manuel cohen

Show Navigation
  • Portfolio
  • Search (in english)
  • Reportages
  • Fine Art Prints
  • About
  • Contact
  • Instagram
  • Facebook
  • PicRights

Search Results

Refine Search
Match all words
Match any word
Prints
Personal Use
Royalty-Free
Rights-Managed
(leave unchecked to
search all images)
{ 4513 images found }

Loading ()...

  • Portrait of the glass sculptors Perrin & Perrin, Martine Perrin, b. 1949 and Jacki Perrin, b. 1943, and a shelf covered in tools in their workshop in Vitry sur Seine, Paris, France, photographed on 20th February 2018. The artists have been working together since 1967 and in 2001 developed the 'Build in Glass' technique, enabling them to sculpt and chisel the glass. Picture by Manuel Cohen
    20022018_PerrinPerrin_MC_07.jpg
  • Portrait of the glass sculptors Perrin & Perrin, Martine Perrin, b. 1949 and Jacki Perrin, b. 1943, in their workshop in Vitry sur Seine, Paris, France, photographed on 20th February 2018. The artists have been working together since 1967 and in 2001 developed the 'Build in Glass' technique, enabling them to sculpt and chisel the glass. Picture by Manuel Cohen
    20022018_PerrinPerrin_MC_06.jpg
  • Portrait of the glass sculptors Perrin & Perrin, Martine Perrin, b. 1949 and Jacki Perrin, b. 1943, in their workshop in Vitry sur Seine, Paris, France, photographed on 20th February 2018. The artists have been working together since 1967 and in 2001 developed the 'Build in Glass' technique, enabling them to sculpt and chisel  the glass. Picture by Manuel Cohen
    20022018_PerrinPerrin_MC_05.jpg
  • Portrait of the glass sculptors Perrin & Perrin, Martine Perrin, b. 1949 and Jacki Perrin, b. 1943, standing with a sculpture in their workshop in Vitry sur Seine, Paris, France, photographed on 20th February 2018. The artists have been working together since 1967 and in 2001 developed the 'Build in Glass' technique, enabling them to sculpt and chisel the glass. Picture by Manuel Cohen
    20022018_PerrinPerrin_MC_04.jpg
  • Portrait of the glass sculptors Perrin & Perrin, Martine Perrin, b. 1949 and Jacki Perrin, b. 1943, in their workshop in Vitry sur Seine, Paris, France, photographed on 20th February 2018. The artists have been working together since 1967 and in 2001 developed the 'Build in Glass' technique, enabling them to sculpt and chisel the glass. Picture by Manuel Cohen
    20022018_PerrinPerrin_MC_01.jpg
  • Portrait of the glass sculptors Perrin & Perrin, Martine Perrin, b. 1949 and Jacki Perrin, b. 1943, standing with a sculpture in their workshop in Vitry sur Seine, Paris, France, photographed on 20th February 2018. The artists have been working together since 1967 and in 2001 developed the 'Build in Glass' technique, enabling them to sculpt and chisel the glass. Picture by Manuel Cohen
    20022018_PerrinPerrin_MC_02.jpg
  • Portrait of the glass sculptors Perrin & Perrin, Martine Perrin, b. 1949 and Jacki Perrin, b. 1943, standing with a sculpture in their workshop in Vitry sur Seine, Paris, France, photographed on 20th February 2018. The artists have been working together since 1967 and in 2001 developed the 'Build in Glass' technique, enabling them to sculpt and chisel the glass. Picture by Manuel Cohen
    20022018_PerrinPerrin_MC_03.jpg
  • A man sits at a banquet table during a wedding celebration, his servant to the left is about to refill his cup with wine but realises that there is none left. This is the story of Jesus' miracle of turning the water into wine. The wedding feast at Cana, from the Our Lady of the stained glass and the public life of Christ stained glass window, 1180, in the ambulatory of Chartres Cathedral, Eure-et-Loir, France. This window was so named in the 15th century. Chartres cathedral was built 1194-1250 and is a fine example of Gothic architecture. Most of its windows date from 1205-40 although a few earlier 12th century examples are also intact. It was declared a UNESCO World Heritage Site in 1979. Picture by Manuel Cohen
    LC13_FRANCE_MC556.jpg
  • Reflection of the stained glass window in blue glass with interlacing patterns in lead reminiscent of the Neo-Romanesque period of the 19th century, made by Ateliers Loire, Chartres, in the glass of the ciborium cabinet, in the Upper Chapel, themed as 'L'Engagement' or Commitment, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0372.jpg
  • Detail of gilded glass ball and the aluminium valance made with Arsculpt and Technical Industrie, with part of a stained glass window behind, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0327.jpg
  • Detail of the stained glass window, with blue glass and leadwork in circles and the interlacing patterns reminiscent of the Neo-Romanesque style of the 19th century, made by Ateliers Loire, Chartres, and blue and gold glass beads made by Murano glassmaker Salviati, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0324.jpg
  • Virgin Mary as a Byzantine icon with jewelled crown and halo, enthroned in majesty with the Christ child on her knee, who holds an open book and blesses us. Censers swing about her head and above is a dove representing the holy spirit, with an image of the church of Jerusalem in heaven (this upper section was added in the 13th century). Virgin and child in majesty from the Our Lady of the stained glass and the public life of Christ stained glass window, 1180, in the ambulatory of Chartres Cathedral, Eure-et-Loir, France. This window was so named in the 15th century. Chartres cathedral was built 1194-1250 and is a fine example of Gothic architecture. Most of its windows date from 1205-40 although a few earlier 12th century examples are also intact. It was declared a UNESCO World Heritage Site in 1979. Picture by Manuel Cohen
    LC13_FRANCE_MC621.jpg
  • Virgin Mary as a Byzantine icon with jewelled crown and halo, enthroned in majesty with the Christ child on her knee, who holds an open book and blesses us. Censers swing about her head. The Virgin wears a veil which may refer to the Virgin's relic kept here at Chartres. Virgin and child in majesty from the Our Lady of the stained glass and the public life of Christ stained glass window, 1180, in the ambulatory of Chartres Cathedral, Eure-et-Loir, France. This window was so named in the 15th century. Chartres cathedral was built 1194-1250 and is a fine example of Gothic architecture. Most of its windows date from 1205-40 although a few earlier 12th century examples are also intact. It was declared a UNESCO World Heritage Site in 1979. Picture by Manuel Cohen
