manuel cohen

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  • Histoire de L'Isle Espagnole ou de Saint Domingue, or History of Hispaniola, 1730, book by Pierre-Francois-Xavier de Charlevoix, 1662-1761, in the Musee d'histoire de Nantes, in the Chateau des ducs de Bretagne, in Nantes, Pays de la Loire, France. The museum opened in 2007 and covers the history of Nantes, focusing on slavery, world wars, industrialisation and the chateau. Picture by Manuel Cohen
    LC21_FRANCE_MC_0020.jpg
  • Tally of French, English, Portuguese and Dutch at Xavier, Guinea, on the Voyage of the Chevalier des Marchais from Guinea, Africa, to Cayenne, French Guiana, 1725, 1726 and 1727, by Jean-Baptiste Labat, 1663-1738, 1730, from the Musee des Salorges fund, in the Musee d'histoire de Nantes, in the Chateau des ducs de Bretagne, in Nantes, Pays de la Loire, France. The illustration depicts the coexistence of many European nations at the trading post, with compounds for the French, Portuguese, English and Dutch. The director is carried by his servants in a litter The museum opened in 2007 and covers the history of Nantes, focusing on slavery, world wars, industrialisation and the chateau. Picture by Manuel Cohen
    LC21_FRANCE_MC_0018.jpg
  • List of the state of slaves, with their name, age and price, bought from the Thebaudieres house in the Dominican Republic, 8th May 1791, in the Musee d'histoire de Nantes, in the Chateau des ducs de Bretagne, in Nantes, Pays de la Loire, France. The museum opened in 2007 and covers the history of Nantes, focusing on slavery, world wars, industrialisation and the chateau. Picture by Manuel Cohen
    LC21_FRANCE_MC_0026.jpg
  • St Elmo, patron saint of seafarers, statue, detail, late 17th - early 18th century, from the Musee des Salorges fund, in the Musee d'histoire de Nantes, in the Chateau des ducs de Bretagne, in Nantes, Pays de la Loire, France. The cult of St Elmo was rife at this time as sea voyages were so dangerous. St Elmo was invoked during storms, when electrically charged skies caused 'St Elmo's fire' on the masts. The museum opened in 2007 and covers the history of Nantes, focusing on slavery, world wars, industrialisation and the chateau. Picture by Manuel Cohen
    LC21_FRANCE_MC_0031.jpg
  • Nocturnal, a nautical instrument used to calculate the time from the stars, from the Musee des Salorges fund, in the Musee d'histoire de Nantes, in the Chateau des ducs de Bretagne, in Nantes, Pays de la Loire, France. The museum opened in 2007 and covers the history of Nantes, focusing on slavery, world wars, industrialisation and the chateau. Picture by Manuel Cohen
    LC21_FRANCE_MC_0032.JPG
  • Table of the sale of the cargo of the Nantes slave ship Pere de Famille, in Port au Prince, Haiti, on 10th November 1788, from the Musee des Salorges fund, in the Musee d'histoire de Nantes, in the Chateau des ducs de Bretagne, in Nantes, Pays de la Loire, France. This heavy tonnage ship transported 587 men, women and children, 9 of whom were reserved for the captain or shipowner to become servants. The museum opened in 2007 and covers the history of Nantes, focusing on slavery, world wars, industrialisation and the chateau. Picture by Manuel Cohen
    LC21_FRANCE_MC_0151.jpg
  • New nautical chart increasing in degrees, of he maritime coasts of Brittany and Poitou, from Croizie to Anse de St Gilles, and the river of Nantes with deep waters and sand banks, in the Musee d'histoire de Nantes, in the Chateau des ducs de Bretagne, in Nantes, Pays de la Loire, France. The museum opened in 2007 and covers the history of Nantes, focusing on slavery, world wars, industrialisation and the chateau. Picture by Manuel Cohen
    LC21_FRANCE_MC_0002.jpg
  • Town and harbour of Nantes, seen from Chantenay in 1724, attributed to Jacques-Andre Portail, 1695-1759, in the Musee d'histoire de Nantes, in the Chateau des ducs de Bretagne, in Nantes, Pays de la Loire, France. From the Butte de Chantenay, the view of the port and the river Loire shows the amount of seafaring vessels in the city at this time. The museum opened in 2007 and covers the history of Nantes, focusing on slavery, world wars, industrialisation and the chateau. Picture by Manuel Cohen
    LC21_FRANCE_MC_0003.jpg
  • Port of Painbeuf, 1776, engraving, by Nicolas Ozanne, 1728-1811, part of a series of French ports for King Louis XVI, in the Musee d'histoire de Nantes, in the Chateau des ducs de Bretagne, in Nantes, Pays de la Loire, France. The museum opened in 2007 and covers the history of Nantes, focusing on slavery, world wars, industrialisation and the chateau. Picture by Manuel Cohen
    LC21_FRANCE_MC_0005.jpg
  • Octant, 19th century, a nautical navigational instrument used to calculate the latitude of a ship, from the Musee des Salorges fund, in the Musee d'histoire de Nantes, in the Chateau des ducs de Bretagne, in Nantes, Pays de la Loire, France. The museum opened in 2007 and covers the history of Nantes, focusing on slavery, world wars, industrialisation and the chateau. Picture by Manuel Cohen
    LC21_FRANCE_MC_0004.jpg
  • Woman's head, wooden sculpture, 18th century, from a ship (women were thought to bring bad luck on ships, but nevertheless often appeared in their decoration), in the Musee d'histoire de Nantes, in the Chateau des ducs de Bretagne, in Nantes, Pays de la Loire, France. The museum opened in 2007 and covers the history of Nantes, focusing on slavery, world wars, industrialisation and the chateau. Picture by Manuel Cohen
    LC21_FRANCE_MC_0006.jpg
  • Map and nautical chart of the coast of Guinea from the Sierra Leonz river to Cape Lopes Consalvo, for use by a French slave ship, 1750, in the Musee d'histoire de Nantes, in the Chateau des ducs de Bretagne, in Nantes, Pays de la Loire, France. By the 18th century, Guinea was no longer used for slave sales, but remained a stop off point for slave ships off the African coast. The museum opened in 2007 and covers the history of Nantes, focusing on slavery, world wars, industrialisation and the chateau. Picture by Manuel Cohen
    LC21_FRANCE_MC_0007.jpg
  • Africans attacking a slave ship in canoes and repelled with cannon fire, on the African coast, watercolour painting, late 18th century, in the Musee d'histoire de Nantes, in the Chateau des ducs de Bretagne, in Nantes, Pays de la Loire, France. The museum opened in 2007 and covers the history of Nantes, focusing on slavery, world wars, industrialisation and the chateau. Picture by Manuel Cohen
    LC21_FRANCE_MC_0008.jpg
