manuel cohen

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  • Narrow vertical fin formations with rock climbers, at the Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. The formations are the result of vertical tilting due to the uplift forces of the Rocky Mountains and the Pikes Peak massif, of the horizontal layers of sandstones, conglomerates and limestones, resulting after erosion in the formation of fins and pinnacles. Native Americans have visited the area since 1330 BC and camped here since 250 BC, sheltering under the cliffs and producing rock art. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_156.jpg
  • Fin formations in Cathedral Valley, at the Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. The formations are the result of vertical tilting due to the uplift forces of the Rocky Mountains and the Pikes Peak massif, of the horizontal layers of sandstones, conglomerates and limestones, resulting after erosion in the formation of fins and pinnacles. Native Americans have visited the area since 1330 BC and camped here since 250 BC, sheltering under the cliffs and producing rock art. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_153.jpg
  • Fin formations at the Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. The formations are the result of vertical tilting due to the uplift forces of the Rocky Mountains and the Pikes Peak massif, of the horizontal layers of sandstones, conglomerates and limestones, resulting after erosion in the formation of fins and pinnacles. Native Americans have visited the area since 1330 BC and camped here since 250 BC, sheltering under the cliffs and producing rock art. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_152.jpg
  • La Seine Musicale, a music and performing arts centre, opened April 2017, on the Ile Seguin in the river Seine, between Boulogne-Billancourt and Sevres, in the Western suburbs of Paris, France. Jean Nouvel was the lead architect from 2009 and the main buildings were designed by Shigeru Ban and Jean de Gastines. The complex includes La Grande Seine, a large concert hall seating 6000 with a rotating solar panel fin, an auditorium for unamplified classical music, event or exhibition spaces and the Bellini Gardens. Picture by Manuel Cohen
    LC19_PARIS_MC_0830.jpg
  • La Seine Musicale, a music and performing arts centre, opened April 2017, on the Ile Seguin in the river Seine, between Boulogne-Billancourt and Sevres, in the Western suburbs of Paris, France. Jean Nouvel was the lead architect from 2009 and the main buildings were designed by Shigeru Ban and Jean de Gastines. The complex includes La Grande Seine, a large concert hall seating 6000 with a rotating solar panel fin, an auditorium for unamplified classical music, event or exhibition spaces and the Bellini Gardens. Picture by Manuel Cohen
    LC19_PARIS_MC_0835.jpg
  • La Seine Musicale, a music and performing arts centre, opened April 2017, on the Ile Seguin in the river Seine, between Boulogne-Billancourt and Sevres, in the Western suburbs of Paris, France. Jean Nouvel was the lead architect from 2009 and the main buildings were designed by Shigeru Ban and Jean de Gastines. The complex includes La Grande Seine, a large concert hall seating 6000 with a rotating solar panel fin, an auditorium for unamplified classical music, event or exhibition spaces and the Bellini Gardens. Picture by Manuel Cohen
    LC19_PARIS_MC_0834.jpg
  • La Grande Seine, a large concert hall seating 6000 with a rotating solar panel fin, aerial view, at La Seine Musicale, a music and performing arts centre, opened April 2017, on the Ile Seguin in the river Seine, between Boulogne-Billancourt and Sevres, in the Western suburbs of Paris, France. Jean Nouvel was the lead architect from 2009 and the main buildings were designed by Shigeru Ban and Jean de Gastines. The complex includes La Grande Seine, an auditorium for unamplified classical music, event or exhibition spaces and the Bellini Gardens. Picture by Manuel Cohen
    LC19_PARIS_MC_0849.jpg
  • La Grande Seine, a large concert hall seating 6000 with a rotating solar panel fin, aerial view, at La Seine Musicale, a music and performing arts centre, opened April 2017, on the Ile Seguin in the river Seine, between Boulogne-Billancourt and Sevres, in the Western suburbs of Paris, France. Jean Nouvel was the lead architect from 2009 and the main buildings were designed by Shigeru Ban and Jean de Gastines. The complex includes La Grande Seine, an auditorium for unamplified classical music, event or exhibition spaces and the Bellini Gardens. Picture by Manuel Cohen
