manuel cohen

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  • Metal roof structure, built 1842-45 in iron and copper by the architect Francois Debret, in the attic of the Basilique Saint-Denis, Paris, France. The rebuilding of the roof in metal was planned after a lightning strike in 1837 and was supported by King Louis-Philippe and Napoleon Bonaparte. The basilica is a large medieval 12th century Gothic abbey church and burial site of French kings from 10th - 18th centuries. Picture by Manuel Cohen
    LC18_FRANCE_MC_0422.jpg
  • Metal structure, built 1842-45 in iron and copper by the architect Francois Debret, in the attic of the Basilique Saint-Denis, Paris, France. The rebuilding of the roof in metal was planned after a lightning strike in 1837 and was supported by King Louis-Philippe and Napoleon Bonaparte. The basilica is a large medieval 12th century Gothic abbey church and burial site of French kings from 10th - 18th centuries. Picture by Manuel Cohen
    LC18_FRANCE_MC_0421.jpg
  • Plant History Glasshouse (formerly Australian Glasshouse), 1830s, Rohault de Fleury, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Detail of the vaulted metal strut supporting the glass and metal roof. Through the gaps of the strut may be seen the glass and metal roof lit by the sunset.
    Mnhn_GS_MCohen_003.jpg
  • Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver or Winter Gardens), 1936, RenÈ Berger, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Panoramic view of luxuriant Tropical vegetation in the midday light, beneath the glass and metal roof of the Art Deco style glasshouse .
    Mnhn_GS_MCohen_549.jpg
  • Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver or Winter Gardens), 1936, RenÈ Berger, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Panoramic view from the third floor of the cave of the luxuriant tropical foliage with a Howea Forsteriana palm tree in the middle, beneath the glass and metal roof structure of the Art Deco style glasshouse.
    Mnhn_GS_MCohen_548.jpg
  • Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver or Winter Gardens), 1936, RenÈ Berger, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Panoramic view of the glass and metal roof structure of the Art Deco style glasshouse with luxuriant tropical foliage, seen from the cave.
    Mnhn_GS_MCohen_547.jpg
  • Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver), 1936, Rene Berger, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Low angle view of the luxuriant vegetation including a Howea forsteriana palm tree against the metal roof structure.
    Mnhn_GS_MCohen_545.jpg
  • Tropical rainforest glasshouse (formerly Le Jardin d'Hiver), 1936, RenÈ Berger, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. View from below of a Howea Forsteriana palm tree in the middle of Ficus Glabella foliage against the glass and metal structure of the Art Deco building.
    Mnhn_GS_MCohen_543.jpg
  • Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver or Winter Gardens), 1936, RenÈ Berger, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Low angle view of the luxuriant tropical foliage against the glass and metal roof structure of the Art Deco style glasshouse in the morning light.
    Mnhn_GS_MCohen_428.jpg
  • New Caledonia Glasshouse (formerly Mexican Hothouse), 1834, Charles Rohault de Fleury, Jardin des Plantes, Museum d'Histoire Naturelle, Paris, France. View of the glass and metal structure in the late afternoon light, reflecting the Plant History Glasshouse (formerly the Australian Glasshouse). The New Caledonia Glasshouse is the oldest French glass and metal building.
    Mnhn_GS_MCohen_223.JPG
  • New Caledonia Glasshouse (formerly Mexican Hothouse), 1834, Charles Rohault de Fleury, Jardin des Plantes, Museum d'Histoire Naturelle, Paris, France. View of the glass and metal structure in the late afternoon light, reflecting the Plant History Glasshouse (formerly the Australian Glasshouse). The New Caledonia Glasshouse is the oldest French glass and metal building.
    Mnhn_GS_MCohen_223.JPG
  • Plant History Glasshouse (formerly the Australian Glasshouse), 1830s, Charles Rohault de Fleury, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Focused view from  below of a metal pillar  showing the glass and metal structure of the roof in the distance.
