manuel cohen

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  • The Mont-Carmel wing of the Chateau Frontenac and the Dufferin Terrace, photograph, 1910, from the Archives of the Chateau Frontenac, Quebec City, Quebec, Canada. The Chateau Frontenac opened in 1893 and was designed by Bruce Price as a chateau style hotel for the Canadian Pacific Railway company or CPR. This photograph was taken before it was extended in 1924 by William Sutherland Maxwell. The building is now a hotel, the Fairmont Le Chateau Frontenac, and is listed as a National Historic Site of Canada. The Historic District of Old Quebec is listed as a UNESCO World Heritage Site. Copyright Archives Chateau Frontenac / Manuel Cohen
    LC18_QUEBEC_MC_222.jpg
  • Tsar Nicolas II, his son and his daughters the Grand Duchesses, with officers of the imperial guard, photograph published in L'Illustration no.3864, 24th March 1917. This is one of the last photographs sent to L'Illustration by the Russian court photographer. Some of them date from 1916 but permission to publish was only granted on 20th March 1917. Picture by Manuel Cohen
    LC_HISTORY_MC_0295.jpg
  • Tsar Nicolas II with Albert Thomas, 1878-1932, and Rene Viviani, 1862-1925, at the imperial general headquarters, May 1916, during the First World War, photograph published in L'Illustration no.3864, 24th March 1917. This is one of the last photographs sent to L'Illustration by the Russian court photographer. Some of them date from 1916 but permission to publish was only granted on 20th March 1917. Picture by Manuel Cohen
    LC_HISTORY_MC_0293.jpg
  • Audience with allied missions in the Imperial Palace at Tsarskoye Selo, 31st January 1917, with left-right, Pokrovsky, Lord Revelstoke, Scialoia, Lord Milner, Sir G Buchanan, Tsar Nicolas II, Miss Carlotti, Doumergue, General Castelnau, General Raggieri and Count Fredericksz, photograph published in L'Illustration no.3864, 24th March 1917. This is one of the last photographs sent to L'Illustration by the Russian court photographer. Some of them date from 1916 but permission to publish was only granted on 20th March 1917. Picture by Manuel Cohen
    LC_HISTORY_MC_0294.jpg
  • Session of parliament during the Russian Revolution in the Duma chamber - the portrait of Tsar Nicolas II has been removed from its frame and the bronze imperial coat of arms taken from the rostrum and soldiers and officers take the place of politicians, photograph from the front page of L'Illustration no.3867, 14th April 1917. The inset photograph shows a Duma session from 1916 with the former president of the Council Sturmer reading a declaration. Picture by Manuel Cohen
    LC_HISTORY_MC_0335.jpg
  • Framed portrait of Maurice Marechal, founder of Le Canard Enchaine, in the editorial offices of the newspaper, photograph. The photograph is in the collection of the Archives du Canard Enchaine. Le Canard Enchaine is a satirical weekly newspaper, founded in 1915 during the First World War by Maurice Marechal, Jeanne Marechal and H P Gassier. It features investigative journalism, political cartoons, business and political leaks and bogus interviews. In 2015 the newspaper celebrated its 100th anniversary. Picture by Manuel Cohen
    LC_HISTORY_MC_0213.jpg
  • Journalists from Le Canard Enchaine playing cards at the Cafe du Cadran in Paris, c. 1930, photograph, with (right) Maurice Marechal and his wife Jeanne Marechal, (opposite) Henri Monnier and (centre) Jules Rivet, copyeditor of the newspaper. The photograph is in the collection of the Archives du Canard Enchaine. Le Canard Enchaine is a satirical weekly newspaper, founded in 1915 during the First World War by Maurice Marechal, Jeanne Marechal and H P Gassier. It features investigative journalism, political cartoons, business and political leaks and bogus interviews. In 2015 the newspaper celebrated its 100th anniversary. Picture by Manuel Cohen
    LC_HISTORY_MC_0211.jpg
  • Maurice Marechal and his wife Jeanne Marechal, founders of Le Canard Enchaine, and a framed portrait of Maurice Marechal, in the editorial offices of the newspaper, photograph. The photograph is in the collection of the Archives du Canard Enchaine. Le Canard Enchaine is a satirical weekly newspaper, founded in 1915 during the First World War by Maurice Marechal, Jeanne Marechal and H P Gassier. It features investigative journalism, political cartoons, business and political leaks and bogus interviews. In 2015 the newspaper celebrated its 100th anniversary. Picture by Manuel Cohen
    LC_HISTORY_MC_0212.jpg
  • Maurice Ravel, 1875-1937, French composer, pianist and conductor (front) with friends at the home of Florent Schmitt, 1870-1958, French composer (standing, in profile), photograph, c. 1910, by unknown photographer. Copyright © Collection Particuliere Tropmi / Manuel Cohen
    LC_HISTORY_MC_0171.jpg
  • Visit of the Lyon G7 to the Chateau de la Chaize on 28th June 1996, with left-right, President of the Compagnons du Beaujolais, Hilary Clinton, Bernadette Chirac, Le Fils Roussy de Sales and Nicole Roussy de Sales, photograph, at the Chateau de la Chaize, designed by Jules Hardouin-Mansart for Francois de la Chaise, and built 1674-76, at Odenas, Rhone, France. The 400 hectare estate boasts Beaujolais vineyards planted in the 18th century. The chateau and its winery are listed as historic monuments. Collection Manuel Cohen - Further Clearances may be required
    LC22_FRANCE_MC_0308.jpg
  • Photograph of Verlaine, in the Musee Verlaine, formerly the inn Auberge du Lion d'Or, in Juniville, Ardennes, Grand Est, France. The building is opposite the home of Paul Verlaine, French poet, 1844-96, where he lived 1880-82. Verlaine went to the inn every day to write. The museum opened in 1994 on the 150th anniversary of Verlaine's birth, and was inaugurated in 1996. The museum is on the Rimbaud Verlaine Trail. Picture by Manuel Cohen
    LC21_FRANCE_MC_1956.jpg
