manuel cohen

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  • Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France,  and Plant History Glasshouse (formerly Australian Glasshouse), 1830s, Rohault de Fleury. View from below of the glass and metal roof of the Incubators, through which the Plant History Glasshouse is visible.
    Mnhn_GS_MCohen_015.jpg
  • Incubators, restored 1995-97, by Paul Chemetov and Borja Huidobro, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Low angle view from the Incubators showing the Plant History Glasshouse (formerly Australian Glasshouse), 1830s, Rohault de Fleury, through the glass and metal roof.
    Mnhn_GS_MCohen_018.jpg
  • Plant History Glasshouse (formerly Australian Glasshouse) (right), 1830s, Rohault de Fleury, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France and Incubators, (left) restored, 1995-1997, by Paul Chemetov and Borja Huidobro. Low angle view  showing the linked glass and metal structures reflecting the winter early morning light. In the middle is the small annex building containing the passage between the Plant History Glasshouse and the Incubators.
    Mnhn_GS_MCohen_578.jpg
  • Incubators, restored 1995-97, by Paul Chemetov and Borja Huidobro, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. View from above, from the roof of the Plant History Glasshouse. The incubator roofs have adjustable sun awnings to protect the young plants.
    Mnhn_GS_MCohen_186.jpg
  • Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Detail showing brickwork and climbing plants around a porthole window.
    Mnhn_GS_MCohen_017.jpg
  • Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Low angle view of the leaves of a Yucca plant against the awnings which protect the plants from the sun.
    Mnhn_GS_MCohen_013.jpg
  • Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France, and passageway to  Plant History Glasshouse (formerly Australian Glasshouse), 1830s, Rohault de Fleury. Oblique low angle view of the glass and iron passageway roof, through which is visble the Plant History Glasshouse.
    Mnhn_GS_MCohen_014.jpg
  • Incubators, restored 1995-97, by Paul Chemetov and Borja Huidobro, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France (left) and Plant History Glasshouse (formerly Australian Glasshouse), 1830s, Rohault de Fleury (right). View from the side at twilight.
    Mnhn_GS_MCohen_086.jpg
  • Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. General view of the curving glass structure surrounded by the tarpaulins and rubble of the Glasshouse renovation work.
    Mnhn_GS_MCohen_056.jpg
  • Incubators (left), restored 1995-97, Paul Chemetov and Borja Huidobro, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France and (right) Plant History Glasshouse (formerly Australian Glasshouse), 1830s, Rohault de Fleury. Low angle night time view of the glass and metal structures reflecting the garden lights as they stand amongst the  rubble of the renovation work.
    Mnhn_GS_MCohen_073.jpg
  • Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France.  Atmospheric low angle view  of hanging plants and porthole window, showing the protective sun awnings beneath the glass roofs.
    Mnhn_GS_MCohen_019.jpg
  • Incubators, restored 1995-97, by Paul Chemetov and Borja Huidobro, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. View from above, from the roof of the Plant History Glasshouse. The incubator roofs have adjustable sun awnings to protect the young plants.
    Mnhn_GS_MCohen_186.jpg
  • Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. View from the roof of the Plant History Glasshouse of the glass and metal roof structure, with awnings.
    Mnhn_GS_MCohen_024.jpg
  • Glasshouses, 19th and 20th centuries, Museum National d'Histoire Naturelle, Jardin des Plantes, Paris, France. Low angle view showing, left to right, incubators, restored 1995-97, by Paul Chemetov and Borja Huidobro, Plant History Glasshouse (formerly Australian Glasshouse), 1830s, Rohault de Fleury, New Caledonia Glasshouse (formerly The Mexican Hothouse), 1830s, Charles Rohault de Fleury, Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver or Winter Gardens), 1936, RenÈ Berger. A workman is restoring a door in the passageway between the incubator and the Plant History Glasshouse.
    Mnhn_GS_MCohen_044.jpg
  • Incubators, restored 1995-97,  Paul Chemetov and Borja Huidobro, Museum National d'Histoire Naturelle, Jardin des Plantes, Paris, France. Detail of the curving glass and metal roof.
    Mnhn_GS_MCohen_045.jpg
  • Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Detail of a Setcreasea purpurea.
    Mnhn_GS_MCohen_502.jpg
  • Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. View from above of Nepenthes plants in the afternoon light.
    Mnhn_GS_MCohen_484.jpg
  • Incubators, restored 1995-97,  Paul Chemetov and Borja Huidobro, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Low angle view of luxuriant plants growing towards the glass and iron roof which is shaded by an awning.