    Mnhn_GS_MCohen_207.JPG
  • New Caledonia Glasshouse (formerly The Mexican Hothouse), 1830s, Charles Rohault de Fleury, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Detail showing the metal staircase with handrails leading to the rooftop walkways of the glass and metal structure in the winter morning light. The New Caledonia Glasshouse, or Hothouse, was the first French glass and iron building.
    Mnhn_GS_MCohen_168.jpg
  • Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver or Winter Gardens), 1936, RenÈ Berger, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Detail showing a walkway and luxuriant Tropical vegetation with a focused view of the metal girders (left) supporting the metal and glass structure of the glasshouse. To the right are feeder pipes to the steam heating system.
    Mnhn_GS_MCohen_143.jpg
  • Plant History Glasshouse (formerly Australian Glasshouse), 1830s, Rohault de Fleury, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Detail of the vaulted metal strut supporting the glass and metal roof. Through the gaps of the strut may be seen the glass and metal roof lit by the sunset.
    _MG_0141.jpg
  • Hammered metal disc, in the studio of Adele Brereton, jeweller and silversmith, at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Adele makes work inspired by found objects, often hammering the metal into or around found or man-made shapes to create one-off pieces. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_114.jpg
  • Adele Brereton, jeweller and silversmith, seen in a mirror reflection at work hammering metal in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Adele makes work inspired by found objects, often hammering the metal into or around found or man-made shapes to create one-off pieces. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_127.jpg
  • Hammered metal disc and vessel on the workbench in the studio of Adele Brereton, jeweller and silversmith, at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Adele makes work inspired by found objects, often hammering the metal into or around found or man-made shapes to create one-off pieces. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_117.jpg
  • Plant History Glasshouse (formerly Australian Glasshouse), 1830s, Rohault de Fleury, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Low angle view of cyatheales under the arching glass and metal roof of the glasshouse. In the foreground new plants are staked with Equisetum myriochaetum plants.
    Mnhn_GS_MCohen_542.jpg
  • Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver or Winter Gardens), 1936, RenÈ Berger, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. View from below of Musa plants lit by the afternoon light shining through the Art Deco style glass and metal roof.
    Mnhn_GS_MCohen_435.jpg
  • Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver or Winter Gardens), 1936, RenÈ Berger, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. View from below of Musa plants lit by the afternoon light shining through the Art Deco style glass and metal roof.
    Mnhn_GS_MCohen_434.jpg
  • Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver or Winter Gardens), 1936, RenÈ Berger, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France.  View from below of a Sabal bermudana palm tree surrounded by the luxuriant tropical foliage, against the glass and metal roof structure of the Art Deco style glasshouse.
    Mnhn_GS_MCohen_427.jpg
  • Plant History Glasshouse (formerly the Australian Glasshouse), 1830s, Charles Rohault de Fleury, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Low angle view of cyathea australis plants growing towards the glass and metal roof structure in the afternoon light.
    Mnhn_GS_MCohen_364.jpg
  • Plant History Glasshouse (formerly Australian Glasshouse), 1830s, Rohault de Fleury, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Low angle view of cyatheales, asplenium australasicum leaves on the left, beneath the glass and metal structure of the Glasshouse.
    Mnhn_GS_MCohen_335.jpg
  • Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver or Winter Gardens), 1936, RenÈ Berger, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. View from below of Tropical foliage and the glass and metal roof of the Art Deco style structure.
