manuel cohen

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  • Downtown Manhattan seen from New York Harbor, New York, NY, USA. In the centre is One World Trade Center, also known as One WTC or Freedom Tower, designed by David Childs and built 2006-13, the tallest building in the USA. This is flanked by the buildings of the World Financial Center. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_086.JPG
  • Downtown Manhattan seen from New York Harbor, New York, NY, USA. On the left is One World Trade Center, also known as One WTC or Freedom Tower, designed by David Childs and built 2006-13, the tallest building in the USA. This is flanked by the buildings of the World Financial Center. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_089.jpg
  • Downtown Manhattan seen from New York Harbor, New York, NY, USA. In the centre is One World Trade Center, also known as One WTC or Freedom Tower, designed by David Childs and built 2006-13, the tallest building in the USA. This is flanked by the buildings of the World Financial Center. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_087.JPG
  • Downtown Manhattan seen from New York Harbor, New York, NY, USA. On the left is One World Trade Center, also known as One WTC or Freedom Tower, designed by David Childs and built 2006-13, the tallest building in the USA. This is flanked by the buildings of the World Financial Center and on the right with the green roof is the Trump Building at 40 Wall St. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_045.JPG
  • Downtown Manhattan seen from New York Harbor, New York, NY, USA. In the centre is One World Trade Center, also known as One WTC or Freedom Tower, designed by David Childs and built 2006-13, the tallest building in the USA. This is flanked by the buildings of the World Financial Center. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_001.jpg
  • Federal Hall National Memorial, designed by John Frazee in Neoclassical style and built 1842 as the United States Custom House, and the bronze statue of George Washington, 1882, by John Quincy Adams Ward, on Wall St, Manhattan, New York, New York, USA. The building replaces the original Federal Hall, demolished in 1812, which was built in 1700 as New York's City Hall, and was the first capitol building of the USA under the Constitution, site of George Washington's inauguration and the US Bill of Rights in the First Congress. The building is now run by the National Parks of New York Harbor. Picture by Manuel Cohen
    LC17_NEWYORK_MC_005.jpg
  • Federal Hall National Memorial, designed by John Frazee in Neoclassical style and built 1842 as the United States Custom House, on Wall St, Manhattan, New York, New York, USA. The building replaces the original Federal Hall, demolished in 1812, which was built in 1700 as New York's City Hall, and was the first capitol building of the USA under the Constitution, site of George Washington's inauguration and the US Bill of Rights in the First Congress. The building is now run by the National Parks of New York Harbor. Picture by Manuel Cohen
    LC17_NEWYORK_MC_037.jpg
  • Bourtzi Castle, an island fortress in the harbour of Nauplion, completed by the Venetians, 1473, regained from Turkey by Greece in 1822, it served as the local executioner's house 1865 -1930
    LCGREECE07MC_455.JPG
  • Bourtzi Castle, an island fortress in the harbour of Nauplion, completed by the Venetians, 1473, regained from Turkey by Greece in 1822, it served as the local executioner's house 1865 -1930
    LCGREECE07MC_454.JPG
  • Bourtzi Castle, an island fortress in the harbour of Nauplion, completed by the Venetians, 1473, regained from Turkey by Greece in 1822, it served as the local executioner's house 1865 -1930
    LCGREECE07MC_453.JPG
  • Main building, in French Renaissance style, designed by William Alciphron Boring and Edward Lippincott Tilton and built early 20th century, containing registry rooms, detention rooms and offices, on Ellis Island, immigration processing centre for the United States from 1892 to 1954, at the mouth of the Hudson river in New York City, NY, USA. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_093.jpg
  • Immigrants arriving at Ellis Island on a ship, photograph, displayed in the National Immigration Museum, in the main building on Ellis Island, the immigration processing centre for the United States from 1892 to 1954, at the mouth of the Hudson river in New York City, NY, USA. Ellis Island and its Immigration Museum are part of the Statue of Liberty National Monument and are managed by the National Park Authority. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_094.jpg
  • Main building, in French Renaissance style, designed by William Alciphron Boring and Edward Lippincott Tilton and built early 20th century, containing registry rooms, detention rooms and offices, photograph, c. 1903, displayed in the National Immigration Museum, in the main building on Ellis Island, the immigration processing centre for the United States from 1892 to 1954, at the mouth of the Hudson river in New York City, NY, USA. Ellis Island and its Immigration Museum are part of the Statue of Liberty National Monument and are managed by the National Park Authority. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_090.jpg
