manuel cohen

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  • Logotype of Netflix in an old fashion TV screen. Netflix, Inc. is an American provider of on-demand Internet streaming media available to viewers in North and South America, the Caribbean, and parts of Europe Denmark, Finland, Ireland, the Netherlands, Norway, Sweden, and the United Kingdom), and of flat rate DVD-by-mail in the United States. Established in 1997, It started its subscription-based digital distribution service in 1999, and by 2009 it was offering a collection of 100,000 titles on DVD and had surpassed 10 million subscribers. © Manuel Cohen
    032414LJ_Netflix_MC002.jpg
  • Logotype of Netflix in a modern TV screen. Netflix, Inc. is an American provider of on-demand Internet streaming media available to viewers in North and South America, the Caribbean, and parts of Europe Denmark, Finland, Ireland, the Netherlands, Norway, Sweden, and the United Kingdom), and of flat rate DVD-by-mail in the United States. Established in 1997, It started its subscription-based digital distribution service in 1999, and by 2009 it was offering a collection of 100,000 titles on DVD and had surpassed 10 million subscribers. © Manuel Cohen
    032414LJ_Netflix_MC001.jpg
  • Media Gran, 1 of the Medes Islands or Illes Medes, a group of 7 small rocky islands in the Mediterranean Sea, aerial view, near L'Estartit in Baix Emporda, Catalonia, Spain. The lighthouse was built in 1866. The uninhabited islands are el Medellot, la Meda Petita, la Meda Gran, les Ferrenelles, el Tasco Gros, el Tasco petit and el Carall Bernat. They are situated just off the Costa Brava, and are a protected marine environment as the Parque Natural del Montgri, las Islas Medas y el Bajo Ter. Picture by Manuel Cohen
    DRN_LC20_SPAIN_MC_0853.jpg
  • Logotype of Netflix in a smartphone screen in a human hand. Netflix, Inc. is an American provider of on-demand Internet streaming media available to viewers in North and South America, the Caribbean, and parts of Europe Denmark, Finland, Ireland, the Netherlands, Norway, Sweden, and the United Kingdom), and of flat rate DVD-by-mail in the United States. Established in 1997, It started its subscription-based digital distribution service in 1999, and by 2009 it was offering a collection of 100,000 titles on DVD and had surpassed 10 million subscribers. © Manuel Cohen
    052214LJ_Netflix_MC003.jpg
  • Mediatheque Jacques-Chirac, a multimedia library designed by Dominique Lyon and Pierre du Besset, opened 2002, in Troyes, Aube, Grand Est, France. Picture by Manuel Cohen
    LC21_FRANCE_MC_2656.jpg
  • Arlequi, or Harlequin, painted in Barcelona, 1917, oil painting on canvas, (donation by Pablo Picasso 1919), in the Museu Picasso, an art gallery featuring over 4000 works by Pablo Picasso, 1881-1973, in La Ribera, in the Old City of Barcelona, Catalonia, Spain. The museum opened in 1963 and is housed in 5 adjoining medieval palaces on the Carrer de Montcada. Picture by Manuel Cohen - Further clearances required for reproduction (artist's copyright)
    LC20_SPAIN_MC_1115.jpg
  • Aurelien Pasquet, stage manager in charge of sound, light, video, computers and telephones, in the production office in the tribune (first floor gallery of the nave) at the Cathedrale Notre-Dame de Paris, or Notre-Dame cathedral, built 1163-1345 in French Gothic style, on the Ile de la Cite in the 4th arrondissement of Paris, France. This is the place where all recordings are controlled, which are regularly broadcast on Radio Notre Dame and KTO Television. Picture by Manuel Cohen
    21022019_Regie_NDP_MCohen_08.jpg
  • Aurelien Pasquet, stage manager in charge of sound, light, video, computers and telephones, in the production office in the tribune (first floor gallery of the nave) at the Cathedrale Notre-Dame de Paris, or Notre-Dame cathedral, built 1163-1345 in French Gothic style, on the Ile de la Cite in the 4th arrondissement of Paris, France. This is the place where all recordings are controlled, which are regularly broadcast on Radio Notre Dame and KTO Television. Picture by Manuel Cohen
    21022019_Regie_NDP_MCohen_07.jpg
  • Aurelien Pasquet, stage manager in charge of sound, light, video, computers and telephones, in the production office in the tribune (first floor gallery of the nave) at the Cathedrale Notre-Dame de Paris, or Notre-Dame cathedral, built 1163-1345 in French Gothic style, on the Ile de la Cite in the 4th arrondissement of Paris, France. This is the place where all recordings are controlled, which are regularly broadcast on Radio Notre Dame and KTO Television. Picture by Manuel Cohen
    21022019_Regie_NDP_MCohen_06.jpg
