manuel cohen

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  • PARIS, FRANCE - NOVEMBER 21: A high angle view over the Montmartre rooftops on November 21, 2008 in Paris, France. Far below the street lights shine whilst all is quiet at chimney level beneath the pink and blue evening sky. (Photo by Manuel Cohen)
    DPARIS_08_10_125.JPG
  • PARIS, FRANCE - JANUARY 19. A low angle view of Sacré-Coeur Basilica, on January 19, 2009, in Paris, France. Built between 1884-1914, the Basilica, whose clustered white domes are seen against a deep black night sky, was designed by Paul Abadie.  Built in white travertine on the top of the Butte de Montmartre, the Romano-Byzantine style Sacré-Coeur was designed as a monument to those who died in the Paris Commune during the Franco-Prussian War, 1870-71.  (Photo by Manuel Cohen)
    DPARIS_09_10_143.JPG
  • PARIS, FRANCE - JANUARY 19: A high angle view of the Funicular Railway on January 19, 2009, in Montmartre, Paris, France. The train passes the camera in a streak of light down the hill beside a staircase bordered by trees and streetlights on a winter evening. The Funicular Railway originally opened in 1900 and was rebuilt in 1990. (Photo by Manuel Cohen)
    DPARIS_09_10_142.JPG
  • PARIS, FRANCE - JANUARY 19. A low angle view of Sacré-Coeur Basilica, on January 19, 2009, in Paris, France. Built between 1884-1914, the Basilica, whose clustered white domes are seen against a deep black night sky, was designed by Paul Abadie.  Built in white travertine on the top of the Butte de Montmartre, the Romano-Byzantine style Sacré-Coeur was designed as a monument to those who died in the Paris Commune during the Franco-Prussian War, 1870-71. (Photo by Manuel Cohen)
    DPARIS_09_10_141.JPG
  • PARIS, FRANCE - JANUARY 19. A low angle view of Sacré-Coeur Basilica, on January 19, 2009, in Paris, France. Built between 1884-1914, the Basilica, whose clustered white domes are seen against a deep black night sky, was designed by Paul Abadie.  Built in white travertine on the top of the Butte de Montmartre, the Romano-Byzantine style Sacré-Coeur was designed as a monument to those who died in the Paris Commune during the Franco-Prussian War, 1870-71. (Photo by Manuel Cohen)
    DPARIS_09_10_140.JPG
  • PARIS, FRANCE - JANUARY 20: A low angle view of Le Moulin de la Galette on January 20, 2009, in Montmartre, Paris, France. The windmill, seen in the blue light of an early morning in winter, is now a restaurant. Originally two windmills grinding flour for the city, it became a restaurant in 1870, and appears in paintings by Renoir and other artists. (Photo by Manuel Cohen)
    DPARIS_09_10_139.JPG
  • PARIS, FRANCE - JANUARY 20: A low angle view of Place du Tertre on January 20, 2009, in Montmartre, Paris, France. The tower of the Eglise Saint-Pierre de Montmartre, the oldest church in Paris, consecrated in 1147, may be seen through the deserted Place du Tertre in the blue light of an early morning in winter. This tower was added to the Church in 1794, during the French Revolution, to serve as a semaphore station.(Photo by Manuel Cohen)
    DPARIS_09_10_138.JPG
  • PARIS, FRANCE - JANUARY 20: A low angle view of Place du Tertre and Sacré-Coeur Basilica, on January 20, 2009, in Montmartre, Paris, France. The Sacré-Coeur Basilica, 1884-1914, designed by Paul Abadie, is seen through the deserted Place du Tertre in the blue light of an early morning in winter. Built in white travertine on the top of the Butte de Montmartre, the Romano-Byzantine style Sacré-Coeur was designed as a monument to those who died in the Paris Commune during the Franco-Prussian War, 1870-71. (Photo by Manuel Cohen)
    DPARIS_09_10_137.JPG
  • PARIS, FRANCE - JANUARY 20: An oblique low angle view of  Sacre-Coeur Basilica, on January 20, 2009, in Montmartre, Paris, France. Its clustered white domes are seen against a clear sky on a winter morning. In the foreground is the bronze equestrian statue of Joan of Arc by H Lefebvre which stands above the portico. Sacré-Coeur Basilica, built 1884-1914, was designed by Paul Abadie. Constructed in white travertine on the top of the Butte Montmartre, the Romano-Byzantine style Sacre-Coeur was designed as a monument to those who died in the Paris Commune during the Franco-Prussian War, 1870-71.  (Photo by Manuel Cohen)
