manuel cohen

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  • Fire hydrant fountain, 1921, in Collioure, Pyrenees-Orientales, Catalogne du Nord, France. Collioure is a small town depicted by many artists in the 20th century, on the Vermilion Coast near the Spanish border. Picture by Manuel Cohen
    LC20_FRANCE_MC_0783.jpg
  • Cathedrale Notre-Dame de Paris, or Notre-Dame cathedral, with renovation work taking place, photographed on 30th November 2019 after the fire of 16th April 2019, on the Ile de la Cite in the 4th arrondissement of Paris, France. The cathedral was built 1163-1345 in French Gothic style. The fire caused the destruction of the spire, the collapse of the roof and the damage of the upper walls of the cathedral nave. A reconstruction programme is currently in the planning stages. Picture by Manuel Cohen
    LC20_PARIS_MC_002.jpg
  • Cathedrale Notre-Dame de Paris, or Notre-Dame cathedral, with renovation work taking place, photographed on 30th November 2019 after the fire of 16th April 2019, on the Ile de la Cite in the 4th arrondissement of Paris, France. The cathedral was built 1163-1345 in French Gothic style. The fire caused the destruction of the spire, the collapse of the roof and the damage of the upper walls of the cathedral nave. A reconstruction programme is currently in the planning stages. Picture by Manuel Cohen
    LC20_PARIS_MC_003.jpg
  • Cathedrale Notre-Dame de Paris, or Notre-Dame cathedral, with renovation work taking place, photographed on 30th November 2019 after the fire of 16th April 2019, on the Ile de la Cite in the 4th arrondissement of Paris, France. The cathedral was built 1163-1345 in French Gothic style. The fire caused the destruction of the spire, the collapse of the roof and the damage of the upper walls of the cathedral nave. A reconstruction programme is currently in the planning stages. Picture by Manuel Cohen
    LC20_PARIS_MC_001.jpg
  • South tower of the Cathedrale Notre-Dame de Paris, or Notre-Dame cathedral, with renovation work taking place on the roof of the nave, photographed on 23rd October 2019 after the fire of 16th April 2019, on the Ile de la Cite in the 4th arrondissement of Paris, France. The cathedral was built 1163-1345 in French Gothic style. The fire caused the destruction of the spire, the collapse of the roof and the damage of the upper walls of the cathedral nave. A reconstruction programme is currently in the planning stages. Picture by Manuel Cohen
    LC20_PARIS_MC_004.jpg
  • Apse of the Cathedrale Notre-Dame de Paris, or Notre-Dame cathedral, with renovation work taking place on these and roof of the nave, photographed on 23rd October 2019 after the fire of 16th April 2019, on the Ile de la Cite in the 4th arrondissement of Paris, France. The cathedral was built 1163-1345 in French Gothic style. The fire caused the destruction of the spire, the collapse of the roof and the damage of the upper walls of the cathedral nave. A reconstruction programme is currently in the planning stages. Picture by Manuel Cohen
    LC20_PARIS_MC_005.jpg
  • Apse of the Cathedrale Notre-Dame de Paris, or Notre-Dame cathedral, with renovation work taking place on these and roof of the nave, photographed on 23rd October 2019 after the fire of 16th April 2019, on the Ile de la Cite in the 4th arrondissement of Paris, France. The cathedral was built 1163-1345 in French Gothic style. The fire caused the destruction of the spire, the collapse of the roof and the damage of the upper walls of the cathedral nave. A reconstruction programme is currently in the planning stages. Picture by Manuel Cohen
    LC20_PARIS_MC_006.jpg
  • Cathedrale Notre-Dame de Paris, or Notre-Dame cathedral, with renovation work taking place, photographed in July 2019 after the fire of 16th April 2019, on the Ile de la Cite in the 4th arrondissement of Paris, France. The cathedral was built 1163-1345 in French Gothic style. The fire caused the destruction of the spire, the collapse of the roof and the damage of the upper walls of the cathedral nave. A reconstruction programme is currently in the planning stages. Picture by Manuel Cohen
    LC19_PARIS_MC_1472.JPG
  • Cathedrale Notre-Dame de Paris, or Notre-Dame cathedral, with renovation work taking place, photographed on 12th May 2019 after the fire of 16th April 2019, on the Ile de la Cite in the 4th arrondissement of Paris, France. The cathedral was built 1163-1345 in French Gothic style. The fire caused the destruction of the spire, the collapse of the roof and the damage of the upper walls of the cathedral nave. A reconstruction programme is currently in the planning stages. In the foreground is the Fountain of the Virgin in the cathedral gardens. Picture by Manuel Cohen
    LC19_PARIS_MC_1198.JPG
  • Cathedrale Notre-Dame de Paris, or Notre-Dame cathedral, with renovation work taking place, photographed on 12th May 2019 after the fire of 16th April 2019, on the Ile de la Cite in the 4th arrondissement of Paris, France. The cathedral was built 1163-1345 in French Gothic style. The fire caused the destruction of the spire, the collapse of the roof and the damage of the upper walls of the cathedral nave. A reconstruction programme is currently in the planning stages. Picture by Manuel Cohen
    LC19_PARIS_MC_1199.JPG
  • Scene at the late fire at the Camden Town goods station of the London and North-Wester railway, from the Illustrated London News, 20th June 1857. The fire started on 9th June at the warehouse of Pickfords the carriers, and spread to the warehouse stables where over 100 horses were kept. Copyright © Collection Particuliere Tropmi / Manuel Cohen
    LC_History_MC0107.jpg
  • Metal fire screen with design featuring a wealthy man having a meal surrounded by servants and entertainers, in the Bureau du Directeur, in Citeco, Musee de l’Economie, a new interactive museum on the economy, opened June 2019, in the Hotel Gaillard, on the Place du General Catroux, in the 17th arrondissement of Paris, France. The Hotel Gaillard was built 1878-82 by architect Jules Fevrier in Neo Renaissance style for the banker Emile Gaillard, and later became a branch of the Banque de France. The building is listed as a historic monument. Picture by Manuel Cohen
    LC19_PARIS_MC_0914.jpg
  • Metal fire screen with heraldic design featuring a coat of arms, helmet, cockerel and lions, in the Salle de Bal or Ballroom, now housing a permanent exhibition on Exchanges and Economic Actors, but which originally housed Emilie Gaillard’s collection of medieval art and a 15th century fireplace with reliefs of mourners, in Citeco, Musee de l’Economie, a new interactive museum on the economy, opened June 2019, in the Hotel Gaillard, on the Place du General Catroux, in the 17th arrondissement of Paris, France. The Hotel Gaillard was built 1878-82 by architect Jules Fevrier in Neo Renaissance style for the banker Emile Gaillard, and later became a branch of the Banque de France, when this large room was fitted with art deco counters designed by the Maison Jansen. Later, it became an office used for meetings or training courses and as a reception room. The building is listed as a historic monument. Picture by Manuel Cohen
    LC19_PARIS_MC_0899.jpg
  • Metal fire screen with heraldic design featuring a coat of arms, helmet, cockerel and lions, detail, in the Salle de Bal or Ballroom, now housing a permanent exhibition on Exchanges and Economic Actors, but which originally housed Emilie Gaillard’s collection of medieval art and a 15th century fireplace with reliefs of mourners, in Citeco, Musee de l’Economie, a new interactive museum on the economy, opened June 2019, in the Hotel Gaillard, on the Place du General Catroux, in the 17th arrondissement of Paris, France. The Hotel Gaillard was built 1878-82 by architect Jules Fevrier in Neo Renaissance style for the banker Emile Gaillard, and later became a branch of the Banque de France, when this large room was fitted with art deco counters designed by the Maison Jansen. Later, it became an office used for meetings or training courses and as a reception room. The building is listed as a historic monument. Picture by Manuel Cohen
    LC19_PARIS_MC_0901.jpg
  • Metal fire screen with a lion and helmet, in the monumental 15th century Venetian fireplace in the Petit Salon, in Citeco, Musee de l’Economie, a new interactive museum on the economy, opened June 2019, in the Hotel Gaillard, on the Place du General Catroux, in the 17th arrondissement of Paris, France. The Hotel Gaillard was built 1878-82 by architect Jules Fevrier in Neo Renaissance style for the banker Emile Gaillard, and later became a branch of the Banque de France. Originally the Petit Salon was hung with Emilie Gaillard's collection of gilded leather wall hangings and paintings. It was used for family evenings and intimate gatherings, and then a reception area when the building became a bank. The building is listed as a historic monument. Picture by Manuel Cohen
