manuel cohen

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  • Old Man of Storr, or Bodach an Stoir, a massive rock pinnacle on the Trotternish Ridge, on the Isle of Skye, Inner Hebrides, Highlands of Scotland. The pinnacles were left after a huge landslip and this is a popular area for walking. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_191.jpg
  • Neanderthal man, model in the Musee de Tautavel - Centre Europeen de Prehistoire, Tautavel, Pyrenees-Orientales, Catalogne du Nord, France. The museum houses the Centre Europeen de Recherches Prehistoriques (CERP), who work on the excavations at the Caune de l'Arago or La grotte de Tautavel, or Arago Cave, in a limestone cliff in the Gorges du Gouleyrous in the Corbieres Massif, which contains the remains of the Tautavel Man, a subspecies of Homo Erectus, 450,000 years old, along with further evidence of stone age activity. Picture by Manuel Cohen
    LC20_FRANCE_MC_1618.jpg
  • Multicultural Man, bronze sculpture by Francesco Perilli of a man surrounded by doves, given by the Italian people to Sarajevo citizens in 1997, and behind, the Cathedral Church of the Nativity of the Theotokos, built 1863-68 by Andreja Damjanov during the Ottoman empire, with its separate belfry in front, Sarajevo, Bosnia and Herzegovina. The sculpture is one of a series in several cities around the world. Picture by Manuel Cohen
    LC15_Sarajevo_MC107.jpg
  • Walking Man, 2003, cast from bronze and painted with oil paints, Sean Henry (b. 1965), Point Complex, Paddington basin, London, UK. The moving figure with orange uniform in the background emphasizes the realist polychrome sculpture. Picture by Manuel Cohen.The use of this image may require further clearance / Merci de vous assurer que l'utilisation finale de l'image ne necessite pas d'autorisation supplementaire.
    LC_London_MC149.jpg
  • Erik Satie, 1866-1925, French composer and pianist, photograph, 1922, by Man Ray, 1890-1976, American artist. Copyright © Collection Particuliere Tropmi / Manuel Cohen
    LC_HISTORY_MC_0169.jpg
  • Mould of the skull of l'homme de Tautavel or Tautavel Man, a subspecies of Homo Erectus, 450,000 years old, from the Caune de l'Arago or La grotte de Tautavel, at the Centre Europeen de Recherches Prehistoriques (CERP) at the Musee de Tautavel - Centre Europeen de Prehistoire, Tautavel, Pyrenees-Orientales, Catalogne du Nord, France. The Arago Cave, in a limestone cliff in the Gorges du Gouleyrous in the Corbieres Massif, contains much evidence of stone age activity. Picture by Manuel Cohen
    LC20_FRANCE_MC_1621.jpg
  • Biro sketch of a man in profile, from a sketchbook used for developing characters, used since 2000, by Grzegorz Rosinski, 1941-, Polish comic book artist. Rosinski was born in Stalowa Wola, Poland, and now lives in Switzerland, and is the author and designer of many Polish comic book series. He created Thorgal with Belgian writer Jean Van Hamme. The series was first published in Tintin in 1977 and has been published by Le Lombard since 1980. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Picture by Manuel Cohen / Further clearances requested, please contact us and/or visit www.lelombard.com
    LC16_ROSINSKI_MC_030.JPG
  • Man washing his clothes at a ghat on the shore of Lake Pichola, in Udaipur, Rajasthan, India. Udaipur was the historic capital of the kingdom of Mewar and was founded in 1558 by Maharana Udai Singh II. It is known as the City of Lakes as it is surrounded by 7 artificial lakes made to supply irrigation and drinking water to the city. Picture by Manuel Cohen
    LC20_INDIA_MC_015.jpg
  • Man of Sorrows, fresco transferred to canvas, of Christ in his tomb, c. 1370, by Niccolo di Tommaso, Italian, from a monastery in Florence, Italy, in The Cloisters, a museum specialising in European medieval architecture, sculpture and decorative arts, part of the Metropolitan Museum of Art, at Fort Tryon Park, Manhattan, New York, USA. The Cloisters collection includes Byzantine, Romanesque, Gothic and Renaissance works from 12th to 15th centuries. Picture by Manuel Cohen
    LC20_NYC_USA_MC155.jpg
  • Man of Sorrows, detail, fresco transferred to canvas, of Christ in his tomb, c. 1370, by Niccolo di Tommaso, Italian, from a monastery in Florence, Italy, in The Cloisters, a museum specialising in European medieval architecture, sculpture and decorative arts, part of the Metropolitan Museum of Art, at Fort Tryon Park, Manhattan, New York, USA. The Cloisters collection includes Byzantine, Romanesque, Gothic and Renaissance works from 12th to 15th centuries. Picture by Manuel Cohen
    LC20_NYC_USA_MC047.jpg
  • Man sitting on a bench in the Old Harbour, watching a passing boat leaving for Lokrum Island, Old Town, Dubrovnik, Croatia. The city developed as an important port in the 15th and 16th centuries and has had a multicultural history, allied to the Romans, Ostrogoths, Byzantines, Ancona, Hungary and the Ottomans. In 1979 the city was listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_DUBROVNIK_MC126.jpg
