manuel cohen

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  • Indigo industry, including threshing and grinding of the pods and drying the leaves, engraving from the Art of the Indigotier, 1770, by Gauthier de Beauvais-Raseau, in the Musee d'histoire de Nantes, in the Chateau des ducs de Bretagne, in Nantes, Pays de la Loire, France. Slaves worked the land and processed crops on large plantations, and illustrated manuals were published to inform settlers of working methods and profitable exploitation. The museum opened in 2007 and covers the history of Nantes, focusing on slavery, world wars, industrialisation and the chateau. Picture by Manuel Cohen
    LC21_FRANCE_MC_0012.jpg
  • Indigo industry, including working the land, planting the crop and harvesting, engraving from the Art of the Indigotier, 1770, by Gauthier de Beauvais-Raseau, in the Musee d'histoire de Nantes, in the Chateau des ducs de Bretagne, in Nantes, Pays de la Loire, France. Slaves worked the land and processed crops on large plantations, and illustrated manuals were published to inform settlers of working methods and profitable exploitation. The museum opened in 2007 and covers the history of Nantes, focusing on slavery, world wars, industrialisation and the chateau. Picture by Manuel Cohen
    LC21_FRANCE_MC_0011.jpg
  • The Minister of the Economy, Finances and Industry (Ministere de l'Economie, des Finances et de l'Industrie), called the Minister of Finance for short or simply "Bercy", 1988, Paul Chemetov and Borja Huidobro, 139 rue de Bercy, 12th arrondissement, Paris, France. River Seine and Pont de Bercy, 19th century in the foreground. Picture by Manuel Cohen
    LC12_Paris_MC059.jpg
  • The Minister of the Economy, Finances and Industry (Ministere de l'Economie, des Finances et de l'Industrie), called the Minister of Finance for short or simply "Bercy", 1988, Paul Chemetov and Borja Huidobro, 139 rue de Bercy, 12th arrondissement, Paris, France. River Seine and Pont de Bercy, 19th century in the foreground. Picture by Manuel Cohen
    LC12_Paris_MC058.jpg
  • The Minister of the Economy, Finances and Industry (Ministere de l'Economie, des Finances et de l'Industrie), called the Minister of Finance for short or simply "Bercy", 1988, Paul Chemetov and Borja Huidobro, 139 rue de Bercy, 12th arrondissement, Paris, France. Pont de Bercy, 19th century in the foreground. Picture by Manuel Cohen
    LC12_Paris_MC057.jpg
  • The Minister of the Economy, Finances and Industry (Ministere de l'Economie, des Finances et de l'Industrie), called the Minister of Finance for short or simply "Bercy", 1988, Paul Chemetov and Borja Huidobro, 139 rue de Bercy, 12th arrondissement, Paris, France. In the foreground the yellow barge "Petit Bain", a bar and restaurant together with a concert venue moored on the left bank, quai François Mauriac. Picture by Manuel Cohen
    LC13_Paris_MC201.jpg
  • Marble art deco staircase in the Palais Consulaire or Consular Palace, built 1937, which houses the Chamber of Commerce and Industry, on the Quai de Lattre de Tassigny in Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. Picture by Manuel Cohen
    LC20_FRANCE_MC_1308.jpg
  • Boca de Nigua or Nigua sugar mill, 17th century, at San Gregorio de Nigua, near Santo Domingo, in the Dominican Republic, Caribbean. The mill was founded by Marquee De Aranda and later owned by Juan Bautista Ollarazaba, and was an important site for the sugar industry, with a mill, furnaces, boiling room, warehouse, guardhouse, distillery and Spanish colonial buildings. The mill is built in the style of the great Cuban and Haitian mills erected late 18th century. It was the site of the first slave rebellion 1796. Restoration began here in 1978 under Baez Lopez-Penha. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_085.jpg
  • Grape harvest, stained glass window, by Paule and Max Ingrand, in the Palais Consulaire or Consular Palace, built 1937 in art deco style, which houses the Chamber of Commerce and Industry, on the Quai de Lattre de Tassigny in Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. Picture by Manuel Cohen
    LC20_FRANCE_MC_1381.jpg
  • Harvesters, stained glass window, by Paule and Max Ingrand, in the Palais Consulaire or Consular Palace, built 1937 in art deco style, which houses the Chamber of Commerce and Industry, on the Quai de Lattre de Tassigny in Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. Picture by Manuel Cohen
    LC20_FRANCE_MC_1380.jpg
  • Dock workers, stained glass window, by Paule and Max Ingrand, in the Palais Consulaire or Consular Palace, built 1937 in art deco style, which houses the Chamber of Commerce and Industry, on the Quai de Lattre de Tassigny in Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. Picture by Manuel Cohen
    LC20_FRANCE_MC_1379.jpg
  • Stained glass window, detail of the Castillet, a fortified building and city gate built 1368-1542 in Perpignan, by Paule and Max Ingrand, in the Palais Consulaire or Consular Palace, built 1937 in art deco style, which houses the Chamber of Commerce and Industry, on the Quai de Lattre de Tassigny in Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. Picture by Manuel Cohen
    LC20_FRANCE_MC_1312.jpg
  • Benediction des animaux devant la porte de la cathedrale d'Elne, or Blessing of the animals in front of the door to Elne cathedral, detail, painting, 1936, by Marcel Delaris, 1911-95, in the Palais Consulaire or Consular Palace, built 1937 in art deco style, which houses the Chamber of Commerce and Industry, on the Quai de Lattre de Tassigny in Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. Picture by Manuel Cohen