  • Main building, in French Renaissance style, designed by William Alciphron Boring and Edward Lippincott Tilton and built early 20th century, containing registry rooms, detention rooms and offices, on Ellis Island, immigration processing centre for the United States from 1892 to 1954, at the mouth of the Hudson river in New York City, NY, USA. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_088.jpg
  • Measles and isolation wards of the Contagious Disease Hospital (left), and Ellis Island Immigrant Hospital, opened 1901 and closed in 1951 (right), on Ellis Island, the immigration processing centre for the United States from 1892 to 1954, at the mouth of the Hudson river in New York City, NY, USA. The Contagious Disease Hospital comprised 17 sealable pavilions, designed James Knox Taylor in Italian Renaissance style and built 1911, including 8 measles wards, 3 isolation wards, an autopsy theatre, mortuary, laboratory, administration building, kitchen, and staff house. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_082.jpg
  • Entrance to the main building, designed by William Alciphron Boring and Edward Lippincott Tilton and built early 20th century in French Renaissance style, containing registry rooms, detention rooms and offices, on Ellis Island, immigration processing centre for the United States from 1892 to 1954, at the mouth of the Hudson river in New York City, NY, USA. Opposite is the the Ellis Island Immigrant Hospital, opened 1901. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_081.jpg
  • Wall of Honor, bearing a list of 775,000 names including slaves, Native Americans, and immigrants not processed on the island, on Ellis Island, immigration processing centre for the United States from 1892 to 1954, at the mouth of the Hudson river in New York City, NY, USA. The Wall of Honour was built and extended from 1980s to 2001, raising funds to pay for the restoration fo the Island. Behind is the main building, designed by William Alciphron Boring and Edward Lippincott Tilton and built early 20th century in French Renaissance style, containing registry rooms, detention rooms and offices. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_080.jpg
  • Entrance to the main building, designed by William Alciphron Boring and Edward Lippincott Tilton and built early 20th century in French Renaissance style, containing registry rooms, detention rooms and offices, on Ellis Island, immigration processing centre for the United States from 1892 to 1954, at the mouth of the Hudson river in New York City, NY, USA. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_077.jpg
  • Main building, in French Renaissance style, designed by William Alciphron Boring and Edward Lippincott Tilton and built early 20th century, containing registry rooms, detention rooms and offices, on Ellis Island, immigration processing centre for the United States from 1892 to 1954, at the mouth of the Hudson river in New York City, NY, USA. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_074.jpg
  • Registry Room of the main building, designed by William Alciphron Boring and Edward Lippincott Tilton and built early 20th century in French Renaissance style, on Ellis Island, the immigration processing centre for the United States from 1892 to 1954, at the mouth of the Hudson river in New York City, NY, USA. The registry hall measures 61x30m and was used for primary inspections, with adjoining rooms used as dormitories and offices. The Guastavino tiled arched ceiling and red Ludowici tiled floor were installed in 1916. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_067.jpg
  • Medical and surgical instruments used in the examination of immigrants, c. 1910-15, displayed in the National Immigration Museum, in the main building on Ellis Island, the immigration processing centre for the United States from 1892 to 1954, at the mouth of the Hudson river in New York City, NY, USA. Ellis Island and its Immigration Museum are part of the Statue of Liberty National Monument and are managed by the National Park Authority. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_065.jpg
  • Immigration officer carrying out a psychological assessment on a young immigrant to establish his socio-psychological profile, needed for his admission file, in the Legal Inspection room, photograph, c. 1914, displayed in the National Immigration Museum, in the main building on Ellis Island, the immigration processing centre for the United States from 1892 to 1954, at the mouth of the Hudson river in New York City, NY, USA. Ellis Island and its Immigration Museum are part of the Statue of Liberty National Monument and are managed by the National Park Authority. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_063.jpg