    DPARIS_09_10_136.jpg
  • PARIS, FRANCE - JANUARY 20: A general view of the city from the Sacré-Coeur Basilica, on January 20, 2009, in Montmartre, Paris, France. On a winter morning, in low light, the skyline is seen from the park around Sacré-Coeur Basilica, with a lamp-post, tree and shelter silhouetted in the foreground. (Photo by Manuel Cohen)
    DPARIS_09_10_135.JPG
  • PARIS, FRANCE - JANUARY 20: A general view of the city from Montmartre, on January 20, 2009, in Paris, France. The cityscape is seen from the park around the Sacré-Coeur Basilica on a clear winter morning. In the foreground the terraces descend down the Butte Montmartre from Sacré-Coeur. To the right is the glass station of the Montmartre Funicular Railway. In the far distance the Tour de Montparnasse stands out from the skyline. (Photo by Manuel Cohen)
    DPARIS_09_10_134.JPG
  • PARIS, FRANCE - JANUARY 20: A low angle view of  Sacré-Coeur Basilica, on January 20, 2009, in Montmartre, Paris, France. Sacré-Coeur Basilica, built 1884-1914, was designed by Paul Abadie. Constructed in white travertine on the top of the Butte Montmartre, the Romano-Byzantine style Sacré-Coeur was designed as a monument to those who died in the Paris Commune during the Franco-Prussian War, 1870-71.  Its clustered white domes are seen against a clear sky on a winter morning. (Photo by Manuel Cohen)
    DPARIS_09_10_133.JPG
  • PARIS, FRANCE - JANUARY 20: A low angle view of  Sacré-Coeur Basilica, on January 20, 2009, in Montmartre, Paris, France. Sacré-Coeur Basilica, built 1884-1914, was designed by Paul Abadie. Constructed in white travertine on the top of the Butte Montmartre, the Romano-Byzantine style Sacré-Coeur was designed as a monument to those who died in the Paris Commune during the Franco-Prussian War, 1870-71. Its clustered white domes are seen against a clear sky on a winter morning. (Photo by Manuel Cohen)
    DPARIS_09_10_132.JPG
  • PARIS, FRANCE - JANUARY 20: A low angle view of  Sacré-Coeur Basilica, on January 20, 2009, in Montmartre, Paris, France. Sacré-Coeur Basilica, built 1884-1914, was designed by Paul Abadie. Constructed in white travertine on the top of the Butte Montmartre, the Romano-Byzantine style Sacré-Coeur was designed as a monument to those who died in the Paris Commune during the Franco-Prussian War, 1870-71. Its clustered white domes are seen against a clear sky on a winter morning. (Photo by Manuel Cohen)
    DPARIS_09_10_131.JPG
  • PARIS, FRANCE - JANUARY 20: A low angle view of  Sacré-Coeur Basilica, on January 20, 2009, in Montmartre, Paris, France. Sacré-Coeur Basilica, built 1884-1914, was designed by Paul Abadie. Constructed in white travertine on the top of the Butte Montmartre, the Romano-Byzantine style SacrÈ-Coeur was designed as a monument to those who died in the Paris Commune during the Franco-Prussian War, 1870-71. Its clustered white domes are seen against a clear sky on a winter morning. (Photo by Manuel Cohen)
    DPARIS_09_10_130.JPG
  • PARIS, FRANCE - JANUARY 20: A low angle view of  Sacré-Coeur Basilica, on January 20, 2009, in Montmartre, Paris, France. Sacré-Coeur Basilica, built 1884-1914, was designed by Paul Abadie. Constructed in white travertine on the top of the Butte Montmartre, the Romano-Byzantine style Sacré-Coeur was designed as a monument to those who died in the Paris Commune during the Franco-Prussian War, 1870-71. Its clustered white domes are seen against a clear sky on a winter morning. (Photo by Manuel Cohen)
    DPARIS_09_10_129.JPG
  • PARIS, FRANCE - JANUARY 20: A low angle view of the portico of Sacré-Coeur Basilica, on January 20, 2009, in Montmartre, Paris, France. The Roman arches of the portico, lit by the winter morning light, are topped by two bronze equestrian statues by H Lefebvre. One portrays Joan of Arc, the other Saint Louis. Sacré-Coeur Basilica, built 1884-1914, was designed by Paul Abadie. Constructed in white travertine on the top of the Butte Montmartre, the Romano-Byzantine style Sacré-Coeur was designed as a monument to those who died in the Paris Commune during the Franco-Prussian War, 1870-71. (Photo by Manuel Cohen)
    DPARIS_09_10_128.JPG