    Mnhn_GS_MCohen_319.jpg
  • Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Detail of Sobralia macrantha (orchid) flower in the afternoon light.
    Mnhn_GS_MCohen_506.jpg
  • Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Detail of laelia pumila (Brazilian Orchid) flower in the afternoon light.
    Mnhn_GS_MCohen_504.jpg
  • Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Detail of cereus peruvianus monstruosus (Peruvian Apple Cactus) in the afternoon light.
    Mnhn_GS_MCohen_501.jpg
  • Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Detail of laelia pumila (Brazilian Orchid) flower in the afternoon light.
    Mnhn_GS_MCohen_503.jpg
  • Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Detail of Epidendrum imatophyllum (orchid) flower in the afternoon light.
    Mnhn_GS_MCohen_505.jpg
  • Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Detail of cereus peruvianus monstruosus (Peruvian Apple Cactus) in the afternoon light.
    Mnhn_GS_MCohen_500.jpg
  • Plant History Glasshouse (formerly Australian Glasshouse) (right), 1830s, Rohault de Fleury, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France and Incubators, (left) restored, 1995-1997, by Paul Chemetov and Borja Huidobro. Low angle view  showing the linked glass and metal structures reflecting the winter early morning light. In the middle is the small annex building containing the passage between the Plant History Glasshouse and the Incubators.
    _MG_9298.jpg
  • Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France,  and Plant History Glasshouse (formerly Australian Glasshouse), 1830s, Rohault de Fleury. View from below of the glass and metal roof of the Incubators, through which the Plant History Glasshouse is visible.
    _MG_1660.jpg
  • Incubators, restored 1995-97, by Paul Chemetov and Borja Huidobro, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Low angle view from the Incubators showing the Plant History Glasshouse (formerly Australian Glasshouse), 1830s, Rohault de Fleury, through the glass and metal roof.
    _MG_1716.jpg
  • Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Aerial view of the Jardin des Plantes showing the Glasshouses in the afternoon light, left to right: Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro; Plant History Glasshouse (formerly Australian Glasshouse), 1830s, Rohault de Fleury; New Caledonia Glasshouse (formerly Mexican Hothouse), 1834, Charles Rohault de Fleury; Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver or Winter Gardens), 1936, RenÈ Berger,  and alongside it the Desert and Arid Land Glasshouse, 1930s; in the background is the Paris skyline.
    Mnhn_GS_MCohen_595.jpg
  • Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Aerial view of the Jardin des Plantes showing the Glasshouses in the afternoon light, left to right: Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro; Plant History Glasshouse (formerly Australian Glasshouse), 1830s, Rohault de Fleury; New Caledonia Glasshouse (formerly Mexican Hothouse), 1834, Charles Rohault de Fleury; Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver or Winter Gardens), 1936, RenÈ Berger,  and alongside it the Desert and Arid Land Glasshouse, 1930s.
    Mnhn_GS_MCohen_598.jpg
  • Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Aerial view of the Jardin des Plantes showing the Glasshouses in the afternoon light, left to right: Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro; Plant History Glasshouse (formerly Australian Glasshouse), 1830s, Rohault de Fleury; New Caledonia Glasshouse (formerly Mexican Hothouse), 1834, Charles Rohault de Fleury; Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver or Winter Gardens), 1936, RenÈ Berger,  and alongside it the Desert and Arid Land Glasshouse, 1930s.
    Mnhn_GS_MCohen_598.jpg
  • Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Aerial view of the Jardin des Plantes showing the Glasshouses in the afternoon light, left to right: Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro; Plant History Glasshouse (formerly Australian Glasshouse), 1830s, Rohault de Fleury; New Caledonia Glasshouse (formerly Mexican Hothouse), 1834, Charles Rohault de Fleury; Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver or Winter Gardens), 1936, RenÈ Berger,  and alongside it the Desert and Arid Land Glasshouse, 1930s; in the background is the Paris skyline.
    Mnhn_GS_MCohen_566.jpg
  • Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Aerial view of the Jardin des Plantes showing the Glasshouses in the afternoon light, left to right: Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro; Plant History Glasshouse (formerly Australian Glasshouse), 1830s, Rohault de Fleury; New Caledonia Glasshouse (formerly Mexican Hothouse), 1834, Charles Rohault de Fleury; Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver or Winter Gardens), 1936, RenÈ Berger,  and alongside it the Desert and Arid Land Glasshouse, 1930s. The main Avenue of the garden stretches out into the distance, with the Paris skyline in the background.