  • Louis-Philippe Albert d'Orleans, comte de Paris, 1838-94, sitting with a newspaper by the garden wall of the Chateau d'Eu, photograph, by his younger brother Robert d'Orleans, duc de Chartres, in the collection of the Chateau d'Eu, in Eu, Normandy, France. The original was donated by the Association des Amis du Musee Louis-Philippe in 2017. The chateau was begun in 1581 by Henri de Guise and Catherine de Cleves and finished in 1665 by Anne-Marie-Louise d'Orleans, the Grande Mademoiselle. In the 19th century the chateau was a royal residence of King Louis Philippe. The chateau houses the Musee Louis-Philippe and is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_0912.jpg
  • Modernist architect Puig i Cadafalch accepting first prize in the City Council's awards for best industrial building, from the mayor of Barcelona, in 1913, photograph, exhibited at CaixaForum Barcelona, a cultural centre opened 2002 in the former Casaramona textile factory built 1911, designed by Josep Puig i Cadafalch, in Montjuic, Barcelona, Catalonia, Spain. The centre was repurposed by Japanese architect Arata Isozaki, b. 1931. It is sponsored by La Caixa bank, and holds temporary exhibitions, concerts, educational workshops and films, and has a media library, auditorium, classroom, restaurant and children's activity space. Picture by Manuel Cohen
    LC20_SPAIN_MC_1326.jpg
  • Woman working at spinning machine, photograph from 'Fabra i Coats, Sewn Stories', a digital altarpiece or mural installation by Friends of the Fabra i Coats, using photographs and interviews with former workers, at the old Fabra i Coats factory in San Andreu, Barcelona, Catalonia, Spain. The project was run by the Barcelona History Museum as part of the MUHBA Fabra i Coats project. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_350.jpg
  • Women working on fishing nets, photograph from 'Fabra i Coats, Sewn Stories', a digital altarpiece or mural installation by Friends of the Fabra i Coats, using photographs and interviews with former workers, at the old Fabra i Coats factory in San Andreu, Barcelona, Catalonia, Spain. The project was run by the Barcelona History Museum as part of the MUHBA Fabra i Coats project. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_349.jpg
  • Woman working at spinning machine, photograph from 'Fabra i Coats, Sewn Stories', a digital altarpiece or mural installation by Friends of Fabra i Coats, using photographs and interviews with former workers, at the old Fabra i Coats factory in San Andreu, Barcelona, Catalonia, Spain. The project was run by the Barcelona History Museum as part of the MUHBA Fabra i Coats project. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_326.jpg
  • Immigrants arriving at Ellis Island on a ship, photograph, displayed in the National Immigration Museum, in the main building on Ellis Island, the immigration processing centre for the United States from 1892 to 1954, at the mouth of the Hudson river in New York City, NY, USA. Ellis Island and its Immigration Museum are part of the Statue of Liberty National Monument and are managed by the National Park Authority. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_094.jpg
  • Immigration officer carrying out a psychological assessment on a young immigrant to establish his socio-psychological profile, needed for his admission file, in the Legal Inspection room, photograph, c. 1914, displayed in the National Immigration Museum, in the main building on Ellis Island, the immigration processing centre for the United States from 1892 to 1954, at the mouth of the Hudson river in New York City, NY, USA. Ellis Island and its Immigration Museum are part of the Statue of Liberty National Monument and are managed by the National Park Authority. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_063.jpg
  • Registry Room of the main building, with queueing immigrants waiting to be processed, photograph, c. 1910, displayed in the National Immigration Museum, in the main building on Ellis Island, the immigration processing centre for the United States from 1892 to 1954, at the mouth of the Hudson river in New York City, NY, USA. The registry hall was designed by William Alciphron Boring and Edward Lippincott Tilton and built early 20th century in French Renaissance style. It measures 61x30m and was used for primary inspections, with adjoining rooms used as dormitories and offices. Ellis Island and its Immigration Museum are part of the Statue of Liberty National Monument and are managed by the National Park Authority. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_010.jpg
  • Weapons belonging to the mafia sequestered by the carabinieri, or Italian police, black and white photograph from the exhibition No Mafia Memorial, in Palermo, Sicily, Italy. The No Mafia Memorial explores the growth and history of the mafia, and its impact on the Sicilian population. Picture by Manuel Cohen
    LC20_ITALY_MC_038.jpg
  • Barbar Temple I, photograph, with central terrace, trapezoidal shrine and adjoining rooms, in the Bahrain National Museum, designed by Krohn and Hartvig Rasmussen, inaugurated December 1988 by Amir Shaikh Isa Bin Salman Al-Khalifa, in Manama, Bahrain. The Bahrain National Museum houses cultural and archaeological collections covering 6000 years of history, with rooms entitled Burial Mounds, Dilmun, Tylos and Islam, Customs and Traditions, Traditional Trades and Crafts, and Documents and Manuscripts. Picture by Manuel Cohen
    LC19_BAHREIN_MC_220.jpg