  • PARIS, FRANCE - JANUARY 20: A detail of sculpture on the portico of Sacré-Coeur Basilica, on January 20, 2009, in Montmartre, Paris, France. This oblique low angle view shows  the decoration and Corinthian style capital around one of the Roman arches within the portico. A sculpture of a female face smiles down from a niche in a top corner of the doorway. Sacré-Coeur Basilica, built 1884-1914, was designed by Paul Abadie. Constructed in white travertine on the top of the Butte Montmartre, the Romano-Byzantine style Sacré-Coeur was designed as a monument to those who died in the Paris Commune during the Franco-Prussian War, 1870-71.  (Photo by Manuel Cohen)
    DPARIS_09_10_127.JPG
  • PARIS, FRANCE - JANUARY 20: A high angle view of the Montmartre hill staircase on January 20, 2009, in Montmartre, Paris, France. On a cold winter morning the  staircase, bordered by trees and streetlights, descends the hill. (Photo by Manuel Cohen)
    DPARIS_09_10_126.JPG
  • PARIS, FRANCE - NOVEMBER 22: A low angle view of the Obelisk in the Place de la Concorde, on November 22, 2008 in Paris, France. Originally standing outside the Amon Temple in Luxur, Egypt, the obelisk was presented to France in 1829 by the viceroy of Egypt, Mehemet Ali. Over 3,300 years old its hieroglyphics depict the reigns of Ramses II and Ramses III. (Photo by Manuel Cohen)
    DPARIS_08_10_124.JPG
  • Once completed the facsimile goes into a press for the final process at the printing studio of Scriptorium SL in Valencia, Spain. Picture by Manuel Cohen
    30052014_Scriptorium_MC041.jpg
  • Jose Vicente highlights the gilt painting with golden ink and then age his work with a small scalpel at the printing studio of Scriptorium SL in Valencia, Spain. Picture by Manuel Cohen
    30052014_Scriptorium_MC040.jpg
  • Graphic retouchers highlight the gilt painting with golden ink and then age their work with a small scalpel at the printing studio of Scriptorium SL in Valencia, Spain. Picture by Manuel Cohen
    30052014_Scriptorium_MC038.jpg
  • Graphic retouchers highlight the gilt painting with golden ink and then age their work with a small scalpel at the printing studio of Scriptorium SL in Valencia, Spain. Picture by Manuel Cohen
    30052014_Scriptorium_MC037.jpg
  • Graphic retouchers highlight the gilt painting with golden ink and then age their work with a small scalpel at the printing studio of Scriptorium SL in Valencia, Spain. Picture by Manuel Cohen
    30052014_Scriptorium_MC036.jpg
  • Graphic retouchers highlight the gilt painting with golden ink and then age their work with a small scalpel at the printing studio of Scriptorium SL in Valencia, Spain. Picture by Manuel Cohen
    30052014_Scriptorium_MC035.jpg
  • Graphic retouchers highlight the gilt painting with golden ink and then age their work with a small scalpel at the printing studio of Scriptorium SL in Valencia, Spain. Picture by Manuel Cohen
    30052014_Scriptorium_MC034.jpg
  • Sergio is assembling the folios of the facsimile with natural string at the printing studio of Scriptorium SL in Valencia, Spain. Picture by Manuel Cohen
    30052014_Scriptorium_MC032.jpg
  • Sergio is assembling the folios of the facsimile with natural string at the printing studio of Scriptorium SL in Valencia, Spain. Picture by Manuel Cohen
    30052014_Scriptorium_MC031.jpg
  • Alberto is assembling the folios of the facsimile with natural string at the printing studio of Scriptorium SL in Valencia, Spain. Picture by Manuel Cohen
    30052014_Scriptorium_MC028.jpg
  • Alberto is assembling the folios of the facsimile with natural string at the printing studio of Scriptorium SL in Valencia, Spain. Picture by Manuel Cohen
    30052014_Scriptorium_MC026.jpg
  • Alberto is assembling the folios of the facsimile with natural string at the printing studio of Scriptorium SL in Valencia, Spain. Picture by Manuel Cohen
    30052014_Scriptorium_MC025.jpg
  • Alberto is assembling the folios of the facsimile with natural string at the printing studio of Scriptorium SL in Valencia, Spain. Picture by Manuel Cohen
    30052014_Scriptorium_MC024.jpg
  • Alberto is assembling the folios of the facsimile with natural string at the printing studio of Scriptorium SL in Valencia, Spain. Picture by Manuel Cohen
    30052014_Scriptorium_MC023.jpg