    Mnhn_GS_MCohen_593.jpg
  • Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Aerial view of the Jardin des Plantes showing the Glasshouses in the afternoon light, left to right: Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro; Plant History Glasshouse (formerly Australian Glasshouse), 1830s, Rohault de Fleury; New Caledonia Glasshouse (formerly Mexican Hothouse), 1834, Charles Rohault de Fleury; Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver or Winter Gardens), 1936, RenÈ Berger,  and alongside it the Desert and Arid Land Glasshouse, 1930s; in the background is the Paris skyline.
    Mnhn_GS_MCohen_595.jpg
  • Glasshouses, 19th and 20th centuries, Museum National d'Histoire Naturelle, Jardin des Plantes, Paris, France. Low angle view showing, left to right, incubators, restored 1995-97, by Paul Chemetov and Borja Huidobro, Plant History Glasshouse (formerly Australian Glasshouse), 1830s, Rohault de Fleury, New Caledonia Glasshouse (formerly The Mexican Hothouse), 1830s, Charles Rohault de Fleury, Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver or Winter Gardens), 1936, René Berger. A workman is restoring a door in the passageway between the incubator and the Plant History Glasshouse.
    _MG_2083.jpg
  • Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Aerial view of the Jardin des Plantes showing the Glasshouses in the afternoon light, left to right: Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro; Plant History Glasshouse (formerly Australian Glasshouse), 1830s, Rohault de Fleury; New Caledonia Glasshouse (formerly Mexican Hothouse), 1834, Charles Rohault de Fleury; Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver or Winter Gardens), 1936, RenÈ Berger,  and alongside it the Desert and Arid Land Glasshouse, 1930s. The main Avenue of the garden stretches out into the distance, with the Paris skyline in the background.
    Mnhn_GS_MCohen_593.jpg
  • Incubators, restored 1995-97, by Paul Chemetov and Borja Huidobro, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. View from above, from the roof of the Plant History Glasshouse. The incubator roofs have adjustable sun awnings to protect the young plants.
    _MG_9852.jpg
  • Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Detail of laelia pumila (Brazilian Orchid) flower in the afternoon light.
    _MG_7966.jpg
  • Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Low angle view of the leaves of a Yucca plant against the awnings which protect the plants from the sun.
    _MG_1648.jpg
  • Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Aerial view of the Jardin des Plantes showing the Glasshouses in the afternoon light, left to right: Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro; Plant History Glasshouse (formerly Australian Glasshouse), 1830s, Rohault de Fleury; New Caledonia Glasshouse (formerly Mexican Hothouse), 1834, Charles Rohault de Fleury; Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver or Winter Gardens), 1936, René Berger,  and alongside it the Desert and Arid Land Glasshouse, 1930s; in the background is the Paris skyline.
    _MG_7523.jpg
  • Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Aerial view of the Jardin des Plantes showing the Glasshouses in the afternoon light, left to right: Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro; Plant History Glasshouse (formerly Australian Glasshouse), 1830s, Rohault de Fleury; New Caledonia Glasshouse (formerly Mexican Hothouse), 1834, Charles Rohault de Fleury; Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver or Winter Gardens), 1936, René Berger,  and alongside it the Desert and Arid Land Glasshouse, 1930s; in the background is the Paris skyline.
    Panorama Galerie Evolution.jpg
  • Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. General view of the curving glass structure surrounded by the tarpaulins and rubble of the Glasshouse renovation work.
    _MG_2328.jpg
  • Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Aerial view of the Jardin des Plantes showing the Glasshouses in the afternoon light, left to right: Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro; Plant History Glasshouse (formerly Australian Glasshouse), 1830s, Rohault de Fleury; New Caledonia Glasshouse (formerly Mexican Hothouse), 1834, Charles Rohault de Fleury; Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver or Winter Gardens), 1936, René Berger,  and alongside it the Desert and Arid Land Glasshouse, 1930s. The main Avenue of the garden stretches out into the distance, with the Paris skyline in the background.
    Panofinal.jpg
  • Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Detail showing brickwork and climbing plants around a porthole window.
    _MG_1690.jpg
  • Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. View from above of Nepenthes plants in the afternoon light.
    _MG_7439.jpg
  • Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Detail of a Disocactus nelsonii.
    Mnhn_GSBK_MCohen_657.jpg
  • Plant History Glasshouse (formerly Australian Glasshouse), 1830s, Rohault de Fleury, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. View from behind of a builder working on a new glass and iron door to the passageway between the Plant History Glasshouse and the incubators.