  • Aurelien Pasquet, stage manager in charge of sound, light, video, computers and telephones, in the production office in the tribune (first floor gallery of the nave) at the Cathedrale Notre-Dame de Paris, or Notre-Dame cathedral, built 1163-1345 in French Gothic style, on the Ile de la Cite in the 4th arrondissement of Paris, France. This is the place where all recordings are controlled, which are regularly broadcast on Radio Notre Dame and KTO Television. Picture by Manuel Cohen
    21022019_Regie_NDP_MCohen_04.jpg
  • Aurelien Pasquet, stage manager in charge of sound, light, video, computers and telephones, in the production office in the tribune (first floor gallery of the nave) at the Cathedrale Notre-Dame de Paris, or Notre-Dame cathedral, built 1163-1345 in French Gothic style, on the Ile de la Cite in the 4th arrondissement of Paris, France. This is the place where all recordings are controlled, which are regularly broadcast on Radio Notre Dame and KTO Television. Picture by Manuel Cohen
    21022019_Regie_NDP_MCohen_05.jpg
  • Aurelien Pasquet, stage manager in charge of sound, light, video, computers and telephones, in the production office in the tribune (first floor gallery of the nave) at the Cathedrale Notre-Dame de Paris, or Notre-Dame cathedral, built 1163-1345 in French Gothic style, on the Ile de la Cite in the 4th arrondissement of Paris, France. This is the place where all recordings  are controlled, which are regularly broadcast on Radio Notre Dame and KTO Television. Picture by Manuel Cohen
    21022019_Regie_NDP_MCohen_03.jpg
  • Aurelien Pasquet, stage manager in charge of sound, light, video, computers and telephones, in the production office in the tribune (first floor gallery of the nave) at the Cathedrale Notre-Dame de Paris, or Notre-Dame cathedral, built 1163-1345 in French Gothic style, on the Ile de la Cite in the 4th arrondissement of Paris, France. This is the place where all recordings are controlled, which are regularly broadcast on Radio Notre Dame and KTO Television. Picture by Manuel Cohen
    21022019_Regie_NDP_MCohen_01.jpg
  • Aurelien Pasquet, stage manager in charge of sound, light, video, computers and telephones, in the production office in the tribune (first floor gallery of the nave) at the Cathedrale Notre-Dame de Paris, or Notre-Dame cathedral, built 1163-1345 in French Gothic style, on the Ile de la Cite in the 4th arrondissement of Paris, France. This is the place where all recordings are controlled, which are regularly broadcast on Radio Notre Dame and KTO Television. Picture by Manuel Cohen
    21022019_Regie_NDP_MCohen_02.jpg
  • Detail from Le Journal de Sable, a weekly newspaper, with an article on black market activities in the area, published during the German occupation of France during the Second World War, in Sable-sur-Sarthe, Pays de la Loire, France. The Journal de Sable praises the institutions and social systems of Germany in a wildly enthusiastic style. Picture by Manuel Cohen
    LC_HISTORY_MC_0368.jpg
  • Article from Le Journal de Sable, a weekly newspaper, 24th April 1943, celebrating the 87th birthday of Marechal Petain, published during the German occupation of France during the Second World War, in Sable-sur-Sarthe, Pays de la Loire, France. The Journal de Sable praises the institutions and social systems of Germany in a wildly enthusiastic style. Picture by Manuel Cohen
    LC_HISTORY_MC_0366.jpg
  • Detail from Le Journal de Sable, a weekly newspaper, with information about a social event and notes on the black market, published during the German occupation of France during the Second World War, in Sable-sur-Sarthe, Pays de la Loire, France. The Journal de Sable praises the institutions and social systems of Germany in a wildly enthusiastic style. Picture by Manuel Cohen
    LC_HISTORY_MC_0367.jpg
  • Front cover of Le Journal de Sable, a weekly newspaper, 29th June 1940, published during the German occupation of France during the Second World War, in Sable-sur-Sarthe, Pays de la Loire, France. The Journal de Sable praises the institutions and social systems of Germany in a wildly enthusiastic style. Picture by Manuel Cohen
    LC_HISTORY_MC_0363.jpg
  • Page from Le Journal de Sable, a weekly newspaper, 29th June 1940, with the Order of the Kommandantur, published during the German occupation of France during the Second World War, in Sable-sur-Sarthe, Pays de la Loire, France. The Journal de Sable praises the institutions and social systems of Germany in a wildly enthusiastic style. Picture by Manuel Cohen
    LC_HISTORY_MC_0364.jpg
  • Front cover of Le Journal de Sable, a weekly newspaper, 6th February 1943, published during the German occupation of France during the Second World War, in Sable-sur-Sarthe, Pays de la Loire, France. The Journal de Sable praises the institutions and social systems of Germany in a wildly enthusiastic style, for example in the article here 'Germany's fight against Bolshevism in Europe'. Picture by Manuel Cohen
