manuel cohen

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  • Street art mural of a girl wearing a helmet with magical creatures, 2016, by Herakut (Jasmin Siddiqui, or Hera, and Falk Lehmann, or Akut), on the wall of the Ecole Publique Primo Levi, at the junction of the Rue Rene Goscinny and Rue Olivier Messiaen, next to the Jardins Grands Moulins Abbe Pierre, in the Paris Rive Gauche district of the 13th arrondissement of Paris, France. The 13th arrondissement hosts the Musee a Ciel Ouvert, an open air street art exhibition, running since 2015. Picture by Manuel Cohen
    LC19_PARIS_MC_1467.jpg
  • Street art mural, Mona Lisa La Joconde, by Okuda, on an apartment block on the Villa d'Este, a pedestrian street in the Chinese quarter of the quartier de la Gare, in the 13th arrondissement of Paris, France. It was painted as part of the Musee a Ciel Ouvert, an open air street art exhibition in the 13th arrondissement, running since 2015. Picture by Manuel Cohen
    LC19_PARIS_MC_1441.jpg
  • Large street art mural, 22m high, by Jorge Rodriguez-Gerada, in charcoal, a portrait of his wife Ana, on the Rue National, in the quartier de la Gare, in the 13th arrondissement of Paris, France. The mural was created as part of the Musee a Ciel Ouvert, an open air street art exhibition in the 13th arrondissement, running since 2015. Picture by Manuel Cohen
    LC19_PARIS_MC_1437.jpg
  • Large street art mural of a gecko, leaves and dripping water, at Les Olympiades, a development of apartment blocks, offices and shops built around a large pedestrianised esplanade, designed by Michel Holley and Andre Martinat and built 1969-77, in the Chinese quarter in the quartier de la Gare, in the 13th arrondissement of Paris, France. The mural was painted as part of the Musee a Ciel Ouvert, an open air street art exhibition in the 13th arrondissement, running since 2015. Picture by Manuel Cohen
    LC19_PARIS_MC_1426.jpg
  • Large street art mural, 22m high, by Jorge Rodriguez-Gerada, in charcoal, a portrait of his wife Ana, on the Rue National, in the quartier de la Gare, in the 13th arrondissement of Paris, France. The mural was created as part of the Musee a Ciel Ouvert, an open air street art exhibition in the 13th arrondissement, running since 2015. Picture by Manuel Cohen
    LC19_PARIS_MC_1436.jpg
  • Portrait of Jannick Thiroux, contemporary art collector and independent consultant in communications, specialising in luxury goods and cosmetics, photographed with works of art from his collection, on 31st January 2019 in Paris, France. Picture by Manuel Cohen
    31012019_JannickThiroux_MC08.jpg
  • Portrait of Jannick Thiroux, contemporary art collector and independent consultant in communications, specialising in luxury goods and cosmetics, photographed with works of art from his collection, on 31st January 2019 in Paris, France. Picture by Manuel Cohen
    31012019_JannickThiroux_MC07.jpg
  • Portrait of Jannick Thiroux, contemporary art collector and independent consultant in communications, specialising in luxury goods and cosmetics, photographed with works of art from his collection, on 31st January 2019 in Paris, France. Picture by Manuel Cohen
    31012019_JannickThiroux_MC06.jpg
  • Portrait of Jannick Thiroux, contemporary art collector and independent consultant in communications, specialising in luxury goods and cosmetics, photographed with works of art from his collection, on 31st January 2019 in Paris, France. Picture by Manuel Cohen
    31012019_JannickThiroux_MC02.jpg
  • Portrait of Jannick Thiroux, contemporary art collector and independent consultant in communications, specialising in luxury goods and cosmetics, photographed with works of art from his collection, on 31st January 2019 in Paris, France. Picture by Manuel Cohen
    31012019_JannickThiroux_MC01.jpg
  • Street art in Santa Barbara, created in 2015 for the Hoy Santa Barbara Street Art Festival, in Santa Barbara, Santo Domingo, capital of the Dominican Republic, in the Caribbean. Santa Barbara was originally the place where slaves were brought in and out of Santo Domingo, and is now a residential district away from the tourist centre. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_235.jpg
  • Street art in Santa Barbara, created in 2015 for the Hoy Santa Barbara Street Art Festival, in Santa Barbara, Santo Domingo, capital of the Dominican Republic, in the Caribbean. Santa Barbara was originally the place where slaves were brought in and out of Santo Domingo, and is now a residential district away from the tourist centre. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_234.jpg
  • Large street art mural, 22m high, by Jorge Rodriguez-Gerada, in charcoal, a portrait of his wife Ana, on the Rue National, in the quartier de la Gare, in the 13th arrondissement of Paris, France. The mural was created as part of the Musee a Ciel Ouvert, an open air street art exhibition in the 13th arrondissement, running since 2015. Picture by Manuel Cohen
    LC19_PARIS_MC_1423.jpg
  • Apartment blocks on the Villa d'Este, a pedestrian street in the Chinese quartier of the quarter de la Gare, in the 13th arrondissement of Paris, France. On the right is a street art mural, Mona Lisa La Joconde, by Okuda. It was painted as part of the Musee a Ciel Ouvert, an open air street art exhibition in the 13th arrondissement, running since 2015. Picture by Manuel Cohen
    LC19_PARIS_MC_1418.jpg
  • Portrait of Jannick Thiroux, contemporary art collector and independent consultant in communications, specialising in luxury goods and cosmetics, photographed with works of art from his collection, on 31st January 2019 in Paris, France. Picture by Manuel Cohen
    31012019_JannickThiroux_MC05.jpg
  • Portrait of Jannick Thiroux, contemporary art collector and independent consultant in communications, specialising in luxury goods and cosmetics, photographed with works of art from his collection, on 31st January 2019 in Paris, France. Picture by Manuel Cohen
    31012019_JannickThiroux_MC04.jpg
  • Portrait of Jannick Thiroux, contemporary art collector and independent consultant in communications, specialising in luxury goods and cosmetics, photographed with a painting from his collection, on 31st January 2019 in Paris, France. Picture by Manuel Cohen
    31012019_JannickThiroux_MC03.jpg