    _MG_1838.jpg
  • Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France, and passageway to  Plant History Glasshouse (formerly Australian Glasshouse), 1830s, Rohault de Fleury. Oblique low angle view of the glass and iron passageway roof, through which is visble the Plant History Glasshouse.
    _MG_1656.jpg
  • Incubators, restored 1995-97,  Paul Chemetov and Borja Huidobro, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Low angle view of luxuriant plants growing towards the glass and iron roof which is shaded by an awning.
    _MG_1649.jpg
  • Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Detail of laelia pumila (Brazilian Orchid) flower in the afternoon light.
    _MG_7962.jpg
  • Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Detail of cereus peruvianus monstruosus (Peruvian Apple Cactus) in the afternoon light.
    Mnhn_GSBK_MCohen_666.jpg
  • Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Aerial view of the Jardin des Plantes showing the Glasshouses in the afternoon light, left to right: Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro; Plant History Glasshouse (formerly Australian Glasshouse), 1830s, Rohault de Fleury; New Caledonia Glasshouse (formerly Mexican Hothouse), 1834, Charles Rohault de Fleury; Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver or Winter Gardens), 1936, René Berger,  and alongside it the Desert and Arid Land Glasshouse, 1930s.
    Panorama sans titre121_04.jpg
  • Incubators, restored 1995-97, by Paul Chemetov and Borja Huidobro, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France (left) and Plant History Glasshouse (formerly Australian Glasshouse), 1830s, Rohault de Fleury (right). View from the side at twilight.
    _MG_3786.jpg
  • Plant History Glasshouse (formerly Australian Glasshouse), 1830s, Rohault de Fleury, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. General view of renovation works between the Plant History Glasshouse and the incubators. Worker, equipment and plants are laid out as if to form a still life picture.
    _MG_1843.jpg
  • Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. View from the roof of the Plant History Glasshouse of the glass and metal roof structure, with awnings.
    _MG_1781.jpg
  • Incubators (left), restored 1995-97, Paul Chemetov and Borja Huidobro, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France and (right) Plant History Glasshouse (formerly Australian Glasshouse), 1830s, Rohault de Fleury. Low angle night time view of the glass and metal structures reflecting the garden lights as they stand amongst the  rubble of the renovation work.
    _MG_2527.jpg
  • Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France.  Atmospheric low angle view  of hanging plants and porthole window, showing the protective sun awnings beneath the glass roofs.
    _MG_1726.jpg
  • Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. View from above of a cactus in the afternoon light.
    Mnhn_GSBK_MCohen_667.jpg
  • Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Detail of a Setcreasea purpurea.
    _MG_7942.jpg
  • Incubators, restored 1995-97,  Paul Chemetov and Borja Huidobro, Museum National d'Histoire Naturelle, Jardin des Plantes, Paris, France. Detail of the curving glass and metal roof.
    _MG_2099.jpg
  • Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Detail of Epidendrum imatophyllum (orchid) flower in the afternoon light.
    _MG_7978.jpg
  • Plant History Glasshouse (formerly Australian Glasshouse), 1830s, Rohault de Fleury, and the adjacent incubators, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Sepia coloured panoramic view of the glass and iron structure with the trees of the Botanical Garden in the background.
    _Q8K8619_SerreSepia 2.jpg
  • Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Detail of Sobralia macrantha (orchid) flower in the afternoon light.
    _MG_7990.jpg
  • Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Detail of cereus peruvianus monstruosus (Peruvian Apple Cactus) in the afternoon light.
    _MG_7912.jpg
  • Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Detail of cereus peruvianus monstruosus (Peruvian Apple Cactus) in the afternoon light.
    _MG_7911.jpg
  • Incubator, restored 1995-97  by Paul Chemetov and Borja Huidobro, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France, next to the Plant History Glasshouse (formerly the Australian Glasshouse), 1830s, Charles Rohault de Fleury. View from the side showing the curved glass and metal structure.
    Mnhn_GS_MCohen_141.jpg
  • Plant History Glasshouse (formerly Australian Glasshouse), 1830s, Rohault de Fleury, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. View from the side of the glass and iron roof, seen from the incubator roof, with the main avenue of the Jardin des plantes to the right, and the Paris skyline beyond.
    Mnhn_GS_MCohen_594.jpg
  • Plant History Glasshouse (formerly Australian Glasshouse), 1830s, Rohault de Fleury, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. View from the side of the glass and iron roof, seen from the incubator roof, with the main avenue of the Jardin des plantes to the right, and the Paris skyline beyond.