    LC19_PARIS_MC_0848.jpg
  • La Grande Seine, a large concert hall seating 6000 with a rotating solar panel fin, aerial view, at La Seine Musicale, a music and performing arts centre, opened April 2017, on the Ile Seguin in the river Seine, between Boulogne-Billancourt and Sevres, in the Western suburbs of Paris, France. Jean Nouvel was the lead architect from 2009 and the main buildings were designed by Shigeru Ban and Jean de Gastines. The complex includes La Grande Seine, an auditorium for unamplified classical music, event or exhibition spaces and the Bellini Gardens. Picture by Manuel Cohen
    LC19_PARIS_MC_0846.jpg
  • La Grande Seine, a large concert hall seating 6000 with a rotating solar panel fin, aerial view, at La Seine Musicale, a music and performing arts centre, opened April 2017, on the Ile Seguin in the river Seine, between Boulogne-Billancourt and Sevres, in the Western suburbs of Paris, France. Jean Nouvel was the lead architect from 2009 and the main buildings were designed by Shigeru Ban and Jean de Gastines. The complex includes La Grande Seine, an auditorium for unamplified classical music, event or exhibition spaces and the Bellini Gardens. Picture by Manuel Cohen
    LC19_PARIS_MC_0847.jpg
  • La Seine Musicale, a music and performing arts centre, opened April 2017, on the Ile Seguin in the river Seine, between Boulogne-Billancourt and Sevres, in the Western suburbs of Paris, France. Jean Nouvel was the lead architect from 2009 and the main buildings were designed by Shigeru Ban and Jean de Gastines. The complex includes La Grande Seine, a large concert hall seating 6000 with a rotating solar panel fin, an auditorium for unamplified classical music, event or exhibition spaces and the Bellini Gardens. Picture by Manuel Cohen
    LC19_PARIS_MC_0829.jpg
  • La Grande Seine, a large concert hall seating 6000 with a rotating solar panel fin, at La Seine Musicale, a music and performing arts centre, opened April 2017, on the Ile Seguin in the river Seine, between Boulogne-Billancourt and Sevres, in the Western suburbs of Paris, France. Jean Nouvel was the lead architect from 2009 and the main buildings were designed by Shigeru Ban and Jean de Gastines. The complex includes La Grande Seine, an auditorium for unamplified classical music, event or exhibition spaces and the Bellini Gardens. Picture by Manuel Cohen
    LC19_PARIS_MC_0836.jpg
  • Cathedral Valley with hogback formations and sentinels, Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. The formations are the result of vertical tilting due to the uplift forces of the Rocky Mountains and the Pikes Peak massif, of the horizontal layers of sandstones, conglomerates and limestones, resulting after erosion in the formation of fins and pinnacles. Native Americans have visited the area since 1330 BC and camped here since 250 BC, sheltering under the cliffs and producing rock art. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_159.jpg
  • Cathedral Valley with hogback formations and sentinels, Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. The formations are the result of vertical tilting due to the uplift forces of the Rocky Mountains and the Pikes Peak massif, of the horizontal layers of sandstones, conglomerates and limestones, resulting after erosion in the formation of fins and pinnacles. Native Americans have visited the area since 1330 BC and camped here since 250 BC, sheltering under the cliffs and producing rock art. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_154.jpg
  • Cathedral Valley with hogback formations and sentinels, Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. The formations are the result of vertical tilting due to the uplift forces of the Rocky Mountains and the Pikes Peak massif, of the horizontal layers of sandstones, conglomerates and limestones, resulting after erosion in the formation of fins and pinnacles. Native Americans have visited the area since 1330 BC and camped here since 250 BC, sheltering under the cliffs and producing rock art. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_151.jpg
