manuel cohen

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  • Jesus entry into Jerusalem, detail, lintel in sculpted Carrara marble, c. 1175, by workshop of Biduinus, Italian, from the portal of the church of San Leonardo al Frigido, near Massa, Italy, displayed in the Fuentiduena Chapel in The Cloisters, a museum specialising in European medieval architecture, sculpture and decorative arts, part of the Metropolitan Museum of Art, at Fort Tryon Park, Manhattan, New York, USA. The Cloisters collection includes Byzantine, Romanesque, Gothic and Renaissance works from 12th to 15th centuries. Picture by Manuel Cohen
    LC20_NYC_USA_MC114.jpg
  • Man of Sorrows, fresco transferred to canvas, of Christ in his tomb, c. 1370, by Niccolo di Tommaso, Italian, from a monastery in Florence, Italy, in The Cloisters, a museum specialising in European medieval architecture, sculpture and decorative arts, part of the Metropolitan Museum of Art, at Fort Tryon Park, Manhattan, New York, USA. The Cloisters collection includes Byzantine, Romanesque, Gothic and Renaissance works from 12th to 15th centuries. Picture by Manuel Cohen
    LC20_NYC_USA_MC155.jpg
  • Jesus entry into Jerusalem, lintel in sculpted Carrara marble, c. 1175, by workshop of Biduinus, Italian, from the portal of the church of San Leonardo al Frigido, near Massa, Italy, displayed in the Fuentiduena Chapel in The Cloisters, a museum specialising in European medieval architecture, sculpture and decorative arts, part of the Metropolitan Museum of Art, at Fort Tryon Park, Manhattan, New York, USA. The Cloisters collection includes Byzantine, Romanesque, Gothic and Renaissance works from 12th to 15th centuries. Picture by Manuel Cohen
    LC20_NYC_USA_MC174.jpg
  • The Temptation of Christ by the Devil, fresco transferred to canvas, c. 1129-34, Spanish, from the hermitage of San Baudelio de Berlanga, near Soria, Spain, in The Cloisters, a museum specialising in European medieval architecture, sculpture and decorative arts, part of the Metropolitan Museum of Art, at Fort Tryon Park, Manhattan, New York, USA. The painting depicts (left-right) the devil daring Christ to turn stones into bread, Satan challenging Christ to jump from the temple and an angel talking to a demon in the last temptation of Christ. The Cloisters collection includes Byzantine, Romanesque, Gothic and Renaissance works from 12th to 15th centuries. Picture by Manuel Cohen
    LC20_NYC_USA_MC173.jpg
  • Miracles of Jesus, fresco transferred to canvas, c. 1129-34, Spanish, from the hermitage of San Baudelio de Berlanga, near Soria, Spain, in The Cloisters, a museum specialising in European medieval architecture, sculpture and decorative arts, part of the Metropolitan Museum of Art, at Fort Tryon Park, Manhattan, New York, USA. The painting depicts Jesus healing a blind man who kneels at his feet, and Jesus raising Lazarus from the dead, as Mary and Martha lift the stone from his tomb. The Cloisters collection includes Byzantine, Romanesque, Gothic and Renaissance works from 12th to 15th centuries. Picture by Manuel Cohen
    LC20_NYC_USA_MC172.jpg
  • Tympanum with the Three Temptations of Christ, 1150–75, from Unciti, Navarre, Spain, in The Cloisters, a museum specialising in European medieval architecture, sculpture and decorative arts, part of the Metropolitan Museum of Art, at Fort Tryon Park, Manhattan, New York, USA. The limestone tympanum shows Jesus tempted 3 times by the devil and angels presenting him with food after the ordeal. The lintel was found in the village of Errondo and depicts angels holding a medallion of the lamb of God. The Cloisters collection includes Byzantine, Romanesque, Gothic and Renaissance works from 12th to 15th centuries. Picture by Manuel Cohen
    LC20_NYC_USA_MC113.jpg
  • Man of Sorrows, detail, fresco transferred to canvas, of Christ in his tomb, c. 1370, by Niccolo di Tommaso, Italian, from a monastery in Florence, Italy, in The Cloisters, a museum specialising in European medieval architecture, sculpture and decorative arts, part of the Metropolitan Museum of Art, at Fort Tryon Park, Manhattan, New York, USA. The Cloisters collection includes Byzantine, Romanesque, Gothic and Renaissance works from 12th to 15th centuries. Picture by Manuel Cohen
    LC20_NYC_USA_MC047.jpg
  • Arrest of Christ, tempera painting on wood, detail, 13th century, Spanish, in The Cloisters, a museum specialising in European medieval architecture, sculpture and decorative arts, part of the Metropolitan Museum of Art, at Fort Tryon Park, Manhattan, New York, USA. The Cloisters collection includes Byzantine, Romanesque, Gothic and Renaissance works from 12th to 15th centuries. Picture by Manuel Cohen
    LC20_NYC_USA_MC160.jpg
  • Virgin and child, from the Adoration of the Magi, stained glass window, c. 1290–1300, German, from the convent church at Altenberg-an-der-Lahn, near Wetzlar, Germany, in the Early Gothic Hall, in The Cloisters, a museum specialising in European medieval architecture, sculpture and decorative arts, part of the Metropolitan Museum of Art, at Fort Tryon Park, Manhattan, New York, USA. The Cloisters collection includes Byzantine, Romanesque, Gothic and Renaissance works from 12th to 15th centuries. Picture by Manuel Cohen
    LC20_NYC_USA_MC149.jpg
  • 3 kings bearing gifts, from the Adoration of the Magi, stained glass window, c. 1290–1300, German, from the convent church at Altenberg-an-der-Lahn, near Wetzlar, Germany, in the Early Gothic Hall, in The Cloisters, a museum specialising in European medieval architecture, sculpture and decorative arts, part of the Metropolitan Museum of Art, at Fort Tryon Park, Manhattan, New York, USA. The Cloisters collection includes Byzantine, Romanesque, Gothic and Renaissance works from 12th to 15th centuries. Picture by Manuel Cohen
    LC20_NYC_USA_MC147.jpg
  • Adoration of the Shepherds, 1374, by Bartolo di Fredi, active 1353-1410, central altarpiece panel, tempera with gilt on wood, from the Convent of SS Annunziata in San Gimignano, Tuscany, Italy, in The Cloisters, a museum specialising in European medieval architecture, sculpture and decorative arts, part of the Metropolitan Museum of Art, at Fort Tryon Park, Manhattan, New York, USA. The Cloisters collection includes Byzantine, Romanesque, Gothic and Renaissance works from 12th to 15th centuries. Picture by Manuel Cohen
    LC20_NYC_USA_MC133.jpg
  • Glass dish with paint and gilt, depicting Abraham and Melchizedek, 1498, by Hans of Landshut, German, in The Cloisters, a museum specialising in European medieval architecture, sculpture and decorative arts, part of the Metropolitan Museum of Art, at Fort Tryon Park, Manhattan, New York, USA. The dish depicts Abraham after a battle victory, meeting the king and high priest Melchizedek, who takes loot from him. The Cloisters collection includes Byzantine, Romanesque, Gothic and Renaissance works from 12th to 15th centuries. Picture by Manuel Cohen
    LC20_NYC_USA_MC084.JPG
  • The New Covenant, Jonah is spat out by the whale towards the gates of Nineveh, accepting orders from God to prophesy in the city (an Old Testament antetype to the Resurrection), from the stained glass window of the New Alliance, 1215-25, in bay 3, in the ambulatory of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. The New Alliance window is a typological window, drawing parallels between the Old and New Testaments, specifically with the Passion scenes of Christ carrying the cross, the Crucifixion and the Resurrection with their Old Testament antetypes. 22 of the original 25 medieval stained glass windows of the ambulatory have survived. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0060.jpg