    LC_HISTORY_MC_0365.jpg
  • Article in the L'Echo de la Sarthe newspaper, published in the Pays de la Loire, France, entitled 'La Guerre au Marche Noir', describing the continuation of  black market activity after liberation from the German occupation in the region in 1944, during the Second World War. Picture by Manuel Cohen
    LC_HISTORY_MC_0355.jpg
  • Trade Canoe for Don Quixote, 2004, acrylic, pencil, charcoal and oil on canvas, by Jaune Quick-to-See Smith, b. 1940, American artist of Salish, Kootenai, Cree and Shoshone descent, from the William Sr and Dorothy Harmsen Collection, by exchange, in the Denver Art Museum, Denver, Colorado, USA. The image represents a traditional indian trade canoe filled with images of war from many cultures. The artist aims to enlighten the larger community about Indian affairs. Picture by Manuel Cohen
    LC16_COLORADO_MC_223.jpg
  • Detail from Trade Canoe for Don Quixote, 2004, acrylic, pencil, charcoal,d oil on canvas, by Jaune Quick-to-See Smith, b. 1940, American artist of Salish, Kootenai, Cree and Shoshone descent, from the William Sr and Dorothy Harmsen Collection, by exchange, in the Denver Art Museum, Denver, Colorado, USA. The image represents a traditional indian trade canoe filled with images of war from many cultures. The artist aims to enlighten the larger community about Indian affairs. Picture by Manuel Cohen
    LC16_COLORADO_MC_181.jpg
  • Detail from Trade Canoe for Don Quixote, 2004, acrylic, pencil, charcoal,d oil on canvas, by Jaune Quick-to-See Smith, b. 1940, American artist of Salish, Kootenai, Cree and Shoshone descent, from the William Sr and Dorothy Harmsen Collection, by exchange, in the Denver Art Museum, Denver, Colorado, USA. The image represents a traditional indian trade canoe filled with images of war from many cultures. The artist aims to enlighten the larger community about Indian affairs. Picture by Manuel Cohen
    LC16_COLORADO_MC_180.jpg
  • Altarpiece of the Last Supper, detail, oil painting on wood, by Martin Gomez El Viejo and Gonzalo Gomez, c. 1554-56, in the Museo Diocesano Cuenca or Cathedral Treasury Museum, in the Episcopal Palace, Cuenca, Spain. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC600.jpg
  • Detail of the altarpiece in the Chapel of St Martin, with gilded polychrome high relief of St Martin of Tours offering half of his cloak to a beggar, in Cuenca Cathedral or the Cathedral of Our Lady of Grace and Saint Julian, built 1182-1270 in Gothic style, Cuenca, Spain. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC638.jpg
  • The town of Cuenca, Spain, atop the cliffs of the gorge of the river Huecar. In the centre is Cuenca Cathedral or the Cathedral of Our Lady of Grace and Saint Julian, built 1182-1270. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC639.jpg
  • Apse, in 7-sided polygonal form, and ambulatory, with Transparent (window glass illuminating and decorating the background of an altar) by Ventura Rodriguez of the Burial of St Julian, 18th century, in Cuenca Cathedral or the Cathedral of Our Lady of Grace and Saint Julian, built 1182-1270 in Gothic style, Cuenca, Spain. The sculptures are by Francisco Vergara in Cuenca marble and Italian Carrara stone. In the silver urn are the remains of the body of the second bishop of Cuenca, St Julian, the patron of the diocese. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC637.jpg
  • Painting of the Virgin breastfeeding the Christ child, on the wooden armorial plaques in the Sacristy, in Cuenca Cathedral or the Cathedral of Our Lady of Grace and Saint Julian, built 1182-1270 in Gothic style, Cuenca, Spain. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC636.jpg
  • The town of Cuenca, Spain, atop the cliffs of the gorge of the river Huecar. In the centre is the tower of Cuenca Cathedral or the Cathedral of Our Lady of Grace and Saint Julian, built 1182-1270. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC634.jpg
  • Choir with 2 pulpits, looking towards the altar, with huge 15th century iron grilles, in Cuenca Cathedral or the Cathedral of Our Lady of Grace and Saint Julian, built 1182-1270 in Gothic style, Cuenca, Spain. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC635.jpg
  • The town of Cuenca, Spain, atop the cliffs of the gorge of the river Huecar. In the centre is Cuenca Cathedral or the Cathedral of Our Lady of Grace and Saint Julian, built 1182-1270. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC633.jpg