  • Molecule Man sculpture, designed by American artist Jonathan Borofsky, erected 1999 in the river Spree at An den Treptowers 1, Berlin, Germany. Similar sculptures have been erected in many cities around the world. The sculpture depicts 3 figures meeting and full of holes, representing molecules of all men coming together. Picture by Manuel Cohen
    LC14_BERLIN_MC0814.jpg
  • Molecule Man sculpture, designed by American artist Jonathan Borofsky, erected 1999 in the river Spree at An den Treptowers 1, Berlin, Germany. Similar sculptures have been erected in many cities around the world. The sculpture depicts 3 figures meeting and full of holes, representing molecules of all men coming together. In the distance is the Oberbaum bridge. Picture by Manuel Cohen
    LC14_BERLIN_MC0813.jpg
  • Molecule Man sculpture, designed by American artist Jonathan Borofsky, erected 1999 in the river Spree at An den Treptowers 1, Berlin, Germany. Similar sculptures have been erected in many cities around the world. The sculpture depicts 3 figures meeting and full of holes, representing molecules of all men coming together. Picture by Manuel Cohen
    LC14_BERLIN_MC0812.jpg
  • Sculpted head of a young man, Roman, from the Museum Of Apollonia near the Ardenica monastery in Fier, Albania. The museum was opened in 1958 to display artefacts found at the nearby Greek Illyrian archaeological site of Apollonia. Apollonia was an ancient Greek city in Illyria, founded in 588 BC by Greek colonists from Corfu and Corinth. It flourished in the Roman period and declined from the 3rd century AD when its harbour was silted up due to an earthquake. Picture by Manuel Cohen
    LC14_Albania_MC339.jpg
  • Sculpted head of a young man, Roman, from the Museum Of Apollonia near the Ardenica monastery in Fier, Albania. The museum was opened in 1958 to display artefacts found at the nearby Greek Illyrian archaeological site of Apollonia. Apollonia was an ancient Greek city in Illyria, founded in 588 BC by Greek colonists from Corfu and Corinth. It flourished in the Roman period and declined from the 3rd century AD when its harbour was silted up due to an earthquake. Picture by Manuel Cohen
    LC14_Albania_MC338.jpg
  • Bust of a young man wearing a chlamys, a Greek cloak worn over the shoulders, from the Museum Of Apollonia near the Ardenica monastery in Fier, Albania. The museum was opened in 1958 to display artefacts found at the nearby Greek Illyrian archaeological site of Apollonia. Apollonia was an ancient Greek city in Illyria, founded in 588 BC by Greek colonists from Corfu and Corinth. It flourished in the Roman period and declined from the 3rd century AD when its harbour was silted up due to an earthquake. Picture by Manuel Cohen
    LC14_Albania_MC337.jpg
  • Sculpted head of a man, Roman, from the Museum Of Apollonia near the Ardenica monastery in Fier, Albania. The museum was opened in 1958 to display artefacts found at the nearby Greek Illyrian archaeological site of Apollonia. Apollonia was an ancient Greek city in Illyria, founded in 588 BC by Greek colonists from Corfu and Corinth. It flourished in the Roman period and declined from the 3rd century AD when its harbour was silted up due to an earthquake. Picture by Manuel Cohen
    LC14_Albania_MC353.jpg
  • Statue of a young man wearing a chlamys, a cloak worn over the shoulder attached with a clasp, Roman, from the Museum Of Apollonia near the Ardenica monastery in Fier, Albania. The museum was opened in 1958 to display artefacts found at the nearby Greek Illyrian archaeological site of Apollonia. Apollonia was an ancient Greek city in Illyria, founded in 588 BC by Greek colonists from Corfu and Corinth. It flourished in the Roman period and declined from the 3rd century AD when its harbour was silted up due to an earthquake. Picture by Manuel Cohen
    LC14_Albania_MC355.jpg
  • Man talking to a giant, from the causes of the flood, from the Life of Noah stained glass window, 13th century, in the nave of Chartres cathedral, Eure-et-Loir, France. Chartres cathedral was built 1194-1250 and is a fine example of Gothic architecture. Most of its windows date from 1205-40 although a few earlier 12th century examples are also intact. It was declared a UNESCO World Heritage Site in 1979. Picture by Manuel Cohen
    LC14_France_MC790.jpg
  • Man walking with umbrella, Canary Wharf, West India Docks on the Isle of Dogs, Borough of Tower Hamlets, East London, UK. Picture by Manuel Cohen
    LC_London_MC273.jpg
  • Man wearing swimming trunks on a concrete jetty with a bench and shower at a beach at Sitges, Catalonia, Spain. Picture by Manuel Cohen
    LCSPAIN13_MC041.jpg
  • Man with a beak and a tail, holding a whip, quadrilobe relief, 13th century, to the right of the door on the Portail des Libraires or North Transept Portal, at Rouen Cathedral or the Cathedrale de Notre Dame de Rouen, built 12th century in Gothic style, with work continuing through the 13th and 14th centuries, Rouen, Normandy, France. Picture by Manuel Cohen
    LC15_FRANCE_MC0072.jpg
  • Man falling down, quadrilobe relief, 13th century, to the left of the door on the Portail des Libraires or North Transept Portal, at Rouen Cathedral or the Cathedrale de Notre Dame de Rouen, built 12th century in Gothic style, with work continuing through the 13th and 14th centuries, Rouen, Normandy, France. Picture by Manuel Cohen
