manuel cohen

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  • Grand central hall on the Noble Floor, with huge windows facing the Passeig de Gracia, with stained glass panels and organic carved oak frames, in the Casa Batllo, originally built in 1877 by Emilio Sala Cortes and totally remodelled 1904-6 by Antoni Gaudi, 1852-1926, in catalan Modernisme and art nouveau style, for Josep Batllo y Casanovas, a textile industrialist, on the Passeig de Gracia in the Illa de la Discordia district of Barcelona, Catalonia, Spain. The windows all open using hidden counterweights. The walls and ceiling are all in organic wavy forms resembling the sea. A glass roof is glimpsed through an oculus. The building is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC20_SPAIN_MC_1255.jpg
  • Stained glass panels in the huge windows facing the Passeig de Gracia, with organic carved oak frames, in the grand central hall on the Noble Floor of Casa Batllo, originally built in 1877 by Emilio Sala Cortes and totally remodelled 1904-6 by Antoni Gaudi, 1852-1926, in catalan Modernisme and art nouveau style, for Josep Batllo y Casanovas, a textile industrialist, on the Passeig de Gracia in the Illa de la Discordia district of Barcelona, Catalonia, Spain. The windows all open using hidden counterweights. The walls and ceiling are all in organic wavy forms resembling the sea. A glass roof is glimpsed through an oculus. The building is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC20_SPAIN_MC_1254.jpg
  • Stained glass panels in the huge windows facing the Passeig de Gracia, with organic carved oak frames, in the grand central hall on the Noble Floor of Casa Batllo, originally built in 1877 by Emilio Sala Cortes and totally remodelled 1904-6 by Antoni Gaudi, 1852-1926, in catalan Modernisme and art nouveau style, for Josep Batllo y Casanovas, a textile industrialist, on the Passeig de Gracia in the Illa de la Discordia district of Barcelona, Catalonia, Spain. The windows all open using hidden counterweights. The walls and ceiling are all in organic wavy forms resembling the sea. A glass roof is glimpsed through an oculus. The building is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC20_SPAIN_MC_1251.jpg
  • Grand central hall on the Noble Floor, with huge windows facing the Passeig de Gracia, with stained glass panels and organic carved oak frames, in the Casa Batllo, originally built in 1877 by Emilio Sala Cortes and totally remodelled 1904-6 by Antoni Gaudi, 1852-1926, in catalan Modernisme and art nouveau style, for Josep Batllo y Casanovas, a textile industrialist, on the Passeig de Gracia in the Illa de la Discordia district of Barcelona, Catalonia, Spain. The windows all open using hidden counterweights. The walls and ceiling are all in organic wavy forms resembling the sea. A glass roof is glimpsed through an oculus. The building is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC20_SPAIN_MC_1238.JPG
  • Grand central hall on the Noble Floor, with huge windows facing the Passeig de Gracia, with stained glass panels and organic carved oak frames, in the Casa Batllo, originally built in 1877 by Emilio Sala Cortes and totally remodelled 1904-6 by Antoni Gaudi, 1852-1926, in catalan Modernisme and art nouveau style, for Josep Batllo y Casanovas, a textile industrialist, on the Passeig de Gracia in the Illa de la Discordia district of Barcelona, Catalonia, Spain. The windows all open using hidden counterweights. The walls and ceiling are all in organic wavy forms resembling the sea. A glass roof is glimpsed through an oculus. The building is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC20_SPAIN_MC_1236.JPG
  • Two entrance pavilions, built 1900-03, used as a porter's lodge (right) and residence (left) or Casa del Guarda, with stone walls and trencadis mosaic roof in organic undulating form, at Park Guell, built 1900-14 by Antoni Gaudi, 1852-1926, Catalan Modernist architect, on Carmel Hill, Barcelona, Catalonia, Spain. The lodge is topped by a large mosaic spire with cross. The park was commissioned by Eusebi Guell and opened in 1926. The area was designed to hold public gardens, houses, paths and roads, irrigation systems and a terrace. Gaudi used organic forms in the structures of the park, incorporating symbols from Catalan nationalism, religious mysticism and ancient poetry and mythology. It is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC446.jpg
  • Staircase surrounding an inner courtyard, with wrought iron balconies and balustrades, plants in organic shaped containers and colourful floral oil paintings on the plaster walls and ceilings, at La Pedrera, or Casa Mila, built 1906-10 by Catalan Modernist architect Antoni Gaudi, 1852-1926, on Passeig de Gracia, Barcelona, Catalonia, Spain. The house was commissioned by businessman Pere Mila i Camps, and has an undulating facade and 2 inner courtyards. Josep Maria Jujol, 1879-1949, designed the windows and fluid wrought iron balconies and the plaster work is by Joan Beltran. The roof houses many skylights, staircase openings and chimneys, some with mosaic work, and with twisted, organic forms. The building is listed as a UNESCO World Heritage Site and is currently the headquarters of the Catalunya-La Pedrera Foundation. Picture by Manuel Cohen
    LC16_SPAIN_MC467.jpg
  • Wooden cupboard with organic shapes, designed by Gaudi, exhibited in the attic at El Capricho de Gaudi, or Villa Quijano, a Modernist villa designed by Antoni Gaudi, 1852-1926, and built 1883-85 under his assistant Cristobal Cascante, in Comillas, Cantabria, Spain. The villa was commissioned by Maximo Diaz de Quijano as a summer house. It is from Gaudi's orientalist period, with azulejos tiles and domes. The building has housed a museum since 2009. Picture by Manuel Cohen
    LC21_SPAIN_MC_0620.jpg
  • Colourful, organic stained glass window in the Church of Colonia Guell, or Cripta Guell, an unfinished church built 1898-1914, by Antoni Gaudi, 1852-1926, at Santa Coloma de Cervello, near Barcelona, Catalonia, Spain. The building was commissioned by Eusebi Guell for workers at nearby manufacturing plants. The crypt was completed 1908-14, and the upper chapel remains unfinished. It is listed in the Works of Gaudi UNESCO World Heritage Site. Picture by Manuel Cohen
    LC20_SPAIN_MC_0914.jpg
  • Carved wooden door with organic forms and central grille, detail, leading from the internal terrace to the rooms of the upper floors, at the Casa Batllo, originally built in 1877 by Emilio Sala Cortes and totally remodelled 1904-6 by Antoni Gaudi, 1852-1926, in catalan Modernisme and art nouveau style, for Josep Batllo y Casanovas, a textile industrialist, on the Passeig de Gracia in the Illa de la Discordia district of Barcelona, Catalonia, Spain. The building is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC20_SPAIN_MC_1279.jpg
  • Carved wooden door with organic forms (each door is identified by a different initial), leading from the internal terrace to the rooms of the upper floors, at the Casa Batllo, originally built in 1877 by Emilio Sala Cortes and totally remodelled 1904-6 by Antoni Gaudi, 1852-1926, in catalan Modernisme and art nouveau style, for Josep Batllo y Casanovas, a textile industrialist, on the Passeig de Gracia in the Illa de la Discordia district of Barcelona, Catalonia, Spain. The building is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC20_SPAIN_MC_1278.jpg