  • Casas Colgadas or Hanging Houses, built in the 14th century overhanging the gorge of the river Huecar and now housing the Museo de Arte Abstracto Espanol de Cuenca, part of the Fundacion Juan March, Cuenca, Spain. The houses are built over the edge of the cliff with wooden balconies on up to 3 levels. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC632.JPG
  • The town of Cuenca, Spain, atop the cliffs of the gorge of the river Huecar. On the left is the Puente de San Pablo or St Paul's Bridge, also known as the Iron Bridge, built 1533-89 and rebuilt in 1902, linking the old town with the Convent of St Paul. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC631.jpg
  • Facade of Cuenca Cathedral or the Cathedral of Our Lady of Grace and Saint Julian, built 1182-1270 in Gothic style, Cuenca, Spain. The facade was rebuilt after 1902 under Vicente Lamperez, when it was destroyed by lightning. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC629.JPG
  • Facade of Cuenca Cathedral or the Cathedral of Our Lady of Grace and Saint Julian, built 1182-1270 in Gothic style, Cuenca, Spain. The facade was rebuilt after 1902 under Vicente Lamperez, when it was destroyed by lightning. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC630.jpg
  • Detail of the relief from the pedestal of the equestrian statue of King Alfonso VIII by Javier Barrios, showing the original cathedral building with its towers, in Cuenca, Spain. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC626.jpg
  • Facade of Cuenca Cathedral or the Cathedral of Our Lady of Grace and Saint Julian, built 1182-1270 in Gothic style, Cuenca, Spain. The facade was rebuilt after 1902 under Vicente Lamperez, when it was destroyed by lightning. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC628.jpg
  • Colourful buildings of the Plaza Mayor and the facade of Cuenca Cathedral or the Cathedral of Our Lady of Grace and Saint Julian, built 1182-1270 in Gothic style, Cuenca, Spain. The facade was rebuilt after 1902 under Vicente Lamperez, when it was destroyed by lightning. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC627.jpg
  • Rib-vaulted ceiling with decorative bosses in the Sacristy or Chapterhouse, built in the mid 15th century under Bishop Lopez Barrientos, in Cuenca Cathedral or the Cathedral of Our Lady of Grace and Saint Julian, built 1182-1270 in Gothic style, Cuenca, Spain. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC625.jpg
  • The town of Cuenca, Spain, atop the cliffs of the gorge of the river Huecar. In the centre is the tower of Cuenca Cathedral or the Cathedral of Our Lady of Grace and Saint Julian, built 1182-1270. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC624.JPG
  • Casas Colgadas or Hanging Houses, built in the 14th century overhanging the gorge of the river Huecar and now housing the Museo de Arte Abstracto Espanol de Cuenca, part of the Fundacion Juan March, Cuenca, Spain. The houses are built over the edge of the cliff with wooden balconies on up to 3 levels. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC623.jpg
  • Casas Colgadas or Hanging Houses, built in the 14th century overhanging the gorge of the river Huecar and now housing the Museo de Arte Abstracto Espanol de Cuenca, part of the Fundacion Juan March, Cuenca, Spain. The houses are built over the edge of the cliff with wooden balconies on up to 3 levels. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC622.jpg
  • The Convent of St Paul, built 16th century, now the Hotel Parador de Cuenca (right), beside the gorge of the river Huecar, looking across to the old town of Cuenca, Spain. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC621.jpg
  • Puente de San Pablo or St Paul's Bridge, also known as the Iron Bridge, built 1533-89 and rebuilt in 1902, across the gorge of the river Huecar, linking the old town with the Convent of St Paul, Cuenca, Spain. The bridge is made of wood and iron and is 40m above the river. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC620.jpg
  • Puente de San Pablo or St Paul's Bridge illuminated in the evening, also known as the Iron Bridge, built 1533-89 and rebuilt in 1902, across the gorge of the river Huecar, linking the old town with the Convent of St Paul, Cuenca, Spain. The bridge is made of wood and iron and is 40m above the river. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC619.jpg
  • The Convent of St Paul, built 16th century, now the Hotel Parador de Cuenca, beside the gorge of the river Huecar, Cuenca, Spain. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC618.jpg
  • Detail of the altarpiece in the Capilla de los Caballeros or Knights' Chapel, in Cuenca Cathedral or the Cathedral of Our Lady of Grace and Saint Julian, built 1182-1270 in Gothic style, Cuenca, Spain. The altarpiece features a polychrome statue of the Virgin and Child in a niche, with statues of saints either side and a relief of the body of Christ below. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC616.jpg
