manuel cohen

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  • Poster for the silent film Cabiria, for which D'Annunzio wrote the screenplay, in the auditorium at Vittoriale degli italiani, or The Shrine of Italian Victories, the home, estate and museums of Gabriele D'Annunzio, 1863-1938, Italian writer, soldier and fascist, at Gardone Riviera, Lake Garda, Brescia, Lombardy, Italy. The Auditorium seats 200 and is used for conventions, events and performances. A video shows the rooms in the Priory and the museum, and photographic exhibitions explore the life of d’Annunzio and Il Vittoriale. The estate consists of the Prioria, where d'Annunzio lived 1922-38, an amphitheatre, the protected cruiser Puglia, the MAS vessel used by D'Annunzio in 1918 and a mausoleum. It is part of the Grandi Giardini Italiani. Picture by Manuel Cohen
    LC19_ITALY_MC_149.jpg
  • Still from a film of 2 lesbians kissing, from the Denkmal fur die im Nationalsozialismus verfolgten Homosexuellen, or Memorial to Homosexuals persecuted under Nazism, by Michael Elmgreen and Ingar Dragset, opened 2008, Tiergarten, Berlin, Germany. The memorial consists of a concrete cube with a window through which plays a film of 2 men or women kissing. Picture by Manuel Cohen
    LC14_BERLIN_MC0724.jpg
  • Still from a film of 2 lesbians, from the Denkmal fur die im Nationalsozialismus verfolgten Homosexuellen, or Memorial to Homosexuals persecuted under Nazism, by Michael Elmgreen and Ingar Dragset, opened 2008, Tiergarten, Berlin, Germany. The memorial consists of a concrete cube with a window through which plays a film of 2 men or women kissing. Picture by Manuel Cohen
    LC14_BERLIN_MC0725.jpg
  • Olivier Taieb, film director, cinematographer and writer, in Paris, France, 2017. Picture by Manuel Cohen
    121217_OlivierTaieb_MC_004.jpg
  • Olivier Taieb, film director, cinematographer and writer, in Paris, France, 2017. Picture by Manuel Cohen
    121217_OlivierTaieb_MC_001.jpg
  • Olivier Taieb, film director, cinematographer and writer, in Paris, France, 2017. Picture by Manuel Cohen
    121217_OlivierTaieb_MC_002.jpg
  • Olivier Taieb, film director, cinematographer and writer, in Paris, France, 2017. Picture by Manuel Cohen
    121217_OlivierTaieb_MC_003.jpg
  • Screening of 'Un debut au music-hall', a silent film directed by Georges Monca, 1889-1940, for Pathe in 1910, with orchestra playing and audience watching, photograph. Between 1908 and 1920, Monca directed over 300 films for Pathe, many of them comedies. Copyright © Collection Particuliere Tropmi / Manuel Cohen
    LC_History_MC0080.jpg
  • Entrance constructed as a film set, Ksar Ait Ben Haddou, earthen fortified city, Ounila valley, Ouarzazate province, Morocco. The ksar is a group of earthen houses surrounded by high defensive walls with corner towers, in traditional pre-Saharan style.  The village stands above the Oued Marghen river in the High Atlas and was a stop on the caravan route from the Sahara to Marrakech. It was founded in the 17th century and has been a UNESCO World Heritage Site since 1987. Picture by Manuel Cohen
    LCMOROCCO_12_MC207.jpg
  • Pascal Tantot, dans le role de Napoleon, sur le tournage du film "Paris, la ville a remonter le temps", scenario Carlo de Boutiny et Alain Zenou, realisation Xavier Lefebvre, production GEDEON PROGRAMMES.
    060911_Napoleon_MC02.jpg
  • Pascal Tantot, dans le role de Napoleon, sur le tournage du film "Paris, la ville a remonter le temps", scenario Carlo de Boutiny et Alain Zenou, realisation Xavier Lefebvre, production GEDEON PROGRAMMES.
    060911_Napoleon_MC03.jpg
  • Pascal Tantot, dans le role de Napoleon, sur le tournage du film "Paris, la ville a remonter le temps", scenario Carlo de Boutiny et Alain Zenou, realisation Xavier Lefebvre, production GEDEON PROGRAMMES.
    060911_Napoleon_MC01.jpg
  • Pascal Tantot, dans le role de Napoleon, sur le tournage du film "Paris, la ville a remonter le temps", scenario Carlo de Boutiny et Alain Zenou, realisation Xavier Lefebvre, production GEDEON PROGRAMMES.
    060911_Napoleon_MC04.jpg
  • Pascal Tantot, dans le role de Napoleon, sur le tournage du film "Paris, la ville a remonter le temps", scenario Carlo de Boutiny et Alain Zenou, realisation Xavier Lefebvre, production GEDEON PROGRAMMES.
    060911_Napoleon_MC05.jpg
  • Pascal Tantot, dans le role de Napoleon, sur le tournage du film "Paris, la ville a remonter le temps", scenario Carlo de Boutiny et Alain Zenou, realisation Xavier Lefebvre, production GEDEON PROGRAMMES.
    060911_Napoleon_MC06.jpg
  • Pascal Tantot, dans le role de Napoleon, sur le tournage du film "Paris, la ville a remonter le temps", scenario Carlo de Boutiny et Alain Zenou, realisation Xavier Lefebvre, production GEDEON PROGRAMMES.
    060911_Napoleon_MC08.jpg
  • Pascal Tantot, dans le role de Napoleon, sur le tournage du film "Paris, la ville a remonter le temps", scenario Carlo de Boutiny et Alain Zenou, realisation Xavier Lefebvre, production GEDEON PROGRAMMES.