  • Photograph of Lieutenant Henry Ossian Flipper, 1856-1940, served and courtmartialed at Fort Davis, born a slave in Georgia in 1856, the first African-American graduate of the US Military Academy at West Point, special assistant in the 1920s to the Secretary of the Interior, exhibited at the Fort Davis National Historic Site, a US army fort established 1854, in a canyon in the Davis Mountains in West Texas, USA. The fort was built to protect emigrants, mail coaches, and freight wagons on the trails through the State from Comanche and Apache Indians. After the Civil War, several African-American regiments were stationed here. By the 1880s, the fort consisted of one 100 buildings, housing over 400 soldiers. It was abandoned in 1891, but many buildings have been restored and the compound now operates as a historical site and museum. Picture by Manuel Cohen
    LC17_TEXAS_MC242.jpg
  • Photograph of Lieutenant Henry Ossian Flipper, 1856-1940, served and courtmartialed at Fort Davis, born a slave in Georgia in 1856, the first African-American graduate of the US Military Academy at West Point, special assistant in the 1920s to the Secretary of the Interior, exhibited at the Fort Davis National Historic Site, a US army fort established 1854, in a canyon in the Davis Mountains in West Texas, USA. The fort was built to protect emigrants, mail coaches, and freight wagons on the trails through the State from Comanche and Apache Indians. After the Civil War, several African-American regiments were stationed here. By the 1880s, the fort consisted of one 100 buildings, housing over 400 soldiers. It was abandoned in 1891, but many buildings have been restored and the compound now operates as a historical site and museum. Picture by Manuel Cohen
    LC17_TEXAS_MC241.jpg
  • Ship docked at Papeete harbour, photograph by an unknown photographer, early 20th century, <br />
in the MTI-TFM Collection (fonds de la Polynesie Francaise), in the Musee de Tahiti et des Iles, or Te Fare Manaha, at Punaauia, on the island of Tahiti, in the Windward Islands, Society Islands, French Polynesia. The Museum of Tahiti and the Islands was opened in 1974 and displays collections of nature and anthropology, habitations and artefacts, social and religious life and the history of French Polynesia. Picture by Manuel Cohen
    LC17_POLYNESIA_MC_292.jpg
  • Rue Saint Nicolas in Sable-sur-Sarthe, Pays de la Loire, France, in 1937, photograph by Lambert. Picture by Manuel Cohen / Further clearances required
    LC_HISTORY_MC_0359.jpg
  • Russian troops attending mass on a mountain top after the reading of the manifesto of the new government, in the Serbian mountains of Macedonia during the First World War, photograph published in L'Illustration no.3875, 9th June 1917. Picture by Manuel Cohen
    LC_HISTORY_MC_0326.jpg
  • Trainee artillerymen in Revolutionary Russia carrying a banner stating 'War for liberty, until victory', photograph published in L'Illustration no.3872, 19th May 1917. Picture by Manuel Cohen
    LC_HISTORY_MC_0319.jpg
  • Funeral of Revolutionary fighters in Petrograd, later St Petersburg, 5th April 1917, with coffins carried by soldiers, students and workers, photograph published in L'Illustration no.3869, 28th April 1917. Picture by Manuel Cohen
    LC_HISTORY_MC_0312.jpg
  • Soldiers and students firing at police occupying the opposite bank of the Moika canal, Petrograd (later St Petersburg), during the Russian Revolution in March 1917, photograph by Daily Mirror, published full page in L'Illustration no.3867, 14th April 1917. Picture by Manuel Cohen
    LC_HISTORY_MC_0336.jpg
  • Alexander Kerensky, 1881-1970, Minister of War, and general Aleksei Brusilov leave in a car cheered by the crowd, after having led a meeting of the Congress of Delegates of Front line Troops, on the South West Russian Front in Kamianets-Podilskyi, Ukraine. Kerensky is saluting the crowd by raising his hat. Photograph published in L'Illustration no.3878, 30th June 1917. Picture by Manuel Cohen
    LC_HISTORY_MC_0332.jpg
  • Alexander Kerensky, appointed Minster for War in the newly formed socialist-liberal coalition government in May 1917, making a speech to soldiers in the battalion of the Smenovsky Guards before leaving for the front, affirming the necessity of a discipline of iron and resuming the offensive to aid French allies, photograph by Karl Bulla, 1855-1929, published in L'Illustration no.3877, 23rd June 1917. Picture by Manuel Cohen
    LC_HISTORY_MC_0331.jpg
  • Colonel Nazimov, Commander of the reserve battalion of the Smenovsky regiment, reports to Alexander Kerensky, appointed Minster for War in the newly formed socialist-liberal coalition government in May 1917, photograph by Karl Bulla, 1855-1929, published in L'Illustration no.3877, 23rd June 1917. Picture by Manuel Cohen
    LC_HISTORY_MC_0330.jpg
  • General Leontiev preparing to decorate a soldier, with Russian troops in the background, in the Serbian mountains of Macedonia during the First World War, photograph published in L'Illustration no.3875, 9th June 1917. Picture by Manuel Cohen
    LC_HISTORY_MC_0327.jpg
  • Demonstration by pacifist Lenin supporters, on 1st May a follower of Lenin declared the confiscation of land, the deposition of the Provisional Government and the sovereignty of the Proletariat, photograph by Karl Bulla, 1853-1929, published in L'Illustration no.3874, 2nd June 1917. Picture by Manuel Cohen
    LC_HISTORY_MC_0322.jpg
  • Soldier delegates forming an assembly of over 3,000 members, at the Duma assembly hall in the Palace of Tauride (seat of the Provisional Government after the February Revolution) in Petrograd, later St Petersburg, Russia, photograph published in L'Illustration no.3869, 28th April 1917. Picture by Manuel Cohen
    LC_HISTORY_MC_0314.jpg
  • Soldiers carrying a wreath with the inscription 'Be proud, fallen fighters, a free Russia will never forget you' in gold letters on a red background, at the funeral of Revolutionary fighters in Petrograd, later St Petersburg, photograph published in L'Illustration no.3869, 28th April 1917. Picture by Manuel Cohen
    LC_HISTORY_MC_0315.jpg
  • Fire at the courthouse in Petrograd, later St Petersburg, 11th or 12th March 1917, during the Russian Revolution, photograph by P Wolkof of Vetchernee Vremia, published in L'Illustration no.3868, 21st April 1917. Picture by Manuel Cohen