    LC20_FRANCE_MC_1311.jpg
  • Benediction des animaux devant la porte de la cathedrale d'Elne, or Blessing of the animals in front of the door to Elne cathedral, painting, 1936, by Marcel Delaris, 1911-95, in the Palais Consulaire or Consular Palace, built 1937 in art deco style, which houses the Chamber of Commerce and Industry, on the Quai de Lattre de Tassigny in Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. Picture by Manuel Cohen
    LC20_FRANCE_MC_1310.jpg
  • Marble art deco staircase in the Palais Consulaire or Consular Palace, built 1937, which houses the Chamber of Commerce and Industry, on the Quai de Lattre de Tassigny in Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. The stained glass windows are by Paule and Max Ingrand. Picture by Manuel Cohen
    LC20_FRANCE_MC_1309.JPG
  • Stained glass window, detail of the names of the artists, Paule and Max Ingrand, in the Palais Consulaire or Consular Palace, built 1937 in art deco style, which houses the Chamber of Commerce and Industry, on the Quai de Lattre de Tassigny in Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. Picture by Manuel Cohen
    LC20_FRANCE_MC_1307.jpg
  • Stained glass window, detail of the grape harvest, by Paule and Max Ingrand, in the Palais Consulaire or Consular Palace, built 1937 in art deco style, which houses the Chamber of Commerce and Industry, on the Quai de Lattre de Tassigny in Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. Picture by Manuel Cohen
    LC20_FRANCE_MC_1305.jpg
  • Philippe Latger, president and founder of the Association Perpignan Art Deco, standing beside the marble art deco staircase in the Palais Consulaire or Consular Palace, built 1937, which houses the Chamber of Commerce and Industry, on the Quai de Lattre de Tassigny in Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. Picture by Manuel Cohen
    LC20_FRANCE_MC_1304.jpg
  • Philippe Latger, president and founder of the Association Perpignan Art Deco, standing beside the marble art deco staircase in the Palais Consulaire or Consular Palace, built 1937, which houses the Chamber of Commerce and Industry, on the Quai de Lattre de Tassigny in Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. Picture by Manuel Cohen
    LC20_FRANCE_MC_1303.jpg
  • Philippe Latger, president and founder of the Association Perpignan Art Deco, standing beside the marble art deco staircase in the Palais Consulaire or Consular Palace, built 1937, which houses the Chamber of Commerce and Industry, on the Quai de Lattre de Tassigny in Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. The stained glass windows are by Paule and Max Ingrand. Picture by Manuel Cohen
    LC20_FRANCE_MC_1302.jpg
  • Philippe Latger, president and founder of the Association Perpignan Art Deco, standing above the marble art deco staircase in the Palais Consulaire or Consular Palace, built 1937, which houses the Chamber of Commerce and Industry, on the Quai de Lattre de Tassigny in Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. The stained glass windows are by Paule and Max Ingrand. Picture by Manuel Cohen
    LC20_FRANCE_MC_1301.jpg
  • Mural depicting the revolt of slave workers at the sugar mill, on a wall at the Boca de Nigua or Nigua sugar mill, at San Gregorio de Nigua, near Santo Domingo, in the Dominican Republic, Caribbean. The mill was founded by Marquee De Aranda and later owned by Juan Bautista Ollarazaba, and was an important site for the sugar industry, with a mill, boiling room, and Spanish colonial buildings. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_282.jpg
  • Ingenio de Engombe, or Engombe Sugar Mill, a 16th century Renaissance sugar mill with mansion and chapel, in Santo Domingo Este, a suburb of Santo Domingo, in the Dominican Republic, Caribbean. The mill was used for the manufacture of sugar cane and the remaining house was for the mill owner and his family. The quality of the architecture is testament to the importance of the sugar industry in the Caribbean at this time. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_280.jpg
  • Boca de Nigua or Nigua sugar mill, 17th century, at San Gregorio de Nigua, near Santo Domingo, in the Dominican Republic, Caribbean. The mill was founded by Marquee De Aranda and later owned by Juan Bautista Ollarazaba, and was an important site for the sugar industry, with a mill, furnaces, boiling room, warehouse, guardhouse, distillery and Spanish colonial buildings. The mill is built in the style of the great Cuban and Haitian mills erected late 18th century. It was the site of the first slave rebellion 1796. Restoration began here in 1978 under Baez Lopez-Penha. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_086.jpg
  • Boca de Nigua or Nigua sugar mill, 17th century, at San Gregorio de Nigua, near Santo Domingo, in the Dominican Republic, Caribbean. The mill was founded by Marquee De Aranda and later owned by Juan Bautista Ollarazaba, and was an important site for the sugar industry, with a mill, furnaces, boiling room, warehouse, guardhouse, distillery and Spanish colonial buildings. The mill is built in the style of the great Cuban and Haitian mills erected late 18th century. It was the site of the first slave rebellion 1796. Restoration began here in 1978 under Baez Lopez-Penha. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_087.jpg