    Mnhn_GS_MCohen_322.jpg
  • Necklace, detail, with hammered metal and porcelain shapes, in the studio of Adele Brereton, jeweller and silversmith, at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Adele makes work inspired by found objects, often hammering the metal into or around found or man-made shapes to create one-off pieces. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_112.jpg
  • Hammered metal disc, detail, in the studio of Adele Brereton, jeweller and silversmith, at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Adele makes work inspired by found objects, often hammering the metal into or around found or man-made shapes to create one-off pieces. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_133.jpg
  • Necklace, detail, with hammered metal and porcelain shapes, in the studio of Adele Brereton, jeweller and silversmith, at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Adele makes work inspired by found objects, often hammering the metal into or around found or man-made shapes to create one-off pieces. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_132.jpg
  • Adele Brereton, jeweller and silversmith, seen in a mirror reflection at work hammering metal in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Adele makes work inspired by found objects, often hammering the metal into or around found or man-made shapes to create one-off pieces. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_128.jpg
  • Adele Brereton, jeweller and silversmith, seen in a mirror reflection at work hammering metal in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Adele makes work inspired by found objects, often hammering the metal into or around found or man-made shapes to create one-off pieces. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_126.jpg
  • Hammered metal vessel in the studio of Adele Brereton, jeweller and silversmith, at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Adele makes work inspired by found objects, often hammering the metal into or around found or man-made shapes to create one-off pieces. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_118.jpg
  • Plant History Glasshouse (formerly Australian Glasshouse), 1830s, Rohault de Fleury, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. High angle panoramic view of the interior of the glasshouse showing the glass and metal structure and the luxuriant Tropical vegetation lit by the afternoon sun. At the far end a Podocarpus Elongata plant from South West Africa is growing.
    Mnhn_GS_MCohen_433.jpg
  • Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver or Winter Gardens), 1936, RenÈ Berger,  Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Low angle view of a Howea Forsteriana palm tree overlooking the luxuriant tropical foliage, beneath the glass and metal roof structure of the Art Deco style glasshouse.
    Mnhn_GS_MCohen_422.jpg
  • Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver or Winter Gardens), 1936, RenÈ Berger, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Detail of Musa Plants against the glass and metal roof structure with tropical foliage in the background.
    Mnhn_GS_MCohen_392.jpg
  • Plant History Glasshouse (formerly Australian Glasshouse), 1830s, Rohault de Fleury, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Low angle view of luxuriant Tropical plants, mainly cyathales, in the late afternoon light. In the background the New Caledonia Glasshouse (formerly Mexican glasshouse), 1834, Charles Rohault de Fleury, is visible through the glass and metal windows.
    Mnhn_GS_MCohen_384.jpg
  • Plant History Glasshouse (formerly Australian Glasshouse), 1830s, Rohault de Fleury, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Panoramic view of cyatheales plants in the afternoon light, with glass and metal windows in the background.
    Mnhn_GS_MCohen_366.jpg
  • Plant History Glasshouse (formerly the Australian Glasshouse), 1830s, Charles Rohault de Fleury, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Low angle view of a worker installing new radiators behind the luxuriant vegetation in a corner of the glass and metal structure in the afternoon light. Through the windows the New Caledonia Glasshouse (formerly Mexican Hothouse), 1834, Charles Rohault de Fleury, is visible.
    Mnhn_GS_MCohen_365.jpg
  • Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver), 1936, RenÈ Berger, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. General view of luxuriant Tropical foliage, seen in the morning light, beneath the glass and metal roof structure of the Art Deco Glasshouse.
    Mnhn_GS_MCohen_351.jpg
  • Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver), 1936, RenÈ Berger, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Low angle view of a Caryota, beneath the glass and metal roof structure of the Art Deco Glasshouse.
    Mnhn_GS_MCohen_350.jpg
  • Eye, in copper gilt and enamel, detail from the metal tomb of the child Jean, d. 1268, son of Saint-Louis and Marguerite of Provence, originally from the Abbaye de Royaumont and moved to Saint-Denis in 1820, made by Limousin metalworkers, c. 1250, in the Basilique Saint-Denis, Paris, France. The basilica is a large medieval 12th century Gothic abbey church and burial site of French kings from 10th - 18th centuries. Picture by Manuel Cohen
    LC18_FRANCE_MC_0235.jpg
  • Plant History Glasshouse (formerly Australian Glasshouse), 1830s, Rohault de Fleury, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Detail of window cleaners in a cherry-picker washing the glass and metal wall.
