manuel cohen

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  • Reclining Figure (Figure couchée), bronze, 1951, by Henry Moore (1898-1986), Jardin des Tuileries (Tuileries Gardens), 1664, Le Nôtre, Paris, France. Picture by Manuel Cohen
    LC_PARIS_11_MC186.jpg
  • Sculptural detail of a figure wearing a greatcoat and hat, with a large embroidered alms purse and a metal clasp on his belt, holding a cutlass, in the South Gallery of the Palais Jacques Coeur, huge manor house built 1443-51 in Flamboyant Gothic style, on the Place Jacques Coeur, Bourges, France. The figure faces the staircase leading to the chapel and was no doubt a sign or warning to people passing by. Jacques Coeur, 1395-1456, was a wealthy merchant and was made master of the mint to King Charles VII in 1438. The building is listed as a historic monument. Picture by Manuel Cohen
    LC17_FRANCE_MC_0300.JPG
  • Dogs and crouching figure at the feet of Louis, from the tomb of Louis, d. 1277, and Philippe, d. 1279, detail, sons of the count of Alencon, copy of the original 13th century sculpture from the Abbaye de Royaumont, now in the Musee National du Moyen Age, Paris, in the Basilique Saint-Denis, Paris, France. At the feet of Louis are 2 figures reading and at the feet of Philippe is a dog with a rabbit in its mouth. The basilica is a large medieval 12th century Gothic abbey church and burial site of French kings from 10th - 18th centuries. Picture by Manuel Cohen
    LC18_FRANCE_MC_0283.jpg
  • Crouching figure at the feet of Philippe, from the tomb of Louis, d. 1277, and Philippe, d. 1279, detail, sons of the count of Alencon, copy of the original 13th century sculpture from the Abbaye de Royaumont, now in the Musee National du Moyen Age, Paris, in the Basilique Saint-Denis, Paris, France. At the feet of Louis are 2 figures reading and at the feet of Philippe is a dog with a rabbit in its mouth. The basilica is a large medieval 12th century Gothic abbey church and burial site of French kings from 10th - 18th centuries. Picture by Manuel Cohen
    LC18_FRANCE_MC_0278.jpg
  • Painting of a male figure and garlands, fresco in room 28, 2nd century AD, Terme dei Sette Sapienti (Baths of the Seven Sages), Ostia Antica, Italy. Picture by Manuel Cohen
    LCITALY12_MC405.jpg
  • Painting of a male figure and garlands, fresco in room 28, 2nd century AD, Terme dei Sette Sapienti (Baths of the Seven Sages), Ostia Antica, Italy. Picture by Manuel Cohen
    LCITALY12_MC404.jpg
  • Joan Miro's bronze figure (Personage or Personatje), 1970, the Joan Miro Foundation, 1975, Josep Lluís Sert, Barcelona, Spain. Picture by Manuel Cohen
    LCSPAIN12_MC058.jpg
  • Painting of a male figure and garlands, fresco in room 28, 2nd century AD, Terme dei Sette Sapienti (Baths of the Seven Sages), Ostia Antica, Italy. Picture by Manuel Cohen
    LCITALY12_MC403.jpg
  • Joan Miro's bronze figure (Personage or Personatje), 1970, the Joan Miro Foundation, 1975, Josep Lluís Sert, Barcelona, Spain. Picture by Manuel Cohen - Further clearance required - Autorisation nécessaire
    LCSPAIN12_MC058_2.jpg
  • Carved figure with toga, remains of a tomb, Ostia Antica, Italy. Picture by Manuel Cohen
    LCITALY12_MC459.jpg
  • Amphoras and flying figure on the vault of the room 5 of the Terme dei Sette Sapienti (Baths of the Seven Sages), 2nd century AD, Ostia Antica, Italy. Picture by Manuel Cohen
    LCITALY12_MC454.jpg
  • Female figure holding her hair and tail, quadrilobe relief, 13th century, to the left of the door on the Portail des Libraires or North Transept Portal, at Rouen Cathedral or the Cathedrale de Notre Dame de Rouen, built 12th century in Gothic style, with work continuing through the 13th and 14th centuries, Rouen, Normandy, France. Picture by Manuel Cohen
    LC15_FRANCE_MC0064.jpg
  • Relief on the side of the Greek Harpy monument, 470-460 BC, showing a seated figure, either a deity or a deified ancestor, receiving a gift of a helmet from a standing figure. The Harpy monument is a 7.5m high pillar tomb with burial chamber on top, Xanthos, Antalya, Turkey. The reliefs, thought to be a gift to the sarcophagus owner and his wife from other family members, were taken by Charles Fellows to the British Museum in 1842 and replaced with plaster copies. This relief demonstrates the Greek use of isocephaly, where the heads of the figures are at the same height, whether standing of seated. Xanthos was a centre of culture and commerce for the Lycians, and later for the Persians, Greeks and Romans, and was listed as a UNESCO World Heritage Site in 1988. Picture by Manuel Cohen
    LC13_Turkey_MC679.jpg
  • Relief on the side of the Greek Harpy monument, 470-460 BC, showing a seated figure, either a deity or a deified ancestor, receiving a gift of a helmet from a standing figure, and winged harpies carrying the souls of the dead, as babies, to heaven. The Harpy monument is a 7.5m high pillar tomb with burial chamber on top, Xanthos, Antalya, Turkey. The reliefs, thought to be a gift to the sarcophagus owner and his wife from other family members, were taken by Charles Fellows to the British Museum in 1842 and replaced with plaster copies. This relief demonstrates the Greek use of isocephaly, where the heads of the figures are at the same height, whether standing of seated. Xanthos was a centre of culture and commerce for the Lycians, and later for the Persians, Greeks and Romans, and was listed as a UNESCO World Heritage Site in 1988. Picture by Manuel Cohen
    LC13_Turkey_MC678.jpg
