manuel cohen

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  • Pipes and greenhouse foundations now in ruins, in the Walled Victorian Gardens, at Kylemore Abbey, a Benedictine monastery founded in 1920 in the grounds of Kylemore Castle, in Connemara, County Galway, Ireland. Developed originally in the 19th century as part of the castle, the gardens had 21 greenhouses and employed 40 gardeners. The gardens were restored 1995-2000 and are open to the public. Kylemore Gardens are heritage gardens, growing plants from the Victorian era. Picture by Manuel Cohen
    LC18_Ireland_MC_117.jpg
  • Large greenhouse housing grape vines and steps leading to older ruined greenhouses, in the Walled Victorian Gardens, at Kylemore Abbey, a Benedictine monastery founded in 1920 in the grounds of Kylemore Castle, in Connemara, County Galway, Ireland. Developed originally in the 19th century as part of the castle, the gardens had 21 greenhouses and employed 40 gardeners. The gardens were restored 1995-2000 and are open to the public. Kylemore Gardens are heritage gardens, growing plants from the Victorian era. Picture by Manuel Cohen
    LC18_Ireland_MC_116.jpg
  • Aerial view of the ruins of the old greenhouses at the Walled Victorian Gardens at Kylemore Abbey, a Benedictine monastery founded in 1920 in the grounds of Kylemore Castle, in Connemara, County Galway, Ireland. Developed originally in the 19th century as part of the castle, the gardens had 21 greenhouses and employed 40 gardeners. The gardens were restored 1995-2000 and are open to the public. Kylemore Gardens are heritage gardens, growing plants from the Victorian era. Picture by Manuel Cohen
    DRN_LC18_Ireland_MC_128.JPG
  • Aerial view of the Walled Victorian Gardens and ruins of the old greenhouses, at Kylemore Abbey, a Benedictine monastery founded in 1920 in the grounds of Kylemore Castle, in Connemara, County Galway, Ireland. Developed originally in the 19th century as part of the castle, the gardens had 21 greenhouses and employed 40 gardeners. The gardens were restored 1995-2000 and are open to the public. Kylemore Gardens are heritage gardens, growing plants from the Victorian era. Picture by Manuel Cohen
    DRN_LC18_Ireland_MC_127.JPG
  • Aerial view of the Walled Victorian Gardens and ruins of the old greenhouses, at Kylemore Abbey, a Benedictine monastery founded in 1920 in the grounds of Kylemore Castle, in Connemara, County Galway, Ireland. Developed originally in the 19th century as part of the castle, the gardens had 21 greenhouses and employed 40 gardeners. The gardens were restored 1995-2000 and are open to the public. Kylemore Gardens are heritage gardens, growing plants from the Victorian era. Picture by Manuel Cohen
    DRN_LC18_Ireland_MC_126.JPG
  • Jardin du Luxembourg or Luxembourg Gardens, seen from the Archives du Senat or Senate Archives, in the Senate in the Palais du Luxembourg, 6th arrondissement, Paris, France. The gardens were created in 1612 by Marie de Medici after the death of her husband, King Henri IV, and enlarged in 1630. Influenced by the grounds of the Pitti Palace in Florence, the gardens contain several bordered laws and a central pond. Picture by Manuel Cohen
    LC18_FRANCE_MC_0592.jpg
  • Andre Le Notre (1613-1700), Tuileries Gardens (Jardin des Tuileries), 1664, Paris, France. Chief gardener and landscape architect for Louis XIV (1638-1715), Le Notre designed again the Tuileries Gardens from 1664 to 1672. He also designed the gardens at Versailles and the Westward vista of the Tuileries which later became the Champs Elysees. The garden of the Tuileries Palace was created by Catherine de Medici (1519-89), and opened to the public in 1667 at the request of Charles Perrault. It became a public park after the French Revolution. Picture by Manuel Cohen
    LC_PARIS_11_MC157.jpg
  • Andre Le Notre (1613-1700), Tuileries Gardens (Jardin des Tuileries), 1664, Paris, France. Chief gardener and landscape architect for Louis XIV (1638-1715), Le Notre designed again the Tuileries Gardens from 1664 to 1672. He also designed the gardens at Versailles and the Westward vista of the Tuileries which later became the Champs Elysees. The garden of the Tuileries Palace was created by Catherine de Medici (1519-89), and opened to the public in 1667 at the request of Charles Perrault. It became a public park after the French Revolution. Picture by Manuel Cohen
    LC_PARIS_11_MC156.jpg
  • Mermaid sculpture by Maria Llimona i Benet, 1894-1985, in the Santa Clotilde Gardens, at Lloret de Mar, on the Costa Brava, in Catalonia, Spain. The garden was commissioned by the Marquis of Roviralta in 1919 and created by Nicolau Maria Rubio i Tuduri. It overlooks the Mediterranean Sea, Boadella cove and Fenals beach. The garden is planted in catalan noucentisme style, seeking classical symmetry and order in its planting, using pine trees, ivy, lindens, poplars, Japanese mock-orange and cypresses, interspersed with fountains and sculptures. Picture by Manuel Cohen
    LC20_SPAIN_MC_0625.jpg
  • Seating area overlooking the sea, with a neoclassical marble bust, in the Santa Clotilde Gardens, at Lloret de Mar, on the Costa Brava, in Catalonia, Spain. The garden was commissioned by the Marquis of Roviralta in 1919 and created by Nicolau Maria Rubio i Tuduri. It overlooks the Mediterranean Sea, Boadella cove and Fenals beach. The garden is planted in catalan noucentisme style, seeking classical symmetry and order in its planting, using pine trees, ivy, lindens, poplars, Japanese mock-orange and cypresses, interspersed with fountains and sculptures. Picture by Manuel Cohen
    LC20_SPAIN_MC_0621.jpg
  • Mermaid sculpture by Maria Llimona i Benet, 1894-1985, in the Santa Clotilde Gardens, at Lloret de Mar, on the Costa Brava, in Catalonia, Spain. The garden was commissioned by the Marquis of Roviralta in 1919 and created by Nicolau Maria Rubio i Tuduri. It overlooks the Mediterranean Sea, Boadella cove and Fenals beach. The garden is planted in catalan noucentisme style, seeking classical symmetry and order in its planting, using pine trees, ivy, lindens, poplars, Japanese mock-orange and cypresses, interspersed with fountains and sculptures. Picture by Manuel Cohen
    LC20_SPAIN_MC_0618.jpg