  • Slave market selling 340 Africans, on board the Nantes slave ship Marie Seraphique, captained by Gaugy, on its 3rd campaign from Angola, 1772-73, with Cap-Francais, Hispaniola (now Haiti) behind, detail, from the Musee des Salorges fund, in the Musee d'histoire de Nantes, in the Chateau des ducs de Bretagne, in Nantes, Pays de la Loire, France. The museum opened in 2007 and covers the history of Nantes, focusing on slavery, world wars, industrialisation and the chateau. Picture by Manuel Cohen
    LC21_FRANCE_MC_0009.jpg
  • Indigo industry, including working the land, planting the crop and harvesting, engraving from the Art of the Indigotier, 1770, by Gauthier de Beauvais-Raseau, in the Musee d'histoire de Nantes, in the Chateau des ducs de Bretagne, in Nantes, Pays de la Loire, France. Slaves worked the land and processed crops on large plantations, and illustrated manuals were published to inform settlers of working methods and profitable exploitation. The museum opened in 2007 and covers the history of Nantes, focusing on slavery, world wars, industrialisation and the chateau. Picture by Manuel Cohen
    LC21_FRANCE_MC_0011.jpg
  • Slave presenting a cigar tray, 18th century cigar display stand from Nantes, late 18th century, from the Musee des Salorges fund, in the Musee d'histoire de Nantes, in the Chateau des ducs de Bretagne, in Nantes, Pays de la Loire, France. The museum opened in 2007 and covers the history of Nantes, focusing on slavery, world wars, industrialisation and the chateau. Picture by Manuel Cohen
    LC21_FRANCE_MC_0010.jpg
  • Indigo industry, including threshing and grinding of the pods and drying the leaves, engraving from the Art of the Indigotier, 1770, by Gauthier de Beauvais-Raseau, in the Musee d'histoire de Nantes, in the Chateau des ducs de Bretagne, in Nantes, Pays de la Loire, France. Slaves worked the land and processed crops on large plantations, and illustrated manuals were published to inform settlers of working methods and profitable exploitation. The museum opened in 2007 and covers the history of Nantes, focusing on slavery, world wars, industrialisation and the chateau. Picture by Manuel Cohen
    LC21_FRANCE_MC_0012.jpg
  • The Aurora, model of slave ship from Nantes, by Jean-Paul Cousinou and Jean Lucas, 2002, in the Musee d'histoire de Nantes, in the Chateau des ducs de Bretagne, in Nantes, Pays de la Loire, France. The ship has a large hold and is stocked for a trip to the colonies. The museum opened in 2007 and covers the history of Nantes, focusing on slavery, world wars, industrialisation and the chateau. Picture by Manuel Cohen
    LC21_FRANCE_MC_0014.jpg
  • Shackles and chains, 18th century, used on slaves when on land, from the Musee des Salorges fund, in the Musee d'histoire de Nantes, in the Chateau des ducs de Bretagne, in Nantes, Pays de la Loire, France. On the left is a deed of liberation of a slave on the Ile de Goree, Senegal, 17th February 1789, signed by Francois Blanchot de Verly, 1735-1807, governor of Senegal. The museum opened in 2007 and covers the history of Nantes, focusing on slavery, world wars, industrialisation and the chateau. Picture by Manuel Cohen
    LC21_FRANCE_MC_0015.jpg
  • King of Monomotapa, engraving, late 17th century, by Francois Gerard Jollain, in the Musee d'histoire de Nantes, in the Chateau des ducs de Bretagne, in Nantes, Pays de la Loire, France. Monomotapa is on the coast of present-day Mozambique, trading since the 10th century with the Middle East and India, and in the 16th century with the Portuguese. French slave traders came here after 1693 when the West coast kingdoms no longer supplied so many slaves. The museum opened in 2007 and covers the history of Nantes, focusing on slavery, world wars, industrialisation and the chateau. Picture by Manuel Cohen
    LC21_FRANCE_MC_0016.jpg
  • Alkemy, king of Adrat in Guinea, engraving, late 17th century, by Francois Gerard Jollain, in the Musee d'histoire de Nantes, in the Chateau des ducs de Bretagne, in Nantes, Pays de la Loire, France. In 1670 Alkemy sent an ambassador, Mateo Lopes, to France to agree a trade agreement with king Louis XIV. French ships were protected in Adrat (along the current coast of Benin and Togo) and Nantes slave ships profited hugely until 1724, when the kingdom of Adrat became part of Dahomey. The museum opened in 2007 and covers the history of Nantes, focusing on slavery, world wars, industrialisation and the chateau. Picture by Manuel Cohen
    LC21_FRANCE_MC_0017.jpg
  • Deed of liberation of a slave on the Ile de Goree, Senegal, 17th February 1789, signed by Francois Blanchot de Verly, 1735-1807, governor of Senegal, in the Musee d'histoire de Nantes, in the Chateau des ducs de Bretagne, in Nantes, Pays de la Loire, France. This document frees a slave who denounced a revolt in Goree, occupied by the French from 1674, an important stopover for slave ships. The museum opened in 2007 and covers the history of Nantes, focusing on slavery, world wars, industrialisation and the chateau. Picture by Manuel Cohen
    LC21_FRANCE_MC_0019.jpg
  • Voucher for 3 men and 3 women payable to Mr Horquelard, captain of the Nantes slave ship Etoile, who transported the slaves to Port au Prince in Haiti, in the Musee d'histoire de Nantes, in the Chateau des ducs de Bretagne, in Nantes, Pays de la Loire, France. Slaves were often bought by settlers on credit, with vouchers issued by traders. The museum opened in 2007 and covers the history of Nantes, focusing on slavery, world wars, industrialisation and the chateau. Picture by Manuel Cohen
    LC21_FRANCE_MC_0021.jpg
  • Shaving dish, 1773, from Nantes, ceramic dish painted with an image of the slave ship Marie Seraphique, commemorating her campaign of 1773 when 333 blacks were sold in Santo Domingo, under the foreman Rene La Porte, in the Musee d'histoire de Nantes, in the Chateau des ducs de Bretagne, in Nantes, Pays de la Loire, France. The museum opened in 2007 and covers the history of Nantes, focusing on slavery, world wars, industrialisation and the chateau. Picture by Manuel Cohen
    LC21_FRANCE_MC_0022.jpg
  • Invoice for the transport of goods from the slave ship Le Bon Pere, on behalf of the ship La Madame, in Port au Prince, Haiti,  7th February 1788, from the Musee des Salorges fund, in the Musee d'histoire de Nantes, in the Chateau des ducs de Bretagne, in Nantes, Pays de la Loire, France. The museum opened in 2007 and covers the history of Nantes, focusing on slavery, world wars, industrialisation and the chateau. Picture by Manuel Cohen
    LC21_FRANCE_MC_0023.JPG
