manuel cohen

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  • Floral capital and lobed arches of the Diagonal room, on the first floor of the Palau Baro de Quadras, a mansion remodelled 1904-6 in catalan Modernisme style by Josep Puig i Cadafalch, 1867-1956, between the Avinguda Diagonal and Carrer Rossello, in Barcelona, Catalonia, Spain. This large room overlooking the Avinguda Diagonal was the family's main living room, with Moorish style arches, floral decorations, a coffered ceiling and stained glass gallery. The house was commissioned by Manuel Quadras i Feliu of the Quadras textile family. The building now houses the Institut Ramon Llull, which promotes catalan language and culture. Picture by Manuel Cohen
    LC20_SPAIN_MC_0998.jpg
  • Floral capital and lobed arches of the Diagonal room, on the first floor of the Palau Baro de Quadras, a mansion remodelled 1904-6 in catalan Modernisme style by Josep Puig i Cadafalch, 1867-1956, between the Avinguda Diagonal and Carrer Rossello, in Barcelona, Catalonia, Spain. This large room overlooking the Avinguda Diagonal was the family's main living room, with Moorish style arches, floral decorations, a coffered ceiling and stained glass gallery. The house was commissioned by Manuel Quadras i Feliu of the Quadras textile family. The building now houses the Institut Ramon Llull, which promotes catalan language and culture. Picture by Manuel Cohen
    LC20_SPAIN_MC_0997.jpg
  • Floral capital and lobed arches of the Diagonal room, on the first floor of the Palau Baro de Quadras, a mansion remodelled 1904-6 in catalan Modernisme style by Josep Puig i Cadafalch, 1867-1956, between the Avinguda Diagonal and Carrer Rossello, in Barcelona, Catalonia, Spain. This large room overlooking the Avinguda Diagonal was the family's main living room, with Moorish style arches, floral decorations, a coffered ceiling and stained glass gallery. The house was commissioned by Manuel Quadras i Feliu of the Quadras textile family. The building now houses the Institut Ramon Llull, which promotes catalan language and culture. Picture by Manuel Cohen
    LC20_SPAIN_MC_0994.jpg
  • Painted coffered wooden ceiling with corbels carved as animals, in the Diagonal room, on the first floor of the Palau Baro de Quadras, a mansion remodelled 1904-6 in catalan Modernisme style by Josep Puig i Cadafalch, 1867-1956, between the Avinguda Diagonal and Carrer Rossello, in Barcelona, Catalonia, Spain. This large room overlooking the Avinguda Diagonal was the family's main living room, with Moorish style arches, floral decorations, a coffered ceiling and stained glass gallery. The house was commissioned by Manuel Quadras i Feliu of the Quadras textile family. The building now houses the Institut Ramon Llull, which promotes catalan language and culture. Picture by Manuel Cohen
    LC20_SPAIN_MC_0993.jpg
  • Wooden panelled doors in the main living room, at El Capricho de Gaudi, or Villa Quijano, a Modernist villa designed by Antoni Gaudi, 1852-1926, and built 1883-85 under his assistant Cristobal Cascante, in Comillas, Cantabria, Spain. The villa was commissioned by Maximo Diaz de Quijano as a summer house. It is from Gaudi's orientalist period, with azulejos tiles and domes. The building has housed a museum since 2009. Picture by Manuel Cohen
    LC21_SPAIN_MC_0615.jpg
  • Neo-Mudejar windows in the main living room, at El Capricho de Gaudi, or Villa Quijano, a Modernist villa designed by Antoni Gaudi, 1852-1926, and built 1883-85 under his assistant Cristobal Cascante, in Comillas, Cantabria, Spain. The villa was commissioned by Maximo Diaz de Quijano as a summer house. It is from Gaudi's orientalist period, with azulejos tiles and domes. The building has housed a museum since 2009. Picture by Manuel Cohen
    LC21_SPAIN_MC_0614.jpg
  • Main living room, with high ceiling and Neo-Mudejar windows, at El Capricho de Gaudi, or Villa Quijano, a Modernist villa designed by Antoni Gaudi, 1852-1926, and built 1883-85 under his assistant Cristobal Cascante, in Comillas, Cantabria, Spain. The villa was commissioned by Maximo Diaz de Quijano as a summer house. It is from Gaudi's orientalist period, with azulejos tiles and domes. The building has housed a museum since 2009. Picture by Manuel Cohen
    LC21_SPAIN_MC_0667.jpg
  • Neo-Mudejar windows in the main living room, at El Capricho de Gaudi, or Villa Quijano, a Modernist villa designed by Antoni Gaudi, 1852-1926, and built 1883-85 under his assistant Cristobal Cascante, in Comillas, Cantabria, Spain. The villa was commissioned by Maximo Diaz de Quijano as a summer house. It is from Gaudi's orientalist period, with azulejos tiles and domes. The building has housed a museum since 2009. Picture by Manuel Cohen
    LC21_SPAIN_MC_0668.jpg