  • Neoclassical marble bust, in the Santa Clotilde Gardens, at Lloret de Mar, on the Costa Brava, in Catalonia, Spain. The garden was commissioned by the Marquis of Roviralta in 1919 and created by Nicolau Maria Rubio i Tuduri. It overlooks the Mediterranean Sea, Boadella cove and Fenals beach. The garden is planted in catalan noucentisme style, seeking classical symmetry and order in its planting, using pine trees, ivy, lindens, poplars, Japanese mock-orange and cypresses, interspersed with fountains and sculptures. Picture by Manuel Cohen
    LC20_SPAIN_MC_0616.jpg
  • Santa Clotilde Gardens, aerial view, at Lloret de Mar, on the Costa Brava, in Catalonia, Spain. The garden was commissioned by the Marquis of Roviralta in 1919 and created by Nicolau Maria Rubio i Tuduri. It overlooks the Mediterranean Sea, Boadella cove and Fenals beach. The garden is planted in catalan noucentisme style, seeking classical symmetry and order in its planting, using pine trees, ivy, lindens, poplars, Japanese mock-orange and cypresses, interspersed with fountains and sculptures. Picture by Manuel Cohen
    DRN_LC20_SPAIN_MC_0848.jpg
  • Neptune fountain, 1565-68, by Stoldo Lorenzi, in the Giardino di Boboli or Boboli Gardens, a park opened to the public in 1766, in Florence, Tuscany, Italy. The sculpture depicts Neptune striking the ground with his trident to bring forth water, with a grotto of nymphs beneath. The Boboli Gardens were designed and built for the Medici family and are next to the Pitti Palace, their family home. They were begun in the mid 16th century and made by Niccolo Tribolo, Bartolomeo Ammanati, Giorgio Vasari and Bernardo Buontalenti. The historic centre of Florence is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC20_ITALY_MC_359.jpg
  • Buontalenti grotto, first room in Mannerist style with the theme of nature and metamorphosis, detail, built 1583-93 by Bernardo Buontalenti, in the Giardino di Boboli or Boboli Gardens, a park opened to the public in 1766, in Florence, Tuscany, Italy. The Boboli Gardens were designed and built for the Medici family and are next to the Pitti Palace, their family home. They were begun in the mid 16th century and made by Niccolo Tribolo, Bartolomeo Ammanati, Giorgio Vasari and Bernardo Buontalenti. The historic centre of Florence is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC20_ITALY_MC_317.jpg
  • Buontalenti grotto, first room in Mannerist style with the theme of nature and metamorphosis, built 1583-93 by Bernardo Buontalenti, in the Giardino di Boboli or Boboli Gardens, a park opened to the public in 1766, in Florence, Tuscany, Italy. The Boboli Gardens were designed and built for the Medici family and are next to the Pitti Palace, their family home. They were begun in the mid 16th century and made by Niccolo Tribolo, Bartolomeo Ammanati, Giorgio Vasari and Bernardo Buontalenti. The historic centre of Florence is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC20_ITALY_MC_315.jpg
  • Buontalenti grotto, frescoes in the first room in Mannerist style with the theme of nature and metamorphosis, detail, built 1583-93 by Bernardo Buontalenti, in the Giardino di Boboli or Boboli Gardens, a park opened to the public in 1766, in Florence, Tuscany, Italy. The Boboli Gardens were designed and built for the Medici family and are next to the Pitti Palace, their family home. They were begun in the mid 16th century and made by Niccolo Tribolo, Bartolomeo Ammanati, Giorgio Vasari and Bernardo Buontalenti. The historic centre of Florence is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC20_ITALY_MC_318.jpg
  • South or garden facade of the Chateau de Vaux-le-Vicomte, designed by Louis Le Vau, 1612-70, and built 1658-61 for marquis Nicolas Fouquet, in Maincy, Seine-et-Marne, France, seen from the formal gardens with stone urns of pink flowers. The oval Grand Salon with its dome can be seen in the centre of the facade, fronted with a 2 storey portico. The chateau is built in Baroque style, with decoration by Charles Le Brun, 1619-90, and grounds designed by landscape architect Andre le Notre, 1613-1700. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC19_FRANCE_MC_0115.jpg
  • Gardens, moat and South or garden facade of the Chateau de Vaux-le-Vicomte, designed by Louis Le Vau, 1612-70, and built 1658-61 for marquis Nicolas Fouquet, in Maincy, Seine-et-Marne, France. The oval Grand Salon with its dome can be seen in the centre of the facade, fronted with a 2 storey portico. The chateau is built in Baroque style, with decoration by Charles Le Brun, 1619-90, and grounds designed by landscape architect Andre le Notre, 1613-1700. The chateau is listed as a historic monument. Picture by Manuel Cohen
    DRN_LC19_FRANCE_MC_0092.jpg
  • Formal gardens and South or garden facade of the Chateau de Vaux-le-Vicomte, designed by Louis Le Vau, 1612-70, and built 1658-61 for marquis Nicolas Fouquet, in Maincy, Seine-et-Marne, France. The oval Grand Salon with its dome can be seen in the centre of the facade, fronted with a 2 storey portico. The chateau is built in Baroque style, with decoration by Charles Le Brun, 1619-90, and grounds designed by landscape architect Andre le Notre, 1613-1700. The chateau is listed as a historic monument. Picture by Manuel Cohen
    DRN_LC19_FRANCE_MC_0090.jpg
  • The Gardens of the Partal, or Jardines del Partal, once a busy kitchen garden, and behind, the Tower of the Mihrab, or Torre del Mihrab, a former Nasrid oratory and a perimeter tower of the old Palacio del Partal, Alhambra Palace, Granada, Andalusia, Southern Spain. The Alhambra was begun in the 11th century as a castle, and in the 13th and 14th centuries served as the royal palace of the Nasrid sultans. The huge complex contains the Alcazaba, Nasrid palaces, gardens and Generalife. Picture by Manuel Cohen
    LC14_GRANADA_MC158.jpg
  • Statue of Ceres by Baccio Bandinelli at the entrance to the Buontalenti grotto, built 1583-93 by Bernardo Buontalenti, in the Giardino di Boboli or Boboli Gardens, a park opened to the public in 1766, in Florence, Tuscany, Italy. The Boboli Gardens were designed and built for the Medici family and are next to the Pitti Palace, their family home. They were begun in the mid 16th century and made by Niccolo Tribolo, Bartolomeo Ammanati, Giorgio Vasari and Bernardo Buontalenti. The historic centre of Florence is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC20_ITALY_MC_319.jpg