    060911_Napoleon_MC07.jpg
  • Ornella Bes, dans le role de Sainte Genevieve, sur le tournage du film "Paris, la ville a remonter le temps", scenario Carlo de Boutiny et Alain Zenou, realisation Xavier Lefebvre, production GEDEON PROGRAMMES.
    310811_SteGenevieve_MC01.jpg
  • Ornella Bes, dans le role de Sainte Genevieve, sur le tournage du film "Paris, la ville a remonter le temps", scenario Carlo de Boutiny et Alain Zenou, realisation Xavier Lefebvre, production GEDEON PROGRAMMES.
    310811_SteGenevieve_MC02.jpg
  • Ornella Bes, dans le role de Sainte Genevieve, sur le tournage du film "Paris, la ville a remonter le temps", scenario Carlo de Boutiny et Alain Zenou, realisation Xavier Lefebvre, production GEDEON PROGRAMMES.
    310811_SteGenevieve_MC03.jpg
  • Ornella Bes, dans le role de Sainte Genevieve, sur le tournage du film "Paris, la ville a remonter le temps", scenario Carlo de Boutiny et Alain Zenou, realisation Xavier Lefebvre, production GEDEON PROGRAMMES.
    310811_SteGenevieve_MC04.jpg
  • Entrance to CLA Studios, film studios offering Moroccan and other Islamic locations, Ouarzazate, Southern Morocco. Picture by Manuel Cohen
    LCMOROCCO_12_MC266.jpg
  • Entrance to CLA Studios, film studios offering Moroccan and other Islamic locations, Ouarzazate, Southern Morocco. Picture by Manuel Cohen
    LCMOROCCO_12_MC289.jpg
  • Sycamore Gap on Hadrian's Wall, Northumberland, England, a scene immortalised in the 1991 film, Robin Hood Prince of Thieves. Hadrian's Wall was built 73 miles across Britannia, now England, 122-128 AD, under the reign of Emperor Hadrian, ruled 117-138, to mark the Northern extent of the Roman Empire and guard against barbarian attacks from the Picts to the North. The wall was fortified with milecastles with 2 turrets in between, and a fort about every 5 Roman miles. This section of the Wall is in the Northumberland National Park, managed by the National Trust, and the Hadrian's Wall Path, an 84-mile coast to coast long distance footpath, runs alongside it, together with a section of the Pennine Way. Picture by Manuel Cohen
    LC16_ENGLAND_MC_106.jpg
  • Sycamore Gap on Hadrian's Wall, Northumberland, England, a scene immortalised in the 1991 film, Robin Hood Prince of Thieves. Hadrian's Wall was built 73 miles across Britannia, now England, 122-128 AD, under the reign of Emperor Hadrian, ruled 117-138, to mark the Northern extent of the Roman Empire and guard against barbarian attacks from the Picts to the North. The wall was fortified with milecastles with 2 turrets in between, and a fort about every 5 Roman miles. This section of the Wall is in the Northumberland National Park, managed by the National Trust, and the Hadrian's Wall Path, an 84-mile coast to coast long distance footpath, runs alongside it, together with a section of the Pennine Way. Picture by Manuel Cohen
    LC16_ENGLAND_MC_107.jpg
  • Sycamore Gap on Hadrian's Wall, Northumberland, England, a scene immortalised in the 1991 film, Robin Hood Prince of Thieves. Hadrian's Wall was built 73 miles across Britannia, now England, 122-128 AD, under the reign of Emperor Hadrian, ruled 117-138, to mark the Northern extent of the Roman Empire and guard against barbarian attacks from the Picts to the North. The wall was fortified with milecastles with 2 turrets in between, and a fort about every 5 Roman miles. This section of the Wall is in the Northumberland National Park, managed by the National Trust, and the Hadrian's Wall Path, an 84-mile coast to coast long distance footpath, runs alongside it, together with a section of the Pennine Way. Picture by Manuel Cohen
    LC16_ENGLAND_MC_105.jpg
  • Sycamore Gap on Hadrian's Wall, Northumberland, England, a scene immortalised in the 1991 film, Robin Hood Prince of Thieves. Hadrian's Wall was built 73 miles across Britannia, now England, 122-128 AD, under the reign of Emperor Hadrian, ruled 117-138, to mark the Northern extent of the Roman Empire and guard against barbarian attacks from the Picts to the North. The wall was fortified with milecastles with 2 turrets in between, and a fort about every 5 Roman miles. This section of the Wall is in the Northumberland National Park, managed by the National Trust, and the Hadrian's Wall Path, an 84-mile coast to coast long distance footpath, runs alongside it, together with a section of the Pennine Way. Picture by Manuel Cohen
    LC16_ENGLAND_MC_104.jpg
  • Sycamore Gap on Hadrian's Wall, Northumberland, England, a scene immortalised in the 1991 film, Robin Hood Prince of Thieves. Hadrian's Wall was built 73 miles across Britannia, now England, 122-128 AD, under the reign of Emperor Hadrian, ruled 117-138, to mark the Northern extent of the Roman Empire and guard against barbarian attacks from the Picts to the North. The wall was fortified with milecastles with 2 turrets in between, and a fort about every 5 Roman miles. This section of the Wall is in the Northumberland National Park, managed by the National Trust, and the Hadrian's Wall Path, an 84-mile coast to coast long distance footpath, runs alongside it, together with a section of the Pennine Way. Picture by Manuel Cohen
    LC16_ENGLAND_MC_103.jpg