  • The Sacrifice of Isaac, with Abraham and his son Isaac climbing the mountain, with Isaac carrying the wood in the shape of a cross (an Old Testament antetype to the Road to Calvary), the stained glass window of the New Alliance, 1215-25, in bay 3, in the ambulatory of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. The New Alliance window is a typological window, drawing parallels between the Old and New Testaments, specifically with the Passion scenes of Christ carrying the cross, the Crucifixion and the Resurrection with their Old Testament antetypes. 22 of the original 25 medieval stained glass windows of the ambulatory have survived. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0057.jpg
  • The Sacrifice of Isaac, with an angel stopping Abraham's knife and pointing to a ram, with Isaac's legs echoing the shape of a cross (an Old Testament antetype to the Road to Calvary), from the stained glass window of the New Alliance, 1215-25, in bay 3, in the ambulatory of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. The New Alliance window is a typological window, drawing parallels between the Old and New Testaments, specifically with the Passion scenes of Christ carrying the cross, the Crucifixion and the Resurrection with their Old Testament antetypes. 22 of the original 25 medieval stained glass windows of the ambulatory have survived. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0037.jpg
  • Crucifixion, with Christ on the cross flanked by Ecclesia and Synagoga, from the stained glass window of the New Alliance, 1215-25, in bay 3, in the ambulatory of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. The New Alliance window is a typological window, drawing parallels between the Old and New Testaments, specifically with the Passion scenes of Christ carrying the cross, the Crucifixion and the Resurrection with their Old Testament antetypes. 22 of the original 25 medieval stained glass windows of the ambulatory have survived. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0059.jpg
  • A butcher killing an ox, from the donor section of the stained glass window of the New Alliance, 1215-25, in bay 3, in the ambulatory of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. The New Alliance window is a typological window, drawing parallels between the Old and New Testaments, specifically with the Passion scenes of Christ carrying the cross, the Crucifixion and the Resurrection with their Old Testament antetypes. 22 of the original 25 medieval stained glass windows of the ambulatory have survived. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0036.jpg
  • A butcher at work in his shop, with a customer buying a leg of meat and an assistant bringing in a new carcass, from the donor section of the stained glass window of the New Alliance, 1215-25, in bay 3, in the ambulatory of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. The New Alliance window is a typological window, drawing parallels between the Old and New Testaments, specifically with the Passion scenes of Christ carrying the cross, the Crucifixion and the Resurrection with their Old Testament antetypes. 22 of the original 25 medieval stained glass windows of the ambulatory have survived. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0035.jpg
  • The Road to Calvary, Passion scene with Jesus carrying his cross, helped by Simon of Cyrene and a woman from Jerusalem, from the stained glass window of the New Alliance, 1215-25, in bay 3, in the ambulatory of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. The New Alliance window is a typological window, drawing parallels between the Old and New Testaments, specifically with the Passion scenes of Christ carrying the cross, the Crucifixion and the Resurrection with their Old Testament antetypes. 22 of the original 25 medieval stained glass windows of the ambulatory have survived. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0058.jpg
  • Carved capital from the nave of Vezelay Abbey church, Vezelay, Yonne, Burgundy, France. Vezelay Abbey was a Benedictine and Cluniac monastery founded in the 9th century by St Badilo, who was said to have brought back relics of Mary Magdalene from the Holy Land. The Abbey Church or Basilica of St Mary Magdalene is a 12th century Burgundian Romanesque church. The capitals in the nave were probably carved by artists from Cluny Abbey and depict biblical scenes, ancient legends and mythological creatures. This capital depicts the Mystic Mill, it shows Moses grinding grain (symbolising the Old Testament) into flour (New Testament), which Saint Paul solemnly collects in a sack. Picture by Manuel Cohen
    LC13_FRANCE_MC296.jpg
  • The evangelist Luke being carried by the old testament prophet Jeremiah, showing the continuation of the 2 bible testaments (they are the only ones to have written about the New Covenant) and the respect of the school of Chartres for the teachings of the ancients, lancet window of the South Rose window, 1221, on the Southern transept wall of Chartres Cathedral, Eure-et-Loir, France. Chartres cathedral was built 1194-1250 and is a fine example of Gothic architecture. Most of its windows date from 1205-40 although a few earlier 12th century examples are also intact. It was declared a UNESCO World Heritage Site in 1979. Picture by Manuel Cohen
    LC13_FRANCE_MC570.jpg
  • The evangelist Mark being carried by the old testament prophet Daniel, showing the continuation of the 2 bible testaments (they use the same recount of the Passion) and the respect of the school of Chartres for the teachings of the ancients, lancet window of the South Rose window, 1221, on the Southern transept wall of Chartres Cathedral, Eure-et-Loir, France. Chartres cathedral was built 1194-1250 and is a fine example of Gothic architecture. Most of its windows date from 1205-40 although a few earlier 12th century examples are also intact. It was declared a UNESCO World Heritage Site in 1979. Picture by Manuel Cohen
    LC13_FRANCE_MC566.jpg
  • The evangelist Matthew being carried by the old testament prophet Isaiah, showing the continuation of the 2 bible testaments (they use the same wording in their Incarnation stories) and the respect of the school of Chartres for the teachings of the ancients, lancet window of the South Rose window, 1221, on the Southern transept wall of Chartres Cathedral, Eure-et-Loir, France. Chartres cathedral was built 1194-1250 and is a fine example of Gothic architecture. Most of its windows date from 1205-40 although a few earlier 12th century examples are also intact. It was declared a UNESCO World Heritage Site in 1979. Picture by Manuel Cohen
    LC13_FRANCE_MC569.jpg
  • The evangelist John being carried by the old testament prophet Ezekiel, showing the continuation of the 2 bible testaments (their writings on the Resurrection are very similar) and the respect of the school of Chartres for the teachings of the ancients, lancet window of the South Rose window, 1221, on the Southern transept wall of Chartres Cathedral, Eure-et-Loir, France. Chartres cathedral was built 1194-1250 and is a fine example of Gothic architecture. Most of its windows date from 1205-40 although a few earlier 12th century examples are also intact. It was declared a UNESCO World Heritage Site in 1979. Picture by Manuel Cohen
    LC13_FRANCE_MC567.jpg
  • Christ heals the hunchback woman, mosaic from the new testament series in Monreale Cathedral or the Duomo di Monreale, built 1172-89 under King William II in Palermo, Sicily, Italy. The cathedral interior is covered in Byzantine style glass mosaics made 12th and 13th centuries depicting biblical stories. The church is a national monument and forms part of a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC19_ITALY_MC_025.jpg
