manuel cohen

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  • Aerial view of Abbotsford House, built 1817-25 by Sir Walter Scott, 1771-1832, Scottish writer and poet, near Melrose, in the Borders, Scotland. The building is in Scottish Baronial style and includes Scott's personal collections of books, furniture and Scottish historical artefacts, making it a centre for European Romanticism. The Scott family still own the building, which is open to the public as a tourist attraction. Picture by Manuel Cohen
    DRN_LC18_SCOTLAND_MC_222.JPG
  • Aerial view of Abbotsford House, built 1817-25 by Sir Walter Scott, 1771-1832, Scottish writer and poet, near Melrose, in the Borders, Scotland. The building is in Scottish Baronial style and includes Scott's personal collections of books, furniture and Scottish historical artefacts, making it a centre for European Romanticism. The Scott family still own the building, which is open to the public as a tourist attraction. Picture by Manuel Cohen
    DRN_LC18_SCOTLAND_MC_221.JPG
  • Hand painted chinoiserie wallpaper, detail of bird, fruit trees and flowers, in the Chinese drawing room, in Abbotsford House, built 1817-25 by Sir Walter Scott, 1771-1832, Scottish writer and poet, near Melrose, in the Borders, Scotland. The wallpaper was a gift from Scott’s cousin Hugh Scott, who worked for the East India Company. The building is in Scottish Baronial style and includes Scott's personal collections of books, furniture and Scottish historical artefacts, making it a centre for European Romanticism. The Scott family still own the building, which is open to the public as a tourist attraction. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_117.jpg
  • Portrait of Walter Scott with his dogs Camp and Percy in the Yarrow valley, detail, painted 1809 by Sir Henry Raeburn, 1756-1823, in the Chinese drawing room, in Abbotsford House, built 1817-25 by Sir Walter Scott, 1771-1832, Scottish writer and poet, near Melrose, in the Borders, Scotland. The building is in Scottish Baronial style and includes Scott's personal collections of books, furniture and Scottish historical artefacts, making it a centre for European Romanticism. The Scott family still own the building, which is open to the public as a tourist attraction. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_116.jpg
  • Hand painted chinoiserie wallpaper, detail of family, in the Chinese drawing room, in Abbotsford House, built 1817-25 by Sir Walter Scott, 1771-1832, Scottish writer and poet, near Melrose, in the Borders, Scotland. The wallpaper was a gift from Scott’s cousin Hugh Scott, who worked for the East India Company. The building is in Scottish Baronial style and includes Scott's personal collections of books, furniture and Scottish historical artefacts, making it a centre for European Romanticism. The Scott family still own the building, which is open to the public as a tourist attraction. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_115.jpg
  • Hand painted chinoiserie wallpaper, detail of people in garden, in the Chinese drawing room, in Abbotsford House, built 1817-25 by Sir Walter Scott, 1771-1832, Scottish writer and poet, near Melrose, in the Borders, Scotland. The wallpaper was a gift from Scott’s cousin Hugh Scott, who worked for the East India Company. The building is in Scottish Baronial style and includes Scott's personal collections of books, furniture and Scottish historical artefacts, making it a centre for European Romanticism. The Scott family still own the building, which is open to the public as a tourist attraction. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_114.jpg
  • Library, with carved oak ceiling, containing Scott's collection of books, manuscripts, tracts and chapbooks, in Abbotsford House, built 1817-25 by Sir Walter Scott, 1771-1832, Scottish writer and poet, near Melrose, in the Borders, Scotland. The building is in Scottish Baronial style and includes Scott's personal collections of books, furniture and Scottish historical artefacts, making it a centre for European Romanticism. The Scott family still own the building, which is open to the public as a tourist attraction. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_113.jpg
  • Bust of Walter Scott, by Sir Francis Chantrey, in the library, containing Scott's collection of books, manuscripts, tracts and chapbooks, in Abbotsford House, built 1817-25 by Sir Walter Scott, 1771-1832, Scottish writer and poet, near Melrose, in the Borders, Scotland. The building is in Scottish Baronial style and includes Scott's personal collections of books, furniture and Scottish historical artefacts, making it a centre for European Romanticism. The Scott family still own the building, which is open to the public as a tourist attraction. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_112.jpg
  • Chinese drawing room, with harps belonging to Scott's daughter Sophia, and hand painted chinoiserie wallpaper, in Abbotsford House, built 1817-25 by Sir Walter Scott, 1771-1832, Scottish writer and poet, near Melrose, in the Borders, Scotland. The portrait above the fireplace depicts Scott with his dogs Camp and Percy in the Yarrow valley, painted 1809 by Sir Henry Raeburn. The building is in Scottish Baronial style and includes Scott's personal collections of books, furniture and Scottish historical artefacts, making it a centre for European Romanticism. The Scott family still own the building, which is open to the public as a tourist attraction. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_111.jpg
  • Library, with carved oak ceiling, containing Scott's collection of books, manuscripts, tracts and chapbooks, in Abbotsford House, built 1817-25 by Sir Walter Scott, 1771-1832, Scottish writer and poet, near Melrose, in the Borders, Scotland. The building is in Scottish Baronial style and includes Scott's personal collections of books, furniture and Scottish historical artefacts, making it a centre for European Romanticism. The Scott family still own the building, which is open to the public as a tourist attraction. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_110.jpg
  • Abbotsford House, built 1817-25 by Sir Walter Scott, 1771-1832, Scottish writer and poet, near Melrose, in the Borders, Scotland. The building is in Scottish Baronial style and includes Scott's personal collections of books, furniture and Scottish historical artefacts, making it a centre for European Romanticism. The Scott family still own the building, which is open to the public as a tourist attraction. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_109.jpg
  • Abbotsford House, built 1817-25 by Sir Walter Scott, 1771-1832, Scottish writer and poet, near Melrose, in the Borders, Scotland. The building is in Scottish Baronial style and includes Scott's personal collections of books, furniture and Scottish historical artefacts, making it a centre for European Romanticism. The Scott family still own the building, which is open to the public as a tourist attraction. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_108.jpg
  • Abbotsford House, built 1817-25 by Sir Walter Scott, 1771-1832, Scottish writer and poet, near Melrose, in the Borders, Scotland. The building is in Scottish Baronial style and includes Scott's personal collections of books, furniture and Scottish historical artefacts, making it a centre for European Romanticism. The Scott family still own the building, which is open to the public as a tourist attraction. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_107.jpg
  • House of Lady Meredith, built 1860-80, in the Golden Square Mile district of Montreal, Quebec, Canada. The mansion was the residence of of Andrew Allan, then Sir Henry Vincent Meredith, then Isabella Brenda Allan. It is now part of the Royal Institution for the Advancement of Science, part of McGill University. Picture by Manuel Cohen
    LC18_QUEBEC_MC_188.jpg
  • Al Ghus House or Pearl Diver House, built early 20th century by a boat captain and used also by pearl divers, a single storey structure with rooms around a colonnade and a central courtyard, in Muharraq, Bahrain. When built, the house afforded access to the tidal island of Bu Maher. Muharraq is a city on the Pearling Path and with a strong history of pearl diving and pearl trade, where 17 buildings form part of a UNESCO World Heritage Site celebrating the pearl trade. Picture by Manuel Cohen
    LC19_BAHREIN_MC_001.jpg
  • Woven ceiling in the Al Ghus House or Pearl Diver House, built early 20th century by a boat captain and used also by pearl divers, a single storey structure with rooms around a colonnade and a central courtyard, in Muharraq, Bahrain. When built, the house afforded access to the tidal island of Bu Maher. Muharraq is a city on the Pearling Path and with a strong history of pearl diving and pearl trade, where 17 buildings form part of a UNESCO World Heritage Site celebrating the pearl trade. Picture by Manuel Cohen