  • 520 West 28th Street, also known as the Zaha Hadid Building, an apartment building designed by Zaha Hadid and built 2014-17, along the High Line in Midtown, Manhattan, New York City, NY, USA. The building has organic curves with stainless steel trim, art galleries at ground level and a sculpture platform. Picture by Manuel Cohen
    LC20_NYC_USA_MC_006.jpg
  • Sculptures of organic wooden shapes with cut leather shapes, and hanging sheets of pierced and embossed leather, in the studio of Fflur Owen, a leatherworker who makes leather sculptures and objects inspired by nature, at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_079.jpg
  • Dresses and jumpers in the showroom at the company Laines Paysannes, producing pure woollen clothing, rugs and yarns, made from French wool, based in Ariege, Occitanie, France. The company is owned by Olivia Bertrand, a weaver, and Paul de Latour, a sheep breeder, who use Tarasconnais sheep for their organic wool. Photographed on 4th December 2019. Picture by Manuel Cohen
    LC20_LainesPaysannesDec2019_MC_02.jpg
  • Woollen yarn woven on a loom, in the workshop of the company Laines Paysannes, producing pure woollen clothing, rugs and yarns, made from French wool, based in Ariege, Occitanie, France. The company is owned by Olivia Bertrand, a weaver, and Paul de Latour, a sheep breeder, who use Tarasconnais sheep for their organic wool. Photographed on 4th December 2019. Picture by Manuel Cohen
    LC20_LainesPaysannesDec2019_MC_35.jpg
  • Weaver Lola at work at a loom, weaving woollen yarn, in the workshop of the company Laines Paysannes, producing pure woollen clothing, rugs and yarns, made from French wool, based in Ariege, Occitanie, France. The company is owned by Olivia Bertrand, a weaver, and Paul de Latour, a sheep breeder, who use Tarasconnais sheep for their organic wool. Photographed on 4th December 2019. Picture by Manuel Cohen
    LC20_LainesPaysannesDec2019_MC_34.jpg
  • Weaver Lola at work at a loom, in the workshop of the company Laines Paysannes, producing pure woollen clothing, rugs and yarns, made from French wool, based in Ariege, Occitanie, France. The company is owned by Olivia Bertrand, a weaver, and Paul de Latour, a sheep breeder, who use Tarasconnais sheep for their organic wool. Photographed on 4th December 2019. Picture by Manuel Cohen
    LC20_LainesPaysannesDec2019_MC_33.jpg
  • Weaver Lola at work at a loom, weaving woollen yarn, in the workshop of the company Laines Paysannes, producing pure woollen clothing, rugs and yarns, made from French wool, based in Ariege, Occitanie, France. The company is owned by Olivia Bertrand, a weaver, and Paul de Latour, a sheep breeder, who use Tarasconnais sheep for their organic wool. Photographed on 4th December 2019. Picture by Manuel Cohen
    LC20_LainesPaysannesDec2019_MC_31.jpg
  • Weighted threads on spools on the loom, in the workshop of the company Laines Paysannes, producing pure woollen clothing, rugs and yarns, made from French wool, based in Ariege, Occitanie, France. The company is owned by Olivia Bertrand, a weaver, and Paul de Latour, a sheep breeder, who use Tarasconnais sheep for their organic wool. Photographed on 4th December 2019. Picture by Manuel Cohen
    LC20_LainesPaysannesDec2019_MC_30.jpg
  • Weaver Lola at work at a loom, weaving woollen yarn, using foot pedals, in the workshop of the company Laines Paysannes, producing pure woollen clothing, rugs and yarns, made from French wool, based in Ariege, Occitanie, France. The company is owned by Olivia Bertrand, a weaver, and Paul de Latour, a sheep breeder, who use Tarasconnais sheep for their organic wool. Photographed on 4th December 2019. Picture by Manuel Cohen
    LC20_LainesPaysannesDec2019_MC_29.jpg
  • Weaver Lola at work at a loom, weaving woollen yarn and using a measuring tape, in the workshop of the company Laines Paysannes, producing pure woollen clothing, rugs and yarns, made from French wool, based in Ariege, Occitanie, France. The company is owned by Olivia Bertrand, a weaver, and Paul de Latour, a sheep breeder, who use Tarasconnais sheep for their organic wool. Photographed on 4th December 2019. Picture by Manuel Cohen
    LC20_LainesPaysannesDec2019_MC_28.jpg
  • Weaver Lola at work at a loom, weaving woollen yarn, in the workshop of the company Laines Paysannes, producing pure woollen clothing, rugs and yarns, made from French wool, based in Ariege, Occitanie, France. The company is owned by Olivia Bertrand, a weaver, and Paul de Latour, a sheep breeder, who use Tarasconnais sheep for their organic wool. Photographed on 4th December 2019. Picture by Manuel Cohen
    LC20_LainesPaysannesDec2019_MC_27.jpg
  • Weaver Lola at work with a comb at a loom, in the workshop of the company Laines Paysannes, producing pure woollen clothing, rugs and yarns, made from French wool, based in Ariege, Occitanie, France. The company is owned by Olivia Bertrand, a weaver, and Paul de Latour, a sheep breeder, who use Tarasconnais sheep for their organic wool. Photographed on 4th December 2019. Picture by Manuel Cohen
    LC20_LainesPaysannesDec2019_MC_26.jpg
  • Weaver Lola at work at a loom, with woollen yarn, a comb and a weaving shuttle, in the workshop of the company Laines Paysannes, producing pure woollen clothing, rugs and yarns, made from French wool, based in Ariege, Occitanie, France. The company is owned by Olivia Bertrand, a weaver, and Paul de Latour, a sheep breeder, who use Tarasconnais sheep for their organic wool. Photographed on 4th December 2019. Picture by Manuel Cohen
    LC20_LainesPaysannesDec2019_MC_25.jpg
  • Weaver Lola at work with woollen yarn and a weaving shuttle, in the workshop of the company Laines Paysannes, producing pure woollen clothing, rugs and yarns, made from French wool, based in Ariege, Occitanie, France. The company is owned by Olivia Bertrand, a weaver, and Paul de Latour, a sheep breeder, who use Tarasconnais sheep for their organic wool. Photographed on 4th December 2019. Picture by Manuel Cohen
    LC20_LainesPaysannesDec2019_MC_24.jpg
  • Weaver Lola at work with woollen yarn and a weaving shuttle, in the workshop of the company Laines Paysannes, producing pure woollen clothing, rugs and yarns, made from French wool, based in Ariege, Occitanie, France. The company is owned by Olivia Bertrand, a weaver, and Paul de Latour, a sheep breeder, who use Tarasconnais sheep for their organic wool. Photographed on 4th December 2019. Picture by Manuel Cohen
    LC20_LainesPaysannesDec2019_MC_21.jpg
  • Weaver Lola at work weaving woollen yarn at a loom, in the workshop of the company Laines Paysannes, producing pure woollen clothing, rugs and yarns, made from French wool, based in Ariege, Occitanie, France. The company is owned by Olivia Bertrand, a weaver, and Paul de Latour, a sheep breeder, who use Tarasconnais sheep for their organic wool. Photographed on 4th December 2019. Picture by Manuel Cohen
    LC20_LainesPaysannesDec2019_MC_19.jpg