  • Noli me tangere, with Jesus and Mary Magdalene after his resurrection, mosaic from the new testament series in Monreale Cathedral or the Duomo di Monreale, built 1172-89 under King William II in Palermo, Sicily, Italy. The cathedral interior is covered in Byzantine style glass mosaics made 12th and 13th centuries depicting biblical stories. The church is a national monument and forms part of a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC19_ITALY_MC_015.jpg
  • Annunciation, with the Archangel Gabriel visiting Mary, stained glass window, late 13th century, from a series of windows on the New Testament, in the Chapelle Saint Joseph, the North apse chapel of the Basilique Saint-Urbain de Troyes, or Basilica of Saint Urban of Troyes, a 13th century Gothic church in Troyes, Aube, France. The basilica was founded in 1262 under Pope Urban IV and consecrated in 1382, although the building was not completed until the 20th century. It is listed as a national monument. Picture by Manuel Cohen
    LC17_FRANCE_MC_1480.jpg
  • Marriage of the Virgin, stained glass window, late 13th century, from a series of windows on the New Testament, in the Chapelle Saint Joseph, the North apse chapel of the Basilique Saint-Urbain de Troyes, or Basilica of Saint Urban of Troyes, a 13th century Gothic church in Troyes, Aube, France. The basilica was founded in 1262 under Pope Urban IV and consecrated in 1382, although the building was not completed until the 20th century. It is listed as a national monument. Picture by Manuel Cohen
    LC17_FRANCE_MC_1459.jpg
  • Visitation, depicting Mary visiting Elizabeth, stained glass window, late 13th century, from a series of windows on the New Testament, in the Chapelle Saint Joseph, the North apse chapel of the Basilique Saint-Urbain de Troyes, or Basilica of Saint Urban of Troyes, a 13th century Gothic church in Troyes, Aube, France. The basilica was founded in 1262 under Pope Urban IV and consecrated in 1382, although the building was not completed until the 20th century. It is listed as a national monument. Picture by Manuel Cohen
    LC17_FRANCE_MC_1475.JPG
  • Visitation, depicting Mary visiting Elizabeth, stained glass window, late 13th century, from a series of windows on the New Testament, in the Chapelle Saint Joseph, the North apse chapel of the Basilique Saint-Urbain de Troyes, or Basilica of Saint Urban of Troyes, a 13th century Gothic church in Troyes, Aube, France. The basilica was founded in 1262 under Pope Urban IV and consecrated in 1382, although the building was not completed until the 20th century. It is listed as a national monument. Picture by Manuel Cohen
    LC17_FRANCE_MC_1482.jpg
  • New testament statue from the main facade of Granada Cathedral, or the Cathedral of the Incarnation, built 16th and 17th centuries in Renaissance style with Baroque elements, Granada, Andalusia, Southern Spain. Granada was listed as a UNESCO World Heritage Site in 1984. Picture by Manuel Cohen
    LC14_GRANADA_MC050.jpg
  • Sculptural detail on the Renaissance choir stalls of the North choir built 1508-19, with more than 4000 figures from the old and new testaments and scenes from the life of the Virgin, in the Basilique Cathedrale Notre-Dame d'Amiens or Cathedral Basilica of Our Lady of Amiens, built 1220-70 in Gothic style, Amiens, Picardy, France. Amiens Cathedral was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC1056.jpg
  • Reredos in the abbey church, Fontenay Abbey, Marmagne, Cote d'Or, France. This Cistercian abbey was founded by Saint Bernard of Clairvaux in 1119, built in the Romanesque style. The abbey itself housed 300 monks from 1200, but was sacked during the French Revolution. This stone carved reredos was originally the altarpiece but now sits against the wall of the apse. It dates from the 13th century and depicts scenes from the New Testament, including the crucifixion in the centre. Picture by Manuel Cohen
    LC13_FRANCE_MC246.jpg
  • Reredos in the abbey church, Fontenay Abbey, Marmagne, Cote d'Or, France. This Cistercian abbey was founded by Saint Bernard of Clairvaux in 1119, built in the Romanesque style. The abbey itself housed 300 monks from 1200, but was sacked during the French Revolution. This stone carved reredos was originally the altarpiece but now sits against the wall of the apse. It dates from the 13th century and depicts scenes from the New Testament, including the Adoration of the Magi, seen here. Picture by Manuel Cohen
    LC13_FRANCE_MC225.JPG
  • Crucifixion of St Peter, mosaic from the new testament series in Monreale Cathedral or the Duomo di Monreale, built 1172-89 under King William II in Palermo, Sicily, Italy. The cathedral interior is covered in Byzantine style glass mosaics made 12th and 13th centuries depicting biblical stories. The church is a national monument and forms part of a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC19_ITALY_MC_017.jpg
  • Angel gesturing towards Christ's empty tomb with sleeping soldiers, after his resurrection, mosaic from the new testament series in Monreale Cathedral or the Duomo di Monreale, built 1172-89 under King William II in Palermo, Sicily, Italy. The cathedral interior is covered in Byzantine style glass mosaics made 12th and 13th centuries depicting biblical stories. The church is a national monument and forms part of a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC19_ITALY_MC_016.jpg
  • Jesus' entry into Jerusalem and the Last Supper, mosaic from the new testament series in Monreale Cathedral or the Duomo di Monreale, built 1172-89 under King William II in Palermo, Sicily, Italy. On the left, Jesus rides a donkey to Jerusalem with his disciples, while people lay down their coats and onlookers wave palm fronds, on the right, Jesus and his disciples sit down for their last meal together. The cathedral interior is covered in Byzantine style glass mosaics made 12th and 13th centuries depicting biblical stories. The church is a national monument and forms part of a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC19_ITALY_MC_014.jpg
  • Jesus' entry into Jerusalem with onlookers waving palm fronds, mosaic from the new testament series in Monreale Cathedral or the Duomo di Monreale, built 1172-89 under King William II in Palermo, Sicily, Italy. The cathedral interior is covered in Byzantine style glass mosaics made 12th and 13th centuries depicting biblical stories. The church is a national monument and forms part of a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC19_ITALY_MC_013.jpg
  • The Last Supper, mosaic from the new testament series in Monreale Cathedral or the Duomo di Monreale, built 1172-89 under King William II in Palermo, Sicily, Italy. The cathedral interior is covered in Byzantine style glass mosaics made 12th and 13th centuries depicting biblical stories. The church is a national monument and forms part of a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC19_ITALY_MC_012.jpg
  • Feeding the five thousand, mosaic from the new testament series in Monreale Cathedral or the Duomo di Monreale, built 1172-89 under King William II in Palermo, Sicily, Italy. The cathedral interior is covered in Byzantine style glass mosaics made 12th and 13th centuries depicting biblical stories. The church is a national monument and forms part of a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC19_ITALY_MC_003.jpg
  • Massacre of the Innocents, with Herod, soldiers and baby boys, stained glass window, late 13th century, from a series of windows on the New Testament, in the Chapelle Saint Joseph, the North apse chapel of the Basilique Saint-Urbain de Troyes, or Basilica of Saint Urban of Troyes, a 13th century Gothic church in Troyes, Aube, France. The basilica was founded in 1262 under Pope Urban IV and consecrated in 1382, although the building was not completed until the 20th century. It is listed as a national monument. Picture by Manuel Cohen
    LC17_FRANCE_MC_1476.jpg