  • Furnaces at the Boca de Nigua or Nigua sugar mill, 17th century, at San Gregorio de Nigua, near Santo Domingo, in the Dominican Republic, Caribbean. The mill was founded by Marquee De Aranda and later owned by Juan Bautista Ollarazaba, and was an important site for the sugar industry, with a mill, furnaces, boiling room, warehouse, guardhouse, distillery and Spanish colonial buildings. The mill is built in the style of the great Cuban and Haitian mills erected late 18th century. It was the site of the first slave rebellion 1796. Restoration began here in 1978 under Baez Lopez-Penha. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_089.jpg
  • Boca de Nigua or Nigua sugar mill, 17th century, at San Gregorio de Nigua, near Santo Domingo, in the Dominican Republic, Caribbean. The mill was founded by Marquee De Aranda and later owned by Juan Bautista Ollarazaba, and was an important site for the sugar industry, with a mill, furnaces, boiling room, warehouse, guardhouse, distillery and Spanish colonial buildings. The mill is built in the style of the great Cuban and Haitian mills erected late 18th century. It was the site of the first slave rebellion 1796. Restoration began here in 1978 under Baez Lopez-Penha. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_090.jpg
  • Boca de Nigua or Nigua sugar mill, 17th century, at San Gregorio de Nigua, near Santo Domingo, in the Dominican Republic, Caribbean. The mill was founded by Marquee De Aranda and later owned by Juan Bautista Ollarazaba, and was an important site for the sugar industry, with a mill, furnaces, boiling room, warehouse, guardhouse, distillery and Spanish colonial buildings. The mill is built in the style of the great Cuban and Haitian mills erected late 18th century. It was the site of the first slave rebellion 1796. Restoration began here in 1978 under Baez Lopez-Penha. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_091.jpg
  • Boca de Nigua or Nigua sugar mill, 17th century, at San Gregorio de Nigua, near Santo Domingo, in the Dominican Republic, Caribbean. The mill was founded by Marquee De Aranda and later owned by Juan Bautista Ollarazaba, and was an important site for the sugar industry, with a mill, furnaces, boiling room, warehouse, guardhouse, distillery and Spanish colonial buildings. The mill is built in the style of the great Cuban and Haitian mills erected late 18th century. It was the site of the first slave rebellion 1796. Restoration began here in 1978 under Baez Lopez-Penha. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_092.jpg
  • Furnaces at the Boca de Nigua or Nigua sugar mill, 17th century, at San Gregorio de Nigua, near Santo Domingo, in the Dominican Republic, Caribbean. The mill was founded by Marquee De Aranda and later owned by Juan Bautista Ollarazaba, and was an important site for the sugar industry, with a mill, furnaces, boiling room, warehouse, guardhouse, distillery and Spanish colonial buildings. The mill is built in the style of the great Cuban and Haitian mills erected late 18th century. It was the site of the first slave rebellion 1796. Restoration began here in 1978 under Baez Lopez-Penha. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_094.jpg
  • Tunnel at the Boca de Nigua or Nigua sugar mill, 17th century, at San Gregorio de Nigua, near Santo Domingo, in the Dominican Republic, Caribbean. The mill was founded by Marquee De Aranda and later owned by Juan Bautista Ollarazaba, and was an important site for the sugar industry, with a mill, furnaces, boiling room, warehouse, guardhouse, distillery and Spanish colonial buildings. The mill is built in the style of the great Cuban and Haitian mills erected late 18th century. It was the site of the first slave rebellion 1796. Restoration began here in 1978 under Baez Lopez-Penha. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_095.jpg
  • Boca de Nigua or Nigua sugar mill, 17th century, at San Gregorio de Nigua, near Santo Domingo, in the Dominican Republic, Caribbean. The mill was founded by Marquee De Aranda and later owned by Juan Bautista Ollarazaba, and was an important site for the sugar industry, with a mill, furnaces, boiling room, warehouse, guardhouse, distillery and Spanish colonial buildings. The mill is built in the style of the great Cuban and Haitian mills erected late 18th century. It was the site of the first slave rebellion 1796. Restoration began here in 1978 under Baez Lopez-Penha. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_096.jpg
  • House of the mill owner and his family, at the Ingenio de Engombe, or Engombe Sugar Mill, a 16th century Renaissance sugar mill with mansion and chapel, in Santo Domingo Este, a suburb of Santo Domingo, in the Dominican Republic, Caribbean. The mill was used for the manufacture of sugar cane and the quality of the architecture is testament to the importance of the sugar industry in the Caribbean at this time. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_100.jpg
  • House of the mill owner and his family, at the Ingenio de Engombe, or Engombe Sugar Mill, a 16th century Renaissance sugar mill with mansion and chapel, in Santo Domingo Este, a suburb of Santo Domingo, in the Dominican Republic, Caribbean. The mill was used for the manufacture of sugar cane and the quality of the architecture is testament to the importance of the sugar industry in the Caribbean at this time. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_101.jpg