    Mnhn_GS_MCohen_292.jpg
  • Plant History Glasshouse (formerly Australian Glasshouse), 1830s, Rohault de Fleury, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Detail of window cleaners in a cherry-picker washing the glass and metal wall through which may be seen the luxuriant vegetation.
    Mnhn_GS_MCohen_291.jpg
  • Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver or Winter Gardens), 1936, RenÈ Berger, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Detail showing a worker hanging from the metal structure of the roof of the Art Deco style glasshouse whilst installing an atomiser to ensure that the atmosphere has the correct humidity for the luxuriant tropical foliage.
    Mnhn_GS_MCohen_283.jpg
  • New Caledonia Glasshouse (formerly The Mexican Hothouse), 1830s, Charles Rohault de Fleury, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Low angle view through the decorative glass and metal doors showing workers putting old paving stones into position. These will be covered with soil to form a drainage system. The scene is lit by the morning sunshine which catches the clouds of dust raised by the work. The New Caledonia Glasshouse, or Hothouse, was the first French glass and iron building.
    Mnhn_GS_MCohen_278.jpg
  • New Caledonia Glasshouse (formerly The Mexican Hothouse), 1830s, Charles Rohault de Fleury, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Detail showing the metal staircase with handrails leading to the rooftop walkways of the glass and metal structure in the winter morning light. The New Caledonia Glasshouse, or Hothouse, was the first French glass and iron building.
    _MG_9523.jpg
  • Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver or Winter Gardens), 1936, René Berger, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Detail showing a walkway and luxuriant Tropical vegetation with a focused view of the metal girders (left) supporting the metal and glass structure of the glasshouse. To the right are feeder pipes to the steam heating system.
    _MG_9131.jpg
  • Plant History Glasshouse (formerly the Australian Glasshouse), 1830s, Charles Rohault de Fleury, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Focused view from  below of a metal pillar  showing the glass and metal structure of the roof in the distance.
    34_MG_8111.JPG
  • New Caledonia Glasshouse (formerly Mexican Hothouse), 1834, Charles Rohault de Fleury, Jardin des Plantes, Museum d'Histoire Naturelle, Paris, France. View of the glass and metal structure in the late afternoon light, reflecting the Plant History Glasshouse (formerly the Australian Glasshouse). The New Caledonia Glasshouse is the oldest French glass and metal building.
    MNHN_23_12_09_DP007.JPG
  • Metal sculpture of Arthur Rimbaud by Eric Sléziak, 2004, restored 2021, beside the family farm of Arthur Rimbaud, French poet, 1854-91, at Roche, Chuffilly-Roche, Ardennes, Grand Est, France. The farm is on the Rimbaud Verlaine Trail. Picture by Manuel Cohen
    LC21_FRANCE_MC_1910.jpg
  • Storage of metal wire and poles in the studio of Christel Sadde, kinetic artist, on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_65.jpg
  • Storage of metal wire in the studio of Christel Sadde, kinetic artist, on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_57.jpg
  • Storage of metal wire and poles in the studio of Christel Sadde, kinetic artist, on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_56.jpg
  • Christel Sadde, kinetic artist, threading metal weights with wire in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_42.jpg
  • Christel Sadde, kinetic artist, threading metal weights with wire in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_41.jpg
  • Christel Sadde, kinetic artist, threading metal weights with wire in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_39.jpg
  • Christel Sadde, kinetic artist, assembling metal weights in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_38.jpg
  • Mobile sculpture with small interlinked metal discs, detail, by Christel Sadde, kinetic artist, in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_22.jpg
  • Mobile sculpture with small interlinked metal discs, detail, by Christel Sadde, kinetic artist, in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_20.jpg
  • Facade of the Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver or Winter Gardens), 1936, Rene Berger, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. General view of the main Art Deco style entrance consisting of pillars in luminescent glass paste by Auguste Labouret, and wrought iron decoration by Raymond Subes lit by the early morning light which catches the luxuriant Tropical foliage within the glass and metal structure. The lower railings, visible in the foreground, were also made by Raymond Subes. Picture by Manuel Cohen
    LC_JDP_10_MC318.jpg
  • New Caledonia Glasshouse (formerly The Mexican Hothouse), 1830s, Charles Rohault de Fleury, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. View from the side showing the glass and metal structures reflecting the winter sunrise. The New Caledonia Glasshouse, or Hothouse, was the first French glass and iron building.