  • Red Doll, a street art fresco, October 2014, by Vinie and Reaone, on the Rue des Grands Moulins, in the Paris Rive Gauche development in the 13th arrondissement of Paris, France. Picture by Manuel Cohen
    LC19_PARIS_MC_1456.jpg
  • Kashinkids (left), 2017, street art by Kashink, of 4 children with multiple eyes, painted with children from the Rue du Clos school, on the Rue Albert Marquet, in the Charonne quarter of the 20th arrondissement of Paris, France. Kashink is a female street artist of slavic and hispanic roots, known for her huge bold bright works featuring figures with multiple eyes or Mexican skulls, usually with a political or militant message. Picture by Manuel Cohen
    LC19_PARIS_MC_1329.jpg
  • Headquarters of the Museum of Contemporary Art of Catalonia, in La Nau Gaudi, or the Gaudi Warehouse of the Mataronense Workers' Cooperative, a bleaching warehouse for a yarn factory, designed in 1878 by Antoni Gaudi, 1852-1926, in Mataro, Catalonia, Spain. The building, built for the textile cooperative La Obrera Mataronense, uses wooden parabolic arches. Outside is the toilet block. Gaudi had originally planned homes, an assembly hall and a factory in an extended socialist project, although his plans were uncompleted. The building was restored in 2008. Picture by Manuel Cohen
    LC21_SPAIN_MC_0798.jpg
  • Lliures, feministes i rebels, street art by 8M, a feminist organisation who marched on 8th March, International Women's Day, and whose motto is to be free, alive, feminist, combative and rebellious, in the Barri Gotic or Gothic Quarter of Barcelona, Catalonia, Spain. The mural was made in collaboration with local residents. Picture by Manuel Cohen
    LC20_SPAIN_MC_1285.jpg
  • Lliures, feministes i rebels, street art by 8M, a feminist organisation who marched on 8th March, International Women's Day, and whose motto is to be free, alive, feminist, combative and rebellious, in the Barri Gotic or Gothic Quarter of Barcelona, Catalonia, Spain. The mural was made in collaboration with local residents. Picture by Manuel Cohen
    LC20_SPAIN_MC_1286.jpg
  • Street art portrait of Pablo Picasso, who lived in Ceret 1911-12, by FAS, 2017, in the village of Ceret, Pyrenees-Orientales, France. FAS completed a series of several portraits of artists around the streets of Ceret, in acrylic paint, which will weather and disappear over time. Ceret is the capital of the historical Catalan comarca of Vallespir. Ceret developed under the Kingdom of Majorca, and was fortified with defensive town walls with 2 gates, the Porte de France and the Porte d'Espagne. In the early 20th century, several artists lived and worked here, including Chagall, Dali, Matisse and Picasso. Picture by Manuel Cohen
    LC20_FRANCE_MC_1546.jpg
  • Street art portrait of Pablo Picasso, who lived in Ceret 1911-12, by FAS, 2017, in the village of Ceret, Pyrenees-Orientales, France. FAS completed a series of several portraits of artists around the streets of Ceret, in acrylic paint, which will weather and disappear over time. Ceret is the capital of the historical Catalan comarca of Vallespir. Ceret developed under the Kingdom of Majorca, and was fortified with defensive town walls with 2 gates, the Porte de France and the Porte d'Espagne. In the early 20th century, several artists lived and worked here, including Chagall, Dali, Matisse and Picasso. Picture by Manuel Cohen
    LC20_FRANCE_MC_1545.jpg
  • We Are Still Here, social street art, mural depicting many raised hands and highlighting issues such as poverty, homelessness, austerity and mental health, by Artists for Justice and Peace, at St John's Church, Princes St, Edinburgh, Scotland. The street paintings at the church are regularly changed and encourage passers by to stop and consider social issues. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_075.jpg
  • Tootsa katsina by Viets Lomahaftewa, Hopi, Shung-opavi artist, made 1952 from wood, paint and feathers, bought through the Native Arts Acquisition Fund, in the Denver Art Museum, Denver, Colorado, USA. Hopi katsina figures or kachina dolls are figures carved, typically from cottonwood root, by Hopi people to teach girls about katsinas or katsinam, the immortal beings that bring rain and act as messengers between humans and the spirits. The Tootsa katsina is a hummingbird katsina (seen here with the bird on his head) who sings prayers for moisture and dances quickly to encourage rain. The Hopi tribe live in North East Arizona and have been making these katsina figures since the 19th century. Picture by Manuel Cohen
    LC16_COLORADO_MC_227.jpg
  • Tootsa katsina, by Viets Lomahaftewa, Hopi Shung-opavi artist, made 1952 from wood, paint and feathers, bought through the Native Arts Acquisition Fund, in the Denver Art Museum, Denver, Colorado, USA. Hopi katsina figures or kachina dolls are figures carved, typically from cottonwood root, by Hopi people to teach girls about katsinas or katsinam, the immortal beings that bring rain and act as messengers between humans and the spirits. The Tootsa katsina is a hummingbird katsina who sings prayers for moisture and dances quickly to encourage rain. The Hopi tribe live in North East Arizona and have been making these katsina figures since the 19th century. Picture by Manuel Cohen
    LC16_COLORADO_MC_225.jpg
  • Hopi figure, Si’okatsina’putsqatihu, made c. 1885 from wood, paint and feather, bought through the Native Arts Acquisition Fund, in the Denver Art Museum, Denver, Colorado, USA. Hopi katsina figures or kachina dolls are figures carved, typically from cottonwood root, by Hopi people to teach girls about katsinas or katsinam, the immortal beings that bring rain and act as messengers between humans and the spirits. The Hopi tribe live in North East Arizona and have been making these katsina figures since the 19th century. Picture by Manuel Cohen
    LC16_COLORADO_MC_178.jpg
  • Headquarters of the Museum of Contemporary Art of Catalonia, in La Nau Gaudi, or the Gaudi Warehouse of the Mataronense Workers' Cooperative, a bleaching warehouse for a yarn factory, designed in 1878 by Antoni Gaudi, 1852-1926, in Mataro, Catalonia, Spain. The building, built for the textile cooperative La Obrera Mataronense, uses wooden parabolic arches. Outside is the toilet block. Gaudi had originally planned homes, an assembly hall and a factory in an extended socialist project, although his plans were uncompleted. The building was restored in 2008. Picture by Manuel Cohen