  • Relief on the side of the Greek Harpy monument, 470-460 BC, showing a seated figure, either a deity or a deified ancestor, receiving a gift of a helmet from a standing figure, and winged harpies carrying the souls of the dead, as babies, to heaven. The Harpy monument is a 7.5m high pillar tomb with burial chamber on top, Xanthos, Antalya, Turkey. The reliefs, thought to be a gift to the sarcophagus owner and his wife from other family members, were taken by Charles Fellows to the British Museum in 1842 and replaced with plaster copies. This relief demonstrates the Greek use of isocephaly, where the heads of the figures are at the same height, whether standing of seated. Xanthos was a centre of culture and commerce for the Lycians, and later for the Persians, Greeks and Romans, and was listed as a UNESCO World Heritage Site in 1988. Picture by Manuel Cohen
    LC13_Turkey_MC652.jpg
  • Detail of Mammouth figure in thin composite, Parc Zoologique de Paris, or Zoo de Vincennes, (Zoological Gardens of Paris, also known as Vincennes Zoo), 1934, by Charles Letrosne, 12th arrondissement, Paris, France, pictured on April 26, 2011 in the morning. In November 2008 the 15 hectare Zoo, part of the Museum National d'Histoire Naturelle (National Museum of Natural History) closed its doors to the public and renovation works will start in September 2011. The Zoo is scheduled to re-open in April 2014. Picture by Manuel Cohen.
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  • Lamp base sculpted in the form of a figure pouring from a vessel, from the furnace room of the Palais Jacques Coeur, huge manor house built 1443-51 in Flamboyant Gothic style, on the Place Jacques Coeur, Bourges, France. Fulcanelli stated that Jacques Coeur was an alchemist and it is believed that this figure may also be interpreted as a hermetic symbol. Jacques Coeur, 1395-1456, was a wealthy merchant and was made master of the mint to King Charles VII in 1438. The building is listed as a historic monument. Picture by Manuel Cohen
    LC17_FRANCE_MC_0248.jpg
  • Lamp base sculpted in the form of a figure holding bellows, from the furnace room of the Palais Jacques Coeur, huge manor house built 1443-51 in Flamboyant Gothic style, on the Place Jacques Coeur, Bourges, France. Fulcanelli stated that Jacques Coeur was an alchemist and it is believed that this figure may also be interpreted as a hermetic symbol, bellows being a traditional tool of alchemy. Jacques Coeur, 1395-1456, was a wealthy merchant and was made master of the mint to King Charles VII in 1438. The building is listed as a historic monument. Picture by Manuel Cohen
    LC17_FRANCE_MC_0247.jpg
  • Hopi figure, Si’okatsina’putsqatihu, made c. 1885 from wood, paint and feather, bought through the Native Arts Acquisition Fund, in the Denver Art Museum, Denver, Colorado, USA. Hopi katsina figures or kachina dolls are figures carved, typically from cottonwood root, by Hopi people to teach girls about katsinas or katsinam, the immortal beings that bring rain and act as messengers between humans and the spirits. The Hopi tribe live in North East Arizona and have been making these katsina figures since the 19th century. Picture by Manuel Cohen
    LC16_COLORADO_MC_178.jpg
  • Figure au chale rouge, oil painting on canvas, 1930, by Aristide Maillol, 1861-1944, in the Musee Maillol de Banyuls-sur-Mer, in Banyuls-sur-Mer, Pyrenees-Orientales, Catalogne du Nord, France. The museum was founded in 1994 at La Metairie, the farm where Maillol lived at the end of his life. Banyuls-sur-Mer is a small seaside town first settled by the Greeks in 400 BC, on the Vermilion Coast near the Spanish border. Picture by Manuel Cohen
    LC20_FRANCE_MC_0912.jpg
  • Torso of a female votive figure in basalt, early Dynastic II period c. 2500 BC, from Mesopotamia, from a private collection, in the Idols exhibition, Sept 2018-Jan 2019, exploring 3-dimensional images of the human body created 4000–2000 BC, at the Fondazione Giancarlo Ligabue, Venice, Italy. Picture by Manuel Cohen
    LC19_ITALY_MC_043.jpg
  • Section of stucco ceiling with figure and decorative border, from the imitation coffered ceiling of the Triclinium, a large room probably used for lunches and open to the garden, with walls painted on a white background with figures and plants and ornamental borders and floating figures of the seasons, in the Casa dell Efebo, or House of the Ephebus, Pompeii, Italy. This is a large, sumptuously decorated house probably owned by a rich family, and named after the statue of the Ephebus found here. Pompeii is a Roman town which was destroyed and buried under 4-6 m of volcanic ash in the eruption of Mount Vesuvius in 79 AD. Buildings and artefacts were preserved in the ash and have been excavated and restored. Pompeii is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_ITALY_MC_0229.jpg
  • Fresco detail of an architectural framework from the court of Bacchus, a floating figure with deer and a classical theatre tragey mask, in the Triclinium, probably used for lunches, a large room open to the garden, with walls painted on a white background with figures and plants and ornamental borders and floating figures of the seasons, in the Casa dell Efebo, or House of the Ephebus, Pompeii, Italy. This room is decorated in the Fourth Style of Roman wall painting, 60-79 AD, a complex narrative style. This is a large, sumptuously decorated house probably owned by a rich family, and named after the statue of the Ephebus found here. Pompeii is a Roman town which was destroyed and buried under 4-6 m of volcanic ash in the eruption of Mount Vesuvius in 79 AD. Buildings and artefacts were preserved in the ash and have been excavated and restored. Pompeii is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_ITALY_MC_0221.jpg