    LC_HISTORY_MC_0308.jpg
  • Hopi man hoeing corn planted in widely-spaced bunches, a technique which conserves water, escapes frost and protects young plants from spring wind, photograph by Adam Clark Vroman, 1901, courtesy of the Los Angeles County Museum of Natural History, in the Anasazi Heritage Center, an archaeological museum of Native American pueblo and hunter-gatherer cultures, Dolores, Colorado, USA. The Hopi grow over 300 varieties of corn. Picture by Manuel Cohen
    LC16_COLORADO_MC_259.jpg
  • Pueblo ancestors, 2 Hopi girls in Arizona, 19th century photograph, from the Anasazi Heritage Center, an archaeological museum of Native American pueblo and hunter-gatherer cultures, Dolores, Colorado, USA. Picture by Manuel Cohen
    LC16_COLORADO_MC_258.jpg
  • A Hopi woman in Shungopavi, Arizona, weaving a plaited-style basket, photograph by Adam Clark Vroman, 1901, courtesy of the Colorado Historical Society, from the William Henry Jackson Collection, in the Anasazi Heritage Center, an archaeological museum of Native American pueblo and hunter-gatherer cultures, Dolores, Colorado, USA. Picture by Manuel Cohen
    LC16_COLORADO_MC_255.jpg
  • Children of Ute hunters, who guided and fed Spanish explorers who first arrived in the mid-1700s, photograph, from the Anasazi Heritage Center, an archaeological museum of Native American pueblo and hunter-gatherer cultures, Dolores, Colorado, USA. Picture by Manuel Cohen
    LC16_COLORADO_MC_249.jpg
  • Theodore Roosevelt, 1858-1919, President of the United States, in Colorado on one of his expeditions, photograph, courtesy of the Colorado Historical Society, in the Anasazi Heritage Center, an archaeological museum of Native American pueblo and hunter-gatherer cultures, Dolores, Colorado, USA. Picture by Manuel Cohen
    LC16_COLORADO_MC_245.jpg
  • T Mitchell Prudent with his niece Gertrude, c. 1900, photograph, in the Anasazi Heritage Center, an archaeological museum of Native American pueblo and hunter-gatherer cultures, Dolores, Colorado, USA. Picture by Manuel Cohen
    LC16_COLORADO_MC_244.jpg
  • William Henry Holmes, 1846-1933, American explorer, anthropologist and archaeologist, photograph, 1918, in the Anasazi Heritage Center, an archaeological museum of Native American pueblo and hunter-gatherer cultures, Dolores, Colorado, USA. Picture by Manuel Cohen
    LC16_COLORADO_MC_242.jpg
  • Cliff Palace, 1917, photograph, in the Chapin Mesa Archeological Museum, in Mesa Verde National Park, Montezuma County, Colorado, USA. Cliff Palace, 13th century, is a huge multi-storey Native American Puebloan dwelling, housing 125 people, with 23 kivas and 150 rooms, rediscovered in 1888. It is the largest cliff house in the park, possibly used for social and ceremonial purposes and is thought to be part of a larger community encompassing 60 pueblos and 600 people. It is made from sandstone blocks, mortar and wooden beams and was originally painted with earthen plasters. Mesa Verde is the largest archaeological site in America, with Native Americans inhabiting the area from 7500 BC to 13th century AD. It is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_COLORADO_MC_071.jpg
  • Antoni Gaudi, 1852-1926, Catalan Modernist architect, carrying the banner of the Cercle Artistic de San Lluc in the Corpus Christi procession in 1924 at the age of 72, photograph by Josep Branguli, 1909-45, from the Gaudi Centre Reus (Centro de Interpretacion Reus), Reus, Catalonia, Spain. The Gaudi Centre is a museum dedicated to Antoni Gaudi. The building was designed by architects Joan Sibina, Toshiake Tange and Gabriel Bosques and was opened in May 2007. Picture by Manuel Cohen
    LC16_SPAIN_MC123.jpg
  • Giuseppe Verdi, 1813-1901, Italian composer of operas, photograph, c. 1855, by Gaspard-Felix Tournachon, known as Nadar, 1820-1910, French photographer. Copyright © Collection Particuliere Tropmi / Manuel Cohen
    LC_HISTORY_MC_0178.jpg
  • Giuseppe Verdi, 1813-1901, Italian composer of operas, photograph, c. 1855, by Gaspard-Felix Tournachon, known as Nadar, 1820-1910, French photographer. Copyright © Collection Particuliere Tropmi / Manuel Cohen
    LC_HISTORY_MC_0177.jpg
  • Piotr Illitch Tchaikovsky, 1840-93, Russian composer of the late Romantic period, photograph, c. 1875, by unknown photographer. Copyright © Collection Particuliere Tropmi / Manuel Cohen
    LC_HISTORY_MC_0176.jpg
  • Gioachino Rossini, 1792-1868, Italian composer and writer of operas, photograph c. 1880 by Gaspard-Felix Tournachon, known as Nadar, 1820-1910, French photographer. Copyright © Collection Particuliere Tropmi / Manuel Cohen
    LC_HISTORY_MC_0174.jpg
  • Maurice Ravel, 1875-1937, French composer, pianist and conductor, and Vaslav Nijinsky, 1889-1950, Russian ballet dancer and choreographer, playing the piano, photograph, 1912, by unknown photographer. Copyright © Collection Particuliere Tropmi / Manuel Cohen
    LC_HISTORY_MC_0173.jpg
  • Maurice Ravel, 1875-1937, French composer, pianist and conductor, photograph, 1910, by unknown photographer. Copyright © Collection Particuliere Tropmi / Manuel Cohen
    LC_HISTORY_MC_0172.jpg
  • Richard Strauss, 1864-1949, German composer of the late Romantic and early modern eras, photograph by the Hertel studio in Weimar, c. 1890. Copyright © Collection Particuliere Tropmi / Manuel Cohen
    LC_HISTORY_MC_0170.jpg
  • Richard Strauss, 1864-1949, German composer of the late Romantic and early modern eras, with R Burg and M Fuchs at the Bayreuth festival, a music festival in Bayreuth, Germany, photograph, 1934, by unknown photographer. Copyright © Collection Particuliere Tropmi / Manuel Cohen
    LC_HISTORY_MC_0168.jpg
  • Arnold Schonberg, 1874-1951, Austrian composer and painter, photograph with music and handwriting, 1911, by unknown photographer. Copyright © Collection Particuliere Tropmi / Manuel Cohen
    LC_HISTORY_MC_0162.jpg