  • House of the mill owner and his family, at the Ingenio de Engombe, or Engombe Sugar Mill, a 16th century Renaissance sugar mill with mansion and chapel, in Santo Domingo Este, a suburb of Santo Domingo, in the Dominican Republic, Caribbean. The mill was used for the manufacture of sugar cane and the quality of the architecture is testament to the importance of the sugar industry in the Caribbean at this time. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_102.jpg
  • House of the mill owner and his family, at the Ingenio de Engombe, or Engombe Sugar Mill, a 16th century Renaissance sugar mill with mansion and chapel, in Santo Domingo Este, a suburb of Santo Domingo, in the Dominican Republic, Caribbean. The mill was used for the manufacture of sugar cane and the quality of the architecture is testament to the importance of the sugar industry in the Caribbean at this time. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_103.jpg
  • Boca de Nigua or Nigua sugar mill, 17th century, at San Gregorio de Nigua, near Santo Domingo, in the Dominican Republic, Caribbean. The mill was founded by Marquee De Aranda and later owned by Juan Bautista Ollarazaba, and was an important site for the sugar industry, with a mill, furnaces, boiling room, warehouse, guardhouse, distillery and Spanish colonial buildings. The mill is built in the style of the great Cuban and Haitian mills erected late 18th century. It was the site of the first slave rebellion 1796. Restoration began here in 1978 under Baez Lopez-Penha. Picture by Manuel Cohen
    DRN_LC18_DominicanRepublic_MC_165.jpg
  • Aerial view of Boca de Nigua or Nigua sugar mill, 17th century, at San Gregorio de Nigua, near Santo Domingo, in the Dominican Republic, Caribbean. The mill was founded by Marquee De Aranda and later owned by Juan Bautista Ollarazaba, and was an important site for the sugar industry, with a mill, furnaces, boiling room, warehouse, guardhouse, distillery and Spanish colonial buildings. The mill is built in the style of the great Cuban and Haitian mills erected late 18th century. It was the site of the first slave rebellion 1796. Restoration began here in 1978 under Baez Lopez-Penha. Picture by Manuel Cohen
    DRN_LC18_DominicanRepublic_MC_166.jpg
  • Aerial view of Boca de Nigua or Nigua sugar mill, 17th century, at San Gregorio de Nigua, near Santo Domingo, in the Dominican Republic, Caribbean. The mill was founded by Marquee De Aranda and later owned by Juan Bautista Ollarazaba, and was an important site for the sugar industry, with a mill, furnaces, boiling room, warehouse, guardhouse, distillery and Spanish colonial buildings. The mill is built in the style of the great Cuban and Haitian mills erected late 18th century. It was the site of the first slave rebellion 1796. Restoration began here in 1978 under Baez Lopez-Penha. Picture by Manuel Cohen
    DRN_LC18_DominicanRepublic_MC_167.jpg
  • Aerial view of the Ingenio de Engombe, or Engombe Sugar Mill, a 16th century Renaissance sugar mill with mansion and chapel, in Santo Domingo Este, a suburb of Santo Domingo, in the Dominican Republic, Caribbean. The mill was used for the manufacture of sugar cane and the quality of the architecture is testament to the importance of the sugar industry in the Caribbean at this time. Picture by Manuel Cohen
    DRN_LC18_DominicanRepublic_MC_169.jpg
  • Black car crossing the Pont d'Austerlitz with, in the background, voie Mazas emerging from the river bank next to headquarters of banking entities of Quai de la Rapee, The Minister of the Economy, Finances and Industry (Ministere de l'Economie, des Finances et de l'Industrie), in the distance, 12th arrondissement, Paris, France. Picture by Manuel Cohen
    LC12_Paris_MC066.jpg
  • Grape harvest and garland with coat of arms, stained glass window, by Paule and Max Ingrand, in the Palais Consulaire or Consular Palace, built 1937 in art deco style, which houses the Chamber of Commerce and Industry, on the Quai de Lattre de Tassigny in Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. Picture by Manuel Cohen
    LC20_FRANCE_MC_1378.jpg
  • Stained glass window, detail of women harvesting grapes, by Paule and Max Ingrand, in the Palais Consulaire or Consular Palace, built 1937 in art deco style, which houses the Chamber of Commerce and Industry, on the Quai de Lattre de Tassigny in Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. Picture by Manuel Cohen
    LC20_FRANCE_MC_1306.jpg
  • Arches of the mansion at the Ingenio de Engombe, or Engombe Sugar Mill, a 16th century Renaissance sugar mill with mansion and chapel, in Santo Domingo Este, a suburb of Santo Domingo, in the Dominican Republic, Caribbean. The mill was used for the manufacture of sugar cane and the remaining house was for the mill owner and his family. The quality of the architecture is testament to the importance of the sugar industry in the Caribbean at this time. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_281.jpg
  • Boca de Nigua or Nigua sugar mill, 17th century, at San Gregorio de Nigua, near Santo Domingo, in the Dominican Republic, Caribbean. The mill was founded by Marquee De Aranda and later owned by Juan Bautista Ollarazaba, and was an important site for the sugar industry, with a mill, furnaces, boiling room, warehouse, guardhouse, distillery and Spanish colonial buildings. The mill is built in the style of the great Cuban and Haitian mills erected late 18th century. It was the site of the first slave rebellion 1796. Restoration began here in 1978 under Baez Lopez-Penha. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_088.jpg