    LC13_FRANCE_MC596.jpg
  • A dove representing the holy spirit shining 3 rays of light onto the Virgin and child below, with an image of the church of Jerusalem in heaven. This upper section was added in the 13th century. The Holy Spirit from the apex of the Our Lady of the stained glass and the public life of Christ stained glass window, 1180, in the ambulatory of Chartres Cathedral, Eure-et-Loir, France. This window was so named in the 15th century. Chartres cathedral was built 1194-1250 and is a fine example of Gothic architecture. Most of its windows date from 1205-40 although a few earlier 12th century examples are also intact. It was declared a UNESCO World Heritage Site in 1979. Picture by Manuel Cohen
    LC13_FRANCE_MC597.jpg
  • Christ as a child sitting on the knee of his mother the Virgin Mary, holding an open book and blessing us with his right hand. Detail of the Virgin and child in majesty from the Our Lady of the stained glass and the public life of Christ stained glass window, 1180, in the ambulatory of Chartres Cathedral, Eure-et-Loir, France. This window was so named in the 15th century. Chartres cathedral was built 1194-1250 and is a fine example of Gothic architecture. Most of its windows date from 1205-40 although a few earlier 12th century examples are also intact. It was declared a UNESCO World Heritage Site in 1979. Picture by Manuel Cohen
    LC13_FRANCE_MC595.jpg
  • Head of the Virgin Mary as a Byzantine icon with a jewelled crown and a halo, and censers swinging. She wears a veil which may refer to the Virgin's relic kept here at Chartres. Detail of the Virgin and child in majesty from the Our Lady of the stained glass and the public life of Christ stained glass window, 1180, in the ambulatory of Chartres Cathedral, Eure-et-Loir, France. This window was so named in the 15th century. Chartres cathedral was built 1194-1250 and is a fine example of Gothic architecture. Most of its windows date from 1205-40 although a few earlier 12th century examples are also intact. It was declared a UNESCO World Heritage Site in 1979. Picture by Manuel Cohen
    LC13_FRANCE_MC555.jpg
  • Family tree of Rashi, stained glass window by Flavie Vincent-Petit, in the Stained Glass Room of the Maison Rachi, a Jewish museum and synagogue developed 1966 and 2016 in a 17th century half-timbered style building, restored 2010-16, named after Rabbi Shlomo Yitshaki, born in Troyes in 1040, in Troyes, Aube, Grand Est, France. Picture by Manuel Cohen
    LC21_FRANCE_MC_2762.jpg
  • Stained glass panels in the huge windows facing the Passeig de Gracia, with organic carved oak frames, in the grand central hall on the Noble Floor of Casa Batllo, originally built in 1877 by Emilio Sala Cortes and totally remodelled 1904-6 by Antoni Gaudi, 1852-1926, in catalan Modernisme and art nouveau style, for Josep Batllo y Casanovas, a textile industrialist, on the Passeig de Gracia in the Illa de la Discordia district of Barcelona, Catalonia, Spain. The windows all open using hidden counterweights. The walls and ceiling are all in organic wavy forms resembling the sea. A glass roof is glimpsed through an oculus. The building is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC20_SPAIN_MC_1254.jpg
  • Stained glass panels in the huge windows facing the Passeig de Gracia, with organic carved oak frames, in the grand central hall on the Noble Floor of Casa Batllo, originally built in 1877 by Emilio Sala Cortes and totally remodelled 1904-6 by Antoni Gaudi, 1852-1926, in catalan Modernisme and art nouveau style, for Josep Batllo y Casanovas, a textile industrialist, on the Passeig de Gracia in the Illa de la Discordia district of Barcelona, Catalonia, Spain. The windows all open using hidden counterweights. The walls and ceiling are all in organic wavy forms resembling the sea. A glass roof is glimpsed through an oculus. The building is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC20_SPAIN_MC_1251.jpg
  • Stained glass window, painted leaded glass, 1536, by Tyle Jependantz de Zytt, Lucerne, depicting a workshop minting coins with a hammer (above), and a portrait of the commissioner below, in the Musee du 11 Conti or Monnaie de Paris, reopened in 2017 after refurbishment, housed in the Hotel de la Monnaie, on Quai de Conti, in the 6th arrondissement of Paris, France. In the mint, gold coins, medals and official decorations are cast and visitors can watch this process taking place. The Paris Mint was founded in 864 AD and has been in the current building since 1775. Picture by Manuel Cohen
    LC19_PARIS_MC_1033.jpg
  • Stained glass window, painted leaded glass, 1582, by Hans Kauw, Strasbourg, depicting a workshop minting coins with a hammer (above), and the portrait of the commissioner below, a master of the Strasbourg Mint, in the Musee du 11 Conti or Monnaie de Paris, reopened in 2017 after refurbishment, housed in the Hotel de la Monnaie, on Quai de Conti, in the 6th arrondissement of Paris, France. In the mint, gold coins, medals and official decorations are cast and visitors can watch this process taking place. The Paris Mint was founded in 864 AD and has been in the current building since 1775. Picture by Manuel Cohen
    LC19_PARIS_MC_1032.jpg
  • Stained glass window, 19th century, in the Basilique Saint-Denis, Paris, France. The stained glass windows were added in the 19th century, commissioned by architects Debret and Viollet-le-Duc, as the lead from the originals was destroyed in the French Revolution. The basilica is a large medieval 12th century Gothic abbey church and burial site of French kings from 10th - 18th centuries. Picture by Manuel Cohen
    LC18_FRANCE_MC_0420.jpg
  • Louis-Philippe and his family visiting the vaults of Saint-Denis abbey, stained glass window, 19th century, in the South transept of the Basilique Saint-Denis, Paris, France. The stained glass windows were added in the 19th century, commissioned by architects Debret and Viollet-le-Duc, as the lead from the originals was destroyed in the French Revolution. The basilica is a large medieval 12th century Gothic abbey church and burial site of French kings from 10th - 18th centuries. Picture by Manuel Cohen
    LC18_FRANCE_MC_0419.jpg
  • Louis-Philippe and his family visiting the vaults of Saint-Denis abbey, stained glass window, 19th century, in the South transept of the Basilique Saint-Denis, Paris, France. The stained glass windows were added in the 19th century, commissioned by architects Debret and Viollet-le-Duc, as the lead from the originals was destroyed in the French Revolution. The basilica is a large medieval 12th century Gothic abbey church and burial site of French kings from 10th - 18th centuries. Picture by Manuel Cohen