  • Richard Strauss, 1864-1949, German composer of the late Romantic and early modern eras, photograph, 1890, by unknown photographer. Copyright © Collection Particuliere Tropmi / Manuel Cohen
    LC_HISTORY_MC_0163.jpg
  • Maurice Ravel, 1875-1937, French composer, pianist and conductor in the courtyard of the Conservatoire de Musique, Paris, France, photograph, 1920, by unknown photographer. Copyright © Collection Particuliere Tropmi / Manuel Cohen
    LC_HISTORY_MC_0161.jpg
  • Igor Stravinsky, 1882-1971, Russian composer, pianist and conductor, in Germany, photograph, c. 1902. Copyright © Collection Particuliere Tropmi / Manuel Cohen
    LC_HISTORY_MC_0158.jpg
  • Robert Schumann, 1810-56, German composer of the Romantic Era, photograph, c. 1850. Copyright © Collection Particuliere Tropmi / Manuel Cohen
    LC_HISTORY_MC_0154.jpg
  • Igor Stravinsky, 1882-1971, Russian composer, pianist and conductor, at the age of 5, photograph, 1887. Copyright © Collection Particuliere Tropmi / Manuel Cohen
    LC_HISTORY_MC_0153.jpg
  • Visit of the Lyon G7 to the Chateau de la Chaize on 28th June 1996, with left-right, Nicole Roussy de Sales, Hilary Clinton and Bernadette Chirac, photograph, at the Chateau de la Chaize, designed by Jules Hardouin-Mansart for Francois de la Chaise, and built 1674-76, at Odenas, Rhone, France. The 400 hectare estate boasts Beaujolais vineyards planted in the 18th century. The chateau and its winery are listed as historic monuments. Collection Manuel Cohen - Further Clearances may be required
    LC22_FRANCE_MC_0309.jpg
  • Auguste Rodin in front of his La Porte de l'Enfer reflected in a mirror, facsimile of a photograph on albumen paper, 1887, by William Elborne, in the Camille Claudel Museum, opened 2017, in Nogent-sur-Seine, Aube, Grand Est, France. Claudel was a female sculptor who moved to Nogent-sur-Seine in 1876. She studied under Alfred Boucher and was a model for, and mistress of, Auguste Rodin. Picture by Manuel Cohen
    LC21_FRANCE_MC_2472.jpg
  • An LCVP or Landing Craft Vehicle Personnel, loaded with American soldiers approaches the "easy Red" sector of Omaha beach at 7.30 am on 6th June 1944 during the Normandy Landings, photograph, in the Musee de la Reddition, or Surrender Museum, a history museum commemorating the Nazi surrender in 1945 ending WWII, opened in 1985, in Reims, Marne, Grand Est, France. Picture by Manuel Cohen
    LC21_FRANCE_MC_1989.jpg
  • Signing of the act of German surrender on 7th May 1945 at 2.41 am in Reims, photograph, in the Musee de la Reddition, or Surrender Museum, a history museum commemorating the Nazi surrender in 1945 ending WWII, opened in 1985, in Reims, Marne, Grand Est, France. Picture by Manuel Cohen
    LC21_FRANCE_MC_1987.jpg
  • Dwight 'Ike' Eisenhower records the victory speech on 7th May 1945 at 3.30 am in Reims, photograph, in the Musee de la Reddition, or Surrender Museum, a history museum commemorating the Nazi surrender in 1945 ending WWII, opened in 1985, in Reims, Marne, Grand Est, France. Picture by Manuel Cohen
    LC21_FRANCE_MC_1986.jpg
  • Rene Lacoste and his wife Simone in 1936 in Chantaco, photograph, in the Lacoste Archives, in the Private Lacoste Museum, in Troyes, Aube, Grand Est, France. Lacoste is a ready-to-wear clothing and accessories company founded 1933 by tennis players Rene Lacoste and Andre Gillier, based in Troyes. Credit : Lacoste Museum, photo Manuel Cohen
    LC21_FRANCE_MC_1535.jpg
  • Jean Taittinger with General de Gaulle, Georges Pompidou and Andre Malraux, photograph, exhibited in a tasting room of Maison Taittinger, Reims, Marne, Grand Est, France. Picture by Manuel Cohen
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  • Modernist architect Puig i Cadalfach, president of the Mancomunitat de Catalunya (Commonwealth of Catalonia) 1917-25, photograph, exhibited at CaixaForum Barcelona, a cultural centre opened 2002 in the former Casaramona textile factory built 1911, designed by Josep Puig i Cadafalch, in Montjuic, Barcelona, Catalonia, Spain. The centre was repurposed by Japanese architect Arata Isozaki, b. 1931. It is sponsored by La Caixa bank, and holds temporary exhibitions, concerts, educational workshops and films, and has a media library, auditorium, classroom, restaurant and children's activity space. Picture by Manuel Cohen
    LC20_SPAIN_MC_1329.jpg
  • Etienne Terrus painting a canvas en plein air, photograph, in the Musee Terrus Elne, opened 2014, in Elne, Pyrenees-Orientales, Catalogne du Nord, France. The Terrus Museum is dedicated to the life and works of Etienne Terrus, 1857-1922, a painter in oils and watercolour from Elne, and other Roussillonnais contemporaries. Picture by Manuel Cohen
    LC20_FRANCE_MC_0940.jpg
  • Etienne Terrus with Henri Matisse (standing) and  family, photograph, in the Musee Terrus Elne, opened 2014, in Elne, Pyrenees-Orientales, Catalogne du Nord, France. The Terrus Museum is dedicated to the life and works of Etienne Terrus, 1857-1922, a painter in oils and watercolour from Elne, and other Roussillonnais contemporaries. Picture by Manuel Cohen
    LC20_FRANCE_MC_0941.jpg
  • Portrait of Etienne Terrus, photograph, in the Musee Terrus Elne, opened 2014, in Elne, Pyrenees-Orientales, Catalogne du Nord, France. The Terrus Museum is dedicated to the life and works of Etienne Terrus, 1857-1922, a painter in oils and watercolour from Elne, and other Roussillonnais contemporaries. Picture by Manuel Cohen
    LC20_FRANCE_MC_0631.jpg
  • Immigrants arriving in America, photograph, 1908, by Lewis Hine, displayed in the National Immigration Museum, in the main building on Ellis Island, the immigration processing centre for the United States from 1892 to 1954, at the mouth of the Hudson river in New York City, NY, USA. Ellis Island and its Immigration Museum are part of the Statue of Liberty National Monument and are managed by the National Park Authority. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_095.jpg