    LC19_BAHREIN_MC_002.jpg
  • Al Ghus House or Pearl Diver House, built early 20th century by a boat captain and used also by pearl divers, a single storey structure with rooms around a colonnade and a central courtyard, in Muharraq, Bahrain. When built, the house afforded access to the tidal island of Bu Maher. Muharraq is a city on the Pearling Path and with a strong history of pearl diving and pearl trade, where 17 buildings form part of a UNESCO World Heritage Site celebrating the pearl trade. Picture by Manuel Cohen
    LC19_BAHREIN_MC_003.jpg
  • Room painted with Arabic writing in the Al Ghus House or Pearl Diver House, built early 20th century by a boat captain and used also by pearl divers, a single storey structure with rooms around a colonnade and a central courtyard, in Muharraq, Bahrain. When built, the house afforded access to the tidal island of Bu Maher. Muharraq is a city on the Pearling Path and with a strong history of pearl diving and pearl trade, where 17 buildings form part of a UNESCO World Heritage Site celebrating the pearl trade. Picture by Manuel Cohen
    LC19_BAHREIN_MC_004.jpg
  • Abdullah Al Zayed House, an old traditional Bahraini house, restored and reopened in 2003 as the Abdullah Al Zayed House for Bahraini Press Heritage, as part of the Sheik Ebrahim Center, in Muharraq, Bahrain. On the left is a mural by eL Seed, a French Tunisian street artist. Muharraq is a city on the Pearling Path and with a strong history of pearl diving and pearl trade, where 17 buildings form part of a UNESCO World Heritage Site celebrating the pearl trade. Picture by Manuel Cohen
    LC19_BAHREIN_MC_252.jpg
  • The House of the Athlete or Desultor (foreground), the House of the Dog, where a bronze canine statue was found, and the Triumphal Arch of Caracalla, built 217 AD by the city's governor Marcus Aurelius Sebastenus in honour of Emperor Caracalla, 188-217 AD, and his mother Julia Domna, Volubilis, Northern Morocco. Volubilis was founded in the 3rd century BC by the Phoenicians and was a Roman settlement from the 1st century AD. Volubilis was a thriving Roman olive growing town until 280 AD and was settled until the 11th century. The buildings were largely destroyed by an earthquake in the 18th century and have since been excavated and partly restored. Volubilis was listed as a UNESCO World Heritage Site in 1997. Picture by Manuel Cohen
    LC14_Morocco_MC082.jpg
  • Sgraffito decoration on the facade of the House at the Minute, built early 15th century in late Gothic style as a house and tobacconist's shop, Old Town Square, Prague, Czech Republic. The sgraffito were created in 2 phases, before 1600 and before 1615, and depict Greek mythology, biblical and Renaissance legends. They were whitewashed during Baroque modifications and restored in the 1920s. The Kafka family lived on the second floor of the House at the Minute 1889-96. The historic centre of Prague was declared a UNESCO World Heritage Site in 1992. Picture by Manuel Cohen
    LC13_PRAGUE_MC149.jpg
  • House of the Virgin Mary on Bulbul Hill, 9km from Ephesus, Izmir, Turkey. This is the place where Mary may have spent her last days. She may have come to the area with St John, who spent several years in the area spreading Christianity. The house of the Virgin Mary is typically Roman, made of stones. In the 4th century AD, a church, combining her house and grave, was built. Today, only the central part and a room on the right of the altar are open to visitors. Ephesus was an ancient Greek city founded in the 10th century BC, and later a major Roman city, on the Ionian coast near present day Selcuk. Picture by Manuel Cohen
    LC13_Turkey_MC364.jpg
  • Visitors entering the House of the Virgin Mary on Bulbul Hill, 9km from Ephesus, Izmir, Turkey. This is the place where Mary may have spent her last days. She may have come to the area with St John, who spent several years in the area spreading Christianity. The house of the Virgin Mary is typically Roman, made of stones. In the 4th century AD, a church, combining her house and grave, was built. Today, only the central part and a room on the right of the altar are open to visitors. Ephesus was an ancient Greek city founded in the 10th century BC, and later a major Roman city, on the Ionian coast near present day Selcuk. Picture by Manuel Cohen
    LC13_Turkey_MC363.jpg
  • Pilgrim at the Wishing Wall at the House of the Virgin Mary on Bulbul Hill, 9km from Ephesus, Izmir, Turkey. Pilgrims, who believe the wall to be miraculous, attach their wishes to the wall. This is the place where Mary may have spent her last days. She may have come to the area with St John, who spent several years in the area spreading Christianity. The house of the Virgin Mary is typically Roman, made of stones. In the 4th century AD, a church, combining her house and grave, was built. Today, only the central part and a room on the right of the altar are open to visitors. Ephesus was an ancient Greek city founded in the 10th century BC, and later a major Roman city, on the Ionian coast near present day Selcuk. Picture by Manuel Cohen
    LC13_Turkey_MC361.jpg
  • Scraps of paper and fabric with written wishes attached to the Wishing Wall at the House of the Virgin Mary on Bulbul Hill, 9km from Ephesus, Izmir, Turkey. Pilgrims, who believe the wall to be miraculous, attach their wishes to the wall. This is the place where Mary may have spent her last days. She may have come to the area with St John, who spent several years in the area spreading Christianity. The house of the Virgin Mary is typically Roman, made of stones. In the 4th century AD, a church, combining her house and grave, was built. Today, only the central part and a room on the right of the altar are open to visitors. Ephesus was an ancient Greek city founded in the 10th century BC, and later a major Roman city, on the Ionian coast near present day Selcuk. Picture by Manuel Cohen
    LC13_Turkey_MC360.jpg
  • Ceremonial reception room on the 3rd floor of the Zekate House, a grand fortified tower house built 1811-12 with twin towers and a great double arched facade, built and owned by Beqir Zeko, a general administrator of Ali Pasha's government, Gjirokastra, Southern Albania. This large and elaborately decorated room was used for the most important social occasions. The frescoes of garlands of fruits and flowers is typical of the Tulip period of Ottoman architectural design and has symbolic meanings for the health, wealth and abundance of the household. Gjirokastra was settled by the Greek Chaonians, the Romans and Byzantines before becoming an Ottoman city in 1417. Its old town was listed as a UNESCO World Heritage Site in 2005. Picture by Manuel Cohen
    LC14_Albania_MC171.jpg
  • Chimney with frescoes of flowers in the Ceremonial reception room on the 3rd floor of the Zekate House, a grand fortified tower house built 1811-12 with twin towers and a great double arched facade, built and owned by Beqir Zeko, a general administrator of Ali Pasha's government, Gjirokastra, Southern Albania. This large and elaborately decorated room was used for the most important social occasions. The frescoes of garlands of fruits and flowers is typical of the Tulip period of Ottoman architectural design and has symbolic meanings for the health, wealth and abundance of the household. Gjirokastra was settled by the Greek Chaonians, the Romans and Byzantines before becoming an Ottoman city in 1417. Its old town was listed as a UNESCO World Heritage Site in 2005. Picture by Manuel Cohen
    LC14_Albania_MC172.jpg
  • Ceremonial reception room on the 3rd floor of the Zekate House, a grand fortified tower house built 1811-12 with twin towers and a great double arched facade, built and owned by Beqir Zeko, a general administrator of Ali Pasha's government, Gjirokastra, Southern Albania. This large and elaborately decorated room was used for the most important social occasions. The frescoes of garlands of fruits and flowers is typical of the Tulip period of Ottoman architectural design and has symbolic meanings for the health, wealth and abundance of the household. Gjirokastra was settled by the Greek Chaonians, the Romans and Byzantines before becoming an Ottoman city in 1417. Its old town was listed as a UNESCO World Heritage Site in 2005. Picture by Manuel Cohen
    LC14_Albania_MC173.jpg
  • Traditional Ottoman tower house in Gjirokastra, Southern Albania, in the historical region of Epirus, with most Ottoman houses dating from the 17th and 18th centuries. Typical houses consist of a tall stone block structure up to 5 storeys, with external and internal staircases surrounding the house. Gjirokastra was settled by the Greek Chaonians, the Romans and Byzantines before becoming an Ottoman city in 1417. Its old town was listed as a UNESCO World Heritage Site in 2005. Picture by Manuel Cohen