  • Weaver Lola at work weaving woollen yarn at a loom, in the workshop of the company Laines Paysannes, producing pure woollen clothing, rugs and yarns, made from French wool, based in Ariege, Occitanie, France. The company is owned by Olivia Bertrand, a weaver, and Paul de Latour, a sheep breeder, who use Tarasconnais sheep for their organic wool. Photographed on 4th December 2019. Picture by Manuel Cohen
    LC20_LainesPaysannesDec2019_MC_18.jpg
  • Weaver Lola at work weaving woollen yarn at a loom, in the workshop of the company Laines Paysannes, producing pure woollen clothing, rugs and yarns, made from French wool, based in Ariege, Occitanie, France. The company is owned by Olivia Bertrand, a weaver, and Paul de Latour, a sheep breeder, who use Tarasconnais sheep for their organic wool. Photographed on 4th December 2019. Picture by Manuel Cohen
    LC20_LainesPaysannesDec2019_MC_17.jpg
  • Weaver Lola at work weaving woollen yarn at a loom, in the workshop of the company Laines Paysannes, producing pure woollen clothing, rugs and yarns, made from French wool, based in Ariege, Occitanie, France. The company is owned by Olivia Bertrand, a weaver, and Paul de Latour, a sheep breeder, who use Tarasconnais sheep for their organic wool. Photographed on 4th December 2019. Picture by Manuel Cohen
    LC20_LainesPaysannesDec2019_MC_16.jpg
  • Weaver Lola at work weaving woollen yarn at a loom, in the workshop of the company Laines Paysannes, producing pure woollen clothing, rugs and yarns, made from French wool, based in Ariege, Occitanie, France. The company is owned by Olivia Bertrand, a weaver, and Paul de Latour, a sheep breeder, who use Tarasconnais sheep for their organic wool. Photographed on 4th December 2019. Picture by Manuel Cohen
    LC20_LainesPaysannesDec2019_MC_13.jpg
  • Weaver Lola at work weaving woollen yarn at a loom, in the workshop of the company Laines Paysannes, producing pure woollen clothing, rugs and yarns, made from French wool, based in Ariege, Occitanie, France. The company is owned by Olivia Bertrand, a weaver, and Paul de Latour, a sheep breeder, who use Tarasconnais sheep for their organic wool. Photographed on 4th December 2019. Picture by Manuel Cohen
    LC20_LainesPaysannesDec2019_MC_12.jpg
  • Loom, used for weaving woollen yarn, in the workshop of the company Laines Paysannes, producing pure woollen clothing, rugs and yarns, made from French wool, based in Ariege, Occitanie, France. The company is owned by Olivia Bertrand, a weaver, and Paul de Latour, a sheep breeder, who use Tarasconnais sheep for their organic wool. Photographed on 4th December 2019. Picture by Manuel Cohen
    LC20_LainesPaysannesDec2019_MC_10.jpg
  • Woollen cloths woven on a loom, in the workshop of the company Laines Paysannes, producing pure woollen clothing, rugs and yarns, made from French wool, based in Ariege, Occitanie, France. The company is owned by Olivia Bertrand, a weaver, and Paul de Latour, a sheep breeder, who use Tarasconnais sheep for their organic wool. Photographed on 4th December 2019. Picture by Manuel Cohen
    LC20_LainesPaysannesDec2019_MC_09.jpg
  • Spool of woollen yarn and a teasel, in the workshop of the company Laines Paysannes, producing pure woollen clothing, rugs and yarns, made from French wool, based in Ariege, Occitanie, France. The company is owned by Olivia Bertrand, a weaver, and Paul de Latour, a sheep breeder, who use Tarasconnais sheep for their organic wool. Photographed on 4th December 2019. Picture by Manuel Cohen
    LC20_LainesPaysannesDec2019_MC_07.jpg
  • Sheepskin, in the workshop of the company Laines Paysannes, producing pure woollen clothing, rugs and yarns, made from French wool, based in Ariege, Occitanie, France. The company is owned by Olivia Bertrand, a weaver, and Paul de Latour, a sheep breeder, who use Tarasconnais sheep for their organic wool. Photographed on 4th December 2019. Picture by Manuel Cohen
    LC20_LainesPaysannesDec2019_MC_05.jpg
  • Spool of woollen yarn, and a teasel, in the workshop of the company Laines Paysannes, producing pure woollen clothing, rugs and yarns, made from French wool, based in Ariege, Occitanie, France. The company is owned by Olivia Bertrand, a weaver, and Paul de Latour, a sheep breeder, who use Tarasconnais sheep for their organic wool. Photographed on 4th December 2019. Picture by Manuel Cohen
    LC20_LainesPaysannesDec2019_MC_04.jpg
  • Employee Cecile preparing an order for delivery in the workshop of the company Laines Paysannes, producing pure woollen clothing, rugs and yarns, made from French wool, based in Ariege, Occitanie, France. The company is owned by Olivia Bertrand, a weaver, and Paul de Latour, a sheep breeder, who use Tarasconnais sheep for their organic wool. Photographed on 4th December 2019. Picture by Manuel Cohen
    LC20_LainesPaysannesDec2019_MC_59.jpg
  • Employee Cecile preparing an order for delivery in the workshop of the company Laines Paysannes, producing pure woollen clothing, rugs and yarns, made from French wool, based in Ariege, Occitanie, France. The company is owned by Olivia Bertrand, a weaver, and Paul de Latour, a sheep breeder, who use Tarasconnais sheep for their organic wool. Photographed on 4th December 2019. Picture by Manuel Cohen
    LC20_LainesPaysannesDec2019_MC_58.jpg
  • Tools, including scissors, measuring tape, bobbin, comb and pick-up stick, in the workshop of the company Laines Paysannes, producing pure woollen clothing, rugs and yarns, made from French wool, based in Ariege, Occitanie, France. The company is owned by Olivia Bertrand, a weaver, and Paul de Latour, a sheep breeder, who use Tarasconnais sheep for their organic wool. Photographed on 4th December 2019. Picture by Manuel Cohen
    LC20_LainesPaysannesDec2019_MC_57.jpg
  • Sheepskin and comb, in the workshop of the company Laines Paysannes, producing pure woollen clothing, rugs and yarns, made from French wool, based in Ariege, Occitanie, France. The company is owned by Olivia Bertrand, a weaver, and Paul de Latour, a sheep breeder, who use Tarasconnais sheep for their organic wool. Photographed on 4th December 2019. Picture by Manuel Cohen
    LC20_LainesPaysannesDec2019_MC_54.jpg
  • Sheepskin, in the workshop of the company Laines Paysannes, producing pure woollen clothing, rugs and yarns, made from French wool, based in Ariege, Occitanie, France. The company is owned by Olivia Bertrand, a weaver, and Paul de Latour, a sheep breeder, who use Tarasconnais sheep for their organic wool. Photographed on 4th December 2019. Picture by Manuel Cohen
    LC20_LainesPaysannesDec2019_MC_53.jpg
  • Woollen yarn woven on a loom, and a comb, in the workshop of the company Laines Paysannes, producing pure woollen clothing, rugs and yarns, made from French wool, based in Ariege, Occitanie, France. The company is owned by Olivia Bertrand, a weaver, and Paul de Latour, a sheep breeder, who use Tarasconnais sheep for their organic wool. Photographed on 4th December 2019. Picture by Manuel Cohen
    LC20_LainesPaysannesDec2019_MC_52.jpg