  • Main living room, with high ceiling and Neo-Mudejar windows, at El Capricho de Gaudi, or Villa Quijano, a Modernist villa designed by Antoni Gaudi, 1852-1926, and built 1883-85 under his assistant Cristobal Cascante, in Comillas, Cantabria, Spain. The villa was commissioned by Maximo Diaz de Quijano as a summer house. It is from Gaudi's orientalist period, with azulejos tiles and domes. The building has housed a museum since 2009. Picture by Manuel Cohen
    LC21_SPAIN_MC_0604.jpg
  • Wooden panelled door of the main living room, leading to the balcony, with wall painted to resemble bricks and sunflowers, at El Capricho de Gaudi, or Villa Quijano, a Modernist villa designed by Antoni Gaudi, 1852-1926, and built 1883-85 under his assistant Cristobal Cascante, in Comillas, Cantabria, Spain. The villa was commissioned by Maximo Diaz de Quijano as a summer house. It is from Gaudi's orientalist period, with azulejos tiles and domes. The building has housed a museum since 2009. Picture by Manuel Cohen
    LC21_SPAIN_MC_0637.jpg
  • Wooden panelled door of the main living room, leading to the balcony, with wall painted to resemble bricks and sunflowers, at El Capricho de Gaudi, or Villa Quijano, a Modernist villa designed by Antoni Gaudi, 1852-1926, and built 1883-85 under his assistant Cristobal Cascante, in Comillas, Cantabria, Spain. The villa was commissioned by Maximo Diaz de Quijano as a summer house. It is from Gaudi's orientalist period, with azulejos tiles and domes. The building has housed a museum since 2009. Picture by Manuel Cohen
    _CC_8053.jpg
  • Main living room, with high ceiling and Neo-Mudejar windows, at El Capricho de Gaudi, or Villa Quijano, a Modernist villa designed by Antoni Gaudi, 1852-1926, and built 1883-85 under his assistant Cristobal Cascante, in Comillas, Cantabria, Spain. The villa was commissioned by Maximo Diaz de Quijano as a summer house. It is from Gaudi's orientalist period, with azulejos tiles and domes. The building has housed a museum since 2009. Picture by Manuel Cohen
    _CC_8292.jpg
  • Main living room, with high ceiling and Neo-Mudejar windows, at El Capricho de Gaudi, or Villa Quijano, a Modernist villa designed by Antoni Gaudi, 1852-1926, and built 1883-85 under his assistant Cristobal Cascante, in Comillas, Cantabria, Spain. The villa was commissioned by Maximo Diaz de Quijano as a summer house. It is from Gaudi's orientalist period, with azulejos tiles and domes. The building has housed a museum since 2009. Picture by Manuel Cohen
    _CC_7885.jpg
  • Wooden panelled doors in the main living room, at El Capricho de Gaudi, or Villa Quijano, a Modernist villa designed by Antoni Gaudi, 1852-1926, and built 1883-85 under his assistant Cristobal Cascante, in Comillas, Cantabria, Spain. The villa was commissioned by Maximo Diaz de Quijano as a summer house. It is from Gaudi's orientalist period, with azulejos tiles and domes. The building has housed a museum since 2009. Picture by Manuel Cohen
    _CC_7947.jpg
  • Neo-Mudejar windows in the main living room, at El Capricho de Gaudi, or Villa Quijano, a Modernist villa designed by Antoni Gaudi, 1852-1926, and built 1883-85 under his assistant Cristobal Cascante, in Comillas, Cantabria, Spain. The villa was commissioned by Maximo Diaz de Quijano as a summer house. It is from Gaudi's orientalist period, with azulejos tiles and domes. The building has housed a museum since 2009. Picture by Manuel Cohen
    _CC_7945.jpg
  • Neo-Mudejar windows in the main living room, at El Capricho de Gaudi, or Villa Quijano, a Modernist villa designed by Antoni Gaudi, 1852-1926, and built 1883-85 under his assistant Cristobal Cascante, in Comillas, Cantabria, Spain. The villa was commissioned by Maximo Diaz de Quijano as a summer house. It is from Gaudi's orientalist period, with azulejos tiles and domes. The building has housed a museum since 2009. Picture by Manuel Cohen
    _CC_8293.jpg
  • Corner of the main living room with furniture by Josep Prat, with the dining room seen through the stained glass doors, in Pavilion no. 6 'dels distingits' of the Institut Pere Mata, a psychiatric hospital built 1897-1912 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, in Reus, Catalonia, Spain. Pavilion no. 6 was used to house wealthy patients in great comfort and modernity, and was in use until 1986. It is now open to the public as part of Reus' Modernist Route and run by the town of Reus, whereas the rest of the building remains a hospital. The building is listed as a Cultural Asset of National Interest. Picture by Manuel Cohen
    LC16_SPAIN_MC168.jpg
  • Decorative ceiling of the main living room, with tiled rose design and central heraldic figure of a woman and ribs with floral sculptures, in Pavilion no. 6 'dels distingits' of the Institut Pere Mata, a psychiatric hospital built 1897-1912 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, in Reus, Catalonia, Spain. Pavilion no. 6 was used to house wealthy patients in great comfort and modernity, and was in use until 1986. It is now open to the public as part of Reus' Modernist Route and run by the town of Reus, whereas the rest of the building remains a hospital. The building is listed as a Cultural Asset of National Interest. Picture by Manuel Cohen