    LC15_FRANCE_MC0067.jpg
  • Man falling down, quadrilobe relief, 13th century, to the left of the door on the Portail des Libraires or North Transept Portal, at Rouen Cathedral or the Cathedrale de Notre Dame de Rouen, built 12th century in Gothic style, with work continuing through the 13th and 14th centuries, Rouen, Normandy, France. Picture by Manuel Cohen
    LC15_FRANCE_MC0065.jpg
  • An 'homme de qualite' or upper class man, wearing a dancing costume, in the gardens of the Palace of Versailles, late 17th century engraving. Copyright © Collection Particuliere Tropmi / Manuel Cohen
    LC_History_MC0003.JPG
  • High class man at the Theatre de l'Opera in Paris, engraving by Jean Dieu de Saint Jean Delin, 1687. Copyright © Collection Particuliere Tropmi / Manuel Cohen
    LC_History_MC0012.jpg
  • Sick man hoping to be healed, from the scene of carrying the relics of St Firmin to Amiens, Gothic style polychrome high-relief sculpture from the South side of the choir screen, 1490-1530, commissioned by canon Adrien de Henencourt, depicting the life of St Firmin, at the Basilique Cathedrale Notre-Dame d'Amiens or Cathedral Basilica of Our Lady of Amiens, built 1220-70 in Gothic style, Amiens, Picardy, France. St Firmin, 272-303 AD, was the first bishop of Amiens. Amiens Cathedral was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC873.jpg
  • Scene of a man in prehistoric times rowing with an oar in a canoe made from a hollowed out tree trunk. Image taken from the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. Picture by Manuel Cohen
    LC11_FRANCE_MC025.jpg
  • Man making traditional mint tea with a samovar of hot water heated over a wood fire, in a cafe in the medina of Tetouan, on the slopes of Jbel Dersa in the Rif Mountains of Northern Morocco. The medina of Tetouan dates to the 16th century and was declared a UNESCO World Heritage Site in 1997. Picture by Manuel Cohen
    LC13_Morocco_MC180.jpg
  • Man sorting blue fishing nets at the fishing harbour at M'diq or Rincon, M'diq-Fnideq, on the Mediterranean coast of Morocco. M'diq has 2 harbours, one for tourism and the other for its traditional industry of fishing. Picture by Manuel Cohen
    LC13_Morocco_MC186.JPG
  • Man walking in the oasis of Skoura, Ouarzazate province, Souss-Massa-Draa, Morocco. Skoura is a fertile oasis lined with immense palm groves. Picture by Manuel Cohen
    LCMOROCCO_12_MC267.jpg
  • A man in peasant dress killing a winged basilisk by driving a sword through its mouth, quadrilobe relief, 13th century, to the right of the door on the Portail des Libraires or North Transept Portal, at Rouen Cathedral or the Cathedrale de Notre Dame de Rouen, built 12th century in Gothic style, with work continuing through the 13th and 14th centuries, Rouen, Normandy, France. Picture by Manuel Cohen
    LC15_FRANCE_MC0074.jpg
  • Man making traditional mint tea with a samovar of hot water heated over a wood fire, in a cafe in the medina of Tetouan, on the slopes of Jbel Dersa in the Rif Mountains of Northern Morocco. The medina of Tetouan dates to the 16th century and was declared a UNESCO World Heritage Site in 1997. Picture by Manuel Cohen
    LC13_Morocco_MC181.JPG
  • Man sorting blue fishing nets at the fishing harbour at M'diq or Rincon, M'diq-Fnideq, on the Mediterranean coast of Morocco. M'diq has 2 harbours, one for tourism and the other for its traditional industry of fishing. Picture by Manuel Cohen
    LC13_Morocco_MC185.jpg
  • Sculpture of a man above a carved Romanesque capital with acanthus leaves and heads peering out, 12th century, in the nave of the Cathedrale Saint-Julien du Mans or Cathedral of St Julian of Le Mans, Le Mans, Sarthe, Loire, France. The cathedral was built from the 6th to the 14th centuries, with both Romanesque and High Gothic elements. It is dedicated to St Julian of Le Mans, the city's first bishop, who established Christianity in the area in the 4th century AD. Picture by Manuel Cohen
    LC15_FRANCE_MC0469.jpg
  • Sculpture of figures, possibly fighting, one holding an axe, above a carved Romanesque capital with acanthus leaves, 12th century, in the nave of the Cathedrale Saint-Julien du Mans or Cathedral of St Julian of Le Mans, Le Mans, Sarthe, Loire, France. The cathedral was built from the 6th to the 14th centuries, with both Romanesque and High Gothic elements. It is dedicated to St Julian of Le Mans, the city's first bishop, who established Christianity in the area in the 4th century AD. Picture by Manuel Cohen
    LC15_FRANCE_MC0470.jpg
  • Sculpture of figures, possibly fighting, one holding an axe, above a carved Romanesque capital, 12th century, in the nave of the Cathedrale Saint-Julien du Mans or Cathedral of St Julian of Le Mans, Le Mans, Sarthe, Loire, France. The cathedral was built from the 6th to the 14th centuries, with both Romanesque and High Gothic elements. It is dedicated to St Julian of Le Mans, the city's first bishop, who established Christianity in the area in the 4th century AD. Picture by Manuel Cohen
    LC15_FRANCE_MC0465.jpg