  • Fresco detail of a garlanded architectural framework from the court of Bacchus, a floating figure with deer and a classical theatre tragey mask, in the Triclinium, probably used for lunches, a large room open to the garden, with walls painted on a white background with figures and plants and ornamental borders and floating figures of the seasons, in the Casa dell Efebo, or House of the Ephebus, Pompeii, Italy. This room is decorated in the Fourth Style of Roman wall painting, 60-79 AD, a complex narrative style. This is a large, sumptuously decorated house probably owned by a rich family, and named after the statue of the Ephebus found here. Pompeii is a Roman town which was destroyed and buried under 4-6 m of volcanic ash in the eruption of Mount Vesuvius in 79 AD. Buildings and artefacts were preserved in the ash and have been excavated and restored. Pompeii is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_ITALY_MC_0220.jpg
  • Fresco detail of a floating figure with scythe and corn, representing the autumn harvest, in the Triclinium, probably used for lunches, a large room open to the garden, with walls painted on a white background with figures and plants and ornamental borders and floating figures of the seasons, in the Casa dell Efebo, or House of the Ephebus, Pompeii, Italy. This room is decorated in the Fourth Style of Roman wall painting, 60-79 AD, a complex narrative style. This is a large, sumptuously decorated house probably owned by a rich family, and named after the statue of the Ephebus found here. Pompeii is a Roman town which was destroyed and buried under 4-6 m of volcanic ash in the eruption of Mount Vesuvius in 79 AD. Buildings and artefacts were preserved in the ash and have been excavated and restored. Pompeii is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_ITALY_MC_0223.jpg
  • Fresco detail of a garlanded architectural framework from the court of Bacchus, and a floating figure with scythe and corn, representing the autumn harvest, in the Triclinium, probably used for lunches, a large room open to the garden, with walls painted on a white background with figures and plants and ornamental borders and floating figures of the seasons, in the Casa dell Efebo, or House of the Ephebus, Pompeii, Italy. This room is decorated in the Fourth Style of Roman wall painting, 60-79 AD, a complex narrative style. This is a large, sumptuously decorated house probably owned by a rich family, and named after the statue of the Ephebus found here. Pompeii is a Roman town which was destroyed and buried under 4-6 m of volcanic ash in the eruption of Mount Vesuvius in 79 AD. Buildings and artefacts were preserved in the ash and have been excavated and restored. Pompeii is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_ITALY_MC_0222.jpg
  • Sculptural detail of a female figure and cherub and column with corinthian capital with figures, on the main portal, designed by Andres de Vandelvira, 1509–75, in Plateresque style, and carved by Esteban Jamete, 1515-65, at the Sacra Capilla del Salvador, or Sacred Chapel of the Saviour, designed by Diego de Siloe and Andres de Vandelvira and built for Francisco de los Cobos in 1536 in Spanish Renaissance style and consecrated in 1559, on the Plaza Vazquez de Molina, in Ubeda, Jaen, Andalusia, Spain. The Renaissance buildings of Ubeda and Baeza are listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC173.jpg
  • Sculptural detail of a female figure and cherub and column with corinthian capital with figures, on the main portal, designed by Andres de Vandelvira, 1509–75, in Plateresque style, and carved by Esteban Jamete, 1515-65, at the Sacra Capilla del Salvador, or Sacred Chapel of the Saviour, designed by Diego de Siloe and Andres de Vandelvira and built for Francisco de los Cobos in 1536 in Spanish Renaissance style and consecrated in 1559, on the Plaza Vazquez de Molina, in Ubeda, Jaen, Andalusia, Spain. The Renaissance buildings of Ubeda and Baeza are listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC244.jpg
  • Detail of snarling figure of Tiger in thin composite, Parc Zoologique de Paris, or Zoo de Vincennes, (Zoological Gardens of Paris, also known as Vincennes Zoo), 1934, by Charles Letrosne, 12th arrondissement, Paris, France, pictured on April 25, 2011 in the afternoon. In November 2008 the 15 hectare Zoo, part of the Museum National d'Histoire Naturelle (National Museum of Natural History) closed its doors to the public and renovation works will start in September 2011. The Zoo is scheduled to re-open in April 2014. Picture by Manuel Cohen.
    PZP_Memoire_MCohen021.jpg
  • Detail of fallen figure of Elan in thin composite, surrounded by trees, Parc Zoologique de Paris, or Zoo de Vincennes, (Zoological Gardens of Paris, also known as Vincennes Zoo), 1934, by Charles Letrosne, 12th arrondissement, Paris, France, pictured on August 24, 2011 in the morning. In November 2008 the 15 hectare Zoo, part of the Museum National d'Histoire Naturelle (National Museum of Natural History) closed its doors to the public and renovation works will start in September 2011. The Zoo is scheduled to re-open in April 2014. Picture by Manuel Cohen.
    PZP_Memoire_MCohen022.jpg
  • Detail of figure of crouching tiger in thin composite, Parc Zoologique de Paris, or Zoo de Vincennes, (Zoological Gardens of Paris, also known as Vincennes Zoo), 1934, by Charles Letrosne, 12th arrondissement, Paris, France, pictured on June 8, 2011 in the afternoon. In November 2008 the 15 hectare Zoo, part of the Museum National d'Histoire Naturelle (National Museum of Natural History) closed its doors to the public and renovation works will start in September 2011. The Zoo is scheduled to re-open in April 2014. Picture by Manuel Cohen.