    LC16_SPAIN_MC163.jpg
  • Central detail from the decorative ceiling of the main living room, with tiled rose design and heraldic figure of a woman, in Pavilion no. 6 'dels distingits' of the Institut Pere Mata, a psychiatric hospital built 1897-1912 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, in Reus, Catalonia, Spain. Pavilion no. 6 was used to house wealthy patients in great comfort and modernity, and was in use until 1986. It is now open to the public as part of Reus' Modernist Route and run by the town of Reus, whereas the rest of the building remains a hospital. The building is listed as a Cultural Asset of National Interest. Picture by Manuel Cohen
    LC16_SPAIN_MC162.jpg
  • Painted floral motif from the decorative ceiling of the main living room, in Pavilion no. 6 'dels distingits' of the Institut Pere Mata, a psychiatric hospital built 1897-1912 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, in Reus, Catalonia, Spain. Pavilion no. 6 was used to house wealthy patients in great comfort and modernity, and was in use until 1986. It is now open to the public as part of Reus' Modernist Route and run by the town of Reus, whereas the rest of the building remains a hospital. The building is listed as a Cultural Asset of National Interest. Picture by Manuel Cohen
    LC16_SPAIN_MC145.jpg
  • Detail of the decorative ceiling of the main living room, with peacock and roses on tiles and ribs with floral sculptures, in Pavilion no. 6 'dels distingits' of the Institut Pere Mata, a psychiatric hospital built 1897-1912 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, in Reus, Catalonia, Spain. Pavilion no. 6 was used to house wealthy patients in great comfort and modernity, and was in use until 1986. It is now open to the public as part of Reus' Modernist Route and run by the town of Reus, whereas the rest of the building remains a hospital. The building is listed as a Cultural Asset of National Interest. Picture by Manuel Cohen
    LC16_SPAIN_MC150.jpg
  • Detail of the wall covering of the main living room, with a raised pattern of leaves in pale blue on a gold background, in Pavilion no. 6 'dels distingits' of the Institut Pere Mata, a psychiatric hospital built 1897-1912 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, in Reus, Catalonia, Spain. Pavilion no. 6 was used to house wealthy patients in great comfort and modernity, and was in use until 1986. It is now open to the public as part of Reus' Modernist Route and run by the town of Reus, whereas the rest of the building remains a hospital. The building is listed as a Cultural Asset of National Interest. Picture by Manuel Cohen
    LC16_SPAIN_MC149.JPG
  • Door, detail, in the Diagonal room, on the first floor of the Palau Baro de Quadras, a mansion remodelled 1904-6 in catalan Modernisme style by Josep Puig i Cadafalch, 1867-1956, between the Avinguda Diagonal and Carrer Rossello, in Barcelona, Catalonia, Spain. This large room overlooking the Avinguda Diagonal was the family's main living room, with Moorish style arches, floral decorations, a coffered ceiling and stained glass gallery. The house was commissioned by Manuel Quadras i Feliu of the Quadras textile family. The building now houses the Institut Ramon Llull, which promotes catalan language and culture. Picture by Manuel Cohen
    LC20_SPAIN_MC_0992.jpg
  • Door, detail, in the Diagonal room, on the first floor of the Palau Baro de Quadras, a mansion remodelled 1904-6 in catalan Modernisme style by Josep Puig i Cadafalch, 1867-1956, between the Avinguda Diagonal and Carrer Rossello, in Barcelona, Catalonia, Spain. This large room overlooking the Avinguda Diagonal was the family's main living room, with Moorish style arches, floral decorations, a coffered ceiling and stained glass gallery. The house was commissioned by Manuel Quadras i Feliu of the Quadras textile family. The building now houses the Institut Ramon Llull, which promotes catalan language and culture. Picture by Manuel Cohen
    LC20_SPAIN_MC_0991.jpg
  • Detail of a medallion with winged heraldic figure from a stained glass window by Rigalt Granell i Cia on the first floor of the main living room, in Pavilion no. 6 'dels distingits' of the Institut Pere Mata, a psychiatric hospital built 1897-1912 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, in Reus, Catalonia, Spain. Pavilion no. 6 was used to house wealthy patients in great comfort and modernity, and was in use until 1986. It is now open to the public as part of Reus' Modernist Route and run by the town of Reus, whereas the rest of the building remains a hospital. The building is listed as a Cultural Asset of National Interest. Picture by Manuel Cohen