  • Registry Room of the main building, designed by William Alciphron Boring and Edward Lippincott Tilton and built early 20th century in French Renaissance style, on Ellis Island, the immigration processing centre for the United States from 1892 to 1954, at the mouth of the Hudson river in New York City, NY, USA. The registry hall measures 61x30m and was used for primary inspections, with adjoining rooms used as dormitories and offices. The Guastavino tiled arched ceiling and red Ludowici tiled floor were installed in 1916. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_060.jpg
  • Ferry dock and terminal building, on Ellis Island, the immigration processing centre for the United States from 1892 to 1954, at the mouth of the Hudson river in New York City, NY, USA. The ferry building was built in 1936 in Moderne style, contains a US Customs office, lunchroom and restrooms, and was restored in 2007. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_057.jpg
  • Main building, in French Renaissance style, designed by William Alciphron Boring and Edward Lippincott Tilton and built early 20th century, containing registry rooms, detention rooms and offices, on Ellis Island, immigration processing centre for the United States from 1892 to 1954, at the mouth of the Hudson river in New York City, NY, USA. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_054.jpg
  • Main building, in French Renaissance style, designed by William Alciphron Boring and Edward Lippincott Tilton and built early 20th century, containing registry rooms, detention rooms and offices, on Ellis Island, immigration processing centre for the United States from 1892 to 1954, at the mouth of the Hudson river in New York City, NY, USA. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_053.jpg
  • Statue of Annie Moore, first immigrant processed at Ellis Island on 1st January 1892, by Jeanne Rynhart, unveiled by Irish president Mary Robinson as a gift to the people of the USA from the Irish American Cultural Institute in 1993, in the main building on Ellis Island, the immigration processing centre for the United States from 1892 to 1954, at the mouth of the Hudson river in New York City, NY, USA. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_043.jpg
  • Display of posters and information on transport, in the National Immigration Museum, in the main building on Ellis Island, the immigration processing centre for the United States from 1892 to 1954, at the mouth of the Hudson river in New York City, NY, USA. Ellis Island and its Immigration Museum are part of the Statue of Liberty National Monument and are managed by the National Park Authority. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_038.jpg
  • Anti immigration march by the Ku Klux Klan in Long Branch, New Jersey, 4th July 1924, displayed in the National Immigration Museum, in the main building on Ellis Island, the immigration processing centre for the United States from 1892 to 1954, at the mouth of the Hudson river in New York City, NY, USA. Ellis Island and its Immigration Museum are part of the Statue of Liberty National Monument and are managed by the National Park Authority. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_035.jpg
  • The Modern Moses, cartoon published in Puck, 1881, criticised by the editor of the Jewish Messenger for its use of German and Austrian anti-semitic caricatures to render eastern Europe Jewish immigrants, displayed in the National Immigration Museum, in the main building on Ellis Island, the immigration processing centre for the United States from 1892 to 1954, at the mouth of the Hudson river in New York City, NY, USA. Ellis Island and its Immigration Museum are part of the Statue of Liberty National Monument and are managed by the National Park Authority. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_033.jpg
  • 'The US Badly Needs a Bouncer', xenophobic cartoon by J Heppler, displayed in the National Immigration Museum, in the main building on Ellis Island, the immigration processing centre for the United States from 1892 to 1954, at the mouth of the Hudson river in New York City, NY, USA. Fears of internal subversion by foreign ideologies such as anarchism, socialism, and communism reached a height during World War I and the postwar period. Fenianism, also mentioned in the cartoon, supported the overthrow of British rule in Ireland. Ellis Island and its Immigration Museum are part of the Statue of Liberty National Monument and are managed by the National Park Authority. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_032.jpg
  • 'The Fool Pied Piper' cartoon in Puck, 1909, featuring Uncle Sam merrily leading Europe's criminals into America, while European leaders cheer, displayed in the National Immigration Museum, in the main building on Ellis Island, the immigration processing centre for the United States from 1892 to 1954, at the mouth of the Hudson river in New York City, NY, USA. Ellis Island and its Immigration Museum are part of the Statue of Liberty National Monument and are managed by the National Park Authority. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_031.jpg