  • Alberto is brushing a folio of parchment with a sander at the tannery factory of Scriptorium SL in Valencia, Spain. Picture by Manuel Cohen
    30052014_Scriptorium_MC021.JPG
  • Alberto inserts a sheet of parchment into a brushing mechanical system to ligt off any blemish at the tannery factory of Scriptorium SL in Valencia, Spain. Picture by Manuel Cohen
    30052014_Scriptorium_MC020.jpg
  • Nacho is cutting up a folio of parchment from the dry skin at the tannery factory of Scriptorium SL in Valencia, Spain. Picture by Manuel Cohen
    30052014_Scriptorium_MC018.jpg
  • Nacho holding parchments at the tannery factory of Scriptorium SL in Valencia, Spain. Picture by Manuel Cohen
    30052014_Scriptorium_MC017.jpg
  • The team shows the dry skin used as a parchment at the tannery factory of Scriptorium SL in Valencia, Spain. Picture by Manuel Cohen
    30052014_Scriptorium_MC016.jpg
  • The team brings the wooden sheet with fixed skins into the drying area at the tannery factory of Scriptorium SL in Valencia, Spain. Picture by Manuel Cohen
    30052014_Scriptorium_MC015.jpg
  • Nacho is stretching and fixing a skin on a wooden sheet for the drying process at the tannery factory of Scriptorium SL in Valencia, Spain. Picture by Manuel Cohen
    30052014_Scriptorium_MC014.jpg
  • Nacho is stretching and fixing a skin on a wooden sheet for the drying process at the tannery factory of Scriptorium SL in Valencia, Spain. Picture by Manuel Cohen
    30052014_Scriptorium_MC013.jpg
  • Nacho is stretching and fixing a skin on a wooden sheet for the drying process at the tannery factory of Scriptorium SL in Valencia, Spain. Picture by Manuel Cohen
    30052014_Scriptorium_MC011.jpg
  • Nacho is removing a parchment from the tank with soap at the tannery factory of Scriptorium SL in Valencia, Spain. Picture by Manuel Cohen
    30052014_Scriptorium_MC009.jpg
  • Nacho is stretching and fixing a skin on a wooden sheet for the drying process at the tannery factory of Scriptorium SL in Valencia, Spain. Picture by Manuel Cohen
    30052014_Scriptorium_MC010.JPG
  • Nacho lifting the epidermis of the skins with a special knife at the tannery factory of Scriptorium SL in Valencia, Spain. Picture by Manuel Cohen
    30052014_Scriptorium_MC008.jpg
  • Still wet and immediately after cleaning process, the skin goes through a mechanical press which remove the last fur at the tannery factory of Scriptorium SL in Valencia, Spain. Picture by Manuel Cohen
    30052014_Scriptorium_MC005.jpg
  • Still wet and immediately after cleaning process, the skin goes through a mechanical press which remove the last fur at the tannery factory of Scriptorium SL in Valencia, Spain. Picture by Manuel Cohen
    30052014_Scriptorium_MC006.jpg
  • Nacho lifting the epidermis of the skins with a special knife at the tannery factory of Scriptorium SL in Valencia, Spain. Picture by Manuel Cohen
    30052014_Scriptorium_MC007.jpg
  • Nacho is removing skins from the tank at the tannery factory of Scriptorium SL in Valencia, Spain. Picture by Manuel Cohen
    30052014_Scriptorium_MC003.JPG
  • Nacho is removing skins from the tank at the tannery factory of Scriptorium SL in Valencia, Spain. Picture by Manuel Cohen
    30052014_Scriptorium_MC002.jpg
  • Nacho is stretching and fixing a skin on a wooden sheet for the drying process at the tannery factory of Scriptorium SL in Valencia, Spain. Picture by Manuel Cohen
    30052014_Scriptorium_MC012.jpg
  • First edition of the "Crusader Bible", 13th century manuscript kept in the Pierpont Morgan Library in New York, on natural parchment made of animal skin published by Scriptorium SL in Valencia, Spain. © Scriptorium / Manuel Cohen
    LC14_CrusaderBible_MC027.jpg
  • First edition of the "Crusader Bible", 13th century manuscript kept in the Pierpont Morgan Library in New York, on natural parchment made of animal skin published by Scriptorium SL in Valencia, Spain. © Scriptorium / Manuel Cohen
    LC14_CrusaderBible_MC026.jpg
  • First edition of the "Crusader Bible", 13th century manuscript kept in the Pierpont Morgan Library in New York, on natural parchment made of animal skin published by Scriptorium SL in Valencia, Spain. © Scriptorium / Manuel Cohen
    LC14_CrusaderBible_MC021.jpg