  • Slaves working on a tobacco plantation, engraving, 1722, from Nouveau Voyage aux Iles de l’Amerique, by Jean-Baptiste Labat, 1663-1738, in the Musee d'histoire de Nantes, in the Chateau des ducs de Bretagne, in Nantes, Pays de la Loire, France. Although not as important as sugar or coffee, tobacco was grown in the colonies and exported to France. The museum opened in 2007 and covers the history of Nantes, focusing on slavery, world wars, industrialisation and the chateau. Picture by Manuel Cohen
    LC21_FRANCE_MC_0024.jpg
  • Iron neck shackles with spikes, used on 'brown slaves' or 'esclaves marrons', 18th century, from the Musee des Salorges fund, in the Musee d'histoire de Nantes, in the Chateau des ducs de Bretagne, in Nantes, Pays de la Loire, France. The museum opened in 2007 and covers the history of Nantes, focusing on slavery, world wars, industrialisation and the chateau. Picture by Manuel Cohen
    LC21_FRANCE_MC_0025.jpg
  • Le Code Noir, or the Black Code, a book of regulations on slavery in the French colonies, 1742 edition, from the Musee des Salorges fund, in the Musee d'histoire de Nantes, in the Chateau des ducs de Bretagne, in Nantes, Pays de la Loire, France. The rules cover government, justice, police, discipline and trade. Originally published in March 1685, written by Jean-Baptiste Colbert under King Louis XIV, the text attempts to marry the ownership of slaves with the Christian society of the 17th century. The museum opened in 2007 and covers the history of Nantes, focusing on slavery, world wars, industrialisation and the chateau. Picture by Manuel Cohen
    LC21_FRANCE_MC_0028.JPG
  • Port of Nantes seen from the shipbuilding docks, 1776, engraving, by Nicolas Ozanne, 1728-1811, part of a series of French ports for King Louis XVI, in the Musee d'histoire de Nantes, in the Chateau des ducs de Bretagne, in Nantes, Pays de la Loire, France. The museum opened in 2007 and covers the history of Nantes, focusing on slavery, world wars, industrialisation and the chateau. Picture by Manuel Cohen
    LC21_FRANCE_MC_0030.jpg
  • Woman's head, wooden sculpture, 18th century, from a ship (women were thought to bring bad luck on ships, but nevertheless often appeared in their decoration), in the Musee d'histoire de Nantes, in the Chateau des ducs de Bretagne, in Nantes, Pays de la Loire, France. The museum opened in 2007 and covers the history of Nantes, focusing on slavery, world wars, industrialisation and the chateau. Picture by Manuel Cohen
    LC21_FRANCE_MC_0029.jpg
  • Universal sundial, late 18th - early 19th century, developed by David Beringer, which can be adapted to the user's latitude and is used in nautical navigation, in the Musee d'histoire de Nantes, in the Chateau des ducs de Bretagne, in Nantes, Pays de la Loire, France. The museum opened in 2007 and covers the history of Nantes, focusing on slavery, world wars, industrialisation and the chateau. Picture by Manuel Cohen
    LC21_FRANCE_MC_0033.JPG
  • Ship's chest used in the captain's apartments for documents and precious objects, with a secret hidden keyhole, late 18th century, from the Musee des Salorges fund, in the Musee d'histoire de Nantes, in the Chateau des ducs de Bretagne, in Nantes, Pays de la Loire, France. The castle was originally built in 1207 and rebuilt 1466, and was the residence of the Dukes of Brittany until the 16th century, when it became a royal palace. The museum opened in 2007 and covers the history of Nantes, focusing on slavery, world wars, industrialisation and the chateau. Picture by Manuel Cohen
    LC21_FRANCE_MC_0034.jpg
  • Room in the Musee d'histoire de Nantes, in the Chateau des ducs de Bretagne, in Nantes, Pays de la Loire, France. In the centre is a ship's figurehead of St George, late 18th - early 19th century, with arm raised to hold the sword with which he killed the dragon, found at La Roche-Bernard, Brittany, from the Musee des Salorges fund. Behind are portraits of Dominique and Marguerite Deurbroucq with their slaves, 1753, by Pierre-Bernard Morlot. The castle was originally built in 1207 and rebuilt 1466, and was the residence of the Dukes of Brittany until the 16th century, when it became a royal palace. The museum opened in 2007 and covers the history of Nantes, focusing on slavery, world wars, industrialisation and the chateau. Picture by Manuel Cohen
    LC21_FRANCE_MC_0035.JPG
  • Room with models of slave ships, in the Musee d'histoire de Nantes, in the Chateau des ducs de Bretagne, in Nantes, Pays de la Loire, France. The castle was originally built in 1207 and rebuilt 1466, and was the residence of the Dukes of Brittany until the 16th century, when it became a royal palace. The museum opened in 2007 and covers the history of Nantes, focusing on slavery, world wars, industrialisation and the chateau. Picture by Manuel Cohen
    LC21_FRANCE_MC_0037.JPG
  • Portrait of Dominique Deurbroucq, oil painting, 1753, by Pierre-Bernard Morlot, 1716-80, in the Musee d'histoire de Nantes, in the Chateau des ducs de Bretagne, in Nantes, Pays de la Loire, France. The Dutch-born Nantes trader is in his study with his young African slave boy, symbol of his success. Deurbroucq worked as a slave trader twice, in 1734 and 1742, and otherwise traded in armaments and colonial goods. In 1777, there were 700 individuals of Creole or African origin in Nantes. The museum opened in 2007 and covers the history of Nantes, focusing on slavery, world wars, industrialisation and the chateau. Picture by Manuel Cohen
    LC21_FRANCE_MC_0140.jpg
  • Portrait of Marguerite Deurbroucq, oil painting, 1753, by Pierre-Bernard Morlot, 1716-80, in the Musee d'histoire de Nantes, in the Chateau des ducs de Bretagne, in Nantes, Pays de la Loire, France. The wife of Dominique Deurbroucq, a trader, is shown with  Louis XV style furniture and wearing a fashionable silk dress, with a pet parrot. She is served by a black slave, bringing sugar for her coffee, whose dark skin accentuates the whiteness of the lady's, a sign of beauty. The museum opened in 2007 and covers the history of Nantes, focusing on slavery, world wars, industrialisation and the chateau. Picture by Manuel Cohen
    LC21_FRANCE_MC_0141.jpg
  • Portrait of Dominique Deurbroucq, detail, oil painting, 1753, by Pierre-Bernard Morlot, 1716-80, in the Musee d'histoire de Nantes, in the Chateau des ducs de Bretagne, in Nantes, Pays de la Loire, France. The Dutch-born Nantes trader is in his study with his young African slave boy, symbol of his success. Deurbroucq worked as a slave trader twice, in 1734 and 1742, and otherwise traded in armaments and colonial goods. In 1777, there were 700 individuals of Creole or African origin in Nantes. The museum opened in 2007 and covers the history of Nantes, focusing on slavery, world wars, industrialisation and the chateau. Picture by Manuel Cohen