  • House of the mill owner and his family, at the Ingenio de Engombe, or Engombe Sugar Mill, a 16th century Renaissance sugar mill with mansion and chapel, in Santo Domingo Este, a suburb of Santo Domingo, in the Dominican Republic, Caribbean. The mill was used for the manufacture of sugar cane and the quality of the architecture is testament to the importance of the sugar industry in the Caribbean at this time. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_104.jpg
  • La Geode, a mirrored geodesic dome designed by Adrien Fainsilber and Gerard Chamayou, containing an Omnimax cinema, at the Cite des Sciences et de l'Industrie, or City of Science and Industry, the biggest science museum in Europe, opened in 1986, in the Parc de la Villette, in the 19th arrondissement of Paris, France. The Parc de la Villette sits on the site of Paris' old slaughterhouse district and was designed 1984-87 by Bernard Tschumi and Colin Fournier as one of Francois Mitterand's Grands Projets. It has since been developed with cultural venues, musical and science establishments built by many contemporary architects. Picture by Manuel Cohen
    LC19_PARIS_MC_1238.jpg
  • La Geode, a mirrored geodesic dome designed by Adrien Fainsilber and Gerard Chamayou, containing an Omnimax cinema, at the Cite des Sciences et de l'Industrie, or City of Science and Industry, the biggest science museum in Europe, opened in 1986, in the Parc de la Villette, in the 19th arrondissement of Paris, France. The Parc de la Villette sits on the site of Paris' old slaughterhouse district and was designed 1984-87 by Bernard Tschumi and Colin Fournier as one of Francois Mitterand's Grands Projets. It has since been developed with cultural venues, musical and science establishments built by many contemporary architects. Picture by Manuel Cohen
    LC19_PARIS_MC_1227.jpg
  • Caduceus of Mercury, god of commerce and industry, with 2 snakes around a winged staff, detail from the balustrade of the staircase leading to the first floor, where there is a meeting room for stockbrokers, in the Palais Brongniart, or Palais de la Bourse, built by Alexandre-Theodore Brongniart 1808-13 and Eloi Labarre 1813-26, on the Place de la Bourse in the 2nd arrondissement of Paris, France. The building housed the Bourse de Paris or Paris Stock Exchange from the late 19th century, and Euronext Paris from 2000, and is listed as a historic monument. Picture by Manuel Cohen
    LC19_PARIS_MC_1082.jpg
  • Allegory of Abundance rewarding Industry, ceiling fresco, 1826, by Auguste Vinchon, 1789–1855, in the Salon d'Honneur, a meeting room for stockbrokers, on the first floor of the Palais Brongniart, or Palais de la Bourse, built by Alexandre-Theodore Brongniart 1808-13 and Eloi Labarre 1813-26, on the Place de la Bourse in the 2nd arrondissement of Paris, France. The building housed the Bourse de Paris or Paris Stock Exchange from the late 19th century, and Euronext Paris from 2000, and is listed as a historic monument. Picture by Manuel Cohen
    LC19_PARIS_MC_1075.jpg
  • Allegory of Abundance rewarding Industry, detail, ceiling fresco, 1826, by Auguste Vinchon, 1789–1855, in the Salon d'Honneur, a meeting room for stockbrokers, on the first floor of the Palais Brongniart, or Palais de la Bourse, built by Alexandre-Theodore Brongniart 1808-13 and Eloi Labarre 1813-26, on the Place de la Bourse in the 2nd arrondissement of Paris, France. The building housed the Bourse de Paris or Paris Stock Exchange from the late 19th century, and Euronext Paris from 2000, and is listed as a historic monument. Picture by Manuel Cohen
    LC19_PARIS_MC_1076.jpg
  • Personification of Paris presenting the key to the stock exchange to Mercury, god of commerce and industry, and inviting justice to never abandon the institution, allegorical ceiling fresco, 1831, by Alexandre Denis Abel de Pujol, 1785-1861, in the nave, used for galas, conferences and other events, in the Palais Brongniart, or Palais de la Bourse, built by Alexandre-Theodore Brongniart 1808-13 and Eloi Labarre 1813-26, on the Place de la Bourse in the 2nd arrondissement of Paris, France. The nave is a 2 storey hall lined with arcades, housing 500 at conference or 1200 for drinks. The building housed the Bourse de Paris or Paris Stock Exchange from the late 19th century, and Euronext Paris from 2000, and is listed as a historic monument. Picture by Manuel Cohen
    LC19_PARIS_MC_1065.jpg
  • La Geode, a geodesic dome housing the Omnimax IMAX cinema, designed by Adrien Fainsilber and Gerard Chamayou and opened in 1985, at the Cite des Sciences et de l'Industrie (City of Science and Industry), in the Parc de la Villette in the 19th arrondissement of Paris, France. Picture by Manuel Cohen
    LC19_PARIS_MC_0131.jpg
  • Reconstructed Roman oil press, Volubilis, Northern Morocco, where olive growing was the main industry. Volubilis was founded in the 3rd century BC by the Phoenicians and was a Roman settlement from the 1st century AD. Volubilis was a thriving Roman olive growing town until 280 AD and was settled until the 11th century. The buildings were largely destroyed by an earthquake in the 18th century and have since been excavated and partly restored. Volubilis was listed as a UNESCO World Heritage Site in 1997. Picture by Manuel Cohen
    LC14_Morocco_MC116.jpg