  • Immigrant children waving American flags, photograph, c. 1910, in the National Immigration Museum, in the main building on Ellis Island, the immigration processing centre for the United States from 1892 to 1954, at the mouth of the Hudson river in New York City, NY, USA. Ellis Island and its Immigration Museum are part of the Statue of Liberty National Monument and are managed by the National Park Authority. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_026.jpg
  • Transport display in the National Immigration Museum, in the main building on Ellis Island, the immigration processing centre for the United States from 1892 to 1954, at the mouth of the Hudson river in New York City, NY, USA. Plan in section of the SS President Lincoln, an immigration ship, with 200 1st class cabins, 150 second class cabins, and space for 3000 3rd class travellers (left). Photograph of the ship's inauguration (right). Ellis Island and its Immigration Museum are part of the Statue of Liberty National Monument and are managed by the National Park Authority. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_025.jpg
  • Display of posters and information on transport, in the National Immigration Museum, in the main building on Ellis Island, the immigration processing centre for the United States from 1892 to 1954, at the mouth of the Hudson river in New York City, NY, USA. Ellis Island and its Immigration Museum are part of the Statue of Liberty National Monument and are managed by the National Park Authority. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_020.jpg
  • Liberty of Poetry, 1883, sculpture by Pio Fedi, monument to Italian poet and patriot Giovanni Battista Niccolini at the Basilica of Santa Croce in Florence, in the exhibition 'Sisters in Liberty: From Florence, Italy to New York, New York', in the main building on Ellis Island, the immigration processing centre for the United States from 1892 to 1954, at the mouth of the Hudson river in New York City, NY, USA. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_016.jpg
  • Silent Voices, a display of furnishings used in the processing of immigrants, left abandoned <br />
after the closure of Ellis Island in 1954 until restoration work began in the 1980s, in the National Immigration Museum, in the main building on Ellis Island, the immigration processing centre for the United States from 1892 to 1954, at the mouth of the Hudson river in New York City, NY, USA. Ellis Island and its Immigration Museum are part of the Statue of Liberty National Monument and are managed by the National Park Authority. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_015.jpg
  • Display of black and white photographs of immigrants and their families, in the National Immigration Museum, in the main building on Ellis Island, the immigration processing centre for the United States from 1892 to 1954, at the mouth of the Hudson river in New York City, NY, USA. Ellis Island and its Immigration Museum are part of the Statue of Liberty National Monument and are managed by the National Park Authority. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_013.jpg
  • Displays in the National Immigration Museum, in the main building on Ellis Island, the immigration processing centre for the United States from 1892 to 1954, at the mouth of the Hudson river in New York City, NY, USA. Ellis Island and its Immigration Museum are part of the Statue of Liberty National Monument and are managed by the National Park Authority. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_012.jpg
  • Registry Room of the main building, with queueing immigrants waiting to be processed, photograph, c. 1910, displayed in the National Immigration Museum, in the main building on Ellis Island, the immigration processing centre for the United States from 1892 to 1954, at the mouth of the Hudson river in New York City, NY, USA. The registry hall was designed by William Alciphron Boring and Edward Lippincott Tilton and built early 20th century in French Renaissance style. It measures 61x30m and was used for primary inspections, with adjoining rooms used as dormitories and offices. Ellis Island and its Immigration Museum are part of the Statue of Liberty National Monument and are managed by the National Park Authority. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_010.jpg
  • Registry Room of the main building, designed by William Alciphron Boring and Edward Lippincott Tilton and built early 20th century in French Renaissance style, on Ellis Island, the immigration processing centre for the United States from 1892 to 1954, at the mouth of the Hudson river in New York City, NY, USA. The registry hall measures 61x30m and was used for primary inspections, with adjoining rooms used as dormitories and offices. The Guastavino tiled arched ceiling and red Ludowici tiled floor were installed in 1916. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_008.jpg
