manuel cohen

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  • Sunflower ceramic tiles on the rear facade of El Capricho de Gaudi, or Villa Quijano, a Modernist villa designed by Antoni Gaudi, 1852-1926, and built 1883-85 under his assistant Cristobal Cascante, in Comillas, Cantabria, Spain. The villa was commissioned by Maximo Diaz de Quijano as a summer house. It is from Gaudi's orientalist period, with azulejos tiles and domes. The building has housed a museum since 2009. Picture by Manuel Cohen
    _CC_8026.jpg
  • Sunflower ceramic tile on the rear facade of El Capricho de Gaudi, or Villa Quijano, a Modernist villa designed by Antoni Gaudi, 1852-1926, and built 1883-85 under his assistant Cristobal Cascante, in Comillas, Cantabria, Spain. The villa was commissioned by Maximo Diaz de Quijano as a summer house. It is from Gaudi's orientalist period, with azulejos tiles and domes. The building has housed a museum since 2009. Picture by Manuel Cohen
    _CC_8405.jpg
  • Hand painted 18th century Chinese wallpaper, with blossom tree, bamboo, butterflies and birds, used by the Duke Paul de Noailles and his architect Henri Parent in the 19th century, to decorate 2 lounges known as the Salons Chinois, in the grands appartements in the round tower, at the Chateau de Maintenon, built 13th - 18th century, and from 1674, residence of Madame de Maintenon, 1635-1719, second wife of King Louis XIV, at Maintenon, Eure-et-Loir, France. The castle is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_0229.jpg
  • Japanese chest in shagreen and lacquer, 17th century, belonging to Madame de Maintenon, in a Salon Chinois, 1 of 2 lounges decorated with hand painted 18th century Chinese wallpaper, decorated by the Duke Paul de Noailles and his architect Henri Parent in the 19th century, in the grands appartements in the round tower, at the Chateau de Maintenon, built 13th - 18th century, and from 1674, residence of Madame de Maintenon, 1635-1719, second wife of King Louis XIV, at Maintenon, Eure-et-Loir, France. The castle is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_0231.jpg
  • Boat builder working on a small dhow in the dhow building boatyard in Muharraq, Bahrain. Wooden Arabian dhows are built here by hand using traditional methods and this is the last dhow shipyard remaining in Bahrain. Picture by Manuel Cohen
    LC19_BAHREIN_MC_093.jpg
  • Boat builder working on a small dhow in the dhow building boatyard in Muharraq, Bahrain. Wooden Arabian dhows are built here by hand using traditional methods and this is the last dhow shipyard remaining in Bahrain. Picture by Manuel Cohen
    LC19_BAHREIN_MC_094.jpg
  • Worker carrying a trunk to be cut into planks, and Abdulla Mohamed, dhow designer, lifting a trunk with a winch, in the woodyard of the dhow building boatyard in Muharraq, Bahrain. Wooden Arabian dhows are built here by hand using traditional methods and this is the last dhow shipyard remaining in Bahrain. Picture by Manuel Cohen
    LC19_BAHREIN_MC_098.jpg
  • Worker in the dhow building boatyard in Muharraq, Bahrain. Behind is Jal Boat, a 500 year old dhow used for pearl diving, which is in the process of restoration. Wooden Arabian dhows are built here by hand using traditional methods and this is the last dhow shipyard remaining in Bahrain. Picture by Manuel Cohen
    LC19_BAHREIN_MC_101.jpg
  • Traditional wooden Arabian dhow sailing in front of the modern skyscrapers in Muharraq, Bahrain. Wooden dhows are built here by hand using traditional methods and the last dhow shipyard remaining in Bahrain is in Muharraq. Muharraq is a city on the Pearling Path and with a strong history of pearl diving and pearl trade, where 17 buildings form part of a UNESCO World Heritage Site celebrating the pearl trade. Picture by Manuel Cohen
    LC19_BAHREIN_MC_253.jpg
  • Vicente Benlloch Caballer painting a fan at Abanicos Vibenca, on Plaza Lope de Vega in Valencia, Spain. This family business was started in 1910 by Antonio Benlloch Martinez, and continued by his son and now his grandson. The fans are made and painted by hand. Picture by Manuel Cohen
    LC21_SPAIN_MC_0106.jpg
  • Vicente Benlloch Caballer painting a fan at Abanicos Vibenca, on Plaza Lope de Vega in Valencia, Spain. This family business was started in 1910 by Antonio Benlloch Martinez, and continued by his son and now his grandson. The fans are made and painted by hand. Picture by Manuel Cohen
    LC21_SPAIN_MC_0107.jpg
  • Vicente Benlloch Caballer painting a fan at Abanicos Vibenca, on Plaza Lope de Vega in Valencia, Spain. This family business was started in 1910 by Antonio Benlloch Martinez, and continued by his son and now his grandson. The fans are made and painted by hand. Picture by Manuel Cohen