    LC21_FRANCE_MC_0143.jpg
  • Order of the King’s Council of State allowing the sale in Nantes of goods from the Indies via the Compagnie des Indes, using Compagnie de France ships, 13th August 1719, in the Musee d'histoire de Nantes, in the Chateau des ducs de Bretagne, in Nantes, Pays de la Loire, France. The Compagnie des Indes sold pepper, porcelain and textiles to the wealthy merchants and citizens of Nantes in the 18th century. The museum opened in 2007 and covers the history of Nantes, focusing on slavery, world wars, industrialisation and the chateau. Picture by Manuel Cohen
    LC21_FRANCE_MC_0145.jpg
  • St Elmo, patron saint of seafarers, statue, late 17th - early 18th century, from the Musee des Salorges fund, in the Musee d'histoire de Nantes, in the Chateau des ducs de Bretagne, in Nantes, Pays de la Loire, France. The cult of St Elmo was rife at this time as sea voyages were so dangerous. St Elmo was invoked during storms, when electrically charged skies caused 'St Elmo's fire' on the masts. The museum opened in 2007 and covers the history of Nantes, focusing on slavery, world wars, industrialisation and the chateau. Picture by Manuel Cohen
    LC21_FRANCE_MC_0146.jpg
  • Plan, profile and layout of the Nantes slave ship Marie Seraphique, outfitted by Gruel, captained by Gaugy, 1769, by Rene L'Hermitte, in the Musee d'histoire de Nantes, in the Chateau des ducs de Bretagne, in Nantes, Pays de la Loire, France. The plans precisely illustrate how the ship's cargo of goods and slaves was organised. 307 slaves from Angola were brought by canoe to the ship and stored in the between-deck, and the crossing is charted in the bottom section. The document was commissioned by the shipowner, for the campaign of 25th August - 16th December 1769. The museum opened in 2007 and covers the history of Nantes, focusing on slavery, world wars, industrialisation and the chateau. Picture by Manuel Cohen
    LC21_FRANCE_MC_0147.jpg
  • Plan, profile and layout of the Nantes slave ship Marie Seraphique, outfitted by Gruel, captained by Gaugy, 1769, by Rene L'Hermitte, in the Musee d'histoire de Nantes, in the Chateau des ducs de Bretagne, in Nantes, Pays de la Loire, France. The plans precisely illustrate how the ship's cargo of goods and slaves was organised. 307 slaves from Angola were brought by canoe to the ship and stored in the between-deck, and the crossing is charted in the bottom section. The document was commissioned by the shipowner, for the campaign of 25th August - 16th December 1769. The museum opened in 2007 and covers the history of Nantes, focusing on slavery, world wars, industrialisation and the chateau. Picture by Manuel Cohen
    LC21_FRANCE_MC_0148.jpg
  • Slave market selling 340 Africans, on board the Nantes slave ship Marie Seraphique, captained by Gaugy, on its 3rd campaign from Angola, 1772-73, with Cap-Francais, Hispaniola (now Haiti) behind, from the Musee des Salorges fund, in the Musee d'histoire de Nantes, in the Chateau des ducs de Bretagne, in Nantes, Pays de la Loire, France. The museum opened in 2007 and covers the history of Nantes, focusing on slavery, world wars, industrialisation and the chateau. Picture by Manuel Cohen
    LC21_FRANCE_MC_0150.jpg
  • Town and harbour of Nantes, seen from Chantenay in 1724, attributed to Jacques-Andre Portail, 1695-1759, in the Musee d'histoire de Nantes, in the Chateau des ducs de Bretagne, in Nantes, Pays de la Loire, France. From the Butte de Chantenay, the view of the port and the river Loire shows the amount of seafaring vessels in the city at this time. The museum opened in 2007 and covers the history of Nantes, focusing on slavery, world wars, industrialisation and the chateau. Picture by Manuel Cohen
    LC21_FRANCE_MC_0152.jpg
  • Portrait of Marguerite Deurbroucq, detail, oil painting, 1753, by Pierre-Bernard Morlot, 1716-80, in the Musee d'histoire de Nantes, in the Chateau des ducs de Bretagne, in Nantes, Pays de la Loire, France. The wife of Dominique Deurbroucq, a trader, is shown with Louis XV style furniture and wearing a fashionable silk dress, with a pet parrot. She is served by a black slave, bringing sugar for her coffee, whose dark skin accentuates the whiteness of the lady's, a sign of beauty. The museum opened in 2007 and covers the history of Nantes, focusing on slavery, world wars, industrialisation and the chateau. Picture by Manuel Cohen
    LC21_FRANCE_MC_0001.jpg
  • La Musette, model of an 18th century slave ship from Nantes, from the Musee des Salorges fund, in the Musee d'histoire de Nantes, in the Chateau des ducs de Bretagne, in Nantes, Pays de la Loire, France. This ship sailed in 5 trading campaigns 1783-90. The guardrail on deck divides space used by crew and slaves. Until arrival in Africa, the hold stored goods and was then transformed to a slave hold, with shelves to hold more bodies. The museum opened in 2007 and covers the history of Nantes, focusing on slavery, world wars, industrialisation and the chateau. Picture by Manuel Cohen
    LC21_FRANCE_MC_0013.jpg
  • Monthly report for the home of Mr Boutin, owner of a sugar factory in the Dominican Republic, 1st August - 1st September 1791, in the Musee d'histoire de Nantes, in the Chateau des ducs de Bretagne, in Nantes, Pays de la Loire, France. these reports were drawn up by managers for owners who were often in France. Slaves are listed next to types of cattle, and their children are listed as objects. The museum opened in 2007 and covers the history of Nantes, focusing on slavery, world wars, industrialisation and the chateau. Picture by Manuel Cohen
    LC21_FRANCE_MC_0027.jpg
  • Le Code Noir, or the Black Code, a book of regulations on slavery in the French colonies, 1742 edition, from the Musee des Salorges fund, in the Musee d'histoire de Nantes, in the Chateau des ducs de Bretagne, in Nantes, Pays de la Loire, France. The rules cover government,  justice, police, discipline and trade. Originally published in March 1685, written by Jean-Baptiste Colbert under King Louis XIV, the text attempts to marry the ownership of slaves with the Christian society of the 17th century. The museum opened in 2007 and covers the history of Nantes, focusing on slavery, world wars, industrialisation and the chateau. Picture by Manuel Cohen
    LC21_FRANCE_MC_0036.jpg