    Mnhn_GS_MCohen_573.jpg
  • Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver or Winter Gardens), 1936, RenÈ Berger, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Low angle view of the cave, covered by luxuriant Epiphytes plants, seen in the morning light against the glass and metal roof structure of the Art Deco style glasshouse.
    Mnhn_GS_MCohen_563.jpg
  • Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver), 1936, RenÈ Berger, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Detail of a fountain surrounded by tree ferns, behind which a rectangular glass structure reflects the trees of the Jardin des Plantes beneath a cloudy late afternoon sky. The fountain is seen amongst luxuriant vegetation and the glass and metal structure of the Art Deco building.
    Mnhn_GS_MCohen_221.jpg
  • New Caledonia Glasshouse (formerly The Mexican Hothouse), 1830s, Charles Rohault de Fleury, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Detail of the glass and metal roof structure seen in the morning light.
    Mnhn_GS_MCohen_218.jpg
  • Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver or Winter Gardens), 1936, RenÈ Berger, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Detail of the glass and metal roof structure, seen from the roof of the cave, with the New Caledonia Glasshouse (formerly The Mexican Hothouse) on the right, 1834, Charles Rohault de Fleury, in the background.
    Mnhn_GS_MCohen_216.jpg
  • Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver or Winter Gardens), 1936, RenÈ Berger, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France.  Low angle view of the glass and metal structure of the Art Deco main entrance which is reflecting the late afternoon clouds.
    Mnhn_GS_MCohen_213.jpg
  • The New Caledonia Glasshouse (formerly The Mexican Hothouse), 1830s by Charles Rohault de Fleury, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France, in which is reflected the Plant History Glasshouse (formerly the Australian Glasshouse), 1830s, Charles Rohault de Fleury. Low angle view  of the glass and metal structures in the late afternoon light. The New Caledonia Glasshouse, or Hothouse, was the first French glass and iron building.
    Mnhn_GS_MCohen_203.JPG
  • Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver or Winter Gardens), 1936, Rene Berger, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. View from below of the glass and metal roof structure of the Art Deco building.
    Mnhn_GS_MCohen_193.jpg
  • New Caledonia Glasshouse (formerly The Mexican Hothouse), 1830s Charles Rohault de Fleury, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. View from the front showing the glass and metal roof, with the Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver or Winter Gardens), 1936, RenÈ Berger, in the background to the left, and the main avenue of the Botanical Gardens to the right, with the Paris skyline behind. The New Caledonia Glasshouse, or Hothouse, was the first French glass and iron building.
    Mnhn_GS_MCohen_188.jpg
  • Plant History Glasshouse (formerly Australian Glasshouse), 1830s, Rohault de Fleury, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Oblique high angle view looking down from the first floor metal walkway, through the glass windows, to the plants below.
    Mnhn_GS_MCohen_187.jpg
  • Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver or Winter Gardens), 1936, RenÈ Berger, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Panoramic low angle view of struts supporting the Art Deco style glass and metal structure.
    Mnhn_GS_MCohen_184.jpg
  • Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver or Winter Gardens), 1936, RenÈ Berger, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. View from the front of walkways and rooftop cupola of the Art Deco style glass and metal building lit by the autumn sunset. To the left is the Grand Gallery of Evolution.
    Mnhn_GS_MCohen_174.jpg
  • New Caledonia Glasshouse (formerly The Mexican Hothouse), 1830s, Charles Rohault de Fleury, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Low angle view of walkways across the glass and metal roof structures in the winter early morning light. The Grand Gallery of Evolution is reflected in the cupola windows (right). The New Caledonia Glasshouse, or Hothouse, was the first French glass and iron building.