  • (left) The Sacrifices of Cain and Abel; Cain Murders His Brother: The Lord is pleased with the ram Abel has brought as a sacrifice, but Cain meets with no such favour for the sheaves he presents at the altar. Furiously jealous, Cain later slays Abel with a hatchet. (Genesis 4:3ñ8); (right) The Death of Cain: This scene is drawn from an account popular in the middle ages that expanded upon the brief description of Cain's death in the Book of Genesis. The aged and blind Lamech, his aim guided by a boy, shoots Cain with bow and arrow as he is tangled in a bush. Note that in this and the preceding miniatures, the painter has deliberately ignored some of the plants springing from the ground, perhaps to create a contrast between the barren nature of the world and the lush Garden of Eden. (Genesis 4:15, 23ñ24). Excerpt of the first edition of the "Crusader Bible", 13th century manuscript kept in the Pierpont Morgan Library in New York, on natural parchment made of animal skin published by Scriptorium SL in Valencia, Spain. © Scriptorium / Manuel Cohen
    LC14_CrusaderBible_MC020.jpg
  • Deborah, a Prophetess: Following Ehud's death, the sins of the Israelites again displease the Lord. The people are made to suffer under the rule of Jabin, king of the Canaanites, for twenty years. Finally, the prophetess Deborah summons Barak to lead an attack against the Canaanite army. Deborah, riding side-saddle on a dappled charger, commands Barak and the Israelite forces. The exhausted and terror-stricken enemy offers no resistance even as its king receives his death blow. (Judges 4:8ñ16). Excerpt of the first edition of the "Crusader Bible", 13th century manuscript kept in the Pierpont Morgan Library in New York, on natural parchment made of animal skin published by Scriptorium SL in Valencia, Spain. © Scriptorium / Manuel Cohen
    LC14_CrusaderBible_MC018.jpg
  • (Up) Jonathan, a Prince:Encamped outside of Gibeah, Saul rests beneath a pomegranate tree and advises his warriors. Meanwhile, without informing his father, Saul's son Jonathan bravely scales a mountain to attack a Philistine garrison. Accompanied only by his armour-bearer, Jonathan engages the enemy; together they kill twenty men. (1 Samuel 14:1ñ14); (Down) The Battle is Joined: Sounds of battle have been heard in the Philistine camp, so Saul has assembled his army. It is discovered that Jonathan and his armour-bearer are missing. As the priest Ahijah bears the Ark of the Covenant into battle, Saul issues a bold command: the army is not to partake of food until all of the Philistines are destroyed. Jonathan, riding ahead, does not hear his father's instruction. Cradling his great helm in his left hand, he leans from his horse and spears a honeycomb to eat. (1 Samuel 14:17ñ27) Excerpt of the first edition of the "Crusader Bible", 13th century manuscript kept in the Pierpont Morgan Library in New York, on natural parchment made of animal skin published by Scriptorium SL in Valencia, Spain. © Scriptorium / Manuel Cohen
    LC14_CrusaderBible_MC012.jpg
  • Tamar laments her misfortune in Absalom's house while Absalom's servants kill Amnon at a feast held for David's sons. (2 Samuel 13 1-29). Excerpt of the first edition of the "Crusader Bible", 13th century manuscript kept in the Pierpont Morgan Library in New York, on natural parchment made of animal skin published by Scriptorium SL in Valencia, Spain. © Scriptorium / Manuel Cohen
    LC14_CrusaderBible_MC009.jpg
  • (Up) Amnon tricks Tamar to lie in bed with him. Amnon's love for Tamar turns to hatred and he forces her to leave in humiliation; (Down) Tamar laments her misfortune in Absalom's house while Absalom's servants kill Amnon at a feast held for David's sons. (2 Samuel 13 1-29). Excerpt of the first edition of the "Crusader Bible", 13th century manuscript kept in the Pierpont Morgan Library in New York, on natural parchment made of animal skin published by Scriptorium SL in Valencia, Spain. © Scriptorium / Manuel Cohen
    LC14_CrusaderBible_MC007.JPG
  • Amnon tricks Tamar to lie in bed with him. Amnon's love for Tamar turns to hatred and he forces her to leave in humiliation. (2 Samuel 13 1-29). Excerpt of the first edition of the "Crusader Bible", 13th century manuscript kept in the Pierpont Morgan Library in New York, on natural parchment made of animal skin published by Scriptorium SL in Valencia, Spain. © Scriptorium / Manuel Cohen