  • Buontalenti grotto, first room in Mannerist style with the theme of nature and metamorphosis, detail, built 1583-93 by Bernardo Buontalenti, in the Giardino di Boboli or Boboli Gardens, a park opened to the public in 1766, in Florence, Tuscany, Italy. The Boboli Gardens were designed and built for the Medici family and are next to the Pitti Palace, their family home. They were begun in the mid 16th century and made by Niccolo Tribolo, Bartolomeo Ammanati, Giorgio Vasari and Bernardo Buontalenti. The historic centre of Florence is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC20_ITALY_MC_316.jpg
  • Buontalenti grotto, entrance, built 1583-93 by Bernardo Buontalenti, in the Giardino di Boboli or Boboli Gardens, a park opened to the public in 1766, in Florence, Tuscany, Italy. The Boboli Gardens were designed and built for the Medici family and are next to the Pitti Palace, their family home. They were begun in the mid 16th century and made by Niccolo Tribolo, Bartolomeo Ammanati, Giorgio Vasari and Bernardo Buontalenti. The historic centre of Florence is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC20_ITALY_MC_314.jpg
  • South or garden facade of the Chateau de Vaux-le-Vicomte, designed by Louis Le Vau, 1612-70, and built 1658-61 for marquis Nicolas Fouquet, in Maincy, Seine-et-Marne, France, seen from the formal gardens with stone urns of pink flowers. The oval Grand Salon with its dome can be seen in the centre of the facade, fronted with a 2 storey portico. The chateau is built in Baroque style, with decoration by Charles Le Brun, 1619-90, and grounds designed by landscape architect Andre le Notre, 1613-1700. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC19_FRANCE_MC_0114.jpg
  • South or garden facade of the Chateau de Vaux-le-Vicomte, designed by Louis Le Vau, 1612-70, and built 1658-61 for marquis Nicolas Fouquet, in Maincy, Seine-et-Marne, France, seen from the formal gardens. The oval Grand Salon with its dome can be seen in the centre of the South facade. The chateau is built in Baroque style, with decoration by Charles Le Brun, 1619-90, and grounds designed by landscape architect Andre le Notre, 1613-1700. The chateau is listed as a historic monument. Picture by Manuel Cohen
    DRN_LC19_FRANCE_MC_0103.jpg
  • Formal gardens, moat and South or garden facade of the Chateau de Vaux-le-Vicomte, designed by Louis Le Vau, 1612-70, and built 1658-61 for marquis Nicolas Fouquet, in Maincy, Seine-et-Marne, France. The oval Grand Salon with its dome can be seen in the centre of the facade, fronted with a 2 storey portico. The chateau is built in Baroque style, with decoration by Charles Le Brun, 1619-90, and grounds designed by landscape architect Andre le Notre, 1613-1700. The chateau is listed as a historic monument. Picture by Manuel Cohen
    DRN_LC19_FRANCE_MC_0100.jpg
  • South or garden facade of the Chateau de Vaux-le-Vicomte, designed by Louis Le Vau, 1612-70, and built 1658-61 for marquis Nicolas Fouquet, in Maincy, Seine-et-Marne, France, seen from a pond in the formal gardens. The oval Grand Salon with its dome can be seen in the centre of the facade, fronted with a 2 storey portico. The chateau is built in Baroque style, with decoration by Charles Le Brun, 1619-90, and grounds designed by landscape architect Andre le Notre, 1613-1700. The chateau is listed as a historic monument. Picture by Manuel Cohen
    DRN_LC19_FRANCE_MC_0099.jpg
  • Gardens, moat and South or garden facade of the Chateau de Vaux-le-Vicomte, designed by Louis Le Vau, 1612-70, and built 1658-61 for marquis Nicolas Fouquet, in Maincy, Seine-et-Marne, France. The oval Grand Salon with its dome can be seen in the centre of the facade, fronted with a 2 storey portico. The chateau is built in Baroque style, with decoration by Charles Le Brun, 1619-90, and grounds designed by landscape architect Andre le Notre, 1613-1700. The chateau is listed as a historic monument. Picture by Manuel Cohen
    DRN_LC19_FRANCE_MC_0097.jpg
  • Formal gardens, moat and South or garden facade of the Chateau de Vaux-le-Vicomte, designed by Louis Le Vau, 1612-70, and built 1658-61 for marquis Nicolas Fouquet, in Maincy, Seine-et-Marne, France. The oval Grand Salon with its dome can be seen in the centre of the facade, fronted with a 2 storey portico. The chateau is built in Baroque style, with decoration by Charles Le Brun, 1619-90, and grounds designed by landscape architect Andre le Notre, 1613-1700. The chateau is listed as a historic monument. Picture by Manuel Cohen
    DRN_LC19_FRANCE_MC_0091.jpg
  • Formal gardens with rond d'eau, and South or garden facade of the Chateau de Vaux-le-Vicomte, designed by Louis Le Vau, 1612-70, and built 1658-61 for marquis Nicolas Fouquet, in Maincy, Seine-et-Marne, France. The oval Grand Salon with its dome can be seen in the centre of the facade, fronted with a 2 storey portico. The chateau is built in Baroque style, with decoration by Charles Le Brun, 1619-90, and grounds designed by landscape architect Andre le Notre, 1613-1700. The chateau is listed as a historic monument. Picture by Manuel Cohen
    DRN_LC19_FRANCE_MC_0087.jpg
  • Gardens, moat and South or garden facade of the Chateau de Vaux-le-Vicomte, designed by Louis Le Vau, 1612-70, and built 1658-61 for marquis Nicolas Fouquet, in Maincy, Seine-et-Marne, France. The oval Grand Salon with its dome can be seen in the centre of the facade, fronted with a 2 storey portico. The chateau is built in Baroque style, with decoration by Charles Le Brun, 1619-90, and grounds designed by landscape architect Andre le Notre, 1613-1700. The chateau is listed as a historic monument. Picture by Manuel Cohen
    DRN_LC19_FRANCE_MC_0086.jpg
  • Gardens, moat and South or garden facade of the Chateau de Vaux-le-Vicomte, designed by Louis Le Vau, 1612-70, and built 1658-61 for marquis Nicolas Fouquet, in Maincy, Seine-et-Marne, France. The oval Grand Salon with its dome can be seen in the centre of the facade, fronted with a 2 storey portico. The chateau is built in Baroque style, with decoration by Charles Le Brun, 1619-90, and grounds designed by landscape architect Andre le Notre, 1613-1700. The chateau is listed as a historic monument. Picture by Manuel Cohen