    PZP_Memoire_MCohen018.jpg
  • Detail of mammouth figure in thin composite, seen through leaves and branches, Parc Zoologique de Paris, or Zoo de Vincennes, (Zoological Gardens of Paris, also known as Vincennes Zoo), 1934, by Charles Letrosne, 12th arrondissement, Paris, France, pictured on August 24, 2011 in the afternoon. In November 2008 the 15 hectare Zoo, part of the Museum National d'Histoire Naturelle (National Museum of Natural History) closed its doors to the public and renovation works will start in September 2011. The Zoo is scheduled to re-open in April 2014. Picture by Manuel Cohen.
    PZP_Memoire_MCohen019.jpg
  • Detail of a Byzantine floor mosaic depicting a figure representing the seasonal harvest with a horn of plenty and vine leaves, 587 AD, from the Church of Bishop Sergius, built 586 AD in the time of Bishop Sergius of Madaba, Umm ar-Rasas, Amman, Jordan. This is the only human figure to remain in the mosaic cycle as it was protected by the stone base of a later pulpit, the others having been destroyed by Christian iconoclasts. The church was built as a basilica with an apse and elevated presbytery and forms part of an ecclesiastical complex of 4 churches. Umm ar-Rasas is a rectangular walled city which grew from a Roman military camp in the Jordanian desert. Its remains date from the Roman, Byzantine and Umayyad periods (3rd - 9th centuries), including 16 churches with mosaic floors. Excavations began in 1986, although most of the site remains unexplored. It was declared a UNESCO World Heritage Site in 2004. Picture by Manuel Cohen
    LC12_Jordan_MC413.jpg
  • Figure amid winged rams, 13th century Romanesque style capital, Southern gallery of the cloister of the Abbey church of Saint Martin du Canigou, Casteil, Pyrenees Orientales, France. Picture by Manuel Cohen
    LC12_FRANCE_MC_063.jpg
  • Figure amid fantastical animals, 12th century Romanesque cloister of the Benedictine Abbey of Saint Michel de Cuxa, Codalet, Pyrenees Orientales, France.  Picture by Manuel Cohen
    LC12_FRANCE_MC_038.jpg
  • Figure amid fantastical animals, 12th century Romanesque cloister of the Benedictine Abbey of Saint Michel de Cuxa, Codalet, Pyrenees Orientales, France.  Picture by Manuel Cohen
    LC12_FRANCE_MC_036.jpg
  • Figure amid fantastical animals, 12th century Romanesque cloister of the Benedictine Abbey of Saint Michel de Cuxa, Codalet, Pyrenees Orientales, France.  Picture by Manuel Cohen
    LC12_FRANCE_MC_028.jpg
  • Figure amid decorative palm capital, 12th century Romanesque cloister of the Benedictine Abbey of Saint Michel de Cuxa, Codalet, Pyrenees Orientales, France.  Picture by Manuel Cohen
    LC12_FRANCE_MC_026.jpg
  • Figure amid decorative palm capital, 12th century Romanesque cloister of the Benedictine Abbey of Saint Michel de Cuxa, Codalet, Pyrenees Orientales, France.  Picture by Manuel Cohen
    LC12_FRANCE_MC_027.jpg
  • Figure amid fantastical animals, 12th century Romanesque cloister of the Benedictine Abbey of Saint Michel de Cuxa, Codalet, Pyrenees Orientales, France.  Picture by Manuel Cohen
    LC12_FRANCE_MC_005.jpg
  • Figure amid fantastical animals, 12th century Romanesque cloister of the Benedictine Abbey of Saint Michel de Cuxa, Codalet, Pyrenees Orientales, France.  Picture by Manuel Cohen
    LC12_FRANCE_MC_006.jpg
  • Figure amid fantastical animals, 12th century Romanesque cloister of the Benedictine Abbey of Saint Michel de Cuxa, Codalet, Pyrenees Orientales, France.  Picture by Manuel Cohen
    LC12_FRANCE_MC_008.jpg
  • Figure amid fantastical animals, 12th century Romanesque cloister of the Benedictine Abbey of Saint Michel de Cuxa, Codalet, Pyrenees Orientales, France.  Picture by Manuel Cohen
    LC12_FRANCE_MC_007.jpg
  • Figure amid fantastical animals, 12th century Romanesque cloister of the Benedictine Abbey of Saint Michel de Cuxa, Codalet, Pyrenees Orientales, France.  Picture by Manuel Cohen
    LC12_FRANCE_MC_001.jpg
  • Figure amid fantastical animals, 12th century Romanesque cloister of the Benedictine Abbey of Saint Michel de Cuxa, Codalet, Pyrenees Orientales, France.  Picture by Manuel Cohen
    LC12_FRANCE_MC_002.jpg
  • Figure amid fantastical animals, 12th century Romanesque cloister of the Benedictine Abbey of Saint Michel de Cuxa, Codalet, Pyrenees Orientales, France.  Picture by Manuel Cohen
    LC12_FRANCE_MC_010.jpg
  • Figure amid fantastical animals, 12th century Romanesque cloister of the Benedictine Abbey of Saint Michel de Cuxa, Codalet, Pyrenees Orientales, France.  Picture by Manuel Cohen
    LC12_FRANCE_MC_003.jpg
  • Walking Man, 2003, cast from bronze and painted with oil paints, Sean Henry (b. 1965), Point Complex, Paddington basin, London, UK. The moving figure with orange uniform in the background emphasizes the realist polychrome sculpture. Picture by Manuel Cohen.The use of this image may require further clearance / Merci de vous assurer que l'utilisation finale de l'image ne necessite pas d'autorisation supplementaire.
