manuel cohen

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  • Metalwork details of oak branches in the Hall, 4 storeys high and topped with a pinnacled dome made from glass and a self-supporting steel structure, in the registered head office of Societe Generale, at 29 Boulevard Haussmann in the 9th arrondissement of Paris, France. Interior bronzes were produced by the House of Christofle and ironworks cast at Roescher. The bank was founded in 1864 and these buildings were transformed 1906-12 by Jacques Hermant, and in use from 1915. Societe Generale remains one of the largest banks in the world, although its headquarters are now at La Defense. The Haussmann building is listed as a historic monument. Picture by Manuel Cohen
    LC18_SOCIETEGENERALE_MC_013.jpg
  • Metalwork medallion inscribed with a menorah and Hebrew text, in the Centro Cultural y Museo Casa de Sefarad, a museum and cultural centre opened 2006 in the Jewish quarter of Cordoba, Andalusia, Southern Spain. The historic centre of Cordoba is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_SPAIN_MC349.jpg
  • Exhibition of manufactured metalwork, at the Parc Metallurgique or Metallurgic Park, an interpretation centre for ancient and contemporary metallurgy, formerly the upper factory at Dommartin-le-Franc, in the Blaise valley, Haute-Marne, Grand Est, France. Picture by Manuel Cohen
    LC21_FRANCE_MC_1859.jpg
  • Metalworking tools in the Soleil Rouge workshop of Nicolas Desbons, metalworker and artist, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC068.JPG
  • Metalworking tools in the Soleil Rouge workshop of Nicolas Desbons, metalworker and artist, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC068.JPG
  • Art deco entrance door to apartment block at 11 rue des Remparts la Real, built 1933, by Ferid Muchir and Alfred Joffre, in Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. The architects have used geometric shapes in stained wood and metalwork. Picture by Manuel Cohen
    LC20_FRANCE_MC_1320.jpg
  • Mathieu Bonnemaison, a blacksmith, at work hammering and shaping metal on an anvil in the forge at the Chateau de Guedelon, a castle built since 1997 using only medieval materials and processes, photographed in 2017, in Treigny, Yonne, Burgundy, France. In the forge, the site's blacksmiths repair and manufacture all the metalwork needed for the project, including chisels, axes, adzes, gates and hinges. The Guedelon project was begun in 1997 by Michel Guyot, owner of the nearby Chateau de Saint-Fargeau, with architect Jacques Moulin. It is an educational and scientific project with the aim of understanding medieval building techniques and the chateau should be completed in the 2020s. Picture by Manuel Cohen
    LC17_FRANCE_MC_1303.jpg
  • Column, detail, with metalwork decoration, from the bedroom floor at Palau Guell, a catalan Modernist mansion designed by Antoni Gaudi, 1852-1926, built 1886-88 for Eusebi Guell, on the Carrer Nou de la Rambla, in El Raval, Barcelona, Catalonia, Spain. The building is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC20_SPAIN_MC_1069.jpg
  • Light, in metalwork and stained glass, including a dragon and acanthus leaves, in the Casa Amatller, a catalan Modernisme style building by Josep Puig i Cadafalch, built 1898-1900 as a home for chocolatier Antoni Amatller, on the Passeig de Gracia in the Illa de la Discordia district of Barcelona, Catalonia, Spain. Picture by Manuel Cohen
    LC20_SPAIN_MC_1035.JPG
  • Apartment building at 29, Rue des Remparts la Real, built 1936, by A Mary, in Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. This building looks to traditional building methods and celebrates them in quality work with brick, marble, stone and metalwork. Picture by Manuel Cohen
    LC20_FRANCE_MC_1321.jpg
  • Mathieu Bonnemaison, a blacksmith, at work hammering metal on an anvil in the forge at the Chateau de Guedelon, a castle built since 1997 using only medieval materials and processes, photographed in 2017, in Treigny, Yonne, Burgundy, France. In the forge, the site's blacksmiths repair and manufacture all the metalwork needed for the project, including chisels, axes, adzes, gates and hinges. The Guedelon project was begun in 1997 by Michel Guyot, owner of the nearby Chateau de Saint-Fargeau, with architect Jacques Moulin. It is an educational and scientific project with the aim of understanding medieval building techniques and the chateau should be completed in the 2020s. Picture by Manuel Cohen