    DRN_LC19_FRANCE_MC_0085.jpg
  • Gardens, moat and South or garden facade of the Chateau de Vaux-le-Vicomte, designed by Louis Le Vau, 1612-70, and built 1658-61 for marquis Nicolas Fouquet, in Maincy, Seine-et-Marne, France. The oval Grand Salon with its dome can be seen in the centre of the facade, fronted with a 2 storey portico. The chateau is built in Baroque style, with decoration by Charles Le Brun, 1619-90, and grounds designed by landscape architect Andre le Notre, 1613-1700. The chateau is listed as a historic monument. Picture by Manuel Cohen
    DRN_LC19_FRANCE_MC_0104.jpg
  • Putto from a sculptural group by Michel Anguier, 1612-86, looking over the formal gardens, beneath the portico on the South or garden facade of the Chateau de Vaux-le-Vicomte, designed by Louis Le Vau, 1612-70, and built 1658-61 for marquis Nicolas Fouquet, in Maincy, Seine-et-Marne, France. The chateau is built in Baroque style, with decoration by Charles Le Brun, 1619-90, and grounds designed by landscape architect Andre le Notre, 1613-1700. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC19_FRANCE_MC_0117.jpg
  • Grotto, a large artificial cave with fountain, embellished with statues of satyrs, in the garden of the Villa Farnese or Villa Caprarola, a 16th century Renaissance and Mannerist fortified villa designed by Giacomo Barozzi da Vignola and built 1559-73 for the Farnese family under Cardinal Alessandro Farnese, in Caprarola, Viterbo, Lazio, Italy. This grotto is in the Giardini di Sotto or lower gardens and was designed by da Vignola as a cool and quiet place to relax, which has been a tradition in Italy since Roman times. The Villa Farnese is now owned by the state and run by the Polo Museale del Lazio. Picture by Manuel Cohen
    LC16_ITALY_MC_0432.jpg
  • Detail of satyr statues in the grotto, a large artificial cave with fountain, in the garden of the Villa Farnese or Villa Caprarola, a 16th century Renaissance and Mannerist fortified villa designed by Giacomo Barozzi da Vignola and built 1559-73 for the Farnese family under Cardinal Alessandro Farnese, in Caprarola, Viterbo, Lazio, Italy. This grotto is in the Giardini di Sotto or lower gardens and was designed by da Vignola as a cool and quiet place to relax, which has been a tradition in Italy since Roman times. The Villa Farnese is now owned by the state and run by the Polo Museale del Lazio. Picture by Manuel Cohen
    LC16_ITALY_MC_0399.jpg
  • Detail of satyr statues in the grotto, a large artificial cave with fountain, in the garden of the Villa Farnese or Villa Caprarola, a 16th century Renaissance and Mannerist fortified villa designed by Giacomo Barozzi da Vignola and built 1559-73 for the Farnese family under Cardinal Alessandro Farnese, in Caprarola, Viterbo, Lazio, Italy. This grotto is in the Giardini di Sotto or lower gardens and was designed by da Vignola as a cool and quiet place to relax, which has been a tradition in Italy since Roman times. The Villa Farnese is now owned by the state and run by the Polo Museale del Lazio. Picture by Manuel Cohen
    LC16_ITALY_MC_0398.jpg
  • Detail of satyr statue in the grotto, a large artificial cave with fountain, in the garden of the Villa Farnese or Villa Caprarola, a 16th century Renaissance and Mannerist fortified villa designed by Giacomo Barozzi da Vignola and built 1559-73 for the Farnese family under Cardinal Alessandro Farnese, in Caprarola, Viterbo, Lazio, Italy. This grotto is in the Giardini di Sotto or lower gardens and was designed by da Vignola as a cool and quiet place to relax, which has been a tradition in Italy since Roman times. The Villa Farnese is now owned by the state and run by the Polo Museale del Lazio. Picture by Manuel Cohen
    LC16_ITALY_MC_0400.jpg
  • Chateau de Vaux-le-Vicomte and its fountains and gardens, detail from a portrait of Marie Leczinska Queen consort of France, wife of Louis XV, 1728, in the Chateau de Vaux-le-Vicomte, designed by Louis Le Vau, 1612-70, and built 1658-61 for marquis Nicolas Fouquet, in Maincy, Seine-et-Marne, France. The chateau is built in Baroque style, with decoration by Charles Le Brun, 1619-90, and grounds designed by landscape architect Andre le Notre, 1613-1700. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC19_FRANCE_MC_0119.jpg
  • Chateau de Vaux-le-Vicomte and its fountains and gardens, detail from a portrait of Marie Leczinska Queen consort of France, wife of Louis XV, 1728, in the Chateau de Vaux-le-Vicomte, designed by Louis Le Vau, 1612-70, and built 1658-61 for marquis Nicolas Fouquet, in Maincy, Seine-et-Marne, France. The chateau is built in Baroque style, with decoration by Charles Le Brun, 1619-90, and grounds designed by landscape architect Andre le Notre, 1613-1700. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC19_FRANCE_MC_0166.jpg
  • Formal gardens with square pond designed by Andre le Notre at the Chateau de Vaux-le-Vicomte, designed by Louis Le Vau, 1612-70, and built 1658-61 for marquis Nicolas Fouquet, in Maincy, Seine-et-Marne, France. The chateau is built in Baroque style, with decoration by Charles Le Brun, 1619-90, and grounds designed by landscape architect Andre le Notre, 1613-1700. The chateau is listed as a historic monument. Picture by Manuel Cohen
    DRN_LC19_FRANCE_MC_0107.jpg
  • Formal gardens designed by Andre le Notre at the Chateau de Vaux-le-Vicomte, designed by Louis Le Vau, 1612-70, and built 1658-61 for marquis Nicolas Fouquet, in Maincy, Seine-et-Marne, France, seen from the roof above the oval Grand Salon on the South facade. The chateau is built in Baroque style, with decoration by Charles Le Brun, 1619-90, and grounds designed by landscape architect Andre le Notre, 1613-1700. The chateau is listed as a historic monument. Picture by Manuel Cohen
    DRN_LC19_FRANCE_MC_0106.jpg
  • Aerial view of the Chateau de Vaux-le-Vicomte, designed by Louis Le Vau, 1612-70, and built 1658-61 for marquis Nicolas Fouquet, in Maincy, Seine-et-Marne, France. The oval Grand Salon with its dome can be seen in the centre of the South facade, and the chateau is surrounded by a rectangular moat and formal gardens. The chateau is built in Baroque style, with decoration by Charles Le Brun, 1619-90, and grounds designed by landscape architect Andre le Notre, 1613-1700. The chateau is listed as a historic monument. Picture by Manuel Cohen