    LC_London_MC149.jpg
  • Tomb of Jean-Charles Alphand, 1891, by Jules Coutan (centre), Tomb of Anatole de La Forge, 1893, by Louis-Ernest Barrias (background left), sculptural bust and life-sized allegorical figure for the tomb of Charles Floquet, 1896, by Jules Dalou (distance left), Pere Lachaise Cemetery (Cimetiere du Pere-Lachaise) Paris, France, opened 1804, designed by Alexandre-Theodore Brongniart. Named after Pere Francois de la Chaise (1624-1709), confessor to Louis XIV (1638-1713), who lived in the Jesuit house on the site of the chapel. Picture by Manuel Cohen
    LC_PARIS_11_MC128.jpg
  • Tomb of Anatole de La Forge, 1893, by Louis-Ernest Barrias (right), sculptural bust and life-sized allegorical figure for the tomb of Charles Floquet, 1896, by Jules Dalou (left), Pere Lachaise Cemetery (Cimetiere du Pere-Lachaise) Paris, France, opened 1804, designed by Alexandre-Theodore Brongniart. Named after Pere Francois de la Chaise (1624-1709), confessor to Louis XIV (1638-1713), who lived in the Jesuit house on the site of the chapel. Picture by Manuel Cohen
    LC_PARIS_11_MC126.jpg
  • Brick pillar decorated with a statue of a winged figure, fragment of the Josep Reynes' front frieze entitled "Barcelona rep les nacions" (Barcelona welcomes the nations) on the left, Arc de Triomf (Triumphal Arch), 1888 (Universal Exhibition of Barcelona), Josep Vilaseca i Casanovas, Barcelona, Spain. The archway structure, in the Neo-Mudejar style, is built in reddish brickwork with stone sculptures on the front and opposite frieze. Picture by Manuel Cohen
    LCSPAIN12_MC184.jpg
  • Brick pillar decorated with a statue of a winged figure, fragment of the Josep Reynes' front frieze entitled "Barcelona rep les nacions" (Barcelona welcomes the nations) on the right, Arc de Triomf (Triumphal Arch), 1888 (Universal Exhibition of Barcelona), Josep Vilaseca i Casanovas, Barcelona, Spain. The archway structure, in the Neo-Mudejar style, is built in reddish brickwork with stone sculptures on the front and opposite frieze. Picture by Manuel Cohen
    LCSPAIN12_MC183.jpg
  • Brick pillar decorated with a statue of a winged figure and crowned turret, fragment of the Josep Reynes' front frieze entitled "Barcelona rep les nacions" (Barcelona welcomes the nations) on the right, Arc de Triomf (Triumphal Arch), 1888 (Universal Exhibition of Barcelona), Josep Vilaseca i Casanovas, Barcelona, Spain. The archway structure, in the Neo-Mudejar style, is built in reddish brickwork with stone sculptures on the front and opposite frieze. Picture by Manuel Cohen
    LCSPAIN12_MC182.jpg
  • Detail of fallen figure of Elan in thin composite, surrounded by trees, Parc Zoologique de Paris, or Zoo de Vincennes, (Zoological Gardens of Paris, also known as Vincennes Zoo), 1934, by Charles Letrosne, 12th arrondissement, Paris, France, pictured on August 24, 2011 in the morning. In November 2008 the 15 hectare Zoo, part of the Museum National d'Histoire Naturelle (National Museum of Natural History) closed its doors to the public and renovation works will start in September 2011. The Zoo is scheduled to re-open in April 2014. Picture by Manuel Cohen.
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  • High angle view of figure of Elan in thin composite, which has been unsealed before being taken away, Parc Zoologique de Paris, or Zoo de Vincennes, (Zoological Gardens of Paris, also known as Vincennes Zoo), 1934, by Charles Letrosne, 12th arrondissement, Paris, France, pictured on June 28, 2011 in the morning. In November 2008 the 15 hectare Zoo, part of the Museum National d'Histoire Naturelle (National Museum of Natural History) closed its doors to the public and renovation works will start in September 2011. The Zoo is scheduled to re-open in April 2014. Picture by Manuel Cohen.
    IMG_9233.jpg
  • Detail of figure of crouching tiger in thin composite, Parc Zoologique de Paris, or Zoo de Vincennes, (Zoological Gardens of Paris, also known as Vincennes Zoo), 1934, by Charles Letrosne, 12th arrondissement, Paris, France, pictured on June 8, 2011 in the afternoon. In November 2008 the 15 hectare Zoo, part of the Museum National d'Histoire Naturelle (National Museum of Natural History) closed its doors to the public and renovation works will start in September 2011. The Zoo is scheduled to re-open in April 2014. Picture by Manuel Cohen.
    01IMG_8061.jpg
  • Detail of mammouth figure in thin composite, Parc Zoologique de Paris, or Zoo de Vincennes, (Zoological Gardens of Paris, also known as Vincennes Zoo), 1934, by Charles Letrosne, 12th arrondissement, Paris, France, pictured on June 8, 2011 in the afternoon. In November 2008 the 15 hectare Zoo, part of the Museum National d'Histoire Naturelle (National Museum of Natural History) closed its doors to the public and renovation works will start in September 2011. The Zoo is scheduled to re-open in April 2014. Picture by Manuel Cohen.