    DRN_LC18_FRANCE_MC_0466.jpg
  • Deborah Timmins, glass artist, painting on a piece of glass, photographed 30th August 2017 at the Ateliers Duchemin, Paris, France. Since the 1850s, the Ateliers Duchemin have been making and restoring stained glass. Picture by Manuel Cohen
    300817_DucheminWorkshop_MC013.jpg
  • Deborah Timmins, glass artist, painting on a piece of glass, photographed 30th August 2017 at the Ateliers Duchemin, Paris, France. Since the 1850s, the Ateliers Duchemin have been making and restoring stained glass. Picture by Manuel Cohen
    300817_DucheminWorkshop_MC014.jpg
  • Deborah Timmins, glass artist, painting on a piece of glass, photographed 30th August 2017 at the Ateliers Duchemin, Paris, France. Since the 1850s, the Ateliers Duchemin have been making and restoring stained glass. Picture by Manuel Cohen
    300817_DucheminWorkshop_MC012.jpg
  • Mathilde Lingee, master glazier, setting glass in lead for a stained glass window by the artist Bernard Quesniaux, photographed 30th August 2017 at the Ateliers Duchemin, Paris, France. Since the 1850s, the Ateliers Duchemin have been making and restoring stained glass. Picture by Manuel Cohen
    300817_DucheminWorkshop_MC008.jpg
  • Deborah Timmins, glass artist, mixing paint and painting on a piece of glass, photographed 30th August 2017 at the Ateliers Duchemin, Paris, France. Since the 1850s, the Ateliers Duchemin have been making and restoring stained glass. Picture by Manuel Cohen
    300817_DucheminWorkshop_MC010.jpg
  • Mathilde Lingee, master glazier, setting glass in lead for a stained glass window by the artist Bernard Quesniaux, photographed 30th August 2017 at the Ateliers Duchemin, Paris, France. Since the 1850s, the Ateliers Duchemin have been making and restoring stained glass. Picture by Manuel Cohen
    300817_DucheminWorkshop_MC009.jpg
  • Mathilde Lingee, master glazier, setting glass in lead for a stained glass window by the artist Bernard Quesniaux, photographed 30th August 2017 at the Ateliers Duchemin, Paris, France. Since the 1850s, the Ateliers Duchemin have been making and restoring stained glass. Picture by Manuel Cohen
    300817_DucheminWorkshop_MC007.jpg
  • Mathilde Lingee, master glazier, setting glass in lead for a stained glass window by the artist Bernard Quesniaux, photographed 30th August 2017 at the Ateliers Duchemin, Paris, France. Since the 1850s, the Ateliers Duchemin have been making and restoring stained glass. Picture by Manuel Cohen
    300817_DucheminWorkshop_MC006.jpg
  • Mathilde Lingee, master glazier, setting glass in lead for a stained glass window by the artist Bernard Quesniaux, photographed 30th August 2017 at the Ateliers Duchemin, Paris, France. Since the 1850s, the Ateliers Duchemin have been making and restoring stained glass. Picture by Manuel Cohen
    300817_DucheminWorkshop_MC005.jpg
  • Mathilde Lingee, master glazier, setting glass in lead for a stained glass window by the artist Bernard Quesniaux, photographed 30th August 2017 at the Ateliers Duchemin, Paris, France. Since the 1850s, the Ateliers Duchemin have been making and restoring stained glass. Picture by Manuel Cohen
    300817_DucheminWorkshop_MC004.jpg
  • Mathilde Lingee, master glazier, setting glass in lead for a stained glass window by the artist Bernard Quesniaux, photographed 30th August 2017 at the Ateliers Duchemin, Paris, France. Since the 1850s, the Ateliers Duchemin have been making and restoring stained glass. Picture by Manuel Cohen
    300817_DucheminWorkshop_MC003.jpg
  • Three Marys at the Tomb of Christ, detail from the main stained glass window or maitresse-vitre of the chevet, made 1280-90 and restored in the 17th, 19th and 20th centuries, in the Cathedral Saint-Samson, begun in the 13th century on the site of an older church and completed in the 18th century, in Dol-de-Bretagne, Brittany, France. The window consists of 8 lancets depicting the lives of saints who have relics in the cathedral, and a tympanum of glass depicting the Last Judgement. The cathedral is dedicated to one of the founding saints of Brittany and until 1801 was the seat of the archbishopric of Dol. Picture by Manuel Cohen
    LC18_FRANCE_MC_0015.jpg
  • Jesus on trial in front of Pontius Pilate, detail from the main stained glass window or maitresse-vitre of the chevet, made 1280-90 and restored in the 17th, 19th and 20th centuries, in the Cathedral Saint-Samson, begun in the 13th century on the site of an older church and completed in the 18th century, in Dol-de-Bretagne, Brittany, France. The window consists of 8 lancets depicting the lives of saints who have relics in the cathedral, and a tympanum of glass depicting the Last Judgement. The cathedral is dedicated to one of the founding saints of Brittany and until 1801 was the seat of the archbishopric of Dol. Picture by Manuel Cohen
    LC18_FRANCE_MC_0016.jpg
  • Betrayal by Judas, detail from the main stained glass window or maitresse-vitre of the chevet, made 1280-90 and restored in the 17th, 19th and 20th centuries, in the Cathedral Saint-Samson, begun in the 13th century on the site of an older church and completed in the 18th century, in Dol-de-Bretagne, Brittany, France. The window consists of 8 lancets depicting the lives of saints who have relics in the cathedral, and a tympanum of glass depicting the Last Judgement. The cathedral is dedicated to one of the founding saints of Brittany and until 1801 was the seat of the archbishopric of Dol. Picture by Manuel Cohen
    LC18_FRANCE_MC_0014.JPG
  • Saint Leucher surrounded by his suffragan bishops, and the hand of God, detail from the main stained glass window or maitresse-vitre of the chevet, made 1280-90 and restored in the 17th, 19th and 20th centuries, in the Cathedral Saint-Samson, begun in the 13th century on the site of an older church and completed in the 18th century, in Dol-de-Bretagne, Brittany, France. The window consists of 8 lancets depicting the lives of saints who have relics in the cathedral, and a tympanum of glass depicting the Last Judgement. The cathedral is dedicated to one of the founding saints of Brittany and until 1801 was the seat of the archbishopric of Dol. Picture by Manuel Cohen
    LC18_FRANCE_MC_0037.jpg