  • Garden of The Gods, with the Three Graces formation (left), an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. The formations are the result of vertical tilting due to the uplift forces of the Rocky Mountains and the Pikes Peak massif, of the horizontal layers of sandstones, conglomerates and limestones, resulting after erosion in the formation of fins and pinnacles. Native Americans have visited the area since 1330 BC and camped here since 250 BC, sheltering under the cliffs and producing rock art. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_146.jpg
  • Cathedral Valley with hogback formations and sentinels, Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. The formations are the result of vertical tilting due to the uplift forces of the Rocky Mountains and the Pikes Peak massif, of the horizontal layers of sandstones, conglomerates and limestones, resulting after erosion in the formation of fins and pinnacles. Native Americans have visited the area since 1330 BC and camped here since 250 BC, sheltering under the cliffs and producing rock art. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_163.jpg
  • Cathedral Valley with hogback formations and sentinels, Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. The formations are the result of vertical tilting due to the uplift forces of the Rocky Mountains and the Pikes Peak massif, of the horizontal layers of sandstones, conglomerates and limestones, resulting after erosion in the formation of fins and pinnacles. Native Americans have visited the area since 1330 BC and camped here since 250 BC, sheltering under the cliffs and producing rock art. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_155.jpg
  • Cathedral Valley with hogback formations and sentinels, Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. The formations are the result of vertical tilting due to the uplift forces of the Rocky Mountains and the Pikes Peak massif, of the horizontal layers of sandstones, conglomerates and limestones, resulting after erosion in the formation of fins and pinnacles. Native Americans have visited the area since 1330 BC and camped here since 250 BC, sheltering under the cliffs and producing rock art. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_145.jpg
  • Pinnacles of the Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. The formations are the result of vertical tilting due to the uplift forces of the Rocky Mountains and the Pikes Peak massif, of the horizontal layers of sandstones, conglomerates and limestones, resulting after erosion in the formation of fins and pinnacles. Native Americans have visited the area since 1330 BC and camped here since 250 BC, sheltering under the cliffs and producing rock art. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_144.jpg
  • Les Orgues d'Ille-sur-Tet, fairy chimneys of rock created by erosion, at Ille-sur-Tet, Pyrenees-Orientales, France. The cliffs of sand and clay have been sculpted by rainwater to create bulbous forms, tall spires and hoodoos, where harder rock sits on top of a column. The site is listed as a natural monument. In the distance is the Pic du Canigou. The Canigou stands at 2784m and is the highest of the Eastern peaks of the Pyrenees. Picture by Manuel Cohen
    LC20_FRANCE_MC_1642.jpg
  • Les Orgues d'Ille-sur-Tet, fairy chimneys of rock created by erosion, at Ille-sur-Tet, Pyrenees-Orientales, France. The site is listed as a natural monument. Picture by Manuel Cohen
    LC20_FRANCE_MC_1657.jpg
  • Les Orgues d'Ille-sur-Tet, fairy chimneys of rock created by erosion, at Ille-sur-Tet, Pyrenees-Orientales, France. The cliffs of sand and clay have been sculpted by rainwater to create bulbous forms, tall spires and hoodoos, where harder rock sits on top of a column. The site is listed as a natural monument. Picture by Manuel Cohen
    LC20_FRANCE_MC_1643.jpg
  • Les Orgues d'Ille-sur-Tet, fairy chimneys of rock created by erosion, at Ille-sur-Tet, Pyrenees-Orientales, France. The cliffs of sand and clay have been sculpted by rainwater to create bulbous forms, tall spires and hoodoos, where harder rock sits on top of a column. The site is listed as a natural monument. Picture by Manuel Cohen
    LC20_FRANCE_MC_1641.jpg
  • Rainbow over Les Orgues d'Ille-sur-Tet, fairy chimneys of rock created by erosion, at Ille-sur-Tet, Pyrenees-Orientales, France. The site is listed as a natural monument. Picture by Manuel Cohen
    LC20_FRANCE_MC_1562.jpg
  • Les Orgues d'Ille-sur-Tet, fairy chimneys of rock created by erosion, at Ille-sur-Tet, Pyrenees-Orientales, France. The site is listed as a natural monument. Picture by Manuel Cohen
    LC20_FRANCE_MC_1561.jpg