    LC16_SPAIN_MC151.jpg
  • Detail of a medallion with winged heraldic figure from a stained glass window by Rigalt Granell i Cia on the first floor of the main living room, in Pavilion no. 6 'dels distingits' of the Institut Pere Mata, a psychiatric hospital built 1897-1912 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, in Reus, Catalonia, Spain. Pavilion no. 6 was used to house wealthy patients in great comfort and modernity, and was in use until 1986. It is now open to the public as part of Reus' Modernist Route and run by the town of Reus, whereas the rest of the building remains a hospital. The building is listed as a Cultural Asset of National Interest. Picture by Manuel Cohen
    LC16_SPAIN_MC152.jpg
  • Grand central hall on the Noble Floor, with huge windows facing the Passeig de Gracia, with stained glass panels and organic carved oak frames, in the Casa Batllo, originally built in 1877 by Emilio Sala Cortes and totally remodelled 1904-6 by Antoni Gaudi, 1852-1926, in catalan Modernisme and art nouveau style, for Josep Batllo y Casanovas, a textile industrialist, on the Passeig de Gracia in the Illa de la Discordia district of Barcelona, Catalonia, Spain. The windows all open using hidden counterweights. The walls and ceiling are all in organic wavy forms resembling the sea. A glass roof is glimpsed through an oculus. The building is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC20_SPAIN_MC_1255.jpg
  • Stained glass panels in the huge windows facing the Passeig de Gracia, with organic carved oak frames, in the grand central hall on the Noble Floor of Casa Batllo, originally built in 1877 by Emilio Sala Cortes and totally remodelled 1904-6 by Antoni Gaudi, 1852-1926, in catalan Modernisme and art nouveau style, for Josep Batllo y Casanovas, a textile industrialist, on the Passeig de Gracia in the Illa de la Discordia district of Barcelona, Catalonia, Spain. The windows all open using hidden counterweights. The walls and ceiling are all in organic wavy forms resembling the sea. A glass roof is glimpsed through an oculus. The building is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC20_SPAIN_MC_1254.jpg
  • Stained glass panels in the huge windows facing the Passeig de Gracia, with organic carved oak frames, in the grand central hall on the Noble Floor of Casa Batllo, originally built in 1877 by Emilio Sala Cortes and totally remodelled 1904-6 by Antoni Gaudi, 1852-1926, in catalan Modernisme and art nouveau style, for Josep Batllo y Casanovas, a textile industrialist, on the Passeig de Gracia in the Illa de la Discordia district of Barcelona, Catalonia, Spain. The windows all open using hidden counterweights. The walls and ceiling are all in organic wavy forms resembling the sea. A glass roof is glimpsed through an oculus. The building is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC20_SPAIN_MC_1251.jpg
  • Ceiling in relief resembling a giant plaster spiral, water vortex or galaxy, and column, in the grand central hall on the Noble Floor of Casa Batllo, originally built in 1877 by Emilio Sala Cortes and totally remodelled 1904-6 by Antoni Gaudi, 1852-1926, in catalan Modernisme and art nouveau style, for Josep Batllo y Casanovas, a textile industrialist, on the Passeig de Gracia in the Illa de la Discordia district of Barcelona, Catalonia, Spain. The building is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC20_SPAIN_MC_1250.jpg
  • Grand central hall, with false ceiling in relief resembling a giant plaster spiral, water vortex or galaxy, with central crystal chandelier, on the Noble Floor of Casa Batllo, originally built in 1877 by Emilio Sala Cortes and totally remodelled 1904-6 by Antoni Gaudi, 1852-1926, in catalan Modernisme and art nouveau style, for Josep Batllo y Casanovas, a textile industrialist, on the Passeig de Gracia in the Illa de la Discordia district of Barcelona, Catalonia, Spain. The building is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC20_SPAIN_MC_1247.jpg
  • Ceiling in relief resembling a giant plaster spiral, water vortex or galaxy, with central crystal chandelier, in the grand central hall on the Noble Floor of Casa Batllo, originally built in 1877 by Emilio Sala Cortes and totally remodelled 1904-6 by Antoni Gaudi, 1852-1926, in catalan Modernisme and art nouveau style, for Josep Batllo y Casanovas, a textile industrialist, on the Passeig de Gracia in the Illa de la Discordia district of Barcelona, Catalonia, Spain. The building is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC20_SPAIN_MC_1243.jpg
  • Ceiling in relief resembling a giant plaster spiral, water vortex or galaxy, with central crystal chandelier, in the grand central hall on the Noble Floor of Casa Batllo, originally built in 1877 by Emilio Sala Cortes and totally remodelled 1904-6 by Antoni Gaudi, 1852-1926, in catalan Modernisme and art nouveau style, for Josep Batllo y Casanovas, a textile industrialist, on the Passeig de Gracia in the Illa de la Discordia district of Barcelona, Catalonia, Spain. The building is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC20_SPAIN_MC_1242.jpg