    Panorama Australiene Outside.jpg
  • Plant History Glasshouse (formerly Australian greenhouse), 1834, Charles Rohault de Fleury, Jardin des Plantes, Museum d'Histoire Naturelle, Paris, France. Panoramic view of the glasshouse seen in a morning light with the seeds incubators (called "les couveuses") on the left.
    SerresMCohen_ChoixMNHN_01.jpg
  • Zookeeper Olivier Marquis putting cricket eggs into an incubator in the Vivarium, a controlled area for observing and researching animals, at the new Parc Zoologique de Paris or Zoo de Vincennes, (Zoological Gardens of Paris or Vincennes Zoo), which reopened April 2014, part of the Musee National d'Histoire Naturelle (National Museum of Natural History), 12th arrondissement, Paris, France. Picture by Manuel Cohen
    PZP14_Museum_MC116.jpg
  • Eleanor Lakelin, wood sculptor, at work oiling a sculpture outside her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Eleanor makes pieces which celebrate the natural shapes and eccentricities of wood, using lathing, chiseling and carving techniques to make vessels which expose the patterns and gnarls within the natural forms. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 1st June 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_048.jpg
  • Eleanor Lakelin, wood sculptor, at work in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Eleanor makes pieces which celebrate the natural shapes and eccentricities of wood, using lathing, chiseling and carving techniques to make vessels which expose the patterns and gnarls within the natural forms. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 1st June 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_043.jpg
  • Sculptures of organic wooden shapes with cut leather shapes, and hanging sheets of pierced and embossed leather, in the studio of Fflur Owen, a leatherworker who makes leather sculptures and objects inspired by nature, at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_079.jpg
  • Fflur Owen, a leatherworker who makes leather sculptures and objects inspired by nature, at work in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_077.jpg
  • Mood board, workbench and tools in the studio of Fflur Owen, a leatherworker who makes leather sculptures and objects inspired by nature, at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_070.jpg
  • Mood board, with photographs, found objects and made samples, in the studio of Fflur Owen, a leatherworker who makes leather sculptures and objects inspired by nature, at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_069.jpg
  • Necklace, detail, with hammered metal and porcelain shapes, in the studio of Adele Brereton, jeweller and silversmith, at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Adele makes work inspired by found objects, often hammering the metal into or around found or man-made shapes to create one-off pieces. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_112.jpg
  • Sophie Graney, a weaver and textile artist, seen through a weaving, at work in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Sophie uses unusual materials such as rubber, leather and PVC in her weavings and makes pieces for homewares, art pieces and fashion. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_103.jpg
  • Loom, detail, in the studio of Sophie Graney, in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Sophie uses unusual materials such as rubber, leather and PVC in her weavings and makes pieces for homewares, art pieces and fashion. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_098.jpg
  • Thread and weaving, detail, in the studio of Sophie Graney, in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Sophie uses unusual materials such as rubber, leather and PVC in her weavings and makes pieces for homewares, art pieces and fashion. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_097.jpg
  • Rubber yarn coating in blue and red, detail, in the studio of Sophie Graney, in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Sophie uses unusual materials such as rubber, leather and PVC in her weavings and makes pieces for homewares, art pieces and fashion. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_093.jpg
  • Dried flowers in the studio of Poppy Fuller Abbot, a weaver and textile artist, at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Poppy creates abstract textile designs often inspired by magic, and has an experimental approach, using sustainable paper yarn and natural dyes in her textiles. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_139.jpg
  • Adele Brereton, jeweller and silversmith, seen in a mirror reflection at work hammering metal in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Adele makes work inspired by found objects, often hammering the metal into or around found or man-made shapes to create one-off pieces. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_128.jpg
  • Adele Brereton, jeweller and silversmith, at work in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Adele makes work inspired by found objects, often hammering the metal into or around found or man-made shapes to create one-off pieces. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_119.jpg
  • Pile of coloured laminate samples in the studio of Emily Kidson, a jewellery designer who works with wood, laminate and silver to create colourful pieces, at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Emily is inspired by urban architectural forms and cuts and finishes each piece by hand. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_170.jpg
  • May Necklace, detail, made in 2019 from colourful and pierced laminate, walnut, silver and oxidised silver, in the studio of Emily Kidson, a jewellery designer who works with wood, laminate and silver to create colourful pieces, at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Emily is inspired by urban architectural forms and cuts and finishes each piece by hand. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_165.jpg
  • Bells and photographs of water towers in the studio of Emily Kidson, a jewellery designer who works with wood, laminate and silver to create colourful pieces, at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Emily is inspired by urban architectural forms and cuts and finishes each piece by hand. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_161.jpg