    LC19_PARIS_MC_0890.jpg
  • Fire grenades, containing remnants of sulphur and charcoal, 14th - 16th century AD, from the arsenal of the fort, in the Qal'at Al-Bahrain Site Museum, near Manama in Bahrain. These grenades were catapulted using a system of balancing poles and counterweights, crossbows, projected stones and cannonballs. String wound around their rims made them spin in the air. The museum was opened in 2008, displaying artefacts of the history and archaeology of the Qal'at al-Bahrain, or Bahrain Fort or Portuguese Fort, built 6th century AD, once the capital of the Dilmun Civilisation. Qal'at al-Bahrain is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC19_BAHREIN_MC_171.jpg
  • Fire at the courthouse in Petrograd, later St Petersburg, 11th or 12th March 1917, during the Russian Revolution, photograph by P Wolkof of Vetchernee Vremia, published in L'Illustration no.3868, 21st April 1917. Picture by Manuel Cohen
    LC_HISTORY_MC_0308.jpg
  • Cathedrale Notre-Dame de Paris, or Notre-Dame cathedral, with renovation work taking place, photographed on 6th February 2020 after the fire of 16th April 2019, on the Ile de la Cite in the 4th arrondissement of Paris, France. The cathedral was built 1163-1345 in French Gothic style. The fire caused the destruction of the spire, the collapse of the roof and the damage of the upper walls of the cathedral nave. Picture by Manuel Cohen
    LC20_PARIS_MC_169.jpg
  • Ball of fire on the credence carved with many symbols related to alchemy, such as balls of fire, dolphins, a shell representing mercury, rose and cornucopia and the mysterious letters RERE (possibly related to genealogy and found repeatedly on Lallemant family prayer books and objects), detail in the Lallemant family chapel in the Oratory of the Hotel Lallemant, a mansion built 1495-1518 in French Renaissance style by the Lallemant merchant family, in Bourges, Centre Val de Loire, France. Fulcanelli wrote extensively on the significance of the letters R and E in terms of alchemy, with RE being dry and wet matters and RERE double matters. The sculptural decoration on the building, made by both French and Italian sculptors, has been interpreted by Fulcanelli and others as having an alchemical symbolism. Since 1951 the building has housed the Musee des Arts Decoratifs and it was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC17_FRANCE_MC_0688.jpg
  • Winged cherub carrying a cup of fire, with one knee on the ground, representing a controlled and contained fire which feeds the mind, and the calcination of the inner fire with the outer fire, from the coffered ceiling of the Oratory, carved in stone with 30 sections, each relating to a process in alchemy, in the Hotel Lallemant, a mansion built 1495-1518 in French Renaissance style by the Lallemant merchant family, in Bourges, Centre Val de Loire, France. The sculptural decoration on the building, made by both French and Italian sculptors, has been interpreted by Fulcanelli and others as having an alchemical symbolism. Since 1951 the building has housed the Musee des Arts Decoratifs and it was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC17_FRANCE_MC_0678.jpg
  • Storyboard with Aniel and the basin of fire, page 39, plate 37, for Le Feu Ecarlate or the Scarlet Fire, Series 35 of the Thorgal comic book series, to be published November 2016, by Grzegorz Rosinski, 1941-, Polish comic book artist. Rosinski was born in Stalowa Wola, Poland, and now lives in Switzerland, and is the author and designer of many Polish comic book series. He created Thorgal with Belgian writer Jean Van Hamme. The series was first published in Tintin in 1977 and has been published by Le Lombard since 1980. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Le Feu Ecarlate takes place in Bag Dadh, a city under siege by the Magnus force, where Thorgal must find Aniel and save him from the Red Wizards who made him the reincarnation of their Grand Master Kahaniel. Picture by Manuel Cohen / Further clearances requested, please contact us and/or visit www.lelombard.com
    LC16_ROSINSKI_MC_109.jpg
  • Illustration of Thorgal and Aniel and the basin of fire, page 41, plate 39, for Le Feu Ecarlate or the Scarlet Fire, Series 35 of the Thorgal comic book series, to be published November 2016, by Grzegorz Rosinski, 1941-, Polish comic book artist. Rosinski was born in Stalowa Wola, Poland, and now lives in Switzerland, and is the author and designer of many Polish comic book series. He created Thorgal with Belgian writer Jean Van Hamme. The series was first published in Tintin in 1977 and has been published by Le Lombard since 1980. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Le Feu Ecarlate takes place in Bag Dadh, a city under siege by the Magnus force, where Thorgal must find Aniel and save him from the Red Wizards who made him the reincarnation of their Grand Master Kahaniel. Picture by Manuel Cohen / Further clearances requested, please contact us and/or visit www.lelombard.com
    LC16_ROSINSKI_MC_107.jpg
  • Martyrdom of St Lawrence, stained glass window, c. 1180, British, from Christ Church Cathedral, Canterbury, Kent, England, in the Early Gothic Hall, in The Cloisters, a museum specialising in European medieval architecture, sculpture and decorative arts, part of the Metropolitan Museum of Art, at Fort Tryon Park, Manhattan, New York, USA. The window shows St Lawrence martyred by fire but conquering it with 3 bands of fire within (faith, love of Christ, and knowledge of God). The Cloisters collection includes Byzantine, Romanesque, Gothic and Renaissance works from 12th to 15th centuries. Picture by Manuel Cohen
    LC20_NYC_USA_MC154.jpg
  • Caserne des Sapeurs Pompiers, a fire station on the Quai de Valmy on the Canal Saint-Martin, in the 10th arrondissement of Paris, France. The Canal Saint-Martin is a 4.6km long waterway between the Canal de l'Ourcq and river Seine, built 1802-25 to provide a fresh water source to the city and provide a trade route for canal barges. Picture by Manuel Cohen
    LC19_PARIS_MC_0116.jpg
  • Photograph of the night-time bombing of an ammunition dump near Sable-sur-Sarthe, Pays de la Loire, France, by RAF Lancaster bombers, 6th May 1944, during the Second World War. Huge balls of fire and flying wreckage from this direct hit resulted in constant explosions, with sheets of fire enveloping the buildings, which could still be seen by the bombers while returning home across the English Channel. Picture by Manuel Cohen
    LC_HISTORY_MC_0354.jpg
  • Dolphin and ball of fire on the credence carved with many symbols related to alchemy, such as balls of fire, dolphins, a shell representing mercury, rose and cornucopia and the mysterious letters RERE (possibly related to genealogy and found repeatedly on Lallemant family prayer books and objects), detail in the Lallemant family chapel in the Oratory of the Hotel Lallemant, a mansion built 1495-1518 in French Renaissance style by the Lallemant merchant family, in Bourges, Centre Val de Loire, France. Fulcanelli wrote extensively on the significance of the letters R and E in terms of alchemy, with RE being dry and wet matters and RERE double matters. The sculptural decoration on the building, made by both French and Italian sculptors, has been interpreted by Fulcanelli and others as having an alchemical symbolism. Since 1951 the building has housed the Musee des Arts Decoratifs and it was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC17_FRANCE_MC_0687.jpg
  • Credence carved with many symbols related to alchemy, such as balls of fire, dolphins, a shell representing mercury, rose and cornucopia and the mysterious letters RERE (possibly related to genealogy and found repeatedly on Lallemant family prayer books and objects), in the Lallemant family chapel in the Oratory of the Hotel Lallemant, a mansion built 1495-1518 in French Renaissance style by the Lallemant merchant family, in Bourges, Centre Val de Loire, France. Fulcanelli wrote extensively on the significance of the letters R and E in terms of alchemy, with RE being dry and wet matters and RERE double matters. The sculptural decoration on the building, made by both French and Italian sculptors, has been interpreted by Fulcanelli and others as having an alchemical symbolism. Since 1951 the building has housed the Musee des Arts Decoratifs and it was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC17_FRANCE_MC_0685.jpg
  • Dove in flames, representing the philosophical soul, and the descent of the terrestrial fire in Christian tradition, from the coffered ceiling of the Oratory, carved in stone with 30 sections, each relating to a process in alchemy, in the Hotel Lallemant, a mansion built 1495-1518 in French Renaissance style by the Lallemant merchant family, in Bourges, Centre Val de Loire, France. The sculptural decoration on the building, made by both French and Italian sculptors, has been interpreted by Fulcanelli and others as having an alchemical symbolism. Since 1951 the building has housed the Musee des Arts Decoratifs and it was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC17_FRANCE_MC_0683.jpg