  • Lycian inscription from the Lighthouse, erected by Emperor Nero in 64-65 AD, on the western edge of the now silted harbour of Patara, Antalya, Turkey. The inscription was originally set in gold-plated bronze lettering and circled the lighthouse at the top of the tower so that it could be read from a distance. It states that Emperor Nero erected the lighthouse for the safety of sailors. The lighthouse consists of a square podium 20x20m and a tower rising from the middle. The podium walls were cut from the bedrock and filled with rubble to resist earthquakes. The tower was 26m high and consists of 2 nested cylindrical structures connected through a spiral staircase. The cylindrical exterior wall, 6m in diameter, was built as a double-hulled structure using concavo-convex stone blocks. The staircases were connected to each other so as to increase the static resistance of the tower. On top of the lighthouse was a dome on an octagonal base created by arches on piers. The tower is accessed through a wooden gate to the West. This is believed to be the oldest lighthouse in the world. Patara was a maritime Greek and Roman city on the South West Mediterranean coast of Lycia near modern-day Gelemis. It was said to be founded by Patarus, son of Apollo, and was famous for its temple and oracle of Apollo. It was a leading city of the Lycian League. Picture by Manuel Cohen
    LC13_Turkey_MC623.jpg
  • Lighthouse, erected by Emperor Nero in 64-65 AD, on the western edge of the now silted harbour of Patara, Antalya, Turkey. It consists of a square podium 20x20m and a tower rising from the middle. The podium walls were cut from the bedrock and filled with rubble to resist earthquakes. The tower was 26m high and consists of 2 nested cylindrical structures connected through a spiral staircase. The cylindrical exterior wall, 6m in diameter, was built as a double-hulled structure using concavo-convex stone blocks. The staircases were connected to each other so as to increase the static resistance of the tower. On top of the lighthouse was a dome on an octagonal base created by arches on piers. The tower is accessed through a wooden gate to the West. A monumental inscription, originally set in gold-plated bronze lettering, circled the lighthouse at the top of the tower so that it could be read from a distance, stating that Emperor Nero erected the lighthouse for the safety of sailors. This is believed to be the oldest lighthouse in the world. Patara was a maritime Greek and Roman city on the South West Mediterranean coast of Lycia near modern-day Gelemis. It was said to be founded by Patarus, son of Apollo, and was famous for its temple and oracle of Apollo. It was a leading city of the Lycian League. Picture by Manuel Cohen
    LC13_Turkey_MC626.jpg
  • Entrance to the Lighthouse, erected by Emperor Nero in 64-65 AD, on the western edge of the now silted harbour of Patara, Antalya, Turkey. It consists of a square podium 20x20m and a tower rising from the middle. The podium walls were cut from the bedrock and filled with rubble to resist earthquakes. The tower was 26m high and consists of 2 nested cylindrical structures connected through a spiral staircase. The cylindrical exterior wall, 6m in diameter, was built as a double-hulled structure using concavo-convex stone blocks. The staircases were connected to each other so as to increase the static resistance of the tower. On top of the lighthouse was a dome on an octagonal base created by arches on piers. The tower is accessed through a wooden gate to the West. A monumental inscription, originally set in gold-plated bronze lettering, circled the lighthouse at the top of the tower so that it could be read from a distance, stating that Emperor Nero erected the lighthouse for the safety of sailors. This is believed to be the oldest lighthouse in the world. Patara was a maritime Greek and Roman city on the South West Mediterranean coast of Lycia near modern-day Gelemis. It was said to be founded by Patarus, son of Apollo, and was famous for its temple and oracle of Apollo. It was a leading city of the Lycian League. Picture by Manuel Cohen
    LC13_Turkey_MC627.jpg
  • Spiral staircase of the Lighthouse, erected by Emperor Nero in 64-65 AD, on the western edge of the now silted harbour of Patara, Antalya, Turkey. It consists of a square podium 20x20m and a tower rising from the middle. The podium walls were cut from the bedrock and filled with rubble to resist earthquakes. The tower was 26m high and consists of 2 nested cylindrical structures connected through a spiral staircase. The cylindrical exterior wall, 6m in diameter, was built as a double-hulled structure using concavo-convex stone blocks. The staircases were connected to each other so as to increase the static resistance of the tower. On top of the lighthouse was a dome on an octagonal base created by arches on piers. The tower is accessed through a wooden gate to the West. A monumental inscription, originally set in gold-plated bronze lettering, circled the lighthouse at the top of the tower so that it could be read from a distance, stating that Emperor Nero erected the lighthouse for the safety of sailors. This is believed to be the oldest lighthouse in the world. Patara was a maritime Greek and Roman city on the South West Mediterranean coast of Lycia near modern-day Gelemis. It was said to be founded by Patarus, son of Apollo, and was famous for its temple and oracle of Apollo. It was a leading city of the Lycian League. Picture by Manuel Cohen