  • Sycamore Gap on Hadrian's Wall, Northumberland, England, a scene immortalised in the 1991 film, Robin Hood Prince of Thieves. Hadrian's Wall was built 73 miles across Britannia, now England, 122-128 AD, under the reign of Emperor Hadrian, ruled 117-138, to mark the Northern extent of the Roman Empire and guard against barbarian attacks from the Picts to the North. The wall was fortified with milecastles with 2 turrets in between, and a fort about every 5 Roman miles. This section of the Wall is in the Northumberland National Park, managed by the National Trust, and the Hadrian's Wall Path, an 84-mile coast to coast long distance footpath, runs alongside it, together with a section of the Pennine Way. Picture by Manuel Cohen
    LC16_ENGLAND_MC_102.jpg
  • Sycamore Gap on Hadrian's Wall (looking East), Northumberland, England, a scene immortalised in the 1991 film, Robin Hood Prince of Thieves. Hadrian's Wall was built 73 miles across Britannia, now England, 122-128 AD, under the reign of Emperor Hadrian, ruled 117-138, to mark the Northern extent of the Roman Empire and guard against barbarian attacks from the Picts to the North. The wall was fortified with milecastles with 2 turrets in between, and a fort about every 5 Roman miles. This section of the Wall is in the Northumberland National Park, managed by the National Trust, and the Hadrian's Wall Path, an 84-mile coast to coast long distance footpath, runs alongside it, together with a section of the Pennine Way. Picture by Manuel Cohen
    LC16_ENGLAND_MC_078.jpg
  • Sycamore Gap on Hadrian's Wall, Northumberland, England, a scene immortalised in the 1991 film, Robin Hood Prince of Thieves. Hadrian's Wall was built 73 miles across Britannia, now England, 122-128 AD, under the reign of Emperor Hadrian, ruled 117-138, to mark the Northern extent of the Roman Empire and guard against barbarian attacks from the Picts to the North. The wall was fortified with milecastles with 2 turrets in between, and a fort about every 5 Roman miles. This section of the Wall is in the Northumberland National Park, managed by the National Trust, and the Hadrian's Wall Path, an 84-mile coast to coast long distance footpath, runs alongside it, together with a section of the Pennine Way. Picture by Manuel Cohen
    LC16_ENGLAND_MC_077.jpg
  • Sycamore Gap on Hadrian's Wall, Northumberland, England, a scene immortalised in the 1991 film, Robin Hood Prince of Thieves. Hadrian's Wall was built 73 miles across Britannia, now England, 122-128 AD, under the reign of Emperor Hadrian, ruled 117-138, to mark the Northern extent of the Roman Empire and guard against barbarian attacks from the Picts to the North. The wall was fortified with milecastles with 2 turrets in between, and a fort about every 5 Roman miles. This section of the Wall is in the Northumberland National Park, managed by the National Trust, and the Hadrian's Wall Path, an 84-mile coast to coast long distance footpath, runs alongside it, together with a section of the Pennine Way. Picture by Manuel Cohen
    LC16_ENGLAND_MC_076.jpg
  • Sycamore Gap on Hadrian's Wall, Northumberland, England, a scene immortalised in the 1991 film, Robin Hood Prince of Thieves. Hadrian's Wall was built 73 miles across Britannia, now England, 122-128 AD, under the reign of Emperor Hadrian, ruled 117-138, to mark the Northern extent of the Roman Empire and guard against barbarian attacks from the Picts to the North. The wall was fortified with milecastles with 2 turrets in between, and a fort about every 5 Roman miles. This section of the Wall is in the Northumberland National Park, managed by the National Trust, and the Hadrian's Wall Path, an 84-mile coast to coast long distance footpath, runs alongside it, together with a section of the Pennine Way. Picture by Manuel Cohen
    LC16_ENGLAND_MC_075.jpg
  • Sycamore Gap, a scene immortalised in the 1991 film, Robin Hood Prince of Thieves, on Hadrian's Wall (looking West to Steel Rigg), Northumberland, England. Hadrian's Wall was built 73 miles across Britannia, now England, 122-128 AD, under the reign of Emperor Hadrian, ruled 117-138, to mark the Northern extent of the Roman Empire and guard against barbarian attacks from the Picts to the North. The wall was fortified with milecastles with 2 turrets in between, and a fort about every 5 Roman miles. This section of the Wall is in the Northumberland National Park, managed by the National Trust, and the Hadrian's Wall Path, an 84-mile coast to coast long distance footpath, runs alongside it, together with a section of the Pennine Way. Picture by Manuel Cohen
    LC16_ENGLAND_MC_071.jpg
  • Sycamore Gap on Hadrian's Wall, Northumberland, England, a scene immortalised in the 1991 film, Robin Hood Prince of Thieves. Hadrian's Wall was built 73 miles across Britannia, now England, 122-128 AD, under the reign of Emperor Hadrian, ruled 117-138, to mark the Northern extent of the Roman Empire and guard against barbarian attacks from the Picts to the North. The wall was fortified with milecastles with 2 turrets in between, and a fort about every 5 Roman miles. This section of the Wall is in the Northumberland National Park, managed by the National Trust, and the Hadrian's Wall Path, an 84-mile coast to coast long distance footpath, runs alongside it, together with a section of the Pennine Way. Picture by Manuel Cohen
    LC16_ENGLAND_MC_021.jpg
  • Ballroom, in the Palazzo Valguarnera-Gangi, commissioned by the prince and princess of Gangi, Pietro and Marianna Valguarnera, and built 1749-59, on the Piazza Croce dei Vespri in the Kalsa district of Palermo, Sicily, Italy. The ballroom has a Baroque openwork vault designed by Andrea Gigante and enormous chandeliers, and was used to film the ballroom scene in Luchino Visconti's film The Leopard. The mansion was decorated in Sicilian Baroque style by Marianna Valguarnera and later in Neoclassical stye, with great opulence throughout. Picture by Manuel Cohen