  • Les Orgues d'Ille-sur-Tet, fairy chimneys of rock created by erosion, at Ille-sur-Tet, Pyrenees-Orientales, France. The site is listed as a natural monument. In the distance is the Pic du Canigou. The Canigou stands at 2784m and is the highest of the Eastern peaks of the Pyrenees. Picture by Manuel Cohen
    LC20_FRANCE_MC_1476.jpg
  • Les Orgues d'Ille-sur-Tet, fairy chimneys of rock created by erosion, at Ille-sur-Tet, Pyrenees-Orientales, France. The site is listed as a natural monument. Picture by Manuel Cohen
    LC20_FRANCE_MC_1659.jpg
  • Les Orgues d'Ille-sur-Tet, fairy chimneys of rock created by erosion, at Ille-sur-Tet, Pyrenees-Orientales, France. The site is listed as a natural monument. In the distance is the Pic du Canigou. Picture by Manuel Cohen
    LC20_FRANCE_MC_1658.jpg
  • Hoodoo at Les Orgues d'Ille-sur-Tet, fairy chimneys of rock created by erosion, at Ille-sur-Tet, Pyrenees-Orientales, France. The cliffs of sand and clay have been sculpted by rainwater to create bulbous forms, tall spires and hoodoos, where harder rock sits on top of a column. The site is listed as a natural monument. Picture by Manuel Cohen
    LC20_FRANCE_MC_1645.jpg
  • Hoodoo at Les Orgues d'Ille-sur-Tet, fairy chimneys of rock created by erosion, at Ille-sur-Tet, Pyrenees-Orientales, France. The cliffs of sand and clay have been sculpted by rainwater to create bulbous forms, tall spires and hoodoos, where harder rock sits on top of a column. The site is listed as a natural monument. Picture by Manuel Cohen
    LC20_FRANCE_MC_1644.jpg
  • Les Orgues d'Ille-sur-Tet, fairy chimneys of rock created by erosion, aerial view, at Ille-sur-Tet, Pyrenees-Orientales, France. The site is listed as a natural monument. In the distance is the Pic du Canigou. The Canigou stands at 2784m and is the highest of the Eastern peaks of the Pyrenees. Picture by Manuel Cohen
    DRN_LC20_FRANCE_MC_1740.jpg
  • Les Orgues d'Ille-sur-Tet, fairy chimneys of rock created by erosion, aerial view, at Ille-sur-Tet, Pyrenees-Orientales, France. The site is listed as a natural monument. Picture by Manuel Cohen
    DRN_LC20_FRANCE_MC_1736.jpg
  • Les Orgues d'Ille-sur-Tet, fairy chimneys of rock created by erosion, aerial view, at Ille-sur-Tet, Pyrenees-Orientales, France. The site is listed as a natural monument. Picture by Manuel Cohen
    DRN_LC20_FRANCE_MC_1729.jpg
  • Les Orgues d'Ille-sur-Tet, fairy chimneys of rock created by erosion, aerial view, at Ille-sur-Tet, Pyrenees-Orientales, France. The site is listed as a natural monument. In the distance is the Pic du Canigou. The Canigou stands at 2784m and is the highest of the Eastern peaks of the Pyrenees. Picture by Manuel Cohen
    DRN_LC20_FRANCE_MC_1728.jpg
  • Les Orgues d'Ille-sur-Tet, fairy chimneys of rock created by erosion, aerial view, at Ille-sur-Tet, Pyrenees-Orientales, France. The site is listed as a natural monument. In the distance is the Pic du Canigou. The Canigou stands at 2784m and is the highest of the Eastern peaks of the Pyrenees. Picture by Manuel Cohen
    DRN_LC20_FRANCE_MC_1727.jpg
  • Les Orgues d'Ille-sur-Tet, fairy chimneys of rock created by erosion, aerial view, at Ille-sur-Tet, Pyrenees-Orientales, France. The site is listed as a natural monument. In the distance is the Pic du Canigou. The Canigou stands at 2784m and is the highest of the Eastern peaks of the Pyrenees. Picture by Manuel Cohen
    DRN_LC20_FRANCE_MC_1724.jpg
  • Les Orgues d'Ille-sur-Tet, fairy chimneys of rock created by erosion, aerial view, at Ille-sur-Tet, Pyrenees-Orientales, France. The site is listed as a natural monument. In the distance is the Pic du Canigou. The Canigou stands at 2784m and is the highest of the Eastern peaks of the Pyrenees. Picture by Manuel Cohen
    DRN_LC20_FRANCE_MC_1714.jpg
  • Les Orgues d'Ille-sur-Tet, fairy chimneys of rock created by erosion, aerial view, at Ille-sur-Tet, Pyrenees-Orientales, France. The site is listed as a natural monument. In the distance is the Pic du Canigou. The Canigou stands at 2784m and is the highest of the Eastern peaks of the Pyrenees. Picture by Manuel Cohen
    DRN_LC20_FRANCE_MC_1711.jpg
  • Plant History Glasshouse (formerly Australian Glasshouse), 1830s, Rohault de Fleury, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Detail of new radiator whose fins form an abstract pattern.
    _MG_2539.jpg
  • Plant History Glasshouse (formerly Australian Glasshouse), 1830s, Rohault de Fleury, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Detail of new radiator whose fins form an abstract pattern.