    _CC_7293.jpg
  • Contemporary art exhibition in the Salle d'Exposition or exhibition hall in the Chateau de Caladroy, Belesta, Pyrenees-Orientales, Catalogne du Nord, France. Originally an 11th century fortress protecting the border of the Kingdom of Majorca, today the estate is a casino, olive grove and vineyard, producing olive oils, Cotes du Roussillon Villages and Vin Doux Nature. Picture by Manuel Cohen
    LC20_FRANCE_MC_1584.jpg
  • Contemporary art exhibition in the Salle d'Exposition or exhibition hall in the Chateau de Caladroy, Belesta, Pyrenees-Orientales, Catalogne du Nord, France. Originally an 11th century fortress protecting the border of the Kingdom of Majorca, today the estate is a casino, olive grove and vineyard, producing olive oils, Cotes du Roussillon Villages and Vin Doux Nature. Picture by Manuel Cohen
    LC20_FRANCE_MC_1583.jpg
  • Wupamo katsina doll, made c. 1910 by a Hopi artist from wood, paint, feathers and string, anonymous gift in the name of Julia Johnson, in the collection of Denver Art Museum, Denver, Colorado, USA. Hopi katsina figures or kachina dolls are figures carved, typically from cottonwood root, by Hopi people to teach girls about katsinas or katsinam, the immortal beings that bring rain and act as messengers between humans and the spirits. Wupamo katsina are guards, one of the Mongwi or Chief Katsinam. The Hopi tribe live in North East Arizona and have been making these katsina figures since the 19th century. Picture by Manuel Cohen
    LC16_COLORADO_MC_228.jpg
  • Sakwa Hu katsina, made by Tom Callateta, Hopi artist, in the 1980s, from wood, paint, fur, shells, cloth and feather, from the Elizabeth P Landry Collection, in the Denver Art Museum, Denver, Colorado, USA. Hopi katsina figures or kachina dolls are figures carved, typically from cottonwood root, by Hopi people to teach girls about katsinas or katsinam, the immortal beings that bring rain and act as messengers between humans and the spirits. Sakwa Hu is a guard, often seen carrying whips. The Hopi tribe live in North East Arizona and have been making these katsina figures since the 19th century. Picture by Manuel Cohen
    LC16_COLORADO_MC_226.jpg
  • Chief Blue Horse, painting, c. 1898, oil on canvas, by Eldridge Ayer Burbank, 1858-1949, in the Denver Art Museum, Denver, Colorado, USA. Chief Blue Horse or Sunka Wakan To, 1822-1908, was leader of the Wsgluhe Band of Oglala Lakota, warrior, statesman and educator, one of the first Oglala Lakota United States Army Indian Scouts and signatory of the Treaty of Fort Laramie in 1868. Picture by Manuel Cohen
    LC16_COLORADO_MC_224.jpg
  • Trade Canoe for Don Quixote, 2004, acrylic, pencil, charcoal and oil on canvas, by Jaune Quick-to-See Smith, b. 1940, American artist of Salish, Kootenai, Cree and Shoshone descent, from the William Sr and Dorothy Harmsen Collection, by exchange, in the Denver Art Museum, Denver, Colorado, USA. The image represents a traditional indian trade canoe filled with images of war from many cultures. The artist aims to enlighten the larger community about Indian affairs. Picture by Manuel Cohen
    LC16_COLORADO_MC_223.jpg
  • Medicine Bird, crouching Indian holding a macaw, painting, oil on canvas, c. 1944, by Gerard Curtis Delano, 1890-1972, in the Denver Art Museum, Denver, Colorado, USA. The macaw was considered a sacred bird, a 'bird of the sun', and only high ranking shamans could use it. Picture by Manuel Cohen
    LC16_COLORADO_MC_222.jpg
  • Eagle of Delight, or Hayne Hudjihini, 1795-1822, 1 of the 5 wives of Chief Shaumonekusse of the Otoe tribe in present-day Nebraska, painting, c. 1822, oil on canvas, by Charles Bird King, 1785-1862, American artist, from the William Sr and Dorothy Harmsen Collection, in the Denver Art Museum, Denver, Colorado, USA. This painting was commissioned by the Bureau of Indian Affairs after Eagle of Delight accompanied her husband and other Indian chiefs to Washington DC to meet with President James Monroe. Picture by Manuel Cohen
    LC16_COLORADO_MC_221.jpg
  • Mon-Chonsia or White Plume, a Native American chief from present-day Kansas, hand-coloured lithograph, 1836, by Cephas G Childs, 1793-1871, American artist, after an original painting by Charles Bird King, 1785-1862, American artist, as copied by Henry Inma, from the collection of Denver Art Museum, Denver, Colorado, USA. Mon-Chonsia formed part of a delegation to Washington DC in 1821-22 asking for peace on the Western borders. White Plume wears earrings of wampum and hair pipes, trade objects made from shell. The lithograph was published in History of the Indian Tribes of North America, published 1844. Picture by Manuel Cohen
    LC16_COLORADO_MC_220.jpg
  • The Cutting Scene, Mandan O-Kee-pa Ceremony, painting, oil on canvas, 1832, by George Catlin, 1796-1872, in the Denver Art Museum, Denver, Colorado, USA. The young Mandan Indians were willing participants in the O-Kee-pa, a sacred ceremony held to ensure their community’s prosperity. The men were suspended by splints inserted into their chest and back muscles (a procedure that, although painful, didn’t cause lasting injury). These men would have considered it a great honour to take part in the O-Kee-pa, at the end of which they were recognized as warriors of courage and fortitude. Picture by Manuel Cohen
    LC16_COLORADO_MC_218.jpg
  • Blackfoot Indian on Horseback, hand-coloured aquatint and etching, 1835-45, by Karl Bodmer, 1809-93, Swiss artist, from the collection of Denver Art Museum, Denver, Colorado, USA. The Blackfoot or Siksika is depicted riding a horse, carrying a gun, wearing moccasins, leggings, hide clothing, and feathers in his hair. Picture by Manuel Cohen
    LC16_COLORADO_MC_217.jpg
  • Detail of The Scalplock, painting, oil on canvas, by Alfred Jacob Miller, 1810-74, American artist, from the William Sr and Dorothy Harmsen Collection in the Denver Art Museum, Denver, Colorado, USA. This style of painting created a lasting impression of Native Americans, depicted wearing feather headdresses and ready to scalp their enemies. The figure is with his horse, holding a gun over his shoulder and the scalp in his right hand. Picture by Manuel Cohen
    LC16_COLORADO_MC_216.jpg