    Mnhn_GS_MCohen_169.jpg
  • New Caledonia Glasshouse (formerly The Mexican Hothouse), 1830s, Charles Rohault de Fleury, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. View from the side of the roof showing the glass and metal structure, including the walkway around the cupola. In the background are the Plant History Glasshouse (formerly Australian Glasshouse) and the minaret of the Grande Mosquee de Paris (Great Mosque of Paris).
    Mnhn_GS_MCohen_165.jpg
  • Interior of the Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver or Winter Gardens), 1936, RenÈ Berger, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. View from below of the turret at the top of the stairway to the roof, showing the geometric pattern of the glass and metal structure.
    Mnhn_GS_MCohen_161.jpg
  • Rooftop of the Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver or Winter Gardens), 1936, RenÈ Berger, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. View from the side of walkways and highest roof structure of the glass and metal Art Deco building beneath a cloudy sky.
    Mnhn_GS_MCohen_160.jpg
  • New Caledonia Glasshouse (formerly The Mexican Hothouse), 1830s, Charles Rohault de Fleury, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Detail showing the glass and metal structures of the roof and walkway around it. To the left is the Grand Gallery of Evolution, and in the background is the minaret of the Grande Mosquee de Paris (Great Mosque of Paris). The New Caledonia Glasshouse, or Hothouse, was the first French glass and iron building.
    Mnhn_GS_MCohen_154.jpg
  • Roof of the Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver or Winter Gardens), 1936, RenÈ Berger, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Oblique view showing walkways around the metal and glass roof structure beneath a cloudy sky.
    Mnhn_GS_MCohen_152.jpg
  • Interior of the Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver or Winter Gardens), 1936, RenÈ Berger, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Detail showing the metal structure of the roof of the Art Deco style glasshouse with luxuriant tropical foliage.
    Mnhn_GS_MCohen_147.jpg
  • Plant History Glasshouse (formerly Australian Glasshouse), 1830s, Rohault de Fleury, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. High angle view of the interior of the glasshouse showing the glass and metal roof structure and the luxuriant Tropical vegetation lit by the afternoon sun. At the left of the picture a Podocarpus Elongata plant from South West Africa is growing.
    Mnhn_GS_MCohen_126.jpg
  • Plant History Glasshouse (formerly Australian Glasshouse), 1830s, Rohault de Fleury, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. View from below of the glass and metal roof structure and the luxuriant Tropical vegetation in the glasshouse lit by the afternoon sun.
    Mnhn_GS_MCohen_125.jpg
  • Plant History Glasshouse (formerly Australian Glasshouse), 1830s, Rohault de Fleury, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Low angle view of the new double door system to the glass and metal structure, showing the luxuriant Tropical vegetation in the background, lit by the afternoon sun.
    Mnhn_GS_MCohen_122.jpg
  • Plant History Glasshouse (formerly Australian Glasshouse) (right), 1830s, Rohault de Fleury, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France and Incubators, (left) restored, 1995-1997, by Paul Chemetov and Borja Huidobro. Low angle view  showing the linked glass and metal structures reflecting the winter early morning light. In the middle is the small annex building containing the passage between the Plant History Glasshouse and the Incubators.
    Mnhn_GS_MCohen_578.jpg
  • New Caledonia Glasshouse (formerly The Mexican Hothouse), 1830s, Charles Rohault de Fleury, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. View from the side showing the glass and metal structures reflecting the winter sunrise. The New Caledonia Glasshouse, or Hothouse, was the first French glass and iron building.
    Mnhn_GS_MCohen_573.jpg
  • New Caledonia Glasshouse (formerly The Mexican Hothouse), 1830s by Charles Rohault de Fleury, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. View from the side showing the glass and metal structures reflecting the winter early morning light. The New Caledonia Glasshouse, or Hothouse, was the first French glass and iron building.
    Mnhn_GS_MCohen_572.jpg
  • New Caledonia Glasshouse (formerly The Mexican Hothouse), 1830s, Charles Rohault de Fleury, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. View from the side, through autumn leaves in the winter early morning light, showing the glass and metal structures. The New Caledonia Glasshouse, or Hothouse, was the first French glass and iron building.