    LC21_SPAIN_MC_0108.jpg
  • Vicente Benlloch Caballer painting a fan at Abanicos Vibenca, on Plaza Lope de Vega in Valencia, Spain. This family business was started in 1910 by Antonio Benlloch Martinez, and continued by his son and now his grandson. The fans are made and painted by hand. Picture by Manuel Cohen
    LC21_SPAIN_MC_0109.jpg
  • Vicente Benlloch Caballer painting a fan at Abanicos Vibenca, on Plaza Lope de Vega in Valencia, Spain. This family business was started in 1910 by Antonio Benlloch Martinez, and continued by his son and now his grandson. The fans are made and painted by hand. Picture by Manuel Cohen
    LC21_SPAIN_MC_0110.jpg
  • Sunflower ceramic tiles on the rear facade of El Capricho de Gaudi, or Villa Quijano, a Modernist villa designed by Antoni Gaudi, 1852-1926, and built 1883-85 under his assistant Cristobal Cascante, in Comillas, Cantabria, Spain. The villa was commissioned by Maximo Diaz de Quijano as a summer house. It is from Gaudi's orientalist period, with azulejos tiles and domes. The building has housed a museum since 2009. Picture by Manuel Cohen
    LC21_SPAIN_MC_0634.jpg
  • Sunflower ceramic tile on the rear facade of El Capricho de Gaudi, or Villa Quijano, a Modernist villa designed by Antoni Gaudi, 1852-1926, and built 1883-85 under his assistant Cristobal Cascante, in Comillas, Cantabria, Spain. The villa was commissioned by Maximo Diaz de Quijano as a summer house. It is from Gaudi's orientalist period, with azulejos tiles and domes. The building has housed a museum since 2009. Picture by Manuel Cohen
    LC21_SPAIN_MC_0674.jpg
  • Sunflower ceramic tiles on the rear facade of El Capricho de Gaudi, or Villa Quijano, a Modernist villa designed by Antoni Gaudi, 1852-1926, and built 1883-85 under his assistant Cristobal Cascante, in Comillas, Cantabria, Spain. The villa was commissioned by Maximo Diaz de Quijano as a summer house. It is from Gaudi's orientalist period, with azulejos tiles and domes. The building has housed a museum since 2009. Picture by Manuel Cohen
    LC21_SPAIN_MC_0686.jpg
  • Sunflower ceramic tiles, detail of the rear facade of El Capricho de Gaudi, or Villa Quijano, a Modernist villa designed by Antoni Gaudi, 1852-1926, and built 1883-85 under his assistant Cristobal Cascante, in Comillas, Cantabria, Spain. The villa was commissioned by Maximo Diaz de Quijano as a summer house. It is from Gaudi's orientalist period, with azulejos tiles and domes. The building has housed a museum since 2009. Picture by Manuel Cohen
    _CC_8028.jpg
  • Sunflower ceramic tiles on the rear facade of El Capricho de Gaudi, or Villa Quijano, a Modernist villa designed by Antoni Gaudi, 1852-1926, and built 1883-85 under his assistant Cristobal Cascante, in Comillas, Cantabria, Spain. The villa was commissioned by Maximo Diaz de Quijano as a summer house. It is from Gaudi's orientalist period, with azulejos tiles and domes. The building has housed a museum since 2009. Picture by Manuel Cohen
    _CC_8455.jpg
  • Hand painted 18th century Chinese wallpaper, with blossom tree, bamboo, butterflies and birds, used by the Duke Paul de Noailles and his architect Henri Parent in the 19th century, to decorate 2 lounges known as the Salons Chinois, in the grands appartements in the round tower, at the Chateau de Maintenon, built 13th - 18th century, and from 1674, residence of Madame de Maintenon, 1635-1719, second wife of King Louis XIV, at Maintenon, Eure-et-Loir, France. The castle is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_0228.jpg
  • Hand painted 18th century Chinese wallpaper, with blossom tree, bamboo, butterflies and birds, used by the Duke Paul de Noailles and his architect Henri Parent in the 19th century, to decorate 2 lounges known as the Salons Chinois, in the grands appartements in the round tower, at the Chateau de Maintenon, built 13th - 18th century, and from 1674, residence of Madame de Maintenon, 1635-1719, second wife of King Louis XIV, at Maintenon, Eure-et-Loir, France. The castle is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_0230.jpg
  • Hand painted 18th century Chinese wallpaper, with blossom tree, bamboo, butterflies and birds, used by the Duke Paul de Noailles and his architect Henri Parent in the 19th century, to decorate 2 lounges known as the Salons Chinois, in the grands appartements in the round tower, at the Chateau de Maintenon, built 13th - 18th century, and from 1674, residence of Madame de Maintenon, 1635-1719, second wife of King Louis XIV, at Maintenon, Eure-et-Loir, France. The castle is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_0233.jpg