  • Defiant to Your Gods, acrylic paint on wood panel, 2015, by Gregg Deal, Paiute American artist, b. 1975, from the collection of Denver Art Museum, Denver, Colorado, USA. The painting shows a young Native American girl standing defiantly amid stereotypes of her culture from American popular culture. Picture by Manuel Cohen
    LC16_COLORADO_MC_201.jpg
  • The Fourth World, painting, 2012, acrylic on canvas, by Kent Monkman, b. 1965, Cree Canadian artist, member of the Fish River Band, from the collection of Denver Art Museum, Denver, Colorado, USA. The painting depicts a buffalo hunt, with waterfall in the background. Picture by Manuel Cohen
    LC16_COLORADO_MC_196.jpg
  • The Scalplock, painting, oil on canvas, by Alfred Jacob Miller, 1810-74, American artist, from the William Sr and Dorothy Harmsen Collection in the Denver Art Museum, Denver, Colorado, USA. This style of painting created a lasting impression of Native Americans, depicted wearing feather headdresses and ready to scalp their enemies. The figure is with his horse, holding a gun over his shoulder and the scalp in his right hand. Picture by Manuel Cohen
    LC16_COLORADO_MC_215.jpg
  • Indian chief, detail of bronze bust, 1885, by Theodore Baur, 1835- after 1902, from the collection of the Denver Art Museum, Denver, Colorado, USA. The chief wears a feather headdress and braids in his hair. Picture by Manuel Cohen
    LC16_COLORADO_MC_214.jpg
  • Indian chief, bronze bust, 1885, by Theodore Baur, 1835- after 1902, from the collection of the Denver Art Museum, Denver, Colorado, USA. The chief wears a feather headdress and braids in his hair. Picture by Manuel Cohen
    LC16_COLORADO_MC_213.jpg
  • Yellow Eagle, Mandan chief, painting, 1879, oil on canvas, by Henry H Cross, 1837-1918, American artist, from the collection of Denver Art Museum, Denver, Colorado, USA. The Native American chief wears a feather headdress and ceremonial necklaces. Picture by Manuel Cohen
    LC16_COLORADO_MC_212.jpg
  • The Cheyenne, bronze sculpture, 1901-3, of a Cheyenne Indian charging on his stallion, holding a spear, by Frederic Remington, 1861-1909, from the collection of the Denver Art Museum, Denver, Colorado, USA. Picture by Manuel Cohen
    LC16_COLORADO_MC_211.jpg
  • Apache Land, painting, c. 1931, oil on canvas, by Laverne Nelson Black, 1887-1938, American artist, from the collection of Denver Art Museum, Denver, Colorado, USA. The Apache indian is holding a gun and standing beside 2 horses in a landscape. Picture by Manuel Cohen
    LC16_COLORADO_MC_209.jpg
  • In the Enemy’s Country, painting, detail, oil on canvas, 1921, by Charles Marion Russell, American, 1864-1926, in the Denver Art Museum, Denver, Colorado, USA. The painting depicts Kootenai Indians crossing territory controlled by hostile Blackfeet. In a attempt to pass for buffalo, the hunters walk alongside horses draped with buffalo robes (notice how more distant figures start to look like buffalo). Picture by Manuel Cohen
    LC16_COLORADO_MC_207.jpg
  • Desert clouds, painting, after 1930, oil on canvas, by Edgar Alwin Payne, 1881-1947, American artist, from the Roath Collection of Denver Art Museum, Denver, Colorado, USA. The painting depicts and American landscape with tabletop mountains and Native Americans approaching on horseback under a huge cloudscape. Picture by Manuel Cohen
    LC16_COLORADO_MC_208.jpg
  • In the Enemy’s Country, painting, oil on canvas, 1921, by Charles Marion Russell, American, 1864-1926, in the Denver Art Museum, Denver, Colorado, USA. The painting depicts Kootenai Indians crossing territory controlled by hostile Blackfeet. In a attempt to pass for buffalo, the hunters walk alongside horses draped with buffalo robes (notice how more distant figures start to look like buffalo). Picture by Manuel Cohen
    LC16_COLORADO_MC_206.jpg
  • The Watchful Fox or Kee-o-kuk, Chief of the Tribe with Tinseled Buck no. 4,520, detail, painting, acrylic on canvas, 2008, by Kent Moneyman, Cree artist, born 1965, in the Denver Art Museum, Denver, Colorado, USA. Picture by Manuel Cohen
    LC16_COLORADO_MC_195.jpg
  • The Watchful Fox or Kee-o-kuk, Chief of the Tribe with Tinseled Buck no. 4,520, painting, acrylic on canvas, 2008, by Kent Moneyman, Cree artist, born 1965, in the Denver Art Museum, Denver, Colorado, USA. Picture by Manuel Cohen
    LC16_COLORADO_MC_194.jpg
  • Knows Her Medicine, Crow Indian, painting, acrylic on canvas, 1981, by Kevin Red Star, Crow artist, b. 1943, in the William Sr and Dorothy Harmsen Collection at the Denver Art Museum, Denver, Colorado, USA. Picture by Manuel Cohen
    LC16_COLORADO_MC_193.jpg
  • Detail from Trade Canoe for Don Quixote, 2004, acrylic, pencil, charcoal,d oil on canvas, by Jaune Quick-to-See Smith, b. 1940, American artist of Salish, Kootenai, Cree and Shoshone descent, from the William Sr and Dorothy Harmsen Collection, by exchange, in the Denver Art Museum, Denver, Colorado, USA. The image represents a traditional indian trade canoe filled with images of war from many cultures. The artist aims to enlighten the larger community about Indian affairs. Picture by Manuel Cohen
    LC16_COLORADO_MC_180.jpg
  • Kwew katsina, by Hopi artist, made 1910-20 from wood and paint, anonymous gift in the name of Julia Johnson, in the Denver Art Museum, Denver, Colorado, USA. Hopi katsina figures or kachina dolls are figures carved, typically from cottonwood root, by Hopi people to teach girls about katsinas or katsinam, the immortal beings that bring rain and act as messengers between humans and the spirits. The kwew or knew'u katsina is a wolf katsina. The Hopi tribe live in North East Arizona and have been making these katsina figures since the 19th century. Picture by Manuel Cohen
    LC16_COLORADO_MC_179.jpg
  • Icon of the Archangel Michael, 14th century, Byzantine, originally from the Church of St Mary in Mborje, now in the National Museum of Medieval Art, Korce, Albania. Picture by Manuel Cohen
    LC14_Albania_MC420.jpg
  • Eagle of Delight, or Hayne Hudjihini, 1795-1822, 1 of the 5 wives of Chief Shaumonekusse of the Otoe tribe in present-day Nebraska, hand-coloured lithograph, 1833, by Cephas G Childs, 1793-1871, American artist, after an original painting by Charles Bird King, 1785-1862, American artist, from the William Sr and Dorothy Harmsen Collection, in the Denver Art Museum, Denver, Colorado, USA. The original painting was commissioned by the Bureau of Indian Affairs after Eagle of Delight accompanied her husband and other Indian chiefs to Washington DC to meet with President James Monroe. The lithograph was published in History of the Indian Tribes of North America, published 1844. Picture by Manuel Cohen