  • Altarpiece sculpted in wood and stone, 1862, with 6 new testament scenes, by the Duthoit brothers, in the apsidial Chapelle de la Vierge, or Chapelle de la Petite Paroisse, restored under Viollet-le-Duc in the 19th century, in the Basilique Cathedrale Notre-Dame d'Amiens or Cathedral Basilica of Our Lady of Amiens, built 1220-70 in Gothic style, Amiens, Picardy, France. The chapel was restored under Viollet le Duc in the 19th century in 13th century style. Amiens Cathedral was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC1079.jpg
  • Reredos in the abbey church, Fontenay Abbey, Marmagne, Cote d'Or, France. This Cistercian abbey was founded by Saint Bernard of Clairvaux in 1119, built in the Romanesque style. The abbey itself housed 300 monks from 1200, but was sacked during the French Revolution. This stone carved reredos was originally the altarpiece but now sits against the wall of the apse. It dates from the 13th century and depicts scenes from the New Testament, including the crucifixion seen here. Picture by Manuel Cohen
    LC13_FRANCE_MC224.JPG
  • Reredos in the abbey church, Fontenay Abbey, Marmagne, Cote d'Or, France. This Cistercian abbey was founded by Saint Bernard of Clairvaux in 1119, built in the Romanesque style. The abbey itself housed 300 monks from 1200, but was sacked during the French Revolution. This stone carved reredos was originally the altarpiece but now sits against the wall of the apse. It dates from the 13th century and depicts scenes from the New Testament, including the Nativity scene with Mary sleeping, seen here. Picture by Manuel Cohen
    LC13_FRANCE_MC226.JPG
  • L-r; Jeremiah, the prophet of the New Covenant, holding the cross foretelling Christ's Passion; Simeon, holding the Christ child in his arms during the presentation in the temple; St John the Baptist, emaciated from his time in the wilderness, carrying a sacrificial lamb, and St Peter, dressed as a Pope and standing on a rock, from the right splay of the central bay of the North Portal, built 1198-1217, Chartres Cathedral, Eure-et-Loir, France. The North Portal was the last of the 3 portals to be built at Chartres and is monumental in scale. Its sculpted works follow the theme of Redemption. Chartres cathedral was built 1194-1250 and is a fine example of Gothic architecture. It was declared a UNESCO World Heritage Site in 1979. Picture by Manuel Cohen
    LC13_FRANCE_MC592.jpg
  • Detail from the mosaic of the procession of the relics of St Mark to St Mark's Basilica, c. 1270-75, above the St Alipius Gate, a lateral portal of St Mark's Basilica, or Basilica San Marco, Venice. This is the oldest mosaic in the building and the oldest representation of the basilica. It is also thought to represent crowds celebrating the crowning of a new doge. The basilica was consecrated 1084-1117 and was originally the chapel of the Doge, becoming the city's cathedral in 1807. The city of Venice is an archipelago of 117 small islands separated by canals and linked by bridges, in the Venetian Lagoon. The historical centre of Venice is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_ITALY_MC_0046.jpg
  • Mosaic of the procession of the relics of St Mark to St Mark's Basilica, c. 1270-75, above the St Alipius Gate, a lateral portal of St Mark's Basilica, or Basilica San Marco, Venice. This is the oldest mosaic in the building and the oldest representation of the basilica. It is also thought to represent crowds celebrating the crowning of a new doge. The basilica was consecrated 1084-1117 and was originally the chapel of the Doge, becoming the city's cathedral in 1807. The city of Venice is an archipelago of 117 small islands separated by canals and linked by bridges, in the Venetian Lagoon. The historical centre of Venice is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_ITALY_MC_0102.jpg
  • Seated apostles, detail from The Sermon on the Mount, Renaissance fresco by Fra Angelico, born Guido di Pietro, c. 1395-1455, and followers, painted 1438-46 on the wall of Cell 32 in the North wing of the Dominican Convent of St Mark, now the Museo di San Marco, Florence, Tuscany, Italy. Fra Angelico painted over 40 frescoes on the walls of the convent. Jesus is depicted seated amongst the 12 apostles, preaching a sermon on how to live in righteousness, including his interpretation of the Ten Commandments and other elements from the Old Testament. Picture by Manuel Cohen
    LC17_ITALY_MC278.jpg
  • Seated apostles, including Judas with a black halo, detail from The Sermon on the Mount, Renaissance fresco by Fra Angelico, born Guido di Pietro, c. 1395-1455, and followers, painted 1438-46 on the wall of Cell 32 in the North wing of the Dominican Convent of St Mark, now the Museo di San Marco, Florence, Tuscany, Italy. Fra Angelico painted over 40 frescoes on the walls of the convent. Jesus is depicted seated amongst the 12 apostles, preaching a sermon on how to live in righteousness, including his interpretation of the Ten Commandments and other elements from the Old Testament. Picture by Manuel Cohen
    LC17_ITALY_MC284.JPG
  • The Sermon on the Mount, Renaissance fresco by Fra Angelico, born Guido di Pietro, c. 1395-1455, and followers, painted 1438-46 on the wall of Cell 32 in the North wing of the Dominican Convent of St Mark, now the Museo di San Marco, Florence, Tuscany, Italy. Fra Angelico painted over 40 frescoes on the walls of the convent. Jesus is depicted seated amongst the 12 apostles, preaching a sermon on how to live in righteousness, including his interpretation of the Ten Commandments and other elements from the Old Testament. Picture by Manuel Cohen
    LC17_ITALY_MC495.jpg
  • Seated apostle, detail from The Sermon on the Mount, Renaissance fresco by Fra Angelico, born Guido di Pietro, c. 1395-1455, and followers, painted 1438-46 on the wall of Cell 32 in the North wing of the Dominican Convent of St Mark, now the Museo di San Marco, Florence, Tuscany, Italy. Fra Angelico painted over 40 frescoes on the walls of the convent. Jesus is depicted seated amongst the 12 apostles, preaching a sermon on how to live in righteousness, including his interpretation of the Ten Commandments and other elements from the Old Testament. Picture by Manuel Cohen
    LC17_ITALY_MC268.jpg
  • Seated apostle, and behind, Judas with a black halo, detail from The Sermon on the Mount, Renaissance fresco by Fra Angelico, born Guido di Pietro, c. 1395-1455, and followers, painted 1438-46 on the wall of Cell 32 in the North wing of the Dominican Convent of St Mark, now the Museo di San Marco, Florence, Tuscany, Italy. Fra Angelico painted over 40 frescoes on the walls of the convent. Jesus is depicted seated amongst the 12 apostles, preaching a sermon on how to live in righteousness, including his interpretation of the Ten Commandments and other elements from the Old Testament. Picture by Manuel Cohen
    LC17_ITALY_MC271.jpg
  • Seated apostle, detail from The Sermon on the Mount, Renaissance fresco by Fra Angelico, born Guido di Pietro, c. 1395-1455, and followers, painted 1438-46 on the wall of Cell 32 in the North wing of the Dominican Convent of St Mark, now the Museo di San Marco, Florence, Tuscany, Italy. Fra Angelico painted over 40 frescoes on the walls of the convent. Jesus is depicted seated amongst the 12 apostles, preaching a sermon on how to live in righteousness, including his interpretation of the Ten Commandments and other elements from the Old Testament. Picture by Manuel Cohen
    LC17_ITALY_MC273.jpg
  • Seated apostle, detail from The Sermon on the Mount, Renaissance fresco by Fra Angelico, born Guido di Pietro, c. 1395-1455, and followers, painted 1438-46 on the wall of Cell 32 in the North wing of the Dominican Convent of St Mark, now the Museo di San Marco, Florence, Tuscany, Italy. Fra Angelico painted over 40 frescoes on the walls of the convent. Jesus is depicted seated amongst the 12 apostles, preaching a sermon on how to live in righteousness, including his interpretation of the Ten Commandments and other elements from the Old Testament. Picture by Manuel Cohen