  • Roman stone oil press with a striated conical trunk at Volubilis, Northern Morocco, where olive growing was the main industry. Volubilis was founded in the 3rd century BC by the Phoenicians and was a Roman settlement from the 1st century AD. Volubilis was a thriving Roman olive growing town until 280 AD and was settled until the 11th century. The buildings were largely destroyed by an earthquake in the 18th century and have since been excavated and partly restored. Volubilis was listed as a UNESCO World Heritage Site in 1997. Picture by Manuel Cohen
    LC14_Morocco_MC011.jpg
  • Impressive facade of the Minister of the Economy, Finances and Industry (Ministere de l'Economie, des Finances et de l'Industrie) seen from railway viaduct, called the Minister of Finance for short or simply "Bercy", 1988, Paul Chemetov and Borja Huidobro, 139 rue de Bercy, 12th arrondissement, Paris, France. Picture by Manuel Cohen
    LC13_Paris_MC079.jpg
  • The Minister of the Economy, Finances and Industry (Ministere de l'Economie, des Finances et de l'Industrie) at sunrise, called the Minister of Finance for short or simply "Bercy", 1988, Paul Chemetov and Borja Huidobro, 139 rue de Bercy, 12th arrondissement, Paris, France. Pont de Bercy, 19th century in the foreground with railway viaduct, the only one of the Parisian system to be made of stone. Picture by Manuel Cohen
    LC13_Paris_MC088.jpg
  • The Minister of the Economy, Finances and Industry (Ministere de l'Economie, des Finances et de l'Industrie) at sunrise, called the Minister of Finance for short or simply "Bercy", 1988, Paul Chemetov and Borja Huidobro, 139 rue de Bercy, 12th arrondissement, Paris, France. Pont de Bercy, 19th century in the foreground with railway viaduct, the only one of the Parisian system to be made of stone. Picture by Manuel Cohen
    LC13_Paris_MC081.jpg
  • The Minister of the Economy, Finances and Industry (Ministere de l'Economie, des Finances et de l'Industrie) at dusk, called the Minister of Finance for short or simply "Bercy", 1988, Paul Chemetov and Borja Huidobro, 139 rue de Bercy, 12th arrondissement, Paris, France. Pont de Bercy, 19th century in the foreground with railway viaduct with a train passing the camera in a streak of light. Picture by Manuel Cohen
    LC12_Paris_MC139.jpg
  • The Minister of the Economy, Finances and Industry (Ministere de l'Economie, des Finances et de l'Industrie) at dusk, called the Minister of Finance for short or simply "Bercy", 1988, Paul Chemetov and Borja Huidobro, 139 rue de Bercy, 12th arrondissement, Paris, France. Pont de Bercy, 19th century in the foreground with railway viaduct with a train passing the camera in a streak of light. Picture by Manuel Cohen
    LC12_Paris_MC142.jpg
  • Cite des Sciences et de l'Industrie, or City of Science and Industry, the biggest science museum in Europe, opened in 1986, in the Parc de la Villette, in the 19th arrondissement of Paris, France. The Cite includes a planetarium, submarine, IMAX theatre and bioclimatic facade of greenhouses. The Parc de la Villette sits on the site of Paris' old slaughterhouse district and was designed 1984-87 by Bernard Tschumi and Colin Fournier as one of Francois Mitterand's Grands Projets. It has since been developed with cultural venues, musical and science establishments built by many contemporary architects. Picture by Manuel Cohen
    LC19_PARIS_MC_1237.JPG
  • La Geode, a mirrored geodesic dome designed by Adrien Fainsilber and Gerard Chamayou, containing an Omnimax cinema, at the Cite des Sciences et de l'Industrie, or City of Science and Industry, the biggest science museum in Europe, opened in 1986, in the Parc de la Villette, in the 19th arrondissement of Paris, France. The Parc de la Villette sits on the site of Paris' old slaughterhouse district and was designed 1984-87 by Bernard Tschumi and Colin Fournier as one of Francois Mitterand's Grands Projets. It has since been developed with cultural venues, musical and science establishments built by many contemporary architects. Picture by Manuel Cohen
    LC19_PARIS_MC_1228.jpg
  • Bronze relief of the iron industry by Friedrich Drake after drawings by L Pietsch on the base of a statue of Peter Christian Wilhelm Beuth by Kiss, on Schinkelplatz outside the Bauakademie or Building Academy, originally built 1832-36 by Karl Friedrich Schinkel, home to architectural institutions and universities, Berlin, Germany. The relief shows a foundry with Wohlert, 1797-1877, and Freund and a forge with Borsig, 1804-54, and Egells, 1788-1854. Picture by Manuel Cohen
    LC14_BERLIN_MC0769.jpg
  • Roman stone oil press with a striated conical trunk at Volubilis, Northern Morocco, where olive growing was the main industry. Volubilis was founded in the 3rd century BC by the Phoenicians and was a Roman settlement from the 1st century AD. Volubilis was a thriving Roman olive growing town until 280 AD and was settled until the 11th century. The buildings were largely destroyed by an earthquake in the 18th century and have since been excavated and partly restored. Volubilis was listed as a UNESCO World Heritage Site in 1997. Picture by Manuel Cohen
    LC14_Morocco_MC034.jpg
  • Reconstructed Roman oil press in a house in Volubilis, Northern Morocco, where olive growing was the main industry. Volubilis was founded in the 3rd century BC by the Phoenicians and was a Roman settlement from the 1st century AD. Volubilis was a thriving Roman olive growing town until 280 AD and was settled until the 11th century. The buildings were largely destroyed by an earthquake in the 18th century and have since been excavated and partly restored. Volubilis was listed as a UNESCO World Heritage Site in 1997. Picture by Manuel Cohen
    LC14_Morocco_MC003.jpg