    DRN_LC19_FRANCE_MC_0109.jpg
  • Chateau de Vaux-le-Vicomte, designed by Louis Le Vau, 1612-70, and built 1658-61 for marquis Nicolas Fouquet, in Maincy, Seine-et-Marne, France, seen from the far end of the formal gardens. The chateau is built in Baroque style, with decoration by Charles Le Brun, 1619-90, and grounds designed by landscape architect Andre le Notre, 1613-1700. The chateau is listed as a historic monument. Picture by Manuel Cohen
    DRN_LC19_FRANCE_MC_0108.jpg
  • Urn with pink flowers in the formal gardens of the Chateau de Vaux-le-Vicomte, designed by Louis Le Vau, 1612-70, and built 1658-61 for marquis Nicolas Fouquet, in Maincy, Seine-et-Marne, France. The chateau is built in Baroque style, with decoration by Charles Le Brun, 1619-90, and grounds designed by landscape architect Andre le Notre, 1613-1700. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC19_FRANCE_MC_0153.jpg
  • Moat, terrace and formal gardens of the Chateau de Vaux-le-Vicomte, designed by Louis Le Vau, 1612-70, and built 1658-61 for marquis Nicolas Fouquet, in Maincy, Seine-et-Marne, France. The chateau is built in Baroque style, with decoration by Charles Le Brun, 1619-90, and grounds designed by landscape architect Andre le Notre, 1613-1700. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC19_FRANCE_MC_0150.jpg
  • Urns of flowers, lawns and topiary in the formal gardens of the Chateau de Vaux-le-Vicomte, designed by Louis Le Vau, 1612-70, and built 1658-61 for marquis Nicolas Fouquet, in Maincy, Seine-et-Marne, France. In the centre is a statue of cherubs holding a basket of flowers, by Philippe de Buyster, 1595-1688. The chateau is built in Baroque style, with decoration by Charles Le Brun, 1619-90, and grounds designed by landscape architect Andre le Notre, 1613-1700. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC19_FRANCE_MC_0160.jpg
  • Urns of flowers, lawns and topiary in the formal gardens of the Chateau de Vaux-le-Vicomte, designed by Louis Le Vau, 1612-70, and built 1658-61 for marquis Nicolas Fouquet, in Maincy, Seine-et-Marne, France. The chateau is built in Baroque style, with decoration by Charles Le Brun, 1619-90, and grounds designed by landscape architect Andre le Notre, 1613-1700. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC19_FRANCE_MC_0158.jpg
  • View of the formal gardens designed by Andre Le Notre, from the window of the Praslin Bedchamber, in the Chateau de Vaux-le-Vicomte, designed by Louis Le Vau, 1612-70, and built 1658-61 for marquis Nicolas Fouquet, in Maincy, Seine-et-Marne, France. This was originally Mme Fouquet's antechamber but was renovated by Jean-Baptiste Berthier for Cesar-Gabriel de Choiseul in the 18th century. The room is decorated in Louis XVI style. The chateau is built in Baroque style, with decoration by Charles Le Brun, 1619-90, and grounds designed by landscape architect Andre le Notre, 1613-1700. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC19_FRANCE_MC_0207.jpg
  • Steps and formal gardens with rond d'eau, at the Chateau de Vaux-le-Vicomte, designed by Louis Le Vau, 1612-70, and built 1658-61 for marquis Nicolas Fouquet, in Maincy, Seine-et-Marne, France. The chateau is built in Baroque style, with decoration by Charles Le Brun, 1619-90, and grounds designed by landscape architect Andre le Notre, 1613-1700. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC19_FRANCE_MC_0217.jpg
  • Aerial view of the Chateau de Vaux-le-Vicomte, designed by Louis Le Vau, 1612-70, and built 1658-61 for marquis Nicolas Fouquet, in Maincy, Seine-et-Marne, France. The oval Grand Salon with its dome can be seen in the centre of the South facade, and the chateau is surrounded by a rectangular moat and formal gardens. The chateau is built in Baroque style, with decoration by Charles Le Brun, 1619-90, and grounds designed by landscape architect Andre le Notre, 1613-1700. The chateau is listed as a historic monument. Picture by Manuel Cohen
    DRN_LC19_FRANCE_MC_0102.jpg
  • Aerial view of the Chateau de Vaux-le-Vicomte, designed by Louis Le Vau, 1612-70, and built 1658-61 for marquis Nicolas Fouquet, in Maincy, Seine-et-Marne, France. The oval Grand Salon with its dome can be seen in the centre of the South facade, and the chateau is surrounded by a rectangular moat and formal gardens. The chateau is built in Baroque style, with decoration by Charles Le Brun, 1619-90, and grounds designed by landscape architect Andre le Notre, 1613-1700. The chateau is listed as a historic monument. Picture by Manuel Cohen
    DRN_LC19_FRANCE_MC_0101.jpg
  • Aerial view of the Chateau de Vaux-le-Vicomte, designed by Louis Le Vau, 1612-70, and built 1658-61 for marquis Nicolas Fouquet, in Maincy, Seine-et-Marne, France. The oval Grand Salon with its dome can be seen in the centre of the South facade, and the chateau is surrounded by a rectangular moat and formal gardens. The chateau is built in Baroque style, with decoration by Charles Le Brun, 1619-90, and grounds designed by landscape architect Andre le Notre, 1613-1700. The chateau is listed as a historic monument. Picture by Manuel Cohen
    DRN_LC19_FRANCE_MC_0098.jpg
  • Gardens, moat and North facade of the Chateau de Vaux-le-Vicomte, designed by Louis Le Vau, 1612-70, and built 1658-61 for marquis Nicolas Fouquet, in Maincy, Seine-et-Marne, France. The chateau is built in Baroque style, with decoration by Charles Le Brun, 1619-90, and grounds designed by landscape architect Andre le Notre, 1613-1700. The chateau is listed as a historic monument. Picture by Manuel Cohen
    DRN_LC19_FRANCE_MC_0084.jpg
  • Aerial view of the formal gardens of the Chateau de Vaux-le-Vicomte, designed by Louis Le Vau, 1612-70, and built 1658-61 for marquis Nicolas Fouquet, in Maincy, Seine-et-Marne, France. The South facade and moat can be seen at the top, and some of the paths, parterres and the rond d'eau below. The chateau is built in Baroque style, with decoration by Charles Le Brun, 1619-90, and grounds designed by landscape architect Andre le Notre, 1613-1700. The chateau is listed as a historic monument. Picture by Manuel Cohen
    DRN_LC19_FRANCE_MC_0110.jpg