  • Cyril Calvet, assistant heritage conservator at the Centre Europeen de Recherche Prehistorique de Tautavel, at the excavation site at the Caune de l'Arago or La grotte de Tautavel, or Arago Cave, in a limestone cliff in the Gorges du Gouleyrous in the Corbieres Massif, in Pyrenees-Orientales, Catalogne du Nord, France. The remains of the Tautavel Man, a subspecies of Homo Erectus, 450,000 years old, was found in the cave, along with further evidence of stone age activity. The site is listed as a historic monument. Picture by Manuel Cohen
    LC20_FRANCE_MC_1606.jpg
  • The rich man sitting at a table with his wife for a feast, and turning away a poor man asking for food (Lazarus the leper in a separate panel), from the stained glass window of the Parable of Dives and Lazarus, or the Rich Man and the Beggar, 1215-25, in bay 23, in the ambulatory of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. 22 of the original 25 medieval stained glass windows of the ambulatory have survived. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0046.jpg
  • 'Bicorp Man', a man climbing lianas to collect honey from wild bees, prehistoric rock painting, c. 8000 - 6000 BC, at the Cuevas de la Arana, Bicorp, Valencia, Spain. The Cuevas de la Arana are listed as a UNESCO World Heritage Site, the Rock art of the Iberian Mediterranean Basin. Picture by Manuel Cohen
    LC19_SPAIN_MC163.JPG
  • 'Bicorp Man', a man climbing lianas to collect honey from wild bees, prehistoric rock painting, c. 8000 - 6000 BC, at the Cuevas de la Arana, Bicorp, Valencia, Spain. The Cuevas de la Arana are listed as a UNESCO World Heritage Site, the  Rock art of the Iberian Mediterranean Basin. Picture by Manuel Cohen
    LC19_SPAIN_MC162.JPG
  • 'Bicorp Man', a man climbing lianas to collect honey from wild bees, drawing based on a prehistoric rock painting, c. 6000 BC, at the Cuevas de la Arana, at the Ecomuseo Bicorp, Valencia, Spain. The Bicorp Ecomuseum is a Heritage Interpretation Centre exploring the landscape, history and heritage of the surrounding area, including the cave paintings in the nearby Cuevas de la Arana and the Barranco Moreno, listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC19_SPAIN_MC161.JPG
  • Skull of l'Homme de Tautavel or Tautavel Man, in the wall of the Caune de l'Arago or La grotte de Tautavel, or Arago Cave, in a limestone cliff in the Gorges du Gouleyrous in the Corbieres Massif, in Pyrenees-Orientales, Catalogne du Nord, France. The remains of the Tautavel Man, a subspecies of Homo Erectus, 450,000 years old, was found in the cave, along with further evidence of stone age activity. The site is listed as a historic monument. Picture by Manuel Cohen
    LC20_FRANCE_MC_1607.jpg
  • Adoration of the Magi and Man of Sorrows, Renaissance fresco, 1440-41, by Benozzo Gozzoli, 1421-97, a student of Fra Angelico, 1395-1455, in Cell 39, the private cell of Cosimo de Medici, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_319.jpg
  • Man of Sorrows, Renaissance fresco, 1440-41, by Benozzo Gozzoli, 1421-97, a student of Fra Angelico, 1395-1455, in Cell 39, the private cell of Cosimo de Medici, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. This recessed fresco shows Christ in his sepulchre with his wounds and stigmata, wearing a crown of thorns, alongside Instruments of the Passion. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_256.jpg
  • Cyril Calvet, assistant heritage conservator, holding an animal skull in the Collection Room, storing fragments excavated at the Caune de l'Arago or La grotte de Tautavel, at the Centre Europeen de Recherches Prehistoriques (CERP) at the Musee de Tautavel - Centre Europeen de Prehistoire, Tautavel, Pyrenees-Orientales, Catalogne du Nord, France. The Arago Cave, in a limestone cliff in the Gorges du Gouleyrous in the Corbieres Massif, contains the remains of the Tautavel Man, a subspecies of Homo Erectus, 450,000 years old, along with further evidence of stone age activity. Picture by Manuel Cohen
    LC20_FRANCE_MC_1611.jpg
  • Salle des Moulages or Moulding Room, where moulds and casts are made of fragments excavated at the Caune de l'Arago or La grotte de Tautavel, at the Centre Europeen de Recherches Prehistoriques (CERP) at the Musee de Tautavel - Centre Europeen de Prehistoire, Tautavel, Pyrenees-Orientales, Catalogne du Nord, France. The Arago Cave, in a limestone cliff in the Gorges du Gouleyrous in the Corbieres Massif, contains the remains of the Tautavel Man, a subspecies of Homo Erectus, 450,000 years old, along with further evidence of stone age activity. Picture by Manuel Cohen
    LC20_FRANCE_MC_1609.jpg
  • Portrait of Roi Rene as an old man, King Rene I of Anjou, 1409-80, oil painting, 19th century, copy of triptych of the burning bush by Nicolas Froment from 1476, in the Musee des Beaux Arts, opened 2004 on Place Saint Eloi, Angers, Maine-et-Loire, France. The museum is located in the Logis Barrault, and displays fine arts of the 19th and 20th centuries and exhibitions on the history of Angers. Picture by Manuel Cohen
    LC21_FRANCE_MC_0593.jpg
  • Roman mosaic, Citadel Museum, Bosra, Syria.  The mosaic depicts a man picking fruit, while another man has a caged bird.