  • Knitted woollen socks in the showroom at the company Laines Paysannes, producing pure woollen clothing, rugs and yarns, made from French wool, based in Ariege, Occitanie, France. The company is owned by Olivia Bertrand, a weaver, and Paul de Latour, a sheep breeder, who use Tarasconnais sheep for their organic wool. Photographed on 4th December 2019. Picture by Manuel Cohen
    LC20_LainesPaysannesDec2019_MC_51.jpg
  • Spool of woollen yarn and teasels, on a woollen weaving, in the workshop of the company Laines Paysannes, producing pure woollen clothing, rugs and yarns, made from French wool, based in Ariege, Occitanie, France. The company is owned by Olivia Bertrand, a weaver, and Paul de Latour, a sheep breeder, who use Tarasconnais sheep for their organic wool. Photographed on 4th December 2019. Picture by Manuel Cohen
    LC20_LainesPaysannesDec2019_MC_49.jpg
  • Woollen yarn woven on a loom, in the workshop of the company Laines Paysannes, producing pure woollen clothing, rugs and yarns, made from French wool, based in Ariege, Occitanie, France. The company is owned by Olivia Bertrand, a weaver, and Paul de Latour, a sheep breeder, who use Tarasconnais sheep for their organic wool. Photographed on 4th December 2019. Picture by Manuel Cohen
    LC20_LainesPaysannesDec2019_MC_48.jpg
  • Woollen yarn on a wool weaving, in the workshop of the company Laines Paysannes, producing pure woollen clothing, rugs and yarns, made from French wool, based in Ariege, Occitanie, France. The company is owned by Olivia Bertrand, a weaver, and Paul de Latour, a sheep breeder, who use Tarasconnais sheep for their organic wool. Photographed on 4th December 2019. Picture by Manuel Cohen
    LC20_LainesPaysannesDec2019_MC_47.jpg
  • Showroom at the company Laines Paysannes, producing pure woollen clothing, rugs and yarns, made from French wool, based in Ariege, Occitanie, France. The company is owned by Olivia Bertrand, a weaver, and Paul de Latour, a sheep breeder, who use Tarasconnais sheep for their organic wool. Photographed on 4th December 2019. Picture by Manuel Cohen
    LC20_LainesPaysannesDec2019_MC_46.jpg
  • Woollen yarn woven on a loom, and a comb, in the workshop of the company Laines Paysannes, producing pure woollen clothing, rugs and yarns, made from French wool, based in Ariege, Occitanie, France. The company is owned by Olivia Bertrand, a weaver, and Paul de Latour, a sheep breeder, who use Tarasconnais sheep for their organic wool. Photographed on 4th December 2019. Picture by Manuel Cohen
    LC20_LainesPaysannesDec2019_MC_42.jpg
  • Spools of woollen yarn in the workshop of the company Laines Paysannes, producing pure woollen clothing, rugs and yarns, made from French wool, based in Ariege, Occitanie, France. The company is owned by Olivia Bertrand, a weaver, and Paul de Latour, a sheep breeder, who use Tarasconnais sheep for their organic wool. Photographed on 4th December 2019. Picture by Manuel Cohen
    LC20_LainesPaysannesDec2019_MC_41.jpg
  • Weaver Lola at work at a loom, with woollen yarn, a comb and a weaving shuttle, in the workshop of the company Laines Paysannes, producing pure woollen clothing, rugs and yarns, made from French wool, based in Ariege, Occitanie, France. The company is owned by Olivia Bertrand, a weaver, and Paul de Latour, a sheep breeder, who use Tarasconnais sheep for their organic wool. Photographed on 4th December 2019. Picture by Manuel Cohen
    LC20_LainesPaysannesDec2019_MC_40.JPG
  • Weaver Lola at work with a comb, weaving woollen yarn at a loom, in the workshop of the company Laines Paysannes, producing pure woollen clothing, rugs and yarns, made from French wool, based in Ariege, Occitanie, France. The company is owned by Olivia Bertrand, a weaver, and Paul de Latour, a sheep breeder, who use Tarasconnais sheep for their organic wool. Photographed on 4th December 2019. Picture by Manuel Cohen
    LC20_LainesPaysannesDec2019_MC_39.JPG
  • Weaver Lola at work weaving woollen yarn at a loom, in the workshop of the company Laines Paysannes, producing pure woollen clothing, rugs and yarns, made from French wool, based in Ariege, Occitanie, France. The company is owned by Olivia Bertrand, a weaver, and Paul de Latour, a sheep breeder, who use Tarasconnais sheep for their organic wool. Photographed on 4th December 2019. Picture by Manuel Cohen
    LC20_LainesPaysannesDec2019_MC_38.jpg
  • Sheepskin and comb, in the workshop of the company Laines Paysannes, producing pure woollen clothing, rugs and yarns, made from French wool, based in Ariege, Occitanie, France. The company is owned by Olivia Bertrand, a weaver, and Paul de Latour, a sheep breeder, who use Tarasconnais sheep for their organic wool. Photographed on 4th December 2019. Picture by Manuel Cohen
    LC20_LainesPaysannesDec2019_MC_37.jpg
  • Mare de Deu de Montserrat Montferri, or Sanctuary of the Virgin of Montserrat, a sanctuary and hermitage built 1926-28 and again from 1987, at Montferri, Tarragona, Catalonia, Spain. The church was designed by Josep Maria Jujol in local sand and cement, but when funds ran out the project was finished in the early 1990s by Joan Bassegoda i Nonell and Josep Cendros, and finally inaugurated in 1999. The building has been called 'the other Sagrada Familia' because of its organic forms and parabolic arches. Picture by Manuel Cohen
    DRN_LC19_SPAIN_MC148.jpg
  • Mare de Deu de Montserrat Montferri, or Sanctuary of the Virgin of Montserrat, a sanctuary and hermitage built 1926-28 and again from 1987, at Montferri, Tarragona, Catalonia, Spain. The church was designed by Josep Maria Jujol in local sand and cement, but when funds ran out the project was finished in the early 1990s by Joan Bassegoda i Nonell and Josep Cendros, and finally inaugurated in 1999. The building has been called 'the other Sagrada Familia' because of its organic forms and parabolic arches. Picture by Manuel Cohen
    DRN_LC19_SPAIN_MC146.jpg
  • Mare de Deu de Montserrat Montferri, or Sanctuary of the Virgin of Montserrat, a sanctuary and hermitage built 1926-28 and again from 1987, at Montferri, Tarragona, Catalonia, Spain. The church was designed by Josep Maria Jujol in local sand and cement, but when funds ran out the project was finished in the early 1990s by Joan Bassegoda i Nonell and Josep Cendros, and finally inaugurated in 1999. The building has been called 'the other Sagrada Familia' because of its organic forms and parabolic arches. Picture by Manuel Cohen
    DRN_LC19_SPAIN_MC145.jpg
  • Peas & Love urban farm on the roof of Hotel Yooma at Beaugrenelle in the 15th arrondissement of Paris, France. The rooftop garden was planted in spring 2017 and then extended in winter 2017-18, and now contains 250 cultivation plots. The planters use techniques inspired by permaculture with both horizontal and vertical beds, producing organic seasonal fruits and vegetables. Customers rent plots which are tended by community gardeners, and have access to the food grown throughout the year. Picture by Manuel Cohen
    LC19_PARIS_MC_0770.jpg
  • Peas & Love urban farm on the roof of Hotel Yooma at Beaugrenelle in the 15th arrondissement of Paris, France. The rooftop garden was planted in spring 2017 and then extended in winter 2017-18, and now contains 250 cultivation plots. The planters use techniques inspired by permaculture with both horizontal and vertical beds, producing organic seasonal fruits and vegetables. Customers rent plots which are tended by community gardeners, and have access to the food grown throughout the year. Picture by Manuel Cohen