    LC16_COLORADO_MC_219.jpg
  • Chief of the Multnomah Tribe, bronze sculpture, 1905, by Hermon Atkins MacNeil, 1866-1947, from the collection of the Denver Art Museum, Denver, Colorado, USA. The chief wears a feather headdress and has shield, bow and arrows on his back. Picture by Manuel Cohen
    LC16_COLORADO_MC_210.jpg
  • Detail from Trade Canoe for Don Quixote, 2004, acrylic, pencil, charcoal,d oil on canvas, by Jaune Quick-to-See Smith, b. 1940, American artist of Salish, Kootenai, Cree and Shoshone descent, from the William Sr and Dorothy Harmsen Collection, by exchange, in the Denver Art Museum, Denver, Colorado, USA. The image represents a traditional indian trade canoe filled with images of war from many cultures. The artist aims to enlighten the larger community about Indian affairs. Picture by Manuel Cohen
    LC16_COLORADO_MC_181.jpg
  • L'Arbre-Serpents, sculpture and fountain in polyester resin and paint, 1992, by Nikki de Saint-Phalle, 1930-2002, in the courtyard of the Musee des Beaux Arts, opened 2004 on Place Saint Eloi, Angers, Maine-et-Loire, France. The museum is located in the Logis Barrault, and displays fine arts of the 19th and 20th centuries and exhibitions on the history of Angers. Picture by Manuel Cohen
    LC21_FRANCE_MC_0596.jpg
  • Portrait of Vicomte Ruinart de Brimont, mayor of Reims, oil painting, early 19th century, attributed to Albert-Alexandre Lenoir, 1801-91, after an original by Jean-Baptiste-Louis Germain, 1782-1842, in the Fine Arts Museum or Musee des Beaux Arts de Reims, founded 1794, in Reims, Marne, France. Picture by Manuel Cohen
    LC21_FRANCE_MC_1517.jpg
  • Amphitheatre at Grohan, or Juliomagus, the Gallo-Roman site in modern day Angers, oil painting, late 18th century, by Marie Louis Claude Coulet de Beauregard, originally made for the Oratory College, in the Musee des Beaux Arts, opened 2004 on Place Saint Eloi, Angers, Maine-et-Loire, France. The museum is located in the Logis Barrault, and displays fine arts of the 19th and 20th centuries and exhibitions on the history of Angers. Picture by Manuel Cohen
    LC21_FRANCE_MC_0606.jpg
  • Margaret taken by brigands, detail, oil painting, 1832, by Francois Dubois, 1790–1871, in the Musee des Beaux Arts, opened 2004 on Place Saint Eloi, Angers, Maine-et-Loire, France. The painting depicts Queen of England Margaret of Anjou, leader of the House of Lancaster, captured in 1463 in a forest by brigands. Marguerite d'Anjou asks her attackers to save her son and heir, and they escort him to safety. The museum is located in the Logis Barrault, and displays fine arts of the 19th and 20th centuries and exhibitions on the history of Angers. Picture by Manuel Cohen
    LC21_FRANCE_MC_0599.jpg
  • Margaret taken by brigands, oil painting, 1832, by Francois Dubois, 1790–1871, in the Musee des Beaux Arts, opened 2004 on Place Saint Eloi, Angers, Maine-et-Loire, France. The painting depicts Queen of England Margaret of Anjou, leader of the House of Lancaster, captured in 1463 in a forest by brigands. Marguerite d'Anjou asks her attackers to save her son and heir, and they escort him to safety. The museum is located in the Logis Barrault, and displays fine arts of the 19th and 20th centuries and exhibitions on the history of Angers. Picture by Manuel Cohen
    LC21_FRANCE_MC_0598.jpg
  • Margaret taken by brigands, oil painting, 1832, by Francois Dubois, 1790–1871, in the Musee des Beaux Arts, opened 2004 on Place Saint Eloi, Angers, Maine-et-Loire, France. The painting depicts Queen of England Margaret of Anjou, leader of the House of Lancaster, captured in 1463 in a forest by brigands. Marguerite d'Anjou asks her attackers to save her son and heir, and they escort him to safety. The museum is located in the Logis Barrault, and displays fine arts of the 19th and 20th centuries and exhibitions on the history of Angers. Picture by Manuel Cohen
    LC21_FRANCE_MC_0597.jpg
  • Portrait of Roi Rene as an old man, King Rene I of Anjou, 1409-80, oil painting, 19th century, copy of triptych of the burning bush by Nicolas Froment from 1476, in the Musee des Beaux Arts, opened 2004 on Place Saint Eloi, Angers, Maine-et-Loire, France. The museum is located in the Logis Barrault, and displays fine arts of the 19th and 20th centuries and exhibitions on the history of Angers. Picture by Manuel Cohen
    LC21_FRANCE_MC_0593.jpg
  • Tomb of King Rene d'Anjou, oil painting, 1841, by Donas, an Angevin artist, in the Musee des Beaux Arts, opened 2004 on Place Saint Eloi, Angers, Maine-et-Loire, France. The painting represents the tomb as imagined in its original state in Angers Cathedral. In 1784 it was moved to the nave and it was destroyed in the French Revolution. The museum is located in the Logis Barrault, and displays fine arts of the 19th and 20th centuries and exhibitions on the history of Angers. Picture by Manuel Cohen
    LC21_FRANCE_MC_0674.jpg
  • Cockpit Arts building, a social enterprise and creative business incubator at Creekside in Deptford, London, UK. On the wall is the Love Over Gold mural created by Gary Drostle and local school children in 1989, commissioned by Dire Straits. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across fields including fine art, ceramics, textiles, illustration, woodwork, bookbinding, leatherwork and jewellery making. Picture by Manuel Cohen
    LC20_CockpitJune2019_MC_032.jpg
  • JOB cigarette paper company advertisement, poster, lithograph on paper, 1898, art nouveau style, by Alphonse Mucha, 1860-1939, in the Musee d'Art Hyacinthe Rigaud, an art gallery housed in the Hotel de Lazerme, a private mansion built in the 18th century by the marquis Etienne de Blanes and bought in 1827 by Joseph de Lazerme, and the Hotel de Mailly, on the Rue de l'Age, Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. The museum was renovated and reopened in 2017 and houses 3 exhibitions: Gothic Perpignan, Baroque Perpignan and Modern Perpignan, including works by local artists Hyacinthe Rigaud and Aristide Maillol. Picture by Manuel Cohen