    LC20_ITALY_MC_585.jpg
  • Decorative detail of sculpted griffons on a sofa in the Ballroom, in the Palazzo Valguarnera-Gangi, commissioned by the prince and princess of Gangi, Pietro and Marianna Valguarnera, and built 1749-59, on the Piazza Croce dei Vespri in the Kalsa district of Palermo, Sicily, Italy. The ballroom has a Baroque openwork vault designed by Andrea Gigante and enormous chandeliers, and was used to film the ballroom scene in Luchino Visconti's film The Leopard. The mansion was decorated in Sicilian Baroque style by Marianna Valguarnera and later in Neoclassical stye, with great opulence throughout. Picture by Manuel Cohen
    LC20_ITALY_MC_577.jpg
  • Decorative detail of a sculpted portrait medallion next to a curtain in the Ballroom, in the Palazzo Valguarnera-Gangi, commissioned by the prince and princess of Gangi, Pietro and Marianna Valguarnera, and built 1749-59, on the Piazza Croce dei Vespri in the Kalsa district of Palermo, Sicily, Italy. The ballroom has a Baroque openwork vault designed by Andrea Gigante and enormous chandeliers, and was used to film the ballroom scene in Luchino Visconti's film The Leopard. The mansion was decorated in Sicilian Baroque style by Marianna Valguarnera and later in Neoclassical stye, with great opulence throughout. Picture by Manuel Cohen
    LC20_ITALY_MC_576.jpg
  • Decorative detail on the vaulted ceiling of the Ballroom, in the Palazzo Valguarnera-Gangi, commissioned by the prince and princess of Gangi, Pietro and Marianna Valguarnera, and built 1749-59, on the Piazza Croce dei Vespri in the Kalsa district of Palermo, Sicily, Italy. The ballroom has a Baroque openwork vault designed by Andrea Gigante and enormous chandeliers, and was used to film the ballroom scene in Luchino Visconti's film The Leopard. The mansion was decorated in Sicilian Baroque style by Marianna Valguarnera and later in Neoclassical stye, with great opulence throughout. Picture by Manuel Cohen
    LC20_ITALY_MC_575.jpg
  • Painted panel in gilded boiserie on the wall of the Ballroom, in the Palazzo Valguarnera-Gangi, commissioned by the prince and princess of Gangi, Pietro and Marianna Valguarnera, and built 1749-59, on the Piazza Croce dei Vespri in the Kalsa district of Palermo, Sicily, Italy. The ballroom has a Baroque openwork vault designed by Andrea Gigante and enormous chandeliers, and was used to film the ballroom scene in Luchino Visconti's film The Leopard. The mansion was decorated in Sicilian Baroque style by Marianna Valguarnera and later in Neoclassical stye, with great opulence throughout. Picture by Manuel Cohen
    LC20_ITALY_MC_574.JPG
  • Decorative detail on the vaulted ceiling of the Ballroom, in the Palazzo Valguarnera-Gangi, commissioned by the prince and princess of Gangi, Pietro and Marianna Valguarnera, and built 1749-59, on the Piazza Croce dei Vespri in the Kalsa district of Palermo, Sicily, Italy. The ballroom has a Baroque openwork vault designed by Andrea Gigante and enormous chandeliers, and was used to film the ballroom scene in Luchino Visconti's film The Leopard. The mansion was decorated in Sicilian Baroque style by Marianna Valguarnera and later in Neoclassical stye, with great opulence throughout. Picture by Manuel Cohen
    LC20_ITALY_MC_573.jpg
  • Decorative detail on the vaulted ceiling of the Ballroom, in the Palazzo Valguarnera-Gangi, commissioned by the prince and princess of Gangi, Pietro and Marianna Valguarnera, and built 1749-59, on the Piazza Croce dei Vespri in the Kalsa district of Palermo, Sicily, Italy. The ballroom has a Baroque openwork vault designed by Andrea Gigante and enormous chandeliers, and was used to film the ballroom scene in Luchino Visconti's film The Leopard. The mansion was decorated in Sicilian Baroque style by Marianna Valguarnera and later in Neoclassical stye, with great opulence throughout. Picture by Manuel Cohen
    LC20_ITALY_MC_572.jpg
  • Decorative detail on the vaulted ceiling of the Ballroom, in the Palazzo Valguarnera-Gangi, commissioned by the prince and princess of Gangi, Pietro and Marianna Valguarnera, and built 1749-59, on the Piazza Croce dei Vespri in the Kalsa district of Palermo, Sicily, Italy. The ballroom has a Baroque openwork vault designed by Andrea Gigante and enormous chandeliers, and was used to film the ballroom scene in Luchino Visconti's film The Leopard. The mansion was decorated in Sicilian Baroque style by Marianna Valguarnera and later in Neoclassical stye, with great opulence throughout. Picture by Manuel Cohen
    LC20_ITALY_MC_571.jpg
  • Decorative detail on the vaulted ceiling of the Ballroom, in the Palazzo Valguarnera-Gangi, commissioned by the prince and princess of Gangi, Pietro and Marianna Valguarnera, and built 1749-59, on the Piazza Croce dei Vespri in the Kalsa district of Palermo, Sicily, Italy. The ballroom has a Baroque openwork vault designed by Andrea Gigante and enormous chandeliers, and was used to film the ballroom scene in Luchino Visconti's film The Leopard. The mansion was decorated in Sicilian Baroque style by Marianna Valguarnera and later in Neoclassical stye, with great opulence throughout. Picture by Manuel Cohen
    LC20_ITALY_MC_570.jpg