    LC14_Albania_MC188.jpg
  • The Zekate House, a grand fortified tower house built 1811-12 with twin towers and a great double arched facade, built and owned by Beqir Zeko, a general administrator of Ali Pasha's government, Gjirokastra, Southern Albania. Gjirokastra was settled by the Greek Chaonians, the Romans and Byzantines before becoming an Ottoman city in 1417. Its old town was listed as a UNESCO World Heritage Site in 2005. Picture by Manuel Cohen
    LC14_Albania_MC191.jpg
  • Traditional Ottoman tower house in Gjirokastra, Southern Albania, in the historical region of Epirus, with most Ottoman houses dating from the 17th and 18th centuries. Typical houses consist of a tall stone block structure up to 5 storeys, with external and internal staircases surrounding the house. Gjirokastra was settled by the Greek Chaonians, the Romans and Byzantines before becoming an Ottoman city in 1417. Its old town was listed as a UNESCO World Heritage Site in 2005. Picture by Manuel Cohen
    LC14_Albania_MC194.jpg
  • Traditional Ottoman tower house in Gjirokastra, Southern Albania, in the historical region of Epirus, with most Ottoman houses dating from the 17th and 18th centuries. Typical houses consist of a tall stone block structure up to 5 storeys, with external and internal staircases surrounding the house. Gjirokastra was settled by the Greek Chaonians, the Romans and Byzantines before becoming an Ottoman city in 1417. Its old town was listed as a UNESCO World Heritage Site in 2005. Picture by Manuel Cohen
    LC14_Albania_MC195.jpg
  • Detail of the sgraffito decoration on the facade of the House at the Minute, built early 15th century in late Gothic style as a house and tobacconist's shop, Old Town Square, Prague, Czech Republic. The sgraffito were created in 2 phases, before 1600 and before 1615, and depict Greek mythology, biblical and Renaissance legends. They were whitewashed during Baroque modifications and restored in the 1920s. The Kafka family lived on the second floor of the House at the Minute 1889-96. The historic centre of Prague was declared a UNESCO World Heritage Site in 1992. Picture by Manuel Cohen
    LC13_PRAGUE_MC001.jpg
  • Director's House or Maison du Directeur, flanked by the (left) West Saltworks or Batiment des Sels Ouest and (right) East Saltworks or Batiment des Sels Est, part of the Royal Saltworks or Saline Royale, begun 1775 in Neoclassical style by architect Claude Nicolas Ledoux, 1736-1806, at Arc-et-Senans, Doubs, Bourgogne-Franche-Comte, France. On the right is the Berniers Est, housing saltworkers' accommodation. The Director's House has an imposing portico with 6 Doric columns, a triangular pediment with oculus and a belvedere. The building houses an assembly room, offices, bank, apartments, servants quarters and a basement for storage. The site is designed in a semicircle, with the Director's House, 2 saltworks containing drying ovens, heating pots and salt stores, workers' accommodation and Director's stables. An Ideal City was also planned but never built. The site is listed as a UNESCO World Heritage site. Picture by Manuel Cohen
    LC17_FRANCE_MC_1016.jpg
  • Ceremonial reception room on the 3rd floor of the Zekate House, a grand fortified tower house built 1811-12 with twin towers and a great double arched facade, built and owned by Beqir Zeko, a general administrator of Ali Pasha's government, Gjirokastra, Southern Albania. This large and elaborately decorated room was used for the most important social occasions. The frescoes of garlands of fruits and flowers is typical of the Tulip period of Ottoman architectural design and has symbolic meanings for the health, wealth and abundance of the household. Gjirokastra was settled by the Greek Chaonians, the Romans and Byzantines before becoming an Ottoman city in 1417. Its old town was listed as a UNESCO World Heritage Site in 2005. Picture by Manuel Cohen
    LC14_Albania_MC174.jpg
  • House of the amphitheatre, excavated in the 1960s, on the San Albin hill, in Emerita Augusta, founded in 25 BC by Emperor Augustus, in Merida, Extremadura, Spain. The house contains a peristyle surrounding an internal garden (seen here) and a cosmological mosaic with allegorical representations of the elements of nature with Eon. The Roman remains in Merida are listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_SPAIN_MC_0339.jpg
  • Director's House or Maison du Directeur, and (left) West Saltworks or Batiment des Sels Ouest and (right) East Saltworks or Batiment des Sels Est, part of the Royal Saltworks or Saline Royale, begun 1775 in Neoclassical style by architect Claude Nicolas Ledoux, 1736-1806, at Arc-et-Senans, Doubs, Bourgogne-Franche-Comte, France. The Director's House has an imposing portico with 6 Doric columns, a triangular pediment with oculus and a belvedere. The building houses an assembly room, offices, bank, apartments, servants quarters and a basement for storage. The site is designed in a semicircle, with the Director's House, 2 saltworks containing drying ovens, heating pots and salt stores, workers' accommodation and Director's stables. An Ideal City was also planned but never built. The site is listed as a UNESCO World Heritage site. Picture by Manuel Cohen
    LC17_FRANCE_MC_1050.jpg
  • Doric columns with alternating cubic and cylindrical forms on the portico of the Director's House or Maison du Directeur, part of the Royal Saltworks or Saline Royale, begun 1775 in Neoclassical style by architect Claude Nicolas Ledoux, 1736-1806, at Arc-et-Senans, Doubs, Bourgogne-Franche-Comte, France. The Director's House has an imposing portico with 6 columns, a triangular pediment with oculus and a belvedere. It houses an assembly room, offices, bank, apartments, servants quarters and a basement for storage. The site is designed in a semicircle, with the Director's House, 2 saltworks containing drying ovens, heating pots and salt stores, workers' accommodation and Director's stables. An Ideal City was also planned but never built. The site is listed as a UNESCO World Heritage site. Picture by Manuel Cohen
    LC17_FRANCE_MC_1044.jpg
  • Director's House or Maison du Directeur, and (left) West Saltworks or Batiment des Sels Ouest and (right) East Saltworks or Batiment des Sels Est, part of the Royal Saltworks or Saline Royale, begun 1775 in Neoclassical style by architect Claude Nicolas Ledoux, 1736-1806, at Arc-et-Senans, Doubs, Bourgogne-Franche-Comte, France. The Director's House has an imposing portico with 6 Doric columns, a triangular pediment with oculus and a belvedere. The building houses an assembly room, offices, bank, apartments, servants quarters and a basement for storage. The site is designed in a semicircle, with the Director's House, 2 saltworks containing drying ovens, heating pots and salt stores, workers' accommodation and Director's stables. An Ideal City was also planned but never built. The site is listed as a UNESCO World Heritage site. Picture by Manuel Cohen
    LC17_FRANCE_MC_1042.jpg
  • Director's House or Maison du Directeur, and (left) West Saltworks or Batiment des Sels Ouest and (right) East Saltworks or Batiment des Sels Est, part of the Royal Saltworks or Saline Royale, begun 1775 in Neoclassical style by architect Claude Nicolas Ledoux, 1736-1806, at Arc-et-Senans, Doubs, Bourgogne-Franche-Comte, France. The Director's House has an imposing portico with 6 Doric columns, a triangular pediment with oculus and a belvedere. The building houses an assembly room, offices, bank, apartments, servants quarters and a basement for storage. The site is designed in a semicircle, with the Director's House, 2 saltworks containing drying ovens, heating pots and salt stores, workers' accommodation and Director's stables. An Ideal City was also planned but never built. The site is listed as a UNESCO World Heritage site. Picture by Manuel Cohen
    LC17_FRANCE_MC_1034.jpg
  • Rear facade of the Director's House or Maison du Directeur, and (left) the East Saltworks or Batiment des Sels Est, part of the Royal Saltworks or Saline Royale, begun 1775 in Neoclassical style by architect Claude Nicolas Ledoux, 1736-1806, at Arc-et-Senans, Doubs, Bourgogne-Franche-Comte, France. The Director's House has an imposing portico on the front facade with 6 Doric columns, a triangular pediment with oculus and a belvedere. The building houses an assembly room, offices, bank, apartments, servants quarters and a basement for storage. The site is designed in a semicircle, with the Director's House, 2 saltworks containing drying ovens, heating pots and salt stores, workers' accommodation and Director's stables. An Ideal City was also planned but never built. The site is listed as a UNESCO World Heritage site. Picture by Manuel Cohen