    LC14_CrusaderBible_MC008.jpg
  • Joshua Defeated at Ai: his is the first of the Picture Bible's great battle scenes. Joshua has taken a small contingent of the army to destroy the Amorite city of Ai. As soon as the Israelites arrive at the city gates, they are repulsed by a small force of defenders, including a crossbowman who takes aim from atop the portcullis. Thirty-six men of the expedition are killed as Amorite horsemen vengefully pursue and strike down their assailants. Joshua, shown again in brown tunic and with tri-point shield, narrowly escapes with his life. Nearby, an Amorite breaks his spear in the side of an Israelite horseman whose mount has collapsed beneath him, and a disoriented Israelite foot soldier is trampled by the fleeing cavalry. (Joshua 7:1ñ5). Excerpt of the first edition of the "Crusader Bible", 13th century manuscript kept in the Pierpont Morgan Library in New York, on natural parchment made of animal skin published by Scriptorium SL in Valencia, Spain. © Scriptorium / Manuel Cohen
    LC14_CrusaderBible_MC004.jpg
  • (left) A Costly Transgression Revealed: Confused and aggrieved by the defeat at Ai, Joshua prostrates himself before the Ark of the Covenant (depicted here as a rich reliquary chest) and begs for an explanation. It is discovered that Achan, a man of the tribe of Judah, took forbidden spoil from the accursed town of Jericho. Later Achan confesses the sin to Joshua; he and his family show Joshua a bar of gold (here painted silver), a rich garment, and two hundred shekels. The Lord points accusingly at the greedy family from the heavens. To appease Him, they must be destroyed. (Joshua 7:19ñ23); (right) Achan Stoned: Although Joshua appears loathe to do so, he orders the stoning of Achan, his entire family, and his cattle. Later, the Israelites will destroy Achan's thatched dwelling; all the possessions of the transgressor must be done away with in order to appease the Lord. (Joshua 7:24ñ25). Excerpt of the first edition of the "Crusader Bible", 13th century manuscript kept in the Pierpont Morgan Library in New York, on natural parchment made of animal skin published by Scriptorium SL in Valencia, Spain. © Scriptorium / Manuel Cohen
    LC14_CrusaderBible_MC003.jpg
  • (left) Sweetener: Moses, following the Lord's command, casts the tree into the bitter waters. The Israelites gather around with drinking cups and vessels to collect the sweetened waters. In the foreground, a group of sheep quenches its thirst. (Exodus 15:24ñ25); (right) Manna: Hunger has overcome the Israelites in the wilderness, and the congregation begins to murmur against Moses. The Lord hears these complaints, however, and rains bread from heaven upon the people. The Israelites collect the bread, each according to his own need, following the instructions Lord has given to Moses. (Exodus 16:11ñ15). Excerpt of the first edition of the "Crusader Bible", 13th century manuscript kept in the Pierpont Morgan Library in New York, on natural parchment made of animal skin published by Scriptorium SL in Valencia, Spain. © Scriptorium / Manuel Cohen
    LC14_CrusaderBible_MC002.JPG
  • Ricardo Coll, director, showing the "Crusader bible" in his office at the printing studio of Scriptorium SL in Valencia, Spain. Picture by Manuel Cohen
    30052014_Scriptorium_MC042.jpg
  • Graphic retouchers highlight the gilt painting with golden ink and then age their work with a small scalpel at the printing studio of Scriptorium SL in Valencia, Spain. Picture by Manuel Cohen
    30052014_Scriptorium_MC039.jpg
  • Sergio is assembling the folios of the facsimile with natural string at the printing studio of Scriptorium SL in Valencia, Spain. Picture by Manuel Cohen
    30052014_Scriptorium_MC033.jpg
  • Alberto is assembling the folios of the facsimile with natural string at the printing studio of Scriptorium SL in Valencia, Spain. Picture by Manuel Cohen
    30052014_Scriptorium_MC030.jpg
  • Alberto inserts a sheet of parchment into a brushing mechanical system to ligt off any blemish at the tannery factory of Scriptorium SL in Valencia, Spain. Picture by Manuel Cohen
    30052014_Scriptorium_MC019.jpg