  • Detail of the altarpiece in the Capilla de los Caballeros or Knights' Chapel, with Christ blessing surrounded by saints, in Cuenca Cathedral or the Cathedral of Our Lady of Grace and Saint Julian, built 1182-1270 in Gothic style, Cuenca, Spain. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC617.jpg
  • Adoration of the Magi, detail, painting by Hernando Yanez de Almedina, 1505-37, commissioned in 1520 by Don Gomez Corrillo de Albornoz, in the Capilla de los Caballeros or Knights' Chapel, in Cuenca Cathedral or the Cathedral of Our Lady of Grace and Saint Julian, built 1182-1270 in Gothic style, Cuenca, Spain. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC615.jpg
  • La Sagrada Familia, or the Holy Family, detail of the Virgin and Christ child, oil painting, c. 1535, by Juan de Borgona, 1470-1534, in the Museo Diocesano Cuenca or Cathedral Treasury Museum, in the Episcopal Palace, Cuenca, Spain. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC596.jpg
  • Nacimiento de Jesus, or Nativity, detail of Joseph and a donkey, oil painting, by Juan de Borgona, 1470-1534, in the Museo Diocesano Cuenca or Cathedral Treasury Museum, in the Episcopal Palace, Cuenca, Spain. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC597.jpg
  • Adoration of the Magi, painting by Hernando Yanez de Almedina, 1505-37, commissioned in 1520 by Don Gomez Corrillo de Albornoz, in the Capilla de los Caballeros or Knights' Chapel, in Cuenca Cathedral or the Cathedral of Our Lady of Grace and Saint Julian, built 1182-1270 in Gothic style, Cuenca, Spain. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC614.jpg
  • La Sagrada Familia, or the Holy Family, oil painting, c. 1535, by Juan de Borgona, 1470-1534, in the Museo Diocesano Cuenca or Cathedral Treasury Museum, in the Episcopal Palace, Cuenca, Spain. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC595.jpg
  • Presentation of the Blessed Virgin Mary in the Temple, detail, oil painting, by Juan de Borgona, 1470-1534, in the Museo Diocesano Cuenca or Cathedral Treasury Museum, in the Episcopal Palace, Cuenca, Spain. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC593.jpg
  • Nacimiento de Jesus, or Nativity, detail of the Annunciation to the Shepherds, oil painting, by Juan de Borgona, 1470-1534, in the Museo Diocesano Cuenca or Cathedral Treasury Museum, in the Episcopal Palace, Cuenca, Spain. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC594.jpg
  • Presentation of the Blessed Virgin Mary in the Temple, oil painting, by Juan de Borgona, 1470-1534, in the Museo Diocesano Cuenca or Cathedral Treasury Museum, in the Episcopal Palace, Cuenca, Spain. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC592.jpg
  • Desposorios de la Virgen, or the Betrothal of the Virgin, detail, oil painting, by Juan de Borgona, 1470-1534, in the Museo Diocesano Cuenca or Cathedral Treasury Museum, in the Episcopal Palace, Cuenca, Spain. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC591.jpg
  • Desposorios de la Virgen, or the Betrothal of the Virgin, oil painting, by Juan de Borgona, 1470-1534, in the Museo Diocesano Cuenca or Cathedral Treasury Museum, in the Episcopal Palace, Cuenca, Spain. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC590.jpg
  • Nacimiento de Jesus, or Nativity, detail of the Virgin, oil painting, by Juan de Borgona, 1470-1534, in the Museo Diocesano Cuenca or Cathedral Treasury Museum, in the Episcopal Palace, Cuenca, Spain. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC589.jpg
  • Presentation del Nino en el Templo, or Presentation of the Child in the Temple, detail, oil painting, by Juan de Borgona, 1470-1534, in the Museo Diocesano Cuenca or Cathedral Treasury Museum, in the Episcopal Palace, Cuenca, Spain. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC587.jpg
  • Nacimiento de Jesus, or Nativity, oil painting, by Juan de Borgona, 1470-1534, in the Museo Diocesano Cuenca or Cathedral Treasury Museum, in the Episcopal Palace, Cuenca, Spain. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC588.jpg
  • View of the town of Cuenca atop the cliffs of the gorge of the river Huecar, seen from the Puente de San Pablo or St Paul's Bridge, also known as the Iron Bridge, built 1533-89 and rebuilt in 1902, linking the old town with the Convent of St Paul, Cuenca, Spain. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC585.jpg
  • Colourful houses with iron balconies on the Calle Alfonso VIII, Cuenca, Spain. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC586.jpg
  • Casas Colgadas or Hanging Houses, built in the 14th century overhanging the gorge of the river Huecar and now housing the Museo de Arte Abstracto Espanol de Cuenca, part of the Fundacion Juan March, Cuenca, Spain. The houses are built over the edge of the cliff with wooden balconies on up to 3 levels. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC584.jpg