    LC17_FRANCE_MC_1024.jpg
  • Director's House or Maison du Directeur, part of the Royal Saltworks or Saline Royale, begun 1775 in Neoclassical style by architect Claude Nicolas Ledoux, 1736-1806, at Arc-et-Senans, Doubs, Bourgogne-Franche-Comte, France. The Director's House has an imposing portico with 6 Doric columns, a triangular pediment with oculus and a belvedere. The building houses an assembly room, offices, bank, apartments, servants quarters and a basement for storage. The site is designed in a semicircle, with the Director's House, 2 saltworks containing drying ovens, heating pots and salt stores, workers' accommodation and Director's stables. An Ideal City was also planned but never built. The site is listed as a UNESCO World Heritage site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0995.jpg
  • Director's House or Maison du Directeur, part of the Royal Saltworks or Saline Royale, begun 1775 in Neoclassical style by architect Claude Nicolas Ledoux, 1736-1806, at Arc-et-Senans, Doubs, Bourgogne-Franche-Comte, France. The Director's House has an imposing portico with 6 Doric columns, a triangular pediment with oculus and a belvedere. The building houses an assembly room, offices, bank, apartments, servants quarters and a basement for storage. The site is designed in a semicircle, with the Director's House, 2 saltworks containing drying ovens, heating pots and salt stores, workers' accommodation and Director's stables. An Ideal City was also planned but never built. The site is listed as a UNESCO World Heritage site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0960.jpg
  • Director's House or Maison du Directeur, part of the Royal Saltworks or Saline Royale, begun 1775 in Neoclassical style by architect Claude Nicolas Ledoux, 1736-1806, at Arc-et-Senans, Doubs, Bourgogne-Franche-Comte, France. The Director's House has an imposing portico with 6 Doric columns, a triangular pediment with oculus and a belvedere. The building houses an assembly room, offices, bank, apartments, servants quarters and a basement for storage. The site is designed in a semicircle, with the Director's House, 2 saltworks containing drying ovens, heating pots and salt stores, workers' accommodation and Director's stables. An Ideal City was also planned but never built. The site is listed as a UNESCO World Heritage site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0961.jpg
  • Tapestry, 1700-29, by Robert Baille, of the Battle of the Boyne in 1690, with William III of Orange and his victory over James II, in the Lord's Chamber of the Irish House of Lords, the upper house of the Irish parliament until 1800, now owned by the Bank of Ireland, College Green, Dublin, Ireland. Baille was commissioned to produce a series of 6 tapestries, although only 2 were made. He enlisted Dutch landscape painter William Van der Hagen to produce the designs and John Van Beaver to weave them. Picture by Manuel Cohen
    LC18_Ireland_MC_044.jpg
  • Tapestry, 1700-29, by Robert Baille, of James II at the Siege of Derry of 1689, in the Irish House of Lords, the upper house of the Irish parliament until 1800, now owned by the Bank of Ireland, College Green, Dublin, Ireland. Baille was commissioned to produce a series of 6 tapestries, although only 2 were made. He enlisted Dutch landscape painter William Van der Hagen to produce the designs and John Van Beaver to weave them. Picture by Manuel Cohen
    LC18_Ireland_MC_045.jpg
  • View through the Doric columns with alternating cubic and cylindrical forms on the portico of the Director's House or Maison du Directeur, part of the Royal Saltworks or Saline Royale, begun 1775 in Neoclassical style by architect Claude Nicolas Ledoux, 1736-1806, at Arc-et-Senans, Doubs, Bourgogne-Franche-Comte, France. The Director's House has an imposing portico with 6 columns, a triangular pediment with oculus and a belvedere. It houses an assembly room, offices, bank, apartments, servants quarters and a basement for storage. The site is designed in a semicircle, with the Director's House, 2 saltworks containing drying ovens, heating pots and salt stores, workers' accommodation and Director's stables. An Ideal City was also planned but never built. The site is listed as a UNESCO World Heritage site. Picture by Manuel Cohen
    LC17_FRANCE_MC_1048.jpg
  • Director's House or Maison du Directeur, part of the Royal Saltworks or Saline Royale, begun 1775 in Neoclassical style by architect Claude Nicolas Ledoux, 1736-1806, at Arc-et-Senans, Doubs, Bourgogne-Franche-Comte, France. The Director's House has an imposing portico with 6 Doric columns, a triangular pediment with oculus and a belvedere. The building houses an assembly room, offices, bank, apartments, servants quarters and a basement for storage. The site is designed in a semicircle, with the Director's House, 2 saltworks containing drying ovens, heating pots and salt stores, workers' accommodation and Director's stables. An Ideal City was also planned but never built. The site is listed as a UNESCO World Heritage site. Picture by Manuel Cohen
    LC17_FRANCE_MC_1043.jpg
  • Director's House or Maison du Directeur, and (left) West Saltworks or Batiment des Sels Ouest and (right) East Saltworks or Batiment des Sels Est, part of the Royal Saltworks or Saline Royale, begun 1775 in Neoclassical style by architect Claude Nicolas Ledoux, 1736-1806, at Arc-et-Senans, Doubs, Bourgogne-Franche-Comte, France. The Director's House has an imposing portico with 6 Doric columns, a triangular pediment with oculus and a belvedere. The building houses an assembly room, offices, bank, apartments, servants quarters and a basement for storage. The site is designed in a semicircle, with the Director's House, 2 saltworks containing drying ovens, heating pots and salt stores, workers' accommodation and Director's stables. An Ideal City was also planned but never built. The site is listed as a UNESCO World Heritage site. Picture by Manuel Cohen
    LC17_FRANCE_MC_1041.jpg
  • Director's House or Maison du Directeur, and (left) West Saltworks or Batiment des Sels Ouest and (right) East Saltworks or Batiment des Sels Est, part of the Royal Saltworks or Saline Royale, begun 1775 in Neoclassical style by architect Claude Nicolas Ledoux, 1736-1806, at Arc-et-Senans, Doubs, Bourgogne-Franche-Comte, France. The Director's House has an imposing portico with 6 Doric columns, a triangular pediment with oculus and a belvedere. The building houses an assembly room, offices, bank, apartments, servants quarters and a basement for storage. The site is designed in a semicircle, with the Director's House, 2 saltworks containing drying ovens, heating pots and salt stores, workers' accommodation and Director's stables. An Ideal City was also planned but never built. The site is listed as a UNESCO World Heritage site. Picture by Manuel Cohen
    LC17_FRANCE_MC_1039.jpg
  • Director's House or Maison du Directeur, part of the Royal Saltworks or Saline Royale, begun 1775 in Neoclassical style by architect Claude Nicolas Ledoux, 1736-1806, at Arc-et-Senans, Doubs, Bourgogne-Franche-Comte, France. The Director's House has an imposing portico with 6 Doric columns, a triangular pediment with oculus and a belvedere. The building houses an assembly room, offices, bank, apartments, servants quarters and a basement for storage. The site is designed in a semicircle, with the Director's House, 2 saltworks containing drying ovens, heating pots and salt stores, workers' accommodation and Director's stables. An Ideal City was also planned but never built. The site is listed as a UNESCO World Heritage site. Picture by Manuel Cohen
    LC17_FRANCE_MC_1033.jpg
  • Rear facade of the Director's House or Maison du Directeur, and (left) East Saltworks or Batiment des Sels Est and (right) West Saltworks or Batiment des Sels Ouest, part of the Royal Saltworks or Saline Royale, begun 1775 in Neoclassical style by architect Claude Nicolas Ledoux, 1736-1806, at Arc-et-Senans, Doubs, Bourgogne-Franche-Comte, France. The Director's House has an imposing portico on the front facade with 6 Doric columns, a triangular pediment with oculus and a belvedere. The building houses an assembly room, offices, bank, apartments, servants quarters and a basement for storage. The site is designed in a semicircle, with the Director's House, 2 saltworks containing drying ovens, heating pots and salt stores, workers' accommodation and Director's stables. An Ideal City was also planned but never built. The site is listed as a UNESCO World Heritage site. Picture by Manuel Cohen
    LC17_FRANCE_MC_1031.jpg