  • St Samson changing pigs into goats, detail from the main stained glass window or maitresse-vitre of the chevet, made 1280-90 and restored in the 17th, 19th and 20th centuries, in the Cathedral Saint-Samson, begun in the 13th century on the site of an older church and completed in the 18th century, in Dol-de-Bretagne, Brittany, France. The window consists of 8 lancets depicting the lives of saints who have relics in the cathedral, and a tympanum of glass depicting the Last Judgement. The cathedral is dedicated to one of the founding saints of Brittany and until 1801 was the seat of the archbishopric of Dol. Picture by Manuel Cohen
    LC18_FRANCE_MC_0036.jpg
  • St Margaret emerging from the dragon that swallowed her, detail from the main stained glass window or maitresse-vitre of the chevet, made 1280-90 and restored in the 17th, 19th and 20th centuries, in the Cathedral Saint-Samson, begun in the 13th century on the site of an older church and completed in the 18th century, in Dol-de-Bretagne, Brittany, France. The window consists of 8 lancets depicting the lives of saints who have relics in the cathedral, and a tympanum of glass depicting the Last Judgement. The cathedral is dedicated to one of the founding saints of Brittany and until 1801 was the seat of the archbishopric of Dol. Picture by Manuel Cohen
    LC18_FRANCE_MC_0035.jpg
  • Abraham and Melchizedek, detail from the main stained glass window or maitresse-vitre of the chevet, made 1280-90 and restored in the 17th, 19th and 20th centuries, in the Cathedral Saint-Samson, begun in the 13th century on the site of an older church and completed in the 18th century, in Dol-de-Bretagne, Brittany, France. The window consists of 8 lancets depicting the lives of saints who have relics in the cathedral, and a tympanum of glass depicting the Last Judgement. The cathedral is dedicated to one of the founding saints of Brittany and until 1801 was the seat of the archbishopric of Dol. Picture by Manuel Cohen
    LC18_FRANCE_MC_0032.jpg
  • Abraham and Sarah arriving in Egypt, detail from the main stained glass window or maitresse-vitre of the chevet, made 1280-90 and restored in the 17th, 19th and 20th centuries, in the Cathedral Saint-Samson, begun in the 13th century on the site of an older church and completed in the 18th century, in Dol-de-Bretagne, Brittany, France. The window consists of 8 lancets depicting the lives of saints who have relics in the cathedral, and a tympanum of glass depicting the Last Judgement. The cathedral is dedicated to one of the founding saints of Brittany and until 1801 was the seat of the archbishopric of Dol. Picture by Manuel Cohen
    LC18_FRANCE_MC_0034.jpg
  • St Margaret tempted by a demon in human form, detail from the main stained glass window or maitresse-vitre of the chevet, made 1280-90 and restored in the 17th, 19th and 20th centuries, in the Cathedral Saint-Samson, begun in the 13th century on the site of an older church and completed in the 18th century, in Dol-de-Bretagne, Brittany, France. The window consists of 8 lancets depicting the lives of saints who have relics in the cathedral, and a tympanum of glass depicting the Last Judgement. The cathedral is dedicated to one of the founding saints of Brittany and until 1801 was the seat of the archbishopric of Dol. Picture by Manuel Cohen
    LC18_FRANCE_MC_0033.jpg
  • St Margaret burned by fire, detail from the main stained glass window or maitresse-vitre of the chevet, made 1280-90 and restored in the 17th, 19th and 20th centuries, in the Cathedral Saint-Samson, begun in the 13th century on the site of an older church and completed in the 18th century, in Dol-de-Bretagne, Brittany, France. The window consists of 8 lancets depicting the lives of saints who have relics in the cathedral, and a tympanum of glass depicting the Last Judgement. The cathedral is dedicated to one of the founding saints of Brittany and until 1801 was the seat of the archbishopric of Dol. Picture by Manuel Cohen
    LC18_FRANCE_MC_0031.jpg
  • God ordering Abraham to go to Canaan, the Promised Land, detail from the main stained glass window or maitresse-vitre of the chevet, made 1280-90 and restored in the 17th, 19th and 20th centuries, in the Cathedral Saint-Samson, begun in the 13th century on the site of an older church and completed in the 18th century, in Dol-de-Bretagne, Brittany, France. The window consists of 8 lancets depicting the lives of saints who have relics in the cathedral, and a tympanum of glass depicting the Last Judgement. The cathedral is dedicated to one of the founding saints of Brittany and until 1801 was the seat of the archbishopric of Dol. Picture by Manuel Cohen
    LC18_FRANCE_MC_0030.JPG
  • Adoration of the Magi, detail from the main stained glass window or maitresse-vitre of the chevet, made 1280-90 and restored in the 17th, 19th and 20th centuries, in the Cathedral Saint-Samson, begun in the 13th century on the site of an older church and completed in the 18th century, in Dol-de-Bretagne, Brittany, France. The window consists of 8 lancets depicting the lives of saints who have relics in the cathedral, and a tympanum of glass depicting the Last Judgement. The cathedral is dedicated to one of the founding saints of Brittany and until 1801 was the seat of the archbishopric of Dol. Picture by Manuel Cohen
    LC18_FRANCE_MC_0028.jpg
  • Nativity, and Alleluia written on a phylactery, detail from the main stained glass window or maitresse-vitre of the chevet, made 1280-90 and restored in the 17th, 19th and 20th centuries, in the Cathedral Saint-Samson, begun in the 13th century on the site of an older church and completed in the 18th century, in Dol-de-Bretagne, Brittany, France. The window consists of 8 lancets depicting the lives of saints who have relics in the cathedral, and a tympanum of glass depicting the Last Judgement. The cathedral is dedicated to one of the founding saints of Brittany and until 1801 was the seat of the archbishopric of Dol. Picture by Manuel Cohen
    LC18_FRANCE_MC_0029.jpg
  • Jesus on trial in front of Pontius Pilate, detail from the main stained glass window or maitresse-vitre of the chevet, made 1280-90 and restored in the 17th, 19th and 20th centuries, in the Cathedral Saint-Samson, begun in the 13th century on the site of an older church and completed in the 18th century, in Dol-de-Bretagne, Brittany, France. The window consists of 8 lancets depicting the lives of saints who have relics in the cathedral, and a tympanum of glass depicting the Last Judgement. The cathedral is dedicated to one of the founding saints of Brittany and until 1801 was the seat of the archbishopric of Dol. Picture by Manuel Cohen