  • Ceiling in relief resembling a giant plaster spiral, water vortex or galaxy, with central crystal chandelier, in the grand central hall on the Noble Floor of Casa Batllo, originally built in 1877 by Emilio Sala Cortes and totally remodelled 1904-6 by Antoni Gaudi, 1852-1926, in catalan Modernisme and art nouveau style, for Josep Batllo y Casanovas, a textile industrialist, on the Passeig de Gracia in the Illa de la Discordia district of Barcelona, Catalonia, Spain. The building is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC20_SPAIN_MC_1241.jpg
  • Grand central hall, with false ceiling in relief resembling a giant plaster spiral, water vortex or galaxy, with central crystal chandelier, on the Noble Floor of Casa Batllo, originally built in 1877 by Emilio Sala Cortes and totally remodelled 1904-6 by Antoni Gaudi, 1852-1926, in catalan Modernisme and art nouveau style, for Josep Batllo y Casanovas, a textile industrialist, on the Passeig de Gracia in the Illa de la Discordia district of Barcelona, Catalonia, Spain. The building is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC20_SPAIN_MC_1240.jpg
  • Grand central hall on the Noble Floor, with huge windows facing the Passeig de Gracia, with stained glass panels and organic carved oak frames, in the Casa Batllo, originally built in 1877 by Emilio Sala Cortes and totally remodelled 1904-6 by Antoni Gaudi, 1852-1926, in catalan Modernisme and art nouveau style, for Josep Batllo y Casanovas, a textile industrialist, on the Passeig de Gracia in the Illa de la Discordia district of Barcelona, Catalonia, Spain. The windows all open using hidden counterweights. The walls and ceiling are all in organic wavy forms resembling the sea. A glass roof is glimpsed through an oculus. The building is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC20_SPAIN_MC_1238.JPG
  • Ceiling in relief resembling a giant plaster spiral, water vortex or galaxy, with central crystal chandelier, in the grand central hall on the Noble Floor of Casa Batllo, originally built in 1877 by Emilio Sala Cortes and totally remodelled 1904-6 by Antoni Gaudi, 1852-1926, in catalan Modernisme and art nouveau style, for Josep Batllo y Casanovas, a textile industrialist, on the Passeig de Gracia in the Illa de la Discordia district of Barcelona, Catalonia, Spain. The building is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC20_SPAIN_MC_1239.jpg
  • Grand central hall on the Noble Floor, with huge windows facing the Passeig de Gracia, with stained glass panels and organic carved oak frames, in the Casa Batllo, originally built in 1877 by Emilio Sala Cortes and totally remodelled 1904-6 by Antoni Gaudi, 1852-1926, in catalan Modernisme and art nouveau style, for Josep Batllo y Casanovas, a textile industrialist, on the Passeig de Gracia in the Illa de la Discordia district of Barcelona, Catalonia, Spain. The windows all open using hidden counterweights. The walls and ceiling are all in organic wavy forms resembling the sea. A glass roof is glimpsed through an oculus. The building is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC20_SPAIN_MC_1236.JPG
  • Grand central hall, with false ceiling in relief resembling a giant plaster spiral, water vortex or galaxy, with central crystal chandelier, on the Noble Floor of Casa Batllo, originally built in 1877 by Emilio Sala Cortes and totally remodelled 1904-6 by Antoni Gaudi, 1852-1926, in catalan Modernisme and art nouveau style, for Josep Batllo y Casanovas, a textile industrialist, on the Passeig de Gracia in the Illa de la Discordia district of Barcelona, Catalonia, Spain. The building is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC20_SPAIN_MC_1252.jpg
  • Crackle stucco walls resembling mosaics, detail, in the grand central hall on the Noble Floor of Casa Batllo, originally built in 1877 by Emilio Sala Cortes and totally remodelled 1904-6 by Antoni Gaudi, 1852-1926, in catalan Modernisme and art nouveau style, for Josep Batllo y Casanovas, a textile industrialist, on the Passeig de Gracia in the Illa de la Discordia district of Barcelona, Catalonia, Spain. The building is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC20_SPAIN_MC_1249.jpg
  • Grand central hall, with false ceiling in relief resembling a giant plaster spiral, water vortex or galaxy, with central crystal chandelier, on the Noble Floor of Casa Batllo, originally built in 1877 by Emilio Sala Cortes and totally remodelled 1904-6 by Antoni Gaudi, 1852-1926, in catalan Modernisme and art nouveau style, for Josep Batllo y Casanovas, a textile industrialist, on the Passeig de Gracia in the Illa de la Discordia district of Barcelona, Catalonia, Spain. The building is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC20_SPAIN_MC_1248.jpg