  • Director's House or Maison du Directeur, and (left) West Saltworks or Batiment des Sels Ouest and (right) East Saltworks or Batiment des Sels Est, where the water was evaporated from the brine in huge iron basins, part of the Royal Saltworks or Saline Royale, begun 1775 in Neoclassical style by architect Claude Nicolas Ledoux, 1736-1806, at Arc-et-Senans, Doubs, Bourgogne-Franche-Comte, France. The Director's House has an imposing portico with 6 Doric columns, a triangular pediment with oculus and a belvedere. The building houses an assembly room, offices, bank, apartments, servants quarters and a basement for storage. The site is designed in a semicircle, with the Director's House, 2 saltworks containing drying ovens, heating pots and salt stores, workers' accommodation and Director's stables. An Ideal City was also planned but never built. The site is listed as a UNESCO World Heritage site. Picture by Manuel Cohen
    LC17_FRANCE_MC_1027.jpg
  • Director's House or Maison du Directeur, and (left) West Saltworks or Batiment des Sels Ouest, where the water was evaporated from the brine in huge iron basins, part of the Royal Saltworks or Saline Royale, begun 1775 in Neoclassical style by architect Claude Nicolas Ledoux, 1736-1806, at Arc-et-Senans, Doubs, Bourgogne-Franche-Comte, France. The Director's House has an imposing portico with 6 Doric columns, a triangular pediment with oculus and a belvedere. The building houses an assembly room, offices, bank, apartments, servants quarters and a basement for storage. The site is designed in a semicircle, with the Director's House, 2 saltworks containing drying ovens, heating pots and salt stores, workers' accommodation and Director's stables. An Ideal City was also planned but never built. The site is listed as a UNESCO World Heritage site. Picture by Manuel Cohen
    LC17_FRANCE_MC_1026.jpg
  • Rear facade of the Director's House or Maison du Directeur, seen from the storehouse and stables of the Director, part of the Royal Saltworks or Saline Royale, begun 1775 in Neoclassical style by architect Claude Nicolas Ledoux, 1736-1806, at Arc-et-Senans, Doubs, Bourgogne-Franche-Comte, France. The Director's House has an imposing portico with 6 Doric columns, a triangular pediment with oculus and a belvedere. The building houses an assembly room, offices, bank, apartments, servants quarters and a basement for storage. The site is designed in a semicircle, with the Director's House, 2 saltworks containing drying ovens, heating pots and salt stores, workers' accommodation and Director's stables. An Ideal City was also planned but never built. The site is listed as a UNESCO World Heritage site. Picture by Manuel Cohen
    LC17_FRANCE_MC_1023.jpg
  • Rear facade of the Director's House or Maison du Directeur, and (left) East Saltworks or Batiment des Sels Est and (right) West Saltworks or Batiment des Sels Ouest, part of the Royal Saltworks or Saline Royale, begun 1775 in Neoclassical style by architect Claude Nicolas Ledoux, 1736-1806, at Arc-et-Senans, Doubs, Bourgogne-Franche-Comte, France. The Director's House has an imposing portico on the front facade with 6 Doric columns, a triangular pediment with oculus and a belvedere. The building houses an assembly room, offices, bank, apartments, servants quarters and a basement for storage. The site is designed in a semicircle, with the Director's House, 2 saltworks containing drying ovens, heating pots and salt stores, workers' accommodation and Director's stables. An Ideal City was also planned but never built. The site is listed as a UNESCO World Heritage site. Picture by Manuel Cohen
    LC17_FRANCE_MC_1014.jpg
  • Rear facade of the Director's House or Maison du Directeur (right), and the storehouse and stables of the Director (left), part of the Royal Saltworks or Saline Royale, begun 1775 in Neoclassical style by architect Claude Nicolas Ledoux, 1736-1806, at Arc-et-Senans, Doubs, Bourgogne-Franche-Comte, France. The Director's House has an imposing portico with 6 Doric columns, a triangular pediment with oculus and a belvedere. The building houses an assembly room, offices, bank, apartments, servants quarters and a basement for storage. The site is designed in a semicircle, with the Director's House, 2 saltworks containing drying ovens, heating pots and salt stores, workers' accommodation and Director's stables. An Ideal City was also planned but never built. The site is listed as a UNESCO World Heritage site. Picture by Manuel Cohen
    LC17_FRANCE_MC_1013.jpg
  • Director's House or Maison du Directeur, and (left) West Saltworks or Batiment des Sels Ouest and (right) East Saltworks or Batiment des Sels Est, where the water was evaporated from the brine in huge iron basins, part of the Royal Saltworks or Saline Royale, begun 1775 in Neoclassical style by architect Claude Nicolas Ledoux, 1736-1806, at Arc-et-Senans, Doubs, Bourgogne-Franche-Comte, France. The Director's House has an imposing portico with 6 Doric columns, a triangular pediment with oculus and a belvedere. The building houses an assembly room, offices, bank, apartments, servants quarters and a basement for storage. The site is designed in a semicircle, with the Director's House, 2 saltworks containing drying ovens, heating pots and salt stores, workers' accommodation and Director's stables. An Ideal City was also planned but never built. The site is listed as a UNESCO World Heritage site. Picture by Manuel Cohen
    LC17_FRANCE_MC_1001.jpg
  • Director's House or Maison du Directeur, part of the Royal Saltworks or Saline Royale, begun 1775 in Neoclassical style by architect Claude Nicolas Ledoux, 1736-1806, at Arc-et-Senans, Doubs, Bourgogne-Franche-Comte, France. The Director's House has an imposing portico with 6 Doric columns, a triangular pediment with oculus and a belvedere. The building houses an assembly room, offices, bank, apartments, servants quarters and a basement for storage. The site is designed in a semicircle, with the Director's House, 2 saltworks containing drying ovens, heating pots and salt stores, workers' accommodation and Director's stables. An Ideal City was also planned but never built. The site is listed as a UNESCO World Heritage site. Picture by Manuel Cohen
    LC17_FRANCE_MC_1000.jpg
  • Doric columns with alternating cubic and cylindrical forms on the portico of the Director's House or Maison du Directeur, part of the Royal Saltworks or Saline Royale, begun 1775 in Neoclassical style by architect Claude Nicolas Ledoux, 1736-1806, at Arc-et-Senans, Doubs, Bourgogne-Franche-Comte, France. The Director's House has an imposing portico with 6 columns, a triangular pediment with oculus and a belvedere. It houses an assembly room, offices, bank, apartments, servants quarters and a basement for storage. The site is designed in a semicircle, with the Director's House, 2 saltworks containing drying ovens, heating pots and salt stores, workers' accommodation and Director's stables. An Ideal City was also planned but never built. The site is listed as a UNESCO World Heritage site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0996.jpg
  • Doric columns with alternating cubic and cylindrical forms on the portico of the Director's House or Maison du Directeur, in the evening, part of the Royal Saltworks or Saline Royale, begun 1775 in Neoclassical style by architect Claude Nicolas Ledoux, 1736-1806, at Arc-et-Senans, Doubs, Bourgogne-Franche-Comte, France. The Director's House has an imposing portico with 6 columns, a triangular pediment with oculus and a belvedere. It houses an assembly room, offices, bank, apartments, servants quarters and a basement for storage. The site is designed in a semicircle, with the Director's House, 2 saltworks containing drying ovens, heating pots and salt stores, workers' accommodation and Director's stables. An Ideal City was also planned but never built. The site is listed as a UNESCO World Heritage site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0992.jpg
  • Director's House or Maison du Directeur in the evening, part of the Royal Saltworks or Saline Royale, begun 1775 in Neoclassical style by architect Claude Nicolas Ledoux, 1736-1806, at Arc-et-Senans, Doubs, Bourgogne-Franche-Comte, France. The Director's House has an imposing portico with 6 Doric columns, a triangular pediment with oculus and a belvedere. The building houses an assembly room, offices, bank, apartments, servants quarters and a basement for storage. The site is designed in a semicircle, with the Director's House, 2 saltworks containing drying ovens, heating pots and salt stores, workers' accommodation and Director's stables. An Ideal City was also planned but never built. The site is listed as a UNESCO World Heritage site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0991.jpg