  • Decorative detail on the vaulted ceiling of the Ballroom, in the Palazzo Valguarnera-Gangi, commissioned by the prince and princess of Gangi, Pietro and Marianna Valguarnera, and built 1749-59, on the Piazza Croce dei Vespri in the Kalsa district of Palermo, Sicily, Italy. The ballroom has a Baroque openwork vault designed by Andrea Gigante and enormous chandeliers, and was used to film the ballroom scene in Luchino Visconti's film The Leopard. The mansion was decorated in Sicilian Baroque style by Marianna Valguarnera and later in Neoclassical stye, with great opulence throughout. Picture by Manuel Cohen
    LC20_ITALY_MC_569.jpg
  • Ballroom, in the Palazzo Valguarnera-Gangi, commissioned by the prince and princess of Gangi, Pietro and Marianna Valguarnera, and built 1749-59, on the Piazza Croce dei Vespri in the Kalsa district of Palermo, Sicily, Italy. The ballroom has a Baroque openwork vault designed by Andrea Gigante and enormous chandeliers, and was used to film the ballroom scene in Luchino Visconti's film The Leopard. The mansion was decorated in Sicilian Baroque style by Marianna Valguarnera and later in Neoclassical stye, with great opulence throughout. Picture by Manuel Cohen
    LC20_ITALY_MC_568.jpg
  • Ballroom, in the Palazzo Valguarnera-Gangi, commissioned by the prince and princess of Gangi, Pietro and Marianna Valguarnera, and built 1749-59, on the Piazza Croce dei Vespri in the Kalsa district of Palermo, Sicily, Italy. The ballroom has a Baroque openwork vault designed by Andrea Gigante and enormous chandeliers, and was used to film the ballroom scene in Luchino Visconti's film The Leopard. The mansion was decorated in Sicilian Baroque style by Marianna Valguarnera and later in Neoclassical stye, with great opulence throughout. Picture by Manuel Cohen
    LC20_ITALY_MC_567.jpg
  • Ballroom, in the Palazzo Valguarnera-Gangi, commissioned by the prince and princess of Gangi, Pietro and Marianna Valguarnera, and built 1749-59, on the Piazza Croce dei Vespri in the Kalsa district of Palermo, Sicily, Italy. The ballroom has a Baroque openwork vault designed by Andrea Gigante and enormous chandeliers, and was used to film the ballroom scene in Luchino Visconti's film The Leopard. The mansion was decorated in Sicilian Baroque style by Marianna Valguarnera and later in Neoclassical stye, with great opulence throughout. Picture by Manuel Cohen
    LC20_ITALY_MC_566.JPG
  • Decorative detail on the vaulted ceiling of the Ballroom, in the Palazzo Valguarnera-Gangi, commissioned by the prince and princess of Gangi, Pietro and Marianna Valguarnera, and built 1749-59, on the Piazza Croce dei Vespri in the Kalsa district of Palermo, Sicily, Italy. The ballroom has a Baroque openwork vault designed by Andrea Gigante and enormous chandeliers, and was used to film the ballroom scene in Luchino Visconti's film The Leopard. The mansion was decorated in Sicilian Baroque style by Marianna Valguarnera and later in Neoclassical stye, with great opulence throughout. Picture by Manuel Cohen
    LC20_ITALY_MC_587.jpg
  • Ballroom, in the Palazzo Valguarnera-Gangi, commissioned by the prince and princess of Gangi, Pietro and Marianna Valguarnera, and built 1749-59, on the Piazza Croce dei Vespri in the Kalsa district of Palermo, Sicily, Italy. The ballroom has a Baroque openwork vault designed by Andrea Gigante and enormous chandeliers, and was used to film the ballroom scene in Luchino Visconti's film The Leopard. The mansion was decorated in Sicilian Baroque style by Marianna Valguarnera and later in Neoclassical stye, with great opulence throughout. Picture by Manuel Cohen
    LC20_ITALY_MC_586.jpg
  • Yu Chen, Professor at the Chinese Academy of Fine Arts in Hangzhou, Zhejiang, China, founded in 1928, and documentary film director, on December 12th, 2017, in Paris, France. Picture by Manuel Cohen
    121217_YuChen_MC_002.jpg
  • Yu Chen, Professor at the Chinese Academy of Fine Arts in Hangzhou, Zhejiang, China, founded in 1928, and documentary film director, on December 12th, 2017, in Paris, France. Picture by Manuel Cohen
    121217_YuChen_MC_004.jpg
  • Yu Chen, Professor at the Chinese Academy of Fine Arts in Hangzhou, Zhejiang, China, founded in 1928, and documentary film director, on December 12th, 2017, in Paris, France. Picture by Manuel Cohen
    121217_YuChen_MC_003.jpg
  • Yu Chen, Professor at the Chinese Academy of Fine Arts in Hangzhou, Zhejiang, China, founded in 1928, and documentary film director, on December 12th, 2017, in Paris, France. Picture by Manuel Cohen
    121217_YuChen_MC_001.jpg
  • Western street set with saloon bar and porch, at Fort Bravo / Texas Hollywood, a Western style theme park and film studios near Tabernas in the Tabernas Desert, Almeria, Andalusia, Southern Spain. Fort Bravo was set up in the 1970s by stuntman Rafa Molina and has a Texan Western set and Spanish Mexican pueblo, which can be used for locations or explored by tourists. Picture by Manuel Cohen
    LC14_ALMERIA_MC186.JPG
  • Western street set with tourists driven in a horse and carriage, at Fort Bravo / Texas Hollywood, a Western style theme park and film studios near Tabernas in the Tabernas Desert, Almeria, Andalusia, Southern Spain. Fort Bravo was set up in the 1970s by stuntman Rafa Molina and has a Texan Western set and Spanish Mexican pueblo, which can be used for locations or explored by tourists. Picture by Manuel Cohen
    LC14_ALMERIA_MC185.jpg
  • Cowboy extra at Fort Bravo / Texas Hollywood, a Western style theme park and film studios near Tabernas in the Tabernas Desert, Almeria, Andalusia, Southern Spain. Fort Bravo was set up in the 1970s by stuntman Rafa Molina and has a Texan Western set and Spanish Mexican pueblo, which can be used for locations or explored by tourists. Picture by Manuel Cohen