  • Equestrian statue of King Alfonso VIII of Castile, 1155-1214, detail, by Javier Barrios, in Cuenca, Spain. Alfonso reconquered Cuenca in 1177 during the Reconquista. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC582.jpg
  • The town of Cuenca, Spain, atop the cliffs of the gorge of the river Huecar. In the centre is the tower of Cuenca Cathedral or the Cathedral of Our Lady of Grace and Saint Julian, built 1182-1270. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC579.jpg
  • Lion's head in the sculpted foliage on the left facade of Cuenca Cathedral or the Cathedral of Our Lady of Grace and Saint Julian, built 1182-1270 in Gothic style, Cuenca, Spain. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC581.jpg
  • The town of Cuenca, Spain, atop the cliffs of the gorge of the river Huecar. In the centre is the tower of Cuenca Cathedral or the Cathedral of Our Lady of Grace and Saint Julian, built 1182-1270. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC580.jpg
  • The town of Cuenca, Spain, atop the cliffs of the gorge of the river Huecar. In the centre is Cuenca Cathedral or the Cathedral of Our Lady of Grace and Saint Julian, built 1182-1270. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC576.jpg
  • The town of Cuenca, Spain, atop the cliffs of the gorge of the river Huecar. On the left is the Puente de San Pablo or St Paul's Bridge, also known as the Iron Bridge, built 1533-89 and rebuilt in 1902, linking the old town with the Convent of St Paul. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC578.jpg
  • The town of Cuenca, Spain, atop the cliffs of the gorge of the river Huecar. On the left is the Puente de San Pablo or St Paul's Bridge, also known as the Iron Bridge, built 1533-89 and rebuilt in 1902, linking the old town with the Convent of St Paul. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC577.jpg
  • The town of Cuenca, Spain, atop the cliffs of the gorge of the river Huecar. On the bottom left is the Convent of St Paul, built 16th century, now the Hotel Parador de Cuenca. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC574.jpg
  • The Convent of St Paul, built 16th century, now the Hotel Parador de Cuenca (left), beside the gorge of the river Huecar, looking across to the old town of Cuenca, Spain. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC573.jpg
  • The town of Cuenca, Spain, atop the cliffs of the gorge of the river Huecar. On the bottom left is the Convent of St Paul, built 16th century, now the Hotel Parador de Cuenca. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC575.jpg
  • Apse, in 7-sided polygonal form, and ambulatory, with Transparent (window glass illuminating and decorating the background of an altar) by Ventura Rodriguez of the Burial of St Julian, 18th century, in Cuenca Cathedral or the Cathedral of Our Lady of Grace and Saint Julian, built 1182-1270 in Gothic style, Cuenca, Spain. The sculptures are by Franciscoi Vergara in Cuenca marble and Italian Carrara stone. In the silver urn are the remains of the body of the second bishop of Cuenca, St Julian, the patron of the diocese. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC613.jpg
  • Montemayor family tomb, 16th century Gothic, in Cuenca Cathedral or the Cathedral of Our Lady of Grace and Saint Julian, built 1182-1270 in Gothic style, Cuenca, Spain. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC612.jpg
  • Sacristy or Chapterhouse, built in the mid 15th century under Bishop Lopez Barrientos, in Cuenca Cathedral or the Cathedral of Our Lady of Grace and Saint Julian, built 1182-1270 in Gothic style, Cuenca, Spain. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC611.jpg
  • Painting of the Virgin breastfeeding the Christ child, detail, on the wooden armorial plaques in the Sacristy, in Cuenca Cathedral or the Cathedral of Our Lady of Grace and Saint Julian, built 1182-1270 in Gothic style, Cuenca, Spain. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC610.jpg
  • Piedad, or Pieta, detail of the Virgin embracing the dead Christ, oil painting on wood by unknown artist, 15th century, depicting the Deposition and Entombment of Christ, originally from the Parish of El Salvador, in the Museo Diocesano Cuenca or Cathedral Treasury Museum, in the Episcopal Palace, Cuenca, Spain. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC609.jpg
  • Piedad, or Pieta, detail of the Virgin embracing the dead Christ, oil painting on wood by unknown artist, 15th century, depicting the Deposition and Entombment of Christ, originally from the Parish of El Salvador, in the Museo Diocesano Cuenca or Cathedral Treasury Museum, in the Episcopal Palace, Cuenca, Spain. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC608.jpg