  • Formal gardens of the Chateau de Vaux-le-Vicomte, designed by Louis Le Vau, 1612-70, and built 1658-61 for marquis Nicolas Fouquet, in Maincy, Seine-et-Marne, France. The chateau is built in Baroque style, with decoration by Charles Le Brun, 1619-90, and grounds designed by landscape architect Andre le Notre, 1613-1700. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC19_FRANCE_MC_0198.jpg
  • Goatherd and goat, sculpture by Paul Lemoyne, in the gardens of the Palais-Royal, designed in 1629 by Jacques Lemercier for Cardinal Richelieu, then royal palace for Louis XIII, and now a ministry, in the 1st arrondissement of Paris, France. The building and its Place du Palais-Royal are listed as historic monuments. Picture by Manuel Cohen
    LC19_PARIS_MC_1094.jpg
  • Sculptures and obelisks on the Teatro Maximo in the Italianate gardens on Isola Bella, in the Isole Borromee or Borromean Islands, on Lake Maggiore, Piedmont, Italy. The island houses the Palazzo Borromeo, begun 1632, designed by Angelo Crivelli, for Carlo III Borromeo and his wife Isabella D'Adda, then completed by Carlo Fontana for Giberto III Borromeo and Vitaliano VI Borromeo. The gardens were completed 1671 by Carlo IV Borromeo. Picture by Manuel Cohen
    LC22_ITALY_MC_0045.jpg
  • Statue of a nymph in the Italianate gardens on Isola Bella, in the Isole Borromee or Borromean Islands, on Lake Maggiore, Piedmont, Italy. The island houses the Palazzo Borromeo, begun 1632, designed by Angelo Crivelli, for Carlo III Borromeo and his wife Isabella D'Adda, then completed by Carlo Fontana for Giberto III Borromeo and Vitaliano VI Borromeo. The gardens were completed 1671 by Carlo IV Borromeo. Picture by Manuel Cohen
    LC22_ITALY_MC_0043.jpg
  • Terrace with sculptures and obelisks in the Italianate gardens on Isola Bella, in the Isole Borromee or Borromean Islands, on Lake Maggiore, Piedmont, Italy. The island houses the Palazzo Borromeo, begun 1632, designed by Angelo Crivelli, for Carlo III Borromeo and his wife Isabella D'Adda, then completed by Carlo Fontana for Giberto III Borromeo and Vitaliano VI Borromeo. The gardens were completed 1671 by Carlo IV Borromeo. Picture by Manuel Cohen
    DRN_LC22_ITALY_MC_0021.jpg
  • Statue of Neptune on the Teatro Massimo, in the Italianate gardens on Isola Bella, in the Isole Borromee or Borromean Islands, on Lake Maggiore, Piedmont, Italy. The island houses the Palazzo Borromeo, begun 1632, designed by Angelo Crivelli, for Carlo III Borromeo and his wife Isabella D'Adda, then completed by Carlo Fontana for Giberto III Borromeo and Vitaliano VI Borromeo. The gardens were completed 1671 by Carlo IV Borromeo. Picture by Manuel Cohen
    DRN_LC22_ITALY_MC_0016.jpg
  • Teatro Massimo, with sculptures, obelisks and a unicorn statue, in the Italianate gardens on Isola Bella, aerial view, in the Isole Borromee or Borromean Islands, on Lake Maggiore, Piedmont, Italy. The island houses the Palazzo Borromeo, begun 1632, designed by Angelo Crivelli, for Carlo III Borromeo and his wife Isabella D'Adda, then completed by Carlo Fontana for Giberto III Borromeo and Vitaliano VI Borromeo. The gardens were completed 1671 by Carlo IV Borromeo. Picture by Manuel Cohen
    DRN_LC22_ITALY_MC_0012.jpg
  • Sculptures and obelisks on the Teatro Maximo in the Italianate gardens on Isola Bella, in the Isole Borromee or Borromean Islands, on Lake Maggiore, Piedmont, Italy. The island houses the Palazzo Borromeo, begun 1632, designed by Angelo Crivelli, for Carlo III Borromeo and his wife Isabella D'Adda, then completed by Carlo Fontana for Giberto III Borromeo and Vitaliano VI Borromeo. The gardens were completed 1671 by Carlo IV Borromeo. Picture by Manuel Cohen
    LC22_ITALY_MC_0115.jpg
  • Sculptures on the Teatro Maximo in the Italianate gardens on Isola Bella, in the Isole Borromee or Borromean Islands, on Lake Maggiore, Piedmont, Italy. The island houses the Palazzo Borromeo, begun 1632, designed by Angelo Crivelli, for Carlo III Borromeo and his wife Isabella D'Adda, then completed by Carlo Fontana for Giberto III Borromeo and Vitaliano VI Borromeo. The gardens were completed 1671 by Carlo IV Borromeo. Picture by Manuel Cohen
    LC22_ITALY_MC_0046.jpg
  • Neptune statue on the Teatro Maximo in the Italianate gardens on Isola Bella, in the Isole Borromee or Borromean Islands, on Lake Maggiore, Piedmont, Italy. The island houses the Palazzo Borromeo, begun 1632, designed by Angelo Crivelli, for Carlo III Borromeo and his wife Isabella D'Adda, then completed by Carlo Fontana for Giberto III Borromeo and Vitaliano VI Borromeo. The gardens were completed 1671 by Carlo IV Borromeo. Picture by Manuel Cohen
    LC22_ITALY_MC_0044.jpg
  • Statue of a nymph in the Italianate gardens on Isola Bella, in the Isole Borromee or Borromean Islands, on Lake Maggiore, Piedmont, Italy. The island houses the Palazzo Borromeo, begun 1632, designed by Angelo Crivelli, for Carlo III Borromeo and his wife Isabella D'Adda, then completed by Carlo Fontana for Giberto III Borromeo and Vitaliano VI Borromeo. The gardens were completed 1671 by Carlo IV Borromeo. Picture by Manuel Cohen
    LC22_ITALY_MC_0042.jpg
  • Teatro Massimo, with sculptures, obelisks and a unicorn statue, in the Italianate gardens on Isola Bella, in the Isole Borromee or Borromean Islands, on Lake Maggiore, Piedmont, Italy. The island houses the Palazzo Borromeo, begun 1632, designed by Angelo Crivelli, for Carlo III Borromeo and his wife Isabella D'Adda, then completed by Carlo Fontana for Giberto III Borromeo and Vitaliano VI Borromeo. The gardens were completed 1671 by Carlo IV Borromeo. Picture by Manuel Cohen
    LC22_ITALY_MC_0041.jpg
  • Sculpture on the Teatro Maximo in the Italianate gardens on Isola Bella, in the Isole Borromee or Borromean Islands, on Lake Maggiore, Piedmont, Italy. The island houses the Palazzo Borromeo, begun 1632, designed by Angelo Crivelli, for Carlo III Borromeo and his wife Isabella D'Adda, then completed by Carlo Fontana for Giberto III Borromeo and Vitaliano VI Borromeo. The gardens were completed 1671 by Carlo IV Borromeo. Picture by Manuel Cohen
    LC22_ITALY_MC_0040.jpg
  • Grotesque animal head sculpture in the Italianate gardens on Isola Bella, in the Isole Borromee or Borromean Islands, on Lake Maggiore, Piedmont, Italy. The island houses the Palazzo Borromeo, begun 1632, designed by Angelo Crivelli, for Carlo III Borromeo and his wife Isabella D'Adda, then completed by Carlo Fontana for Giberto III Borromeo and Vitaliano VI Borromeo. The gardens were completed 1671 by Carlo IV Borromeo. Picture by Manuel Cohen