  • Winged cherub with a coquille St-Jacques shell resting on fire, symbol of the pilgrimage to Santiago de Compostela, of secrets, of the feminine principle of mercury and of the crucible, so this relief represents the joining of mercury and fire in the processes of alchemy, from the coffered ceiling of the Oratory, carved in stone with 30 sections, each relating to a process in alchemy, in the Hotel Lallemant, a mansion built 1495-1518 in French Renaissance style by the Lallemant merchant family, in Bourges, Centre Val de Loire, France. The sculptural decoration on the building, made by both French and Italian sculptors, has been interpreted by Fulcanelli and others as having an alchemical symbolism. Since 1951 the building has housed the Musee des Arts Decoratifs and it was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC17_FRANCE_MC_0682.jpg
  • Celestial dew, with a watering can attached to a ring by a rope, releasing drops onto a fire, representing the sacred relationship between water and fire, from the coffered ceiling of the Oratory, carved in stone with 30 sections, each relating to a process in alchemy, in the Hotel Lallemant, a mansion built 1495-1518 in French Renaissance style by the Lallemant merchant family, in Bourges, Centre Val de Loire, France. Also there is an allusion to the heavenly cosmic fluid, and the ring symbolises faithfulness, with the droplets signifying the unity of material. The sculptural decoration on the building, made by both French and Italian sculptors, has been interpreted by Fulcanelli and others as having an alchemical symbolism. Since 1951 the building has housed the Musee des Arts Decoratifs and it was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC17_FRANCE_MC_0681.JPG
  • Winged cherub blowing fire from a horn, representing the role of breath or the wind in the alchemy, in contrast to the section depicting fire contained in a cup, from the coffered ceiling of the Oratory, carved in stone with 30 sections, each relating to a process in alchemy, in the Hotel Lallemant, a mansion built 1495-1518 in French Renaissance style by the Lallemant merchant family, in Bourges, Centre Val de Loire, France. The sculptural decoration on the building, made by both French and Italian sculptors, has been interpreted by Fulcanelli and others as having an alchemical symbolism. Since 1951 the building has housed the Musee des Arts Decoratifs and it was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC17_FRANCE_MC_0680.jpg
  • Ball of fire, possibly a burning stone, in a carved cup, with 3R representing the extraction of igneous sulphur by a triple reiteration and possibly a pomegranate representing fertility (a symbol also found elsewhere in the building), from the coffered ceiling of the Oratory, carved in stone with 30 sections, each relating to a process in alchemy, in the Hotel Lallemant, a mansion built 1495-1518 in French Renaissance style by the Lallemant merchant family, in Bourges, Centre Val de Loire, France. The sculptural decoration on the building, made by both French and Italian sculptors, has been interpreted by Fulcanelli and others as having an alchemical symbolism. Since 1951 the building has housed the Musee des Arts Decoratifs and it was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC17_FRANCE_MC_0661.JPG
  • Thorgal on a battlefield surrounded by bodies, cover illustration for the special edition of Le Feu Ecarlate or the Scarlet Fire, series 35 of the Thorgal comic book series, acrylic painting on plywood, 2015, by Grzegorz Rosinski, 1941-, Polish comic book artist. Rosinski was born in Stalowa Wola, Poland, and now lives in Switzerland, and is the author and designer of many Polish comic book series. He created Thorgal with Belgian writer Jean Van Hamme. The series was first published in Tintin in 1977 and has been published by Le Lombard since 1980. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Picture by Manuel Cohen / Further clearances requested, please contact us and/or visit www.lelombard.com
    LC16_ROSINSKI_MC_115.jpg
  • Storyboard with Thorgal firing his bow and Aniel, page 50, plate 46 of Le Feu Ecarlate or the Scarlet Fire, Series 35 of the Thorgal comic book series, to be published November 2016, by Grzegorz Rosinski, 1941-, Polish comic book artist. Rosinski was born in Stalowa Wola, Poland, and now lives in Switzerland, and is the author and designer of many Polish comic book series. He created Thorgal with Belgian writer Jean Van Hamme. The series was first published in Tintin in 1977 and has been published by Le Lombard since 1980. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Le Feu Ecarlate takes place in Bag Dadh, a city under siege by the Magnus force, where Thorgal must find Aniel and save him from the Red Wizards who made him the reincarnation of their Grand Master Kahaniel. Picture by Manuel Cohen / Further clearances requested, please contact us and/or visit www.lelombard.com
    LC16_ROSINSKI_MC_110.jpg
  • Storyboard with Thorgal, Magon and Aniel, page 43, plate 39, for Le Feu Ecarlate or the Scarlet Fire, Series 35 of the Thorgal comic book series, to be published November 2016, by Grzegorz Rosinski, 1941-, Polish comic book artist. Rosinski was born in Stalowa Wola, Poland, and now lives in Switzerland, and is the author and designer of many Polish comic book series. He created Thorgal with Belgian writer Jean Van Hamme. The series was first published in Tintin in 1977 and has been published by Le Lombard since 1980. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Le Feu Ecarlate takes place in Bag Dadh, a city under siege by the Magnus force, where Thorgal must find Aniel and save him from the Red Wizards who made him the reincarnation of their Grand Master Kahaniel. Picture by Manuel Cohen / Further clearances requested, please contact us and/or visit www.lelombard.com
    LC16_ROSINSKI_MC_106.jpg
  • Storyboard page in orange (no. 46) of an arrow being fired, from a sketchbook featuring characters, costumes and storyboards for Le Feu Ecarlate or the Scarlet Fire, Series 35 of the Thorgal comic book series, to be published November 2016, by Grzegorz Rosinski, 1941-, Polish comic book artist. Rosinski was born in Stalowa Wola, Poland, and now lives in Switzerland, and is the author and designer of many Polish comic book series. He created Thorgal with Belgian writer Jean Van Hamme. The series was first published in Tintin in 1977 and has been published by Le Lombard since 1980. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Le Feu Ecarlate takes place in Bag Dadh, a city under siege by the Magnus force, where Thorgal must find Aniel and save him from the Red Wizards who made him the reincarnation of their Grand Master Kahaniel. Picture by Manuel Cohen / Further clearances requested, please contact us and/or visit www.lelombard.com
    LC16_ROSINSKI_MC_071.jpg
  • Storyboard page (no. 42) with portrait of Thorgal bottom right, from a sketchbook featuring characters, costumes and storyboards for Le Feu Ecarlate or the Scarlet Fire, Series 35 of the Thorgal comic book series, to be published November 2016, by Grzegorz Rosinski, 1941-, Polish comic book artist. Rosinski was born in Stalowa Wola, Poland, and now lives in Switzerland, and is the author and designer of many Polish comic book series. He created Thorgal with Belgian writer Jean Van Hamme. The series was first published in Tintin in 1977 and has been published by Le Lombard since 1980. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Le Feu Ecarlate takes place in Bag Dadh, a city under siege by the Magnus force, where Thorgal must find Aniel and save him from the Red Wizards who made him the reincarnation of their Grand Master Kahaniel. Picture by Manuel Cohen / Further clearances requested, please contact us and/or visit www.lelombard.com
    LC16_ROSINSKI_MC_069.jpg
  • Salamander spitting water to extinguish the bad fire, emblem of Francois I, on the stone vaulted coffered ceiling of the cross shaped room, on the second floor of the keep in the Chateau de Chambord, designed by Domenico da Cortona and built 1519-47 in French Renaissance style under King Francois I, at Chambord, Loir-et-Cher, France. The largest of the Loire Valley chateaux, Chambord has a central keep with 4 bastion towers on the corners, a moat and an elaborate decorative roofline. The chateau is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_FRANCE_MC_1157.jpg