  • Les Salons Chinois, 1 of 2 lounges decorated with hand painted 18th century Chinese wallpaper, decorated by the Duke Paul de Noailles and his architect Henri Parent in the 19th century, in the grands appartements in the round tower, at the Chateau de Maintenon, built 13th - 18th century, and from 1674, residence of Madame de Maintenon, 1635-1719, second wife of King Louis XIV, at Maintenon, Eure-et-Loir, France. The castle is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_0249.jpg
  • Boat builder working on a small dhow in the dhow building boatyard in Muharraq, Bahrain. Wooden Arabian dhows are built here by hand using traditional methods and this is the last dhow shipyard remaining in Bahrain. Picture by Manuel Cohen
    LC19_BAHREIN_MC_092.jpg
  • Boat builder working on a small dhow in the dhow building boatyard in Muharraq, Bahrain. Wooden Arabian dhows are built here by hand using traditional methods and this is the last dhow shipyard remaining in Bahrain. Picture by Manuel Cohen
    LC19_BAHREIN_MC_095.jpg
  • Woodyard of the dhow building boatyard in Muharraq, Bahrain and behind, pearl diving dhows under construction or restoration. Wooden Arabian dhows are built here by hand using traditional methods and this is the last dhow shipyard remaining in Bahrain. Picture by Manuel Cohen
    LC19_BAHREIN_MC_099.jpg
  • Abdulla Mohamed, dhow designer, standing in front of pearl diving dhows Sambouk (right), a 6 year old traditional Arabian dhow made in Tek, and Jal Boat (left), 500 years old, under restoration, in the dhow building boatyard in Muharraq, Bahrain. Wooden Arabian dhows are built here by hand using traditional methods and this is the last dhow shipyard remaining in Bahrain. Picture by Manuel Cohen
    LC19_BAHREIN_MC_102.jpg
  • Sunflower ceramic tiles, detail of the rear facade of El Capricho de Gaudi, or Villa Quijano, a Modernist villa designed by Antoni Gaudi, 1852-1926, and built 1883-85 under his assistant Cristobal Cascante, in Comillas, Cantabria, Spain. The villa was commissioned by Maximo Diaz de Quijano as a summer house. It is from Gaudi's orientalist period, with azulejos tiles and domes. The building has housed a museum since 2009. Picture by Manuel Cohen
    LC21_SPAIN_MC_0633.jpg
  • Sunflower ceramic tiles on the rear facade of El Capricho de Gaudi, or Villa Quijano, a Modernist villa designed by Antoni Gaudi, 1852-1926, and built 1883-85 under his assistant Cristobal Cascante, in Comillas, Cantabria, Spain. The villa was commissioned by Maximo Diaz de Quijano as a summer house. It is from Gaudi's orientalist period, with azulejos tiles and domes. The building has housed a museum since 2009. Picture by Manuel Cohen
    LC21_SPAIN_MC_0632.jpg
  • Sunflower ceramic tiles on the rear facade of El Capricho de Gaudi, or Villa Quijano, a Modernist villa designed by Antoni Gaudi, 1852-1926, and built 1883-85 under his assistant Cristobal Cascante, in Comillas, Cantabria, Spain. The villa was commissioned by Maximo Diaz de Quijano as a summer house. It is from Gaudi's orientalist period, with azulejos tiles and domes. The building has housed a museum since 2009. Picture by Manuel Cohen
    _CC_8031.jpg
  • Prow of the boat Sambouk, a 6 year old Arab traditional pearl diving dhow made in Tek, at the dhow building boatyard in Muharraq, Bahrain. Wooden Arabian dhows are built here by hand using traditional methods and this is the last dhow shipyard remaining in Bahrain. Picture by Manuel Cohen
    LC19_BAHREIN_MC_096.jpg
  • Worker lifting a trunk with a winch to be cut into planks, and Abdulla Mohamed, dhow designer (left), in the woodyard of the dhow building boatyard in Muharraq, Bahrain. Wooden Arabian dhows are built here by hand using traditional methods and this is the last dhow shipyard remaining in Bahrain. Picture by Manuel Cohen
    LC19_BAHREIN_MC_097.jpg
  • Abdulla Mohamed, dhow designer, with a wooden model of a dhow, in the dhow building boatyard in Muharraq, Bahrain. Wooden Arabian dhows are built here by hand using traditional methods and this is the last dhow shipyard remaining in Bahrain. Picture by Manuel Cohen
    LC19_BAHREIN_MC_100.jpg
  • Artisan at work making musical instruments by hand in Bursa, Turkey. Picture by Manuel Cohen
    LC13_Turkey_MC064.jpg