  • Director's House or Maison du Directeur in the evening, part of the Royal Saltworks or Saline Royale, begun 1775 in Neoclassical style by architect Claude Nicolas Ledoux, 1736-1806, at Arc-et-Senans, Doubs, Bourgogne-Franche-Comte, France. The Director's House has an imposing portico with 6 Doric columns, a triangular pediment with oculus and a belvedere. The building houses an assembly room, offices, bank, apartments, servants quarters and a basement for storage. The site is designed in a semicircle, with the Director's House, 2 saltworks containing drying ovens, heating pots and salt stores, workers' accommodation and Director's stables. An Ideal City was also planned but never built. The site is listed as a UNESCO World Heritage site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0990.jpg
  • Director's House or Maison du Directeur, part of the Royal Saltworks or Saline Royale, begun 1775 in Neoclassical style by architect Claude Nicolas Ledoux, 1736-1806, at Arc-et-Senans, Doubs, Bourgogne-Franche-Comte, France. The Director's House has an imposing portico with 6 Doric columns, a triangular pediment with oculus and a belvedere. The building houses an assembly room, offices, bank, apartments, servants quarters and a basement for storage. The site is designed in a semicircle, with the Director's House, 2 saltworks containing drying ovens, heating pots and salt stores, workers' accommodation and Director's stables. An Ideal City was also planned but never built. The site is listed as a UNESCO World Heritage site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0988.jpg
  • Rear facade of the Director's House or Maison du Directeur, and (left) East Saltworks or Batiment des Sels Est and (right) West Saltworks or Batiment des Sels Ouest, part of the Royal Saltworks or Saline Royale, begun 1775 in Neoclassical style by architect Claude Nicolas Ledoux, 1736-1806, at Arc-et-Senans, Doubs, Bourgogne-Franche-Comte, France. The Director's House has an imposing portico on the front facade with 6 Doric columns, a triangular pediment with oculus and a belvedere. The building houses an assembly room, offices, bank, apartments, servants quarters and a basement for storage. The site is designed in a semicircle, with the Director's House, 2 saltworks containing drying ovens, heating pots and salt stores, workers' accommodation and Director's stables. An Ideal City was also planned but never built. The site is listed as a UNESCO World Heritage site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0987.jpg
  • Rear facade of the Director's House or Maison du Directeur, and (right) West Saltworks or Batiment des Sels Ouest, part of the Royal Saltworks or Saline Royale, begun 1775 in Neoclassical style by architect Claude Nicolas Ledoux, 1736-1806, at Arc-et-Senans, Doubs, Bourgogne-Franche-Comte, France. The Director's House has an imposing portico on the front facade with 6 Doric columns, a triangular pediment with oculus and a belvedere. The building houses an assembly room, offices, bank, apartments, servants quarters and a basement for storage. The site is designed in a semicircle, with the Director's House, 2 saltworks containing drying ovens, heating pots and salt stores, workers' accommodation and Director's stables. An Ideal City was also planned but never built. The site is listed as a UNESCO World Heritage site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0986.JPG
  • Director's House or Maison du Directeur, and (left) West Saltworks or Batiment des Sels Ouest and (right) East Saltworks or Batiment des Sels Est, where the water was evaporated from the brine in huge iron basins, part of the Royal Saltworks or Saline Royale, begun 1775 in Neoclassical style by architect Claude Nicolas Ledoux, 1736-1806, at Arc-et-Senans, Doubs, Bourgogne-Franche-Comte, France. The Director's House has an imposing portico with 6 Doric columns, a triangular pediment with oculus and a belvedere. The building houses an assembly room, offices, bank, apartments, servants quarters and a basement for storage. The site is designed in a semicircle, with the Director's House, 2 saltworks containing drying ovens, heating pots and salt stores, workers' accommodation and Director's stables. An Ideal City was also planned but never built. The site is listed as a UNESCO World Heritage site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0983.jpg
  • Director's House or Maison du Directeur, part of the Royal Saltworks or Saline Royale, begun 1775 in Neoclassical style by architect Claude Nicolas Ledoux, 1736-1806, at Arc-et-Senans, Doubs, Bourgogne-Franche-Comte, France. The Director's House has an imposing portico with 6 Doric columns with alternating cubic and cylindrical forms, a triangular pediment with oculus and a belvedere. The building houses an assembly room, offices, bank, apartments, servants quarters and a basement for storage. The site is designed in a semicircle, with the Director's House, 2 saltworks containing drying ovens, heating pots and salt stores, workers' accommodation and Director's stables. An Ideal City was also planned but never built. The site is listed as a UNESCO World Heritage site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0981.jpg
  • Rear facade of the Director's House or Maison du Directeur, and (left) East Saltworks or Batiment des Sels Est and (right) West Saltworks or Batiment des Sels Ouest, part of the Royal Saltworks or Saline Royale, begun 1775 in Neoclassical style by architect Claude Nicolas Ledoux, 1736-1806, at Arc-et-Senans, Doubs, Bourgogne-Franche-Comte, France. The Director's House has an imposing portico on the front facade with 6 Doric columns, a triangular pediment with oculus and a belvedere. The building houses an assembly room, offices, bank, apartments, servants quarters and a basement for storage. The site is designed in a semicircle, with the Director's House, 2 saltworks containing drying ovens, heating pots and salt stores, workers' accommodation and Director's stables. An Ideal City was also planned but never built. The site is listed as a UNESCO World Heritage site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0978.jpg
  • Doric columns with alternating cubic and cylindrical forms on the portico of the Director's House or Maison du Directeur, part of the Royal Saltworks or Saline Royale, begun 1775 in Neoclassical style by architect Claude Nicolas Ledoux, 1736-1806, at Arc-et-Senans, Doubs, Bourgogne-Franche-Comte, France. The Director's House has an imposing portico with 6 columns, a triangular pediment with oculus and a belvedere. It houses an assembly room, offices, bank, apartments, servants quarters and a basement for storage. The site is designed in a semicircle, with the Director's House, 2 saltworks containing drying ovens, heating pots and salt stores, workers' accommodation and Director's stables. An Ideal City was also planned but never built. The site is listed as a UNESCO World Heritage site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0973.jpg
  • Rear facade of the Director's House or Maison du Directeur, seen through the columns of the storehouse and stables of the Director, part of the Royal Saltworks or Saline Royale, begun 1775 in Neoclassical style by architect Claude Nicolas Ledoux, 1736-1806, at Arc-et-Senans, Doubs, Bourgogne-Franche-Comte, France. The Director's House has an imposing portico with 6 Doric columns, a triangular pediment with oculus and a belvedere. The building houses an assembly room, offices, bank, apartments, servants quarters and a basement for storage. The site is designed in a semicircle, with the Director's House, 2 saltworks containing drying ovens, heating pots and salt stores, workers' accommodation and Director's stables. An Ideal City was also planned but never built. The site is listed as a UNESCO World Heritage site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0970.jpg
  • Director's House or Maison du Directeur, part of the Royal Saltworks or Saline Royale, begun 1775 in Neoclassical style by architect Claude Nicolas Ledoux, 1736-1806, at Arc-et-Senans, Doubs, Bourgogne-Franche-Comte, France. The Director's House has an imposing portico with 6 Doric columns, a triangular pediment with oculus and a belvedere. The building houses an assembly room, offices, bank, apartments, servants quarters and a basement for storage. The site is designed in a semicircle, with the Director's House, 2 saltworks containing drying ovens, heating pots and salt stores, workers' accommodation and Director's stables. An Ideal City was also planned but never built. The site is listed as a UNESCO World Heritage site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0962.jpg