  • Heliport on the roof of the Ministry of the Economy, Finances and Industry (Ministere de l'Economie, des Finances et de l'Industrie), called the "Bercy" for short, built 1988 by Paul Chemetov and Borja Huidobro, at 139 rue de Bercy in the 12th arrondissement of Paris, France. Picture by Manuel Cohen
    LC14_Paris_MC003.jpg
  • Impressive facade of the Minister of the Economy, Finances and Industry (Ministere de l'Economie, des Finances et de l'Industrie) seen from left bank, called the Minister of Finance for short or simply "Bercy", 1988, Paul Chemetov and Borja Huidobro, 139 rue de Bercy, 12th arrondissement, Paris, France. Picture by Manuel Cohen
    LC13_Paris_MC205.jpg
  • The Minister of the Economy, Finances and Industry (Ministere de l'Economie, des Finances et de l'Industrie) at dusk, called the Minister of Finance for short or simply "Bercy", 1988, Paul Chemetov and Borja Huidobro, 139 rue de Bercy, 12th arrondissement, Paris, France. Pont de Bercy, 19th century in the foreground with railway viaduct, the only one of the Parisian system to be made of stone. Picture by Manuel Cohen
    LC12_Paris_MC140.jpg
  • Unloading shipping containers from vessels at Barcelona Industrial Port, part of the Port of Barcelona, aerial view, Barcelona, Catalonia, Spain. This is Europe's 9th largest container port. Picture by Manuel Cohen
    LC20_SPAIN_MC_1044.jpg
  • Industrial area with ovens for vase production and the tanning and dyeing of fabrics, 8th century BC, in Mozia, a Phoenician island city, Trapani, Sicily, Italy. Mozia was a busy city due to its proximity to Africa and its location on commercial routes to Spain, Sardinia and Central Italy. It was founded in the 8th century BC by the Phoenicians, and remained an important city and Carthaginian trade outpost, thriving until it was overthrown by the Syracuse Greeks in 397 BC. In 1888 the island was rediscovered by Joseph Whitaker, who, through his Fondazione Giuseppe Whitaker, excavated the site and founded the island's museum. Picture by Manuel Cohen
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  • MUHBA Fabra i Coats, in a former factory in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The site is part of MUHBA, the Museu d'Historia de Barcelona. Picture by Manuel Cohen
    LC20_SPAIN_MC_338.jpg
  • Espace Museale or exhibition hall on the ground floor of the MUHBA Fabra i Coats, in a former factory in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The site is part of MUHBA, the Museu d'Historia de Barcelona. Picture by Manuel Cohen
    LC20_SPAIN_MC_334.jpg
  • Valves in the boiler room, renovated and opened to the public by the Barcelona History Museum and Friends of Fabra i Coats, in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The boiler room housed 5 boilers and a steam engine and consumed 70 tonnes of coal a day. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_320.jpg
  • Old Fabra i Coats factory in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_332.JPG
  • Entrance to the exhibition and creation centre at the old Fabra i Coats factory in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_329.jpg
  • Entrance to the exhibition at Centre d'Art Contemporani de Barcelona, at MUHBA Fabra i Coats, in a former factory in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The site is part of MUHBA, the Museu d'Historia de Barcelona. Picture by Manuel Cohen
    LC20_SPAIN_MC_308.jpg
  • Boiler 2 and behind, boiler 1 in the boiler room, Babcock & Wilcox systems installed in 1944, renovated and opened to the public by the Barcelona History Museum and Friends of Fabra i Coats, in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The boiler room housed 5 boilers and a steam engine and consumed 70 tonnes of coal a day. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_348.jpg
  • Boiler 1 in the boiler room, a Babcock & Wilcox system installed in 1944, renovated and opened to the public by the Barcelona History Museum and Friends of Fabra i Coats, in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The boiler room housed 5 boilers and a steam engine and consumed 70 tonnes of coal a day. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_347.jpg
  • Boilers 2 and 3 in the boiler room, Babcock & Wilcox systems installed in 1944, renovated and opened to the public by the Barcelona History Museum and Friends of Fabra i Coats, in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The boiler room housed 5 boilers and a steam engine and consumed 70 tonnes of coal a day. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_345.jpg
  • The Infinite Library, an exhibition by Haris Epaminonda and Daniel Gustav Cramer in the MUHBA Fabra i Coats, in a former factory in San Andreu, Barcelona, Catalonia, Spain. The exhibition features a growing collection of books created by merging pages, spines and covers of found books together, to create new ones. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The site is part of MUHBA, the Museu d'Historia de Barcelona. Picture by Manuel Cohen
    LC20_SPAIN_MC_342.JPG
  • The Infinite Library, an exhibition by Haris Epaminonda and Daniel Gustav Cramer in the MUHBA Fabra i Coats, in a former factory in San Andreu, Barcelona, Catalonia, Spain. The exhibition features a growing collection of books created by merging pages, spines and covers of found books together, to create new ones. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The site is part of MUHBA, the Museu d'Historia de Barcelona. Picture by Manuel Cohen