  • Salamander spitting water to extinguish the bad fire, emblem of king Francois I, relief on monumental fireplace in the Biencourt Salon, a living room refurnished 2015-17, in the Chateau d'Azay-le-Rideau, a Renaissance chateau built 1515-27 by Gilles Berthelot on the foundations of an 11th century fortress, Loire Valley, Indre-et-Loire, France. It is built in both Italian and French styles on an island in the Indre river, and is one of the earliest French Renaissance chateaux. It is listed as a historic monument and is part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_FRANCE_MC_0898.jpg
  • Reve au coin du feu, or Dream by the Fire, bronze and marble sculpture, c. 1899, cast by E Blot c. 1905, by Camille Claudel, 1864-1943, in the Camille Claudel Museum, opened 2017, in Nogent-sur-Seine, Aube, Grand Est, France. Claudel was a female sculptor who moved to Nogent-sur-Seine in 1876. She studied under Alfred Boucher and was a model for, and mistress of, Auguste Rodin. Picture by Manuel Cohen
    LC22_FRANCE_MC_0040.jpg
  • Homo erectus making fire with flint, model in the Musee de Tautavel - Centre Europeen de Prehistoire, Tautavel, Pyrenees-Orientales, Catalogne du Nord, France. The museum houses the Centre Europeen de Recherches Prehistoriques (CERP), who work on the excavations at the Caune de l'Arago or La grotte de Tautavel, or Arago Cave, in a limestone cliff in the Gorges du Gouleyrous in the Corbieres Massif, which contains the remains of the Tautavel Man, a subspecies of Homo Erectus, 450,000 years old, along with further evidence of stone age activity. Picture by Manuel Cohen
    LC20_FRANCE_MC_1619.jpg
  • Element of fire, allegorical relief above the door to the antechamber of the Intendant's apartments, in the Hotel de la Marine, built 1757-74 by Ange-Jacques Gabriel, 1698-1782, architect to King Louis XV, on the Place de la Concorde, in the 8th arrondissement of Paris, France. The building was made to house the Garde-Meuble de la Couronne, the king's furniture collection. The Intendant of the Garde-Meuble was an important officer to the king, and was housed in this building in lavish apartments (Pierre-Elisabeth de Fontanieu from 1765, and Marc-Antoine Thierry de Ville d’Avray from 1786). From 1789, the building became the Ministere de la Marine, the navy ministry. It was restored 2017-20 and is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_0797.jpg
  • Angel emptying the censer on earth, causing fire thunder and an earthquake, with angel blowing trumpet, detail of the second piece depicting the Seven Trumpets, from the Tenture de l'Apocalypse or Apocalypse Tapestry, made 1373-82 by Nicolas Bataille in the workshop of Robert Poincon after preparatory drawings by Hennequin de Bruges, in the Musee de la Tapisserie de l'Apocalypse, in the Chateau d'Angers, Angers, Maine-et-Loire, France. The tapestry was commissioned by Louis I duc d'Anjou and depicts the Apocalypse of John. It measures 140m and is divided into 6 pieces with 90 scenes. Although bequeathed to Angers Cathedral by King Rene in the 15th century, the tapestry was reconstructed and restored in the 19th century, listed as a historic monument and exhibited in the castle. Picture by Manuel Cohen
    LC21_FRANCE_MC_0352.jpg
  • Second Trumpet, with shipwreck and drowning soldiers caused by fire in the sea, with the second angel blowing trumpet and St John, detail of the second piece depicting the Seven Trumpets, from the Tenture de l'Apocalypse or Apocalypse Tapestry, made 1373-82 by Nicolas Bataille in the workshop of Robert Poincon after preparatory drawings by Hennequin de Bruges, in the Musee de la Tapisserie de l'Apocalypse, in the Chateau d'Angers, Angers, Maine-et-Loire, France. The tapestry was commissioned by Louis I duc d'Anjou and depicts the Apocalypse of John. It measures 140m and is divided into 6 pieces with 90 scenes. Although bequeathed to Angers Cathedral by King Rene in the 15th century, the tapestry was reconstructed and restored in the 19th century, listed as a historic monument and exhibited in the castle. Picture by Manuel Cohen
    LC21_FRANCE_MC_0350.jpg
  • Angel emptying the censer on earth, causing fire thunder and an earthquake, with angel blowing trumpet and St John, detail of the second piece depicting the Seven Trumpets, from the Tenture de l'Apocalypse or Apocalypse Tapestry, made 1373-82 by Nicolas Bataille in the workshop of Robert Poincon after preparatory drawings by Hennequin de Bruges, in the Musee de la Tapisserie de l'Apocalypse, in the Chateau d'Angers, Angers, Maine-et-Loire, France. The tapestry was commissioned by Louis I duc d'Anjou and depicts the Apocalypse of John. It measures 140m and is divided into 6 pieces with 90 scenes. Although bequeathed to Angers Cathedral by King Rene in the 15th century, the tapestry was reconstructed and restored in the 19th century, listed as a historic monument and exhibited in the castle. Picture by Manuel Cohen
    LC21_FRANCE_MC_0351.jpg
  • Second Trumpet, with shipwreck and drowning soldiers caused by fire in the sea, detail of the second piece depicting the Seven Trumpets, from the Tenture de l'Apocalypse or Apocalypse Tapestry, made 1373-82 by Nicolas Bataille in the workshop of Robert Poincon after preparatory drawings by Hennequin de Bruges, in the Musee de la Tapisserie de l'Apocalypse, in the Chateau d'Angers, Angers, Maine-et-Loire, France. The tapestry was commissioned by Louis I duc d'Anjou and depicts the Apocalypse of John. It measures 140m and is divided into 6 pieces with 90 scenes. Although bequeathed to Angers Cathedral by King Rene in the 15th century, the tapestry was reconstructed and restored in the 19th century, listed as a historic monument and exhibited in the castle. Picture by Manuel Cohen
    LC21_FRANCE_MC_0349.jpg
  • The 2 witnesses, closing the heavens, spilling fire from their mouths to kill their enemies and turning the rivers to blood, with St John, detail of the third piece depicting the Dragon, from the Tenture de l'Apocalypse or Apocalypse Tapestry, made 1373-82 by Nicolas Bataille in the workshop of Robert Poincon after preparatory drawings by Hennequin de Bruges, in the Musee de la Tapisserie de l'Apocalypse, in the Chateau d'Angers, Angers, Maine-et-Loire, France. The tapestry was commissioned by Louis I duc d'Anjou and depicts the Apocalypse of John. It measures 140m and is divided into 6 pieces with 90 scenes. Although bequeathed to Angers Cathedral by King Rene in the 15th century, the tapestry was reconstructed and restored in the 19th century, listed as a historic monument and exhibited in the castle. Picture by Manuel Cohen
    LC21_FRANCE_MC_0367.jpg
  • Beast from the earth makes fire fall from heaven to earth, with St John, detail of the fourth piece depicting the 3 Angels, from the Tenture de l'Apocalypse or Apocalypse Tapestry, made 1373-82 by Nicolas Bataille in the workshop of Robert Poincon after preparatory drawings by Hennequin de Bruges, in the Musee de la Tapisserie de l'Apocalypse, in the Chateau d'Angers, Angers, Maine-et-Loire, France. The tapestry was commissioned by Louis I duc d'Anjou and depicts the Apocalypse of John. It measures 140m and is divided into 6 pieces with 90 scenes. Although bequeathed to Angers Cathedral by King Rene in the 15th century, the tapestry was reconstructed and restored in the 19th century, listed as a historic monument and exhibited in the castle. Picture by Manuel Cohen
    LC21_FRANCE_MC_0398.jpg
  • Christ on horseback killing the damned with a sword and birds eating the flesh, from Beasts thrown into the Lake of Fire and Brimstone, detail of the sixth piece depicting the New Jerusalem, from the Tenture de l'Apocalypse or Apocalypse Tapestry, made 1373-82 by Nicolas Bataille in the workshop of Robert Poincon after preparatory drawings by Hennequin de Bruges, in the Musee de la Tapisserie de l'Apocalypse, in the Chateau d'Angers, Angers, Maine-et-Loire, France. The tapestry was commissioned by Louis I duc d'Anjou and depicts the Apocalypse of John. It measures 140m and is divided into 6 pieces with 90 scenes. Although bequeathed to Angers Cathedral by King Rene in the 15th century, the tapestry was reconstructed and restored in the 19th century, listed as a historic monument and exhibited in the castle. Picture by Manuel Cohen
    LC21_FRANCE_MC_0429.jpg
  • Second Trumpet, with shipwreck and drowning soldiers caused by fire in the sea, with the second angel blowing trumpet and St John, detail of the second piece depicting the Seven Trumpets, from the Tenture de l'Apocalypse or Apocalypse Tapestry, made 1373-82 by Nicolas Bataille in the workshop of Robert Poincon after preparatory drawings by Hennequin de Bruges, in the Musee de la Tapisserie de l'Apocalypse, in the Chateau d'Angers, Angers, Maine-et-Loire, France. The tapestry was commissioned by Louis I duc d'Anjou and depicts the Apocalypse of John. It measures 140m and is divided into 6 pieces with 90 scenes. Although bequeathed to Angers Cathedral by King Rene in the 15th century, the tapestry was reconstructed and restored in the 19th century, listed as a historic monument and exhibited in the castle. Picture by Manuel Cohen