    LC22_ITALY_MC_0027.jpg
  • View of the lawns in the Italianate gardens from the Teatro Maximo, on Isola Bella, in the Isole Borromee or Borromean Islands, on Lake Maggiore, Piedmont, Italy. The island houses the Palazzo Borromeo, begun 1632, designed by Angelo Crivelli, for Carlo III Borromeo and his wife Isabella D'Adda, then completed by Carlo Fontana for Giberto III Borromeo and Vitaliano VI Borromeo. The gardens were completed 1671 by Carlo IV Borromeo. Picture by Manuel Cohen
    LC22_ITALY_MC_0025.jpg
  • Italianate gardens, Teatro Massimo and box hedge mazes on Isola Bella, in the Isole Borromee or Borromean Islands, on Lake Maggiore, Piedmont, Italy. The island houses the Palazzo Borromeo, begun 1632, designed by Angelo Crivelli, for Carlo III Borromeo and his wife Isabella D'Adda, then completed by Carlo Fontana for Giberto III Borromeo and Vitaliano VI Borromeo. The gardens were completed 1671 by Carlo IV Borromeo. Picture by Manuel Cohen
    LC22_ITALY_MC_0026.jpg
  • Terrace with sculptures and obelisks in the Italianate gardens on Isola Bella, in the Isole Borromee or Borromean Islands, on Lake Maggiore, Piedmont, Italy. The island houses the Palazzo Borromeo, begun 1632, designed by Angelo Crivelli, for Carlo III Borromeo and his wife Isabella D'Adda, then completed by Carlo Fontana for Giberto III Borromeo and Vitaliano VI Borromeo. The gardens were completed 1671 by Carlo IV Borromeo. Picture by Manuel Cohen
    DRN_LC22_ITALY_MC_0022.jpg
  • Unicorn statue (heraldic symbol of the Borromeos) atop the Teatro Massimo, aerial view, in the Italianate gardens on Isola Bella, in the Isole Borromee or Borromean Islands, on Lake Maggiore, Piedmont, Italy. The island houses the Palazzo Borromeo, begun 1632, designed by Angelo Crivelli, for Carlo III Borromeo and his wife Isabella D'Adda, then completed by Carlo Fontana for Giberto III Borromeo and Vitaliano VI Borromeo. The gardens were completed 1671 by Carlo IV Borromeo. Picture by Manuel Cohen
    DRN_LC22_ITALY_MC_0020.jpg
  • Unicorn statue (heraldic symbol of the Borromeos) atop the Teatro Massimo, aerial view, in the Italianate gardens on Isola Bella, in the Isole Borromee or Borromean Islands, on Lake Maggiore, Piedmont, Italy. The island houses the Palazzo Borromeo, begun 1632, designed by Angelo Crivelli, for Carlo III Borromeo and his wife Isabella D'Adda, then completed by Carlo Fontana for Giberto III Borromeo and Vitaliano VI Borromeo. The gardens were completed 1671 by Carlo IV Borromeo. Picture by Manuel Cohen
    DRN_LC22_ITALY_MC_0019.jpg
  • Teatro Massimo, with sculptures, obelisks and a unicorn statue, in the Italianate gardens on Isola Bella, in the Isole Borromee or Borromean Islands, on Lake Maggiore, Piedmont, Italy. The island houses the Palazzo Borromeo, begun 1632, designed by Angelo Crivelli, for Carlo III Borromeo and his wife Isabella D'Adda, then completed by Carlo Fontana for Giberto III Borromeo and Vitaliano VI Borromeo. The gardens were completed 1671 by Carlo IV Borromeo. Picture by Manuel Cohen
    DRN_LC22_ITALY_MC_0017.jpg
  • Teatro Massimo, with sculptures, obelisks and a unicorn statue, in the Italianate gardens on Isola Bella, aerial view, in the Isole Borromee or Borromean Islands, on Lake Maggiore, Piedmont, Italy. The island houses the Palazzo Borromeo, begun 1632, designed by Angelo Crivelli, for Carlo III Borromeo and his wife Isabella D'Adda, then completed by Carlo Fontana for Giberto III Borromeo and Vitaliano VI Borromeo. The gardens were completed 1671 by Carlo IV Borromeo. Picture by Manuel Cohen
    DRN_LC22_ITALY_MC_0015.jpg
  • Teatro Massimo, with sculptures, obelisks and a unicorn statue, in the Italianate gardens on Isola Bella, aerial view, in the Isole Borromee or Borromean Islands, on Lake Maggiore, Piedmont, Italy. The island houses the Palazzo Borromeo, begun 1632, designed by Angelo Crivelli, for Carlo III Borromeo and his wife Isabella D'Adda, then completed by Carlo Fontana for Giberto III Borromeo and Vitaliano VI Borromeo. The gardens were completed 1671 by Carlo IV Borromeo. Picture by Manuel Cohen
    DRN_LC22_ITALY_MC_0014.jpg
  • Teatro Massimo, with sculptures, obelisks and a unicorn statue, in the Italianate gardens on Isola Bella, aerial view, in the Isole Borromee or Borromean Islands, on Lake Maggiore, Piedmont, Italy. The island houses the Palazzo Borromeo, begun 1632, designed by Angelo Crivelli, for Carlo III Borromeo and his wife Isabella D'Adda, then completed by Carlo Fontana for Giberto III Borromeo and Vitaliano VI Borromeo. The gardens were completed 1671 by Carlo IV Borromeo. Picture by Manuel Cohen
    DRN_LC22_ITALY_MC_0013.jpg
  • Teatro Massimo, with sculptures, obelisks and a unicorn statue, in the Italianate gardens on Isola Bella, aerial view, in the Isole Borromee or Borromean Islands, on Lake Maggiore, Piedmont, Italy. The island houses the Palazzo Borromeo, begun 1632, designed by Angelo Crivelli, for Carlo III Borromeo and his wife Isabella D'Adda, then completed by Carlo Fontana for Giberto III Borromeo and Vitaliano VI Borromeo. The gardens were completed 1671 by Carlo IV Borromeo. Picture by Manuel Cohen
    DRN_LC22_ITALY_MC_0011.jpg
  • Teatro Massimo, with sculptures, obelisks and a unicorn statue, in the Italianate gardens on Isola Bella, in the Isole Borromee or Borromean Islands, on Lake Maggiore, Piedmont, Italy. The island houses the Palazzo Borromeo, begun 1632, designed by Angelo Crivelli, for Carlo III Borromeo and his wife Isabella D'Adda, then completed by Carlo Fontana for Giberto III Borromeo and Vitaliano VI Borromeo. The gardens were completed 1671 by Carlo IV Borromeo. Picture by Manuel Cohen
    DRN_LC22_ITALY_MC_0010.jpg
  • Italianate gardens and Teatro Massimo on Isola Bella, aerial view, in the Isole Borromee or Borromean Islands, on Lake Maggiore, Piedmont, Italy. The island houses the Palazzo Borromeo, begun 1632, designed by Angelo Crivelli, for Carlo III Borromeo and his wife Isabella D'Adda, then completed by Carlo Fontana for Giberto III Borromeo and Vitaliano VI Borromeo. The gardens were completed 1671 by Carlo IV Borromeo. Picture by Manuel Cohen
