. Picture by Manuel Cohen
    LC19_FRANCE_MC_0360.jpg
  • Early and Middle Dilmun ramparts at the North of the site, aerial photograph, in the Qal'at Al-Bahrain Site Museum, near Manama in Bahrain. The museum was opened in 2008, displaying artefacts of the history and archaeology of the Qal'at al-Bahrain, or Bahrain Fort or Portuguese Fort, built 6th century AD, once the capital of the Dilmun Civilisation. Qal'at al-Bahrain is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC19_BAHREIN_MC_159.jpg
  • Pearl divers opening the oysters on a pearl fishing boat, photograph in a temporary exhibition on pearl diving, which has been practised in Bahrain for over 2000 years, in the Bahrain National Museum, designed by Krohn and Hartvig Rasmussen, inaugurated December 1988 by Amir Shaikh Isa Bin Salman Al-Khalifa, in Manama, Bahrain. The museum houses cultural and archaeological collections covering 6000 years of history, with rooms entitled Burial Mounds, Dilmun, Tylos and Islam, Customs and Traditions, Traditional Trades and Crafts, and Documents and Manuscripts. Picture by Manuel Cohen
    LC19_BAHREIN_MC_192.jpg
  • Barbar Temple II, aerial site photograph, constructed with cut limestone blocks, containing a sacrificial courtyard, altars, shrines and an underground shrine built around a fresh water spring, in the Bahrain National Museum, designed by Krohn and Hartvig Rasmussen, inaugurated December 1988 by Amir Shaikh Isa Bin Salman Al-Khalifa, in Manama, Bahrain. This large temple was discovered near the village of Barbar and the site consists of 3 successive temples, with the 2 oldest temples terraced with a central platform above an outer oval platform, in Sumerian style. The Bahrain National Museum houses cultural and archaeological collections covering 6000 years of history, with rooms entitled Burial Mounds, Dilmun, Tylos and Islam, Customs and Traditions, Traditional Trades and Crafts, and Documents and Manuscripts. Picture by Manuel Cohen
    LC19_BAHREIN_MC_215.jpg
  • Barbar Temple II, photograph, constructed with cut limestone blocks, containing a sacrificial courtyard, altars, shrines and an underground shrine built around a fresh water spring, seen here, in the Bahrain National Museum, designed by Krohn and Hartvig Rasmussen, inaugurated December 1988 by Amir Shaikh Isa Bin Salman Al-Khalifa, in Manama, Bahrain. This large temple was discovered near the village of Barbar and the site consists of 3 successive temples, with the 2 oldest temples terraced with a central platform above an outer oval platform, in Sumerian style. The Bahrain National Museum houses cultural and archaeological collections covering 6000 years of history, with rooms entitled Burial Mounds, Dilmun, Tylos and Islam, Customs and Traditions, Traditional Trades and Crafts, and Documents and Manuscripts. Picture by Manuel Cohen
    LC19_BAHREIN_MC_214.jpg
  • Double circular altar at Barbar Temple II, photograph, constructed with cut limestone blocks, in the Bahrain National Museum, designed by Krohn and Hartvig Rasmussen, inaugurated December 1988 by Amir Shaikh Isa Bin Salman Al-Khalifa, in Manama, Bahrain. This large temple was discovered near the village of Barbar and the site consists of 3 successive temples, with the 2 oldest temples terraced with a central platform above an outer oval platform, in Sumerian style. This temple contains a sacrificial courtyard, altars, shrines and an underground shrine built around a fresh water spring. The Bahrain National Museum houses cultural and archaeological collections covering 6000 years of history, with rooms entitled Burial Mounds, Dilmun, Tylos and Islam, Customs and Traditions, Traditional Trades and Crafts, and Documents and Manuscripts. Picture by Manuel Cohen
    LC19_BAHREIN_MC_217.jpg
  • Oval sacrificial courtyard with ramp and staircase leading to central temple platform, and floor covered with sacrificial animal bones and ashes, to the East of Barbar Temple II, photograph, in the Bahrain National Museum, designed by Krohn and Hartvig Rasmussen, inaugurated December 1988 by Amir Shaikh Isa Bin Salman Al-Khalifa, in Manama, Bahrain. This large temple was discovered near the village of Barbar and the site consists of 3 successive temples, with the 2 oldest temples terraced with a central platform above an outer oval platform, in Sumerian style. This temple contains a sacrificial courtyard, altars, shrines and an underground shrine built around a fresh water spring. The Bahrain National Museum houses cultural and archaeological collections covering 6000 years of history, with rooms entitled Burial Mounds, Dilmun, Tylos and Islam, Customs and Traditions, Traditional Trades and Crafts, and Documents and Manuscripts. Picture by Manuel Cohen
    LC19_BAHREIN_MC_218.jpg
  • Barbar Temple I, photograph, with central terrace, trapezoidal shrine and adjoining rooms, in the Bahrain National Museum, designed by Krohn and Hartvig Rasmussen, inaugurated December 1988 by Amir Shaikh Isa Bin Salman Al-Khalifa, in Manama, Bahrain. The Bahrain National Museum houses cultural and archaeological collections covering 6000 years of history, with rooms entitled Burial Mounds, Dilmun, Tylos and Islam, Customs and Traditions, Traditional Trades and Crafts, and Documents and Manuscripts. Picture by Manuel Cohen