  • Whipping, overseer punishing a slave, hand coloured drawing, early 19th century, by Jean-Baptiste Debret, 1768-1848, from the Musee des Salorges fund, in the Musee d'histoire de Nantes, in the Chateau des ducs de Bretagne, in Nantes, Pays de la Loire, France. The museum opened in 2007 and covers the history of Nantes, focusing on slavery, world wars, industrialisation and the chateau. Picture by Manuel Cohen
    LC21_FRANCE_MC_0038.jpg
  • Portrait Joseph de la Selle, 1678-1747, a merchant from Nantes, oil painting, c. 1705, by Jean Ranc, 1674-1735), in the Musee d'histoire de Nantes, in the Chateau des ducs de Bretagne, in Nantes, Pays de la Loire, France. The museum opened in 2007 and covers the history of Nantes, focusing on slavery, world wars, industrialisation and the chateau. Picture by Manuel Cohen
    LC21_FRANCE_MC_0142.jpg
  • Order of the King's Council of State concerning the trademarks to be affixed to pieces of muslin and white cotton canvas from the West Indies, Nantes, 18th October 1721, in the Musee d'histoire de Nantes, in the Chateau des ducs de Bretagne, in Nantes, Pays de la Loire, France. To protect national textile production, fabrics imported by th Compagnie des Indes were trademarked and taxed, and their sale tightly controlled. The museum opened in 2007 and covers the history of Nantes, focusing on slavery, world wars, industrialisation and the chateau. Picture by Manuel Cohen
    LC21_FRANCE_MC_0144.jpg
  • 307 slaves from Angola stored in the between-deck, detail from the plan, profile and layout of the Nantes slave ship Marie Seraphique, outfitted by Gruel, captained by Gaugy, 1769, by Rene L'Hermitte, in the Musee d'histoire de Nantes, in the Chateau des ducs de Bretagne, in Nantes, Pays de la Loire, France. The plans precisely illustrate how the ship's cargo of goods and slaves was organised. The crossing is charted in the bottom section. The document was commissioned by the shipowner, for the campaign of 25th August - 16th December 1769. The museum opened in 2007 and covers the history of Nantes, focusing on slavery, world wars, industrialisation and the chateau. Picture by Manuel Cohen
    LC21_FRANCE_MC_0149.jpg
  • Floor mosaic of Bacchus with his thyrsus or staff, and panther, Gallo-Roman, early 2nd century AD, detail, from the reception room of an ornate residence, discovered during excavations in 1985-86 for the building of the new museum, in the Musee de Langres, or Langres Museum of Art and History, in Langres, Haute-Marne, France. Founded in 1841, the museum has been housed in a new building in the old town since 1997. It exhibits art, artefacts and archaeology from prehistory to the 20th century. Picture by Manuel Cohen
    LC21_FRANCE_MC_1119.jpg
  • Stone altar, with bas-relief of a peacock spawning fruit representing Juno, Gallo-Roman, discovered in Orbigny-au-Mont, in the Musee de Langres, or Langres Museum of Art and History, in Langres, Haute-Marne, France. The other 3 faces are carved with a winged cupid for Venus, an eagle for Jupiter and a laurel wreath for Apollo. The block was incorporated into a holy water font in the Church of Orbigny-au-Mont. Founded in 1841, the museum has been housed in a new building in the old town since 1997. It exhibits art, artefacts and archaeology from prehistory to the 20th century. Picture by Manuel Cohen
    LC21_FRANCE_MC_1035.jpg
  • Funerary stela, with blacksmith and his wife, dedicated to the Mane gods or the souls of the deceased, High Empire Gallo-Roman, 1st - 3rd century AD, limestone, discovered near the Hospital de la Charite in Langres, in the Musee de Langres, or Langres Museum of Art and History, in Langres, Haute-Marne, France. Founded in 1841, the museum has been housed in a new building in the old town since 1997. It exhibits art, artefacts and archaeology from prehistory to the 20th century. Picture by Manuel Cohen
    LC21_FRANCE_MC_1022.jpg
  • Family funerary stela of Lutuccus, Pixtasis and Samoricos, detail, High Empire Gallo-Roman, 1st - 3rd century AD, limestone, discovered in 1845 south of the citadel in Langres, in the Musee de Langres, or Langres Museum of Art and History, in Langres, Haute-Marne, France. Founded in 1841, the museum has been housed in a new building in the old town since 1997. It exhibits art, artefacts and archaeology from prehistory to the 20th century. Picture by Manuel Cohen
    LC21_FRANCE_MC_1017.jpg
  • Family funerary stela of Lutuccus, Pixtasis and Samoricos, High Empire Gallo-Roman, 1st - 3rd century AD, limestone, discovered in 1845 south of the citadel in Langres, in the Musee de Langres, or Langres Museum of Art and History, in Langres, Haute-Marne, France. Founded in 1841, the museum has been housed in a new building in the old town since 1997. It exhibits art, artefacts and archaeology from prehistory to the 20th century. Picture by Manuel Cohen
    LC21_FRANCE_MC_1014.jpg
  • Child's funerary stela, detail, dedicated to the Mane gods or the souls of the deceased, erected by Musicus Sodalis, 2nd century AD, limestone, discovered in 1863 in the necropolis of the citadel in Langres, in the Musee de Langres, or Langres Museum of Art and History, in Langres, Haute-Marne, France. Founded in 1841, the museum has been housed in a new building in the old town since 1997. It exhibits art, artefacts and archaeology from prehistory to the 20th century. Picture by Manuel Cohen
    LC21_FRANCE_MC_1010.jpg
  • Farmer with horses, bas-relief, High Empire Gallo-Roman, 1st - 3rd century AD, limestone, discovered at the Colline des Fourches in Langres, in the Musee de Langres, or Langres Museum of Art and History, in Langres, Haute-Marne, France. Founded in 1841, the museum has been housed in a new building in the old town since 1997. It exhibits art, artefacts and archaeology from prehistory to the 20th century. Picture by Manuel Cohen
    LC21_FRANCE_MC_1008.jpg
  • Funerary stela, detail, dedicated to the Mane gods or the souls of the deceased, commissioned by Scottus for the burial place of his wife Divixta, shown wearing 2 tunics and a cloak, holding a basket of fruit, excavated in Langres in 1834, in the Musee de Langres, or Langres Museum of Art and History, in Langres, Haute-Marne, France. The statue would originally have been painted. Founded in 1841, the museum has been housed in a new building in the old town since 1997. It exhibits art, artefacts and archaeology from prehistory to the 20th century. Picture by Manuel Cohen
    LC21_FRANCE_MC_1005.jpg