    LCSYRIA05069.jpg
  • Stele of the hunter, with relief of seated woman shaking hands with a standing man, possibly protective deities of 2 cities symbolising an alliance, Greek, late 4th century BC, from Attica, Greece, in the Musee Lapidaire, or Lapidary Museum, in Avignon, Provence-Alpes-Cote-d'Azur, France. The man holds a curved stick used as a throwing weapon, and has Laconian dogs used in hunting. The museum houses archaeological artefacts from the Collection Archeologique de la Fondation Calvet, from the Musee Calvet. Picture by Manuel Cohen
    LC21_FRANCE_MC_1287.jpg
  • Man with folded legs, with chakras 3 and 4, carrying a man on his back representing heaviness, and an ibis, sculpted stone capital, 12th century, in the Basilique Notre Dame du Port, a 12th century Romanesque basilica in the port area of Clermont-Ferrand, Auvergne-Rhone-Alpes, France. The church is listed as a historic monument and forms part of the Santiago de Compostela UNESCO World Heritage Site. Picture by Manuel Cohen
    LC20_FRANCE_MC_0016.jpg
  • Masons build a new barn for the rich man to gather grain and ensure a life of pleasure from the overabundant harvest, from the stained glass window of the Parable of Dives and Lazarus, or the Rich Man and the Beggar, 1215-25, in bay 23, in the ambulatory of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. 22 of the original 25 medieval stained glass windows of the ambulatory have survived. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0172.jpg
  • The rich man's soul, in a cauldron stirred by devils, points to his tongue and implores Abraham and Lazarus for water, from the stained glass window of the Parable of Dives and Lazarus, or the Rich Man and the Beggar, 1215-25, in bay 23, in the ambulatory of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. 22 of the original 25 medieval stained glass windows of the ambulatory have survived. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0051.jpg
  • Lazarus the leper, holding a rattle with dogs licking his wounds, begging for food at the door of the rich man, who turns him away, from the stained glass window of the Parable of Dives and Lazarus, or the Rich Man and the Beggar, 1215-25, in bay 23, in the ambulatory of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. 22 of the original 25 medieval stained glass windows of the ambulatory have survived. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0050.jpg
  • The rich man's soul is taken to the flames of hell by devils, from the stained glass window of the Parable of Dives and Lazarus, or the Rich Man and the Beggar, 1215-25, in bay 23, in the ambulatory of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. 22 of the original 25 medieval stained glass windows of the ambulatory have survived. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0048.jpg
  • The rich man dies, his soul is taken by devils and his wife mourns him while a servant steals his possessions, from the stained glass window of the Parable of Dives and Lazarus, or the Rich Man and the Beggar, 1215-25, in bay 23, in the ambulatory of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. 22 of the original 25 medieval stained glass windows of the ambulatory have survived. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0047.jpg
  • The rich man preparing to dine, with a servant presenting food and drink, from the stained glass window of the Parable of Dives and Lazarus, or the Rich Man and the Beggar, 1215-25, in bay 23, in the ambulatory of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. 22 of the original 25 medieval stained glass windows of the ambulatory have survived. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0045.jpg
  • Masons build a new barn for the rich man to gather grain and ensure a life of pleasure from the overabundant harvest, from the stained glass window of the Parable of Dives and Lazarus, or the Rich Man and the Beggar, 1215-25, in bay 23, in the ambulatory of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. 22 of the original 25 medieval stained glass windows of the ambulatory have survived. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0044.jpg
  • The rich man preparing to dine, with a servant presenting food and drink, from the stained glass window of the Parable of Dives and Lazarus, or the Rich Man and the Beggar, 1215-25, in bay 23, in the ambulatory of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. 22 of the original 25 medieval stained glass windows of the ambulatory have survived. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0022.jpg
  • Masons build a new barn for the rich man to gather grain and ensure a life of pleasure from the overabundant harvest, from the stained glass window of the Parable of Dives and Lazarus, or the Rich Man and the Beggar, 1215-25, in bay 23, in the ambulatory of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. 22 of the original 25 medieval stained glass windows of the ambulatory have survived. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0021.jpg
  • 'Grosser Mann mit kleinem Mann' or Big man with little man sculpture by Stephan Balkenhol, in the courtyard of the Allgemeine Hypothekenbank AG, Pariser Platz, Mitte, Berlin, Germany. The sculpture questions the power of the individual in society and his ability to stand up to state repression. Picture by Manuel Cohen
    LC14_BERLIN_MC1038.jpg
  • Medallion mosaic of African man holding a jug surrounded by grapes and vine leaves, Byzantine church, Petra, Ma'an, Jordan. Petra church was rebuilt in 450 AD over Nabatean and Roman ruins and the mosaics date from the 6th century. This man is from the Northern Aisle. Petra was the capital and royal city of the Nabateans, Arabic desert nomads. Picture by Manuel Cohen
    LC12_Jordan_MC157.jpg