    LC13_Turkey_MC630.jpg
  • Port de l'Arsenal, boat basin connecting Canal Saint Martin to the Seine river, Colonne de Juillet (July Column) visible in the background, La Bastille, Paris, France. Picture by Manuel Cohen
    LC_PARIS_11_MC223.jpg
  • General view of the Forum from the Basilica, Ostia Antica, Italy. The Forum, main square of the city, was remodeled extensively remodeled during the reign of Hadrian (117-138 AD). Picture by Manuel Cohen
    LCITALY12_MC474.jpg
  • Frigidarium of the Terme del Foro (Baths of the Forum), late 2nd century, Ostia Antica, Italy. Picture by Manuel Cohen
    LCITALY12_MC473.jpg
  • Casseggiato del Larario (House of the Lararium), 1st century AD, Ostia Antica, Italy. Storage building called Small Market, 2nd century AD, visible in the background. Picture by Manuel Cohen
    LCITALY12_MC472.jpg
  • Amorini hauling the chariot of Mars (replica), carved relief on one of the sides of the altar of Sacello dell'Ara dei Gemelli (Shrine of the Altar of the Twins), 2nd century AD, Ostia Antica, Italy. Picture by Manuel Cohen
    LCITALY12_MC470.jpg
  • Casseggiato del Larario (House of the Lararium), 1st century AD, Ostia Antica, Italy. Storage building called Small Market, 2nd century AD, visible in the background. Picture by Manuel Cohen
    LCITALY12_MC466.jpg
  • Niche, Caseggiato del Larario (House of the Lararium), 2nd century AD, Ostia Antica, Italy. Picture by Manuel Cohen Picture by Manuel Cohen
    LCITALY12_MC463.jpg
  • Inscriptions that were attached to the upper part of the Porta Romana, late 1st century AD, Ostia Antica, Italy. Picture by Manuel Cohen
    LCITALY12_MC461.jpg
  • Carved figure with toga, remains of a tomb, Ostia Antica, Italy. Picture by Manuel Cohen
    LCITALY12_MC459.jpg
  • Public latrine (forica), accessible from Via della Forica, 4th century, Caseggiato dei Triclini (House of the dining-couche), Ostia Antica, Italy. Picture by Manuel Cohen
    LCITALY12_MC457.JPG
  • Facade of Caseggiato degli Aurighi (Building of the Charioteers), 2nd century, seen from the East, on the Cardo degli Aurighi, Ostia Antica, Italy. Picture by Manuel Cohen
    LCITALY12_MC455.jpg
  • Amphoras and flying figure on the vault of the room 5 of the Terme dei Sette Sapienti (Baths of the Seven Sages), 2nd century AD, Ostia Antica, Italy. Picture by Manuel Cohen
    LCITALY12_MC454.jpg
  • Skulls of goats and garlands above the entrance to the Terme dei Sette Sapienti (Baths of the Seven Sages), 2nd century AD, Ostia Antica, Italy. Picture by Manuel Cohen
    LCITALY12_MC451.jpg
  • Relief of griffin, carved on the side of a sarcophagus, Oratorio Cristiano delle Terme del Mitra (Christian Oratory), built in the 4th century - 5th century on the top of the mithraeum of the Baths of Mithras, Ostia Antica, Italy. Picture by Manuel Cohen
    LCITALY12_MC381.jpg
  • Painting of food and other objects related to the bar, Thermopolium of Via di Diana (Taberna), 3rd century AD, Ostia Antica, Italy. Picture by Manuel Cohen
    LCITALY12_MC447.jpg
  • Theatrical Mask, proscenium of the 1st century BC theatre of Ostia Antica, Italy. Picture by Manuel Cohen
    LCITALY12_MC446.jpg
  • Theatrical Mask, proscenium of the 1st century BC theatre of Ostia Antica, Italy. Picture by Manuel Cohen
    LCITALY12_MC445.jpg
  • Polychrome intarsia of rays, made of red and yellow bricks, and pieces of pumice, detail of north facade of the Tomba degli Archetti (Tomb of Bows), 1st century AD, Porta Romana necropolis, Ostia Antica, Italy. Picture by Manuel Cohen
    LCITALY12_MC441.jpg
  • Theatrical Mask, proscenium of the 1st century BC theatre of Ostia Antica, Italy. Picture by Manuel Cohen
    LCITALY12_MC437.jpg
  • Theatrical Mask, proscenium of the 1st century BC theatre of Ostia Antica, Italy. Picture by Manuel Cohen
    LCITALY12_MC436.jpg
  • Theatrical Mask, proscenium of the 1st century BC theatre of Ostia Antica, Italy. Picture by Manuel Cohen
    LCITALY12_MC434.jpg
  • Theatrical Mask, proscenium of the 1st century BC theatre of Ostia Antica, Italy. Picture by Manuel Cohen
    LCITALY12_MC432.jpg
  • Theatrical Mask, proscenium of the 1st century BC theatre of Ostia Antica, Italy. Picture by Manuel Cohen
    LCITALY12_MC430.jpg
  • Cisium, a two-wheeled cart for carrying passengers and mules, public urban transportation and interurban service connecting Ostia with Rome along the Via Ostiense, mosaics floor of the frigidarium of the Terme dei Cisiarii (Baths of the Coachmen), late 1st century AD - early 2nd century AD, Ostia Antica, Italy. Picture by Manuel Cohen
    LCITALY12_MC429.jpg
  • Shepherd with a sheep between the legs, detail of relief on a sarcophagus, Oratorio Cristiano delle Terme del Mitra (Christian Oratory), built in the 4th century - 5th century on the top of the mithraeum of the Baths of Mithras, Ostia Antica, Italy. Picture by Manuel Cohen
    LCITALY12_MC427.jpg