    LC19_PARIS_MC_0769.jpg
  • Peas & Love urban farm on the roof of Hotel Yooma at Beaugrenelle in the 15th arrondissement of Paris, France. The rooftop garden was planted in spring 2017 and then extended in winter 2017-18, and now contains 250 cultivation plots. The planters use techniques inspired by permaculture with both horizontal and vertical beds, producing organic seasonal fruits and vegetables. Customers rent plots which are tended by community gardeners, and have access to the food grown throughout the year. Picture by Manuel Cohen
    LC19_PARIS_MC_0767.jpg
  • Peas & Love urban farm on the roof of Hotel Yooma at Beaugrenelle in the 15th arrondissement of Paris, France. The rooftop garden was planted in spring 2017 and then extended in winter 2017-18, and now contains 250 cultivation plots. The planters use techniques inspired by permaculture with both horizontal and vertical beds, producing organic seasonal fruits and vegetables. Customers rent plots which are tended by community gardeners, and have access to the food grown throughout the year. Picture by Manuel Cohen
    LC19_PARIS_MC_0772.jpg
  • Organic shaped balconies over 5 floors of the private banking offices of the registered head office of Societe Generale, at 29 Boulevard Haussmann in the 9th arrondissement of Paris, France. The bank was founded in 1864 and these buildings were transformed 1906-12 by Jacques Hermant, and in use from 1915. Societe Generale remains one of the largest banks in the world, although its headquarters are now at La Defense. The Haussmann building is listed as a historic monument. Picture by Manuel Cohen
    LC18_SOCIETEGENERALE_MC_082.jpg
  • Organic shaped balconies over 5 floors of the private banking offices of the registered head office of Societe Generale, at 29 Boulevard Haussmann in the 9th arrondissement of Paris, France. The bank was founded in 1864 and these buildings were transformed 1906-12 by Jacques Hermant, and in use from 1915. Societe Generale remains one of the largest banks in the world, although its headquarters are now at La Defense. The Haussmann building is listed as a historic monument. Picture by Manuel Cohen
    LC18_SOCIETEGENERALE_MC_081.jpg
  • Organic shaped balconies over 5 floors of the private banking offices of the registered head office of Societe Generale, at 29 Boulevard Haussmann in the 9th arrondissement of Paris, France. The bank was founded in 1864 and these buildings were transformed 1906-12 by Jacques Hermant, and in use from 1915. Societe Generale remains one of the largest banks in the world, although its headquarters are now at La Defense. The Haussmann building is listed as a historic monument. Picture by Manuel Cohen
    LC18_SOCIETEGENERALE_MC_078.jpg
  • Ring, consisting of 3 square profile rings in yellow gold with rubies and diamonds, from the Eboulis Collection, by Thierry Vendome, jeweller, Paris, France. In this latest collection, the shapes and rhythms of the stones themselves have inspired the design of the modular rings, with organic, gravity-defying flow. Picture by Manuel Cohen
    05112018_EboulisColl_MC_06.jpg
  • Bague de la collection "Eboulis" thierry Vendome<br />
<br />
Ring, consisting of 3 square profile rings in yellow gold with rubies and diamonds, from the Eboulis Collection, by Thierry Vendome, jeweller, Paris, France. In this latest collection, the shapes and rhythms of the stones themselves have inspired the design of the modular rings, with organic, gravity-defying flow. Picture by Manuel Cohen
    05112018_EboulisColl_MC_02.jpg
  • Ring, consisting of 3 square profile rings in yellow gold with rubies and diamonds, from the Eboulis Collection, by Thierry Vendome, jeweller, Paris, France. In this latest collection, the shapes and rhythms of the stones themselves have inspired the design of the modular rings, with organic, gravity-defying flow. Picture by Manuel Cohen
    05112018_EboulisColl_MC_01.jpg
  • Ring, consisting of 3 square profile rings in yellow gold with rubies and diamonds, from the Eboulis Collection, by Thierry Vendome, jeweller, Paris, France. In this latest collection, the shapes and rhythms of the stones themselves have inspired the design of the modular rings, with organic, gravity-defying flow. Picture by Manuel Cohen
    05112018_EboulisColl_MC_03.jpg
  • Asymmetric wrought iron gate at the entrance to Castel Beranger, Art Nouveau apartment building designed by Hector Guimard and built 1895-98, at 14 rue de la Fontaine in the 16th arrondissement of Paris, France. The gate is set between carved columns within an archway, and leads to the communal entrance hall. This was the first residential building to be built in Paris in the Art Nouveau style, with organic, fluid decorative elements inspired by natural forms. The building is listed as a historic monument. Picture by Manuel Cohen
    LC16_FRANCE_MC_0661.jpg
  • Entrance Hall of the Castel Beranger, Art Nouveau apartment building designed by Hector Guimard and built 1895-98, at 14 rue de la Fontaine in the 16th arrondissement of Paris, France. The vestibule is decorated with ceramic wall panels in thick relief and iron strapwork and pilasters growing into arches across the ceiling. This was the first residential building to be built in Paris in the Art Nouveau style, with organic, fluid decorative elements inspired by natural forms. The building is listed as a historic monument. Picture by Manuel Cohen
    LC16_FRANCE_MC_0662.jpg
  • Brick rib vaults supporting the paraboloid walls of the Crypta Guell, built 1898-1915, an unfinished church by Catalan Modernist architect Antoni Gaudi, 1852-1926, in the Colonia Guell, a workers' colony set up by Eusebi Guell in Santa Coloma de Cervello, Barcelona, Catalonia, Spain. The church is an organic hyperbolic paraboloid shape, with leaning pillars and catenary arches supporting the structure. The colony was begun in 1890 on Guell's estate Can Soler de la Torre, with a hospital, boardinghouse, schools, shops, theatres, chapel, factories and workers' housing. Gaudi was in charge of the project, collaborating with Francesc Berenguer, Joan Rubio and Josep Canaleta. Gaudi's crypt is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC434.jpg
  • Crypta Guell, built 1898-1915, an unfinished church by Catalan Modernist architect Antoni Gaudi, 1852-1926, in the Colonia Guell, a workers' colony set up by Eusebi Guell in Santa Coloma de Cervello, Barcelona, Catalonia, Spain. The church is an organic hyperbolic paraboloid shape, with leaning pillars and catenary arches supporting the structure. The colony was begun in 1890 on Guell's estate Can Soler de la Torre, with a hospital, boardinghouse, schools, shops, theatres, chapel, factories and workers' housing. Gaudi was in charge of the project, collaborating with Francesc Berenguer, Joan Rubio and Josep Canaleta. Gaudi's crypt is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC439.jpg