  • Low angle view of statue of Lazarillo de Tormes leading the blind man, Salamanca, Spain, pictured on December 19, 2010 at night, flodlit. The novella, Lazarillo de Tormes, published anonymously in 1554, is credited with the founding of the picaresque literary genre. Salamanca, an important Spanish University city, is known as La Ciudad Dorada ("The golden city") because of the unique golden colour of its Renaissance sandstone buildings. Founded in 1218 its University is still one of the most important in Spain. Around it the Old Town is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LCSPAIN10_MC071.jpg
  • Low angle view of statue of Lazarillo de Tormes leading the blind man, Salamanca, Spain, pictured on December 19, 2010 in the evening. The novella, Lazarillo de Tormes, published anonymously in 1554, is credited with the founding of the picaresque literary genre. Casa Lis, the Museum of Art Nouveau and Art Dco, is visible in the background. Salamanca, an important Spanish University city, is known as La Ciudad Dorada ("The golden city") because of the unique golden colour of its Renaissance sandstone buildings. Founded in 1218 its University is still one of the most important in Spain. Around it the Old Town is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LCSPAIN10_MC069.jpg
  • View from the side of statue of Lazarillo de Tormes leading the blind man, Salamanca, Spain, pictured on December 18, 2010 in the afternoon. The novella, Lazarillo de Tormes, published anonymously in 1554, is credited with the founding of the picaresque literary genre. Salamanca, an important Spanish University city, is known as La Ciudad Dorada ("The golden city") because of the unique golden colour of its Renaissance sandstone buildings. Founded in 1218 its University is still one of the most important in Spain. Around it the Old Town is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LCSPAIN10_MC041.jpg
  • Man sitting in a cave in the Covetes dels Moros, a series of around 50 caves with rectangular openings in a cliff face on the Barranc de la Fos, created 10th - 11th century, near the village of Bocairent, Vall d'Albaida, Valencia, Spain. The rooms are on around 3 or 4 different levels and are interlinked, although designed to be separated by doors. The purpose of these chambers is unknown, possibly sepulchres, granaries, Visigothic monasteries or more likely, Hispano-Arab storage barns from the Andalusian period, after a design imported from North Africa. Picture by Manuel Cohen
    LC21_SPAIN_MC_0127.jpg
  • Man taking a selfie in front of a mosaic water fountain, at Park Guell, built 1900-14 by Antoni Gaudi, 1852-1926, Catalan Modernist architect, on Carmel Hill, Barcelona, Catalonia, Spain. In the background is the Hypostyle Room, with 86 striated Doric columns. The park was commissioned by Eusebi Guell and opened in 1926. The area was designed to hold public gardens, houses, paths and roads, irrigation systems and a terrace. Gaudi used organic forms in the structures of the park, incorporating symbols from Catalan nationalism, religious mysticism and ancient poetry and mythology. It is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_SPAIN_MC_0815.jpg
  • Mocking of Christ, detail from Homo Pietatis or Man of Sorrow, Renaissance fresco, by Fra Angelico, 1395-1455, in Cell 26, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. Christ is depicted in his tomb bearing the stigmata, with the Instruments of and scenes from the Passion. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_324.jpg
  • Homo Pietatis or Man of Sorrow, detail, Renaissance fresco, by Fra Angelico, 1395-1455, in Cell 26, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. Christ is depicted in his tomb bearing the stigmata, with the Instruments of the Passion (lance, sponge, cross, column), Judas kissing Christ, Peter and the handmaiden, the mocking of Christ, and with St Dominic and the Virgin below as witnesses. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_323.jpg
  • Homo Pietatis or Man of Sorrow, Renaissance fresco, by Fra Angelico, 1395-1455, in Cell 26, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. Christ is depicted in his tomb bearing the stigmata, with the Instruments of the Passion (lance, sponge, cross, column), Judas kissing Christ, Peter and the handmaiden, the mocking of Christ, and with St Dominic and the Virgin below as witnesses. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_322.jpg
  • Virgin Mary, detail from Homo Pietatis or Man of Sorrow, Renaissance fresco, by Fra Angelico, 1395-1455, in Cell 26, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. Christ is depicted in his tomb bearing the stigmata, with the Instruments of the Passion. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_276.jpg
  • Mocking of Christ, detail from Homo Pietatis or Man of Sorrow, Renaissance fresco, by Fra Angelico, 1395-1455, in Cell 26, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. Christ is depicted in his tomb bearing the stigmata, with the Instruments of and scenes from the Passion. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_275.jpg
  • Peter and the handmaiden, detail from Homo Pietatis or Man of Sorrow, Renaissance fresco, by Fra Angelico, 1395-1455, in Cell 26, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. Christ is depicted in his tomb bearing the stigmata, with the Instruments of and scenes from the Passion. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_274.jpg
  • Excavations with bones from animals hunted, cut into pieces and eaten, in the Caune de l'Arago or La grotte de Tautavel, or Arago Cave, in a limestone cliff in the Gorges du Gouleyrous in the Corbieres Massif, in Pyrenees-Orientales, Catalogne du Nord, France. The remains of the Tautavel Man, a subspecies of Homo Erectus, 450,000 years old, was found in the cave, along with further evidence of stone age activity. The site is listed as a historic monument. Picture by Manuel Cohen
    LC20_FRANCE_MC_1608.jpg
  • Caune de l'Arago or La grotte de Tautavel, or Arago Cave, in a limestone cliff in the Gorges du Gouleyrous in the Corbieres Massif, in Pyrenees-Orientales, Catalogne du Nord, France. The remains of the Tautavel Man, a subspecies of Homo Erectus, 450,000 years old, was found in the cave, along with further evidence of stone age activity. The site is listed as a historic monument. Picture by Manuel Cohen