    Mnhn_GS_MCohen_076.jpg
  • Plant History Glasshouse (formerly Australian Glasshouse), 1830s, Rohault de Fleury, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Detail of new radiator whose fins form an abstract pattern.
    Mnhn_GS_MCohen_075.jpg
  • Plant History Glasshouse (formerly Australian Glasshouse), 1830s, Rohault de Fleury, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Detail of new radiator whose fins form an abstract pattern.
    _MG_2533.jpg
  • fin du Battage en tête de belier avant le tournage<br />
<br />
<br />
<br />
Hélène Morbu crée son atelier à Nantes en 2008 et se démarque par son approche de la céramique.<br />
Grâce à la maîtrise et à l’écoute du matériau elle bouleverse les codes pour créer un nouveau langage formel et plastique.<br />
<br />
Elle s’intéresse dans un premier temps à la pertinence de l’objet d’usage et développe une collection de céramique fabriquée en petites séries au moule ou au tour.<br />
Ses créations s’inscrivent dans une démarche contemporaine basée sur des formes géométriques élémentaires et une attention toute particulière donnée aux détails.<br />
<br />
Aujourd’hui, elle explore de nouvelles voies en créant des pièces uniques qui relèvent d’un tout autre processus plus expérimental et empirique.<br />
Jonglant avec les contraintes techniques et les qualités plastiques de la terre, elle élabore un nouveau vocabulaire oscillant entre délicatesse des textures et rigueur des lignes.<br />
Le résultat: des pièces aux surfaces texturées complexes, un vrai travail d’orfèvre qui n’est pas sans rappeler l’univers de la haute couture.
    _CC_6841.jpg
  • fin de nettoyage du tour de potier.<br />
<br />
<br />
<br />
Hélène Morbu crée son atelier à Nantes en 2008 et se démarque par son approche de la céramique.<br />
Grâce à la maîtrise et à l’écoute du matériau elle bouleverse les codes pour créer un nouveau langage formel et plastique.<br />
<br />
Elle s’intéresse dans un premier temps à la pertinence de l’objet d’usage et développe une collection de céramique fabriquée en petites séries au moule ou au tour.<br />
Ses créations s’inscrivent dans une démarche contemporaine basée sur des formes géométriques élémentaires et une attention toute particulière donnée aux détails.<br />
<br />
Aujourd’hui, elle explore de nouvelles voies en créant des pièces uniques qui relèvent d’un tout autre processus plus expérimental et empirique.<br />
Jonglant avec les contraintes techniques et les qualités plastiques de la terre, elle élabore un nouveau vocabulaire oscillant entre délicatesse des textures et rigueur des lignes.<br />
Le résultat: des pièces aux surfaces texturées complexes, un vrai travail d’orfèvre qui n’est pas sans rappeler l’univers de la haute couture.
    _CC_7006.jpg
  • fin de nettoyage du tour de potier<br />
<br />
<br />
Hélène Morbu crée son atelier à Nantes en 2008 et se démarque par son approche de la céramique.<br />
Grâce à la maîtrise et à l’écoute du matériau elle bouleverse les codes pour créer un nouveau langage formel et plastique.<br />
<br />
Elle s’intéresse dans un premier temps à la pertinence de l’objet d’usage et développe une collection de céramique fabriquée en petites séries au moule ou au tour.<br />
Ses créations s’inscrivent dans une démarche contemporaine basée sur des formes géométriques élémentaires et une attention toute particulière donnée aux détails.<br />
<br />
Aujourd’hui, elle explore de nouvelles voies en créant des pièces uniques qui relèvent d’un tout autre processus plus expérimental et empirique.<br />
Jonglant avec les contraintes techniques et les qualités plastiques de la terre, elle élabore un nouveau vocabulaire oscillant entre délicatesse des textures et rigueur des lignes.<br />
Le résultat: des pièces aux surfaces texturées complexes, un vrai travail d’orfèvre qui n’est pas sans rappeler l’univers de la haute couture.