  • Mosaic floor with geometric diamond pattern, in the House of the Garlands, on the Hippodamo di Mileto, in the Phoenician city of Solunto, in Sicily, Italy. The house is named after its frescoes of masks and garlands, which are housed in the Palermo Museum. The Phoenician village of Solunto was expanded by the Greeks after 396 BC and again by the Romans after 254 BC. It was abandoned soon after and rediscovered by archaeologists in the 16th century. Picture by Manuel Cohen
    LC17_ITALY_MC219.jpg
  • Long House, 13th century, a Native American Puebloan settlement of 150 rooms, kiva, tower, and central plaza, housing 150 people, on the Wetherill Mesa, in Mesa Verde National Park, Montezuma County, Colorado, USA. Long House was built c. 1200 and occupied for 80 years, and is made from sandstone blocks, mortar and wooden beams. Mesa Verde is the largest archaeological site in America, with Native Americans inhabiting the area from 7500 BC to 13th century AD. It is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_COLORADO_MC_052.jpg
  • Long House, 13th century, a Native American Puebloan settlement of 150 rooms, kiva, tower, and central plaza, housing 150 people, on the Wetherill Mesa, in Mesa Verde National Park, Montezuma County, Colorado, USA. Long House was built c. 1200 and occupied for 80 years, and is made from sandstone blocks, mortar and wooden beams. Mesa Verde is the largest archaeological site in America, with Native Americans inhabiting the area from 7500 BC to 13th century AD. It is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_COLORADO_MC_051.jpg
  • Kiva, a round sunken ceremonial room, at Long House, 13th century, a Native American Puebloan settlement of 150 rooms, kiva, tower, and central plaza, housing 150 people, on the Wetherill Mesa, in Mesa Verde National Park, Montezuma County, Colorado, USA. Long House was built c. 1200 and occupied for 80 years, and is made from sandstone blocks, mortar and wooden beams. Mesa Verde is the largest archaeological site in America, with Native Americans inhabiting the area from 7500 BC to 13th century AD. It is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_COLORADO_MC_050.JPG
  • Long House, 13th century, a Native American Puebloan settlement of 150 rooms, kiva, tower, and central plaza, housing 150 people, on the Wetherill Mesa, in Mesa Verde National Park, Montezuma County, Colorado, USA. Long House was built c. 1200 and occupied for 80 years, and is made from sandstone blocks, mortar and wooden beams. Mesa Verde is the largest archaeological site in America, with Native Americans inhabiting the area from 7500 BC to 13th century AD. It is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_COLORADO_MC_049.jpg
  • Long House, 13th century, a Native American Puebloan settlement of 150 rooms, kiva, tower, and central plaza, housing 150 people, on the Wetherill Mesa, in Mesa Verde National Park, Montezuma County, Colorado, USA. Long House was built c. 1200 and occupied for 80 years, and is made from sandstone blocks, mortar and wooden beams. Mesa Verde is the largest archaeological site in America, with Native Americans inhabiting the area from 7500 BC to 13th century AD. It is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_COLORADO_MC_048.jpg
  • Long House, 13th century, a Native American Puebloan settlement of 150 rooms, kiva, tower, and central plaza, housing 150 people, on the Wetherill Mesa, in Mesa Verde National Park, Montezuma County, Colorado, USA. Long House was built c. 1200 and occupied for 80 years, and is made from sandstone blocks, mortar and wooden beams. Mesa Verde is the largest archaeological site in America, with Native Americans inhabiting the area from 7500 BC to 13th century AD. It is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_COLORADO_MC_047.jpg
  • Fresco of Ajax dragging Cassandra from the Palladium before the eyes of Priam, with Helen and Menelaus to the left and Priam in the centre, scene from Homer's Iliad, from the North wall of the East ala of the Casa del Menandro, or House of Menander, Pompeii, Italy. This room is painted in the Fourth Style of Roman wall painting, c. 60–79 AD, a complex and Baroque style. Also known as the House of the Silverware, this is one of the largest and most elegant houses in Pompeii, belonging to the Poppei family and built in the 3rd century BC. Pompeii is a Roman town which was destroyed and buried under 4-6 m of volcanic ash in the eruption of Mount Vesuvius in 79 AD. Buildings and artefacts were preserved in the ash and have been excavated and restored. Pompeii is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_ITALY_MC_0206.jpg
  • Fresco of Ajax dragging Cassandra from the Palladium before the eyes of Priam, with Helen and Menelaus to the left and Priam in the centre, scene from Homer's Iliad, from the North wall of the East ala of the Casa del Menandro, or House of Menander, Pompeii, Italy. This room is painted in the Fourth Style of Roman wall painting, c. 60–79 AD, a complex and Baroque style. Also known as the House of the Silverware, this is one of the largest and most elegant houses in Pompeii, belonging to the Poppei family and built in the 3rd century BC. Pompeii is a Roman town which was destroyed and buried under 4-6 m of volcanic ash in the eruption of Mount Vesuvius in 79 AD. Buildings and artefacts were preserved in the ash and have been excavated and restored. Pompeii is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_ITALY_MC_0205.jpg
  • Fresco of Cassandra and the Wooden Horse, from the East wall of the East ala of the Casa del Menandro, or House of Menander, Pompeii, Italy. This room is painted in the Fourth Style of Roman wall painting, c. 60–79 AD, a complex and Baroque style. Also known as the House of the Silverware, this is one of the largest and most elegant houses in Pompeii, belonging to the Poppei family and built in the 3rd century BC. Pompeii is a Roman town which was destroyed and buried under 4-6 m of volcanic ash in the eruption of Mount Vesuvius in 79 AD. Buildings and artefacts were preserved in the ash and have been excavated and restored. Pompeii is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_ITALY_MC_0208.jpg
  • Fresco of Laocoon killed by the snake, from the East ala of the Casa del Menandro, or House of Menander, Pompeii, Italy. This room is painted in the Fourth Style of Roman wall painting, c. 60–79 AD, a complex and Baroque style. Also known as the House of the Silverware, this is one of the largest and most elegant houses in Pompeii, belonging to the Poppei family and built in the 3rd century BC. Pompeii is a Roman town which was destroyed and buried under 4-6 m of volcanic ash in the eruption of Mount Vesuvius in 79 AD. Buildings and artefacts were preserved in the ash and have been excavated and restored. Pompeii is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_ITALY_MC_0209.jpg
  • Detail of a fresco of Ajax dragging Cassandra from the Palladium before the eyes of Priam, from the North wall of the East ala of the Casa del Menandro, or House of Menander, Pompeii, Italy. This room is painted in the Fourth Style of Roman wall painting, c. 60–79 AD, a complex and Baroque style. In the fresco, a scene from Homer's Iliad, Helen and Menelaus are to the left, Priam is in the centre with Ajax dragging Cassandra who is holding the Palladium to the right. Also known as the House of the Silverware, this is one of the largest and most elegant houses in Pompeii, belonging to the Poppei family and built in the 3rd century BC. Pompeii is a Roman town which was destroyed and buried under 4-6 m of volcanic ash in the eruption of Mount Vesuvius in 79 AD. Buildings and artefacts were preserved in the ash and have been excavated and restored. Pompeii is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_ITALY_MC_0210.jpg
  • Staircase in the entrance of the Director's House or Maison du Directeur, leading to a chapel and altar, part of the Royal Saltworks or Saline Royale, begun 1775 in Neoclassical style by architect Claude Nicolas Ledoux, 1736-1806, at Arc-et-Senans, Doubs, Bourgogne-Franche-Comte, France. This staircase replaces the original one, which was destroyed by lightning in 1918. The Director's House holds an exhibition on the History of Salt. The building includes an assembly room, offices, bank, apartments, chapel, servants quarters and a basement for storage. The saltworks site is designed in a semicircle, with the Director's House, 2 saltworks containing drying ovens, heating pots and salt stores, workers' accommodation and Director's stables. An Ideal City was also planned but never built. The site is listed as a UNESCO World Heritage site. Picture by Manuel Cohen
    LC17_FRANCE_MC_1047.jpg