    LC20_FRANCE_MC_1605.jpg
  • Man reading information panel entitled 'Treize Chibanis Harkis', an exhibition of paintings inspired by harki families from North Africa who fled to France and were interned at Rivesaltes and other camps, in Rivesaltes Memorial Museum, at a military camp built 1938 in Rivesaltes, Pyrenees-Orientales, France. Also known as Camp Marechal Joffre, the camp was originally built as a military base, and became a camp for refugees after the Spanish Civil War, then an internment camp during the Second World War, and eventually a transit camp for Jews, 2000 of whom were transferred to Auschwitz. The Rivesaltes Memorial Museum, designed by Rudy Ricciotti, was inaugurated in 2015 to commemorate the victims of the camp. It is a half submerged monolithic concrete building containing exhibition halls, an auditorium, research centre and learning labs. Picture by Manuel Cohen
    LC20_FRANCE_MC_1470.jpg
  • Entrance to the Caune de l'Arago or Arago Cave, in a limestone cliff in the Gorges du Gouleyrous in the Corbieres Massif, in Pyrenees-Orientales, Catalogne du Nord, France. The remains of the Tautavel Man, a subspecies of Homo Erectus, 450,000 years old, was found in the cave, along with further evidence of stone age activity. The site is listed as a historic monument. Picture by Manuel Cohen
    DRN_LC20_FRANCE_MC_1701.jpg
  • Entrance to the Caune de l'Arago or Arago Cave, in a limestone cliff in the Gorges du Gouleyrous in the Corbieres Massif, in Pyrenees-Orientales, Catalogne du Nord, France. The remains of the Tautavel Man, a subspecies of Homo Erectus, 450,000 years old, was found in the cave, along with further evidence of stone age activity. The site is listed as a historic monument. Picture by Manuel Cohen
    DRN_LC20_FRANCE_MC_1700.jpg
  • Bull Man, statue in alabaster, early Dynastic I period c. 2900-2650 BC, from Umma (modern Jokha) in Southern Mesopotamia, from the George Ortiz collection, in the Idols exhibition, Sept 2018-Jan 2019, exploring 3-dimensional images of the human body created 4000–2000 BC, at the Fondazione Giancarlo Ligabue, Venice, Italy. Picture by Manuel Cohen
    LC19_ITALY_MC_040.jpg
  • Man protesting against the presidency of Donald Trump in front of Trump Tower, on Fifth Avenue, Manhattan, New York, New York, USA. Trump Tower was designed by  Der Scutt and built 1979-83 for Trump and the Equitable Life Assurance Company. Donald Trump was elected President of the United States in November 2016. Picture by Manuel Cohen
    LC17_NEWYORK_MC_018.jpg
  • 'What's on a man's mind?' Caricature by an unknown artist of the Austrian psychoanalyst Sigmund Freud, 1856-1939, with an image of a naked woman superimposed on his head. Picture by Manuel Cohen
    LC_HISTORY_MC_0238.jpg
  • L'Homme sur Sa Bouee or Man on his Buoy, 1993, by German artist Stephan Balkenhol, seemingly floating in the canal on the Quai Belu in Amiens, Picardy, France. It is one of a series of 3 oak sculptures in the Quartier Saint-Leu by the artist. Picture by Manuel Cohen
    LC14_France_MC884.jpg
  • Huge kitchen area to the North of the upper courtyard, with an open square where the cooking took place (left) and a storeroom complex with a fishpond (right), 14th - 15th centuries, and a man contemplating the ruins, at the medieval castle of Chateau-Thierry, Picardy, France. The first fortifications on this spur over the river Marne date from the 4th century and the first castle was built in the 9th century Merovingian period by the counts of Vermandois. Thibaud II enlarged the castle in the 12th century and built the Tour Thibaud, and Thibaud IV expanded it significantly in the 13th century to include 17 defensive towers in the walls and an East and South gate. The castle was largely destroyed in the French Revolution after having been a royal palace since 1285. In 1814 it was used as a citadel for Napoleonic troops. Picture by Manuel Cohen
    LC14_France_MC176.jpg
  • Man with plant, Bubion, Alpujarra, Andalucia, Southern Spain. Photograph by Manuel Cohen.
    LCSPAIN12_MC276.jpg
  • Low angle mid-length view of the statue called l'Homme de l'age de pierre (stone-age man) created by Emmanuel Fremiet (1824-1910) in 1878 and located in the Jardin des Plantes, Paris, 5th arrondissement, France. Founded in 1626 by Guy de La Brosse, Louis XIII's physician, the Jardin des Plantes, originally known as the Jardin du Roi, opened to the public in 1640. It became the Museum National d'Histoire Naturelle in 1793 during the French Revolution. Picture by Manuel Cohen
    LC_JDP_10_MC038.jpg
  • Mid-length view from behind of the statue called l'Homme de l'age de pierre (stone-age man) created by Emmanuel Fremiet (1824-1910) in 1878 and located in the Jardin des Plantes, Paris, 5th arrondissement, France. In the background the Galerie d'Anatomie Comparee et de Paleontologie can be seen. Founded in 1626 by Guy de La Brosse, Louis XIII's physician, the Jardin des Plantes, originally known as the Jardin du Roi, opened to the public in 1640. It became the Museum National d'Histoire Naturelle in 1793 during the French Revolution. Picture by Manuel Cohen
    LC_JDP_10_MC039.jpg
  • General view of the statue called l'Homme de l'age de pierre (stone-age man) created by Emmanuel Fremiet (1824-1910) in 1878 and located in the Jardin des Plantes, Paris, 5th arrondissement, France. Founded in 1626 by Guy de La Brosse, Louis XIII's physician, the Jardin des Plantes, originally known as the Jardin du Roi, opened to the public in 1640. It became the Museum National d'Histoire Naturelle in 1793 during the French Revolution. Picture by Manuel Cohen
    LC_JDP_10_MC042.jpg
  • Low angle mid-length view of the statue called l'Homme de l'age de pierre (stone-age man) created by Emmanuel Fremiet (1824-1910) in 1878 and located in the Jardin des Plantes, Paris, 5th arrondissement, France. Founded in 1626 by Guy de La Brosse, Louis XIII's physician, the Jardin des Plantes, originally known as the Jardin du Roi, opened to the public in 1640. It became the Museum National d'Histoire Naturelle in 1793 during the French Revolution. Picture by Manuel Cohen