    LC21_FRANCE_MC_0639.jpg
  • Beast from the earth makes fire fall from heaven to earth, with St John, detail of the fourth piece depicting the 3 Angels, from the Tenture de l'Apocalypse or Apocalypse Tapestry, made 1373-82 by Nicolas Bataille in the workshop of Robert Poincon after preparatory drawings by Hennequin de Bruges, in the Musee de la Tapisserie de l'Apocalypse, in the Chateau d'Angers, Angers, Maine-et-Loire, France. The tapestry was commissioned by Louis I duc d'Anjou and depicts the Apocalypse of John. It measures 140m and is divided into 6 pieces with 90 scenes. Although bequeathed to Angers Cathedral by King Rene in the 15th century, the tapestry was reconstructed and restored in the 19th century, listed as a historic monument and exhibited in the castle. Picture by Manuel Cohen
    LC21_FRANCE_MC_0649.jpg
  • Beast from the earth makes fire fall from heaven to earth, with St John, detail of the fourth piece depicting the 3 Angels, from the Tenture de l'Apocalypse or Apocalypse Tapestry, made 1373-82 by Nicolas Bataille in the workshop of Robert Poincon after preparatory drawings by Hennequin de Bruges, in the Musee de la Tapisserie de l'Apocalypse, in the Chateau d'Angers, Angers, Maine-et-Loire, France. The tapestry was commissioned by Louis I duc d'Anjou and depicts the Apocalypse of John. It measures 140m and is divided into 6 pieces with 90 scenes. Although bequeathed to Angers Cathedral by King Rene in the 15th century, the tapestry was reconstructed and restored in the 19th century, listed as a historic monument and exhibited in the castle. Picture by Manuel Cohen
    LC21_FRANCE_MC_0648.jpg
  • People defending the city gates, detail from Satan besieging the City, with the dragon leaving the Leviathan with his army and fire raining down on Satan from heaven, detail of the sixth piece depicting the New Jerusalem, from the Tenture de l'Apocalypse or Apocalypse Tapestry, made 1373-82 by Nicolas Bataille in the workshop of Robert Poincon after preparatory drawings by Hennequin de Bruges, in the Musee de la Tapisserie de l'Apocalypse, in the Chateau d'Angers, Angers, Maine-et-Loire, France. The tapestry was commissioned by Louis I duc d'Anjou and depicts the Apocalypse of John. It measures 140m and is divided into 6 pieces with 90 scenes. Although bequeathed to Angers Cathedral by King Rene in the 15th century, the tapestry was reconstructed and restored in the 19th century, listed as a historic monument and exhibited in the castle. Picture by Manuel Cohen
    LC21_FRANCE_MC_0658.jpg
  • Satan besieging the City, with the dragon leaving the Leviathan with his army, people defending the city gates and fire raining down on Satan from heaven, and St John, detail of the sixth piece depicting the New Jerusalem, from the Tenture de l'Apocalypse or Apocalypse Tapestry, made 1373-82 by Nicolas Bataille in the workshop of Robert Poincon after preparatory drawings by Hennequin de Bruges, in the Musee de la Tapisserie de l'Apocalypse, in the Chateau d'Angers, Angers, Maine-et-Loire, France. The tapestry was commissioned by Louis I duc d'Anjou and depicts the Apocalypse of John. It measures 140m and is divided into 6 pieces with 90 scenes. Although bequeathed to Angers Cathedral by King Rene in the 15th century, the tapestry was reconstructed and restored in the 19th century, listed as a historic monument and exhibited in the castle. Picture by Manuel Cohen
    LC21_FRANCE_MC_0657.jpg
  • Beasts thrown into the Lake of Fire and Brimstone, and the damned killed by the sword of Christ on horseback and birds eating their flesh, and St John, detail of the sixth piece depicting the New Jerusalem, from the Tenture de l'Apocalypse or Apocalypse Tapestry, made 1373-82 by Nicolas Bataille in the workshop of Robert Poincon after preparatory drawings by Hennequin de Bruges, in the Musee de la Tapisserie de l'Apocalypse, in the Chateau d'Angers, Angers, Maine-et-Loire, France. The tapestry was commissioned by Louis I duc d'Anjou and depicts the Apocalypse of John. It measures 140m and is divided into 6 pieces with 90 scenes. Although bequeathed to Angers Cathedral by King Rene in the 15th century, the tapestry was reconstructed and restored in the 19th century, listed as a historic monument and exhibited in the castle. Picture by Manuel Cohen
    LC21_FRANCE_MC_0656.jpg
  • Mask representing fire, on the facade of the Hotel des Freres Raimbaud, an 18th century mansion on the Quai Turenne on Ile Feydeau, in Nantes, Pays de la Loire, France. The building is listed as a historic monument. Nantes was an important trading port, profiting greatly from the slave trade from 17th - 19th century, although the Rimbaud brothers were wood merchants. The Ile Feydeau area, a former island in the Loire, was developed from the 1720s with large mansions built by wealthy shipowners and slave traders. Picture by Manuel Cohen
    LC21_FRANCE_MC_0072.JPG
  • Mask representing fire, on the facade of the Hotel des Freres Raimbaud, an 18th century mansion on the Quai Turenne on Ile Feydeau, in Nantes, Pays de la Loire, France. The building is listed as a historic monument. Nantes was an important trading port, profiting greatly from the slave trade from 17th - 19th century, although the Rimbaud brothers were wood merchants. The Ile Feydeau area, a former island in the Loire, was developed from the 1720s with large mansions built by wealthy shipowners and slave traders. Picture by Manuel Cohen
    LC21_FRANCE_MC_0107.jpg
  • St Elmo, patron saint of seafarers, statue, detail, late 17th - early 18th century, from the Musee des Salorges fund, in the Musee d'histoire de Nantes, in the Chateau des ducs de Bretagne, in Nantes, Pays de la Loire, France. The cult of St Elmo was rife at this time as sea voyages were so dangerous. St Elmo was invoked during storms, when electrically charged skies caused 'St Elmo's fire' on the masts. The museum opened in 2007 and covers the history of Nantes, focusing on slavery, world wars, industrialisation and the chateau. Picture by Manuel Cohen
    LC21_FRANCE_MC_0031.jpg
  • St Elmo, patron saint of seafarers, statue, late 17th - early 18th century, from the Musee des Salorges fund, in the Musee d'histoire de Nantes, in the Chateau des ducs de Bretagne, in Nantes, Pays de la Loire, France. The cult of St Elmo was rife at this time as sea voyages were so dangerous. St Elmo was invoked during storms, when electrically charged skies caused 'St Elmo's fire' on the masts. The museum opened in 2007 and covers the history of Nantes, focusing on slavery, world wars, industrialisation and the chateau. Picture by Manuel Cohen
    LC21_FRANCE_MC_0146.jpg
  • Satan besieging the City, with the dragon leaving the Leviathan with his army, people defending the city gates and fire raining down on Satan from heaven, and St John, detail of the sixth piece depicting the New Jerusalem, from the Tenture de l'Apocalypse or Apocalypse Tapestry, made 1373-82 by Nicolas Bataille in the workshop of Robert Poincon after preparatory drawings by Hennequin de Bruges, in the Musee de la Tapisserie de l'Apocalypse, in the Chateau d'Angers, Angers, Maine-et-Loire, France. The tapestry was commissioned by Louis I duc d'Anjou and depicts the Apocalypse of John. It measures 140m and is divided into 6 pieces with 90 scenes. Although bequeathed to Angers Cathedral by King Rene in the 15th century, the tapestry was reconstructed and restored in the 19th century, listed as a historic monument and exhibited in the castle. Picture by Manuel Cohen
    Pano_CC_2430_CC_2431.jpg
  • Sculpted stone frieze, detail, with centaur holding bow and arrow (zodiacal sign Sagittarius), fire and man preparing animal at a table, from the monumental facade of the Eglise Saint-Jacques, a Romanesque church consecrated in 1171, in Aubeterre-sur-Dronne, Charente, Nouvelle-Aquitaine, France. The facade consists of a portal with 2 blind arches and a Moorish influence, Romanesque carved capitals and niches for sculptures, now missing. It is listed as a historic monument. The village has existed since the Middle Ages and is on the pilgrimage route to Santiago de Compostela in Spain. Picture by Manuel Cohen
    LC20_FRANCE_MC_0289.jpg
  • Sculpted stone frieze, detail, with man cooking food on a fire, from the monumental facade of the Eglise Saint-Jacques, a Romanesque church consecrated in 1171, in Aubeterre-sur-Dronne, Charente, Nouvelle-Aquitaine, France. The facade consists of a portal with 2 blind arches and a Moorish influence, Romanesque carved capitals and niches for sculptures, now missing. It is listed as a historic monument. The village has existed since the Middle Ages and is on the pilgrimage route to Santiago de Compostela in Spain. Picture by Manuel Cohen
    LC20_FRANCE_MC_0291.jpg
