manuel cohen

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  • Unloading shipping containers from vessels at Barcelona Industrial Port, part of the Port of Barcelona, aerial view, Barcelona, Catalonia, Spain. This is Europe's 9th largest container port. Picture by Manuel Cohen
    LC20_SPAIN_MC_1044.jpg
  • Boiler 2 and behind, boiler 1 in the boiler room, Babcock & Wilcox systems installed in 1944, renovated and opened to the public by the Barcelona History Museum and Friends of Fabra i Coats, in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The boiler room housed 5 boilers and a steam engine and consumed 70 tonnes of coal a day. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_348.jpg
  • Boiler 1 in the boiler room, a Babcock & Wilcox system installed in 1944, renovated and opened to the public by the Barcelona History Museum and Friends of Fabra i Coats, in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The boiler room housed 5 boilers and a steam engine and consumed 70 tonnes of coal a day. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_347.jpg
  • Boilers 2 and 3 in the boiler room, Babcock & Wilcox systems installed in 1944, renovated and opened to the public by the Barcelona History Museum and Friends of Fabra i Coats, in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The boiler room housed 5 boilers and a steam engine and consumed 70 tonnes of coal a day. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_345.jpg
  • The Infinite Library, an exhibition by Haris Epaminonda and Daniel Gustav Cramer in the MUHBA Fabra i Coats, in a former factory in San Andreu, Barcelona, Catalonia, Spain. The exhibition features a growing collection of books created by merging pages, spines and covers of found books together, to create new ones. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The site is part of MUHBA, the Museu d'Historia de Barcelona. Picture by Manuel Cohen
    LC20_SPAIN_MC_342.JPG
  • The Infinite Library, an exhibition by Haris Epaminonda and Daniel Gustav Cramer in the MUHBA Fabra i Coats, in a former factory in San Andreu, Barcelona, Catalonia, Spain. The exhibition features a growing collection of books created by merging pages, spines and covers of found books together, to create new ones. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The site is part of MUHBA, the Museu d'Historia de Barcelona. Picture by Manuel Cohen
    LC20_SPAIN_MC_341.jpg
  • The Infinite Library, an exhibition by Haris Epaminonda and Daniel Gustav Cramer in the MUHBA Fabra i Coats, in a former factory in San Andreu, Barcelona, Catalonia, Spain. The exhibition features a growing collection of books created by merging pages, spines and covers of found books together, to create new ones. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The site is part of MUHBA, the Museu d'Historia de Barcelona. Picture by Manuel Cohen
    LC20_SPAIN_MC_340.jpg
  • Espace Museale or exhibition hall on the ground floor of the MUHBA Fabra i Coats, in a former factory in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The site is part of MUHBA, the Museu d'Historia de Barcelona. Picture by Manuel Cohen
    LC20_SPAIN_MC_339.jpg
  • MUHBA Fabra i Coats, in a former factory in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The site is part of MUHBA, the Museu d'Historia de Barcelona. Picture by Manuel Cohen
    LC20_SPAIN_MC_337.jpg
  • MUHBA Fabra i Coats, in a former factory in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The site is part of MUHBA, the Museu d'Historia de Barcelona. Picture by Manuel Cohen
    LC20_SPAIN_MC_338.jpg
  • MUHBA Fabra i Coats, in a former factory in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The site is part of MUHBA, the Museu d'Historia de Barcelona. Picture by Manuel Cohen
    LC20_SPAIN_MC_336.JPG
  • Espace Museale or exhibition hall on the ground floor of the MUHBA Fabra i Coats, in a former factory in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The site is part of MUHBA, the Museu d'Historia de Barcelona. Picture by Manuel Cohen
    LC20_SPAIN_MC_335.jpg
  • Espace Museale or exhibition hall on the ground floor of the MUHBA Fabra i Coats, in a former factory in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The site is part of MUHBA, the Museu d'Historia de Barcelona. Picture by Manuel Cohen
    LC20_SPAIN_MC_333.JPG
  • Espace Museale or exhibition hall on the ground floor of the MUHBA Fabra i Coats, in a former factory in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The site is part of MUHBA, the Museu d'Historia de Barcelona. Picture by Manuel Cohen
    LC20_SPAIN_MC_334.jpg
  • Startup Business Centre where businesses compete to win access to workspace, in the old Fabra i Coats factory in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_325.jpg
  • Startup Business Centre where businesses compete to win access to workspace, in the old Fabra i Coats factory in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_324.jpg
  • Engine room of the factory adjoining the boiler room, renovated and opened to the public by the Barcelona History Museum and Friends of Fabra i Coats, in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_323.jpg
  • Boiler 1 in the boiler room, a Babcock & Wilcox system installed in 1944, renovated and opened to the public by the Barcelona History Museum and Friends of Fabra i Coats, in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The boiler room housed 5 boilers and a steam engine and consumed 70 tonnes of coal a day. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_322.jpg
  • Valves in the boiler room, renovated and opened to the public by the Barcelona History Museum and Friends of Fabra i Coats, in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The boiler room housed 5 boilers and a steam engine and consumed 70 tonnes of coal a day. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_321.jpg
  • Valves in the boiler room, renovated and opened to the public by the Barcelona History Museum and Friends of Fabra i Coats, in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The boiler room housed 5 boilers and a steam engine and consumed 70 tonnes of coal a day. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_320.jpg