    LC_JDP_10_MC045.jpg
  • Low angle mid-length view of the statue called l'Homme de l'age de pierre (stone-age man) created by Emmanuel Fremiet (1824-1910) in 1878 and located in the Jardin des Plantes, Paris, 5th arrondissement, France. Founded in 1626 by Guy de La Brosse, Louis XIII's physician, the Jardin des Plantes, originally known as the Jardin du Roi, opened to the public in 1640. It became the Museum National d'Histoire Naturelle in 1793 during the French Revolution. Picture by Manuel Cohen
    LC_JDP_10_MC046.jpg
  • Low angle mid-length view of the statue called l'Homme de l'age de pierre (stone-age man) created by Emmanuel Fremiet (1824-1910) in 1878 and located in the Jardin des Plantes, Paris, 5th arrondissement, France. Founded in 1626 by Guy de La Brosse, Louis XIII's physician, the Jardin des Plantes, originally known as the Jardin du Roi, opened to the public in 1640. It became the Museum National d'Histoire Naturelle in 1793 during the French Revolution. Picture by Manuel Cohen
    LC_JDP_10_MC047.jpg
  • Low angle close-up view of the statue called l'Homme de l'age de pierre (stone-age man) created by Emmanuel Fremiet (1824-1910) in 1878 and located in the Jardin des Plantes, Paris, 5th arrondissement, France. Founded in 1626 by Guy de La Brosse, Louis XIII's physician, the Jardin des Plantes, originally known as the Jardin du Roi, opened to the public in 1640. It became the Museum National d'Histoire Naturelle in 1793 during the French Revolution. Picture by Manuel Cohen
    LC_JDP_10_MC048.jpg
  • Mid-length view of the statue called l'Homme de l'age de pierre (stone-age man) created by Emmanuel Fremiet (1824-1910) in 1878 and located in the Jardin des Plantes, Paris, 5th arrondissement, France. Founded in 1626 by Guy de La Brosse, Louis XIII's physician, the Jardin des Plantes, originally known as the Jardin du Roi, opened to the public in 1640. It became the Museum National d'Histoire Naturelle in 1793 during the French Revolution. Picture by Manuel Cohen
    LC_JDP_10_MC049.jpg
  • Low angle mid-length view of the statue called l'Homme de l'age de pierre (stone-age man) created by Emmanuel Fremiet (1824-1910) in 1878 and located in the Jardin des Plantes, Paris, 5th arrondissement, France. Founded in 1626 by Guy de La Brosse, Louis XIII's physician, the Jardin des Plantes, originally known as the Jardin du Roi, opened to the public in 1640. It became the Museum National d'Histoire Naturelle in 1793 during the French Revolution. Picture by Manuel Cohen
    LC_JDP_10_MC036.jpg
  • General view of the statue called l'Homme de l'age de pierre (stone-age man) created by Emmanuel Fremiet (1824-1910) in 1878 and located in the Jardin des Plantes, Paris, 5th arrondissement, France. Founded in 1626 by Guy de La Brosse, Louis XIII's physician, the Jardin des Plantes, originally known as the Jardin du Roi, opened to the public in 1640. It became the Museum National d'Histoire Naturelle in 1793 during the French Revolution. Picture by Manuel Cohen
    LC_JDP_10_MC037.jpg
  • ESSAOUIRA, MOROCCO - MAY 10 : A low angle view of the Porte de la Marine on May 10, 2009 in Essaouira, Morocco. A man in traditional dress walks through the arch of the Porte de la Marine, built in 1771,  towards the boats. In the background the Ramparts and the Medina are lit by the evening sun. Essaouira, on the windswept Atlantic coast, was re-built in the 18th century by French architect Theodore Cornut to the orders of Sultan Ben Abdullah. Surrounded by ramparts it is now becoming more popular with tourists. (Photo by Manuel Cohen)
    LCMOROCCO090058.JPG
  • Man photographing information panel at the Rivesaltes Memorial Museum, at a military camp built 1938 in Rivesaltes, Pyrenees-Orientales, France. Also known as Camp Marechal Joffre, the camp was originally built as a military base, and became a camp for refugees after the Spanish Civil War, then an internment camp during the Second World War, and eventually a transit camp for Jews, 2000 of whom were transferred to Auschwitz. The Rivesaltes Memorial Museum, designed by Rudy Ricciotti, was inaugurated in 2015 to commemorate the victims of the camp. It is a half submerged monolithic concrete building containing exhibition halls, an auditorium, research centre and learning labs. Picture by Manuel Cohen
    LC20_FRANCE_MC_1465.jpg
  • The Phare de Cordouan, or Cordouan Lighthouse, with light shining beneath a starry sky and a man watching the scene, built 1584-1611 in Renaissance style by Louis de Foix, 1530-1604, French architect, located 7km at sea, near the mouth of the Gironde estuary, Aquitaine, France. This is the oldest lighthouse in France. There are 4 storeys, with keeper apartments and an entrance hall, King's apartments, chapel, secondary lantern and the lantern at the top at 68m. Parabolic lamps and lenses were added in the 18th and 19th centuries. The lighthouse is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC0231.jpg
  • Mid-length view of the statue called l'Homme de l'age de pierre (stone-age man) created by Emmanuel Fremiet (1824-1910) in 1878 and located in the Jardin des Plantes, Paris, 5th arrondissement, France. Founded in 1626 by Guy de La Brosse, Louis XIII's physician, the Jardin des Plantes, originally known as the Jardin du Roi, opened to the public in 1640. It became the Museum National d'Histoire Naturelle in 1793 during the French Revolution. Picture by Manuel Cohen
    LC_JDP_10_MC043.jpg
  • Mid-length view of the statue called l'Homme de l'age de pierre (stone-age man) created by Emmanuel Fremiet (1824-1910) in 1878 and located in the Jardin des Plantes, Paris, 5th arrondissement, France. Founded in 1626 by Guy de La Brosse, Louis XIII's physician, the Jardin des Plantes, originally known as the Jardin du Roi, opened to the public in 1640. It became the Museum National d'Histoire Naturelle in 1793 during the French Revolution. Picture by Manuel Cohen
    LC_JDP_10_MC044.jpg
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