  • Funerary stela, detail, dedicated to the Mane gods or the souls of the deceased, commissioned by Scottus for the burial place of his wife Divixta, shown wearing 2 tunics and a cloak, holding a basket of fruit, excavated in Langres in 1834, in the Musee de Langres, or Langres Museum of Art and History, in Langres, Haute-Marne, France. The statue would originally have been painted. Founded in 1841, the museum has been housed in a new building in the old town since 1997. It exhibits art, artefacts and archaeology from prehistory to the 20th century. Picture by Manuel Cohen
    LC21_FRANCE_MC_1003.jpg
  • Man wearing a bardocucullus, a Gallic cowled cloak, detail, High Empire Gallo-Roman, 1st - 3rd century AD, limestone, discovered in 1950 in La Colline des Fourches in Langres, in the Musee de Langres, or Langres Museum of Art and History, in Langres, Haute-Marne, France. Founded in 1841, the museum has been housed in a new building in the old town since 1997. It exhibits art, artefacts and archaeology from prehistory to the 20th century. Picture by Manuel Cohen
    LC21_FRANCE_MC_0993.jpg
  • Statuette known as the 'Peddler', High Empire Gallo-Roman, 1st - 3rd century AD, limestone, discovered in La Belle Chapelle in Langres, in the Musee de Langres, or Langres Museum of Art and History, in Langres, Haute-Marne, France. Founded in 1841, the museum has been housed in a new building in the old town since 1997. It exhibits art, artefacts and archaeology from prehistory to the 20th century. Picture by Manuel Cohen
    LC21_FRANCE_MC_0991.jpg
  • Farmer driving cart drawn by horses, with harvested grapes in a barrel, detail, bas-relief, High Empire Gallo-Roman, 1st - 3rd century AD, limestone, discovered at the Colline des Fourches in Langres, in the Musee de Langres, or Langres Museum of Art and History, in Langres, Haute-Marne, France. Founded in 1841, the museum has been housed in a new building in the old town since 1997. It exhibits art, artefacts and archaeology from prehistory to the 20th century. Picture by Manuel Cohen
    LC21_FRANCE_MC_0983.jpg
  • Vertumnus, god of the seasons, gardens and fruit trees, High Empire Gallo-Roman, 1st - 3rd century AD, limestone, discovered in Langres, in the Musee de Langres, or Langres Museum of Art and History, in Langres, Haute-Marne, France. Founded in 1841, the museum has been housed in a new building in the old town since 1997. It exhibits art, artefacts and archaeology from prehistory to the 20th century. Picture by Manuel Cohen
    LC21_FRANCE_MC_0980.jpg
  • Altar carved with bas-reliefs of 4 gods, detail, High Empire Gallo-Roman, 1st - 3rd century AD, limestone, in the Musee de Langres, or Langres Museum of Art and History, in Langres, Haute-Marne, France. Founded in 1841, the museum has been housed in a new building in the old town since 1997. It exhibits art, artefacts and archaeology from prehistory to the 20th century. Picture by Manuel Cohen
    LC21_FRANCE_MC_0976.jpg
  • Ex voto plaque dedicated to the goddess of the river Marne, made by Successus, freed from Natalis, who paid for a stone wall around a temple in her name, after having made a wish, Gallo-Roman, 2nd century AD, limestone, discovered at the Marne springs in Balesmes, in the Musee de Langres, or Langres Museum of Art and History, in Langres, Haute-Marne, France. Founded in 1841, the museum has been housed in a new building in the old town since 1997. It exhibits art, artefacts and archaeology from prehistory to the 20th century. Picture by Manuel Cohen
    LC21_FRANCE_MC_0969.jpg
  • Water nymph, High Empire Gallo-Roman, 1st - 3rd century AD, limestone sculpture discovered in the Villa des Cloisets at Colmier le Bas, in the Musee de Langres, or Langres Museum of Art and History, in Langres, Haute-Marne, France. Founded in 1841, the museum has been housed in a new building in the old town since 1997. It exhibits art, artefacts and archaeology from prehistory to the 20th century. Picture by Manuel Cohen
    LC21_FRANCE_MC_0964.jpg
  • Stela of Minerva, goddess of wisdom, detail, High Empire Gallo-Roman, 1st - 3rd century AD, limestone, discovered in Champigny-les-Langres, in the Musee de Langres, or Langres Museum of Art and History, in Langres, Haute-Marne, France. Founded in 1841, the museum has been housed in a new building in the old town since 1997. It exhibits art, artefacts and archaeology from prehistory to the 20th century. Picture by Manuel Cohen
    LC21_FRANCE_MC_0963.jpg
  • Head of an unidentified god, High Empire Gallo-Roman, 1st - 3rd century AD, limestone, discovered between Chatillon and Langres, in the Musee de Langres, or Langres Museum of Art and History, in Langres, Haute-Marne, France. Founded in 1841, the museum has been housed in a new building in the old town since 1997. It exhibits art, artefacts and archaeology from prehistory to the 20th century. Picture by Manuel Cohen
    LC21_FRANCE_MC_0961.jpg
  • House stela with Epona, Gallo-Roman goddess and protector of horses, High Empire Gallo-Roman, 1st - 3rd century AD, limestone, discovered at Chalmessin, in the Musee de Langres, or Langres Museum of Art and History, in Langres, Haute-Marne, France. Founded in 1841, the museum has been housed in a new building in the old town since 1997. It exhibits art, artefacts and archaeology from prehistory to the 20th century. Picture by Manuel Cohen
    LC21_FRANCE_MC_0960.jpg
  • Statue of Mercury holding a purse of money, High Empire Gallo-Roman, 1st - 3rd century AD, in the Musee de Langres, or Langres Museum of Art and History, in Langres, Haute-Marne, France. Founded in 1841, the museum has been housed in a new building in the old town since 1997. It exhibits art, artefacts and archaeology from prehistory to the 20th century. Picture by Manuel Cohen
    LC21_FRANCE_MC_0957.jpg
  • Altar, with bas-relief of a vase, High Empire Gallo-Roman, 1st - 3rd century AD, limestone, discovered in 1819 at Faubourg de Louot, in the Musee de Langres, or Langres Museum of Art and History, in Langres, Haute-Marne, France. Founded in 1841, the museum has been housed in a new building in the old town since 1997. It exhibits art, artefacts and archaeology from prehistory to the 20th century. Picture by Manuel Cohen
    LC21_FRANCE_MC_0951.jpg
  • Head of an animal, detail from a frieze fragment, High Empire Gallo-Roman, 1st - 3rd century AD, limestone, discovered in Langres, in the Musee de Langres, or Langres Museum of Art and History, in Langres, Haute-Marne, France. Founded in 1841, the museum has been housed in a new building in the old town since 1997. It exhibits art, artefacts and archaeology from prehistory to the 20th century. Picture by Manuel Cohen
    LC21_FRANCE_MC_0931.jpg