    _CC_7012.jpg
  • La Defense, 1879, sculpture by Auguste Rodin, 1840-1917, remade in bronze in 2017 by the Fonderie de Coubertin in Saint-Remy-les-Chevreuse, on the staircase of La Seine Musicale, a music and performing arts centre, opened April 2017, on the Ile Seguin in the river Seine, between Boulogne-Billancourt and Sevres, in the Western suburbs of Paris, France. The statue depicts a winged woman with arms raised and fists clenched, leaning on a dying warrior, representing courage and resilience. The complex includes La Grande Seine, a large concert hall seating 6000 with a rotating solar panel fin, an auditorium for unamplified classical music, event or exhibition spaces and the Bellini Gardens. Picture by Manuel Cohen
    LC19_PARIS_MC_0833.jpg
  • La Defense, 1879, sculpture by Auguste Rodin, 1840-1917, remade in bronze in 2017 by the Fonderie de Coubertin in Saint-Remy-les-Chevreuse, on the staircase of La Seine Musicale, a music and performing arts centre, opened April 2017, on the Ile Seguin in the river Seine, between Boulogne-Billancourt and Sevres, in the Western suburbs of Paris, France. The statue depicts a winged woman with arms raised and fists clenched, leaning on a dying warrior, representing courage and resilience. Jean Nouvel was the lead architect from 2009 and the main buildings were designed by Shigeru Ban and Jean de Gastines. The complex includes La Grande Seine, a large concert hall seating 6000 with a rotating solar panel fin, an auditorium for unamplified classical music, event or exhibition spaces and the Bellini Gardens. Picture by Manuel Cohen
    LC19_PARIS_MC_0832.jpg
  • "Herons sur un saule enneige" (herons on a snowy willow tree), detail, paravent à six volets, Ecole Kano, Epoque Edo, fin du XVIIe siecle, Musee Guimet, Paris, France. Photo Manuel Cohen.."Herons on a snowy willow tree" (Herons sur un saule enneige), detail, six sections screen, Kano school, Edo period, late 17th century, Mus©e Guimet, Paris, France. Picture Manuel Cohen
    LC_Guimet_12_MC009.jpg
  • "Herons sur un saule enneige" (herons on a snowy willow tree), detail, paravent à six volets, Ecole Kano, Epoque Edo, fin du XVIIe siecle, Musee Guimet, Paris, France. Photo Manuel Cohen.."Herons on a snowy willow tree" (Herons sur un saule enneige), detail, six sections screen, Kano school, Edo period, late 17th century, Mus©e Guimet, Paris, France. Picture Manuel Cohen
    LC_Guimet_12_MC008.jpg
  • "Herons sur un saule enneige" (herons on a snowy willow tree), paravent à six volets, Ecole Kano, Epoque Edo, fin du XVIIe siecle, Musee Guimet, Paris, France. Photo Manuel Cohen.."Herons on a snowy willow tree" (Herons sur un saule enneige), six sections screen, Kano school, Edo period, late 17th century, Mus©e Guimet, Paris, France. Picture Manuel Cohen
    LC_Guimet_12_MC004.jpg
  • "Herons sur un saule enneige" (herons on a snowy willow tree), paravent à six volets, Ecole Kano, Epoque Edo, fin du XVIIe siecle, Musee Guimet, Paris, France. Photo Manuel Cohen.."Herons on a snowy willow tree" (Herons sur un saule enneige), six sections screen, Kano school, Edo period, late 17th century, Mus©e Guimet, Paris, France. Picture Manuel Cohen
    LC_Guimet_12_MC003.jpg
  • "Herons sur un saule enneige" (herons on a snowy willow tree), detail, paravent à six volets, Ecole Kano, Epoque Edo, fin du XVIIe siecle, Musee Guimet, Paris, France. Photo Manuel Cohen.."Herons on a snowy willow tree" (Herons sur un saule enneige), detail, six sections screen, Kano school, Edo period, late 17th century, Mus©e Guimet, Paris, France. Picture Manuel Cohen
    LC_Guimet_12_MC002.jpg
  • "Herons sur un saule enneige" (herons on a snowy willow tree), detail, paravent à six volets, Ecole Kano, Epoque Edo, fin du XVIIe siecle, Musee Guimet, Paris, France. Photo Manuel Cohen.."Herons on a snowy willow tree" (Herons sur un saule enneige), detail, six sections screen, Kano school, Edo period, late 17th century, Mus©e Guimet, Paris, France. Picture Manuel Cohen
    LC_Guimet_12_MC001.jpg
  • Thumb, 1994, bronze sculpture by Cesar, 1921-98, in the courtyard of La Seine Musicale, a music and performing arts centre, opened April 2017, on the Ile Seguin in the river Seine, between Boulogne-Billancourt and Sevres, in the Western suburbs of Paris, France. Jean Nouvel was the lead architect from 2009 and the main buildings were designed by Shigeru Ban and Jean de Gastines. The complex includes La Grande Seine, a large concert hall seating 6000 with a rotating solar panel fin, an auditorium for unamplified classical music, event or exhibition spaces and the Bellini Gardens. Picture by Manuel Cohen