  • A disciple of St Andrew extinguishes the fire lit by his parents, detail, Retaule de Sant Andreu de Gurb or altarpiece of St Andrew, by Lluis Borrassa, made in Barcelona 1415-18, tempera paint on wood, from the church of Sant Andreu de Gurb, Osona, in the Museu Episcopal de Vic, specialising in medieval liturgical catalan art, in Vic, Catalonia, Spain. Picture by Manuel Cohen
    LC20_SPAIN_MC_200.jpg
  • St Margaret burned by fire, detail from the main stained glass window or maitresse-vitre of the chevet, made 1280-90 and restored in the 17th, 19th and 20th centuries, in the Cathedral Saint-Samson, begun in the 13th century on the site of an older church and completed in the 18th century, in Dol-de-Bretagne, Brittany, France. The window consists of 8 lancets depicting the lives of saints who have relics in the cathedral, and a tympanum of glass depicting the Last Judgement. The cathedral is dedicated to one of the founding saints of Brittany and until 1801 was the seat of the archbishopric of Dol. Picture by Manuel Cohen
    LC18_FRANCE_MC_0031.jpg
  • Dawn at the Alamo, detail of the burning chapel, 1905, by Henry McArdle, 1836-1908, in the Senate, in the Texas State Capitol, designed in 1881 by Elijah E Myers and built 1882-88, Austin, Texas, USA. The Battle of the Alamo marked a turning point in the Texas Revolution, inspiring many more Texans to join up to defeat Santa Anna. The original painting by McArdle, completed in 1875, was destroyed in a fire in 1881. Picture by Manuel Cohen
    LC17_TEXAS_MC044.jpg
  • Elodie Michel, ropemaker, at work with a length of rope at the fire, outside the rope makers' workshop at the Chateau de Guedelon, a castle built since 1997 using only medieval materials and processes, photographed in 2017, in Treigny, Yonne, Burgundy, France. The Guedelon project was begun in 1997 by Michel Guyot, owner of the nearby Chateau de Saint-Fargeau, with architect Jacques Moulin. It is an educational and scientific project with the aim of understanding medieval building techniques and the chateau should be completed in the 2020s. Picture by Manuel Cohen
    LC17_FRANCE_MC_1299.jpg
  • Elodie Michel, ropemaker, at work with a length of rope at the fire, outside the rope makers' workshop at the Chateau de Guedelon, a castle built since 1997 using only medieval materials and processes, photographed in 2017, in Treigny, Yonne, Burgundy, France. The Guedelon project was begun in 1997 by Michel Guyot, owner of the nearby Chateau de Saint-Fargeau, with architect Jacques Moulin. It is an educational and scientific project with the aim of understanding medieval building techniques and the chateau should be completed in the 2020s. Picture by Manuel Cohen
    LC17_FRANCE_MC_1298.jpg
  • Salamander breathing fire, detail, symbol of Francois I, casting after an original or a model by Felix Duban, created during his restoration project of 1845, in the Francois I wing, built early 16th century in Italian Renaissance style, at the Chateau Royal de Blois, built 13th - 17th century in Blois in the Loire Valley, Loir-et-Cher, Centre, France. The chateau has 564 rooms and 75 staircases and is listed as a historic monument and UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0904.jpg
  • Salamander breathing fire, detail, symbol of Francois I, casting after an original or a model by Felix Duban, created during his restoration project of 1845, in the Francois I wing, built early 16th century in Italian Renaissance style, at the Chateau Royal de Blois, built 13th - 17th century in Blois in the Loire Valley, Loir-et-Cher, Centre, France. The chateau has 564 rooms and 75 staircases and is listed as a historic monument and UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0876.jpg
  • Salamander breathing fire, symbol of Francois I, casting after an original or a model by Felix Duban, created during his restoration project of 1845, in the Francois I wing, built early 16th century in Italian Renaissance style, at the Chateau Royal de Blois, built 13th - 17th century in Blois in the Loire Valley, Loir-et-Cher, Centre, France. The chateau has 564 rooms and 75 staircases and is listed as a historic monument and UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0874.jpg
  • Salamander breathing fire, symbol of Francois I, casting after an original or a model by Felix Duban, created during his restoration project of 1845, in the Francois I wing, built early 16th century in Italian Renaissance style, at the Chateau Royal de Blois, built 13th - 17th century in Blois in the Loire Valley, Loir-et-Cher, Centre, France. The chateau has 564 rooms and 75 staircases and is listed as a historic monument and UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0872.jpg
  • Salamander breathing fire, symbol of Francois I, casting after an original or a model by Felix Duban, created during his restoration project of 1845, in the Francois I wing, built early 16th century in Italian Renaissance style, at the Chateau Royal de Blois, built 13th - 17th century in Blois in the Loire Valley, Loir-et-Cher, Centre, France. The chateau has 564 rooms and 75 staircases and is listed as a historic monument and UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0873.jpg
  • Salamander breathing fire, detail, symbol of Francois I, casting after an original or a model by Felix Duban, created during his restoration project of 1845, in the Francois I wing, built early 16th century in Italian Renaissance style, at the Chateau Royal de Blois, built 13th - 17th century in Blois in the Loire Valley, Loir-et-Cher, Centre, France. The chateau has 564 rooms and 75 staircases and is listed as a historic monument and UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0871.jpg
  • Salamander breathing fire, symbol of Francois I, casting after an original or a model by Felix Duban, created during his restoration project of 1845, in the Francois I wing, built early 16th century in Italian Renaissance style, at the Chateau Royal de Blois, built 13th - 17th century in Blois in the Loire Valley, Loir-et-Cher, Centre, France. The chateau has 564 rooms and 75 staircases and is listed as a historic monument and UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0870.jpg
  • Salamander breathing fire, symbol of Francois I, casting after an original or a model by Felix Duban, created during his restoration project of 1845, in the Francois I wing, built early 16th century in Italian Renaissance style, at the Chateau Royal de Blois, built 13th - 17th century in Blois in the Loire Valley, Loir-et-Cher, Centre, France. The chateau has 564 rooms and 75 staircases and is listed as a historic monument and UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0869.jpg
  • Relief of Vulcan, god of fire and metalworking, at his forge, from a series of reliefs of classical Greek gods on the intrados (underside of the arch) of the main portal, designed by Andres de Vandelvira, 1509–75, in Plateresque style, and carved by Esteban Jamete, 1515-65, at the Sacra Capilla del Salvador, or Sacred Chapel of the Saviour, designed by Diego de Siloe and Andres de Vandelvira and built for Francisco de los Cobos in 1536 in Spanish Renaissance style and consecrated in 1559, on the Plaza Vazquez de Molina, in Ubeda, Jaen, Andalusia, Spain. The Renaissance buildings of Ubeda and Baeza are listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC163.jpg
  • Phoenix pecking at the fruits in a horn of plenty,  with the bird representing fire and the philosopher's stone, also rebirth and returning to oneself, from the coffered ceiling of the Oratory, carved in stone with 30 sections, each relating to a process in alchemy, in the Hotel Lallemant, a mansion built 1495-1518 in French Renaissance style by the Lallemant merchant family, in Bourges, Centre Val de Loire, France. The sculptural decoration on the building, made by both French and Italian sculptors, has been interpreted by Fulcanelli and others as having an alchemical symbolism. Since 1951 the building has housed the Musee des Arts Decoratifs and it was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC17_FRANCE_MC_0674.jpg
  • Letter E burning in a fire, with the 3 branches of the letter representing sulphur, mercury and salt, and a scroll above, from the coffered ceiling of the Oratory, carved in stone with 30 sections, each relating to a process in alchemy, in the Hotel Lallemant, a mansion built 1495-1518 in French Renaissance style by the Lallemant merchant family, in Bourges, Centre Val de Loire, France. The sculptural decoration on the building, made by both French and Italian sculptors, has been interpreted by Fulcanelli and others as having an alchemical symbolism. Since 1951 the building has housed the Musee des Arts Decoratifs and it was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC17_FRANCE_MC_0664.jpg