    LC14_ALMERIA_MC184.jpg
  • Western street set with wooden colonnade along shopfronts and saloon bar, at Fort Bravo / Texas Hollywood, a Western style theme park and film studios near Tabernas in the Tabernas Desert, Almeria, Andalusia, Southern Spain. Fort Bravo was set up in the 1970s by stuntman Rafa Molina and has a Texan Western set and Spanish Mexican pueblo, which can be used for locations or explored by tourists. Picture by Manuel Cohen
    LC14_ALMERIA_MC183.jpg
  • Western street set with wooden colonnade along shopfronts, at Fort Bravo / Texas Hollywood, a Western style theme park and film studios near Tabernas in the Tabernas Desert, Almeria, Andalusia, Southern Spain. Fort Bravo was set up in the 1970s by stuntman Rafa Molina and has a Texan Western set and Spanish Mexican pueblo, which can be used for locations or explored by tourists. Picture by Manuel Cohen
    LC14_ALMERIA_MC181.jpg
  • Old carriage to be pulled by horses, at Fort Bravo / Texas Hollywood, a Western style theme park and film studios near Tabernas in the Tabernas Desert, Almeria, Andalusia, Southern Spain. Fort Bravo was set up in the 1970s by stuntman Rafa Molina and has a Texan Western set and Spanish Mexican pueblo, which can be used for locations or explored by tourists. Picture by Manuel Cohen
    LC14_ALMERIA_MC180.jpg
  • Old carriage to be pulled by horses, at Fort Bravo / Texas Hollywood, a Western style theme park and film studios near Tabernas in the Tabernas Desert, Almeria, Andalusia, Southern Spain. Fort Bravo was set up in the 1970s by stuntman Rafa Molina and has a Texan Western set and Spanish Mexican pueblo, which can be used for locations or explored by tourists. Picture by Manuel Cohen
    LC14_ALMERIA_MC179.jpg
  • Western street set, at Fort Bravo / Texas Hollywood, a Western style theme park and film studios near Tabernas in the Tabernas Desert, Almeria, Andalusia, Southern Spain. Fort Bravo was set up in the 1970s by stuntman Rafa Molina and has a Texan Western set and Spanish Mexican pueblo, which can be used for locations or explored by tourists. Picture by Manuel Cohen
    LC14_ALMERIA_MC182.jpg
  • Galleria del Cinema, or Cinema Gallery, built early 20th century, used as a film projection room by Vittorio Emanuele III and Elena of Montenegro, now housing Savoy portraits and 19th century marble busts, in the Castello Reale di Racconigi, royal palace of the House of Savoy, at Racconigi, Cuneo, Piedmont, Italy. The palace is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0560.jpg
  • 360 degree projection of a film about the bouquet and effervescence of champagne, at Pressoria, a Champagne Interpretation Centre, opened July 2021 in the former Maison Pommery pressing centre, offering an interactive visitor experience exploring the history and production of champagne, at Ay-Champagne, Marne, Grand Est, France. The vineyards at Ay are listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_FRANCE_MC_1664.jpg
  • Poster for the film Le Masque d'Or, in the Salle de spectacles, built 1932, used for theatre performances, concerts and cinema screenings, in the former Hotel Belvedere du Rayon Vert, built 1928-32 in art deco style by Leon Baille, beside the train tracks in Cerbere, Pyrenees-Orientales, Catalogne du Nord, France. This was the first building in the world to be constructed from reinforced concrete and its design was inspired by ocean liners. The hotel closed in 1983 and is now apartments, and is listed as a historic monument. Cerbere is situated close to the Spanish border and its international train station opened in 1876, leading to a rapid growth in population. Cerbere is located on the Cote Vermeille or Vermilion Coast. Picture by Manuel Cohen
    LC20_FRANCE_MC_0800.jpg
  • Pierre Basse, artisan blacksmith, and Celia Bertrand, b. 1976, ceramicist, who made a documentary film about Pierre Basse, in his workshop in Vanves, Paris, France, in 2017. Pierre Basse was the ironmonger for Diego Giacometti, and makes objects and furniture from wrought iron. Celia Bertrand creates utilitarian and design objects from porcelain, clay and stone. Picture by Manuel Cohen
    111217_PierreBasse_MC008.jpg
  • Pierre Basse, artisan blacksmith, and Celia Bertrand, b. 1976, ceramicist, who made a documentary film about Pierre Basse, in his workshop in Vanves, Paris, France, in 2017. Pierre Basse was the ironmonger for Diego Giacometti, and makes objects and furniture from wrought iron. Celia Bertrand creates utilitarian and design objects from porcelain, clay and stone. Picture by Manuel Cohen
    111217_PierreBasse_MC007.jpg
  • Pierre Basse, artisan blacksmith, and Celia Bertrand, b. 1976, ceramicist, who made a documentary film about Pierre Basse, in his workshop in Vanves, Paris, France, in 2017. Pierre Basse was the ironmonger for Diego Giacometti, and makes objects and furniture from wrought iron. Celia Bertrand creates utilitarian and design objects from porcelain, clay and stone. Picture by Manuel Cohen
    111217_PierreBasse_MC006.jpg
  • Pierre Basse, artisan blacksmith, and Celia Bertrand, b. 1976, ceramicist, who made a documentary film about Pierre Basse, in his workshop in Vanves, Paris, France, in 2017. Pierre Basse was the ironmonger for Diego Giacometti, and makes objects and furniture from wrought iron. Celia Bertrand creates utilitarian and design objects from porcelain, clay and stone. Picture by Manuel Cohen
    111217_PierreBasse_MC004.jpg