  • Valves in the boiler room, renovated and opened to the public by the Barcelona History Museum and Friends of Fabra i Coats, in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The boiler room housed 5 boilers and a steam engine and consumed 70 tonnes of coal a day. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_319.jpg
  • Valves in the boiler room, renovated and opened to the public by the Barcelona History Museum and Friends of Fabra i Coats, in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The boiler room housed 5 boilers and a steam engine and consumed 70 tonnes of coal a day. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_318.jpg
  • Rear sections of boilers 1, 2 and 3 in the boiler room, Babcock & Wilcox systems installed in 1944, renovated and opened to the public by the Barcelona History Museum and Friends of Fabra i Coats, in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The boiler room housed 5 boilers and a steam engine and consumed 70 tonnes of coal a day. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_317.jpg
  • Boiler 1 in the boiler room, a Babcock & Wilcox system installed in 1944, renovated and opened to the public by the Barcelona History Museum and Friends of Fabra i Coats, in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The boiler room housed 5 boilers and a steam engine and consumed 70 tonnes of coal a day. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_315.jpg
  • Boiler 1 and the door of boiler 2 in the boiler room, Babcock & Wilcox systems installed in 1944, renovated and opened to the public by the Barcelona History Museum and Friends of Fabra i Coats, in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The boiler room housed 5 boilers and a steam engine and consumed 70 tonnes of coal a day. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_316.jpg
  • MUHBA Fabra i Coats, in a former factory in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The site is part of MUHBA, the Museu d'Historia de Barcelona. Picture by Manuel Cohen
    LC20_SPAIN_MC_344.jpg
  • Old Fabra i Coats factory in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_332.JPG
  • Entrance to the exhibition and creation centre at the old Fabra i Coats factory in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_331.jpg
  • Entrance to the exhibition and creation centre at the old Fabra i Coats factory in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_330.jpg
  • Boiler room of the old Fabra i Coats factory in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_314.jpg
  • Entrance to the exhibition and creation centre at the old Fabra i Coats factory in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_329.jpg
  • Biblioteca Ignasi Iglesias-Can Fabra, a public library opened in 1935 and housed in the old Fabra i Coats factory, on the Placa de Can Fabra, San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_311.jpg
  • Entrance to the exhibition at Centre d'Art Contemporani de Barcelona, at MUHBA Fabra i Coats, in a former factory in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The site is part of MUHBA, the Museu d'Historia de Barcelona. Picture by Manuel Cohen
    LC20_SPAIN_MC_308.jpg
  • MUHBA Fabra i Coats, in a former factory in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The site is part of MUHBA, the Museu d'Historia de Barcelona. Picture by Manuel Cohen
    LC20_SPAIN_MC_310.jpg
  • MUHBA Fabra i Coats, in a former factory in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The site is part of MUHBA, the Museu d'Historia de Barcelona. Picture by Manuel Cohen
    LC20_SPAIN_MC_309.jpg
  • Part of the old Fabra i Coats factory set to be converted into a cultural space in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_328.JPG
  • MUHBA Fabra i Coats, in a former factory in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The site is part of MUHBA, the Museu d'Historia de Barcelona. Picture by Manuel Cohen
    LC20_SPAIN_MC_343.jpg
  • Woman working at spinning machine, photograph from 'Fabra i Coats, Sewn Stories', a digital altarpiece or mural installation by Friends of the Fabra i Coats, using photographs and interviews with former workers, at the old Fabra i Coats factory in San Andreu, Barcelona, Catalonia, Spain. The project was run by the Barcelona History Museum as part of the MUHBA Fabra i Coats project. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_350.jpg
  • Women working on fishing nets, photograph from 'Fabra i Coats, Sewn Stories', a digital altarpiece or mural installation by Friends of the Fabra i Coats, using photographs and interviews with former workers, at the old Fabra i Coats factory in San Andreu, Barcelona, Catalonia, Spain. The project was run by the Barcelona History Museum as part of the MUHBA Fabra i Coats project. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_349.jpg
  • 'Fabra i Coats, Sewn Stories', a digital altarpiece or mural installation by Friends of Fabra i Coats, using photographs and interviews with former workers, at the old Fabra i Coats factory in San Andreu, Barcelona, Catalonia, Spain. The project was run by the Barcelona History Museum as part of the MUHBA Fabra i Coats project. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_346.jpg
  • Personnel document for Rosa Saladrigas who worked in the factory from age 14, from 1948 until 1960, in the Fabra i Coats factory in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_327.jpg
  • Woman working at spinning machine, photograph from 'Fabra i Coats, Sewn Stories', a digital altarpiece or mural installation by Friends of Fabra i Coats, using photographs and interviews with former workers, at the old Fabra i Coats factory in San Andreu, Barcelona, Catalonia, Spain. The project was run by the Barcelona History Museum as part of the MUHBA Fabra i Coats project. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_326.jpg
  • Bust of Jose Marti, 1853-95, Cuban politician, inaugurated 2018, at the old Fabra i Coats factory in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_313.jpg
  • Bust of Jose Marti, 1853-95, Cuban politician, inaugurated 2018, at the old Fabra i Coats factory in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_312.jpg