  • Interpreters sitting next to the immigrants while immigration officers examine their documents, in the Registry Room, photograph, c. 1912, displayed in the National Immigration Museum, in the main building on Ellis Island, the immigration processing centre for the United States from 1892 to 1954, at the mouth of the Hudson river in New York City, NY, USA. Ellis Island and its Immigration Museum are part of the Statue of Liberty National Monument and are managed by the National Park Authority. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_066.jpg
  • Departure of SS Stavangerfjord, Norwegian-America Line, from Christiania (now Oslo), Norway, with immigrants headed for America, photograph by Anders B Wilse, Norse Folkemuseum, Oslo, displayed in the National Immigration Museum, in the main building on Ellis Island, the immigration processing centre for the United States from 1892 to 1954, at the mouth of the Hudson river in New York City, NY, USA. Ellis Island and its Immigration Museum are part of the Statue of Liberty National Monument and are managed by the National Park Authority. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_041.jpg
  • Registry Room of the main building, with queueing immigrants waiting to be processed, photograph, c. 1910, displayed in the National Immigration Museum, in the main building on Ellis Island, the immigration processing centre for the United States from 1892 to 1954, at the mouth of the Hudson river in New York City, NY, USA. The registry hall was designed by William Alciphron Boring and Edward Lippincott Tilton and built early 20th century in French Renaissance style. It measures 61x30m and was used for primary inspections, with adjoining rooms used as dormitories and offices. Ellis Island and its Immigration Museum are part of the Statue of Liberty National Monument and are managed by the National Park Authority. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_029.jpg
  • Castle Garden Immigration Station, New York City, where more than 8 million immigrants were processed 1855-90, (copyright New York City Public Library), photograph, c. 1890, displayed in the National Immigration Museum, in the main building on Ellis Island, the immigration processing centre for the United States from 1892 to 1954, at the mouth of the Hudson river in New York City, NY, USA. Ellis Island and its Immigration Museum are part of the Statue of Liberty National Monument and are managed by the National Park Authority. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_028.jpg
  • Sandro Pertini, President of the Italian Republic, c. 1980, with Francesca Serio, mother of the socialist trade unionist Salvatore Carnevale who was murdered by the mafia, black and white photograph from the exhibition No Mafia Memorial, in Palermo, Sicily, Italy. The No Mafia Memorial explores the growth and history of the mafia, and its impact on the Sicilian population. Picture by Manuel Cohen
    LC20_ITALY_MC_040.jpg
  • Group of farmers horseback demonstrating against the government, in Sicily, Italy, black and white photograph dating to just after the Second World War, from the exhibition No Mafia Memorial, in Palermo, Sicily, Italy. In the 1940s there were widespread peasant protests in Sicily with farmers fighting for land and social justice. The No Mafia Memorial explores the growth and history of the mafia, and its impact on the Sicilian population and its poverty. Picture by Manuel Cohen
    LC20_ITALY_MC_041.jpg
  • Members of the Banda Giuliano Salvatore, black and white photograph taken by the journalist Maria Cyliakus, from the exhibition No Mafia Memorial, in Palermo, Sicily, Italy. Salvatore Giuliano was a bandit wanted by the police who worked with a gang of men attacking the police and running the black market. The No Mafia Memorial explores the growth and history of the mafia, and its impact on the Sicilian population. Picture by Manuel Cohen
    LC20_ITALY_MC_039.jpg
  • Car of superintendent Lo Castro, shot by the Banda Giuliano Salvatore, a group of bandits on the run and wanted by the police, black and white photograph from the exhibition No Mafia Memorial, in Palermo, Sicily, Italy. Salvatore Giuliano was a bandit wanted by the police who worked with a gang of men attacking the police and running the black market. The No Mafia Memorial explores the growth and history of the mafia, and its impact on the Sicilian population. Picture by Manuel Cohen
    LC20_ITALY_MC_037.jpg
  • Bandit under arrest steps from jail into the courthouse for trial, undated black and white photograph from the exhibition No Mafia Memorial, in Palermo, Sicily, Italy. The No Mafia Memorial explores the growth and history of the mafia, and its impact on the Sicilian population. Picture by Manuel Cohen
    LC20_ITALY_MC_036.jpg
  • Funeral street scene in Sicily c. 1950, after a murder committed by the mafia, black and white photograph from the exhibition No Mafia Memorial, in Palermo, Sicily, Italy. The No Mafia Memorial explores the growth and history of the mafia, and its impact on the Sicilian population. Picture by Manuel Cohen
    LC20_ITALY_MC_035.jpg
  • Funeral of doctor Orestano, killed by members of Banda Giuliano Salvatore, a group of bandits on the run and wanted by the police, black and white photograph from the exhibition No Mafia Memorial, in Palermo, Sicily, Italy. Salvatore Giuliano was a bandit wanted by the police who worked with a gang of men attacking the police and running the black market. The No Mafia Memorial explores the growth and history of the mafia, and its impact on the Sicilian population. Picture by Manuel Cohen
    LC20_ITALY_MC_034.jpg