  • Frieze fragment with the head of an animal, High Empire Gallo-Roman, 1st - 3rd century AD, limestone, discovered in Langres, in the Musee de Langres, or Langres Museum of Art and History, in Langres, Haute-Marne, France. Founded in 1841, the museum has been housed in a new building in the old town since 1997. It exhibits art, artefacts and archaeology from prehistory to the 20th century. Picture by Manuel Cohen
    LC21_FRANCE_MC_0930.jpg
  • Gallo-Roman column with sculpted animal head, fruit garlands and vines, in the Musee de Langres, or Langres Museum of Art and History, in Langres, Haute-Marne, France. Founded in 1841, the museum has been housed in a new building in the old town since 1997. It exhibits art, artefacts and archaeology from prehistory to the 20th century. Picture by Manuel Cohen
    LC21_FRANCE_MC_1038.jpg
  • Sculpted head, Roman, in the Musee de Langres, or Langres Museum of Art and History, in Langres, Haute-Marne, France. Founded in 1841, the museum has been housed in a new building in the old town since 1997. It exhibits art, artefacts and archaeology from prehistory to the 20th century. Picture by Manuel Cohen
    LC21_FRANCE_MC_1037.jpg
  • Military marker recording a distance of 21000 steps from Langres, Gallo-Roman, 97 AD, with an inscription dedicating it to the emperor Cesar Augustus Nerva, discovered along the Roman road between Langres and Naix, at Argeville-Esnouveaux, in the Musee de Langres, or Langres Museum of Art and History, in Langres, Haute-Marne, France. Founded in 1841, the museum has been housed in a new building in the old town since 1997. It exhibits art, artefacts and archaeology from prehistory to the 20th century. Picture by Manuel Cohen
    LC21_FRANCE_MC_1036.jpg
  • Stone altar, with bas-relief of a winged cupid representing Venus, Gallo-Roman, discovered in Orbigny-au-Mont, in the Musee de Langres, or Langres Museum of Art and History, in Langres, Haute-Marne, France. The other 3 faces are carved with a peacock spawning fruit for Juno, an eagle for Jupiter and a laurel wreath for Apollo. The block was incorporated into a holy water font in the Church of Orbigny-au-Mont. Founded in 1841, the museum has been housed in a new building in the old town since 1997. It exhibits art, artefacts and archaeology from prehistory to the 20th century. Picture by Manuel Cohen
    LC21_FRANCE_MC_1034.jpg
  • Stela fragment depicting a figure holding writing implements, in the Musee de Langres, or Langres Museum of Art and History, in Langres, Haute-Marne, France. Founded in 1841, the museum has been housed in a new building in the old town since 1997. It exhibits art, artefacts and archaeology from prehistory to the 20th century. Picture by Manuel Cohen
    LC21_FRANCE_MC_1033.jpg
  • Funerary stela, erected by Domina, High Empire Gallo-Roman, 1st - 3rd century AD, limestone, discovered in 1844 near the citadel in Langres, in the Musee de Langres, or Langres Museum of Art and History, in Langres, Haute-Marne, France. Founded in 1841, the museum has been housed in a new building in the old town since 1997. It exhibits art, artefacts and archaeology from prehistory to the 20th century. Picture by Manuel Cohen
    LC21_FRANCE_MC_1032.jpg
  • Funerary stela, erected by Aprilanus, dedicated to the Mane gods or the souls of the deceased and to Aprilis, son of Montanus, 2nd century AD, limestone, discovered at the citadel of Langres, in the Musee de Langres, or Langres Museum of Art and History, in Langres, Haute-Marne, France. Founded in 1841, the museum has been housed in a new building in the old town since 1997. It exhibits art, artefacts and archaeology from prehistory to the 20th century. Picture by Manuel Cohen
    LC21_FRANCE_MC_1031.jpg
  • Gallo-Roman sculpture of a Roman soldier and kneeling begging woman, representing powerful Roman Empire and a submissive province, late antique period, limestone, discovered in Langres, in the Musee de Langres, or Langres Museum of Art and History, in Langres, Haute-Marne, France. Founded in 1841, the museum has been housed in a new building in the old town since 1997. It exhibits art, artefacts and archaeology from prehistory to the 20th century. Picture by Manuel Cohen
    LC21_FRANCE_MC_1030.jpg
  • Kantharos, a type of Greek drinking cup, mosaic, detail, 1st - 3rd century AD, High Empire Gallo-Roman, excavated in Colmiers-le-Bas, in the Musee de Langres, or Langres Museum of Art and History, in Langres, Haute-Marne, France. Founded in 1841, the museum has been housed in a new building in the old town since 1997. It exhibits art, artefacts and archaeology from prehistory to the 20th century. Picture by Manuel Cohen
    LC21_FRANCE_MC_1029.jpg
  • Gallo-Roman sculpture of a Roman soldier and kneeling begging woman, representing powerful Roman Empire and a submissive province, late antique period, limestone, discovered in Langres, in the Musee de Langres, or Langres Museum of Art and History, in Langres, Haute-Marne, France. Founded in 1841, the museum has been housed in a new building in the old town since 1997. It exhibits art, artefacts and archaeology from prehistory to the 20th century. Picture by Manuel Cohen
    LC21_FRANCE_MC_1028.jpg
  • Pediment of a funerary monument, with the deceased, the goddess Diana and the god Apollo, erected by P Sacrovirus and dedicated to the Mane gods or the souls of the deceased and to Pubilicus Sarasuset and his children, 2nd century AD, limestone, discovered in 1863 at the citadel of Langres, in the Musee de Langres, or Langres Museum of Art and History, in Langres, Haute-Marne, France. Founded in 1841, the museum has been housed in a new building in the old town since 1997. It exhibits art, artefacts and archaeology from prehistory to the 20th century. Picture by Manuel Cohen
    LC21_FRANCE_MC_1027.jpg
  • Cherub, detail from a monumental funerary inscription, erected by T Abrius Candidus, early 2nd century AD, limestone, discovered west of Blanchefontaine, in the Musee de Langres, or Langres Museum of Art and History, in Langres, Haute-Marne, France. Founded in 1841, the museum has been housed in a new building in the old town since 1997. It exhibits art, artefacts and archaeology from prehistory to the 20th century. Picture by Manuel Cohen
    LC21_FRANCE_MC_1026.jpg
  • Gallo-Roman sculpture of 2 figures, stone, in the Musee de Langres, or Langres Museum of Art and History, in Langres, Haute-Marne, France. Founded in 1841, the museum has been housed in a new building in the old town since 1997. It exhibits art, artefacts and archaeology from prehistory to the 20th century. Picture by Manuel Cohen
    LC21_FRANCE_MC_1024.jpg