  • Great Saltworks at Salins-les-Bains, Jura, Bourgogne-Franche-Comte, France. 15th century saltworks were replaced by these industrial buildings in the 18th century, where saline water was pumped from underground wells and evaporated using huge furnaces in the stove room to form salt. Saline water was also piped from here from 1780 until 1895 through 21km of wood then cast iron pipes to the Royal Saltworks or Saline Royale at Arc-et-Senans to be processed. The buildings now house the Museum of Salt or Musee du Sel, opened May 2009. The saltworks at Salins-les-Bains ceased production in 1962 and are now listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0954.jpg
  • Great Saltworks beside the Furieuse river at Salins-les-Bains, Jura, Bourgogne-Franche-Comte, France. 15th century saltworks were replaced by these industrial buildings in the 18th century, where saline water was pumped from underground wells and evaporated using huge furnaces in the stove room to form salt. Saline water was also piped from here from 1780 until 1895 through 21km of wood then cast iron pipes to the Royal Saltworks or Saline Royale at Arc-et-Senans to be processed. The buildings now house the Museum of Salt or Musee du Sel, opened May 2009. The saltworks at Salins-les-Bains ceased production in 1962 and are now listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0953.jpg
  • Great Saltworks at Salins-les-Bains, Jura, Bourgogne-Franche-Comte, France. 15th century saltworks were replaced by these industrial buildings in the 18th century, where saline water was pumped from underground wells and evaporated using huge furnaces in the stove room to form salt. Saline water was also piped from here from 1780 until 1895 through 21km of wood then cast iron pipes to the Royal Saltworks or Saline Royale at Arc-et-Senans to be processed. The buildings now house the Museum of Salt or Musee du Sel, opened May 2009. The saltworks at Salins-les-Bains ceased production in 1962 and are now listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0952.jpg
  • Great Saltworks at Salins-les-Bains, Jura, Bourgogne-Franche-Comte, France. 15th century saltworks were replaced by these industrial buildings in the 18th century, where saline water was pumped from underground wells and evaporated using huge furnaces in the stove room to form salt. Saline water was also piped from here from 1780 until 1895 through 21km of wood then cast iron pipes to the Royal Saltworks or Saline Royale at Arc-et-Senans to be processed. The buildings now house the Museum of Salt or Musee du Sel, designed by architects Malcotti-Roussey and opened May 2009. The saltworks at Salins-les-Bains ceased production in 1962 and are now listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0934.jpg
  • Great Saltworks at Salins-les-Bains, Jura, Bourgogne-Franche-Comte, France. 15th century saltworks were replaced by these industrial buildings in the 18th century, where saline water was pumped from underground wells and evaporated using huge furnaces in the stove room to form salt. Saline water was also piped from here from 1780 until 1895 through 21km of wood then cast iron pipes to the Royal Saltworks or Saline Royale at Arc-et-Senans to be processed. The buildings now house the Museum of Salt or Musee du Sel, designed by architects Malcotti-Roussey and opened May 2009. The saltworks at Salins-les-Bains ceased production in 1962 and are now listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0932.jpg
  • Great Saltworks at Salins-les-Bains, Jura, Bourgogne-Franche-Comte, France. 15th century saltworks were replaced by these industrial buildings in the 18th century, where saline water was pumped from underground wells and evaporated using huge furnaces in the stove room to form salt. Saline water was also piped from here from 1780 until 1895 through 21km of wood then cast iron pipes to the Royal Saltworks or Saline Royale at Arc-et-Senans to be processed. The buildings now house the Museum of Salt or Musee du Sel, designed by architects Malcotti-Roussey and opened May 2009. The saltworks at Salins-les-Bains ceased production in 1962 and are now listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0933.jpg
  • Great Saltworks at Salins-les-Bains, Jura, Bourgogne-Franche-Comte, France. 15th century saltworks were replaced by these industrial buildings in the 18th century, where saline water was pumped from underground wells and evaporated using huge furnaces in the stove room to form salt. Saline water was also piped from here from 1780 until 1895 through 21km of wood then cast iron pipes to the Royal Saltworks or Saline Royale at Arc-et-Senans to be processed. The buildings now house the Museum of Salt or Musee du Sel, opened May 2009. The saltworks at Salins-les-Bains ceased production in 1962 and are now listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0814.jpg
  • Plan of the 2 saltworks in Salins-les-Bains, 19th century, exhibited in the Museum of Salt or Musee du Sel, designed by architects Malcotti-Roussey and opened May 2009, in the Great Saltworks at Salins-les-Bains, Jura, Bourgogne-Franche-Comte, France. 15th century saltworks were replaced by industrial buildings in the 18th century, where saline water was pumped from underground wells and evaporated to form salt. Saline water was also piped from here from 1780 until 1895 through 21km of wood then cast iron pipes to the Royal Saltworks or Saline Royale at Arc-et-Senans to be processed. The saltworks at Salins-les-Bains ceased production in 1962 and are now listed as a UNESCO World Heritage Site. Copyright Grande Saline, Musee du Sel. Picture by Manuel Cohen
    LC17_FRANCE_MC_0958.jpg
  • Stamped and signed handwritten letter, dated 1860, from Joseph Francois Buquet, Director of Saltworks in Franche-Comte, in the Museum of Salt or Musee du Sel, designed by architects Malcotti-Roussey and opened May 2009, in the Great Saltworks at Salins-les-Bains, Jura, Bourgogne-Franche-Comte, France. 15th century saltworks were replaced by industrial buildings in the 18th century, where saline water was pumped from underground wells and evaporated to form salt. Saline water was also piped from here from 1780 until 1895 through 21km of wood then cast iron pipes to the Royal Saltworks or Saline Royale at Arc-et-Senans to be processed. The saltworks at Salins-les-Bains ceased production in 1962 and are now listed as a UNESCO World Heritage Site. Copyright Grande Saline, Musee du Sel. Picture by Manuel Cohen