  • Woman sitting on a throne, Domus della Fortuna Annonaria (House of the Fortuna Anonaria), 2nd century AD, Ostia Antica, Italy. Her head is turreted and she is holding a cornucopia in her left hand. It has been thought that she represents the Fortuna Annonaria (Fortuna of the grain-supply) or a personnification of the city of Ostia. Picture by Manuel Cohen
    LCITALY12_MC425.jpg
  • Woman sitting on a throne, Domus della Fortuna Annonaria (House of the Fortuna Anonaria), 2nd century AD, Ostia Antica, Italy. Her head is turreted and she is holding a cornucopia in her left hand. It has been thought that she represents the Fortuna Annonaria (Fortuna of the grain-supply) or a personnification of the city of Ostia. Picture by Manuel Cohen
    LCITALY12_MC424.jpg
  • Marble statue of Pan, at the entrance of the Santuario di Attis (Shrine of Attis), late 3rd century, Ostia Antica, Italy. Picture by Manuel Cohen
    LCITALY12_MC423.jpg
  • Statue of the reclining Attis (Replica, original at the Vatican Museums), apse of the Santuario di Attis (Shrine of Attis), late 3rd century, Ostia Antica, Italy. Picture by Manuel Cohen
    LCITALY12_MC422.jpg
  • Statue of the reclining Attis (Replica, original at the Vatican Museums), apse of the Santuario di Attis (Shrine of Attis), late 3rd century, Ostia Antica, Italy. Picture by Manuel Cohen
    LCITALY12_MC421.jpg
  • Nereid, detail of the mosaics floor of the caldarium of the Terme del bagnino Buticosus (Baths of the Baths-Superintendent Buticosus), early 2nd century AD, Ostia Antica, Italy. Picture by Manuel Cohen
    LCITALY12_MC417.jpg
  • Statue of Amore e Psiche (Cupid and Psyche) in room E, Domus di Amore e Psiche (House of Cupid and Psyche), 2nd century AD, Ostia Antica, Italy. Picture by Manuel Cohen
    LCITALY12_MC415.jpg
  • Detail of Cupid and Psyche in room E, Domus di Amore e Psiche (House of Cupid and Psyche), 2nd century AD, Ostia Antica Picture by Manuel Cohen
    LCITALY12_MC413.jpg
  • Detail of Cupid and Psyche in room E, Domus di Amore e Psiche (House of Cupid and Psyche), 2nd century AD, Ostia Antica Picture by Manuel Cohen
    LCITALY12_MC412.jpg
  • Detail of Cupid and Psyche in room E, Domus di Amore e Psiche (House of Cupid and Psyche), 2nd century AD, Ostia Antica Picture by Manuel Cohen
    LCITALY12_MC411.jpg
  • Domus di Amore e Psiche (House of Cupid and Psyche), 2nd century AD, Ostia Antica, Italy. Picture by Manuel Cohen
    LCITALY12_MC409.jpg
  • Painting of the Seven Sages (detail), frescoes in the room of the Seven Sages of the Terme dei Sette Sapienti (Baths of the Seven Sages), 2nd century AD, Ostia Antica, Italy. The "seven Greek sages" are depicted, who all lived around 600 BC. Their names and city of origin are painted in Greek next to them. Picture by Manuel Cohen
    LCITALY12_MC406.jpg
  • Detail of fresco of Venus Anadyomene (Venus Rising From the Sea), between amorini, fishes, and crustaceans, late 2nd century - early 3rd century, in the frigidarium of the Terme dei Sette Sapienti (Baths of the Seven Sages), Ostia Antica, Italy. Picture by Manuel Cohen
    LCITALY12_MC401.jpg
  • Detail of fresco of Venus Anadyomene (Venus Rising From the Sea), between amorini, fishes, and crustaceans, late 2nd century - early 3rd century, in the frigidarium of the Terme dei Sette Sapienti (Baths of the Seven Sages), Ostia Antica, Italy. Picture by Manuel Cohen
    LCITALY12_MC400.jpg
  • Marina at Port de Mesnil-Saint-Pere, aerial view, on the shore of Lac D'Orient, a 2500 hectare lake surrounded by forests, used for swimming and sailing, near Troyes, Aube, Grand Est, France. Picture by Manuel Cohen
    DRN_ LC21_FRANCE_MC_2006.jpg
  • Marina and harbour wall at Port de Mesnil-Saint-Pere, aerial view, on the shore of Lac D'Orient, a 2500 hectare lake surrounded by forests, used for swimming and sailing, near Troyes, Aube, Grand Est, France. Picture by Manuel Cohen
    DRN_ LC21_FRANCE_MC_2005.jpg
  • Eglise Notre-Dame-des-Anges, or Church of Our Lady of the Angels, built in 1684, with an attached bell tower which was originally used as a lighthouse or beacon, seen from across the harbour, in Collioure, Pyrenees-Orientales, Catalogne du Nord, France. The church is listed as a historic monument. On the right is the Chapelle Saint-Vincent, built in 1701 to house the relics of St Vincent, who was martyred here in 303 AD. Collioure is a small town depicted by many artists in the 20th century, on the Vermilion Coast near the Spanish border. Picture by Manuel Cohen
    LC20_FRANCE_MC_0664.jpg
  • Starboard green beacon at the harbour entrance at Collioure, Pyrenees-Orientales, Catalogne du Nord, France. Collioure is a small town depicted by many artists in the 20th century, on the Vermilion Coast near the Spanish border. Picture by Manuel Cohen
    LC20_FRANCE_MC_0663.jpg
  • Immigrants arriving in America, photograph, 1908, by Lewis Hine, displayed in the National Immigration Museum, in the main building on Ellis Island, the immigration processing centre for the United States from 1892 to 1954, at the mouth of the Hudson river in New York City, NY, USA. Ellis Island and its Immigration Museum are part of the Statue of Liberty National Monument and are managed by the National Park Authority. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_095.jpg