  • Piedad, or Pieta, detail, oil painting on wood, attributed to Antonio de Comontes, 16th century, originally from the parish of El Peral, in the Museo Diocesano Cuenca or Cathedral Treasury Museum, in the Episcopal Palace, Cuenca, Spain. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC605.jpg
  • Piedad, or Pieta, oil painting on wood by unknown artist, 15th century, depicting the Deposition and Entombment of Christ, originally from the Parish of El Salvador, in the Museo Diocesano Cuenca or Cathedral Treasury Museum, in the Episcopal Palace, Cuenca, Spain. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC606.jpg
  • Assumption of the Virgin, oil painting on wood, by Gonzalo de Castro, 16th century, originally from the Capilla del Pozo in Cuenca Cathedral or the Cathedral of Our Lady of Grace and Saint Julian, in the Museo Diocesano Cuenca or Cathedral Treasury Museum, in the Episcopal Palace, Cuenca, Spain. The painting depicts the Virgin standing on a moon, escorted to heaven by angels. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC603.jpg
  • Piedad, or Pieta, oil painting on wood, attributed to Antonio de Comontes, 16th century, originally from the parish of El Peral, in the Museo Diocesano Cuenca or Cathedral Treasury Museum, in the Episcopal Palace, Cuenca, Spain. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC604.jpg
  • Assumption of the Virgin, oil painting on wood, by Martin Gomez El Viejo or Martin Gomez the Elder, 16th century, originally from Cuenca Cathedral or the Cathedral of Our Lady of Grace and Saint Julian, in the Museo Diocesano Cuenca or Cathedral Treasury Museum, in the Episcopal Palace, Cuenca, Spain. The painting depicts the Virgin escorted to heaven by angels. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC602.jpg
  • Desposorios de la Virgen, or the Betrothal of the Virgin, detail, oil painting, by Juan de Borgona, 1470-1534, in the Museo Diocesano Cuenca or Cathedral Treasury Museum, in the Episcopal Palace, Cuenca, Spain. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC598.jpg
  • Altarpiece of the Last Supper, detail of Christ, oil painting on wood, by Martin Gomez El Viejo and Gonzalo Gomez, c. 1554-56, in the Museo Diocesano Cuenca or Cathedral Treasury Museum, in the Episcopal Palace, Cuenca, Spain. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC601.jpg
  • Altarpiece of the Last Supper, oil painting on wood, by Martin Gomez El Viejo and Gonzalo Gomez, c. 1554-56, in the Museo Diocesano Cuenca or Cathedral Treasury Museum, in the Episcopal Palace, Cuenca, Spain. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC599.jpg
  • Framed portrait of Maurice Marechal, founder of Le Canard Enchaine, in the editorial offices of the newspaper, photograph. The photograph is in the collection of the Archives du Canard Enchaine. Le Canard Enchaine is a satirical weekly newspaper, founded in 1915 during the First World War by Maurice Marechal, Jeanne Marechal and H P Gassier. It features investigative journalism, political cartoons, business and political leaks and bogus interviews. In 2015 the newspaper celebrated its 100th anniversary. Picture by Manuel Cohen
    LC_HISTORY_MC_0213.jpg
  • Maurice Marechal and his wife Jeanne Marechal, founders of Le Canard Enchaine, and a framed portrait of Maurice Marechal, in the editorial offices of the newspaper, photograph. The photograph is in the collection of the Archives du Canard Enchaine. Le Canard Enchaine is a satirical weekly newspaper, founded in 1915 during the First World War by Maurice Marechal, Jeanne Marechal and H P Gassier. It features investigative journalism, political cartoons, business and political leaks and bogus interviews. In 2015 the newspaper celebrated its 100th anniversary. Picture by Manuel Cohen
    LC_HISTORY_MC_0212.jpg
  • Front page of Le Canard Enchaine, issue number 2771, 58th year, published 5th December 1973, with headline 'Oh! Marcellin, quelle Watergaffe!', in reference to the Affaire des Plombiers, with the Direction de la Surveillance du Territoire and Raymond Marcellin accused of spying on the offices of Le Canard Enchaine. Le Canard Enchaine is a satirical weekly newspaper, founded in 1915 during the First World War by Maurice Marechal, Jeanne Marechal and H P Gassier. It features investigative journalism, political cartoons, business and political leaks and bogus interviews. In 2015 the newspaper celebrated its 100th anniversary. Picture by Manuel Cohen
    LC_HISTORY_MC_0210.jpg