    LC17_FRANCE_MC_0957.jpg
  • Limestone brine tank used to control the flow of saline water through the dual pipeline system used from 1780 until 1895 to pipe brine to the Royal Saltworks or Saline Royale at Arc-et-Senans, in the Museum of Salt or Musee du Sel, designed by architects Malcotti-Roussey and opened May 2009, in the Great Saltworks at Salins-les-Bains, Jura, Bourgogne-Franche-Comte, France. 15th century saltworks were replaced by these industrial buildings in the 18th century, where saline water was pumped from underground wells and evaporated using huge furnaces in the stove room to form salt. The saltworks at Salins-les-Bains ceased production in 1962 and are now listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0951.jpg
  • Stove Room with a wheelbarrow of salt, where 4 huge furnaces were used to evaporate water from brine, in the Museum of Salt or Musee du Sel, designed by architects Malcotti-Roussey and opened May 2009, in the Great Saltworks at Salins-les-Bains, Jura, Bourgogne-Franche-Comte, France. Salt workers endured terrible working conditions here, feeding the furnaces with wood and collecting salt with rakes. 15th century saltworks were replaced by these industrial buildings in the 18th century, where saline water was pumped from underground wells and evaporated to form salt. Saline water was also piped from here from 1780 until 1895 through 21km of wood then cast iron pipes to the Royal Saltworks or Saline Royale at Arc-et-Senans to be processed. The saltworks at Salins-les-Bains ceased production in 1962 and are now listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0950.jpg
  • Stove Room, where 4 huge furnaces were used to evaporate water from brine, in the Museum of Salt or Musee du Sel, designed by architects Malcotti-Roussey and opened May 2009, in the Great Saltworks at Salins-les-Bains, Jura, Bourgogne-Franche-Comte, France. Salt workers endured terrible working conditions here, feeding the furnaces with wood and collecting salt with rakes. 15th century saltworks were replaced by these industrial buildings in the 18th century, where saline water was pumped from underground wells and evaporated to form salt. Saline water was also piped from here from 1780 until 1895 through 21km of wood then cast iron pipes to the Royal Saltworks or Saline Royale at Arc-et-Senans to be processed. The saltworks at Salins-les-Bains ceased production in 1962 and are now listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0949.jpg
  • Hydraulic pumping system, 19th century, at a well in a 13th century underground tunnel, pumping the saline water up from the layer of rock salt 250m below ground, in the Museum of Salt or Musee du Sel, designed by architects Malcotti-Roussey and opened May 2009, in the Great Saltworks at Salins-les-Bains, Jura, Bourgogne-Franche-Comte, France. 15th century saltworks were replaced by industrial buildings in the 18th century, where saline water was pumped from underground wells and evaporated to form salt. Saline water was also piped from here from 1780 until 1895 through 21km of wood then cast iron pipes to the Royal Saltworks or Saline Royale at Arc-et-Senans to be processed. The saltworks at Salins-les-Bains ceased production in 1962 and are now listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0946.jpg
  • Display of old wooden pipes from the dual pipeline system used from 1780 until 1895 to pipe brine to the Royal Saltworks or Saline Royale at Arc-et-Senans, in the Museum of Salt or Musee du Sel, designed by architects Malcotti-Roussey and opened May 2009, in the Great Saltworks at Salins-les-Bains, Jura, Bourgogne-Franche-Comte, France. 15th century saltworks were replaced by these industrial buildings in the 18th century, where saline water was pumped from underground wells and evaporated using huge furnaces in the stove room to form salt. The saltworks at Salins-les-Bains ceased production in 1962 and are now listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0947.jpg
  • Underground tunnels, 13th century, linking 2 wells, 1 of which has a 19th century hydraulic pump which is still in working order, which pumped the saline water up from the layer of rock salt 250m below ground, in the Museum of Salt or Musee du Sel, designed by architects Malcotti-Roussey and opened May 2009, in the Great Saltworks at Salins-les-Bains, Jura, Bourgogne-Franche-Comte, France. 15th century saltworks were replaced by industrial buildings in the 18th century, where saline water was pumped from underground wells and evaporated to form salt. Saline water was also piped from here from 1780 until 1895 through 21km of wood then cast iron pipes to the Royal Saltworks or Saline Royale at Arc-et-Senans to be processed. The saltworks at Salins-les-Bains ceased production in 1962 and are now listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0944.jpg
  • Underground tunnels, 13th century, linking 2 wells, 1 of which has a 19th century hydraulic pump which is still in working order, which pumped the saline water up from the layer of rock salt 250m below ground, in the Museum of Salt or Musee du Sel, designed by architects Malcotti-Roussey and opened May 2009, in the Great Saltworks at Salins-les-Bains, Jura, Bourgogne-Franche-Comte, France. 15th century saltworks were replaced by industrial buildings in the 18th century, where saline water was pumped from underground wells and evaporated to form salt. Saline water was also piped from here from 1780 until 1895 through 21km of wood then cast iron pipes to the Royal Saltworks or Saline Royale at Arc-et-Senans to be processed. The saltworks at Salins-les-Bains ceased production in 1962 and are now listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0945.jpg