  • Detail of relief of servants working in a kitchen, with cauldron over the fire and people grinding with a pestle and mortar and wiping dishes, on the tympanum over the door leading to the kitchens, in the Palais Jacques Coeur, huge manor house built 1443-51 in Flamboyant Gothic style, on the Place Jacques Coeur, Bourges, France. Jacques Coeur personally instructed that the function of the room should be described in the tympanum of its door. Fulcanelli stated that Jacques Coeur was an alchemist and it is believed that this may also be a scene of alchemy. Jacques Coeur, 1395-1456, was a wealthy merchant and was made master of the mint to King Charles VII in 1438. The building is listed as a historic monument. Picture by Manuel Cohen
    LC17_FRANCE_MC_0232.jpg
  • Relief of servants working in a kitchen, with cauldron over the fire and people grinding with a pestle and mortar and wiping dishes, on the tympanum over the door leading to the kitchens, in the Palais Jacques Coeur, huge manor house built 1443-51 in Flamboyant Gothic style, on the Place Jacques Coeur, Bourges, France. Jacques Coeur personally instructed that the function of the room should be described in the tympanum of its door. Fulcanelli stated that Jacques Coeur was an alchemist and it is believed that this may also be a scene of alchemy. Jacques Coeur, 1395-1456, was a wealthy merchant and was made master of the mint to King Charles VII in 1438. The building is listed as a historic monument. Picture by Manuel Cohen
    LC17_FRANCE_MC_0231.jpg
  • The cauldron of hell, detail, with sinful clergy boiling alive over the fire fed by bellows, fragment of the original rood screen now in the crypt of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. The screen fragments are owned by the Musee du Berry and were housed in the Louvre until 1994. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0158.jpg
  • The cauldron of hell, with sinful clergy boiling alive over the fire fed by bellows, fragment of the original rood screen now in the crypt of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. The screen fragments are owned by the Musee du Berry and were housed in the Louvre until 1994. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0157.jpg
  • The cauldron of hell, detail, with sinful clergy boiling alive over the fire fed by bellows, fragment of the original rood screen now in the crypt of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. The screen fragments are owned by the Musee du Berry and were housed in the Louvre until 1994. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0156.jpg
  • Sinner punished in hell, a miser with a purse around his neck is being boiled alive in a cauldron in the fire of hell stoked by a devil, with a blue devil excreting a silver coin into his mouth, from the stained glass window of the Last Judgement, 1215-25, in bay 4, in the ambulatory of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. 22 of the original 25 medieval stained glass windows of the ambulatory have survived. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0097.jpg
  • Sinner punished in hell, a miser with a purse around his neck is being boiled alive in a cauldron in the fire of hell stoked by a devil, with a blue devil excreting a silver coin into his mouth, from the stained glass window of the Last Judgement, 1215-25, in bay 4, in the ambulatory of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. 22 of the original 25 medieval stained glass windows of the ambulatory have survived. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0038.jpg
  • Storyboard with Thorgal in Bag Dadh, page 27, plate 25, for Le Feu Ecarlate or the Scarlet Fire, Series 35 of the Thorgal comic book series, to be published November 2016, by Grzegorz Rosinski, 1941-, Polish comic book artist. Rosinski was born in Stalowa Wola, Poland, and now lives in Switzerland, and is the author and designer of many Polish comic book series. He created Thorgal with Belgian writer Jean Van Hamme. The series was first published in Tintin in 1977 and has been published by Le Lombard since 1980. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Le Feu Ecarlate takes place in Bag Dadh, a city under siege by the Magnus force, where Thorgal must find Aniel and save him from the Red Wizards who made him the reincarnation of their Grand Master Kahaniel. Picture by Manuel Cohen / Further clearances requested, please contact us and/or visit www.lelombard.com
    LC16_ROSINSKI_MC_112.jpg
  • Storyboard design with Thorgal and Lehla and Bag Dadh under siege, page 36, plate 32 of Le Feu Ecarlate or the Scarlet Fire, Series 35 of the Thorgal comic book series, to be published November 2016, by Grzegorz Rosinski, 1941-, Polish comic book artist. Rosinski was born in Stalowa Wola, Poland, and now lives in Switzerland, and is the author and designer of many Polish comic book series. He created Thorgal with Belgian writer Jean Van Hamme. The series was first published in Tintin in 1977 and has been published by Le Lombard since 1980. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Le Feu Ecarlate takes place in Bag Dadh, a city under siege by the Magnus force, where Thorgal must find Aniel and save him from the Red Wizards who made him the reincarnation of their Grand Master Kahaniel. Picture by Manuel Cohen / Further clearances requested, please contact us and/or visit www.lelombard.com
    LC16_ROSINSKI_MC_111.jpg
  • Storyboard with Thorgal, Salouma and Aniel of page 55, plate 51 for Le Feu Ecarlate or the Scarlet Fire, Series 35 of the Thorgal comic book series, to be published November 2016, by Grzegorz Rosinski, 1941-, Polish comic book artist. Rosinski was born in Stalowa Wola, Poland, and now lives in Switzerland, and is the author and designer of many Polish comic book series. He created Thorgal with Belgian writer Jean Van Hamme. The series was first published in Tintin in 1977 and has been published by Le Lombard since 1980. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Le Feu Ecarlate takes place in Bag Dadh, a city under siege by the Magnus force, where Thorgal must find Aniel and save him from the Red Wizards who made him the reincarnation of their Grand Master Kahaniel. Picture by Manuel Cohen / Further clearances requested, please contact us and/or visit www.lelombard.com
    LC16_ROSINSKI_MC_108.jpg
  • Screenplay by Xavier Dorison, 16th September 2014, for Le Feu Ecarlate or the Scarlet Fire, Series 35 of the Thorgal comic book series, to be published November 2016, illustrated with 2 painted sketches of characters by Grzegorz Rosinski, 1941-, Polish comic book artist. Rosinski was born in Stalowa Wola, Poland, and now lives in Switzerland, and is the author and designer of many Polish comic book series. He created Thorgal with Belgian writer Jean Van Hamme. The series was first published in Tintin in 1977 and has been published by Le Lombard since 1980. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Le Feu Ecarlate takes place in Bag Dadh, a city under siege by the Magnus force, where Thorgal must find Aniel and save him from the Red Wizards who made him the reincarnation of their Grand Master Kahaniel. Picture by Manuel Cohen / Further clearances requested, please contact us and/or visit www.lelombard.com
    LC16_ROSINSKI_MC_080.jpg
  • Screenplay by Xavier Dorison, 16th September 2014, for Le Feu Ecarlate or the Scarlet Fire, Series 35 of the Thorgal comic book series, to be published November 2016, illustrated with a pencil storyboard sketch and a painted sketch of Thorgal by Grzegorz Rosinski, 1941-, Polish comic book artist. Rosinski was born in Stalowa Wola, Poland, and now lives in Switzerland, and is the author and designer of many Polish comic book series. He created Thorgal with Belgian writer Jean Van Hamme. The series was first published in Tintin in 1977 and has been published by Le Lombard since 1980. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Le Feu Ecarlate takes place in Bag Dadh, a city under siege by the Magnus force, where Thorgal must find Aniel and save him from the Red Wizards who made him the reincarnation of their Grand Master Kahaniel. Picture by Manuel Cohen / Further clearances requested, please contact us and/or visit www.lelombard.com
    LC16_ROSINSKI_MC_079.jpg
  • Screenplay by Xavier Dorison, 16th September 2014, for Le Feu Ecarlate or the Scarlet Fire, Series 35 of the Thorgal comic book series, to be published November 2016, illustrated with 2 ink sketches of Thorgal by Grzegorz Rosinski, 1941-, Polish comic book artist. Rosinski was born in Stalowa Wola, Poland, and now lives in Switzerland, and is the author and designer of many Polish comic book series. He created Thorgal with Belgian writer Jean Van Hamme. The series was first published in Tintin in 1977 and has been published by Le Lombard since 1980. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Le Feu Ecarlate takes place in Bag Dadh, a city under siege by the Magnus force, where Thorgal must find Aniel and save him from the Red Wizards who made him the reincarnation of their Grand Master Kahaniel. Picture by Manuel Cohen / Further clearances requested, please contact us and/or visit www.lelombard.com