    LC17_FRANCE_MC_1305.jpg
  • Mathieu Bonnemaison, a blacksmith, at work hammering and shaping metal on an anvil in the forge at the Chateau de Guedelon, a castle built since 1997 using only medieval materials and processes, photographed in 2017, in Treigny, Yonne, Burgundy, France. In the forge, the site's blacksmiths repair and manufacture all the metalwork needed for the project, including chisels, axes, adzes, gates and hinges. The Guedelon project was begun in 1997 by Michel Guyot, owner of the nearby Chateau de Saint-Fargeau, with architect Jacques Moulin. It is an educational and scientific project with the aim of understanding medieval building techniques and the chateau should be completed in the 2020s. Picture by Manuel Cohen
    LC17_FRANCE_MC_1302.jpg
  • Detail of the metalwork in circles on the reliquary of Saint Pierre Aumaitre, with a fragment of his femur on a pink cushion, by Cat-Berro, Orleans, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0341.jpg
  • Architectural detail of the door of the Puerta del Perdon or Door of Forgiveness, built 1377 and renovated 17th century, one of the North facade entrances to the Cathedral-Great Mosque of Cordoba, on the Calle Cardenal Herrero in Cordoba, Andalusia, Southern Spain. This is a fine example of Mamluk metalwork, with a geometric pattern of hexagonal metal plaques and stars. The first church built here by the Visigoths in the 7th century was split in half by the Moors, becoming half church, half mosque. In 784, the Great Mosque of Cordoba was begun in its place and developed over 200 years, but in 1236 it was converted into a catholic church, with a Renaissance cathedral nave built in the 16th century. The historic centre of Cordoba is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_SPAIN_MC340.jpg
  • Lithography stones of plans for metalwork, used for printing, exhibited at the Parc Metallurgique or Metallurgic Park, an interpretation centre for ancient and contemporary metallurgy, formerly the upper factory at Dommartin-le-Franc, in the Blaise valley, Haute-Marne, Grand Est, France. Picture by Manuel Cohen
    LC21_FRANCE_MC_1860.jpg
  • Mathieu Bonnemaison, a blacksmith, at work at the furnace in the forge at the Chateau de Guedelon, a castle built since 1997 using only medieval materials and processes, photographed in 2017, in Treigny, Yonne, Burgundy, France. In the forge, the site's blacksmiths repair and manufacture all the metalwork needed for the project, including chisels, axes, adzes, gates and hinges. The Guedelon project was begun in 1997 by Michel Guyot, owner of the nearby Chateau de Saint-Fargeau, with architect Jacques Moulin. It is an educational and scientific project with the aim of understanding medieval building techniques and the chateau should be completed in the 2020s. Picture by Manuel Cohen
    LC17_FRANCE_MC_1308.jpg
  • Mathieu Bonnemaison, a blacksmith, at work hammering and shaping metal on an anvil in the forge at the Chateau de Guedelon, a castle built since 1997 using only medieval materials and processes, photographed in 2017, in Treigny, Yonne, Burgundy, France. In the forge, the site's blacksmiths repair and manufacture all the metalwork needed for the project, including chisels, axes, adzes, gates and hinges. The Guedelon project was begun in 1997 by Michel Guyot, owner of the nearby Chateau de Saint-Fargeau, with architect Jacques Moulin. It is an educational and scientific project with the aim of understanding medieval building techniques and the chateau should be completed in the 2020s. Picture by Manuel Cohen
    LC17_FRANCE_MC_1301.jpg
  • Various examples of stamped decoration in the Forge, at the Chateau de Guedelon, a castle built since 1997 using only medieval materials and processes, photographed in 2017, in Treigny, Yonne, Burgundy, France. In the forge, the site's blacksmiths repair and manufacture all the metalwork needed for the project, including chisels, axes, adzes, gates and hinges. The Guedelon project was begun in 1997 by Michel Guyot, owner of the nearby Chateau de Saint-Fargeau, with architect Jacques Moulin. It is an educational and scientific project with the aim of understanding medieval building techniques and the chateau should be completed in the 2020s. Picture by Manuel Cohen
    LC17_FRANCE_MC_1283.jpg