  • Underground tunnels, 13th century, linking 2 wells, 1 of which has a 19th century hydraulic pump which is still in working order, which pumped the saline water up from the layer of rock salt 250m below ground, in the Museum of Salt or Musee du Sel, designed by architects Malcotti-Roussey and opened May 2009, in the Great Saltworks at Salins-les-Bains, Jura, Bourgogne-Franche-Comte, France. 15th century saltworks were replaced by industrial buildings in the 18th century, where saline water was pumped from underground wells and evaporated to form salt. Saline water was also piped from here from 1780 until 1895 through 21km of wood then cast iron pipes to the Royal Saltworks or Saline Royale at Arc-et-Senans to be processed. The saltworks at Salins-les-Bains ceased production in 1962 and are now listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0942.jpg
  • Display of old wooden pipes from the dual pipeline system used from 1780 until 1895 to pipe brine to the Royal Saltworks or Saline Royale at Arc-et-Senans, in the Museum of Salt or Musee du Sel, designed by architects Malcotti-Roussey and opened May 2009, in the Great Saltworks at Salins-les-Bains, Jura, Bourgogne-Franche-Comte, France. 15th century saltworks were replaced by these industrial buildings in the 18th century, where saline water was pumped from underground wells and evaporated using huge furnaces in the stove room to form salt. The saltworks at Salins-les-Bains ceased production in 1962 and are now listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0938.jpg
  • Underground tunnels, 13th century, linking 2 wells, 1 of which has a 19th century hydraulic pump which is still in working order, which pumped the saline water up from the layer of rock salt 250m below ground, in the Museum of Salt or Musee du Sel, designed by architects Malcotti-Roussey and opened May 2009, in the Great Saltworks at Salins-les-Bains, Jura, Bourgogne-Franche-Comte, France. 15th century saltworks were replaced by industrial buildings in the 18th century, where saline water was pumped from underground wells and evaporated to form salt. Saline water was also piped from here from 1780 until 1895 through 21km of wood then cast iron pipes to the Royal Saltworks or Saline Royale at Arc-et-Senans to be processed. The saltworks at Salins-les-Bains ceased production in 1962 and are now listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0940.jpg
  • Stove Room, where 4 huge furnaces were used to evaporate water from brine, in the Museum of Salt or Musee du Sel, designed by architects Malcotti-Roussey and opened May 2009, in the Great Saltworks at Salins-les-Bains, Jura, Bourgogne-Franche-Comte, France. Salt workers endured terrible working conditions here, feeding the furnaces with wood and collecting salt with rakes. 15th century saltworks were replaced by these industrial buildings in the 18th century, where saline water was pumped from underground wells and evaporated to form salt. Saline water was also piped from here from 1780 until 1895 through 21km of wood then cast iron pipes to the Royal Saltworks or Saline Royale at Arc-et-Senans to be processed. The saltworks at Salins-les-Bains ceased production in 1962 and are now listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0937.jpg
  • Salt worker in the Projection Room in the Museum of Salt or Musee du Sel, designed by architects Malcotti-Roussey and opened May 2009, in the Great Saltworks at Salins-les-Bains, Jura, Bourgogne-Franche-Comte, France. 15th century saltworks were replaced by these industrial buildings in the 18th century, where saline water was pumped from underground wells and evaporated using huge furnaces in the stove room to form salt. Saline water was also piped from here from 1780 until 1895 through 21km of wood then cast iron pipes to the Royal Saltworks or Saline Royale at Arc-et-Senans to be processed. The saltworks at Salins-les-Bains ceased production in 1962 and are now listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0936.jpg
  • Projection Room in the Museum of Salt or Musee du Sel, designed by architects Malcotti-Roussey and opened May 2009, in the Great Saltworks at Salins-les-Bains, Jura, Bourgogne-Franche-Comte, France. 15th century saltworks were replaced by these industrial buildings in the 18th century, where saline water was pumped from underground wells and evaporated using huge furnaces in the stove room to form salt. Saline water was also piped from here from 1780 until 1895 through 21km of wood then cast iron pipes to the Royal Saltworks or Saline Royale at Arc-et-Senans to be processed. The saltworks at Salins-les-Bains ceased production in 1962 and are now listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0935.jpg
  • Stove Room, where 4 huge furnaces were used to evaporate water from brine, in the Museum of Salt or Musee du Sel, designed by architects Malcotti-Roussey and opened May 2009, in the Great Saltworks at Salins-les-Bains, Jura, Bourgogne-Franche-Comte, France. Salt workers endured terrible working conditions here, feeding the furnaces with wood and collecting salt with rakes. 15th century saltworks were replaced by these industrial buildings in the 18th century, where saline water was pumped from underground wells and evaporated to form salt. Saline water was also piped from here from 1780 until 1895 through 21km of wood then cast iron pipes to the Royal Saltworks or Saline Royale at Arc-et-Senans to be processed. The saltworks at Salins-les-Bains ceased production in 1962 and are now listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0959.jpg
  • Town of Salins-les-Bains blessed by Jesus and Saints, oil painting, 1629, by Nicolas Richard, in the Introductory Room of the Museum of Salt or Musee du Sel, designed by architects Malcotti-Roussey and opened May 2009, in the Great Saltworks at Salins-les-Bains, Jura, Bourgogne-Franche-Comte, France. The painting measures 4x2m and was originally exhibited in the former Musee Max Claudet. It is displayed in a specially made temperature controlled cabinet. It demonstrates the importance of the Great Saltworks to the town in the 17th century. 15th century saltworks were replaced by industrial buildings in the 18th century, where saline water was pumped from underground wells and evaporated to form salt. Saline water was also piped from here from 1780 until 1895 through 21km of wood then cast iron pipes to the Royal Saltworks or Saline Royale at Arc-et-Senans to be processed. The saltworks at Salins-les-Bains ceased production in 1962 and are now listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0956.jpg