    LC17_ITALY_MC276.jpg
  • Seated apostles, detail from The Sermon on the Mount, Renaissance fresco by Fra Angelico, born Guido di Pietro, c. 1395-1455, and followers, painted 1438-46 on the wall of Cell 32 in the North wing of the Dominican Convent of St Mark, now the Museo di San Marco, Florence, Tuscany, Italy. Fra Angelico painted over 40 frescoes on the walls of the convent. Jesus is depicted seated amongst the 12 apostles, preaching a sermon on how to live in righteousness, including his interpretation of the Ten Commandments and other elements from the Old Testament. Picture by Manuel Cohen
    LC17_ITALY_MC264.jpg
  • Seated apostle, detail from The Sermon on the Mount, Renaissance fresco by Fra Angelico, born Guido di Pietro, c. 1395-1455, and followers, painted 1438-46 on the wall of Cell 32 in the North wing of the Dominican Convent of St Mark, now the Museo di San Marco, Florence, Tuscany, Italy. Fra Angelico painted over 40 frescoes on the walls of the convent. Jesus is depicted seated amongst the 12 apostles, preaching a sermon on how to live in righteousness, including his interpretation of the Ten Commandments and other elements from the Old Testament. Picture by Manuel Cohen
    LC17_ITALY_MC265.jpg
  • Seated apostle, detail from The Sermon on the Mount, Renaissance fresco by Fra Angelico, born Guido di Pietro, c. 1395-1455, and followers, painted 1438-46 on the wall of Cell 32 in the North wing of the Dominican Convent of St Mark, now the Museo di San Marco, Florence, Tuscany, Italy. Fra Angelico painted over 40 frescoes on the walls of the convent. Jesus is depicted seated amongst the 12 apostles, preaching a sermon on how to live in righteousness, including his interpretation of the Ten Commandments and other elements from the Old Testament. Picture by Manuel Cohen
    LC17_ITALY_MC266.jpg
  • Seated apostle, detail from The Sermon on the Mount, Renaissance fresco by Fra Angelico, born Guido di Pietro, c. 1395-1455, and followers, painted 1438-46 on the wall of Cell 32 in the North wing of the Dominican Convent of St Mark, now the Museo di San Marco, Florence, Tuscany, Italy. Fra Angelico painted over 40 frescoes on the walls of the convent. Jesus is depicted seated amongst the 12 apostles, preaching a sermon on how to live in righteousness, including his interpretation of the Ten Commandments and other elements from the Old Testament. Picture by Manuel Cohen
    LC17_ITALY_MC267.jpg
  • Seated apostle, detail from The Sermon on the Mount, Renaissance fresco by Fra Angelico, born Guido di Pietro, c. 1395-1455, and followers, painted 1438-46 on the wall of Cell 32 in the North wing of the Dominican Convent of St Mark, now the Museo di San Marco, Florence, Tuscany, Italy. Fra Angelico painted over 40 frescoes on the walls of the convent. Jesus is depicted seated amongst the 12 apostles, preaching a sermon on how to live in righteousness, including his interpretation of the Ten Commandments and other elements from the Old Testament. Picture by Manuel Cohen
    LC17_ITALY_MC269.jpg
  • Seated apostle, and behind, Judas with a black halo, detail from The Sermon on the Mount, Renaissance fresco by Fra Angelico, born Guido di Pietro, c. 1395-1455, and followers, painted 1438-46 on the wall of Cell 32 in the North wing of the Dominican Convent of St Mark, now the Museo di San Marco, Florence, Tuscany, Italy. Fra Angelico painted over 40 frescoes on the walls of the convent. Jesus is depicted seated amongst the 12 apostles, preaching a sermon on how to live in righteousness, including his interpretation of the Ten Commandments and other elements from the Old Testament. Picture by Manuel Cohen
    LC17_ITALY_MC270.jpg
  • Seated apostles, detail from The Sermon on the Mount, Renaissance fresco by Fra Angelico, born Guido di Pietro, c. 1395-1455, and followers, painted 1438-46 on the wall of Cell 32 in the North wing of the Dominican Convent of St Mark, now the Museo di San Marco, Florence, Tuscany, Italy. Fra Angelico painted over 40 frescoes on the walls of the convent. Jesus is depicted seated amongst the 12 apostles, preaching a sermon on how to live in righteousness, including his interpretation of the Ten Commandments and other elements from the Old Testament. Picture by Manuel Cohen
    LC17_ITALY_MC272.jpg
  • Seated apostle, detail from The Sermon on the Mount, Renaissance fresco by Fra Angelico, born Guido di Pietro, c. 1395-1455, and followers, painted 1438-46 on the wall of Cell 32 in the North wing of the Dominican Convent of St Mark, now the Museo di San Marco, Florence, Tuscany, Italy. Fra Angelico painted over 40 frescoes on the walls of the convent. Jesus is depicted seated amongst the 12 apostles, preaching a sermon on how to live in righteousness, including his interpretation of the Ten Commandments and other elements from the Old Testament. Picture by Manuel Cohen
    LC17_ITALY_MC274.jpg
  • The apostle Peter, detail from The Sermon on the Mount, Renaissance fresco by Fra Angelico, born Guido di Pietro, c. 1395-1455, and followers, painted 1438-46 on the wall of Cell 32 in the North wing of the Dominican Convent of St Mark, now the Museo di San Marco, Florence, Tuscany, Italy. Fra Angelico painted over 40 frescoes on the walls of the convent. Jesus is depicted seated amongst the 12 apostles, preaching a sermon on how to live in righteousness, including his interpretation of the Ten Commandments and other elements from the Old Testament. Picture by Manuel Cohen
    LC17_ITALY_MC279.jpg
  • Jesus Christ preaching, with hand raised to heaven, detail from The Sermon on the Mount, Renaissance fresco by Fra Angelico, born Guido di Pietro, c. 1395-1455, and followers, painted 1438-46 on the wall of Cell 32 in the North wing of the Dominican Convent of St Mark, now the Museo di San Marco, Florence, Tuscany, Italy. Jesus wears robes of red, representing blood and humanity, and blue, representing divinity. Fra Angelico painted over 40 frescoes on the walls of the convent. Jesus is depicted seated amongst the 12 apostles, preaching a sermon on how to live in righteousness, including his interpretation of the Ten Commandments and other elements from the Old Testament. Picture by Manuel Cohen
    LC17_ITALY_MC280.jpg
  • Jesus Christ preaching, with hand holding a roll of paper, detail from The Sermon on the Mount, Renaissance fresco by Fra Angelico, born Guido di Pietro, c. 1395-1455, and followers, painted 1438-46 on the wall of Cell 32 in the North wing of the Dominican Convent of St Mark, now the Museo di San Marco, Florence, Tuscany, Italy. Jesus wears robes of red, representing blood and humanity, and blue, representing divinity. Fra Angelico painted over 40 frescoes on the walls of the convent. Jesus is depicted seated amongst the 12 apostles, preaching a sermon on how to live in righteousness, including his interpretation of the Ten Commandments and other elements from the Old Testament. Picture by Manuel Cohen
    LC17_ITALY_MC281.jpg
  • Hands in prayer of a seated apostle, detail from The Sermon on the Mount, Renaissance fresco by Fra Angelico, born Guido di Pietro, c. 1395-1455, and followers, painted 1438-46 on the wall of Cell 32 in the North wing of the Dominican Convent of St Mark, now the Museo di San Marco, Florence, Tuscany, Italy. Fra Angelico painted over 40 frescoes on the walls of the convent. Jesus is depicted seated amongst the 12 apostles, preaching a sermon on how to live in righteousness, including his interpretation of the Ten Commandments and other elements from the Old Testament. Picture by Manuel Cohen
    LC17_ITALY_MC283.jpg