    LC18_FRANCE_MC_0027.jpg
  • Priests discussing, and angel holding a phylactery, detail from the main stained glass window or maitresse-vitre of the chevet, made 1280-90 and restored in the 17th, 19th and 20th centuries, in the Cathedral Saint-Samson, begun in the 13th century on the site of an older church and completed in the 18th century, in Dol-de-Bretagne, Brittany, France. The window consists of 8 lancets depicting the lives of saints who have relics in the cathedral, and a tympanum of glass depicting the Last Judgement. The cathedral is dedicated to one of the founding saints of Brittany and until 1801 was the seat of the archbishopric of Dol. Picture by Manuel Cohen
    LC18_FRANCE_MC_0026.jpg
  • Christ Carrying the Cross, followed by a man with a whip, detail from the main stained glass window or maitresse-vitre of the chevet, made 1280-90 and restored in the 17th, 19th and 20th centuries, in the Cathedral Saint-Samson, begun in the 13th century on the site of an older church and completed in the 18th century, in Dol-de-Bretagne, Brittany, France. The window consists of 8 lancets depicting the lives of saints who have relics in the cathedral, and a tympanum of glass depicting the Last Judgement. The cathedral is dedicated to one of the founding saints of Brittany and until 1801 was the seat of the archbishopric of Dol. Picture by Manuel Cohen
    LC18_FRANCE_MC_0023.jpg
  • Last Supper, detail from the main stained glass window or maitresse-vitre of the chevet, made 1280-90 and restored in the 17th, 19th and 20th centuries, in the Cathedral Saint-Samson, begun in the 13th century on the site of an older church and completed in the 18th century, in Dol-de-Bretagne, Brittany, France. The window consists of 8 lancets depicting the lives of saints who have relics in the cathedral, and a tympanum of glass depicting the Last Judgement. The cathedral is dedicated to one of the founding saints of Brittany and until 1801 was the seat of the archbishopric of Dol. Picture by Manuel Cohen
    LC18_FRANCE_MC_0022.jpg
  • Crucifixion, with the Virgin Mary and John the Baptist, detail from the main stained glass window or maitresse-vitre of the chevet, made 1280-90 and restored in the 17th, 19th and 20th centuries, in the Cathedral Saint-Samson, begun in the 13th century on the site of an older church and completed in the 18th century, in Dol-de-Bretagne, Brittany, France. The window consists of 8 lancets depicting the lives of saints who have relics in the cathedral, and a tympanum of glass depicting the Last Judgement. The cathedral is dedicated to one of the founding saints of Brittany and until 1801 was the seat of the archbishopric of Dol. Picture by Manuel Cohen
    LC18_FRANCE_MC_0021.jpg
  • Christ washing the feet of his apostles, detail from the main stained glass window or maitresse-vitre of the chevet, made 1280-90 and restored in the 17th, 19th and 20th centuries, in the Cathedral Saint-Samson, begun in the 13th century on the site of an older church and completed in the 18th century, in Dol-de-Bretagne, Brittany, France. The window consists of 8 lancets depicting the lives of saints who have relics in the cathedral, and a tympanum of glass depicting the Last Judgement. The cathedral is dedicated to one of the founding saints of Brittany and until 1801 was the seat of the archbishopric of Dol. Picture by Manuel Cohen
    LC18_FRANCE_MC_0020.jpg
  • Descent from the cross, detail from the main stained glass window or maitresse-vitre of the chevet, made 1280-90 and restored in the 17th, 19th and 20th centuries, in the Cathedral Saint-Samson, begun in the 13th century on the site of an older church and completed in the 18th century, in Dol-de-Bretagne, Brittany, France. The window consists of 8 lancets depicting the lives of saints who have relics in the cathedral, and a tympanum of glass depicting the Last Judgement. The cathedral is dedicated to one of the founding saints of Brittany and until 1801 was the seat of the archbishopric of Dol. Picture by Manuel Cohen
    LC18_FRANCE_MC_0019.jpg
  • Judas receiving 30 silver coins from the chief priests, detail from the main stained glass window or maitresse-vitre of the chevet, made 1280-90 and restored in the 17th, 19th and 20th centuries, in the Cathedral Saint-Samson, begun in the 13th century on the site of an older church and completed in the 18th century, in Dol-de-Bretagne, Brittany, France. The window consists of 8 lancets depicting the lives of saints who have relics in the cathedral, and a tympanum of glass depicting the Last Judgement. The cathedral is dedicated to one of the founding saints of Brittany and until 1801 was the seat of the archbishopric of Dol. Picture by Manuel Cohen
    LC18_FRANCE_MC_0018.jpg
  • Noli me tangere, Jesus with Mary Magdalene after his resurrection, detail from the main stained glass window or maitresse-vitre of the chevet, made 1280-90 and restored in the 17th, 19th and 20th centuries, in the Cathedral Saint-Samson, begun in the 13th century on the site of an older church and completed in the 18th century, in Dol-de-Bretagne, Brittany, France. The window consists of 8 lancets depicting the lives of saints who have relics in the cathedral, and a tympanum of glass depicting the Last Judgement. The cathedral is dedicated to one of the founding saints of Brittany and until 1801 was the seat of the archbishopric of Dol. Picture by Manuel Cohen
    LC18_FRANCE_MC_0017.jpg
  • St Samson and 2 monks crossing the English Channel, sailing to Armorica, Brittany, with a red devil breaking the mast, detail from the main stained glass window or maitresse-vitre of the chevet, made 1280-90 and restored in the 17th, 19th and 20th centuries, in the Cathedral Saint-Samson, begun in the 13th century on the site of an older church and completed in the 18th century, in Dol-de-Bretagne, Brittany, France. The window consists of 8 lancets depicting the lives of saints who have relics in the cathedral, and a tympanum of glass depicting the Last Judgement. The cathedral is dedicated to one of the founding saints of Brittany and until 1801 was the seat of the archbishopric of Dol. Picture by Manuel Cohen
    LC18_FRANCE_MC_0106.jpg