  • Journalists from Le Canard Enchaine playing cards at the Cafe du Cadran in Paris, c. 1930, photograph, with (right) Maurice Marechal and his wife Jeanne Marechal, (opposite) Henri Monnier and (centre) Jules Rivet, copyeditor of the newspaper. The photograph is in the collection of the Archives du Canard Enchaine. Le Canard Enchaine is a satirical weekly newspaper, founded in 1915 during the First World War by Maurice Marechal, Jeanne Marechal and H P Gassier. It features investigative journalism, political cartoons, business and political leaks and bogus interviews. In 2015 the newspaper celebrated its 100th anniversary. Picture by Manuel Cohen
    LC_HISTORY_MC_0211.jpg
  • Front page of Le Canard Enchaine, issue number 2000, 40th year, published 18th February 1959, with the headline 'La Fiscalite par la Joie' and poem celebrating the 2000th edition of the newspaper. Le Canard Enchaine is a satirical weekly newspaper, founded in 1915 during the First World War by Maurice Marechal, Jeanne Marechal and H P Gassier. It features investigative journalism, political cartoons, business and political leaks and bogus interviews. In 2015 the newspaper celebrated its 100th anniversary. Picture by Manuel Cohen
    LC_HISTORY_MC_0209.jpg
  • Front page of Le Canard Enchaine, issue number 1838, 37th year, published 11th January 1956, with headlines and cartoons referring to Pierre Poujade, whose party won 52 seats in the 1956 election. The newspaper's title has been changed to Le Canard Empoujade, as Poujadism was on the ascendance. Le Canard Enchaine is a satirical weekly newspaper, founded in 1915 during the First World War by Maurice Marechal, Jeanne Marechal and H P Gassier. It features investigative journalism, political cartoons, business and political leaks and bogus interviews. In 2015 the newspaper celebrated its 100th anniversary. Picture by Manuel Cohen
    LC_HISTORY_MC_0207.jpg
  • Front page of Le Canard Enchaine, issue number 2012, 40th year, published 13th May 1959, on the anniversary of the Algiers Putsch of 1958, with cartoons of crowds marching towards a trap door and the headline, 'General, nous voila! La grande parade du 13 mai'. Le Canard Enchaine is a satirical weekly newspaper, founded in 1915 during the First World War by Maurice Marechal, Jeanne Marechal and H P Gassier. It features investigative journalism, political cartoons, business and political leaks and bogus interviews. In 2015 the newspaper celebrated its 100th anniversary. Picture by Manuel Cohen
    LC_HISTORY_MC_0208.jpg
  • Front page of Le Canard Enchaine, issue number 1212, 24th year, published 20th September 1939 during WWII, with blank spaces as evidence of imposed military censorship. Le Canard Enchaine is a satirical weekly newspaper, founded in 1915 during the First World War by Maurice Marechal, Jeanne Marechal and H P Gassier. It features investigative journalism, political cartoons, business and political leaks and bogus interviews. In 2015 the newspaper celebrated its 100th anniversary. Picture by Manuel Cohen
    LC_HISTORY_MC_0206.jpg
  • Front page of Le Canard Enchaine, issue number 1211, 24th year, published 13th September 1939 during WWII, with blank spaces with scissors symbols symbolising imposed military censorship. Le Canard Enchaine is a satirical weekly newspaper, founded in 1915 during the First World War by Maurice Marechal, Jeanne Marechal and H P Gassier. It features investigative journalism, political cartoons, business and political leaks and bogus interviews. In 2015 the newspaper celebrated its 100th anniversary. Picture by Manuel Cohen
    LC_HISTORY_MC_0205.jpg
  • Page 3 of Le Canard Enchaine, issue number 1209, 24th year, published 30th August 1939, with cartoons and headlines referring to the imminent outbreak of WWII, and a blank space with cartoon of person cutting with scissors, symbolising imposed censorship. Le Canard Enchaine is a satirical weekly newspaper, founded in 1915 during the First World War by Maurice Marechal, Jeanne Marechal and H P Gassier. It features investigative journalism, political cartoons, business and political leaks and bogus interviews. In 2015 the newspaper celebrated its 100th anniversary. Picture by Manuel Cohen
    LC_HISTORY_MC_0204.jpg
  • Front page of Le Canard Enchaine, issue number 1209, 24th year, published 30th August 1939, with the headline 'Anastasie reprend du service', a reference to the imposition of military censorship on the eve of the outbreak of WWII. Le Canard Enchaine is a satirical weekly newspaper, founded in 1915 during the First World War by Maurice Marechal, Jeanne Marechal and H P Gassier. It features investigative journalism, political cartoons, business and political leaks and bogus interviews. In 2015 the newspaper celebrated its 100th anniversary. Picture by Manuel Cohen
    LC_HISTORY_MC_0203.jpg
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