  • Tools in the Forge, including a brush, chains, links and a poker, at the Chateau de Guedelon, a castle built since 1997 using only medieval materials and processes, photographed in 2017, in Treigny, Yonne, Burgundy, France. In the forge, the site's blacksmiths repair and manufacture all the metalwork needed for the project, including chisels, axes, adzes, gates and hinges. The Guedelon project was begun in 1997 by Michel Guyot, owner of the nearby Chateau de Saint-Fargeau, with architect Jacques Moulin. It is an educational and scientific project with the aim of understanding medieval building techniques and the chateau should be completed in the 2020s. Picture by Manuel Cohen
    LC17_FRANCE_MC_1282.jpg
  • Philippe Picard, blacksmith at the Guedelon project since 02/03/2015, wearing medieval costume and holding a hammer and pincers, at the Chateau de Guedelon, a castle built since 1997 using only medieval materials and processes, in Treigny, Yonne, Burgundy, France. The blacksmith works in the forge, and repairs and manufactures all the metalwork needed for the project, including chisels, axes, adzes, gates and hinges. The Guedelon project was begun in 1997 by Michel Guyot, owner of the nearby Chateau de Saint-Fargeau, with architect Jacques Moulin. It is an educational and scientific project with the aim of understanding medieval building techniques and the chateau should be completed in the 2020s. Picture by Manuel Cohen
    19052017_GuedelonPortraits_MC012.jpg
  • Philippe Picard, blacksmith at the Guedelon project since 02/03/2015, wearing medieval costume and holding a hammer and pincers, at the Chateau de Guedelon, a castle built since 1997 using only medieval materials and processes, in Treigny, Yonne, Burgundy, France. The blacksmith works in the forge, and repairs and manufactures all the metalwork needed for the project, including chisels, axes, adzes, gates and hinges. The Guedelon project was begun in 1997 by Michel Guyot, owner of the nearby Chateau de Saint-Fargeau, with architect Jacques Moulin. It is an educational and scientific project with the aim of understanding medieval building techniques and the chateau should be completed in the 2020s. Picture by Manuel Cohen
    19052017_GuedelonPortraits_MC011.jpg
  • Detail of the metalwork on top of the reliquary of Saint Pierre Aumaitre, by Cat-Berro, Orleans, with leadwork of a stained glass window behind, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0342.jpg
  • Keyhole and lock with detailed metalwork, on the door of the main entrance to the Joanina Library, or Biblioteca Joanina, a Baroque library built 1717-28 by Gaspar Ferreira, part of the University of Coimbra General Library, in Coimbra, Portugal. The Casa da Livraria was built during the reign of King John V or Joao V, and consists of the Green Room, Red Room and Black Room, with 250,000 books dating from the 16th - 18th centuries. The library is part of the Faculty of Law and the University is housed in the buildings of the Royal Palace of Coimbra. The building is classified as a national monument and UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_PORTUGAL_MC_080.jpg
  • Mathieu Bonnemaison, a blacksmith, at work at the furnace in the forge at the Chateau de Guedelon, a castle built since 1997 using only medieval materials and processes, photographed in 2017, in Treigny, Yonne, Burgundy, France. In the forge, the site's blacksmiths repair and manufacture all the metalwork needed for the project, including chisels, axes, adzes, gates and hinges. The Guedelon project was begun in 1997 by Michel Guyot, owner of the nearby Chateau de Saint-Fargeau, with architect Jacques Moulin. It is an educational and scientific project with the aim of understanding medieval building techniques and the chateau should be completed in the 2020s. Picture by Manuel Cohen
    LC17_FRANCE_MC_1307.jpg
  • Mathieu Bonnemaison, a blacksmith, at work hammering and shaping metal on an anvil in the forge at the Chateau de Guedelon, a castle built since 1997 using only medieval materials and processes, photographed in 2017, in Treigny, Yonne, Burgundy, France. In the forge, the site's blacksmiths repair and manufacture all the metalwork needed for the project, including chisels, axes, adzes, gates and hinges. The Guedelon project was begun in 1997 by Michel Guyot, owner of the nearby Chateau de Saint-Fargeau, with architect Jacques Moulin. It is an educational and scientific project with the aim of understanding medieval building techniques and the chateau should be completed in the 2020s. Picture by Manuel Cohen