    LC20_FRANCE_MC_1360.jpg
  • Modern art on display in the Musee d'Art Moderne de Collioure, in Collioure, Pyrenees-Orientales, Catalogne du Nord, France. The Collioure Museum was created by the painter Jean Peske in 1934 and has a collection of modern and contemporary art. Collioure is a small town depicted by many artists in the 20th century, on the Vermilion Coast near the Spanish border. Picture by Manuel Cohen
    LC20_FRANCE_MC_0534.jpg
  • Ligne de Flottaison, or Waterline, installation, 2010, by Amandine Artaud, with a buoy and glasses, in an exhibition entitled L’eau à la Bouche, February - May 2020, in the Musee d'Art Moderne de Collioure, in Collioure, Pyrenees-Orientales, Catalogne du Nord, France. In this piece, the buoy hangs heavy, reflected in the glasses of seawater, playing with ideas of weight, density, illusion and weightlessness. The Collioure Museum was created by the painter Jean Peske in 1934 and has a collection of modern and contemporary art. Collioure is a small town depicted by many artists in the 20th century, on the Vermilion Coast near the Spanish border. Picture by Manuel Cohen
    LC20_FRANCE_MC_0532.jpg
  • Haleurs, or Haulers, depicting people pulling boats on to the beach, painting, c. 1926, by Sebastienne Marre, daughter of the painter Henri Marreproche friend of d'Henri Martin, who painted in Collioure in the 1920s, in the Musee d'Art Moderne de Collioure, in Collioure, Pyrenees-Orientales, Catalogne du Nord, France. The Collioure Museum was created by the painter Jean Peske in 1934 and has a collection of modern and contemporary art. Collioure is a small town depicted by many artists in the 20th century, on the Vermilion Coast near the Spanish border. Picture by Manuel Cohen
    LC20_FRANCE_MC_0928.jpg
  • La Grande Plage, detail of men pulling boats on to beach, watercolour painting on canvas, 1925-35, by Augustin Hanicotte, in an exhibition entitled L’eau à la Bouche, February - May 2020, in the Musee d'Art Moderne de Collioure, in Collioure, Pyrenees-Orientales, Catalogne du Nord, France. This large canvas pictures all of daily life unfolding on the beach at Collioure, with fishermen, priests, groups of women, traditional barques catalanes, the Chateau Royal and Fort Saint-Elme. The Collioure Museum was created by the painter Jean Peske in 1934 and has a collection of modern and contemporary art. Collioure is a small town depicted by many artists in the 20th century, on the Vermilion Coast near the Spanish border. Picture by Manuel Cohen
    LC20_FRANCE_MC_0927.jpg
  • Les Voiles Blanches, or The White Sails, pastel drawing on cardboard, by Augustin Hanicotte, 1870-1957, in the Musee d'Art Moderne de Collioure, in Collioure, Pyrenees-Orientales, Catalogne du Nord, France. The Collioure Museum was created by the painter Jean Peske in 1934 and has a collection of modern and contemporary art. Collioure is a small town depicted by many artists in the 20th century, on the Vermilion Coast near the Spanish border. Picture by Manuel Cohen
    LC20_FRANCE_MC_0926.jpg
  • Peche de Nuit, or Night fishing, ink on paper, 1946, by Francois Bernardi, b. 1922, in the Musee d'Art Moderne de Collioure, in Collioure, Pyrenees-Orientales, Catalogne du Nord, France. The Collioure Museum was created by the painter Jean Peske in 1934 and has a collection of modern and contemporary art. Collioure is a small town depicted by many artists in the 20th century, on the Vermilion Coast near the Spanish border. Picture by Manuel Cohen
    LC20_FRANCE_MC_0925.jpg
  • Barques et poulets, or Boats and hens, ink drawing on paper, 1906, by Henri Matisse, in the Musee d'Art Moderne de Collioure, in Collioure, Pyrenees-Orientales, Catalogne du Nord, France. The Collioure Museum was created by the painter Jean Peske in 1934 and has a collection of modern and contemporary art. Collioure is a small town depicted by many artists in the 20th century, on the Vermilion Coast near the Spanish border. Picture by Manuel Cohen
    LC20_FRANCE_MC_0924.jpg
  • La Grande Plage, detail of baskets of fish and woman with crying children, watercolour painting on canvas, 1925-35, by Augustin Hanicotte, in an exhibition entitled L’eau à la Bouche, February - May 2020, in the Musee d'Art Moderne de Collioure, in Collioure, Pyrenees-Orientales, Catalogne du Nord, France. This large canvas pictures all of daily life unfolding on the beach at Collioure, with fishermen, priests, groups of women, traditional barques catalanes, the Chateau Royal and Fort Saint-Elme. The Collioure Museum was created by the painter Jean Peske in 1934 and has a collection of modern and contemporary art. Collioure is a small town depicted by many artists in the 20th century, on the Vermilion Coast near the Spanish border. Picture by Manuel Cohen
    LC20_FRANCE_MC_0923.jpg
  • La Grande Plage, detail of women carrying baskets on their heads, watercolour painting on canvas, 1925-35, by Augustin Hanicotte, in an exhibition entitled L’eau à la Bouche, February - May 2020, in the Musee d'Art Moderne de Collioure, in Collioure, Pyrenees-Orientales, Catalogne du Nord, France. This large canvas pictures all of daily life unfolding on the beach at Collioure, with fishermen, priests, groups of women, traditional barques catalanes, the Chateau Royal and Fort Saint-Elme. The Collioure Museum was created by the painter Jean Peske in 1934 and has a collection of modern and contemporary art. Collioure is a small town depicted by many artists in the 20th century, on the Vermilion Coast near the Spanish border. Picture by Manuel Cohen
    LC20_FRANCE_MC_0922.jpg
  • La Grande Plage, detail of fishermen laying nets to dry and women chatting with water pots, watercolour painting on canvas, 1925-35, by Augustin Hanicotte, in an exhibition entitled L’eau à la Bouche, February - May 2020, in the Musee d'Art Moderne de Collioure, in Collioure, Pyrenees-Orientales, Catalogne du Nord, France. This large canvas pictures all of daily life unfolding on the beach at Collioure, with fishermen, priests, groups of women, traditional barques catalanes, the Chateau Royal and Fort Saint-Elme. The Collioure Museum was created by the painter Jean Peske in 1934 and has a collection of modern and contemporary art. Collioure is a small town depicted by many artists in the 20th century, on the Vermilion Coast near the Spanish border. Picture by Manuel Cohen