  • Interior of the Crypta Guell, built 1898-1915, an unfinished church by Catalan Modernist architect Antoni Gaudi, 1852-1926, in the Colonia Guell, a workers' colony set up by Eusebi Guell in Santa Coloma de Cervello, Barcelona, Catalonia, Spain. The church is an organic hyperbolic paraboloid shape, with leaning pillars of basalt and brick and catenary arches supporting the structure and brick ribs vaults supporting the ceiling. The colony was begun in 1890 on Guell's estate Can Soler de la Torre, with a hospital, boardinghouse, schools, shops, theatres, chapel, factories and workers' housing. Gaudi was in charge of the project, collaborating with Francesc Berenguer, Joan Rubio and Josep Canaleta. Gaudi's crypt is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC419.JPG
  • Crypta Guell, built 1898-1915, an unfinished church by Catalan Modernist architect Antoni Gaudi, 1852-1926, in the Colonia Guell, a workers' colony set up by Eusebi Guell in Santa Coloma de Cervello, Barcelona, Catalonia, Spain. The church is an organic hyperbolic paraboloid shape, with leaning pillars and catenary arches supporting the structure. The colony was begun in 1890 on Guell's estate Can Soler de la Torre, with a hospital, boardinghouse, schools, shops, theatres, chapel, factories and workers' housing. Gaudi was in charge of the project, collaborating with Francesc Berenguer, Joan Rubio and Josep Canaleta. Gaudi's crypt is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC425.jpg
  • Interior of the Crypta Guell, built 1898-1915, an unfinished church by Catalan Modernist architect Antoni Gaudi, 1852-1926, in the Colonia Guell, a workers' colony set up by Eusebi Guell in Santa Coloma de Cervello, Barcelona, Catalonia, Spain. The church is an organic hyperbolic paraboloid shape, with leaning pillars of basalt and brick and catenary arches supporting the structure and brick ribs vaults supporting the ceiling. The colony was begun in 1890 on Guell's estate Can Soler de la Torre, with a hospital, boardinghouse, schools, shops, theatres, chapel, factories and workers' housing. Gaudi was in charge of the project, collaborating with Francesc Berenguer, Joan Rubio and Josep Canaleta. Gaudi's crypt is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC424.jpg
  • Interior of the Crypta Guell, built 1898-1915, an unfinished church by Catalan Modernist architect Antoni Gaudi, 1852-1926, in the Colonia Guell, a workers' colony set up by Eusebi Guell in Santa Coloma de Cervello, Barcelona, Catalonia, Spain. The church is an organic hyperbolic paraboloid shape, with leaning pillars of basalt and brick and catenary arches supporting the structure and brick ribs vaults supporting the ceiling. The colony was begun in 1890 on Guell's estate Can Soler de la Torre, with a hospital, boardinghouse, schools, shops, theatres, chapel, factories and workers' housing. Gaudi was in charge of the project, collaborating with Francesc Berenguer, Joan Rubio and Josep Canaleta. Gaudi's crypt is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC426.jpg
  • Interior of the Crypta Guell, built 1898-1915, an unfinished church by Catalan Modernist architect Antoni Gaudi, 1852-1926, in the Colonia Guell, a workers' colony set up by Eusebi Guell in Santa Coloma de Cervello, Barcelona, Catalonia, Spain. The church is an organic hyperbolic paraboloid shape, with leaning pillars of basalt and brick and catenary arches supporting the structure and brick ribs vaults supporting the ceiling. The colony was begun in 1890 on Guell's estate Can Soler de la Torre, with a hospital, boardinghouse, schools, shops, theatres, chapel, factories and workers' housing. Gaudi was in charge of the project, collaborating with Francesc Berenguer, Joan Rubio and Josep Canaleta. Gaudi's crypt is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC427.jpg
  • Interior of the Crypta Guell, built 1898-1915, an unfinished church by Catalan Modernist architect Antoni Gaudi, 1852-1926, in the Colonia Guell, a workers' colony set up by Eusebi Guell in Santa Coloma de Cervello, Barcelona, Catalonia, Spain. The church is an organic hyperbolic paraboloid shape, with leaning pillars of basalt and brick and catenary arches supporting the structure and brick ribs vaults supporting the ceiling. The colony was begun in 1890 on Guell's estate Can Soler de la Torre, with a hospital, boardinghouse, schools, shops, theatres, chapel, factories and workers' housing. Gaudi was in charge of the project, collaborating with Francesc Berenguer, Joan Rubio and Josep Canaleta. Gaudi's crypt is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC429.jpg
  • Interior of the Crypta Guell, built 1898-1915, an unfinished church by Catalan Modernist architect Antoni Gaudi, 1852-1926, in the Colonia Guell, a workers' colony set up by Eusebi Guell in Santa Coloma de Cervello, Barcelona, Catalonia, Spain. The church is an organic hyperbolic paraboloid shape, with leaning pillars of basalt and brick and catenary arches supporting the structure and brick ribs vaults supporting the ceiling. The colony was begun in 1890 on Guell's estate Can Soler de la Torre, with a hospital, boardinghouse, schools, shops, theatres, chapel, factories and workers' housing. Gaudi was in charge of the project, collaborating with Francesc Berenguer, Joan Rubio and Josep Canaleta. Gaudi's crypt is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC428.jpg
  • Sculptural group of the Holy Family, 1945, by Josep Maria Jujol, in the Crypta Guell, built 1898-1915, an unfinished church by Catalan Modernist architect Antoni Gaudi, 1852-1926, in the Colonia Guell, a workers' colony set up by Eusebi Guell in Santa Coloma de Cervello, Barcelona, Catalonia, Spain. The church is an organic hyperbolic paraboloid shape, with leaning pillars of basalt and brick and catenary arches supporting the structure and brick ribs vaults supporting the ceiling. The colony was begun in 1890 on Guell's estate Can Soler de la Torre, with a hospital, boardinghouse, schools, shops, theatres, chapel, factories and workers' housing. Gaudi was in charge of the project, collaborating with Francesc Berenguer, Joan Rubio and Josep Canaleta. Gaudi's crypt is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC430.JPG
  • Staircase and brick columns resembling trees, reflecting the wooded setting of the church, inside the Crypta Guell, built 1898-1915, an unfinished church by Catalan Modernist architect Antoni Gaudi, 1852-1926, in the Colonia Guell, a workers' colony set up by Eusebi Guell in Santa Coloma de Cervello, Barcelona, Catalonia, Spain. The church is an organic hyperbolic paraboloid shape, with leaning pillars of basalt and brick and catenary arches supporting the structure and brick ribs vaults supporting the ceiling. The colony was begun in 1890 on Guell's estate Can Soler de la Torre, with a hospital, boardinghouse, schools, shops, theatres, chapel, factories and workers' housing. Gaudi was in charge of the project, collaborating with Francesc Berenguer, Joan Rubio and Josep Canaleta. Gaudi's crypt is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC431.jpg