  • Display of a limestone brine tank and sections of pipe from the dual pipeline system used from 1780 until 1895  to pipe brine to the Royal Saltworks or Saline Royale at Arc-et-Senans, in the Museum of Salt or Musee du Sel, designed by architects Malcotti-Roussey and opened May 2009, in the Great Saltworks at Salins-les-Bains, Jura, Bourgogne-Franche-Comte, France. 15th century saltworks were replaced by these industrial buildings in the 18th century, where saline water was pumped from underground wells and evaporated using huge furnaces in the stove room to form salt. The saltworks at Salins-les-Bains ceased production in 1962 and are now listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0948.jpg
  • Underground tunnels, 13th century, linking 2 wells, 1 of which has a 19th century hydraulic pump which is still in working order, which pumped the saline water up from the layer of rock salt 250m below ground, in the Museum of Salt or Musee du Sel, designed by architects Malcotti-Roussey and opened May 2009, in the Great Saltworks at Salins-les-Bains, Jura, Bourgogne-Franche-Comte, France. 15th century saltworks were replaced by industrial buildings in the 18th century, where saline water was pumped from underground wells and evaporated to form salt. Saline water was also piped from here from 1780 until 1895 through 21km of wood then cast iron pipes to the Royal Saltworks or Saline Royale at Arc-et-Senans to be processed. The saltworks at Salins-les-Bains ceased production in 1962 and are now listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0943.jpg
  • Underground tunnels, 13th century, linking 2 wells, 1 of which has a 19th century hydraulic pump which is still in working order, which pumped the saline water up from the layer of rock salt 250m below ground, in the Museum of Salt or Musee du Sel, designed by architects Malcotti-Roussey and opened May 2009, in the Great Saltworks at Salins-les-Bains, Jura, Bourgogne-Franche-Comte, France. 15th century saltworks were replaced by industrial buildings in the 18th century, where saline water was pumped from underground wells and evaporated to form salt. Saline water was also piped from here from 1780 until 1895 through 21km of wood then cast iron pipes to the Royal Saltworks or Saline Royale at Arc-et-Senans to be processed. The saltworks at Salins-les-Bains ceased production in 1962 and are now listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0941.jpg
  • Underground tunnels, 13th century, linking 2 wells, 1 of which has a 19th century hydraulic pump which is still in working order, which pumped the saline water up from the layer of rock salt 250m below ground, in the Museum of Salt or Musee du Sel, designed by architects Malcotti-Roussey and opened May 2009, in the Great Saltworks at Salins-les-Bains, Jura, Bourgogne-Franche-Comte, France. 15th century saltworks were replaced by industrial buildings in the 18th century, where saline water was pumped from underground wells and evaporated to form salt. Saline water was also piped from here from 1780 until 1895 through 21km of wood then cast iron pipes to the Royal Saltworks or Saline Royale at Arc-et-Senans to be processed. The saltworks at Salins-les-Bains ceased production in 1962 and are now listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0939.jpg
  • Placa de Merce Sala, with old factories converted into apartment buildings and offices, in the El Poblenou district of Barcelona, Catalonia, Spain. The industrial neighbourhood fell into decline after the Industrial Revolution, and has recently been redeveloped, triggered by the Olympic Games of 1992, resulting in a vibrant, young and artistic community. Picture by Manuel Cohen
    LC15_SPAIN_MC029.jpg
  • Children picking squashes in El Hort Indignat, an urban allotment project in the El Poblenou district of Barcelona, Catalonia, Spain. The industrial neighbourhood fell into decline after the Industrial Revolution, and has recently been redeveloped, triggered by the Olympic Games of 1992, with old factories converted into apartment buildings and offices, resulting in a vibrant, young and artistic community. Picture by Manuel Cohen
    LC15_SPAIN_MC025.jpg
  • Placa de Merce Sala, with old factories converted into apartment buildings and offices, in the El Poblenou district of Barcelona, Catalonia, Spain. The industrial neighbourhood fell into decline after the Industrial Revolution, and has recently been redeveloped, triggered by the Olympic Games of 1992, resulting in a vibrant, young and artistic community. Picture by Manuel Cohen
    LC15_SPAIN_MC021.jpg
  • Children watering vegetables in El Hort Indignat, an urban allotment project in the El Poblenou district of Barcelona, Catalonia, Spain. The industrial neighbourhood fell into decline after the Industrial Revolution, and has recently been redeveloped, triggered by the Olympic Games of 1992, with old factories converted into apartment buildings and offices, resulting in a vibrant, young and artistic community. Picture by Manuel Cohen
    LC15_SPAIN_MC026.jpg
  • Placa de Merce Sala, with old factories converted into apartment buildings and offices, in the El Poblenou district of Barcelona, Catalonia, Spain. The industrial neighbourhood fell into decline after the Industrial Revolution, and has recently been redeveloped, triggered by the Olympic Games of 1992, resulting in a vibrant, young and artistic community. Picture by Manuel Cohen
    LC15_SPAIN_MC028.jpg
  • Placa de Merce Sala, with old factories converted into apartment buildings and offices, in the El Poblenou district of Barcelona, Catalonia, Spain. The industrial neighbourhood fell into decline after the Industrial Revolution, and has recently been redeveloped, triggered by the Olympic Games of 1992, resulting in a vibrant, young and artistic community. Picture by Manuel Cohen
    LC15_SPAIN_MC027.jpg