  • Main stained glass window or maitresse-vitre of the chevet, made 1280-90 and restored in the 17th, 19th and 20th centuries, in the Cathedral Saint-Samson, begun in the 13th century on the site of an older church and completed in the 18th century, in Dol-de-Bretagne, Brittany, France. The window consists of 8 lancets depicting the lives of saints who have relics in the cathedral, and a tympanum of glass depicting the Last Judgement. The cathedral is dedicated to one of the founding saints of Brittany and until 1801 was the seat of the archbishopric of Dol. Picture by Manuel Cohen
    LC18_FRANCE_MC_0150.jpg
  • Christ pulling sinners from the jaws of hell, detail from the Last Judgement section of the main stained glass window or maitresse-vitre of the chevet, made 1280-90 and restored in the 17th, 19th and 20th centuries, in the Cathedral Saint-Samson, begun in the 13th century on the site of an older church and completed in the 18th century, in Dol-de-Bretagne, Brittany, France. The window consists of 8 lancets depicting the lives of saints who have relics in the cathedral, and a tympanum of glass depicting the Last Judgement. The cathedral is dedicated to one of the founding saints of Brittany and until 1801 was the seat of the archbishopric of Dol. Picture by Manuel Cohen
    LC18_FRANCE_MC_0149.jpg
  • Stained glass window, 1991-6, designed by artist Francois Rouan, and made by master glassmaker Benoit Marcq, in the Gothic nave of Nevers Cathedral, or Cathedral of Saint Cyricus and Saint Julitta of Nevers, Nevers, Bourgogne-Franche-Comte, France. The fractured shapes in this window refer to the Allied bombing of the cathedral in 1944 during the Second World War. The project to commission contemporary stained glass windows in the cathedral was begun 1987-88 under Dominique Bozo, and they were inaugurated on 29th April 2011. The building is listed as a national monument. Picture by Manuel Cohen
    LC17_FRANCE_MC_1348.jpg
  • Stained glass window designed by Claude Viallat, b. 1936, and made by master glassmaker Bernard d’Honneur, in the Gothic choir of Nevers Cathedral, or Cathedral of Saint Cyricus and Saint Julitta of Nevers, Nevers, Bourgogne-Franche-Comte, France. The design represents footsteps, indicating the path of all humans towards the heavenly Jerusalem. The project to commission contemporary stained glass windows in the cathedral was begun 1987-88 under Dominique Bozo, and they were inaugurated on 29th April 2011. The building is listed as a national monument. Picture by Manuel Cohen
    LC17_FRANCE_MC_1347.jpg
  • Stained glass window of the Descent from the Cross, detail, designed by artist Jean Michel Alberola, b. 1953, and made by master glassmaker Dominique Duchemin, in the Chapel of Memory in Nevers Cathedral, or Cathedral of Saint Cyricus and Saint Julitta of Nevers, Nevers, Bourgogne-Franche-Comte, France. The cross is tau-shaped (last letter of the Hebrew alphabet, sign of redemption) and is violet, the colour of Christ's Passion. Jesus' body has been brought down and he is mourned by the Virgin, 'Mater dolorosa'. A skull in the lower right corner represents Golgotha, ​​'place of the skull'. The project to commission contemporary stained glass windows in the cathedral was begun 1987-88 under Dominique Bozo, and they were inaugurated on 29th April 2011. The building is listed as a national monument. Picture by Manuel Cohen
    LC17_FRANCE_MC_1346.jpg
  • Stained glass window of the Descent from the Cross, detail, designed by artist Jean Michel Alberola, b. 1953, and made by master glassmaker Dominique Duchemin, in the Chapel of Memory in Nevers Cathedral, or Cathedral of Saint Cyricus and Saint Julitta of Nevers, Nevers, Bourgogne-Franche-Comte, France. The cross is tau-shaped (last letter of the Hebrew alphabet, sign of redemption) and is violet, the colour of Christ's Passion. Jesus' body has been brought down and he is mourned by the Virgin, 'Mater dolorosa'. A skull in the lower right corner represents Golgotha, ​​'place of the skull'. The project to commission contemporary stained glass windows in the cathedral was begun 1987-88 under Dominique Bozo, and they were inaugurated on 29th April 2011. The building is listed as a national monument. Picture by Manuel Cohen
    LC17_FRANCE_MC_1345.jpg
  • Stained glass window of the Presentation of Jesus in the Temple, detail, designed by artist Jean Michel Alberola, b. 1953, and made by master glassmaker Dominique Duchemin, in the Chapel of Memory in Nevers Cathedral, or Cathedral of Saint Cyricus and Saint Julitta of Nevers, Nevers, Bourgogne-Franche-Comte, France. Here we see the faces of the Virgin Mary and the baby Jesus on the left, and Simeon on the right. The project to commission contemporary stained glass windows in the cathedral was begun 1987-88 under Dominique Bozo, and they were inaugurated on 29th April 2011. The building is listed as a national monument. Picture by Manuel Cohen
    LC17_FRANCE_MC_1344.jpg
  • Stained glass window of the Coronation of the Virgin by her son, Jesus Christ, designed by artist Jean Michel Alberola, b. 1953, and made by master glassmaker Dominique Duchemin, in the Chapel of the Holy Sacrament in Nevers Cathedral, or Cathedral of Saint Cyricus and Saint Julitta of Nevers, Nevers, Bourgogne-Franche-Comte, France. The project to commission contemporary stained glass windows in the cathedral was begun 1987-88 under Dominique Bozo, and they were inaugurated on 29th April 2011. The building is listed as a national monument. Picture by Manuel Cohen
    LC17_FRANCE_MC_1342.jpg
  • Stained glass window designed by artist Jean Michel Alberola, b. 1953, and made by master glassmaker Dominique Duchemin, in the Romanesque South transept in Nevers Cathedral, or Cathedral of Saint Cyricus and Saint Julitta of Nevers, Nevers, Bourgogne-Franche-Comte, France. Here, an orange arch displays the tau, or tav, the last letter of the Hebrew alphabet, also the symbol of the cross, and the symbolic numbers 144 and 000 - 12 is the perfect number and 1000 the number of plenitude. The project to commission contemporary stained glass windows in the cathedral was begun 1987-88 under Dominique Bozo, and they were inaugurated on 29th April 2011. The building is listed as a national monument. Picture by Manuel Cohen
    LC17_FRANCE_MC_1336.jpg
  • Stained glass windows designed by Claude Viallat, b. 1936, and made by master glassmaker Bernard d’Honneur, in the Gothic choir of Nevers Cathedral, or Cathedral of Saint Cyricus and Saint Julitta of Nevers, Nevers, Bourgogne-Franche-Comte, France. The design represents footsteps, indicating the path of all humans towards the heavenly Jerusalem. The project to commission contemporary stained glass windows in the cathedral was begun 1987-88 under Dominique Bozo, and they were inaugurated on 29th April 2011. The building is listed as a national monument. Picture by Manuel Cohen