    LC17_FRANCE_MC_1306.jpg
  • Mathieu Bonnemaison, a blacksmith, at work hammering and shaping metal on an anvil in the forge at the Chateau de Guedelon, a castle built since 1997 using only medieval materials and processes, photographed in 2017, in Treigny, Yonne, Burgundy, France. In the forge, the site's blacksmiths repair and manufacture all the metalwork needed for the project, including chisels, axes, adzes, gates and hinges. The Guedelon project was begun in 1997 by Michel Guyot, owner of the nearby Chateau de Saint-Fargeau, with architect Jacques Moulin. It is an educational and scientific project with the aim of understanding medieval building techniques and the chateau should be completed in the 2020s. Picture by Manuel Cohen
    LC17_FRANCE_MC_1304.jpg
  • Pliers and pincers in the Forge, at the Chateau de Guedelon, a castle built since 1997 using only medieval materials and processes, photographed in 2017, in Treigny, Yonne, Burgundy, France. In the forge, the site's blacksmiths repair and manufacture all the metalwork needed for the project, including chisels, axes, adzes, gates and hinges. The Guedelon project was begun in 1997 by Michel Guyot, owner of the nearby Chateau de Saint-Fargeau, with architect Jacques Moulin. It is an educational and scientific project with the aim of understanding medieval building techniques and the chateau should be completed in the 2020s. Picture by Manuel Cohen
    LC17_FRANCE_MC_1278.jpg
  • Hammer, wire brush and an anvil in the Forge, with pincers and pliers on the wall behind, at the Chateau de Guedelon, a castle built since 1997 using only medieval materials and processes, photographed in 2017, in Treigny, Yonne, Burgundy, France. In the forge, the site's blacksmiths repair and manufacture all the metalwork needed for the project, including chisels, axes, adzes, gates and hinges. The Guedelon project was begun in 1997 by Michel Guyot, owner of the nearby Chateau de Saint-Fargeau, with architect Jacques Moulin. It is an educational and scientific project with the aim of understanding medieval building techniques and the chateau should be completed in the 2020s. Picture by Manuel Cohen
    LC17_FRANCE_MC_1277.jpg
  • Coffered wooden door with central metalwork design, detail, leading to the first floor living rooms, in the Palau Baro de Quadras, a mansion remodelled 1904-6 in catalan Modernisme style by Josep Puig i Cadafalch, 1867-1956, between the Avinguda Diagonal and Carrer Rossello, in Barcelona, Catalonia, Spain. The house was commissioned by Manuel Quadras i Feliu of the Quadras textile family. The building now houses the Institut Ramon Llull, which promotes catalan language and culture. Picture by Manuel Cohen
    LC20_SPAIN_MC_0996.jpg
  • Silver chalice, 8th century, from Reerasta, Ardagh, County Limerick, used for drinking the consecrated wine during mass, in the National Museum of Ireland – Archaeology, a branch of the National Museum Of Ireland, opened 1890, on Kildare St in Dublin, Ireland. Most medieval metalwork was produced for use in the church. Although based on late Roman tableware, the design of this piece is recognisably Irish. Picture by Manuel Cohen
    LC18_Ireland_MC_035.jpg
  • Nails, in the Forge, at the Chateau de Guedelon, a castle built since 1997 using only medieval materials and processes, photographed in 2017, in Treigny, Yonne, Burgundy, France. In the forge, the site's blacksmiths repair and manufacture all the metalwork needed for the project, including chisels, axes, adzes, gates and hinges. The Guedelon project was begun in 1997 by Michel Guyot, owner of the nearby Chateau de Saint-Fargeau, with architect Jacques Moulin. It is an educational and scientific project with the aim of understanding medieval building techniques and the chateau should be completed in the 2020s. Picture by Manuel Cohen
    LC17_FRANCE_MC_1281.jpg
  • Pliers and pincers in the Forge, at the Chateau de Guedelon, a castle built since 1997 using only medieval materials and processes, photographed in 2017, in Treigny, Yonne, Burgundy, France. In the forge, the site's blacksmiths repair and manufacture all the metalwork needed for the project, including chisels, axes, adzes, gates and hinges. The Guedelon project was begun in 1997 by Michel Guyot, owner of the nearby Chateau de Saint-Fargeau, with architect Jacques Moulin. It is an educational and scientific project with the aim of understanding medieval building techniques and the chateau should be completed in the 2020s. Picture by Manuel Cohen