  • Emily Kidson, a jewellery designer who works with wood, laminate and silver to create colourful pieces, at work in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Emily is inspired by urban architectural forms and cuts and finishes each piece by hand. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_183.jpg
  • Emily Kidson, a jewellery designer who works with wood, laminate and silver to create colourful pieces, at work in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Emily is inspired by urban architectural forms and cuts and finishes each piece by hand. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_179.jpg
  • Emily Kidson, a jewellery designer who works with wood, laminate and silver to create colourful pieces, seen from above at work in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Emily is inspired by urban architectural forms and cuts and finishes each piece by hand. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_175.jpg
  • Passementerie piece, detail, in the studio of Elizabeth Ashdown, a textile artist specialising in hand woven and hand embroidered passementerie and fine textiles, in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Elizabeth uses traditional techniques of hand weaving, macrame, hand embroidery, braid making and cord making to produce textile pieces used in home furnishings, fashion, wall hangings and artworks. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_010.jpg
  • Samples and design ideas in the studio of Elizabeth Ashdown, a textile artist specialising in hand woven and hand embroidered passementerie and fine textiles, in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Elizabeth uses traditional techniques of hand weaving, macrame, hand embroidery, braid making and cord making to produce textile pieces used in home furnishings, fashion, wall hangings and artworks. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_007.jpg
  • Design sketches in the studio of Elizabeth Ashdown, a textile artist specialising in hand woven and hand embroidered passementerie and fine textiles, in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Elizabeth uses traditional techniques of hand weaving, macrame, hand embroidery, braid making and cord making to produce textile pieces used in home furnishings, fashion, wall hangings and artworks. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_006.jpg
  • Selection of passementerie pieces in the studio of Elizabeth Ashdown, a textile artist specialising in hand woven and hand embroidered passementerie and fine textiles, in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Elizabeth uses traditional techniques of hand weaving, macrame, hand embroidery, braid making and cord making to produce textile pieces used in home furnishings, fashion, wall hangings and artworks. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_003.jpg
  • Selection of passementerie pieces in the studio of Elizabeth Ashdown, a textile artist specialising in hand woven and hand embroidered passementerie and fine textiles, in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Elizabeth uses traditional techniques of hand weaving, macrame, hand embroidery, braid making and cord making to produce textile pieces used in home furnishings, fashion, wall hangings and artworks. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_002.jpg
  • Sawdust and wood shavings, detail, in the studio of Eleanor Lakelin, wood sculptor, at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Eleanor makes pieces which celebrate the natural shapes and eccentricities of wood, using lathing, chiseling and carving techniques to make vessels which expose the patterns and gnarls within the natural forms. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 1st June 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_036.jpg
  • Wooden vessel with multiple holes, in the studio of Eleanor Lakelin, wood sculptor, at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Eleanor makes pieces which celebrate the natural shapes and eccentricities of wood, using lathing, chiseling and carving techniques to make vessels which expose the patterns and gnarls within the natural forms. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 1st June 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_035.jpg
  • Sawdust and wood remnants in the studio of Eleanor Lakelin, wood sculptor, at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Eleanor makes pieces which celebrate the natural shapes and eccentricities of wood, using lathing, chiseling and carving techniques to make vessels which expose the patterns and gnarls within the natural forms. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 1st June 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_033.jpg
  • Elizabeth Ashdown, a textile artist specialising in hand woven and hand embroidered passementerie and fine textiles, at work weaving on a loom in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Elizabeth uses traditional techniques of hand weaving, macrame, hand embroidery, braid making and cord making to produce textile pieces used in home furnishings, fashion, wall hangings and artworks. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_031.jpg
  • Elizabeth Ashdown, a textile artist specialising in hand woven and hand embroidered passementerie and fine textiles, at work weaving on a loom in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Elizabeth uses traditional techniques of hand weaving, macrame, hand embroidery, braid making and cord making to produce textile pieces used in home furnishings, fashion, wall hangings and artworks. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_030.jpg
  • Elizabeth Ashdown, a textile artist specialising in hand woven and hand embroidered passementerie and fine textiles, at work weaving on a loom in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Elizabeth uses traditional techniques of hand weaving, macrame, hand embroidery, braid making and cord making to produce textile pieces used in home furnishings, fashion, wall hangings and artworks. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_028.jpg
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