    IMG_8054.jpg
  • Detail of mammouth figure in thin composite, Parc Zoologique de Paris, or Zoo de Vincennes, (Zoological Gardens of Paris, also known as Vincennes Zoo), 1934, by Charles Letrosne, 12th arrondissement, Paris, France, pictured on June 8, 2011 in the afternoon. In November 2008 the 15 hectare Zoo, part of the Museum National d'Histoire Naturelle (National Museum of Natural History) closed its doors to the public and renovation works will start in September 2011. The Zoo is scheduled to re-open in April 2014. Picture by Manuel Cohen.
    IMG_8051.jpg
  • Oblique view of a commemorative stele in the Tophet (children's graveyard), Carthage, Tunisia, pictured on January 27, 2008, in the afternoon. Carthage was founded in 814 BC by the Phoenicians who fought three Punic Wars against the Romans over this immensely important Mediterranean harbour. The Romans finally conquered the city in 146 BC. Subsequently it was conquered by the Vandals and the Byzantine Empire. Today it is a UNESCO World Heritage. This commemorative stele depicting a female figure in relief is from the Tophet which was used from 7th century BC until the fall of Carthage. The name Tophet and excavations suggest that children were sacrificed here. Picture by Manuel Cohen.
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  • Detail of Elan figure in thin composite, Parc Zoologique de Paris, or Zoo de Vincennes, (Zoological Gardens of Paris, also known as Vincennes Zoo), 1934, by Charles Letrosne, 12th arrondissement, Paris, France, pictured on May 3, 2011 in the evening. In November 2008 the 15 hectare Zoo, part of the Museum National d'Histoire Naturelle (National Museum of Natural History) closed its doors to the public and renovation works will start in September 2011. The Zoo is scheduled to re-open in April 2014. Picture by Manuel Cohen.
    _MG_6083.jpg
  • Detail of mammouth figure in thin composite, seen through leaves and branches, Parc Zoologique de Paris, or Zoo de Vincennes, (Zoological Gardens of Paris, also known as Vincennes Zoo), 1934, by Charles Letrosne, 12th arrondissement, Paris, France, pictured on August 24, 2011 in the afternoon. In November 2008 the 15 hectare Zoo, part of the Museum National d'Histoire Naturelle (National Museum of Natural History) closed its doors to the public and renovation works will start in September 2011. The Zoo is scheduled to re-open in April 2014. Picture by Manuel Cohen.
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  • Low angle view of Elan Figure in thin composite, Parc Zoologique de Paris, or Zoo de Vincennes, (Zoological Gardens of Paris, also known as Vincennes Zoo), 1934, by Charles Letrosne, 12th arrondissement, Paris, France, pictured on August 24, 2011 in the afternoon. In November 2008 the 15 hectare Zoo, part of the Museum National d'Histoire Naturelle (National Museum of Natural History) closed its doors to the public and renovation works will start in September 2011. The Zoo is scheduled to re-open in April 2014. Picture by Manuel Cohen.
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  • Detail of figure of Elan in thin composite, surrounded by trees, Parc Zoologique de Paris, or Zoo de Vincennes, (Zoological Gardens of Paris, also known as Vincennes Zoo), 1934, by Charles Letrosne, 12th arrondissement, Paris, France, pictured on April 26, 2011 in the morning. In November 2008 the 15 hectare Zoo, part of the Museum National d'Histoire Naturelle (National Museum of Natural History) closed its doors to the public and renovation works will start in September 2011. The Zoo is scheduled to re-open in April 2014. Picture by Manuel Cohen.
    _MG_4547.jpg
  • Low angle view of figure of Tiger in thin composite, Parc Zoologique de Paris, or Zoo de Vincennes, (Zoological Gardens of Paris, also known as Vincennes Zoo), 1934, by Charles Letrosne, 12th arrondissement, Paris, France, pictured on April 25, 2011 in the afternoon. In November 2008 the 15 hectare Zoo, part of the Museum National d'Histoire Naturelle (National Museum of Natural History) closed its doors to the public and renovation works will start in September 2011. The Zoo is scheduled to re-open in April 2014. Picture by Manuel Cohen.
    _MG_4417.jpg
  • View from the side of figure of Tiger in thin composite, Parc Zoologique de Paris, or Zoo de Vincennes, (Zoological Gardens of Paris, also known as Vincennes Zoo), 1934, by Charles Letrosne, 12th arrondissement, Paris, France, pictured on April 25, 2011 in the afternoon. In November 2008 the 15 hectare Zoo, part of the Museum National d'Histoire Naturelle (National Museum of Natural History) closed its doors to the public and renovation works will start in September 2011. The Zoo is scheduled to re-open in April 2014. Picture by Manuel Cohen.
    _MG_4353.jpg
  • Detail of snarling figure of Tiger in thin composite, Parc Zoologique de Paris, or Zoo de Vincennes, (Zoological Gardens of Paris, also known as Vincennes Zoo), 1934, by Charles Letrosne, 12th arrondissement, Paris, France, pictured on April 25, 2011 in the afternoon. In November 2008 the 15 hectare Zoo, part of the Museum National d'Histoire Naturelle (National Museum of Natural History) closed its doors to the public and renovation works will start in September 2011. The Zoo is scheduled to re-open in April 2014. Picture by Manuel Cohen.