    LC17_FRANCE_MC_1280.jpg
  • Tools, including hammers and a brush, at the Forge, at the Chateau de Guedelon, a castle built since 1997 using only medieval materials and processes, photographed in 2017, in Treigny, Yonne, Burgundy, France. In the forge, the site's blacksmiths repair and manufacture all the metalwork needed for the project, including chisels, axes, adzes, gates and hinges. The Guedelon project was begun in 1997 by Michel Guyot, owner of the nearby Chateau de Saint-Fargeau, with architect Jacques Moulin. It is an educational and scientific project with the aim of understanding medieval building techniques and the chateau should be completed in the 2020s. Picture by Manuel Cohen
    LC17_FRANCE_MC_1279.jpg
  • Nails in the Forge, at the Chateau de Guedelon, a castle built since 1997 using only medieval materials and processes, photographed in 2017, in Treigny, Yonne, Burgundy, France. In the forge, the site's blacksmiths repair and manufacture all the metalwork needed for the project, including chisels, axes, adzes, gates and hinges. The Guedelon project was begun in 1997 by Michel Guyot, owner of the nearby Chateau de Saint-Fargeau, with architect Jacques Moulin. It is an educational and scientific project with the aim of understanding medieval building techniques and the chateau should be completed in the 2020s. Picture by Manuel Cohen
    LC17_FRANCE_MC_1275.jpg
  • Trowel, files, chisels and stone cutting tools in the Forge, at the Chateau de Guedelon, a castle built since 1997 using only medieval materials and processes, photographed in 2017, in Treigny, Yonne, Burgundy, France. In the forge, the site's blacksmiths repair and manufacture all the metalwork needed for the project, including chisels, axes, adzes, gates and hinges. The Guedelon project was begun in 1997 by Michel Guyot, owner of the nearby Chateau de Saint-Fargeau, with architect Jacques Moulin. It is an educational and scientific project with the aim of understanding medieval building techniques and the chateau should be completed in the 2020s. Picture by Manuel Cohen
    LC17_FRANCE_MC_1274.jpg
  • Philippe Picard, blacksmith at the Guedelon project since 02/03/2015, wearing medieval costume and holding a hammer and pincers, at the Chateau de Guedelon, a castle built since 1997 using only medieval materials and processes, in Treigny, Yonne, Burgundy, France. The blacksmith works in the forge, and repairs and manufactures all the metalwork needed for the project, including chisels, axes, adzes, gates and hinges. The Guedelon project was begun in 1997 by Michel Guyot, owner of the nearby Chateau de Saint-Fargeau, with architect Jacques Moulin. It is an educational and scientific project with the aim of understanding medieval building techniques and the chateau should be completed in the 2020s. Picture by Manuel Cohen
    19052017_GuedelonPortraits_MC014.jpg
  • Metalwork grill with ivy leaves on the gate separating the Central courtyard, known as the Cour de Travail or Cour Louis XIV,  from the Salle des Convers or lay brothers' refectory, at Fontfroide Abbey or l'Abbaye Sainte-Marie de Fontfroide, at Narbonne, Languedoc-Roussillon, Occitanie, France. Founded by the Viscount of Narbonne in 1093, Fontfroide linked to the Cistercian order in 1145. Today the abbey estate produces AOC Corbieres wine. Picture by Manuel Cohen
    LC20_FRANCE_MC_0414.jpg
  • Hammers and an anvil in the Forge, at the Chateau de Guedelon, a castle built since 1997 using only medieval materials and processes, photographed in 2017, in Treigny, Yonne, Burgundy, France. In the forge, the site's blacksmiths repair and manufacture all the metalwork needed for the project, including chisels, axes, adzes, gates and hinges. The Guedelon project was begun in 1997 by Michel Guyot, owner of the nearby Chateau de Saint-Fargeau, with architect Jacques Moulin. It is an educational and scientific project with the aim of understanding medieval building techniques and the chateau should be completed in the 2020s. Picture by Manuel Cohen
    LC17_FRANCE_MC_1276.jpg