  • Pierre Basse, artisan blacksmith, and Celia Bertrand, b. 1976, ceramicist, who made a documentary film about Pierre Basse, in his workshop in Vanves, Paris, France, in 2017. Pierre Basse was the ironmonger for Diego Giacometti, and makes objects and furniture from wrought iron. Celia Bertrand creates utilitarian and design objects from porcelain, clay and stone. Picture by Manuel Cohen
    111217_PierreBasse_MC002.jpg
  • Pierre Basse, artisan blacksmith, and Celia Bertrand, b. 1976, ceramicist, who made a documentary film about Pierre Basse, in his workshop in Vanves, Paris, France, in 2017. Pierre Basse was the ironmonger for Diego Giacometti, and makes objects and furniture from wrought iron. Celia Bertrand creates utilitarian and design objects from porcelain, clay and stone. Picture by Manuel Cohen
    111217_PierreBasse_MC001.jpg
  • Pierre Basse, artisan blacksmith, and Celia Bertrand, b. 1976, ceramicist, who made a documentary film about Pierre Basse, in his workshop in Vanves, Paris, France, in 2017. Pierre Basse was the ironmonger for Diego Giacometti, and makes objects and furniture from wrought iron. Celia Bertrand creates utilitarian and design objects from porcelain, clay and stone. Picture by Manuel Cohen
    111217_PierreBasse_MC003.jpg
  • Les Mangeurs de Poussiere, or The Dust Eaters, sculptural and video installation by Nathalie Demaretz, May/June 2015, exhibited at the La Place Gallery, as part of the LOOP Festival, Barcelona, Spain. The installation consists of figures made from plaster masks draped with clothes and with film projected onto their backs. The work explores the theme of exile, inspired by tales of migrants and the movement of peoples across the globe. The figures were displayed inside the gallery and outside in the streets. Picture by Manuel Cohen
    LC15_ART_MC023.jpg
  • Les Mangeurs de Poussiere, or The Dust Eaters, sculptural and video installation by Nathalie Demaretz, May/June 2015, exhibited at the La Place Gallery, as part of the LOOP Festival, Barcelona, Spain. The installation consists of figures made from plaster masks draped with clothes and with film projected onto their backs. The work explores the theme of exile, inspired by tales of migrants and the movement of peoples across the globe. The figures were displayed inside the gallery and outside in the streets. Picture by Manuel Cohen
    LC15_ART_MC022.jpg
  • Les Mangeurs de Poussiere, or The Dust Eaters, sculptural and video installation by Nathalie Demaretz, May/June 2015, exhibited at the La Place Gallery, as part of the LOOP Festival, Barcelona, Spain. The installation consists of figures made from plaster masks draped with clothes and with film projected onto their backs. The work explores the theme of exile, inspired by tales of migrants and the movement of peoples across the globe. The figures were displayed inside the gallery and outside in the streets. Picture by Manuel Cohen
    LC15_ART_MC020.jpg
  • Les Mangeurs de Poussiere, or The Dust Eaters, sculptural and video installation by Nathalie Demaretz, May/June 2015, exhibited at the La Place Gallery, as part of the LOOP Festival, Barcelona, Spain. The installation consists of figures made from plaster masks draped with clothes and with film projected onto their backs. The work explores the theme of exile, inspired by tales of migrants and the movement of peoples across the globe. The figures were displayed inside the gallery and outside in the streets. Picture by Manuel Cohen
    LC15_ART_MC021.jpg
  • The Lawrence of Arabia oasis, where parts of the 1962 film were shot, in the Tabernas Desert, a semi-desert in the Tabernas basin in Almeria, Andalusia, Southern Spain. The area has very low rainfall and is characterised by eroded sandstone badlands and areas of scrubland. Its 280km2 is protected as a wilderness area. Picture by Manuel Cohen
    LC14_ALMERIA_MC176.jpg
  • The Lawrence of Arabia oasis, where parts of the 1962 film were shot, in the Tabernas Desert, a semi-desert in the Tabernas basin in Almeria, Andalusia, Southern Spain. The area has very low rainfall and is characterised by eroded sandstone badlands and areas of scrubland. Its 280km2 is protected as a wilderness area. Picture by Manuel Cohen
    LC14_ALMERIA_MC175.jpg
  • The Lawrence of Arabia oasis, where parts of the 1962 film were shot, in the Tabernas Desert, a semi-desert in the Tabernas basin in Almeria, Andalusia, Southern Spain. The area has very low rainfall and is characterised by eroded sandstone badlands and areas of scrubland. Its 280km2 is protected as a wilderness area. Picture by Manuel Cohen
    LC14_ALMERIA_MC172.jpg
  • Denkmal fur die im Nationalsozialismus verfolgten Homosexuellen, or Memorial to Homosexuals persecuted under Nazism, by Michael Elmgreen and Ingar Dragset, opened 2008, Tiergarten, Berlin, Germany. The memorial consists of a concrete cube with a window through which plays a film of 2 men or women kissing. Picture by Manuel Cohen
    LC14_BERLIN_MC0763.jpg
  • Denkmal fur die im Nationalsozialismus verfolgten Homosexuellen, or Memorial to Homosexuals persecuted under Nazism, at night, by Michael Elmgreen and Ingar Dragset, opened 2008, Tiergarten, Berlin, Germany. The memorial consists of a concrete cube with a window through which plays a film of 2 men or women kissing. Picture by Manuel Cohen
    LC14_BERLIN_MC0762.jpg
  • Denkmal fur die im Nationalsozialismus verfolgten Homosexuellen, or Memorial to Homosexuals persecuted under Nazism, by Michael Elmgreen and Ingar Dragset, opened 2008, Tiergarten, Berlin, Germany. The memorial consists of a concrete cube with a window through which plays a film of 2 men or women kissing. Picture by Manuel Cohen