    LC17_FRANCE_MC_1334.jpg
  • Stained glass window of the Descent from the Cross, detail of ladder and skull, designed by artist Jean Michel Alberola, b. 1953, and made by master glassmaker Dominique Duchemin, in the Chapel of Memory in Nevers Cathedral, or Cathedral of Saint Cyricus and Saint Julitta of Nevers, Nevers, Bourgogne-Franche-Comte, France. The cross is tau-shaped (last letter of the Hebrew alphabet, sign of redemption) and is violet, the colour of Christ's Passion. Jesus' body has been brought down and he is mourned by the Virgin, 'Mater dolorosa'. A skull in the lower right corner represents Golgotha, ​​'place of the skull'. The project to commission contemporary stained glass windows in the cathedral was begun 1987-88 under Dominique Bozo, and they were inaugurated on 29th April 2011. The building is listed as a national monument. Picture by Manuel Cohen
    LC17_FRANCE_MC_1331.jpg
  • Stained glass window of the Coronation of the Virgin by her son, Jesus Christ, detail, designed by artist Jean Michel Alberola, b. 1953, and made by master glassmaker Dominique Duchemin, in the Chapel of the Holy Sacrament in Nevers Cathedral, or Cathedral of Saint Cyricus and Saint Julitta of Nevers, Nevers, Bourgogne-Franche-Comte, France. The project to commission contemporary stained glass windows in the cathedral was begun 1987-88 under Dominique Bozo, and they were inaugurated on 29th April 2011. The building is listed as a national monument. Picture by Manuel Cohen
    LC17_FRANCE_MC_1330.jpg
  • Reflection of the stained glass window in blue glass with interlacing patterns in lead reminiscent of the Neo-Romanesque period of the 19th century, made by Ateliers Loire, Chartres, in the Upper Chapel, themed as 'L'Engagement' or Commitment, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0371.jpg
  • Mary of Egypt leaving her home in Alexandria before her journey to Jerusalem, from the stained glass window of St Mary of Egypt, 1215-25, in bay 21, in the ambulatory of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. 22 of the original 25 medieval stained glass windows of the ambulatory have survived. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0205.jpg
  • Mary of Egypt travelling to Jerusalem on a boat, from the stained glass window of St Mary of Egypt, 1215-25, in bay 21, in the ambulatory of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. 22 of the original 25 medieval stained glass windows of the ambulatory have survived. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0206.jpg
  • St Martin cuts his cloak in half and gives one part to a beggar in Amiens, from the stained glass window of St Martin of Tours, 1215-25, in bay 7, in the ambulatory of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. 22 of the original 25 medieval stained glass windows of the ambulatory have survived. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0202.jpg
  • St Martin attacked by thieves while crossing the Alps, from the stained glass window of St Martin of Tours, 1215-25, in bay 7, in the ambulatory of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. 22 of the original 25 medieval stained glass windows of the ambulatory have survived. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0203.jpg
  • Bakers selling loaves of bread, donor panel of the stained glass window of John the Evangelist, 1215-25, in bay 22, in the ambulatory of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. 22 of the original 25 medieval stained glass windows of the ambulatory have survived. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0197.jpg
  • Bakers baking bread in the oven in the bakery, donor panel of the stained glass window of John the Evangelist, 1215-25, in bay 22, in the ambulatory of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. 22 of the original 25 medieval stained glass windows of the ambulatory have survived. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0196.jpg
  • The innkeeper kills 3 young strangers who have come to see the ordination of St Nicholas as bishop of Mirea, from the stained glass window of St Nicholas, 1215-25, in bay 19, in the ambulatory of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. 22 of the original 25 medieval stained glass windows of the ambulatory have survived. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0195.jpg
  • Mary of Egypt worships the True Cross in a church, from the stained glass window of St Mary of Egypt, 1215-25, in bay 21, in the ambulatory of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. 22 of the original 25 medieval stained glass windows of the ambulatory have survived. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0194.jpg
  • Because of the famine outside Egypt, Joseph's brothers come to get food, but a valuable missing cup is found in a bag of wheat taken by Benjamin, from the stained glass window of Joseph the Patriarch, son of Jacob, 1215-25, in bay 24, in the ambulatory of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. 22 of the original 25 medieval stained glass windows of the ambulatory have survived. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0192.jpg
  • The True Cross on an altar in the church in Jerusalem, from the stained glass window of St Mary of Egypt, 1215-25, in bay 21, in the ambulatory of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. 22 of the original 25 medieval stained glass windows of the ambulatory have survived. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0193.jpg
  • Pharaoh dreams of 7 fat cows and 7 thin cows, from the stained glass window of Joseph the Patriarch, son of Jacob, 1215-25, in bay 24, in the ambulatory of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. 22 of the original 25 medieval stained glass windows of the ambulatory have survived. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0191.jpg
  • Potiphar's wife slanders Joseph to Pharaoh because he has refused her sexual advances, from the stained glass window of Joseph the Patriarch, son of Jacob, 1215-25, in bay 24, in the ambulatory of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. 22 of the original 25 medieval stained glass windows of the ambulatory have survived. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0190.jpg