  • Philippe Picard, blacksmith at the Guedelon project since 02/03/2015, wearing medieval costume and holding a hammer and pincers, at the Chateau de Guedelon, a castle built since 1997 using only medieval materials and processes, in Treigny, Yonne, Burgundy, France. The blacksmith works in the forge, and repairs and manufactures all the metalwork needed for the project, including chisels, axes, adzes, gates and hinges. The Guedelon project was begun in 1997 by Michel Guyot, owner of the nearby Chateau de Saint-Fargeau, with architect Jacques Moulin. It is an educational and scientific project with the aim of understanding medieval building techniques and the chateau should be completed in the 2020s. Picture by Manuel Cohen
    19052017_GuedelonPortraits_MC013.jpg
  • Nicolas Desbons, metalworker and artist, wearing a safety visor to protect his eyes from the soldering iron, soldering steel pieces for a sculpture made from cross-sections of steel tubes manipulated into organic profiles and soldered together, in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC031.jpg
  • Tools, raw materials and prototypes inside the Soleil Rouge workshop of Nicolas Desbons, metalworker and artist, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC070.jpg
  • Detail of a steel hammer on a workbench inside the Soleil Rouge workshop of Nicolas Desbons, metalworker and artist, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC069.JPG
  • Nicolas Desbons, metalworker and artist, selecting steel pieces for a sculpture made from cross-sections of steel tubes manipulated into organic profiles and soldered together, and a sculpture in the foreground, in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC033.jpg
  • Inside the Soleil Rouge workshop of Nicolas Desbons, metalworker and artist, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC081.jpg
  • Process of soldering steel mosaic pieces together to form a figurative sculpture within a plaster mould, in the Soleil Rouge workshop of Nicolas Desbons, metalworker and artist, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC072.jpg
  • Tools, raw materials and prototypes inside the Soleil Rouge workshop of Nicolas Desbons, metalworker and artist, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC070.jpg
  • Process of creating a figurative steel mosaic sculpture within a fibreglass mould, in the Soleil Rouge workshop of Nicolas Desbons, metalworker and artist, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC067.jpg
  • Inside the Soleil Rouge workshop of Nicolas Desbons, metalworker and artist, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC062.jpg
  • Nicolas Desbons, metalworker and artist, wearing a protective visor, soldering together squares of steel inside a plaster mould, to make a figurative sculpture, in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC058.jpg
  • Nicolas Desbons, metalworker and artist, wearing a protective visor, soldering together squares of steel inside a plaster mould, to make a figurative sculpture, in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC054.jpg
  • Nicolas Desbons, metalworker and artist, working on a figurative sculpture made by placing squares of steel inside a plaster mould and soldering them together, in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC053.jpg
  • Nicolas Desbons, metalworker and artist, working on a figurative sculpture made by placing squares of steel inside a plaster mould and soldering them together, in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC052.JPG
  • Inside the Soleil Rouge workshop of Nicolas Desbons, metalworker and artist, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC048.jpg
  • Inside the Soleil Rouge workshop of Nicolas Desbons, metalworker and artist, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC043.jpg
  • Man working on a steel sculpture with organic form in the Soleil Rouge workshop of Nicolas Desbons, metalworker and artist, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC044.jpg
  • Nicolas Desbons, metalworker and artist, shaping a heated steel rod with a hammer on an anvil by the forge in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC040.jpg
  • Nicolas Desbons, metalworker and artist, shaping a heated steel rod by the forge in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC038.jpg
  • Nicolas Desbons, metalworker and artist, turning the handle on a machine in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC036.jpg
  • Nicolas Desbons, metalworker and artist, soldering steel pieces for a sculpture made from cross-sections of steel tubes manipulated into organic profiles and soldered together, in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC029.jpg