    LC20_FRANCE_MC_0921.JPG
  • La Grande Plage, watercolour painting on canvas, 1925-35, by Augustin Hanicotte, in an exhibition entitled L’eau à la Bouche, February - May 2020, in the Musee d'Art Moderne de Collioure, in Collioure, Pyrenees-Orientales, Catalogne du Nord, France. This large canvas pictures all of daily life unfolding on the beach at Collioure, with fishermen, priests, groups of women, traditional barques catalanes, the Chateau Royal and Fort Saint-Elme. The Collioure Museum was created by the painter Jean Peske in 1934 and has a collection of modern and contemporary art. Collioure is a small town depicted by many artists in the 20th century, on the Vermilion Coast near the Spanish border. Picture by Manuel Cohen
    LC20_FRANCE_MC_0920.jpg
  • La Grande Plage, detail of priest, baskets of fish and villagers chatting, watercolour painting on canvas, 1925-35, by Augustin Hanicotte, in an exhibition entitled L’eau à la Bouche, February - May 2020, in the Musee d'Art Moderne de Collioure, in Collioure, Pyrenees-Orientales, Catalogne du Nord, France. This large canvas pictures all of daily life unfolding on the beach at Collioure, with fishermen, priests, groups of women, traditional barques catalanes, the Chateau Royal and Fort Saint-Elme. The Collioure Museum was created by the painter Jean Peske in 1934 and has a collection of modern and contemporary art. Collioure is a small town depicted by many artists in the 20th century, on the Vermilion Coast near the Spanish border. Picture by Manuel Cohen
    LC20_FRANCE_MC_0531.jpg
  • Claire Muchir, Museum Director, with a painting in the exhibition entitled L’eau à la Bouche, February - May 2020, in the Musee d'Art Moderne de Collioure, in Collioure, Pyrenees-Orientales, Catalogne du Nord, France. The Collioure Museum was created by the painter Jean Peske in 1934 and has a collection of modern and contemporary art. Collioure is a small town depicted by many artists in the 20th century, on the Vermilion Coast near the Spanish border. Picture by Manuel Cohen
    LC20_FRANCE_MC_0741.jpg
  • Claire Muchir, Museum Director, with Ligne de Flottaison, or Waterline, installation, 2010, by Amandine Artaud, with a buoy and glasses, in an exhibition entitled L’eau à la Bouche, February - May 2020, in the Musee d'Art Moderne de Collioure, in Collioure, Pyrenees-Orientales, Catalogne du Nord, France. In this piece, the buoy hangs heavy, reflected in the glasses of seawater, playing with ideas of weight, density, illusion and weightlessness. The Collioure Museum was created by the painter Jean Peske in 1934 and has a collection of modern and contemporary art. Collioure is a small town depicted by many artists in the 20th century, on the Vermilion Coast near the Spanish border. Picture by Manuel Cohen
    LC20_FRANCE_MC_0740.jpg
  • Claire Muchir, Museum Director, with Le Reve du Navigateur, or the Navigator's Dream, sculpture, 2011, by Josep Riera i Arago, b. 1954, in the staircase of the Musee d'Art Moderne de Collioure, in Collioure, Pyrenees-Orientales, Catalogne du Nord, France. The Collioure Museum was created by the painter Jean Peske in 1934 and has a collection of modern and contemporary art. Collioure is a small town depicted by many artists in the 20th century, on the Vermilion Coast near the Spanish border. Picture by Manuel Cohen
    LC20_FRANCE_MC_0739.jpg
  • Le Reve du Navigateur, or the Navigator's Dream, sculpture, 2011, by Josep Riera i Arago, b. 1954, in the staircase of the Musee d'Art Moderne de Collioure, in Collioure, Pyrenees-Orientales, Catalogne du Nord, France. The Collioure Museum was created by the painter Jean Peske in 1934 and has a collection of modern and contemporary art. Collioure is a small town depicted by many artists in the 20th century, on the Vermilion Coast near the Spanish border. Picture by Manuel Cohen
    LC20_FRANCE_MC_0536.jpg
  • La Crique, or The Cove (left), acrylic painting on silk paper, 2014, by Julien Descossy, b. 1970, and (right) Empreintes de filets, or Fishing Net Imprints, 1975, paintings by Claude Viallat, b. 1936, in the Musee d'Art Moderne de Collioure, in Collioure, Pyrenees-Orientales, Catalogne du Nord, France. The Collioure Museum was created by the painter Jean Peske in 1934 and has a collection of modern and contemporary art. Collioure is a small town depicted by many artists in the 20th century, on the Vermilion Coast near the Spanish border. Picture by Manuel Cohen
    LC20_FRANCE_MC_0535.jpg
  • Ligne de Flottaison, or Waterline, installation, 2010, by Amandine Artaud, with a buoy and glasses, in an exhibition entitled L’eau à la Bouche, February - May 2020, in the Musee d'Art Moderne de Collioure, in Collioure, Pyrenees-Orientales, Catalogne du Nord, France. In this piece, the buoy hangs heavy, reflected in the glasses of seawater, playing with ideas of weight, density, illusion and weightlessness. The Collioure Museum was created by the painter Jean Peske in 1934 and has a collection of modern and contemporary art. Collioure is a small town depicted by many artists in the 20th century, on the Vermilion Coast near the Spanish border. Picture by Manuel Cohen
    LC20_FRANCE_MC_0533.jpg
  • La Grande Plage, detail of women chatting and carrying baskets, watercolour painting on canvas, 1925-35, by Augustin Hanicotte, in an exhibition entitled L’eau à la Bouche, February - May 2020, in the Musee d'Art Moderne de Collioure, in Collioure, Pyrenees-Orientales, Catalogne du Nord, France. This large canvas pictures all of daily life unfolding on the beach at Collioure, with fishermen, priests, groups of women, traditional barques catalanes, the Chateau Royal and Fort Saint-Elme. The Collioure Museum was created by the painter Jean Peske in 1934 and has a collection of modern and contemporary art. Collioure is a small town depicted by many artists in the 20th century, on the Vermilion Coast near the Spanish border. Picture by Manuel Cohen
    LC20_FRANCE_MC_0529.jpg
  • Virgin of the Councillors, with the Virgin and child enthroned with 5 councillors, 1443-45, by Lluis Dalmau, oil painting on wood, altarpiece for the chapel of the City House, in the Museu Nacional d'Art de Catalunya, in the Palau Nacional on Montjuic Hill, Barcelona, Catalonia, Spain. Dalmau was the court painter of King Alfonso the Magnanimous and was influenced by Flemish art and Jan Van Eyck. Picture by Manuel Cohen