    LC20_SPAIN_MC_341.jpg
  • The Infinite Library, an exhibition by Haris Epaminonda and Daniel Gustav Cramer in the MUHBA Fabra i Coats, in a former factory in San Andreu, Barcelona, Catalonia, Spain. The exhibition features a growing collection of books created by merging pages, spines and covers of found books together, to create new ones. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The site is part of MUHBA, the Museu d'Historia de Barcelona. Picture by Manuel Cohen
    LC20_SPAIN_MC_340.jpg
  • Espace Museale or exhibition hall on the ground floor of the MUHBA Fabra i Coats, in a former factory in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The site is part of MUHBA, the Museu d'Historia de Barcelona. Picture by Manuel Cohen
    LC20_SPAIN_MC_339.jpg
  • MUHBA Fabra i Coats, in a former factory in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The site is part of MUHBA, the Museu d'Historia de Barcelona. Picture by Manuel Cohen
    LC20_SPAIN_MC_337.jpg
  • MUHBA Fabra i Coats, in a former factory in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The site is part of MUHBA, the Museu d'Historia de Barcelona. Picture by Manuel Cohen
    LC20_SPAIN_MC_336.JPG
  • Espace Museale or exhibition hall on the ground floor of the MUHBA Fabra i Coats, in a former factory in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The site is part of MUHBA, the Museu d'Historia de Barcelona. Picture by Manuel Cohen
    LC20_SPAIN_MC_335.jpg
  • Espace Museale or exhibition hall on the ground floor of the MUHBA Fabra i Coats, in a former factory in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The site is part of MUHBA, the Museu d'Historia de Barcelona. Picture by Manuel Cohen
    LC20_SPAIN_MC_333.JPG
  • Part of the old Fabra i Coats factory set to be converted into a cultural space in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_328.JPG
  • Startup Business Centre where businesses compete to win access to workspace, in the old Fabra i Coats factory in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_325.jpg
  • Startup Business Centre where businesses compete to win access to workspace, in the old Fabra i Coats factory in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_324.jpg
  • Engine room of the factory adjoining the boiler room, renovated and opened to the public by the Barcelona History Museum and Friends of Fabra i Coats, in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_323.jpg
  • Boiler 1 in the boiler room, a Babcock & Wilcox system installed in 1944, renovated and opened to the public by the Barcelona History Museum and Friends of Fabra i Coats, in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The boiler room housed 5 boilers and a steam engine and consumed 70 tonnes of coal a day. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_322.jpg
  • Valves in the boiler room, renovated and opened to the public by the Barcelona History Museum and Friends of Fabra i Coats, in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The boiler room housed 5 boilers and a steam engine and consumed 70 tonnes of coal a day. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_321.jpg
  • Valves in the boiler room, renovated and opened to the public by the Barcelona History Museum and Friends of Fabra i Coats, in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The boiler room housed 5 boilers and a steam engine and consumed 70 tonnes of coal a day. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_319.jpg
  • Valves in the boiler room, renovated and opened to the public by the Barcelona History Museum and Friends of Fabra i Coats, in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The boiler room housed 5 boilers and a steam engine and consumed 70 tonnes of coal a day. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_318.jpg
  • Rear sections of boilers 1, 2 and 3 in the boiler room, Babcock & Wilcox systems installed in 1944, renovated and opened to the public by the Barcelona History Museum and Friends of Fabra i Coats, in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The boiler room housed 5 boilers and a steam engine and consumed 70 tonnes of coal a day. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_317.jpg
  • Boiler 1 in the boiler room, a Babcock & Wilcox system installed in 1944, renovated and opened to the public by the Barcelona History Museum and Friends of Fabra i Coats, in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The boiler room housed 5 boilers and a steam engine and consumed 70 tonnes of coal a day. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_315.jpg
  • Boiler 1 and the door of boiler 2 in the boiler room, Babcock & Wilcox systems installed in 1944, renovated and opened to the public by the Barcelona History Museum and Friends of Fabra i Coats, in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The boiler room housed 5 boilers and a steam engine and consumed 70 tonnes of coal a day. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_316.jpg
  • MUHBA Fabra i Coats, in a former factory in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The site is part of MUHBA, the Museu d'Historia de Barcelona. Picture by Manuel Cohen
    LC20_SPAIN_MC_344.jpg
  • MUHBA Fabra i Coats, in a former factory in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The site is part of MUHBA, the Museu d'Historia de Barcelona. Picture by Manuel Cohen
    LC20_SPAIN_MC_343.jpg
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