    LC19_PARIS_MC_0831.jpg
  • A mi-chemin entre le village de Casteil et l'abbaye se trouve l'église dite "Saint-Martin-le-Vieux". Restaurée à la fin des années 70, il s'agissait vraisemblablement d'une nécropole pour les moines de l'abbaye St Martin du Canigou, Pyrénées Orientales, France
    LC12_FRANCE_MC_056.jpg
  • "Herons sur un saule enneige" (herons on a snowy willow tree), detail, paravent à six volets, Ecole Kano, Epoque Edo, fin du XVIIe siecle, Musee Guimet, Paris, France. Photo Manuel Cohen.."Herons on a snowy willow tree" (Herons sur un saule enneige), detail, six sections screen, Kano school, Edo period, late 17th century, Mus©e Guimet, Paris, France. Picture Manuel Cohen
    LC_Guimet_12_MC011.jpg
  • "Herons sur un saule enneige" (herons on a snowy willow tree), detail, paravent à six volets, Ecole Kano, Epoque Edo, fin du XVIIe siecle, Musee Guimet, Paris, France. Photo Manuel Cohen.."Herons on a snowy willow tree" (Herons sur un saule enneige), detail, six sections screen, Kano school, Edo period, late 17th century, Mus©e Guimet, Paris, France. Picture Manuel Cohen
    LC_Guimet_12_MC010.jpg
  • "Herons sur un saule enneige" (herons on a snowy willow tree), detail, paravent à six volets, Ecole Kano, Epoque Edo, fin du XVIIe siecle, Musee Guimet, Paris, France. Photo Manuel Cohen.."Herons on a snowy willow tree" (Herons sur un saule enneige), detail, six sections screen, Kano school, Edo period, late 17th century, Mus©e Guimet, Paris, France. Picture Manuel Cohen
    LC_Guimet_12_MC007.jpg
  • "Herons sur un saule enneige" (herons on a snowy willow tree), paravent à six volets, Ecole Kano, Epoque Edo, fin du XVIIe siecle, Musee Guimet, Paris, France. Photo Manuel Cohen.."Herons on a snowy willow tree" (Herons sur un saule enneige), six sections screen, Kano school, Edo period, late 17th century, Mus©e Guimet, Paris, France. Picture Manuel Cohen
    LC_Guimet_12_MC006.jpg
  • "Herons sur un saule enneige" (herons on a snowy willow tree), paravent à six volets, Ecole Kano, Epoque Edo, fin du XVIIe siecle, Musee Guimet, Paris, France. Photo Manuel Cohen.."Herons on a snowy willow tree" (Herons sur un saule enneige), six sections screen, Kano school, Edo period, late 17th century, Mus©e Guimet, Paris, France. Picture Manuel Cohen
    LC_Guimet_12_MC005.jpg
  • Transfert des zebres de leur enclos provisoire a leur enclos définitif : fin de l'operation le zebre est désormais dans sa nouvelle loge, new Parc Zoologique de Paris, or Zoo de Vincennes, (Zoological Gardens of Paris, also known as Vincennes Zoo), Museum National d'Histoire Naturelle (National Museum of Natural History), 12th arrondissement, Paris, France. Picture by Manuel Cohen
    Coulisses_PZP_Zebres_MC031.jpg
  • Transfert des zebres de leur enclos provisoire a leur enclos définitif : fin de l'operation le zebre est désormais dans sa nouvelle loge, new Parc Zoologique de Paris, or Zoo de Vincennes, (Zoological Gardens of Paris, also known as Vincennes Zoo), Museum National d'Histoire Naturelle (National Museum of Natural History), 12th arrondissement, Paris, France. Picture by Manuel Cohen
    Coulisses_PZP_Zebres_MC026.jpg
  • Gray Rock (left) and South Gateway Rock (right), with the Manitou Springs incline behind and Pikes Peak above, at the Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. The formations are the result of vertical tilting due to the uplift forces of the Rocky Mountains and the Pikes Peak massif, of the horizontal layers of  sandstones, conglomerates and limestones, resulting after erosion in the formation of fins and pinnacles. Native Americans have visited the area since 1330 BC and camped here since 250 BC, sheltering under the cliffs and producing rock art. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_161.jpg
  • Gray Rock (left) and South Gateway Rock (right), with the Manitou Springs incline behind and Pikes Peak above, at the Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. The formations are the result of vertical tilting due to the uplift forces of the Rocky Mountains and the Pikes Peak massif, of the horizontal layers of sandstones, conglomerates and limestones, resulting after erosion in the formation of fins and pinnacles. Native Americans have visited the area since 1330 BC and camped here since 250 BC, sheltering under the cliffs and producing rock art. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_162.jpg