  • Boy enjoying the cooling water mister system of Paris Plage 2013 in a morning of a heatwave day, banks of the river Seine, Paris, France. Picture by Manuel Cohen
    LC13_Paris_MC229.jpg
  • People enjoying beneath the cooling water mister system of Paris Plage 2013 seen from the top, banks of the river Seine, Paris, France. Picture by Manuel Cohen
    LC13_Paris_MC230.jpg
  • People enjoying the cooling water mister system of Paris Plage 2013 in a morning of a heatwave day, banks of the river Seine, Paris, France. Picture by Manuel Cohen
    LC13_Paris_MC233.jpg
  • Paris Plage 2013 on the banks of the river Seine, Paris, France. Picture by Manuel Cohen
    LC13_Paris_MC197.jpg
  • The Minister of the Economy, Finances and Industry (Ministere de l'Economie, des Finances et de l'Industrie), called the Minister of Finance for short or simply "Bercy", 1988, Paul Chemetov and Borja Huidobro, 139 rue de Bercy, 12th arrondissement, Paris, France. In the foreground the yellow barge "Petit Bain", a bar and restaurant together with a concert venue moored on the left bank, quai François Mauriac. Picture by Manuel Cohen
    LC13_Paris_MC201.jpg
  • Parisian filling their flask at a fountain of the Paris Plage banks of the river Seine, Paris, France. Picture by Manuel Cohen
    LC13_Paris_MC189.jpg
  • Parisian filling their flask at a fountain of the Paris Plage banks of the river Seine, Paris, France. Picture by Manuel Cohen
    LC13_Paris_MC190.jpg
  • Parisians sunbathing on the banks Paris Plage of the river Seine, Paris, France. Picture by Manuel Cohen
    LC13_Paris_MC195.jpg
  • Outdoors view of Biron market with visitors, Paris' famous Saint-Ouen flea market (marche aux puces de Saint Ouen) in the Paris neighbourhood suburb of Saint-Ouen, France.  Born in 1885, Saint-Ouen antique market, is the largest concentration of antique and second-hand dealers in the world. In 2001, Saint-Ouen antique market was classified "Zone de Protection du Patrimoine Urbain et Paysager". Picture by Manuel Cohen
    LC13_Paris_MC176.jpg
  • Dauphine market, Paris' famous Saint-Ouen flea market (marche aux puces de Saint Ouen) in the Paris neighbourhood suburb of Saint-Ouen, France.  Born in 1885, Saint-Ouen antique market, is the largest concentration of antique and second-hand dealers in the world. In 2001, Saint-Ouen antique market was classified "Zone de Protection du Patrimoine Urbain et Paysager". Picture by Manuel Cohen
    LC13_Paris_MC180.jpg
  • Dauphine market, Paris' famous Saint-Ouen flea market (marche aux puces de Saint Ouen) in the Paris neighbourhood suburb of Saint-Ouen, France.  Born in 1885, Saint-Ouen antique market, is the largest concentration of antique and second-hand dealers in the world. In 2001, Saint-Ouen antique market was classified "Zone de Protection du Patrimoine Urbain et Paysager". Picture by Manuel Cohen
    LC13_Paris_MC182.jpg
  • Statue of Marilyn Monroe, Dauphine market, Paris' famous Saint-Ouen flea market (marche aux puces de Saint Ouen) in the Paris neighbourhood suburb of Saint-Ouen, France.  Born in 1885, Saint-Ouen antique market, is the largest concentration of antique and second-hand dealers in the world. In 2001, Saint-Ouen antique market was classified "Zone de Protection du Patrimoine Urbain et Paysager". Picture by Manuel Cohen
    LC13_Paris_MC184.jpg
  • Metallic structure and pillars of the Passerelle Simone-de-Beauvoir (Bercy-Tolbiac), Pont de Bercy and The Minister of the Economy, Finances and Industry (Ministere de l'Economie, des Finances et de l'Industrie) in the background, 2006, by Dietmar Feichtingher, 13th arrondissement, Paris, France. Footbridge across the Seine River, links the esplanade of the Bibliotheque de France to the park of Bercy. Picture by Manuel Cohen
    LC13_Paris_MC089.jpg
  • Notre Dame de la Gare church, 1847 - 1859, Neo-Romanesque style by architect Claude Naissant, place Jeanne d'Arc, Paris 13, France. Picture by Manuel Cohen
    LC13_Paris_MC155.jpg
  • Tomb of Dominique Vivant, baron Denon, called Vivant Denon (1747 - 1825), Pere Lachaise Cemetery (Cimetiere du Pere-Lachaise) Paris, France, opened 1804, designed by Alexandre-Theodore Brongniart. Named after Pere Francois de la Chaise (1624-1709), confessor to Louis XIV (1638-1713), who lived in the Jesuit house on the site of the chapel. Picture by Manuel Cohen