    LC21_SPAIN_MC_0569.jpg
  • Madeleine Fayet and her daughter Yseult, oil painting, 1901, by Gustave Fayet, in the Musee d'Art Hyacinthe Rigaud, an art gallery housed in the Hotel de Lazerme, a private mansion built in the 18th century by the marquis Etienne de Blanes and bought in 1827 by Joseph de Lazerme, and the Hotel de Mailly, on the Rue de l'Age, Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. The museum was renovated and reopened in 2017 and houses 3 exhibitions: Gothic Perpignan, Baroque Perpignan and Modern Perpignan, including works by local artists Hyacinthe Rigaud and Aristide Maillol. Picture by Manuel Cohen
    LC20_FRANCE_MC_1371.jpg
  • Musicians in the countryside, oil painting, 1948-49, by Raoul Dufy, 1877-1953, from the Pompidou collection, in the Musee d'Art Hyacinthe Rigaud, an art gallery housed in the Hotel de Lazerme, a private mansion built in the 18th century by the marquis Etienne de Blanes and bought in 1827 by Joseph de Lazerme, and the Hotel de Mailly, on the Rue de l'Age, Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. The museum was renovated and reopened in 2017 and houses 3 exhibitions: Gothic Perpignan, Baroque Perpignan and Modern Perpignan, including works by local artists Hyacinthe Rigaud and Aristide Maillol. Picture by Manuel Cohen - Further clearances required for reproduction (artist's copyright)
    LC20_FRANCE_MC_1369.jpg
  • L'Homme de Gmar, oil painting, 1926, by Jean Lurcat, 1892-1966, in the Musee d'Art Hyacinthe Rigaud, an art gallery housed in the Hotel de Lazerme, a private mansion built in the 18th century by the marquis Etienne de Blanes and bought in 1827 by Joseph de Lazerme, and the Hotel de Mailly, on the Rue de l'Age, Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. The museum was renovated and reopened in 2017 and houses 3 exhibitions: Gothic Perpignan, Baroque Perpignan and Modern Perpignan, including works by local artists Hyacinthe Rigaud and Aristide Maillol. Picture by Manuel Cohen - Further clearances required for reproduction (artist's copyright)
    LC20_FRANCE_MC_1368.jpg
  • Cadix, oil painting, 1924, by Jean Lurcat, 1892-1966, in the Musee d'Art Hyacinthe Rigaud, an art gallery housed in the Hotel de Lazerme, a private mansion built in the 18th century by the marquis Etienne de Blanes and bought in 1827 by Joseph de Lazerme, and the Hotel de Mailly, on the Rue de l'Age, Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. The museum was renovated and reopened in 2017 and houses 3 exhibitions: Gothic Perpignan, Baroque Perpignan and Modern Perpignan, including works by local artists Hyacinthe Rigaud and Aristide Maillol. Picture by Manuel Cohen - Further clearances required for reproduction (artist's copyright)
    LC20_FRANCE_MC_1367.jpg
  • Ciudad, or City, oil painting on board, 1941, by Joaquin Torre Garcia, in the Musee d'Art Hyacinthe Rigaud, an art gallery housed in the Hotel de Lazerme, a private mansion built in the 18th century by the marquis Etienne de Blanes and bought in 1827 by Joseph de Lazerme, and the Hotel de Mailly, on the Rue de l'Age, Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. The museum was renovated and reopened in 2017 and houses 3 exhibitions: Gothic Perpignan, Baroque Perpignan and Modern Perpignan, including works by local artists Hyacinthe Rigaud and Aristide Maillol. Picture by Manuel Cohen - Further clearances required for reproduction (artist's copyright)
    LC20_FRANCE_MC_1359.jpg
  • Plage d'Argeles, oil painting, c. 1930, by Louis Bausil, 1876-1945, in the Musee d'Art Hyacinthe Rigaud, an art gallery housed in the Hotel de Lazerme, a private mansion built in the 18th century by the marquis Etienne de Blanes and bought in 1827 by Joseph de Lazerme, and the Hotel de Mailly, on the Rue de l'Age, Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. The museum was renovated and reopened in 2017 and houses 3 exhibitions: Gothic Perpignan, Baroque Perpignan and Modern Perpignan, including works by local artists Hyacinthe Rigaud and Aristide Maillol. Picture by Manuel Cohen - Further clearances required for reproduction (artist's copyright)
    LC20_FRANCE_MC_1358.jpg
  • Studio of Gustave Violet at Sant Marti, Prades, oil painting, by Etienne Terrus, 1857-1922, in the Musee d'Art Hyacinthe Rigaud, an art gallery housed in the Hotel de Lazerme, a private mansion built in the 18th century by the marquis Etienne de Blanes and bought in 1827 by Joseph de Lazerme, and the Hotel de Mailly, on the Rue de l'Age, Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. The museum was renovated and reopened in 2017 and houses 3 exhibitions: Gothic Perpignan, Baroque Perpignan and Modern Perpignan, including works by local artists Hyacinthe Rigaud and Aristide Maillol. Picture by Manuel Cohen
    LC20_FRANCE_MC_1357.jpg
  • Femme Turque, oil painting, 1925, by Jean Lurcat, 1892-1966, in the Musee d'Art Hyacinthe Rigaud, an art gallery housed in the Hotel de Lazerme, a private mansion built in the 18th century by the marquis Etienne de Blanes and bought in 1827 by Joseph de Lazerme, and the Hotel de Mailly, on the Rue de l'Age, Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. The museum was renovated and reopened in 2017 and houses 3 exhibitions: Gothic Perpignan, Baroque Perpignan and Modern Perpignan, including works by local artists Hyacinthe Rigaud and Aristide Maillol. Picture by Manuel Cohen - Further clearances required for reproduction (artist's copyright)
    LC20_FRANCE_MC_1353.jpg
  • Homage to Gauguin, or Family Group (In Memory of Paul Gauguin), oil painting on paper, 1925, by George-Daniel de Monfreid, 1856-1929, in the Musee d'Art Hyacinthe Rigaud, an art gallery housed in the Hotel de Lazerme, a private mansion built in the 18th century by the marquis Etienne de Blanes and bought in 1827 by Joseph de Lazerme, and the Hotel de Mailly, on the Rue de l'Age, Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. The museum was renovated and reopened in 2017 and houses 3 exhibitions: Gothic Perpignan, Baroque Perpignan and Modern Perpignan, including works by local artists Hyacinthe Rigaud and Aristide Maillol. Picture by Manuel Cohen
    LC20_FRANCE_MC_1355.jpg
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