  • Hands of the apostle Peter, detail from The Sermon on the Mount, Renaissance fresco by Fra Angelico, born Guido di Pietro, c. 1395-1455, and followers, painted 1438-46 on the wall of Cell 32 in the North wing of the Dominican Convent of St Mark, now the Museo di San Marco, Florence, Tuscany, Italy. Fra Angelico painted over 40 frescoes on the walls of the convent. Jesus is depicted seated amongst the 12 apostles, preaching a sermon on how to live in righteousness, including his interpretation of the Ten Commandments and other elements from the Old Testament. Picture by Manuel Cohen
    LC17_ITALY_MC285.jpg
  • The Sermon on the Mount, Renaissance fresco by Fra Angelico, born Guido di Pietro, c. 1395-1455, and followers, painted 1438-46 on the wall of Cell 32 in the North wing of the Dominican Convent of St Mark, now the Museo di San Marco, Florence, Tuscany, Italy. Fra Angelico painted over 40 frescoes on the walls of the convent. Jesus is depicted seated amongst the 12 apostles, preaching a sermon on how to live in righteousness, including his interpretation of the Ten Commandments and other elements from the Old Testament. Picture by Manuel Cohen
    LC17_ITALY_MC287.JPG
  • Jesus Christ preaching, with hand raised to heaven, detail from The Sermon on the Mount, Renaissance fresco by Fra Angelico, born Guido di Pietro, c. 1395-1455, and followers, painted 1438-46 on the wall of Cell 32 in the North wing of the Dominican Convent of St Mark, now the Museo di San Marco, Florence, Tuscany, Italy. Jesus wears robes of red, representing blood and humanity, and blue, representing divinity. Fra Angelico painted over 40 frescoes on the walls of the convent. Jesus is depicted seated amongst the 12 apostles, preaching a sermon on how to live in righteousness, including his interpretation of the Ten Commandments and other elements from the Old Testament. Picture by Manuel Cohen
    LC17_ITALY_MC286.jpg
  • Seated apostles, detail from The Sermon on the Mount, Renaissance fresco by Fra Angelico, born Guido di Pietro, c. 1395-1455, and followers, painted 1438-46 on the wall of Cell 32 in the North wing of the Dominican Convent of St Mark, now the Museo di San Marco, Florence, Tuscany, Italy. Fra Angelico painted over 40 frescoes on the walls of the convent. Jesus is depicted seated amongst the 12 apostles, preaching a sermon on how to live in righteousness, including his interpretation of the Ten Commandments and other elements from the Old Testament. Picture by Manuel Cohen
    LC17_ITALY_MC275.jpg
  • Seated apostles, detail from The Sermon on the Mount, Renaissance fresco by Fra Angelico, born Guido di Pietro, c. 1395-1455, and followers, painted 1438-46 on the wall of Cell 32 in the North wing of the Dominican Convent of St Mark, now the Museo di San Marco, Florence, Tuscany, Italy. Fra Angelico painted over 40 frescoes on the walls of the convent. Jesus is depicted seated amongst the 12 apostles, preaching a sermon on how to live in righteousness, including his interpretation of the Ten Commandments and other elements from the Old Testament. Picture by Manuel Cohen
    LC17_ITALY_MC277.jpg
  • Finger of Jesus Christ pointing to heaven, detail from The Sermon on the Mount, Renaissance fresco by Fra Angelico, born Guido di Pietro, c. 1395-1455, and followers, painted 1438-46 on the wall of Cell 32 in the North wing of the Dominican Convent of St Mark, now the Museo di San Marco, Florence, Tuscany, Italy. Fra Angelico painted over 40 frescoes on the walls of the convent. Jesus is depicted seated amongst the 12 apostles, preaching a sermon on how to live in righteousness, including his interpretation of the Ten Commandments and other elements from the Old Testament. Picture by Manuel Cohen
    LC17_ITALY_MC282.jpg
  • Baptism of Christ, 1578-81, detail, by Jacopo Tintoretto, 1518-94, painting on the walls of the Sala Superiore, in the Scuola Grande di San Rocco, a lay confraternity founded in 1478, based on the cult of St Roch, in San Polo in Venice, Italy. The Scuola was built 1515-60 by several architects: Bartolomeo Bon, Pietro Bon, Sante Lombardo, Antonio Scarpagnino and Giangiacomo dei Grigi. In 1564-87 Jacopo Tintoretto was commissioned to decorate the rooms with paintings of the Old and New Testaments. Picture by Manuel Cohen
    LC19_ITALY_MC_058.jpg
  • Ascent to Calvary, 1566-67, with Christ carrying the cross, by Jacopo Tintoretto, 1518-94, painting on the walls of the Sala dell'Albergo, in the Scuola Grande di San Rocco, a lay confraternity founded in 1478, based on the cult of St Roch, in San Polo in Venice, Italy. The Scuola was built 1515-60 by several architects: Bartolomeo Bon, Pietro Bon, Sante Lombardo, Antonio Scarpagnino and Giangiacomo dei Grigi. In 1564-87 Jacopo Tintoretto was commissioned to decorate the rooms with paintings of the Old and New Testaments. Picture by Manuel Cohen
    LC19_ITALY_MC_055.jpg
  • Christ before Pilate, detail, by Jacopo Tintoretto, 1518-94, painting on the walls of the Sala dell'Albergo, in the Scuola Grande di San Rocco, a lay confraternity founded in 1478, based on the cult of St Roch, in San Polo in Venice, Italy. The Scuola was built 1515-60 by several architects: Bartolomeo Bon, Pietro Bon, Sante Lombardo, Antonio Scarpagnino and Giangiacomo dei Grigi. In 1564-87 Jacopo Tintoretto was commissioned to decorate the rooms with paintings of the Old and New Testaments. Picture by Manuel Cohen
    LC19_ITALY_MC_083.jpg
  • Crucifixion, 1565, by Jacopo Tintoretto, 1518-94, in the Sala dell'Albergo, in the Scuola Grande di San Rocco, a lay confraternity founded in 1478, based on the cult of St Roch, in San Polo in Venice, Italy. The Scuola was built 1515-60 by several architects: Bartolomeo Bon, Pietro Bon, Sante Lombardo, Antonio Scarpagnino and Giangiacomo dei Grigi. In 1564-87 Jacopo Tintoretto was commissioned to decorate the rooms with paintings of the Old and New Testaments. Picture by Manuel Cohen
    LC19_ITALY_MC_052.JPG
  • Temptation of Christ, 1578-81, detail of the devil offering rocks to Jesus to turn into bread, by Jacopo Tintoretto, 1518-94, painting on the walls of the Sala Superiore, in the Scuola Grande di San Rocco, a lay confraternity founded in 1478, based on the cult of St Roch, in San Polo in Venice, Italy. The Scuola was built 1515-60 by several architects: Bartolomeo Bon, Pietro Bon, Sante Lombardo, Antonio Scarpagnino and Giangiacomo dei Grigi. In 1564-87 Jacopo Tintoretto was commissioned to decorate the rooms with paintings of the Old and New Testaments. Picture by Manuel Cohen
    LC19_ITALY_MC_075.jpg
  • Ascension, detail, 1579-81, by Jacopo Tintoretto, 1518-94, painting on the walls of the Sala Superiore, in the Scuola Grande di San Rocco, a lay confraternity founded in 1478, based on the cult of St Roch, in San Polo in Venice, Italy. The Scuola was built 1515-60 by several architects: Bartolomeo Bon, Pietro Bon, Sante Lombardo, Antonio Scarpagnino and Giangiacomo dei Grigi. In 1564-87 Jacopo Tintoretto was commissioned to decorate the rooms with paintings of the Old and New Testaments. Picture by Manuel Cohen
    LC19_ITALY_MC_073.jpg
  • Adoration of the Shepherds, 1578-81, detail of Mary, Joseph and Jesus, by Jacopo Tintoretto, 1518-94, painting on the walls of the Sala Superiore, in the Scuola Grande di San Rocco, a lay confraternity founded in 1478, based on the cult of St Roch, in San Polo in Venice, Italy. The Scuola was built 1515-60 by several architects: Bartolomeo Bon, Pietro Bon, Sante Lombardo, Antonio Scarpagnino and Giangiacomo dei Grigi. In 1564-87 Jacopo Tintoretto was commissioned to decorate the rooms with paintings of the Old and New Testaments. Picture by Manuel Cohen
    LC19_ITALY_MC_057.jpg