  • Nicolas Desbons, metalworker and artist, wearing a safety visor to protect his eyes from the soldering iron, soldering steel pieces for a sculpture made from cross-sections of steel tubes manipulated into organic profiles and soldered together, in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC030.jpg
  • Nicolas Desbons, metalworker and artist, selecting steel pieces for a sculpture made from cross-sections of steel tubes manipulated into organic profiles and soldered together, and a sculpture in the foreground, in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC017.JPG
  • Nicolas Desbons, metalworker and artist, selecting steel pieces for a sculpture made from cross-sections of steel tubes manipulated into organic profiles and soldered together, in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC015.jpg
  • Nicolas Desbons, metalworker and artist, selecting steel pieces for a sculpture made from cross-sections of steel tubes manipulated into organic profiles and soldered together, in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC013.jpg
  • Man clamping a piece of steel and about to drill, in the Soleil Rouge workshop of Nicolas Desbons, metalworker and artist, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC010.jpg
  • Nicolas Desbons, metalworker and artist, and a sculpture made from cross-sections of steel tubes manipulated into organic profiles and soldered together, in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC004.jpg
  • Inside the Soleil Rouge workshop of Nicolas Desbons, metalworker and artist, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC082.jpg
  • Lengths of steel stored on shelves in the Soleil Rouge workshop of Nicolas Desbons, metalworker and artist, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC063.jpg
  • Inside the Soleil Rouge workshop of Nicolas Desbons, metalworker and artist, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC062.jpg
  • Nicolas Desbons, metalworker and artist, cutting sections of steel rod for use on a figurative sculpture, on a machine in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC061.jpg
  • Nicolas Desbons, metalworker and artist, cutting sections of steel rod for use on a figurative sculpture, on a machine in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC059.jpg
  • Nicolas Desbons, metalworker and artist, wearing a protective visor, soldering together squares of steel inside a plaster mould, to make a figurative sculpture, in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC054.jpg
  • Inside the Soleil Rouge workshop of Nicolas Desbons, metalworker and artist, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC048.jpg
  • Two sculptures in the Soleil Rouge workshop of Nicolas Desbons, metalworker and artist, photographed in 2017, in Montreuil, a suburb of Paris, France. On the right is Lea in Blue, a figurative mosaic sculpture of blue steel squares and on the left, another female torso made from cross-sections of steel tubes manipulated into organic shapes and soldered together. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC047.jpg
  • Nicolas Desbons, metalworker and artist, in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. On the press is a figurative sculpture formed by soldering together cross-sections of steel tube which have been manipulated into organic profiles. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC042.jpg
  • Nicolas Desbons, metalworker and artist, shaping a heated steel rod by the forge in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC038.jpg
  • Nicolas Desbons, metalworker and artist, by the forge in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC037.jpg
  • Nicolas Desbons, metalworker and artist, turning the handle on a machine in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC036.jpg
  • Steel pieces for a sculpture made from cross-sections of steel tubes manipulated into organic profiles and soldered together, in the Soleil Rouge workshop of Nicolas Desbons, metalworker and artist, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC032.jpg
  • Inside the Soleil Rouge workshop of Nicolas Desbons, metalworker and artist, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC022.jpg
  • Inside the Soleil Rouge workshop of Nicolas Desbons, metalworker and artist, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC018.jpg