    DRN_LC22_ITALY_MC_0009.jpg
  • Teatro Massimo, with sculptures, obelisks and a unicorn statue, in the Italianate gardens on Isola Bella, in the Isole Borromee or Borromean Islands, on Lake Maggiore, Piedmont, Italy. The island houses the Palazzo Borromeo, begun 1632, designed by Angelo Crivelli, for Carlo III Borromeo and his wife Isabella D'Adda, then completed by Carlo Fontana for Giberto III Borromeo and Vitaliano VI Borromeo. The gardens were completed 1671 by Carlo IV Borromeo. Picture by Manuel Cohen
    DRN_LC22_ITALY_MC_0008.jpg
  • Italianate gardens and Teatro Massimo on Isola Bella, in the Isole Borromee or Borromean Islands, on Lake Maggiore, Piedmont, Italy. The island houses the Palazzo Borromeo, begun 1632, designed by Angelo Crivelli, for Carlo III Borromeo and his wife Isabella D'Adda, then completed by Carlo Fontana for Giberto III Borromeo and Vitaliano VI Borromeo. The gardens were completed 1671 by Carlo IV Borromeo. Picture by Manuel Cohen
    DRN_LC22_ITALY_MC_0006.jpg
  • Triunfo Gardens or Jardines de Triunfo, opened 1960, with the Plaza del Triunfo behind with the Monument to the Immaculate Conception of the Virgin of Triunfo, and in the distance, the tower of the Hospital Real or Royal Hospital, designed by Enrique Egas in 1511 as a prison and hospital for the poor, Granada, Andalusia, Southern Spain. Granada was listed as a UNESCO World Heritage Site in 1984. Picture by Manuel Cohen
    LC14_GRANADA_MC357.jpg
  • Oriental lion sculpture in the Giardini Botanici dell'Isola Madre, 18th century English style gardens designed by Filippo Cagnola, then altered in the 19th century, beside the Palazzo Borromeo, on Isola Madre, the largest of the Isole Borromee or Borromean Islands, on Lake Maggiore, Piedmont, Italy. Formerly known as Isola di San Vittore and Isola Maggiore, the island houses the Palazzo Borromeo, built 16th century by the Borromeo family and designed by Pellegrino Pellegrini or Il Tibaldi. Picture by Manuel Cohen
    LC22_ITALY_MC_0129.jpg
  • Ivy covered staircase and oriental lion sculpture in the Giardini Botanici dell'Isola Madre, 18th century English style gardens designed by Filippo Cagnola, then altered in the 19th century, beside the Palazzo Borromeo, on Isola Madre, the largest of the Isole Borromee or Borromean Islands, on Lake Maggiore, Piedmont, Italy. Formerly known as Isola di San Vittore and Isola Maggiore, the island houses the Palazzo Borromeo, built 16th century by the Borromeo family and designed by Pellegrino Pellegrini or Il Tibaldi. Picture by Manuel Cohen
    LC22_ITALY_MC_0128.jpg
  • Pond and ivy covered staircase in the Giardini Botanici dell'Isola Madre, 18th century English style gardens designed by Filippo Cagnola, then altered in the 19th century, beside the Palazzo Borromeo, on Isola Madre, the largest of the Isole Borromee or Borromean Islands, on Lake Maggiore, Piedmont, Italy. Formerly known as Isola di San Vittore and Isola Maggiore, the island houses the Palazzo Borromeo, built 16th century by the Borromeo family and designed by Pellegrino Pellegrini or Il Tibaldi. Picture by Manuel Cohen
    LC22_ITALY_MC_0127.jpg
  • Giardini Botanici dell'Isola Madre, 18th century English style gardens designed by Filippo Cagnola, then altered in the 19th century, beside the Palazzo Borromeo, on Isola Madre, the largest of the Isole Borromee or Borromean Islands, on Lake Maggiore, Piedmont, Italy. Formerly known as Isola di San Vittore and Isola Maggiore, the island houses the Palazzo Borromeo, built 16th century by the Borromeo family and designed by Pellegrino Pellegrini or Il Tibaldi. Picture by Manuel Cohen
    DRN_LC22_ITALY_MC_0124.jpg
  • Princes St Gardens, with (left), the Museum of the Mound, a museum of money and economics opened 2006 in the Bank of Scotland headquarters, a Baroque Revival building on the Mound, and (right), New College, the School of Divinity of the University of Edinburgh, built 1843 in Neo Gothic style by William Playfair, in Edinburgh, Scotland. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_080.jpg
  • La Foule (Crowd), bronze, 1963, by Raymond Mason (1922-2010), Tuileries Gardens (Jardin des Tuileries), 1664, Le Notre, Paris, France. Picture by Manuel Cohen
    LC_PARIS_11_MC180.jpg
  • Nymphe (Nymph), Marble, 1866, by Louis Auguste Leveque (1814-1875), Tuileries Gardens (Jardin des Tuileries), 1664, Le Notre, Paris, France. Picture by Manuel Cohen
    LC_PARIS_11_MC178.jpg
  • "La Comedie" (The Comedy), Marble, 1874, by Julien Toussaint Roux (1836-1880), Tuileries Gardens (Jardin des Tuileries), 1664, Le Notre, Paris, France. Picture by Manuel Cohen
    LC_PARIS_11_MC170.jpg
  • Air, 1932, lead, by Aristide Maillol (1861-1944),Tuileries Gardens (Jardin des Tuileries), 1664, Le Notre, Paris, France. Picture by Manuel Cohen
    LC_PARIS_11_MC167.jpg
  • Monument a Cezanne (Monument to Cezanne), 1925, lead, by Aristide Maillol (1861-1944),Tuileries Gardens (Jardin des Tuileries), 1664, Le Notre, Paris, France. Picture by Manuel Cohen
    LC_PARIS_11_MC163.jpg
  • Galerie Nationale du Jeu de Paume, 19th century, Tuileries Gardens, Paris, France. Constructed as a tennis court for Napoleon III (1808-73) the building became a venue for exhibitions in 1909 and a full museum in 1922. It housed Impressionist Art 1947-87, and was then renovated to become a Photography Museum, opening in 1991. Picture by Manuel Cohen
    LC_PARIS_11_MC200.jpg
  • La Foule (Crowd), bronze, 1963, by Raymond Mason (1922-2010), Tuileries Gardens (Jardin des Tuileries), 1664, Le Notre, Paris, France. Picture by Manuel Cohen
    LC_PARIS_11_MC181.jpg
  • Nymphe (Nymph), Marble, 1866, by Louis Auguste Leveque (1814-1875), Tuileries Gardens (Jardin des Tuileries), 1664, Le Notre, Paris, France. Picture by Manuel Cohen
    LC_PARIS_11_MC177.jpg
  • Nymphe (Nymph), Marble, 1866, by Louis Auguste Leveque (1814-1875), Tuileries Gardens (Jardin des Tuileries), 1664, Le Notre, Paris, France. Picture by Manuel Cohen
    LC_PARIS_11_MC176.jpg
  • Le Bel Costume, monumental epoxy resin sculpture, 1998, from original sketches dated 1973 by Jean Dubuffet (1901-1985), Tuileries Gardens, (Jardin des Tuileries), 1664, Le Notre, Paris, France. Picture by Manuel Cohen
    LC_PARIS_11_MC175.jpg
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