  • Christ healing the paralytic, or the Pool of Bethesda, detail, by Jacopo Tintoretto, 1518-94, painting on the walls of the Sala Superiore, in the Scuola Grande di San Rocco, a lay confraternity founded in 1478, based on the cult of St Roch, in San Polo in Venice, Italy. The Scuola was built 1515-60 by several architects: Bartolomeo Bon, Pietro Bon, Sante Lombardo, Antonio Scarpagnino and Giangiacomo dei Grigi. In 1564-87 Jacopo Tintoretto was commissioned to decorate the rooms with paintings of the Old and New Testaments. Picture by Manuel Cohen
    LC19_ITALY_MC_077.jpg
  • Christ healing the paralytic, or the Pool of Bethesda, detail, by Jacopo Tintoretto, 1518-94, painting on the walls of the Sala Superiore, in the Scuola Grande di San Rocco, a lay confraternity founded in 1478, based on the cult of St Roch, in San Polo in Venice, Italy. The Scuola was built 1515-60 by several architects: Bartolomeo Bon, Pietro Bon, Sante Lombardo, Antonio Scarpagnino and Giangiacomo dei Grigi. In 1564-87 Jacopo Tintoretto was commissioned to decorate the rooms with paintings of the Old and New Testaments. Picture by Manuel Cohen
    LC19_ITALY_MC_076.jpg
  • Ascension, detail of Christ being carried to Heaven by angels, 1579-81, by Jacopo Tintoretto, 1518-94, painting on the walls of the Sala Superiore, in the Scuola Grande di San Rocco, a lay confraternity founded in 1478, based on the cult of St Roch, in San Polo in Venice, Italy. The Scuola was built 1515-60 by several architects: Bartolomeo Bon, Pietro Bon, Sante Lombardo, Antonio Scarpagnino and Giangiacomo dei Grigi. In 1564-87 Jacopo Tintoretto was commissioned to decorate the rooms with paintings of the Old and New Testaments. Picture by Manuel Cohen
    LC19_ITALY_MC_072.jpg
  • Ascension, detail, 1579-81, by Jacopo Tintoretto, 1518-94, painting on the walls of the Sala Superiore, in the Scuola Grande di San Rocco, a lay confraternity founded in 1478, based on the cult of St Roch, in San Polo in Venice, Italy. The Scuola was built 1515-60 by several architects: Bartolomeo Bon, Pietro Bon, Sante Lombardo, Antonio Scarpagnino and Giangiacomo dei Grigi. In 1564-87 Jacopo Tintoretto was commissioned to decorate the rooms with paintings of the Old and New Testaments. Picture by Manuel Cohen
    LC19_ITALY_MC_071.jpg
  • Ascent to Calvary, 1566-67, detail, with Christ carrying the cross, by Jacopo Tintoretto, 1518-94, painting on the walls of the Sala dell'Albergo, in the Scuola Grande di San Rocco, a lay confraternity founded in 1478, based on the cult of St Roch, in San Polo in Venice, Italy. The Scuola was built 1515-60 by several architects: Bartolomeo Bon, Pietro Bon, Sante Lombardo, Antonio Scarpagnino and Giangiacomo dei Grigi. In 1564-87 Jacopo Tintoretto was commissioned to decorate the rooms with paintings of the Old and New Testaments. Picture by Manuel Cohen
    LC19_ITALY_MC_056.jpg
  • Ecce homo, 1566-67, detail, by Jacopo Tintoretto, 1518-94, painting on the walls of the Sala dell'Albergo, in the Scuola Grande di San Rocco, a lay confraternity founded in 1478, based on the cult of St Roch, in San Polo in Venice, Italy. The Scuola was built 1515-60 by several architects: Bartolomeo Bon, Pietro Bon, Sante Lombardo, Antonio Scarpagnino and Giangiacomo dei Grigi. In 1564-87 Jacopo Tintoretto was commissioned to decorate the rooms with paintings of the Old and New Testaments. Picture by Manuel Cohen
    LC19_ITALY_MC_054.jpg
  • Christ before Pilate, detail, by Jacopo Tintoretto, 1518-94, painting on the walls of the Sala dell'Albergo, in the Scuola Grande di San Rocco, a lay confraternity founded in 1478, based on the cult of St Roch, in San Polo in Venice, Italy. The Scuola was built 1515-60 by several architects: Bartolomeo Bon, Pietro Bon, Sante Lombardo, Antonio Scarpagnino and Giangiacomo dei Grigi. In 1564-87 Jacopo Tintoretto was commissioned to decorate the rooms with paintings of the Old and New Testaments. Picture by Manuel Cohen
    LC19_ITALY_MC_053.jpg
  • View from the front, Door of the Holy Birth, New Cathedral, Salamanca, Spain, pictured on December 18, 2010 in the afternoon. Scenes of the Nativity and Epiphany are carved in relief above the doors in the elaborately decorated facade. Salamanca, Spain's most important University city,  has two adjoining Cathedrals, Old and New. The old Romanesque Cathedral was begun in the 12th century, and the new in the 16th century. Its style was designed to be Gothic rather than Renaissance in keeping with its older neighbour, but building continued over several centuries and a Baroque cupola was added in the 18th century. Restoration was necessary after the great Lisbon earthquake, 1755. Picture by Manuel Cohen
    LCSPAIN10_MC012.jpg
  • Detail of carving above the Door of the Holy Birth, New Cathedral, Salamanca, Spain, pictured on December 18, 2010 in the afternoon. Scenes of the Nativity and Epiphany are carved in relief above the doors in the elaborately decorated facade. Salamanca, Spain's most important University city,  has two adjoining Cathedrals, Old and New. The old Romanesque Cathedral was begun in the 12th century, and the new in the 16th century. Its style was designed to be Gothic rather than Renaissance in keeping with its older neighbour, but building continued over several centuries and a Baroque cupola was added in the 18th century. Restoration was necessary after the great Lisbon earthquake, 1755. Picture by Manuel Cohen
    LCSPAIN10_MC013.jpg
  • Low angle view of Ramos Door, New Cathedral, Salamanca, Spain, pictured on December 18, 2010 at midday. The 16th century Tympanum above the Palm Door is carved with a relief by Juan Rodriguez showing Jesus entering Jerusalem. Salamanca, Spain's most important University city,  has two adjoining Cathedrals, Old and New. The old Romanesque Cathedral was begun in the 12th century, and the new in the 16th century. Its style was designed to be Gothic rather than Renaissance in keeping with its older neighbour, but building continued over several centuries and a Baroque cupola was added in the 18th century. Restoration was necessary after the great Lisbon earthquake, 1755. Picture by Manuel Cohen
    LCSPAIN10_MC011.jpg
  • The measuring of the New Jerusalem, with an angel giving a measuring stick to St John before the city, detail of the sixth piece depicting the New Jerusalem, from the Tenture de l'Apocalypse or Apocalypse Tapestry, made 1373-82 by Nicolas Bataille in the workshop of Robert Poincon after preparatory drawings by Hennequin de Bruges, in the Musee de la Tapisserie de l'Apocalypse, in the Chateau d'Angers, Angers, Maine-et-Loire, France. The helmet (centre) is known as a chapel de fer. The tapestry was commissioned by Louis I duc d'Anjou and depicts the Apocalypse of John. It measures 140m and is divided into 6 pieces with 90 scenes. Although bequeathed to Angers Cathedral by King Rene in the 15th century, the tapestry was reconstructed and restored in the 19th century, listed as a historic monument and exhibited in the castle. Picture by Manuel Cohen
    LC21_FRANCE_MC_0432.jpg
  • The New Jerusalem, with the holy city floating down from heaven, God and St John, detail of the sixth piece depicting the New Jerusalem, from the Tenture de l'Apocalypse or Apocalypse Tapestry, made 1373-82 by Nicolas Bataille in the workshop of Robert Poincon after preparatory drawings by Hennequin de Bruges, in the Musee de la Tapisserie de l'Apocalypse, in the Chateau d'Angers, Angers, Maine-et-Loire, France. The helmet (centre) is known as a chapel de fer. The tapestry was commissioned by Louis I duc d'Anjou and depicts the Apocalypse of John. It measures 140m and is divided into 6 pieces with 90 scenes. Although bequeathed to Angers Cathedral by King Rene in the 15th century, the tapestry was reconstructed and restored in the 19th century, listed as a historic monument and exhibited in the castle. Picture by Manuel Cohen
    LC21_FRANCE_MC_0431.jpg