  • Nicolas Desbons, metalworker and artist, and a sculpture made from cross-sections of steel tubes manipulated into organic profiles and soldered together, in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC004.jpg
  • Soleil Rouge workshop of Nicolas Desbons, metalworker and artist, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal  and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC001.jpg
  • Figurative sculpture of a female torso made from cross-sections of steel tube manipulated into organic profiles and soldered together, in the Soleil Rouge workshop of Nicolas Desbons, metalworker and artist, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC073.jpg
  • Working on a fluid steel shape for a sculpture in the Soleil Rouge workshop of Nicolas Desbons, metalworker and artist, photographed in 2017, in Montreuil, a suburb of Paris, France. On the right is Lea in Blue, a mosaic sculpture in blue steel. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC065.jpg
  • Nicolas Desbons, metalworker and artist, cutting sections of steel rod for use on a figurative sculpture, on a machine in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC061.jpg
  • Nicolas Desbons, metalworker and artist, selecting squares of steel for a figurative sculpture made by placing steel pieces inside a plaster mould and soldering them together, in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC051.jpg
  • Nicolas Desbons, metalworker and artist, working on a figurative sculpture made by placing squares of steel inside a plaster mould and soldering them together, in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC050.jpg
  • Nicolas Desbons, metalworker and artist, shaping a heated steel rod with a hammer on an anvil by the forge in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC039.jpg
  • Nicolas Desbons, metalworker and artist, by the forge in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC037.jpg
  • Inside the Soleil Rouge workshop of Nicolas Desbons, metalworker and artist, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC024.jpg
  • Nicolas Desbons, metalworker and artist, selecting steel pieces for a sculpture made from cross-sections of steel tubes manipulated into organic profiles and soldered together, in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC014.jpg
  • Soleil Rouge workshop of Nicolas Desbons, metalworker and artist, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC002.jpg
  • Inside the Soleil Rouge workshop of Nicolas Desbons, metalworker and artist, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC081.jpg
  • Figurative sculpture of a female torso made from cross-sections of steel tube manipulated into organic profiles and soldered together, in the Soleil Rouge workshop of Nicolas Desbons, metalworker and artist, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC073.jpg
  • Process of creating a figurative steel mosaic sculpture within a fibreglass mould, in the Soleil Rouge workshop of Nicolas Desbons, metalworker and artist, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC067.jpg
  • Detail of a sculpture made from cross-sections of steel tubes manipulated into organic profiles and soldered together, in the Soleil Rouge workshop of Nicolas Desbons, metalworker and artist, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC066.jpg
  • Lengths of steel stored on shelves in the Soleil Rouge workshop of Nicolas Desbons, metalworker and artist, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC064.jpg
  • Nicolas Desbons, metalworker and artist, wearing a protective visor, soldering together squares of steel inside a plaster mould, to make a figurative sculpture, in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC058.jpg
  • Nicolas Desbons, metalworker and artist, wearing a protective visor, soldering together squares of steel inside a plaster mould, to make a figurative sculpture, in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC056.jpg
  • Nicolas Desbons, metalworker and artist, working on a figurative sculpture made by placing square of steel inside a plaster mould and soldering them together, in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. On the right is a sculpture of a female torso made from cross-sections of steel tubes manipulated into organic shapes and soldered together. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC049.jpg
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