    LC19_BAHREIN_MC_220.jpg
  • Barbar Temple III, photograph, a double temple and the largest of the 3, with a huge central platform and an annex, with the well and shrine being preserved, in the Bahrain National Museum, designed by Krohn and Hartvig Rasmussen, inaugurated December 1988 by Amir Shaikh Isa Bin Salman Al-Khalifa, in Manama, Bahrain. This large temple was discovered near the village of Barbar and the site consists of 3 successive temples, with the 2 oldest temples terraced with a central platform above an outer oval platform, in Sumerian style. The Bahrain National Museum houses cultural and archaeological collections covering 6000 years of history, with rooms entitled Burial Mounds, Dilmun, Tylos and Islam, Customs and Traditions, Traditional Trades and Crafts, and Documents and Manuscripts. Picture by Manuel Cohen
    LC19_BAHREIN_MC_222.jpg
  • Temples of Dilmun, photograph, in the Bahrain National Museum, designed by Krohn and Hartvig Rasmussen, inaugurated December 1988 by Amir Shaikh Isa Bin Salman Al-Khalifa, in Manama, Bahrain. 5 temples have been excavated, at Sar, Diraz, Umm as-Sujur and Barbar, with architecture in the Sumerian Mesopotamian style. The museum houses cultural and archaeological collections covering 6000 years of history, with rooms entitled Burial Mounds, Dilmun, Tylos and Islam, Customs and Traditions, Traditional Trades and Crafts, and Documents and Manuscripts. Picture by Manuel Cohen
    LC19_BAHREIN_MC_223.jpg
  • Altar with traces of burnt offerings in the inner hall of a temple at Sar, Temples of Dilmun, photograph, in the Bahrain National Museum, designed by Krohn and Hartvig Rasmussen, inaugurated December 1988 by Amir Shaikh Isa Bin Salman Al-Khalifa, in Manama, Bahrain. 5 temples have been excavated, at Sar, Diraz, Umm as-Sujur and Barbar, with architecture in the Sumerian Mesopotamian style. The museum houses cultural and archaeological collections covering 6000 years of history, with rooms entitled Burial Mounds, Dilmun, Tylos and Islam, Customs and Traditions, Traditional Trades and Crafts, and Documents and Manuscripts. Picture by Manuel Cohen
    LC19_BAHREIN_MC_224.jpg
  • Royal Burial Mounds of A'ali, photograph, in the Bahrain National Museum, designed by Krohn and Hartvig Rasmussen, inaugurated December 1988 by Amir Shaikh Isa Bin Salman Al-Khalifa, in Manama, Bahrain. This is a royal cemetery built for the Dilmun kings outside their capital Qal'at al-Bahrain, with 14 mounds built along a ceremonial route. The Bahrain National Museum houses cultural and archaeological collections covering 6000 years of history, with rooms entitled Burial Mounds, Dilmun, Tylos and Islam, Customs and Traditions, Traditional Trades and Crafts, and Documents and Manuscripts. Picture by Manuel Cohen
    LC19_BAHREIN_MC_236.jpg
  • Women taking an aperitif on the ice skating rink at the Chateau Frontenac, photograph, 1960s, from the Archives of the Chateau Frontenac, Quebec City, Quebec, Canada. The Chateau Frontenac opened in 1893 and was designed by Bruce Price as a chateau style hotel for the Canadian Pacific Railway company or CPR. It was extended in 1924 by William Sutherland Maxwell. The building is now a hotel, the Fairmont Le Chateau Frontenac, and is listed as a National Historic Site of Canada. The Historic District of Old Quebec is listed as a UNESCO World Heritage Site. Copyright Archives Chateau Frontenac / Manuel Cohen
    LC18_QUEBEC_MC_225.jpg
  • Ski piste and ice skating rink at the Chateau Frontenac, photograph, 1959, from the Archives of the Chateau Frontenac, Quebec City, Quebec, Canada. The Chateau Frontenac opened in 1893 and was designed by Bruce Price as a chateau style hotel for the Canadian Pacific Railway company or CPR. It was extended in 1924 by William Sutherland Maxwell. The building is now a hotel, the Fairmont Le Chateau Frontenac, and is listed as a National Historic Site of Canada. The Historic District of Old Quebec is listed as a UNESCO World Heritage Site. Copyright Archives Chateau Frontenac / Manuel Cohen
    LC18_QUEBEC_MC_223.jpg
  • Men choosing, waxing and fitting skis at the Ski Hawk School at the Chateau Frontenac, photograph, 1945, from the Archives of the Chateau Frontenac, Quebec City, Quebec, Canada. The Chateau Frontenac opened in 1893 and was designed by Bruce Price as a chateau style hotel for the Canadian Pacific Railway company or CPR. It was extended in 1924 by William Sutherland Maxwell. The building is now a hotel, the Fairmont Le Chateau Frontenac, and is listed as a National Historic Site of Canada. The Historic District of Old Quebec is listed as a UNESCO World Heritage Site. Copyright Archives Chateau Frontenac / Manuel Cohen
    LC18_QUEBEC_MC_224.jpg
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