  • Monumental funerary inscription, erected by T Abrius Candidus, early 2nd century AD, limestone, discovered west of Blanchefontaine, in the Musee de Langres, or Langres Museum of Art and History, in Langres, Haute-Marne, France. Founded in 1841, the museum has been housed in a new building in the old town since 1997. It exhibits art, artefacts and archaeology from prehistory to the 20th century. Picture by Manuel Cohen
    LC21_FRANCE_MC_1025.jpg
  • Family funerary stela, erected by Novellus for his wife Sacrobenna, dedicated to the Mane gods or the souls of the deceased, Gallo-Roman, 2nd century AD, limestone, discovered in Langres, in the Musee de Langres, or Langres Museum of Art and History, in Langres, Haute-Marne, France. Founded in 1841, the museum has been housed in a new building in the old town since 1997. It exhibits art, artefacts and archaeology from prehistory to the 20th century. Picture by Manuel Cohen
    LC21_FRANCE_MC_1023.jpg
  • Funerary stela, detail, depicting a man holding a hammer within an arched frame, High Empire Gallo-Roman, 1st - 3rd century AD, excavated in the Langres citadel, in the Musee de Langres, or Langres Museum of Art and History, in Langres, Haute-Marne, France. Founded in 1841, the museum has been housed in a new building in the old town since 1997. It exhibits art, artefacts and archaeology from prehistory to the 20th century. Picture by Manuel Cohen
    LC21_FRANCE_MC_1021.jpg
  • Funerary stela, depicting a man holding a hammer within an arched frame, High Empire Gallo-Roman, 1st - 3rd century AD, excavated in the Langres citadel, in the Musee de Langres, or Langres Museum of Art and History, in Langres, Haute-Marne, France. Founded in 1841, the museum has been housed in a new building in the old town since 1997. It exhibits art, artefacts and archaeology from prehistory to the 20th century. Picture by Manuel Cohen
    LC21_FRANCE_MC_1020.jpg
  • Funerary stela, dedicated to the Mane gods or the souls of the deceased, erected by a man in memory of December, his pupil, and of Regine, his wife, detail, Gallo-Roman, 2nd century AD, limestone, discovered in 1845 between the Tour Saint-Ferjeux and the Tour Virot, in the Musee de Langres, or Langres Museum of Art and History, in Langres, Haute-Marne, France. Founded in 1841, the museum has been housed in a new building in the old town since 1997. It exhibits art, artefacts and archaeology from prehistory to the 20th century. Picture by Manuel Cohen
    LC21_FRANCE_MC_1019.jpg
  • Funerary stela, dedicated to the Mane gods or the souls of the deceased, erected by a man in memory of December, his pupil, and of Regine, his wife, Gallo-Roman, 2nd century AD, limestone, discovered in 1845 between the Tour Saint-Ferjeux and the Tour Virot, in the Musee de Langres, or Langres Museum of Art and History, in Langres, Haute-Marne, France. Founded in 1841, the museum has been housed in a new building in the old town since 1997. It exhibits art, artefacts and archaeology from prehistory to the 20th century. Picture by Manuel Cohen
    LC21_FRANCE_MC_1018.jpg
  • Funerary monument, erected by Maculus, slave of Magmus, with busts of the deceased Montamus, freed from Felix, and Voltodaga, freed from Capito, High Empire Gallo-Roman, 1st - 3rd century AD, limestone, discovered in 1986 at La Maladiere, north of Langres, in the Musee de Langres, or Langres Museum of Art and History, in Langres, Haute-Marne, France. Founded in 1841, the museum has been housed in a new building in the old town since 1997. It exhibits art, artefacts and archaeology from prehistory to the 20th century. Picture by Manuel Cohen
    LC21_FRANCE_MC_1016.jpg
  • Family funerary stela of Lutuccus, Pixtasis and Samoricos, detail, High Empire Gallo-Roman, 1st - 3rd century AD, limestone, discovered in 1845 south of the citadel in Langres, in the Musee de Langres, or Langres Museum of Art and History, in Langres, Haute-Marne, France. Founded in 1841, the museum has been housed in a new building in the old town since 1997. It exhibits art, artefacts and archaeology from prehistory to the 20th century. Picture by Manuel Cohen
    LC21_FRANCE_MC_1015.jpg
  • Funerary monument of a family or a corporation, High Empire Gallo-Roman, 1st - 2nd century AD, oolitic limestone, discovered in 1626 in Langres, in the Musee de Langres, or Langres Museum of Art and History, in Langres, Haute-Marne, France. Founded in 1841, the museum has been housed in a new building in the old town since 1997. It exhibits art, artefacts and archaeology from prehistory to the 20th century. Picture by Manuel Cohen
    LC21_FRANCE_MC_1011.jpg
  • Child's funerary stela, dedicated to the Mane gods or the souls of the deceased, erected by Musicus Sodalis, 2nd century AD, limestone, discovered in 1863 in the necropolis of the citadel in Langres, in the Musee de Langres, or Langres Museum of Art and History, in Langres, Haute-Marne, France. Founded in 1841, the museum has been housed in a new building in the old town since 1997. It exhibits art, artefacts and archaeology from prehistory to the 20th century. Picture by Manuel Cohen
    LC21_FRANCE_MC_1009.jpg
  • Child's funeral stela, 2nd century AD, erected by Gemellus, his father, and dedicated to the Mane gods or the souls of the deceased, and to Lollius Geminus, limestone, discovered at Faubourg des Franchises in Langres, in the Musee de Langres, or Langres Museum of Art and History, in Langres, Haute-Marne, France. Founded in 1841, the museum has been housed in a new building in the old town since 1997. It exhibits art, artefacts and archaeology from prehistory to the 20th century. Picture by Manuel Cohen
    LC21_FRANCE_MC_1007.jpg
  • Gallo-Roman exhibition in the Musee de Langres, or Langres Museum of Art and History, in Langres, Haute-Marne, France. Founded in 1841, the museum has been housed in a new building in the old town since 1997. It exhibits art, artefacts and archaeology from prehistory to the 20th century. Picture by Manuel Cohen
    LC21_FRANCE_MC_1006.jpg
  • Funerary stela, detail, dedicated to the Mane gods or the souls of the deceased, commissioned by Scottus for the burial place of his wife Divixta, shown wearing 2 tunics and a cloak, holding a basket of fruit, excavated in Langres in 1834, in the Musee de Langres, or Langres Museum of Art and History, in Langres, Haute-Marne, France. The statue would originally have been painted. Founded in 1841, the museum has been housed in a new building in the old town since 1997. It exhibits art, artefacts and archaeology from prehistory to the 20th century. Picture by Manuel Cohen
    LC21_FRANCE_MC_1004.jpg
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