  • Measles and isolation wards of the Contagious Disease Hospital, on Ellis Island, the immigration processing centre for the United States from 1892 to 1954, at the mouth of the Hudson river in New York City, NY, USA. The Contagious Disease Hospital comprised 17 sealable pavilions, designed James Knox Taylor in Italian Renaissance style and built 1911, including 8 measles wards, 3 isolation wards, an autopsy theatre, mortuary, laboratory, administration building, kitchen, and staff house. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_092.jpg
  • Main building, in French Renaissance style, designed by William Alciphron Boring and Edward Lippincott Tilton and built early 20th century, containing registry rooms, detention rooms and offices, on Ellis Island, immigration processing centre for the United States from 1892 to 1954, at the mouth of the Hudson river in New York City, NY, USA. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_085.JPG
  • Main building, in French Renaissance style, designed by William Alciphron Boring and Edward Lippincott Tilton and built early 20th century, containing registry rooms, detention rooms and offices, on Ellis Island, immigration processing centre for the United States from 1892 to 1954, at the mouth of the Hudson river in New York City, NY, USA. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_084.JPG
  • Main building, in French Renaissance style, designed by William Alciphron Boring and Edward Lippincott Tilton and built early 20th century, containing registry rooms, detention rooms and offices, on Ellis Island, immigration processing centre for the United States from 1892 to 1954, at the mouth of the Hudson river in New York City, NY, USA. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_083.JPG
  • Display of black and white photographs of immigrants and their families, in the National Immigration Museum, in the main building on Ellis Island, the immigration processing centre for the United States from 1892 to 1954, at the mouth of the Hudson river in New York City, NY, USA. Ellis Island and its Immigration Museum are part of the Statue of Liberty National Monument and are managed by the National Park Authority. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_014.jpg
  • American eagle sculpture on the facade of the main building, in French Renaissance style, designed by William Alciphron Boring and Edward Lippincott Tilton and built early 20th century, containing registry rooms, detention rooms and offices, on Ellis Island, immigration processing centre for the United States from 1892 to 1954, at the mouth of the Hudson river in New York City, NY, USA. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_079.jpg
  • Entrance to the main building, designed by William Alciphron Boring and Edward Lippincott Tilton and built early 20th century in French Renaissance style, containing registry rooms, detention rooms and offices, on Ellis Island, immigration processing centre for the United States from 1892 to 1954, at the mouth of the Hudson river in New York City, NY, USA. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_078.jpg
  • Main building, in French Renaissance style, designed by William Alciphron Boring and Edward Lippincott Tilton and built early 20th century, containing registry rooms, detention rooms and offices, on Ellis Island, immigration processing centre for the United States from 1892 to 1954, at the mouth of the Hudson river in New York City, NY, USA. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_076.jpg
  • Main building, in French Renaissance style, designed by William Alciphron Boring and Edward Lippincott Tilton and built early 20th century, containing registry rooms, detention rooms and offices, and Kitchen and Laundry building (left), on Ellis Island, immigration processing centre for the United States from 1892 to 1954, at the mouth of the Hudson river in New York City, NY, USA. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_075.jpg
  • Tower of the main building, in French Renaissance style, designed by William Alciphron Boring and Edward Lippincott Tilton and built early 20th century, containing registry rooms, detention rooms and offices, on Ellis Island, immigration processing centre for the United States from 1892 to 1954, at the mouth of the Hudson river in New York City, NY, USA. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_073.jpg
  • Tower of the main building, in French Renaissance style, designed by William Alciphron Boring and Edward Lippincott Tilton and built early 20th century, containing registry rooms, detention rooms and offices, on Ellis Island, immigration processing centre for the United States from 1892 to 1954, at the mouth of the Hudson river in New York City, NY, USA. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_072.jpg
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