  • Masons dressing and carrying stone, donor section from the stained glass window of the Parable of Dives and Lazarus, or the Rich Man and the Beggar, 1215-25, in bay 23, in the ambulatory of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. 22 of the original 25 medieval stained glass windows of the ambulatory have survived. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0174.jpg
  • Hod carriers, masons at work from the donor section from the stained glass window of the Parable of Dives and Lazarus, or the Rich Man and the Beggar, 1215-25, in bay 23, in the ambulatory of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. 22 of the original 25 medieval stained glass windows of the ambulatory have survived. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0173.jpg
  • Masons build a new barn for the rich man to gather grain and ensure a life of pleasure from the overabundant harvest, from the stained glass window of the Parable of Dives and Lazarus, or the Rich Man and the Beggar, 1215-25, in bay 23, in the ambulatory of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. 22 of the original 25 medieval stained glass windows of the ambulatory have survived. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0172.jpg
  • Bakers baking bread in the oven in the bakery, donor panel of the stained glass window of John the Evangelist, 1215-25, in bay 22, in the ambulatory of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. 22 of the original 25 medieval stained glass windows of the ambulatory have survived. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0134.jpg
  • Mary of Egypt travelling to Jerusalem on a boat, from the stained glass window of St Mary of Egypt, 1215-25, in bay 21, in the ambulatory of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. 22 of the original 25 medieval stained glass windows of the ambulatory have survived. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0133.jpg
  • Joseph is stripped of his cloak and thrown into a well, detail, from the stained glass window of Joseph the Patriarch, son of Jacob, 1215-25, in bay 24, in the ambulatory of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. 22 of the original 25 medieval stained glass windows of the ambulatory have survived. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0132.jpg
  • Carpenters at work building a house frame, with one man dressing a beam with an axe and the second man having a drink, detail, donor panel of the stained glass window of Joseph the Patriarch, son of Jacob, 1215-25, in bay 24, in the ambulatory of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. 22 of the original 25 medieval stained glass windows of the ambulatory have survived. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0129.jpg
  • Blacksmith at work with a hammer, corner sub-panel in the border of the stained glass window of Joseph the Patriarch, son of Jacob, 1215-25, in bay 24, in the ambulatory of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. 22 of the original 25 medieval stained glass windows of the ambulatory have survived. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0131.jpg
  • Joseph's dream, with 11 sheaves of wheat bowing before him, from the stained glass window of Joseph the Patriarch, son of Jacob, 1215-25, in bay 24, in the ambulatory of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. 22 of the original 25 medieval stained glass windows of the ambulatory have survived. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0130.jpg
  • Cooper or barrel maker (left) and wheelwright (right), detail, donor panel of the stained glass window of Joseph the Patriarch, son of Jacob, 1215-25, in bay 24, in the ambulatory of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. 22 of the original 25 medieval stained glass windows of the ambulatory have survived. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0128.jpg
  • Carpenter bending a wheel rim, small panel between the donor panels of the stained glass window of Joseph the Patriarch, son of Jacob, 1215-25, in bay 24, in the ambulatory of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. 22 of the original 25 medieval stained glass windows of the ambulatory have survived. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0127.jpg
  • In prison, Joseph interprets the dreams of Pharaoh's butler and the baker, with a jailer on the right, from the stained glass window of Joseph the Patriarch, son of Jacob, 1215-25, in bay 24, in the ambulatory of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. 22 of the original 25 medieval stained glass windows of the ambulatory have survived. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0126.jpg
  • A shepherd shows Joseph where his brothers are camped, from the stained glass window of Joseph the Patriarch, son of Jacob, 1215-25, in bay 24, in the ambulatory of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. 22 of the original 25 medieval stained glass windows of the ambulatory have survived. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0125.jpg
  • Jacob sends Joseph to find his brothers and give them food, from the stained glass window of Joseph the Patriarch, son of Jacob, 1215-25, in bay 24, in the ambulatory of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. 22 of the original 25 medieval stained glass windows of the ambulatory have survived. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0188.jpg
  • Joseph's dream, with 11 stars and 11 sheaves of wheat bowing before him, from the stained glass window of Joseph the Patriarch, son of Jacob, 1215-25, in bay 24, in the ambulatory of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. 22 of the original 25 medieval stained glass windows of the ambulatory have survived. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0187.jpg
  • Joseph orders grain to be poured into the river Nile, from the stained glass window of Joseph the Patriarch, son of Jacob, 1215-25, in bay 24, in the ambulatory of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. 22 of the original 25 medieval stained glass windows of the ambulatory have survived. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0186.jpg
  • Accused of stealing, Joseph identifies himself to his brothers and embraces Benjamin, from the stained glass window of Joseph the Patriarch, son of Jacob, 1215-25, in bay 24, in the ambulatory of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. 22 of the original 25 medieval stained glass windows of the ambulatory have survived. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0184.jpg
Next
  • Facebook
  • Twitter
x