  • Song of the new song, or Ascension of the Lamb of God, with 24 Elders of the church, St John, evangelist symbols, angel and lamb, detail of the fourth piece depicting the 3 Angels, from the Tenture de l'Apocalypse or Apocalypse Tapestry, made 1373-82 by Nicolas Bataille in the workshop of Robert Poincon after preparatory drawings by Hennequin de Bruges, in the Musee de la Tapisserie de l'Apocalypse, in the Chateau d'Angers, Angers, Maine-et-Loire, France. The tapestry was commissioned by Louis I duc d'Anjou and depicts the Apocalypse of John. It measures 140m and is divided into 6 pieces with 90 scenes. Although bequeathed to Angers Cathedral by King Rene in the 15th century, the tapestry was reconstructed and restored in the 19th century, listed as a historic monument and exhibited in the castle. Picture by Manuel Cohen
    LC21_FRANCE_MC_0652.jpg
  • Song of the new song, or Ascension of the Lamb of God, with 24 Elders of the church, St John, evangelist symbols, angel and lamb, detail of the fourth piece depicting the 3 Angels, from the Tenture de l'Apocalypse or Apocalypse Tapestry, made 1373-82 by Nicolas Bataille in the workshop of Robert Poincon after preparatory drawings by Hennequin de Bruges, in the Musee de la Tapisserie de l'Apocalypse, in the Chateau d'Angers, Angers, Maine-et-Loire, France. The tapestry was commissioned by Louis I duc d'Anjou and depicts the Apocalypse of John. It measures 140m and is divided into 6 pieces with 90 scenes. Although bequeathed to Angers Cathedral by King Rene in the 15th century, the tapestry was reconstructed and restored in the 19th century, listed as a historic monument and exhibited in the castle. Picture by Manuel Cohen
    Pano_CC_2372_CC_2373.jpg
  • Christ on horseback killing the damned with a sword and birds eating the flesh, from Beasts thrown into the Lake of Fire and Brimstone, detail of the sixth piece depicting the New Jerusalem, from the Tenture de l'Apocalypse or Apocalypse Tapestry, made 1373-82 by Nicolas Bataille in the workshop of Robert Poincon after preparatory drawings by Hennequin de Bruges, in the Musee de la Tapisserie de l'Apocalypse, in the Chateau d'Angers, Angers, Maine-et-Loire, France. The tapestry was commissioned by Louis I duc d'Anjou and depicts the Apocalypse of John. It measures 140m and is divided into 6 pieces with 90 scenes. Although bequeathed to Angers Cathedral by King Rene in the 15th century, the tapestry was reconstructed and restored in the 19th century, listed as a historic monument and exhibited in the castle. Picture by Manuel Cohen
    LC21_FRANCE_MC_0429.jpg
  • People defending the city gates, detail from Satan besieging the City, with the dragon leaving the Leviathan with his army and fire raining down on Satan from heaven, detail of the sixth piece depicting the New Jerusalem, from the Tenture de l'Apocalypse or Apocalypse Tapestry, made 1373-82 by Nicolas Bataille in the workshop of Robert Poincon after preparatory drawings by Hennequin de Bruges, in the Musee de la Tapisserie de l'Apocalypse, in the Chateau d'Angers, Angers, Maine-et-Loire, France. The tapestry was commissioned by Louis I duc d'Anjou and depicts the Apocalypse of John. It measures 140m and is divided into 6 pieces with 90 scenes. Although bequeathed to Angers Cathedral by King Rene in the 15th century, the tapestry was reconstructed and restored in the 19th century, listed as a historic monument and exhibited in the castle. Picture by Manuel Cohen
    LC21_FRANCE_MC_0658.jpg
  • The measuring of the New Jerusalem, with an angel giving a measuring stick to St John before the city, detail of the sixth piece depicting the New Jerusalem, from the Tenture de l'Apocalypse or Apocalypse Tapestry, made 1373-82 by Nicolas Bataille in the workshop of Robert Poincon after preparatory drawings by Hennequin de Bruges, in the Musee de la Tapisserie de l'Apocalypse, in the Chateau d'Angers, Angers, Maine-et-Loire, France. The helmet (centre) is known as a chapel de fer. The tapestry was commissioned by Louis I duc d'Anjou and depicts the Apocalypse of John. It measures 140m and is divided into 6 pieces with 90 scenes. Although bequeathed to Angers Cathedral by King Rene in the 15th century, the tapestry was reconstructed and restored in the 19th century, listed as a historic monument and exhibited in the castle. Picture by Manuel Cohen
    _CC_2436.jpg
  • The New Jerusalem, with the holy city floating down from heaven, God and St John, detail of the sixth piece depicting the New Jerusalem, from the Tenture de l'Apocalypse or Apocalypse Tapestry, made 1373-82 by Nicolas Bataille in the workshop of Robert Poincon after preparatory drawings by Hennequin de Bruges, in the Musee de la Tapisserie de l'Apocalypse, in the Chateau d'Angers, Angers, Maine-et-Loire, France. The helmet (centre) is known as a chapel de fer. The tapestry was commissioned by Louis I duc d'Anjou and depicts the Apocalypse of John. It measures 140m and is divided into 6 pieces with 90 scenes. Although bequeathed to Angers Cathedral by King Rene in the 15th century, the tapestry was reconstructed and restored in the 19th century, listed as a historic monument and exhibited in the castle. Picture by Manuel Cohen
    _CC_2426.jpg
  • The Word of God charges the Beasts, with the word of God personified wearing a blue cloak, sword raised, charging at the beasts and their armies, and St John, detail of the sixth piece depicting the New Jerusalem, from the Tenture de l'Apocalypse or Apocalypse Tapestry, made 1373-82 by Nicolas Bataille in the workshop of Robert Poincon after preparatory drawings by Hennequin de Bruges, in the Musee de la Tapisserie de l'Apocalypse, in the Chateau d'Angers, Angers, Maine-et-Loire, France. The tapestry was commissioned by Louis I duc d'Anjou and depicts the Apocalypse of John. It measures 140m and is divided into 6 pieces with 90 scenes. Although bequeathed to Angers Cathedral by King Rene in the 15th century, the tapestry was reconstructed and restored in the 19th century, listed as a historic monument and exhibited in the castle. Picture by Manuel Cohen
    LC21_FRANCE_MC_0425.jpg
  • River flowing from the Throne of God, with St John following the river to reach paradise, and God in a rainbow mandorla, detail of the sixth piece depicting the New Jerusalem, from the Tenture de l'Apocalypse or Apocalypse Tapestry, made 1373-82 by Nicolas Bataille in the workshop of Robert Poincon after preparatory drawings by Hennequin de Bruges, in the Musee de la Tapisserie de l'Apocalypse, in the Chateau d'Angers, Angers, Maine-et-Loire, France. The helmet (centre) is known as a chapel de fer. The tapestry was commissioned by Louis I duc d'Anjou and depicts the Apocalypse of John. It measures 140m and is divided into 6 pieces with 90 scenes. Although bequeathed to Angers Cathedral by King Rene in the 15th century, the tapestry was reconstructed and restored in the 19th century, listed as a historic monument and exhibited in the castle. Picture by Manuel Cohen
    LC21_FRANCE_MC_0437.jpg
  • Beasts and their armies, from The Word of God charges the Beasts, detail of the sixth piece depicting the New Jerusalem, from the Tenture de l'Apocalypse or Apocalypse Tapestry, made 1373-82 by Nicolas Bataille in the workshop of Robert Poincon after preparatory drawings by Hennequin de Bruges, in the Musee de la Tapisserie de l'Apocalypse, in the Chateau d'Angers, Angers, Maine-et-Loire, France. The helmet (centre) is known as a chapel de fer. The tapestry was commissioned by Louis I duc d'Anjou and depicts the Apocalypse of John. It measures 140m and is divided into 6 pieces with 90 scenes. Although bequeathed to Angers Cathedral by King Rene in the 15th century, the tapestry was reconstructed and restored in the 19th century, listed as a historic monument and exhibited in the castle. Picture by Manuel Cohen
    LC21_FRANCE_MC_0428.jpg
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