  • Grand central hall, with false ceiling in relief resembling a giant plaster spiral, water vortex or galaxy, with central crystal chandelier, on the Noble Floor of Casa Batllo, originally built in 1877 by Emilio Sala Cortes and totally remodelled 1904-6 by Antoni Gaudi, 1852-1926, in catalan Modernisme and art nouveau style, for Josep Batllo y Casanovas, a textile industrialist, on the Passeig de Gracia in the Illa de la Discordia district of Barcelona, Catalonia, Spain. The building is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC20_SPAIN_MC_1246.jpg
  • Curved glazed oak doors, with stained glass panels, in the grand central hall, with false ceiling in relief resembling a giant plaster spiral, water vortex or galaxy, with central crystal chandelier, on the Noble Floor of Casa Batllo, originally built in 1877 by Emilio Sala Cortes and totally remodelled 1904-6 by Antoni Gaudi, 1852-1926, in catalan Modernisme and art nouveau style, for Josep Batllo y Casanovas, a textile industrialist, on the Passeig de Gracia in the Illa de la Discordia district of Barcelona, Catalonia, Spain. The building is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC20_SPAIN_MC_1237.jpg
  • Main room with women's balcony above in the Sinagoga del Agua, or Water Synagogue, Ubeda, Jaen, Andalusia, Spain. This recently discovered building is thought to be an 11th - 14th century synagogue, with yard, cellar, balcony, living room and mikveh, or Jewish ritual purification bath, fed by 7 connecting wells. Picture by Manuel Cohen
    LC17_SPAIN_MC199.jpg
  • Collection of Sephardic Jewish objects including scrolls and a menorah, in the main room of the Sinagoga del Agua, or Water Synagogue, Ubeda, Jaen, Andalusia, Spain. This recently discovered building is thought to be an 11th - 14th century synagogue, with yard, cellar, balcony, living room and mikveh, or Jewish ritual purification bath, fed by 7 connecting wells. Picture by Manuel Cohen
    LC17_SPAIN_MC201.jpg
  • Main room with women's balcony above in the Sinagoga del Agua, or Water Synagogue, Ubeda, Jaen, Andalusia, Spain. This recently discovered building is thought to be an 11th - 14th century synagogue, with yard, cellar, balcony, living room and mikveh, or Jewish ritual purification bath, fed by 7 connecting wells. Picture by Manuel Cohen
    LC17_SPAIN_MC200.jpg
  • Drawing room in the roof space, 15th century, at the Manoir de Launay, built in the late 14th and mid 15th centuries, then bought by King Rene, duke of Anjou, in 1444, where he lived with Isabelle de Lorraine, at Villebernier, near Saumur, Maine-et-Loire, France. The manor house is Renaissance is style, with decorative turrets and moats, and the complex includes a chapel, Hall of the Lords, gallery, recess rooms, dovecote, kitchen, courtyards with peristyle colonnades. It is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_0681.jpg
  • Laundry room, with stone water troughs and original tools and furniture still in place, at the Ancien Couvent de la Beaumette, also known as the Couvent des Cordeliers d'Angers, a convent built 1452-54 and founded by King Rene, in Angers, Maine-et-Loire, France. The convent complex consists of living quarters, an 18th century cloister, a 15th century chapel, courtyards, a cemetery, gardens and frescoes. The convent is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_0527.jpg
  • Portico of the main entrance with 4 columns and capitals carved with palm leaves and birds, at the El Capricho de Gaudi, or Villa Quijano, a Modernist villa designed by Antoni Gaudi, 1852-1926, and built 1883-85 under his assistant Cristobal Cascante, in Comillas, Cantabria, Spain. In the centre is the facade, with exposed brick, glazed tiles and sunflower tiles, and on the left is the wrought iron balcony of the main living room. The villa was commissioned by Maximo Diaz de Quijano as a summer house. It is from Gaudi's orientalist period, with azulejos tiles and domes. The building has housed a museum since 2009. Picture by Manuel Cohen
    LC21_SPAIN_MC_0679.jpg
  • Wrought iron balcony with integrated reversed bench, designed for viewing the decorative facade, outside the main living room at El Capricho de Gaudi, or Villa Quijano, a Modernist villa designed by Antoni Gaudi, 1852-1926, and built 1883-85 under his assistant Cristobal Cascante, in Comillas, Cantabria, Spain. The villa was commissioned by Maximo Diaz de Quijano as a summer house. It is from Gaudi's orientalist period, with azulejos tiles and domes. The building has housed a museum since 2009. Picture by Manuel Cohen
    LC21_SPAIN_MC_0626.jpg