  • Children watering vegetables and gardening in El Hort Indignat, an urban allotment project in the El Poblenou district of Barcelona, Catalonia, Spain. The industrial neighbourhood fell into decline after the Industrial Revolution, and has recently been redeveloped, triggered by the Olympic Games of 1992, with old factories converted into apartment buildings and offices, resulting in a vibrant, young and artistic community. Picture by Manuel Cohen
    LC15_SPAIN_MC023.jpg
  • Children watering vegetables and gardening in El Hort Indignat, an urban allotment project in the El Poblenou district of Barcelona, Catalonia, Spain. The industrial neighbourhood fell into decline after the Industrial Revolution, and has recently been redeveloped, triggered by the Olympic Games of 1992, with old factories converted into apartment buildings and offices, resulting in a vibrant, young and artistic community. Picture by Manuel Cohen
    LC15_SPAIN_MC024.jpg
  • Children tending to vegetables in El Hort Indignat, an urban allotment project in the El Poblenou district of Barcelona, Catalonia, Spain. The industrial neighbourhood fell into decline after the Industrial Revolution, and has recently been redeveloped, triggered by the Olympic Games of 1992, with old factories converted into apartment buildings and offices, resulting in a vibrant, young and artistic community. Picture by Manuel Cohen
    LC15_SPAIN_MC022.jpg
  • Passage de Mas de Roda, with old factories converted into apartment buildings and offices, in the El Poblenou district of Barcelona, Catalonia, Spain. The industrial neighbourhood fell into decline after the Industrial Revolution, and has recently been redeveloped, triggered by the Olympic Games of 1992, resulting in a vibrant, young and artistic community. Picture by Manuel Cohen
    LC15_SPAIN_MC019.jpg
  • Placa de Merce Sala, with old factories converted into apartment buildings and offices, in the El Poblenou district of Barcelona, Catalonia, Spain. The industrial neighbourhood fell into decline after the Industrial Revolution, and has recently been redeveloped, triggered by the Olympic Games of 1992, resulting in a vibrant, young and artistic community. Picture by Manuel Cohen
    LC15_SPAIN_MC020.jpg
  • Museu del Ciment or Cement Museum, formerly the Asland cement plant in Castellar de n'Hug, owned by Eusebi Guell, who Gaudi was visiting when he stayed with Joan Artigas i Alart and designed the Jardins Artigas at La Pobla de Lillet, Catalonia, Spain. The factory closed down 30 years ago and reopened as a museum in 2002, showcasing the industrial heritage of the area. Picture by Manuel Cohen
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  • Grue Titan de Nantes, a Titan crane built in 1954, now disused, formerly part of the Dubigeon shipyards, made by Joseph Paris of Nantes, on the Ile de Nantes, in Nantes, Pays de la Loire, France. The crane forms part of the Parc des Chantiers, a 13 hectare public park on the industrial heritage site of the former shipyards, which closed in 1987. The crane is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_0261.jpg
  • Museu del Ciment or Cement Museum, formerly the Asland cement plant in Castellar de n'Hug, owned by Eusebi Guell, who Gaudi was visiting when he stayed with Joan Artigas i Alart and designed the Jardins Artigas at La Pobla de Lillet, Catalonia, Spain. The factory closed down 30 years ago and reopened as a museum in 2002, showcasing the industrial heritage of the area. Picture by Manuel Cohen
    LC21_SPAIN_MC_0786.jpg
  • Beaches, vineyards and rocky coastline of the Anse de Paulilles or Bay of Paulilles, part of the Site Classe de l'Anse de Paulilles, a protected natural and industrial heritage site, Pyrenees-Orientales, Catalogne du Nord, France. In the centre is the Plage de Bernardi and on the left is the Plage de Paulilles with the old dynamite factory. Paulilles is a protected area of the Mediterranean between Port-Vendres and Banyuls-sur-Mer, on the Vermilion Coast. Picture by Manuel Cohen
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  • Brick chimney folly in the vineyard in the Jardin Romantique area of the Parc de Bercy, a public park along the banks of the Seine in the 12th arrondissement of Paris, France. The chimney is a reminder of the area's industrial heritage as a wine depot. The park was commissioned in 1993 by President Francois Mitterand and is comprised of 3 gardens designed by Bernard Huet, Madeleine Ferrand, Jean-Pierre Feugas, Bernard Leroy, and by landscapers Ian Le Caisne and Philippe Raguin. The gardens are the Romantic Garden, with fishponds and dunes, the Flowerbeds and the Meadows, open lawns shaded by tall trees. Picture by Manuel Cohen
    LC19_PARIS_MC_1400.jpg
  • Warehouse storage, originally for the Gasull olive oil company, in the basement of the Casa Gasull, built 1910-12 and designed by Lluis Domenech i Montaner, in a mixture of Modernist and Noucentist styles, Calle de Sant Joan, Reus, Catalonia, Spain. The house was commissioned by Pere Roig Gasull, an olive oil merchant, as the headquarters of his business and home to his 2 children. The basement is a warehouse space and the ground floor is for industrial and commercial use. The architect's son, Pere Domenech Roura, also worked on the building. The building is listed as a Cultural asset of local interest. Picture by Manuel Cohen
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  • Artists' studios in an old industrial building with sculptures and graffiti art, on Eichenstrasse near the O2 Arena, Berlin, Germany. Picture by Manuel Cohen
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  • Low angle view of Ta' Kola Windmill, 1725, Xaghra, Gozo, Malta, pictured on June 2, 2008, in the afternoon. The Republic of Malta consists of seven islands in the Mediterranean Sea of which Malta, Gozo and Comino have been inhabited since c.5,200 BC. It has been ruled by Phoenicians (Malat is Punic for safe haven), Greeks, Romans, Fatimids, Sicilians, Knights of St John, French and the British, from whom it became independent in 1964. Ta' Kola windmill was built by the Fondazione Manoel  during the reign of Grand Master Manoel de Vilhena and is now a folklore museum. In the early 20th century the miller was Nikola, or Kola, Grech for whom it is now named. It is one of the few remaining examples of 18th century Maltese industrial heritage. Picture by Manuel Cohen.