  • Interior of the Crypta Guell, built 1898-1915, an unfinished church by Catalan Modernist architect Antoni Gaudi, 1852-1926, in the Colonia Guell, a workers' colony set up by Eusebi Guell in Santa Coloma de Cervello, Barcelona, Catalonia, Spain. The church is an organic hyperbolic paraboloid shape, with leaning pillars of basalt and brick and catenary arches supporting the structure and brick ribs vaults supporting the ceiling. The colony was begun in 1890 on Guell's estate Can Soler de la Torre, with a hospital, boardinghouse, schools, shops, theatres, chapel, factories and workers' housing. Gaudi was in charge of the project, collaborating with Francesc Berenguer, Joan Rubio and Josep Canaleta. Gaudi's crypt is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC432.jpg
  • Statue of a woman carrying a basket on her head, part of the leaning columns of local stone supporting the terrace, at Park Guell, built 1900-14 by Antoni Gaudi, 1852-1926, Catalan Modernist architect, on Carmel Hill, Barcelona, Catalonia, Spain. The park was commissioned by Eusebi Guell and opened in 1926. The area was designed to hold public gardens, houses, paths and roads, irrigation systems and a terrace. Gaudi used organic forms in the structures of the park, incorporating symbols from Catalan nationalism, religious mysticism and ancient poetry and mythology. It is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC451.jpg
  • Viaduct, with roadway above and covered path below, supported by leaning columns of local stone, at Park Guell, built 1900-14 by Antoni Gaudi, 1852-1926, Catalan Modernist architect, on Carmel Hill, Barcelona, Catalonia, Spain. The park was commissioned by Eusebi Guell and opened in 1926. The area was designed to hold public gardens, houses, paths and roads, irrigation systems and a terrace. Gaudi used organic forms in the structures of the park, incorporating symbols from Catalan nationalism, religious mysticism and ancient poetry and mythology. It is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC454.jpg
  • Covered path within the viaduct, with leaning columns of local stone supporting the structure, at Park Guell, built 1900-14 by Antoni Gaudi, 1852-1926, Catalan Modernist architect, on Carmel Hill, Barcelona, Catalonia, Spain. The park was commissioned by Eusebi Guell and opened in 1926. The area was designed to hold public gardens, houses, paths and roads, irrigation systems and a terrace. Gaudi used organic forms in the structures of the park, incorporating symbols from Catalan nationalism, religious mysticism and ancient poetry and mythology. It is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC452.jpg
  • Leaning columns of local stone resembling tree trunks, supporting the terrace, at Park Guell, built 1900-14 by Antoni Gaudi, 1852-1926, Catalan Modernist architect, on Carmel Hill, Barcelona, Catalonia, Spain. To the right is a statue of a woman carrying a basket on her head, made from the same stone. The park was commissioned by Eusebi Guell and opened in 1926. The area was designed to hold public gardens, houses, paths and roads, irrigation systems and a terrace. Gaudi used organic forms in the structures of the park, incorporating symbols from Catalan nationalism, religious mysticism and ancient poetry and mythology. It is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC442.jpg
  • Undulating roof, with skylights, staircase openings and chimneys, some with mosaic work, and with twisted, organic forms, at La Pedrera, or Casa Mila, built 1906-10 by Catalan Modernist architect Antoni Gaudi, 1852-1926, on Passeig de Gracia, Barcelona, Catalonia, Spain. Some of the chimneys resemble soldiers guarding the house, and the roof is sometimes known as the Garden of Warriors. The house was commissioned by businessman Pere Mila i Camps, and has an undulating facade and 2 inner courtyards. Josep Maria Jujol, 1879-1949, designed the windows and fluid wrought iron balconies and the plaster work is by Joan Beltran. The building is listed as a UNESCO World Heritage Site and is currently the headquarters of the Catalunya-La Pedrera Foundation. Picture by Manuel Cohen
    LC16_SPAIN_MC478.jpg
  • Patio of an inner courtyard, with staircase around the outer wall, columns supporting the building and colourful floral oil paintings on the plaster walls and ceilings, at La Pedrera, or Casa Mila, built 1906-10 by Catalan Modernist architect Antoni Gaudi, 1852-1926, on Passeig de Gracia, Barcelona, Catalonia, Spain. The house was commissioned by businessman Pere Mila i Camps, and has an undulating facade and 2 inner courtyards. Josep Maria Jujol, 1879-1949, designed the windows and fluid wrought iron balconies and the plaster work is by Joan Beltran. The roof houses many skylights, staircase openings and chimneys, some with mosaic work, and with twisted, organic forms. The building is listed as a UNESCO World Heritage Site and is currently the headquarters of the Catalunya-La Pedrera Foundation. Picture by Manuel Cohen
    LC16_SPAIN_MC479.jpg
  • Colourful floral oil paintings on the plaster walls and ceiling surrounding stone columns supporting the building, at a staircase in an inner courtyard, at La Pedrera, or Casa Mila, built 1906-10 by Catalan Modernist architect Antoni Gaudi, 1852-1926, on Passeig de Gracia, Barcelona, Catalonia, Spain. The house was commissioned by businessman Pere Mila i Camps, and has an undulating facade and 2 inner courtyards. Josep Maria Jujol, 1879-1949, designed the windows and fluid wrought iron balconies and the plaster work is by Joan Beltran. The roof houses many skylights, staircase openings and chimneys, some with mosaic work, and with twisted, organic forms. The building is listed as a UNESCO World Heritage Site and is currently the headquarters of the Catalunya-La Pedrera Foundation. Picture by Manuel Cohen
    LC16_SPAIN_MC468.JPG
  • Detail of an oil painting of a classical scene on the plaster wall at La Pedrera, or Casa Mila, built 1906-10 by Catalan Modernist architect Antoni Gaudi, 1852-1926, on Passeig de Gracia, Barcelona, Catalonia, Spain. The house was commissioned by businessman Pere Mila i Camps, and has an undulating facade and 2 inner courtyards. Josep Maria Jujol, 1879-1949, designed the windows and fluid wrought iron balconies and the plaster work is by Joan Beltran. The roof houses many skylights, staircase openings and chimneys, some with mosaic work, and with twisted, organic forms. The building is listed as a UNESCO World Heritage Site and is currently the headquarters of the Catalunya-La Pedrera Foundation. Picture by Manuel Cohen
    LC16_SPAIN_MC471.jpg
  • Staircase around the outer wall of an inner courtyard, with columns supporting the building and colourful floral oil paintings on the plaster walls and ceilings, at La Pedrera, or Casa Mila, built 1906-10 by Catalan Modernist architect Antoni Gaudi, 1852-1926, on Passeig de Gracia, Barcelona, Catalonia, Spain. The house was commissioned by businessman Pere Mila i Camps, and has an undulating facade and 2 inner courtyards. Josep Maria Jujol, 1879-1949, designed the windows and fluid wrought iron balconies and the plaster work is by Joan Beltran. The roof houses many skylights, staircase openings and chimneys, some with mosaic work, and with twisted, organic forms. The building is listed as a UNESCO World Heritage Site and is currently the headquarters of the Catalunya-La Pedrera Foundation. Picture by Manuel Cohen