  • Members of the Banda Giuliano Salvatore, arrested and chained, undated black and white photograph from the exhibition No Mafia Memorial, in Palermo, Sicily, Italy. Salvatore Giuliano was a bandit wanted by the police, who was also involved in the Movement for the Independence of Sicily. The No Mafia Memorial explores the growth and history of the mafia, and its impact on the Sicilian population. Picture by Manuel Cohen
    LC20_ITALY_MC_033.jpg
  • Photograph of a La Tene Iron Age culture bridge being excavated in Marin-Epagnier, Neuchatel, Switzerland, in the early 20th century, exposing wooden piles in parallel rows of planted posts, in the Musee de la Civilisation Celtique, or Museum of Celtic Civilisation, designed by Pierre-Louis Faloci, opened 1996, at Bibracte, a Gaulish oppidum or fortified city, once the capital of the Aedui, at Mont Beuvray near Autun in Burgundy, France. The museum explores the discovery and excavation of the site of Bibracte, its context within the Celtic period, and the life of the Aedui at Bibracte. Picture by Manuel Cohen
    LC19_FRANCE_MC_0360.jpg
  • Early and Middle Dilmun ramparts at the North of the site, aerial photograph, in the Qal'at Al-Bahrain Site Museum, near Manama in Bahrain. The museum was opened in 2008, displaying artefacts of the history and archaeology of the Qal'at al-Bahrain, or Bahrain Fort or Portuguese Fort, built 6th century AD, once the capital of the Dilmun Civilisation. Qal'at al-Bahrain is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC19_BAHREIN_MC_159.jpg
  • Pearl divers opening the oysters on a pearl fishing boat, photograph in a temporary exhibition on pearl diving, which has been practised in Bahrain for over 2000 years, in the Bahrain National Museum, designed by Krohn and Hartvig Rasmussen, inaugurated December 1988 by Amir Shaikh Isa Bin Salman Al-Khalifa, in Manama, Bahrain. The museum houses cultural and archaeological collections covering 6000 years of history, with rooms entitled Burial Mounds, Dilmun, Tylos and Islam, Customs and Traditions, Traditional Trades and Crafts, and Documents and Manuscripts. Picture by Manuel Cohen
    LC19_BAHREIN_MC_192.jpg
  • Barbar Temple II, aerial site photograph, constructed with cut limestone blocks, containing a sacrificial courtyard, altars, shrines and an underground shrine built around a fresh water spring, in the Bahrain National Museum, designed by Krohn and Hartvig Rasmussen, inaugurated December 1988 by Amir Shaikh Isa Bin Salman Al-Khalifa, in Manama, Bahrain. This large temple was discovered near the village of Barbar and the site consists of 3 successive temples, with the 2 oldest temples terraced with a central platform above an outer oval platform, in Sumerian style. The Bahrain National Museum houses cultural and archaeological collections covering 6000 years of history, with rooms entitled Burial Mounds, Dilmun, Tylos and Islam, Customs and Traditions, Traditional Trades and Crafts, and Documents and Manuscripts. Picture by Manuel Cohen
    LC19_BAHREIN_MC_215.jpg
  • Barbar Temple II, photograph, constructed with cut limestone blocks, containing a sacrificial courtyard, altars, shrines and an underground shrine built around a fresh water spring, seen here, in the Bahrain National Museum, designed by Krohn and Hartvig Rasmussen, inaugurated December 1988 by Amir Shaikh Isa Bin Salman Al-Khalifa, in Manama, Bahrain. This large temple was discovered near the village of Barbar and the site consists of 3 successive temples, with the 2 oldest temples terraced with a central platform above an outer oval platform, in Sumerian style. The Bahrain National Museum houses cultural and archaeological collections covering 6000 years of history, with rooms entitled Burial Mounds, Dilmun, Tylos and Islam, Customs and Traditions, Traditional Trades and Crafts, and Documents and Manuscripts. Picture by Manuel Cohen
    LC19_BAHREIN_MC_214.jpg
  • Barbar Temple II, photograph, containing a sacrificial courtyard, altars, shrines and an underground shrine built around a fresh water spring, in the Bahrain National Museum, designed by Krohn and Hartvig Rasmussen, inaugurated December 1988 by Amir Shaikh Isa Bin Salman Al-Khalifa, in Manama, Bahrain. This large temple was discovered near the village of Barbar and the site consists of 3 successive temples, with the 2 oldest temples terraced with a central platform above an outer oval platform, in Sumerian style. The Bahrain National Museum houses cultural and archaeological collections covering 6000 years of history, with rooms entitled Burial Mounds, Dilmun, Tylos and Islam, Customs and Traditions, Traditional Trades and Crafts, and Documents and Manuscripts. Picture by Manuel Cohen
    LC19_BAHREIN_MC_216.jpg
  • Double circular altar at Barbar Temple II, photograph, constructed with cut limestone blocks, in the Bahrain National Museum, designed by Krohn and Hartvig Rasmussen, inaugurated December 1988 by Amir Shaikh Isa Bin Salman Al-Khalifa, in Manama, Bahrain. This large temple was discovered near the village of Barbar and the site consists of 3 successive temples, with the 2 oldest temples terraced with a central platform above an outer oval platform, in Sumerian style. This temple contains a sacrificial courtyard, altars, shrines and an underground shrine built around a fresh water spring. The Bahrain National Museum houses cultural and archaeological collections covering 6000 years of history, with rooms entitled Burial Mounds, Dilmun, Tylos and Islam, Customs and Traditions, Traditional Trades and Crafts, and Documents and Manuscripts. Picture by Manuel Cohen
    LC19_BAHREIN_MC_217.jpg