    LC13_Paris_MC158.jpg
  • Detail of the hroup of sculptures at the right side of the War memorial (Monument aux morts), monumental sculpture by Albert Bartholome, 1887 - 1899, Pere Lachaise Cemetery (Cimetiere du Pere-Lachaise) Paris, France, opened 1804, designed by Alexandre-Theodore Brongniart. The war memorial was classified Monument Historique in 1983. Picture by Manuel Cohen
    LC13_Paris_MC163.jpg
  • Residential buildings of the 13th arrondissement of Paris, France. Picture by Manuel Cohen
    LC13_Paris_MC165.jpg
  • Residential buildings of the 13th arrondissement of Paris, France. Picture by Manuel Cohen
    LC13_Paris_MC167.jpg
  • Residential buildings of the 13th arrondissement of Paris, France. Picture by Manuel Cohen
    LC13_Paris_MC168.jpg
  • Paul Bert market, Paris' famous Saint-Ouen flea market (marche aux puces de Saint Ouen) in the Paris neighbourhood suburb of Saint-Ouen, France.  Born in 1885, Saint-Ouen antique market, is the largest concentration of antique and second-hand dealers in the world. In 2001, Saint-Ouen antique market was classified "Zone de Protection du Patrimoine Urbain et Paysager". Picture by Manuel Cohen
    LC13_Paris_MC171.jpg
  • MK2 Bibliotheque, by Jean Michel Wilmotte, Veronique Kirchner and Serger Barbet and Bibliotheque Nationale de France (National Library of France), 1989-96, Dominique Perrault, 13th arrondissement, Paris, France. Picture by Manuel Cohen
    LC13_Paris_MC060.jpg
  • Massena Nord (Northern Massena), Avenue de France, Paris, 13th arrondissement, France. Avenue de France is the new Rive Gauche urbanistic renovation directed by architect Paul Andreu and built by architect Jean Michel Wilmotte. Picture by Manuel Cohen
    LC13_Paris_MC048.jpg
  • Crowded food truck Le camion qui fume, MK2 Bibliotheque's square, Paris, 13th arrondissement, France. Tower of BNF Francois Mitterand visible in the background. Picture by Manuel Cohen
    LC13_Paris_MC050.jpg
  • The Passerelle Simone-de-Beauvoir (Bercy-Tolbiac), 2006, by Dietmar Feichtingher, and Bibliotheque Nationale de France (National Library of France), 1989-96, Dominique Perrault, 13th arrondissement, Paris, France. Footbridge across the Seine River, the lenticular truss bridge with penticular web links the esplanade of the Bibliotheque de France to the park of Bercy. Picture by Manuel Cohen
    LC13_Paris_MC149.jpg
  • Floating Piscine Josephine Baker (Josephine Baker swimming pool), by Robert de Busni, Bibliotheque Nationale de France (National Library of France), 1989-96, Dominique Perrault, 13th arrondissement, Paris, France. Picture by Manuel Cohen
    LC13_Paris_MC150.jpg
  • Visitor with red coat and backpack reflected on each side of the escalator of the Western entrance to Bibliotheque Nationale de France (National Library of France), 1989-96, Dominique Perrault, 13th arrondissement, Paris, France. Picture by Manuel Cohen
    LC13_Paris_MC138.jpg
  • Wooden stairs and floor, wall, students walking and tower of Bibliotheque Nationale de France (National Library of France), 1989-96, Dominique Perrault, 13th arrondissement, Paris, France. Picture by Manuel Cohen
    LC13_Paris_MC095.jpg
  • Visitors walking to Bibliotheque Nationale de France (National Library of France), 1989-96, Dominique Perrault, 13th arrondissement, Paris, France. Picture by Manuel Cohen
    LC13_Paris_MC092.jpg
  • Entrance to Tour des Temps, signage system of the library, Bibliotheque Nationale de France (National Library of France), 1989-96, Dominique Perrault, 13th arrondissement, Paris, France. Picture by Manuel Cohen
    LC13_Paris_MC084.jpg
  • The Passerelle Simone-de-Beauvoir (Bercy-Tolbiac), 2006, by Dietmar Feichtingher, and Bibliotheque Nationale de France (National Library of France), 1989-96, Dominique Perrault, 13th arrondissement, Paris, France. Footbridge across the Seine River, the lenticular truss bridge with penticular web links the esplanade of the Bibliotheque de France to the park of Bercy. Picture by Manuel Cohen
    LC13_Paris_MC077.jpg
  • Rainforest, Haut de Jardin of the Bibliotheque Nationale de France (National Library of France), 1989-96, Dominique Perrault, 13th arrondissement, Paris, France. Picture by Manuel Cohen
    LC13_Paris_MC080.jpg
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