    Mnhn_GS_MCohen_571.jpg
  • Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver or Winter Gardens), 1936, RenÈ Berger, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Low angle view of the cave, covered by luxuriant Epiphytes plants, seen in the morning light against the glass and metal roof structure of the Art Deco style glasshouse.
    Mnhn_GS_MCohen_563.jpg
  • Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver or Winter Gardens), 1936, RenÈ Berger, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. View from above showing the glass and metal roof of the Art Deco style building reflected in the pool, which is surrounded by luxuriant Tropical plants.
    Mnhn_GS_MCohen_252.jpg
  • Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver or Winter Gardens), 1936, RenÈ Berger, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Detail of the Art Deco style glass and metal roof  reflected by the morning light in the great pool in which algae are growing and   which is fringed with vegetation.
    Mnhn_GS_MCohen_243.jpg
  • Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver or Winter Gardens), 1936, RenÈ Berger, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. View from above of the Art Deco style glass and metal structure reflected by the midday light in the great pool framed by Tropical foliage.
    Mnhn_GS_MCohen_242.jpg
  • Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver or Winter Gardens), 1936, RenÈ Berger, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. View from above of the Art Deco style glass and metal roof  reflected by the morning light in the great pool on which leaves and water plants are floating.
    Mnhn_GS_MCohen_240.jpg
  • Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver or Winter Gardens), 1936, RenÈ Berger, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. View from above of the Art Deco style glass and metal roof  reflected by the morning light in the great pool on which leaves and water plants are floating.
    Mnhn_GS_MCohen_239.jpg
  • Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver or Winter Gardens), 1936, RenÈ Berger, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. View from above of the Art Deco style glass and metal roof  reflected by the morning light in the great pool on which leaves and Pistia Stratistes water plants are floating.
    Mnhn_GS_MCohen_238.jpg
  • Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver or Winter Gardens), 1936, RenÈ Berger, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. View from above of the cave entrance and Art Deco style glass and metal roof  reflected by the morning light in the great pool.
    Mnhn_GS_MCohen_237.jpg
  • Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver or Winter Gardens), 1936, RenÈ Berger, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Oblique view of the cave entrance and Art Deco style glass and metal roof  reflected by the morning light in the great pool.
    Mnhn_GS_MCohen_236.jpg
  • Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver or Winter Gardens), 1936, RenÈ Berger, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. View from above of the Great Pool, with reflections of the glass and metal roof of the Art Deco structure, and goldfish swimming around.
    Mnhn_GS_MCohen_235.jpg
  • Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver or Winter Gardens), 1936, RenÈ Berger, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. View from above of a plantpot in a pool which is reflecting the glass and metal roof of the Art Deco style building.
    Mnhn_GS_MCohen_234.jpg
  • Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver or Winter Gardens), 1936, RenÈ Berger, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Detail of a plantpot in a pool which reflects the glass and metal roof of  the Art Deco style building.
    Mnhn_GS_MCohen_233.jpg
  • Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver), 1936, RenÈ Berger, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Detail of a fountain surrounded by tree ferns, behind which a rectangular glass structure reflects the trees of the Jardin des Plantes beneath a cloudy late afternoon sky. The fountain is seen amongst luxuriant vegetation and the glass and metal structure of the Art Deco building.
    Mnhn_GS_MCohen_221.jpg
  • New Caledonia Glasshouse (formerly The Mexican Hothouse), 1830s, Charles Rohault de Fleury, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Detail of the glass and metal roof structure seen in the morning light.
    Mnhn_GS_MCohen_218.jpg
  • Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver or Winter Gardens), 1936, RenÈ Berger, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Detail of the glass and metal turret on the roof of the Art Deco style glasshouse with the leafy tops of the trees in the Jardin des Plantes in the background.
    Mnhn_GS_MCohen_217.jpg
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