    Malta08_MC_014.jpg
  • Boats moored in the coves of the Anse de Paulilles or Bay of Paulilles, part of the Site Classe de l'Anse de Paulilles, a protected natural and industrial heritage site, Pyrenees-Orientales, Catalogne du Nord, France. IN the distance is the Plage de Paulilles and the old dynamite factory. Paulilles is a protected area of the Mediterranean between Port-Vendres and Banyuls-sur-Mer, on the Vermilion Coast. Picture by Manuel Cohen
    LC20_FRANCE_MC_0668.jpg
  • Low angle view of Ta' Kola Windmill, 1725, Xaghra, Gozo, Malta, pictured on June 2, 2008, in the afternoon. The Republic of Malta consists of seven islands in the Mediterranean Sea of which Malta, Gozo and Comino have been inhabited since c.5,200 BC. It has been ruled by Phoenicians (Malat is Punic for safe haven), Greeks, Romans, Fatimids, Sicilians, Knights of St John, French and the British, from whom it became independent in 1964. Ta' Kola windmill was built by the Fondazione Manoel  during the reign of Grand Master Manoel de Vilhena and is now a folklore museum. In the early 20th century the miller was Nikola, or Kola, Grech for whom it is now named. It is one of the few remaining examples of 18th century Maltese industrial heritage. Picture by Manuel Cohen.
    Malta08_MC_008.jpg
  • Resolution des forces en presence, a large sculpture, 2014, by Vincent Mauger, in the Parc des Chantiers, a 13 hectare public park on the industrial heritage site of the former shipyards, which closed in 1987, on the Ile de Nantes, in Nantes, Pays de la Loire, France. The sculpture is made from sharpened spikes of wood radiating from a central core, resembling a medieval war machine. Picture by Manuel Cohen
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  • Carrousel des Mondes Marins, a carousel and mechanical aquarium, designed by Francois Delaroziere and Pierre Orefice and opened in 2012, part of the Machines de l'Ile, on the Ile de Nantes, in Nantes, Pays de la Loire, France. The 25m carousel has 3 layers - the sea bed, the abyss and the sea surface, with moveable creatures and rides, holding 300 people at a time. The carousel forms part of the Parc des Chantiers, a 13 hectare public park on the industrial heritage site of the former shipyards, which closed in 1987. Picture by Manuel Cohen
    LC21_FRANCE_MC_0262.jpg
  • Les Anneaux de Buren, or Les Anneaux (the Rings), sculpture by Daniel Buren and Patrick Bouchain on the Quai des Antilles, on the Ile de Nantes, in Nantes, Pays de la Loire, France. The 18 steel rings were created for the contemporary art festival Estuaire in 2007, and are illuminated at night. They form part of the Parc des Chantiers, a 13 hectare public park on the industrial heritage site of the former shipyards, which closed in 1987. Behind is the Quai de la Fosse and the Maille-Breze, a French naval T 47-class destroyer commissioned in 1957, built by the built by Arsenal de Lorient, decommissioned in 1988 and now a museum ship. The ship is named after the French admiral Jean Armand de Maillr-Breze, 1619–46, and is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_0267.jpg
  • Le Pavillon de la Fraternite, a wooden building by Atao, used as an education site for school groups visiting the project to build a replica of the slave ship L'Aurore, inaugurated September 2012 by Francois Bourgeon, sponsor of the 'La Fraternite, Bateau Pedagogique' project, on the Ile de Nantes, in Nantes, Pays de la Loire, France. The building forms part of the Parc des Chantiers, a 13 hectare public park on the industrial heritage site of the former shipyards, which closed in 1987. Picture by Manuel Cohen
    LC21_FRANCE_MC_0087.jpg
  • Le Pavillon de la Fraternite, a wooden building by Atao, used as an education site for school groups visiting the project to build a replica of the slave ship L'Aurore, inaugurated September 2012 by Francois Bourgeon, sponsor of the 'La Fraternite, Bateau Pedagogique' project, on the Ile de Nantes, in Nantes, Pays de la Loire, France. The building forms part of the Parc des Chantiers, a 13 hectare public park on the industrial heritage site of the former shipyards, which closed in 1987. Picture by Manuel Cohen
    LC21_FRANCE_MC_0129.jpg
  • Indigo industry, including threshing and grinding of the pods and drying the leaves, engraving from the Art of the Indigotier, 1770, by Gauthier de Beauvais-Raseau, in the Musee d'histoire de Nantes, in the Chateau des ducs de Bretagne, in Nantes, Pays de la Loire, France. Slaves worked the land and processed crops on large plantations, and illustrated manuals were published to inform settlers of working methods and profitable exploitation. The museum opened in 2007 and covers the history of Nantes, focusing on slavery, world wars, industrialisation and the chateau. Picture by Manuel Cohen
    LC21_FRANCE_MC_0012.jpg
  • Indigo industry, including working the land, planting the crop and harvesting, engraving from the Art of the Indigotier, 1770, by Gauthier de Beauvais-Raseau, in the Musee d'histoire de Nantes, in the Chateau des ducs de Bretagne, in Nantes, Pays de la Loire, France. Slaves worked the land and processed crops on large plantations, and illustrated manuals were published to inform settlers of working methods and profitable exploitation. The museum opened in 2007 and covers the history of Nantes, focusing on slavery, world wars, industrialisation and the chateau. Picture by Manuel Cohen
    LC21_FRANCE_MC_0011.jpg
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