  • View of the staircase from the main living room, with decorative details such as tilework, stained glass door panels and a leaf design on the wall, in Pavilion no. 6 'dels distingits' of the Institut Pere Mata, a psychiatric hospital built 1897-1912 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, in Reus, Catalonia, Spain. Pavilion no. 6 was used to house wealthy patients in great comfort and modernity, and was in use until 1986. It is now open to the public as part of Reus' Modernist Route and run by the town of Reus, whereas the rest of the building remains a hospital. The building is listed as a Cultural Asset of National Interest. Picture by Manuel Cohen
    LC16_SPAIN_MC164.jpg
  • Staircase outside the main living room leading to the first floor bedrooms, with decorative tilework with floral and foliage designs in the treads and on the walls, in Pavilion no. 6 'dels distingits' of the Institut Pere Mata, a psychiatric hospital built 1897-1912 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, in Reus, Catalonia, Spain. Pavilion no. 6 was used to house wealthy patients in great comfort and modernity, and was in use until 1986. It is now open to the public as part of Reus' Modernist Route and run by the town of Reus, whereas the rest of the building remains a hospital. The building is listed as a Cultural Asset of National Interest. Picture by Manuel Cohen
    LC16_SPAIN_MC170.jpg
  • Staircase outside the main living room leading to the first floor bedrooms, with decorative tilework with floral and foliage designs in the treads and on the walls, in Pavilion no. 6 'dels distingits' of the Institut Pere Mata, a psychiatric hospital built 1897-1912 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, in Reus, Catalonia, Spain. Pavilion no. 6 was used to house wealthy patients in great comfort and modernity, and was in use until 1986. It is now open to the public as part of Reus' Modernist Route and run by the town of Reus, whereas the rest of the building remains a hospital. The building is listed as a Cultural Asset of National Interest. Picture by Manuel Cohen
    LC16_SPAIN_MC171.jpg
  • Staircase outside the main living room leading to the first floor bedrooms, with decorative tilework with floral and foliage designs in the treads and on the walls, in Pavilion no. 6 'dels distingits' of the Institut Pere Mata, a psychiatric hospital built 1897-1912 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, in Reus, Catalonia, Spain. Pavilion no. 6 was used to house wealthy patients in great comfort and modernity, and was in use until 1986. It is now open to the public as part of Reus' Modernist Route and run by the town of Reus, whereas the rest of the building remains a hospital. The building is listed as a Cultural Asset of National Interest. Picture by Manuel Cohen
    LC16_SPAIN_MC146.jpg
  • Portico of the main entrance with 4 columns and capitals carved with palm leaves and birds, at the El Capricho de Gaudi, or Villa Quijano, a Modernist villa designed by Antoni Gaudi, 1852-1926, and built 1883-85 under his assistant Cristobal Cascante, in Comillas, Cantabria, Spain. In the centre is the facade, with exposed brick, glazed tiles and sunflower tiles, and on the left is the wrought iron balcony of the main living room. The villa was commissioned by Maximo Diaz de Quijano as a summer house. It is from Gaudi's orientalist period, with azulejos tiles and domes. The building has housed a museum since 2009. Picture by Manuel Cohen
    _CC_8423.jpg
  • Wrought iron balcony with integrated reversed bench, designed for viewing the decorative facade, outside the main living room at El Capricho de Gaudi, or Villa Quijano, a Modernist villa designed by Antoni Gaudi, 1852-1926, and built 1883-85 under his assistant Cristobal Cascante, in Comillas, Cantabria, Spain. The villa was commissioned by Maximo Diaz de Quijano as a summer house. It is from Gaudi's orientalist period, with azulejos tiles and domes. The building has housed a museum since 2009. Picture by Manuel Cohen
    _CC_7990.jpg
  • Italian style gallery, with displays of tools, at the Manoir de Launay, built in the late 14th and mid 15th centuries, then bought by King Rene, duke of Anjou, in 1444, where he lived with Isabelle de Lorraine, at Villebernier, near Saumur, Maine-et-Loire, France. The manor house is Renaissance is style, with decorative turrets and moats, and the complex includes a chapel, Hall of the Lords, gallery, recess rooms, dovecote, kitchen, courtyards with peristyle colonnades. It is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_0680.jpg
  • Manoir de Launay, built in the late 14th and mid 15th centuries, then bought by King Rene, duke of Anjou, in 1444, where he lived with Isabelle de Lorraine, at Villebernier, near Saumur, Maine-et-Loire, France. The manor house is Renaissance is style, with decorative turrets and moats, and the complex includes a chapel, Hall of the Lords, gallery, recess rooms, dovecote, kitchen, courtyards with peristyle colonnades. It is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_0679.jpg