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  • Detail of trunk and tusks of mammouth figure in thin composite, Parc Zoologique de Paris, or Zoo de Vincennes, (Zoological Gardens of Paris, also known as Vincennes Zoo), 1934, by Charles Letrosne, 12th arrondissement, Paris, France, pictured on June 8, 2011 in the afternoon. In November 2008 the 15 hectare Zoo, part of the Museum National d'Histoire Naturelle (National Museum of Natural History) closed its doors to the public and renovation works will start in September 2011. The Zoo is scheduled to re-open in April 2014. Picture by Manuel Cohen.
    _MG_3637.jpg
  • Entrance between Bab Mansour and the Royal Palace, Meknes, Morocco pictured on December 26, 2009. A figure in a traditional costume walks past the numerous archways of the gate. The Bab Mansour Gate, completed in 1732, is named after its architect. Meknes, one of Morocco's Imperial cities, was redeveloped under Sultan Ismail Moulay (1634-1727). It is a fortified city built from pise, or clay and straw, and was designed to be the political capital of Morocco, as opposed to Fez, the religious capital. Picture by Manuel Cohen
    LCMOROCCODEC09_MC030.jpg
  • Streetscene, Meknes, Morocco pictured on December 26, 2009. A shadowy figure in traditional dress pushes a handcart past a car. Meknes, one of Morocco's Imperial cities, was redeveloped under Sultan Ismail Moulay (1634-1727). It is a fortified city built from pise, or clay and straw, and was designed to be the political capital of Morocco, as opposed to Fez, the religious capital. Picture by Manuel Cohen
    LCMOROCCODEC09_MC027.jpg
  • Evening walker, Meknes, Morocco pictured on December 22, 2009. In a shady street the long rays of the evening sunshine outline a shadowy figure walking through light towards darkness. Meknes, one of Morocco's Imperial cities, was redeveloped under Sultan Ismail Moulay (1634-1727). It is a fortified city built from pise, or clay and straw, and was designed to be the political capital of Morocco, as opposed to Fez, the religious capital. This 18th century gem is well worth visiting. Picture by Manuel Cohen
    LCMOROCCODEC09_MC016.jpg
  • Medina, Tangier, Morocco pictured on December 18, 2009. A small figure climbs a long stone staircase with blue and white painted walls in a corner of the old town. Tangier, the 'White City', gateway to North Africa, a port on the Straits of Gibraltar where the Meditaerranean meets the Atlantic is an ancient city where many cultures, Phoenicians, Berbers, Portuguese and Spaniards have all left their mark. With its medina, palace and position overlooking two seas the city is now being developed as a tourist attraction and modern port. Picture by Manuel Cohen
    LCMOROCCODEC09_MC004.jpg
  • Low angle view of figure of Tiger in thin composite, Parc Zoologique de Paris, or Zoo de Vincennes, (Zoological Gardens of Paris, also known as Vincennes Zoo), 1934, by Charles Letrosne, 12th arrondissement, Paris, France, pictured on November 19, 2010, in the afternoon. In November 2008 the 15 hectare Zoo, part of the Museum National d'Histoire Naturelle (National Museum of Natural History) closed its doors to the public and renovation works will start in September 2011. The Zoo is scheduled to re-open in April 2014. Picture by Manuel Cohen.
    _MG_8733.jpg
  • Brick pillar decorated with a statue of a winged figure, Arc de Triomf (Triumphal Arch), 1888 (Universal Exhibition of Barcelona), Josep Vilaseca i Casanovas, Barcelona, Spain. The archway structure, in the Neo-Mudejar style, is built in reddish brickwork with stone sculptures on the front and opposite frieze. Picture by Manuel Cohen
    LCSPAIN12_MC185.jpg
  • Entrance between Bab Mansour and the Royal Palace, Meknes, Morocco pictured on December 26, 2009. A dark figure in a Djellaba walks through the shadowy gateway with the help of a stick. The Bab Mansour Gate, completed in 1732, is named after its architect. Meknes, one of Morocco's Imperial cities, was redeveloped under Sultan Ismail Moulay (1634-1727). It is a fortified city built from pise, or clay and straw, and was designed to be the political capital of Morocco, as opposed to Fez, the religious capital. Picture by Manuel Cohen
    LCMOROCCODEC09_MC033.jpg
  • Entrance between Bab Mansour and the Royal Palace, Meknes, Morocco pictured on December 26, 2009. A figure in a Djellaba walks through the contrasting light and shadow of the gateway with its numerous arches. The Bab Mansoor Gate, completed in 1732, is named after its architect. Meknes, one of Morocco's Imperial cities, was redeveloped under Sultan Ismail Moulay (1634-1727). It is a fortified city built from pise, or clay and straw, and was designed to be the political capital of Morocco, as opposed to Fez, the religious capital. Picture by Manuel Cohen
    LCMOROCCODEC09_MC032.jpg
  • Carved polychrome stone triangle capital with figure with 3 faces holding scroll, 15th century, found in the wall of a house in the rue des Trois-Tetes, Macon, in the Musee des Ursulines, an art and archaeology museum housed since 1968 in the former Ursulines convent, built 1675-80, in Macon, Saone-et-Loire, France. Picture by Manuel Cohen
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  • Portrait of king Francois I, 1494–1547, oil painting on canvas, late 16th - early 17th century, in the Chateau de Chambord, designed by Domenico da Cortona and built 1519-47 in French Renaissance style under King Francois I, at Chambord, Loir-et-Cher, France. The king is depicted wearing a doublet embroidered with his knotted figure of 8 motif. The chateau is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