  • Gray Rock (left) and South Gateway Rock (right), with the Manitou Springs incline behind and Pikes Peak above, at the Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. The formations are the result of vertical tilting due to the uplift forces of the Rocky Mountains and the Pikes Peak massif, of the horizontal layers of sandstones, conglomerates and limestones, resulting after erosion in the formation of fins and pinnacles. Native Americans have visited the area since 1330 BC and camped here since 250 BC, sheltering under the cliffs and producing rock art. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_160.jpg
  • Pinnacles of the Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. The formations are the result of vertical tilting due to the uplift forces of the Rocky Mountains and the Pikes Peak massif, of the horizontal layers of sandstones, conglomerates and limestones, resulting after erosion in the formation of fins and pinnacles. Native Americans have visited the area since 1330 BC and camped here since 250 BC, sheltering under the cliffs and producing rock art. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_148.jpg
  • Gray Rock (left) and South Gateway Rock (right), with the Manitou Springs incline behind and Pikes Peak above, at the Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. The formations are the result of vertical tilting due to the uplift forces of the Rocky Mountains and the Pikes Peak massif, of the horizontal layers of sandstones, conglomerates and limestones, resulting after erosion in the formation of fins and pinnacles. Native Americans have visited the area since 1330 BC and camped here since 250 BC, sheltering under the cliffs and producing rock art. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_157.jpg
  • Cathedral Valley with hogback formations and sentinels, Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. The formations are the result of vertical tilting due to the uplift forces of the Rocky Mountains and the Pikes Peak massif, of the horizontal layers of sandstones, conglomerates and limestones, resulting after erosion in the formation of fins and pinnacles. Native Americans have visited the area since 1330 BC and camped here since 250 BC, sheltering under the cliffs and producing rock art. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_164.jpg
  • Gray Rock (left) and South Gateway Rock (right), with the Manitou Springs incline behind and Pikes Peak above, at the Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. The formations are the result of vertical tilting due to the uplift forces of the Rocky Mountains and the Pikes Peak massif, of the horizontal layers of sandstones, conglomerates and limestones, resulting after erosion in the formation of fins and pinnacles. Native Americans have visited the area since 1330 BC and camped here since 250 BC, sheltering under the cliffs and producing rock art. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_158.jpg
  • Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. The formations are the result of vertical tilting due to the uplift forces of the Rocky Mountains and the Pikes Peak massif, of the horizontal layers of sandstones, conglomerates and limestones, resulting after erosion in the formation of fins and pinnacles. Native Americans have visited the area since 1330 BC and camped here since 250 BC, sheltering under the cliffs and producing rock art. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_149.jpg
  • Cathedral Valley with hogback formations and sentinels, Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. The formations are the result of vertical tilting due to the uplift forces of the Rocky Mountains and the Pikes Peak massif, of the horizontal layers of sandstones, conglomerates and limestones, resulting after erosion in the formation of fins and pinnacles. Native Americans have visited the area since 1330 BC and camped here since 250 BC, sheltering under the cliffs and producing rock art. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_150.jpg
  • Gray Rock (left) and South Gateway Rock (right), with the Manitou Springs incline behind and Pikes Peak above, at the Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. The formations are the result of vertical tilting due to the uplift forces of the Rocky Mountains and the Pikes Peak massif, of the horizontal layers of sandstones, conglomerates and limestones, resulting after erosion in the formation of fins and pinnacles. Native Americans have visited the area since 1330 BC and camped here since 250 BC, sheltering under the cliffs and producing rock art. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_147.jpg
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