  • Wooden roof structure inside a turret, at the Manoir de Launay, built in the late 14th and mid 15th centuries, then bought by King Rene, duke of Anjou, in 1444, where he lived with Isabelle de Lorraine, at Villebernier, near Saumur, Maine-et-Loire, France. The manor house is Renaissance is style, with decorative turrets and moats, and the complex includes a chapel, Hall of the Lords, gallery, recess rooms, dovecote, kitchen, courtyards with peristyle colonnades. It is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_0676.jpg
  • Wooden roof structure inside a turret, with fireplace, at the Manoir de Launay, built in the late 14th and mid 15th centuries, then bought by King Rene, duke of Anjou, in 1444, where he lived with Isabelle de Lorraine, at Villebernier, near Saumur, Maine-et-Loire, France. The manor house is Renaissance is style, with decorative turrets and moats, and the complex includes a chapel, Hall of the Lords, gallery, recess rooms, dovecote, kitchen, courtyards with peristyle colonnades. It is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_0691.jpg
  • Manoir de Launay, built in the late 14th and mid 15th centuries, then bought by King Rene, duke of Anjou, in 1444, where he lived with Isabelle de Lorraine, at Villebernier, near Saumur, Maine-et-Loire, France. The manor house is Renaissance is style, with decorative turrets and moats, and the complex includes a chapel, Hall of the Lords, gallery, recess rooms, dovecote, kitchen, courtyards with peristyle colonnades. It is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_0678.jpg
  • Manoir de Launay, built in the late 14th and mid 15th centuries, then bought by King Rene, duke of Anjou, in 1444, where he lived with Isabelle de Lorraine, at Villebernier, near Saumur, Maine-et-Loire, France. The manor house is Renaissance is style, with decorative turrets and moats, and the complex includes a chapel, Hall of the Lords, gallery, recess rooms, dovecote, kitchen, courtyards with peristyle colonnades. It is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_0677.jpg
  • Chapel, with stone altar, statues in niches and stained glass windows, at the Manoir de Launay, built in the late 14th and mid 15th centuries, then bought by King Rene, duke of Anjou, in 1444, where he lived with Isabelle de Lorraine, at Villebernier, near Saumur, Maine-et-Loire, France. The manor house is Renaissance is style, with decorative turrets and moats, and the complex includes a chapel, Hall of the Lords, gallery, recess rooms, dovecote, kitchen, courtyards with peristyle colonnades. It is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_0675.JPG
  • Manoir de Launay, aerial view, built in the late 14th and mid 15th centuries, then bought by King Rene, duke of Anjou, in 1444, where he lived with Isabelle de Lorraine, at Villebernier, near Saumur, Maine-et-Loire, France. The manor house is Renaissance is style, with decorative turrets and moats, and the complex includes a chapel, Hall of the Lords, gallery, recess rooms, dovecote, kitchen, courtyards with peristyle colonnades. It is listed as a historic monument. Picture by Manuel Cohen
    DRN_LC21_FRANCE_MC_0695.jpg
  • Manoir de Launay, aerial view, built in the late 14th and mid 15th centuries, then bought by King Rene, duke of Anjou, in 1444, where he lived with Isabelle de Lorraine, at Villebernier, near Saumur, Maine-et-Loire, France. The manor house is Renaissance is style, with decorative turrets and moats, and the complex includes a chapel, Hall of the Lords, gallery, recess rooms, dovecote, kitchen, courtyards with peristyle colonnades. It is listed as a historic monument. Picture by Manuel Cohen
    DRN_LC21_FRANCE_MC_0696.jpg
  • Outbuildings adjoining the Cloister, 18th century, at the Ancien Couvent de la Beaumette, also known as the Couvent des Cordeliers d'Angers, a convent built 1452-54 and founded by King Rene, in Angers, Maine-et-Loire, France. The convent complex consists of living quarters, an 18th century cloister, a 15th century chapel, courtyards, a cemetery, gardens and frescoes. The convent is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_0531.jpg
  • La stanza del Mappamondo, the main library, housing over 6000 art books, in La Prioria, home of Gabriele D'Annunzio, 1863-1938, Italian writer, soldier and fascist, at Vittoriale degli italiani, or The Shrine of Italian Victories, his estate and museums at Gardone Riviera, Lake Garda, Brescia, Lombardy, Italy. The house was originally the Villa Cargnacco, which was rebuilt by Gian Carlo Maroni from 1922 and developed until 1955. The estate consists of the Prioria, where d'Annunzio lived 1922-38, an amphitheatre, the protected cruiser Puglia, the MAS vessel used by D'Annunzio in 1918 and a mausoleum. It is part of the Grandi Giardini Italiani. Picture by Manuel Cohen
    LC19_ITALY_MC_136.jpg
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