  • Oval sacrificial courtyard with ramp and staircase leading to central temple platform, and floor covered with sacrificial animal bones and ashes, to the East of Barbar Temple II, photograph, in the Bahrain National Museum, designed by Krohn and Hartvig Rasmussen, inaugurated December 1988 by Amir Shaikh Isa Bin Salman Al-Khalifa, in Manama, Bahrain. This large temple was discovered near the village of Barbar and the site consists of 3 successive temples, with the 2 oldest temples terraced with a central platform above an outer oval platform, in Sumerian style. This temple contains a sacrificial courtyard, altars, shrines and an underground shrine built around a fresh water spring. The Bahrain National Museum houses cultural and archaeological collections covering 6000 years of history, with rooms entitled Burial Mounds, Dilmun, Tylos and Islam, Customs and Traditions, Traditional Trades and Crafts, and Documents and Manuscripts. Picture by Manuel Cohen
    LC19_BAHREIN_MC_218.jpg
  • Barbar Temple III, photograph, a double temple and the largest of the 3, with a huge central platform and an annex, with the well and shrine being preserved, in the Bahrain National Museum, designed by Krohn and Hartvig Rasmussen, inaugurated December 1988 by Amir Shaikh Isa Bin Salman Al-Khalifa, in Manama, Bahrain. This large temple was discovered near the village of Barbar and the site consists of 3 successive temples, with the 2 oldest temples terraced with a central platform above an outer oval platform, in Sumerian style. The Bahrain National Museum houses cultural and archaeological collections covering 6000 years of history, with rooms entitled Burial Mounds, Dilmun, Tylos and Islam, Customs and Traditions, Traditional Trades and Crafts, and Documents and Manuscripts. Picture by Manuel Cohen
    LC19_BAHREIN_MC_222.jpg
  • Temples of Dilmun, photograph, in the Bahrain National Museum, designed by Krohn and Hartvig Rasmussen, inaugurated December 1988 by Amir Shaikh Isa Bin Salman Al-Khalifa, in Manama, Bahrain. 5 temples have been excavated, at Sar, Diraz, Umm as-Sujur and Barbar, with architecture in the Sumerian Mesopotamian style. The museum houses cultural and archaeological collections covering 6000 years of history, with rooms entitled Burial Mounds, Dilmun, Tylos and Islam, Customs and Traditions, Traditional Trades and Crafts, and Documents and Manuscripts. Picture by Manuel Cohen
    LC19_BAHREIN_MC_223.jpg
  • Altar with traces of burnt offerings in the inner hall of a temple at Sar, Temples of Dilmun, photograph, in the Bahrain National Museum, designed by Krohn and Hartvig Rasmussen, inaugurated December 1988 by Amir Shaikh Isa Bin Salman Al-Khalifa, in Manama, Bahrain. 5 temples have been excavated, at Sar, Diraz, Umm as-Sujur and Barbar, with architecture in the Sumerian Mesopotamian style. The museum houses cultural and archaeological collections covering 6000 years of history, with rooms entitled Burial Mounds, Dilmun, Tylos and Islam, Customs and Traditions, Traditional Trades and Crafts, and Documents and Manuscripts. Picture by Manuel Cohen
    LC19_BAHREIN_MC_224.jpg
  • Royal Burial Mounds of A'ali, aerial photograph, in the Bahrain National Museum, designed by Krohn and Hartvig Rasmussen, inaugurated December 1988 by Amir Shaikh Isa Bin Salman Al-Khalifa, in Manama, Bahrain. This is a royal cemetery built for the Dilmun kings outside their capital Qal'at al-Bahrain, with 14 mounds built along a ceremonial route. The Bahrain National Museum houses cultural and archaeological collections covering 6000 years of history, with rooms entitled Burial Mounds, Dilmun, Tylos and Islam, Customs and Traditions, Traditional Trades and Crafts, and Documents and Manuscripts. Picture by Manuel Cohen
    LC19_BAHREIN_MC_235.jpg
  • Royal Burial Mounds of A'ali, photograph, in the Bahrain National Museum, designed by Krohn and Hartvig Rasmussen, inaugurated December 1988 by Amir Shaikh Isa Bin Salman Al-Khalifa, in Manama, Bahrain. This is a royal cemetery built for the Dilmun kings outside their capital Qal'at al-Bahrain, with 14 mounds built along a ceremonial route. The Bahrain National Museum houses cultural and archaeological collections covering 6000 years of history, with rooms entitled Burial Mounds, Dilmun, Tylos and Islam, Customs and Traditions, Traditional Trades and Crafts, and Documents and Manuscripts. Picture by Manuel Cohen
    LC19_BAHREIN_MC_236.jpg
  • Women taking an aperitif on the ice skating rink at the Chateau Frontenac, photograph, 1960s, from the Archives of the Chateau Frontenac, Quebec City, Quebec, Canada. The Chateau Frontenac opened in 1893 and was designed by Bruce Price as a chateau style hotel for the Canadian Pacific Railway company or CPR. It was extended in 1924 by William Sutherland Maxwell. The building is now a hotel, the Fairmont Le Chateau Frontenac, and is listed as a National Historic Site of Canada. The Historic District of Old Quebec is listed as a UNESCO World Heritage Site. Copyright Archives Chateau Frontenac / Manuel Cohen
    LC18_QUEBEC_MC_225.jpg
  • Ski piste and ice skating rink at the Chateau Frontenac, photograph, 1959, from the Archives of the Chateau Frontenac, Quebec City, Quebec, Canada. The Chateau Frontenac opened in 1893 and was designed by Bruce Price as a chateau style hotel for the Canadian Pacific Railway company or CPR. It was extended in 1924 by William Sutherland Maxwell. The building is now a hotel, the Fairmont Le Chateau Frontenac, and is listed as a National Historic Site of Canada. The Historic District of Old Quebec is listed as a UNESCO World Heritage Site. Copyright Archives Chateau Frontenac / Manuel Cohen
    LC18_QUEBEC_MC_223.jpg
  • Men choosing, waxing and fitting skis at the Ski Hawk School at the Chateau Frontenac, photograph, 1945, from the Archives of the Chateau Frontenac, Quebec City, Quebec, Canada. The Chateau Frontenac opened in 1893 and was designed by Bruce Price as a chateau style hotel for the Canadian Pacific Railway company or CPR. It was extended in 1924 by William Sutherland Maxwell. The building is now a hotel, the Fairmont Le Chateau Frontenac, and is listed as a National Historic Site of Canada. The Historic District of Old Quebec is listed as a UNESCO World Heritage Site. Copyright Archives Chateau Frontenac / Manuel Cohen
    LC18_QUEBEC_MC_224.jpg
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