    LC16_SPAIN_MC470.jpg
  • Organic forms of the chimneys and staircase openings on the undulating roof of La Pedrera, or Casa Mila, built 1906-10 by Catalan Modernist architect Antoni Gaudi, 1852-1926, on Passeig de Gracia, Barcelona, Catalonia, Spain. The chimney here is thought to represent a soldier guarding the house, and the roof is sometimes known as the Garden of Warriors. The house was commissioned by businessman Pere Mila i Camps, and has an undulating facade and 2 inner courtyards. Josep Maria Jujol, 1879-1949, designed the windows and fluid wrought iron balconies and the plaster work is by Joan Beltran. The building is listed as a UNESCO World Heritage Site and is currently the headquarters of the Catalunya-La Pedrera Foundation. Picture by Manuel Cohen
    LC16_SPAIN_MC472.jpg
  • Facade of La Pedrera, or Casa Mila, built 1906-10 by Catalan Modernist architect Antoni Gaudi, 1852-1926, on Passeig de Gracia, Barcelona, Catalonia, Spain. The house was commissioned by businessman Pere Mila i Camps, and has an undulating facade and 2 inner courtyards. Josep Maria Jujol, 1879-1949, designed the windows and fluid wrought iron balconies and the plaster work is by Joan Beltran. The roof houses many skylights, staircase openings and chimneys, some with mosaic work, and with twisted, organic forms. The building is listed as a UNESCO World Heritage Site and is currently the headquarters of the Catalunya-La Pedrera Foundation. Picture by Manuel Cohen
    LC16_SPAIN_MC474.jpg
  • Organic forms of the chimneys on the undulating roof of La Pedrera, or Casa Mila, built 1906-10 by Catalan Modernist architect Antoni Gaudi, 1852-1926, on Passeig de Gracia, Barcelona, Catalonia, Spain. Some of the chimneys resemble soldiers guarding the house, and the roof is sometimes known as the Garden of Warriors. The house was commissioned by businessman Pere Mila i Camps, and has an undulating facade and 2 inner courtyards. Josep Maria Jujol, 1879-1949, designed the windows and fluid wrought iron balconies and the plaster work is by Joan Beltran. The building is listed as a UNESCO World Heritage Site and is currently the headquarters of the Catalunya-La Pedrera Foundation. Picture by Manuel Cohen
    LC16_SPAIN_MC473.jpg
  • Dining room, with tiled floor in geometric pattern and Modernist wooden furniture and pendant light, at La Pedrera, or Casa Mila, built 1906-10 by Catalan Modernist architect Antoni Gaudi, 1852-1926, on Passeig de Gracia, Barcelona, Catalonia, Spain. The house was commissioned by businessman Pere Mila i Camps, and has an undulating facade and 2 inner courtyards. Josep Maria Jujol, 1879-1949, designed the windows and fluid wrought iron balconies and the plaster work is by Joan Beltran. The roof houses many skylights, staircase openings and chimneys, some with mosaic work, and with twisted, organic forms. The building is listed as a UNESCO World Heritage Site and is currently the headquarters of the Catalunya-La Pedrera Foundation. Picture by Manuel Cohen
    LC16_SPAIN_MC475.jpg
  • Undulating roof, with large mosaic covered staircase opening and chimneys with twisted, organic forms, at La Pedrera, or Casa Mila, built 1906-10 by Catalan Modernist architect Antoni Gaudi, 1852-1926, on Passeig de Gracia, Barcelona, Catalonia, Spain. Some of the chimneys resemble soldiers guarding the house, and the roof is sometimes known as the Garden of Warriors. The house was commissioned by businessman Pere Mila i Camps, and has an undulating facade and 2 inner courtyards. Josep Maria Jujol, 1879-1949, designed the windows and fluid wrought iron balconies and the plaster work is by Joan Beltran. The building is listed as a UNESCO World Heritage Site and is currently the headquarters of the Catalunya-La Pedrera Foundation. Picture by Manuel Cohen
    LC16_SPAIN_MC476.jpg
  • Undulating roof, with skylights, staircase openings and chimneys, some with mosaic work, and with twisted, organic forms, at La Pedrera, or Casa Mila, built 1906-10 by Catalan Modernist architect Antoni Gaudi, 1852-1926, on Passeig de Gracia, Barcelona, Catalonia, Spain. Some of the chimneys resemble soldiers guarding the house, and the roof is sometimes known as the Garden of Warriors. The house was commissioned by businessman Pere Mila i Camps, and has an undulating facade and 2 inner courtyards. Josep Maria Jujol, 1879-1949, designed the windows and fluid wrought iron balconies and the plaster work is by Joan Beltran. The building is listed as a UNESCO World Heritage Site and is currently the headquarters of the Catalunya-La Pedrera Foundation. Picture by Manuel Cohen
    LC16_SPAIN_MC455.jpg
  • Undulating roof, with skylights, staircase openings and chimneys, some with mosaic work, and with twisted, organic forms, at La Pedrera, or Casa Mila, built 1906-10 by Catalan Modernist architect Antoni Gaudi, 1852-1926, on Passeig de Gracia, Barcelona, Catalonia, Spain. Some of the chimneys resemble soldiers guarding the house, and the roof is sometimes known as the Garden of Warriors. The house was commissioned by businessman Pere Mila i Camps, and has an undulating facade and 2 inner courtyards. Josep Maria Jujol, 1879-1949, designed the windows and fluid wrought iron balconies and the plaster work is by Joan Beltran. The building is listed as a UNESCO World Heritage Site and is currently the headquarters of the Catalunya-La Pedrera Foundation. Picture by Manuel Cohen
    LC16_SPAIN_MC456.jpg
  • Tunnel on the undulating roof, with mosaic covered staircase opening and chimneys with twisted, organic forms, at La Pedrera, or Casa Mila, built 1906-10 by Catalan Modernist architect Antoni Gaudi, 1852-1926, on Passeig de Gracia, Barcelona, Catalonia, Spain. Some of the chimneys resemble soldiers guarding the house, and the roof is sometimes known as the Garden of Warriors. The house was commissioned by businessman Pere Mila i Camps, and has an undulating facade and 2 inner courtyards. Josep Maria Jujol, 1879-1949, designed the windows and fluid wrought iron balconies and the plaster work is by Joan Beltran. The building is listed as a UNESCO World Heritage Site and is currently the headquarters of the Catalunya-La Pedrera Foundation. Picture by Manuel Cohen
    LC16_SPAIN_MC457.jpg
  • Dining room, with tiled floor in geometric pattern and Modernist wooden furniture and pendant light, at La Pedrera, or Casa Mila, built 1906-10 by Catalan Modernist architect Antoni Gaudi, 1852-1926, on Passeig de Gracia, Barcelona, Catalonia, Spain. The house was commissioned by businessman Pere Mila i Camps, and has an undulating facade and 2 inner courtyards. Josep Maria Jujol, 1879-1949, designed the windows and fluid wrought iron balconies and the plaster work is by Joan Beltran. The roof houses many skylights, staircase openings and chimneys, some with mosaic work, and with twisted, organic forms. The building is listed as a UNESCO World Heritage Site and is currently the headquarters of the Catalunya-La Pedrera Foundation. Picture by Manuel Cohen
    LC16_SPAIN_MC461.jpg
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