    LC16_ROSINSKI_MC_078.jpg
  • Screenplay by Xavier Dorison, 16th September 2014, for Le Feu Ecarlate or the Scarlet Fire, Series 35 of the Thorgal comic book series, to be published November 2016, illustrated with a watercolour sketch of a turbaned Thorgal by Grzegorz Rosinski, 1941-, Polish comic book artist. Rosinski was born in Stalowa Wola, Poland, and now lives in Switzerland, and is the author and designer of many Polish comic book series. He created Thorgal with Belgian writer Jean Van Hamme. The series was first published in Tintin in 1977 and has been published by Le Lombard since 1980. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Le Feu Ecarlate takes place in Bag Dadh, a city under siege by the Magnus force, where Thorgal must find Aniel and save him from the Red Wizards who made him the reincarnation of their Grand Master Kahaniel. Picture by Manuel Cohen / Further clearances requested, please contact us and/or visit www.lelombard.com
    LC16_ROSINSKI_MC_075.jpg
  • Character sketch of Thorgal from a sketchbook featuring characters, costumes and storyboards for Le Feu Ecarlate or the Scarlet Fire, Series 35 of the Thorgal comic book series, to be published November 2016, by Grzegorz Rosinski, 1941-, Polish comic book artist. Rosinski was born in Stalowa Wola, Poland, and now lives in Switzerland, and is the author and designer of many Polish comic book series. He created Thorgal with Belgian writer Jean Van Hamme. The series was first published in Tintin in 1977 and has been published by Le Lombard since 1980. The stories  cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Le Feu Ecarlate takes place in Bag Dadh, a city under siege by the Magnus force, where Thorgal must find Aniel and save him from the Red Wizards who made him the reincarnation of their Grand Master Kahaniel. Picture by Manuel Cohen / Further clearances requested, please contact us and/or visit www.lelombard.com
    LC16_ROSINSKI_MC_073.jpg
  • Screenplay by Xavier Dorison, 16th September 2014, for Le Feu Ecarlate or the Scarlet Fire, Series 35 of the Thorgal comic book series, to be published November 2016, illustrated with a storyboard sketch with Aniel by Grzegorz Rosinski, 1941-, Polish comic book artist. Rosinski was born in Stalowa Wola, Poland, and now lives in Switzerland, and is the author and designer of many Polish comic book series. He created Thorgal with Belgian writer Jean Van Hamme. The series was first published in Tintin in 1977 and has been published by Le Lombard since 1980. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Le Feu Ecarlate takes place in Bag Dadh, a city under siege by the Magnus force, where Thorgal must find Aniel and save him from the Red Wizards who made him the reincarnation of their Grand Master Kahaniel. Picture by Manuel Cohen / Further clearances requested, please contact us and/or visit www.lelombard.com
    LC16_ROSINSKI_MC_074.jpg
  • Storyboard page (no. 47) from a sketchbook featuring characters, costumes and storyboards for Le Feu Ecarlate or the Scarlet Fire, Series 35 of the Thorgal comic book series, to be published November 2016, by Grzegorz Rosinski, 1941-, Polish comic book artist. Rosinski was born in Stalowa Wola, Poland, and now lives in Switzerland, and is the author and designer of many Polish comic book series. He created Thorgal with Belgian writer Jean Van Hamme. The series was first published in Tintin in 1977 and has been published by Le Lombard since 1980. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Le Feu Ecarlate takes place in Bag Dadh, a city under siege by the Magnus force, where Thorgal must find Aniel and save him from the Red Wizards who made him the reincarnation of their Grand Master Kahaniel. Picture by Manuel Cohen / Further clearances requested, please contact us and/or visit www.lelombard.com
    LC16_ROSINSKI_MC_072.jpg
  • Storyboard page (no. 45) from a sketchbook featuring characters, costumes and storyboards for Le Feu Ecarlate or the Scarlet Fire, Series 35 of the Thorgal comic book series, to be published November 2016, by Grzegorz Rosinski, 1941-, Polish comic book artist. Rosinski was born in Stalowa Wola, Poland, and now lives in Switzerland, and is the author and designer of many Polish comic book series. He created Thorgal with Belgian writer Jean Van Hamme. The series was first published in Tintin in 1977 and has been published by Le Lombard since 1980. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Le Feu Ecarlate takes place in Bag Dadh, a city under siege by the Magnus force, where Thorgal must find Aniel and save him from the Red Wizards who made him the reincarnation of their Grand Master Kahaniel. Picture by Manuel Cohen / Further clearances requested, please contact us and/or visit www.lelombard.com
    LC16_ROSINSKI_MC_070.jpg
  • Illustration (no. 40) from a sketchbook featuring characters, costumes and storyboards for Le Feu Ecarlate or the Scarlet Fire, Series 35 of the Thorgal comic book series, to be published November 2016, by Grzegorz Rosinski, 1941-, Polish comic book artist. Rosinski was born in Stalowa Wola, Poland, and now lives in Switzerland, and is the author and designer of many Polish comic book series. He created Thorgal with Belgian writer Jean Van Hamme. The series was first published in Tintin in 1977 and has been published by Le Lombard since 1980. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Le Feu Ecarlate takes place in Bag Dadh, a city under siege by the Magnus force, where Thorgal must find Aniel and save him from the Red Wizards who made him the reincarnation of their Grand Master Kahaniel. Picture by Manuel Cohen / Further clearances requested, please contact us and/or visit www.lelombard.com
    LC16_ROSINSKI_MC_068.jpg
  • Storyboard page (no. 39) from a sketchbook featuring characters, costumes and storyboards for Le Feu Ecarlate or the Scarlet Fire, Series 35 of the Thorgal comic book series, to be published November 2016, by Grzegorz Rosinski, 1941-, Polish comic book artist. Rosinski was born in Stalowa Wola, Poland, and now lives in Switzerland, and is the author and designer of many Polish comic book series. He created Thorgal with Belgian writer Jean Van Hamme. The series was first published in Tintin in 1977 and has been published by Le Lombard since 1980. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Le Feu Ecarlate takes place in Bag Dadh, a city under siege by the Magnus force, where Thorgal must find Aniel and save him from the Red Wizards who made him the reincarnation of their Grand Master Kahaniel. Picture by Manuel Cohen / Further clearances requested, please contact us and/or visit www.lelombard.com
    LC16_ROSINSKI_MC_067.jpg
  • Storyboard page (no. 34) from a sketchbook featuring characters, costumes and storyboards for Le Feu Ecarlate or the Scarlet Fire, Series 35 of the Thorgal comic book series, to be published November 2016, by Grzegorz Rosinski, 1941-, Polish comic book artist. Rosinski was born in Stalowa Wola, Poland, and now lives in Switzerland, and is the author and designer of many Polish comic book series. He created Thorgal with Belgian writer Jean Van Hamme. The series was first published in Tintin in 1977 and has been published by Le Lombard since 1980. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Le Feu Ecarlate takes place in Bag Dadh, a city under siege by the Magnus force, where Thorgal must find Aniel and save him from the Red Wizards who made him the reincarnation of their Grand Master Kahaniel. Picture by Manuel Cohen / Further clearances requested, please contact us and/or visit www.lelombard.com
    LC16_ROSINSKI_MC_066.jpg
  • Storyboard page (no. 32) including a battle scene, from a sketchbook featuring characters, costumes and storyboards for Le Feu Ecarlate or the Scarlet Fire, Series 35 of the Thorgal comic book series, to be published November 2016, by Grzegorz Rosinski, 1941-, Polish comic book artist. Rosinski was born in Stalowa Wola, Poland, and now lives in Switzerland, and is the author and designer of many Polish comic book series. He created Thorgal with Belgian writer Jean Van Hamme. The series was first published in Tintin in 1977 and has been published by Le Lombard since 1980. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Le Feu Ecarlate takes place in Bag Dadh, a city under siege by the Magnus force, where Thorgal must find Aniel and save him from the Red Wizards who made him the reincarnation of their Grand Master Kahaniel. Picture by Manuel Cohen / Further clearances requested, please contact us and/or visit www.lelombard.com
    LC16_ROSINSKI_MC_065.jpg
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