  • Nave of Evry Cathedral of the Resurrection, or Cathedrale de la Resurrection d'Evry, designed by Mario Botta and built 1992-95, Evry, Essonne, France. The nave is housed within a cylindrical concrete tower, lined with handmade red bricks. Light floods in from the glass around the top of the walls, and the floor is in black granite. The white marble altar stands in front of a window with a tree design, and the crucifixion sculpture above is from Tanzania. The cathedral was opened in 1995, and consecrated and dedicated to St Corbinian in 1996. Picture by Manuel Cohen
    LC16_FRANCE_MC_0666.jpg
  • Octagonal chapel for private ceremonies and prayer, in Evry Cathedral of the Resurrection, or Cathedrale de la Resurrection d'Evry, designed by Mario Botta and built 1992-95, Evry, Essonne, France. The chapel has a black granite floor and handmade red bricks in a lattice design around the walls. The cathedral was opened in 1995, and consecrated and dedicated to St Corbinian in 1996. Picture by Manuel Cohen
    LC16_FRANCE_MC_0657.jpg
  • Evry Cathedral of the Resurrection, or Cathedrale de la Resurrection d'Evry, designed by Mario Botta and built 1992-95, Evry, Essonne, France. The building comprises a cylindrical concrete tower, 34.5m high, faced with 840,000 handmade red bricks and crowned by a ring of lime trees symbolising life around the sloping circular roof. The other buildings form a cloister. The cathedral was opened in 1995, and consecrated and dedicated to St Corbinian in 1996. Picture by Manuel Cohen
    LC16_FRANCE_MC_0649.jpg
  • Nave of Evry Cathedral of the Resurrection, or Cathedrale de la Resurrection d'Evry, designed by Mario Botta and built 1992-95, Evry, Essonne, France. The nave is housed within a cylindrical concrete tower, lined with handmade red bricks. Light floods in from the glass around the top of the walls, and the floor is in black granite. The cathedral was opened in 1995, and consecrated and dedicated to St Corbinian in 1996. Picture by Manuel Cohen
    LC16_FRANCE_MC_0651.jpg
  • Nave of Evry Cathedral of the Resurrection, or Cathedrale de la Resurrection d'Evry, seen from the first floor, designed by Mario Botta and built 1992-95, Evry, Essonne, France. The nave is housed within a cylindrical concrete tower, lined with handmade red bricks. Light floods in from the glass around the top of the walls, and the floor is in black granite. The white marble altar stands in front of a window with a tree design, and the crucifixion sculpture above is from Tanzania. The cathedral was opened in 1995, and consecrated and dedicated to St Corbinian in 1996. Picture by Manuel Cohen
    LC16_FRANCE_MC_0665.jpg
  • Ramped staircase around the nave of Evry Cathedral of the Resurrection, or Cathedrale de la Resurrection d'Evry, designed by Mario Botta and built 1992-95, Evry, Essonne, France. The nave is housed within a cylindrical concrete tower, lined with handmade red bricks. Light floods in from the glass around the top of the walls, and the floor is in black granite. The cathedral was opened in 1995, and consecrated and dedicated to St Corbinian in 1996. Picture by Manuel Cohen
    LC16_FRANCE_MC_0653.jpg
  • Nave of Evry Cathedral of the Resurrection, or Cathedrale de la Resurrection d'Evry, designed by Mario Botta and built 1992-95, Evry, Essonne, France. The nave is housed within a cylindrical concrete tower, lined with handmade red bricks. Light floods in from the glass around the top of the walls, and the floor is in black granite. The cathedral was opened in 1995, and consecrated and dedicated to St Corbinian in 1996. Picture by Manuel Cohen
    LC16_FRANCE_MC_0652.jpg
  • Nave of Evry Cathedral of the Resurrection, or Cathedrale de la Resurrection d'Evry, seen from the first floor, designed by Mario Botta and built 1992-95, Evry, Essonne, France. The nave is housed within a cylindrical concrete tower, lined with handmade red bricks. Light floods in from the glass around the top of the walls, and the floor is in black granite. The white marble altar stands in front of a window with a tree design, and the crucifixion sculpture above is from Tanzania. The cathedral was opened in 1995, and consecrated and dedicated to St Corbinian in 1996. Picture by Manuel Cohen
    LC16_FRANCE_MC_0650.jpg
  • Evry Cathedral of the Resurrection, or Cathedrale de la Resurrection d'Evry, designed by Mario Botta and built 1992-95, Evry, Essonne, France. The building comprises a cylindrical concrete tower, 34.5m high, faced with 840,000 handmade red bricks and crowned by a ring of lime trees symbolising life around the sloping circular roof. The other buildings form a cloister. The cathedral was opened in 1995, and consecrated and dedicated to St Corbinian in 1996. Picture by Manuel Cohen
    LC16_FRANCE_MC_0648.jpg
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