  • Fresco of Helen and Menelaus on the left and Priam on the right (to the right of this is Ajax dragging Cassandra from the Palladium), scene from Homer's Iliad, from the North wall of the East ala of the Casa del Menandro, or House of Menander, Pompeii, Italy. This room is painted in the Fourth Style of Roman wall painting, c. 60–79 AD, a complex and Baroque style. Also known as the House of the Silverware, this is one of the largest and most elegant houses in Pompeii, belonging to the Poppei family and built in the 3rd century BC. Pompeii is a Roman town which was destroyed and buried under 4-6 m of volcanic ash in the eruption of Mount Vesuvius in 79 AD. Buildings and artefacts were preserved in the ash and have been excavated and restored. Pompeii is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_ITALY_MC_0207.jpg
  • Exhibition on the History of Salt, in the Director's House or Maison du Directeur, at the Royal Saltworks or Saline Royale, begun 1775 in Neoclassical style by architect Claude Nicolas Ledoux, 1736-1806, at Arc-et-Senans, Doubs, Bourgogne-Franche-Comte, France. The Director's House includes an assembly room, offices, bank, apartments, chapel, servants quarters and a basement for storage. The saltworks site is designed in a semicircle, with the Director's House, 2 saltworks containing drying ovens, heating pots and salt stores, workers' accommodation and Director's stables. An Ideal City was also planned but never built. The site is listed as a UNESCO World Heritage site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0965.jpg
  • Exhibition of pipes and pipelines, which were originally hollowed out tree trunks laid end to end, part of the exhibition on the History of Salt, in the Director's House or Maison du Directeur, at the Royal Saltworks or Saline Royale, begun 1775 in Neoclassical style by architect Claude Nicolas Ledoux, 1736-1806, at Arc-et-Senans, Doubs, Bourgogne-Franche-Comte, France. The Director's House includes an assembly room, offices, bank, apartments, chapel, servants quarters and a basement for storage. The saltworks site is designed in a semicircle, with the Director's House, 2 saltworks containing drying ovens, heating pots and salt stores, workers' accommodation and Director's stables. An Ideal City was also planned but never built. The site is listed as a UNESCO World Heritage site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0964.jpg
  • Birthplace House of Franz Kafka, 1883-1924, Czech writer and philosopher, on the corner of Kaprova Street and Maiselova Street, Jewish quarter, Prague, Czech Republic. Kafka was born in this house on July 3rd 1883 and lived here with his parents for 2 years. A memorial plaque and the name of the square commemorate Franz Kafka. The historic centre of Prague was declared a UNESCO World Heritage Site in 1992. Picture by Manuel Cohen
    LC13_PRAGUE_MC160.jpg
  • Birthplace House of Franz Kafka, 1883-1924, Czech writer and philosopher, on the corner of Kaprova Street and Maiselova Street, Jewish quarter, Prague, Czech Republic. Kafka was born in this house on July 3rd 1883 and lived here with his parents for 2 years. A memorial plaque and the name of the square commemorate Franz Kafka. The historic centre of Prague was declared a UNESCO World Heritage Site in 1992. Picture by Manuel Cohen
    LC13_PRAGUE_MC114.jpg
  • Egg living room, with Arabic style furnishings, in the Salvador Dali House Museum in Portlligat, Cap de Creus, Cadaques, Catalonia, Spain. Salvador Dali, 1904-89, Spanish Surrealist painter, lived and worked here from 1930 to 1982, when his partner and muse Gala died. The building was originally several fisherman's cottages which the couple bought and developed, with windows overlooking the bay, a swimming pool and garden studio. The house became a museum in 1997, run by the Dali Foundation. Picture by Manuel Cohen
    LC20_SPAIN_MC_0572.jpg
  • Cupboard doors covered in magazine covers, in a bedroom used as a memory room, in the Salvador Dali House Museum in Portlligat, Cap de Creus, Cadaques, Catalonia, Spain. Salvador Dali, 1904-89, Spanish Surrealist painter, lived and worked here from 1930 to 1982, when his partner and muse Gala died. The building was originally several fisherman's cottages which the couple bought and developed, with windows overlooking the bay, a swimming pool and garden studio. The house became a museum in 1997, run by the Dali Foundation. Picture by Manuel Cohen
    LC20_SPAIN_MC_0570.jpg
  • Cupboard doors covered in photographs, in a bedroom used as a memory room, in the Salvador Dali House Museum in Portlligat, Cap de Creus, Cadaques, Catalonia, Spain. Salvador Dali, 1904-89, Spanish Surrealist painter, lived and worked here from 1930 to 1982, when his partner and muse Gala died. The building was originally several fisherman's cottages which the couple bought and developed, with windows overlooking the bay, a swimming pool and garden studio. The house became a museum in 1997, run by the Dali Foundation. Picture by Manuel Cohen
    LC20_SPAIN_MC_0571.jpg
  • Cupboard doors covered in photographs, in a bedroom used as a memory room, in the Salvador Dali House Museum in Portlligat, Cap de Creus, Cadaques, Catalonia, Spain. Salvador Dali, 1904-89, Spanish Surrealist painter, lived and worked here from 1930 to 1982, when his partner and muse Gala died. The building was originally several fisherman's cottages which the couple bought and developed, with windows overlooking the bay, a swimming pool and garden studio. The house became a museum in 1997, run by the Dali Foundation. Picture by Manuel Cohen
    LC20_SPAIN_MC_0569.jpg
  • Bedroom used as a memory room, with cupboard doors covered in photographs, in the Salvador Dali House Museum in Portlligat, Cap de Creus, Cadaques, Catalonia, Spain. Salvador Dali, 1904-89, Spanish Surrealist painter, lived and worked here from 1930 to 1982, when his partner and muse Gala died. The building was originally several fisherman's cottages which the couple bought and developed, with windows overlooking the bay, a swimming pool and garden studio. The house became a museum in 1997, run by the Dali Foundation. Picture by Manuel Cohen
    LC20_SPAIN_MC_0568.jpg
  • Portlligat beach and the sea, seen through the window of Dali and Gala's bedroom, in the Salvador Dali House Museum in Portlligat, Cap de Creus, Cadaques, Catalonia, Spain. Salvador Dali, 1904-89, Spanish Surrealist painter, lived and worked here from 1930 to 1982, when his partner and muse Gala died. The building was originally several fisherman's cottages which the couple bought and developed, with windows overlooking the bay, a swimming pool and garden studio. The house became a museum in 1997, run by the Dali Foundation. Picture by Manuel Cohen
    LC20_SPAIN_MC_0567.jpg
  • Mirror positioned to view the sunrise from the bed, in Dali and Gala's bedroom, in the Salvador Dali House Museum in Portlligat, Cap de Creus, Cadaques, Catalonia, Spain. Salvador Dali, 1904-89, Spanish Surrealist painter, lived and worked here from 1930 to 1982, when his partner and muse Gala died. The building was originally several fisherman's cottages which the couple bought and developed, with windows overlooking the bay, a swimming pool and garden studio. The house became a museum in 1997, run by the Dali Foundation. Picture by Manuel Cohen
    LC20_SPAIN_MC_0566.jpg
  • Dali and Gala's bedroom, in the Salvador Dali House Museum in Portlligat, Cap de Creus, Cadaques, Catalonia, Spain. Salvador Dali, 1904-89, Spanish Surrealist painter, lived and worked here from 1930 to 1982, when his partner and muse Gala died. The building was originally several fisherman's cottages which the couple bought and developed, with windows overlooking the bay, a swimming pool and garden studio. The house became a museum in 1997, run by the Dali Foundation. Picture by Manuel Cohen
    LC20_SPAIN_MC_0564.jpg
  • Dali's studio, with unfinished paintings, in the Salvador Dali House Museum in Portlligat, Cap de Creus, Cadaques, Catalonia, Spain. Salvador Dali, 1904-89, Spanish Surrealist painter, lived and worked here from 1930 to 1982, when his partner and muse Gala died. The building was originally several fisherman's cottages which the couple bought and developed, with windows overlooking the bay, a swimming pool and garden studio. The house became a museum in 1997, run by the Dali Foundation. Picture by Manuel Cohen
    LC20_SPAIN_MC_0562.JPG
  • Room used for relaxing, with a desk, colourful fabrics and a tent ceiling in the colours of the catalan flag, on the first floor of the Salvador Dali House Museum in Portlligat, Cap de Creus, Cadaques, Catalonia, Spain. Salvador Dali, 1904-89, Spanish Surrealist painter, lived and worked here from 1930 to 1982, when his partner and muse Gala died. The building was originally several fisherman's cottages which the couple bought and developed, with windows overlooking the bay, a swimming pool and garden studio. The house became a museum in 1997, run by the Dali Foundation. Picture by Manuel Cohen
    LC20_SPAIN_MC_0561.jpg
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