    LC14_BERLIN_MC0723.jpg
  • Boulevard of Stars at night, a walkway with stars in the pavement dedicated to people who made contributions to German-speaking film and television, opened September 2010, Potsdamer Platz, Berlin, Germany. Picture by Manuel Cohen
    LC14_BERLIN_MC0635.jpg
  • Model of the Trojan horse from the 2004 film Troy, directed by Wolfgang Petersen, preserved on the seafront at Canakkale, Turkey. Canakkale is on the southern (Asian) coast of the Dardanelles and is the nearest city to the archaeological site of Troy. The original Trojan horse was said to be used by the Greeks to capture the city of Troy from the Trojans during the Trojan War. Greek soldiers hid inside the body of the horse which was pulled into the besieged city by the Trojans, who believed the Greeks to have retreated. Picture by Manuel Cohen
    LC13_Turkey_MC154.jpg
  • Model of the Trojan horse from the 2004 film Troy, directed by Wolfgang Petersen, seen at night, preserved on the seafront at Canakkale, Turkey. Canakkale is on the southern (Asian) coast of the Dardanelles and is the nearest city to the archaeological site of Troy. The original Trojan horse was said to be used by the Greeks to capture the city of Troy from the Trojans during the Trojan War. Greek soldiers hid inside the body of the horse which was pulled into the besieged city by the Trojans, who believed the Greeks to have retreated. Picture by Manuel Cohen
    LC13_Turkey_MC148.jpg
  • Scene of Saint Louis or King Louis IX of France, 1214-70, carrying the relics of the crown of thorns on a cushion to the Sainte Chapelle in Paris, which he had built to house the relics. Image taken from the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. Picture by Manuel Cohen
    LC11_FRANCE_MC002.jpg
  • Scene of Saint Louis or King Louis IX of France, 1214-70, carrying the relics of the crown of thorns on a cushion to the Sainte Chapelle in Paris, which he had built to house the relics, followed by a procession of monks. Image taken from the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. Picture by Manuel Cohen
    LC11_FRANCE_MC003.jpg
  • Scene of the Marquis de Sade, 1740-1814, French writer famous for his sexual exploits, on a bed in his cell with a prostitute. Image taken from the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. Picture by Manuel Cohen
    LC11_FRANCE_MC004.jpg
  • Scene of the Marquis de Sade, 1740-1814, French writer famous for his sexual exploits, on a bed in his cell with a prostitute. Image taken from the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. Picture by Manuel Cohen
    LC11_FRANCE_MC005.jpg
  • Prison cells with iron bars in the Chateau de Champlatreux, built 1751-57 by Jean-Michel Chevotet, Epinay-Champlatreux, Val-d'Oise, France. Image taken from the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. The chateau was listed as a Historic Monument in 1989. Picture by Manuel Cohen
    LC11_FRANCE_MC007.jpg
  • Scene of the Marquis de Sade, 1740-1814, French writer famous for his sexual exploits, on a bed in his cell with a prostitute. Image taken from the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. Picture by Manuel Cohen
    LC11_FRANCE_MC006.jpg
  • Entrance hall of the Chateau de Champlatreux, built 1751-57 by Jean-Michel Chevotet, Epinay-Champlatreux, Val-d'Oise, France. Image taken from the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. The chateau was listed as a Historic Monument in 1989. Picture by Manuel Cohen
    LC11_FRANCE_MC008.jpg
  • Scene of a living room in the Hotel de Ville in Paris, furnished for the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. This is the Salon Cheret, decorated with murals by the French painter Jules Cheret, 1836-1932, including Comedy on the far wall. Picture by Manuel Cohen
    LC11_FRANCE_MC010.jpg
  • Scene of a man playing King Louis XIV of France, 1638-1715, seated on a throne. Image taken from the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. Picture by Manuel Cohen
    LC11_FRANCE_MC009.jpg
  • Scene of a living room in the Hotel de Ville in Paris, furnished for the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. This is the Salon Cheret, decorated with murals by the French painter Jules Cheret, 1836-1932, including Pantomime on the far wall. Picture by Manuel Cohen
    LC11_FRANCE_MC011.jpg
  • Scene of an editor's office from the early 20th century. Image taken from the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. Picture by Manuel Cohen
    LC11_FRANCE_MC012.jpg
  • Scene of a knight from the Middle Ages wearing chainmail. Image taken from the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. Picture by Manuel Cohen
    LC11_FRANCE_MC014.jpg
  • Scene showing the inside of a typical Gallic hut. Image taken from the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. Picture by Manuel Cohen
    LC11_FRANCE_MC013.jpg
  • Scene of a butcher's stall at a street market in the Middle Ages. Image taken from the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. Picture by Manuel Cohen
    LC11_FRANCE_MC015.jpg
  • Scene from a street market in the Middle Ages with a man performing a dental extraction. Image taken from the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. Picture by Manuel Cohen
    LC11_FRANCE_MC017.jpg
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