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  • Corbel sculpture of figure wearing armour holding phylactery, in the Salle des Etats or State Room, where the king and his council met, in the Charles VIII wing of the Chateau d'Amboise, a medieval castle which became a royal residence in the 15th century and was largely reworked in the 15th and 16th centuries, on the River Loire, at Amboise, Indre-et-Loire, Centre, France. The chateau was rebuilt as a Gothic palace under Charles VIII and Renaissance and Italianate additions were installed under Francois I and Henri II. It is listed as a historic monument and is part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_FRANCE_MC_0849.jpg
  • Corbel sculpture with figure playing bagpipes, in the Salle des Etats or State Room, where the king and his council met, in the Charles VIII wing of the Chateau d'Amboise, a medieval castle which became a royal residence in the 15th century and was largely reworked in the 15th and 16th centuries, on the River Loire, at Amboise, Indre-et-Loire, Centre, France. The chateau was rebuilt as a Gothic palace under Charles VIII and Renaissance and Italianate additions were installed under Francois I and Henri II. It is listed as a historic monument and is part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_FRANCE_MC_0846.jpg
  • Red figure pelike, with young man holding mirror to seated woman holding situla (bucket) and phiale (bowl), with genie holding phiale, Haifa Aplulie group, late 4th century BC, Greek, in the Musee des Beaux-Arts de Lyon, a fine arts museum opened 1801 in a former convent on the Place des Terreaux in Lyon, Rhone, France. Picture by Manuel Cohen
    LC22_FRANCE_MC_0754.jpg
  • Red figure pelike, with young man holding mirror to seated woman holding situla (bucket) and phiale (bowl), with genie holding phiale, Haifa Aplulie group, late 4th century BC, Greek, in the Musee des Beaux-Arts de Lyon, a fine arts museum opened 1801 in a former convent on the Place des Terreaux in Lyon, Rhone, France. Picture by Manuel Cohen
    LC22_FRANCE_MC_0753.jpg
  • Red figure cup with man and woman, late 5th century BC, Greek, from Athens, in the Musee des Beaux-Arts de Lyon, a fine arts museum opened 1801 in a former convent on the Place des Terreaux in Lyon, Rhone, France. Picture by Manuel Cohen
    LC22_FRANCE_MC_0741.jpg
  • Greek black figure vase or lekythos attica, with scene of combat, in Lugdunum Museum, an archaeology museum housing Celtic, Roman and pre-Roman artefacts, designed by Bernard Zehrfuss and opened 1975, on the Roman site of Lugdunum in Lyon, Auvergne-Rhone-Alpes, France. The Roman city of Lugdunum was founded in 43 BC by Lucius Munatius Plancus on an existing Gallic site, now part of a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_FRANCE_MC_0535.jpg
  • Rape of Europa, black figure Greek Attic vase, 530-20 BC, terracotta, in the Musee Saint-Remi, an art and archaeology museum in the Abbey of Saint-Remi, founded 6th century, in Reims, Marne, France. The abbey is a UNESCO World Heritage Site. Picture by Manuel Cohen
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  • Carved stone capital with local flora and fauna, and female figure possibly Eve, in the Cloister, 1250-71, in the Abbaye de Saint-Genis-des-Fontaines, Pyrenees-Orientales, France. The Cloister is in late Romanesque style, with capitals in pink, white and black marble, carved with local flora and fauna, allegorical subjects and liturgical scenes. The Benedictine monastery was founded 778-80 by abbot Sentimirus, rebuilt in the 10th century and sacked in the French Revolution. The abbey is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_1403.jpg
  • Young man (the deceased) with his horse and parents, with Aphrodite on the neck, on a red figure volute krater, used for adding water to wine, Greek, c. 320 BC, by the Ganyede Painter or White Saccos Painter, in the Musee Lapidaire, or Lapidary Museum, in Avignon, Provence-Alpes-Cote-d'Azur, France. The museum houses archaeological artefacts from the Collection Archeologique de la Fondation Calvet, from the Musee Calvet. Picture by Manuel Cohen
    LC21_FRANCE_MC_1282.jpg
  • Masculine figure on the Pont dels arcs, in the Jardins Artigas, gardens built 1905-6 in Modernist style and designed by Antoni Gaudi, 1852-1926, in La Pobla de Lillet, Bergueda, Catalonia, Spain. The gardens are on a plot of land owned by Joan Artigas i Alart, who owned a nearby textile factory. There are many similarities to Parc Guell, and the site includes bridges, a watchtower, fountains, a waterfall and sculptures. The park was restored in 1992. Picture by Manuel Cohen
    LC21_SPAIN_MC_0744.jpg
  • Feminine figure on the Pont dels arcs, in the Jardins Artigas, gardens built 1905-6 in Modernist style and designed by Antoni Gaudi, 1852-1926, in La Pobla de Lillet, Bergueda, Catalonia, Spain. The gardens are on a plot of land owned by Joan Artigas i Alart, who owned a nearby textile factory. There are many similarities to Parc Guell, and the site includes bridges, a watchtower, fountains, a waterfall and sculptures. The park was restored in 1992. Picture by Manuel Cohen
    LC21_SPAIN_MC_0745.jpg
  • Masculine figure on the Pont dels arcs, in the Jardins Artigas, gardens built 1905-6 in Modernist style and designed by Antoni Gaudi, 1852-1926, in La Pobla de Lillet, Bergueda, Catalonia, Spain. The gardens are on a plot of land owned by Joan Artigas i Alart, who owned a nearby textile factory. There are many similarities to Parc Guell, and the site includes bridges, a watchtower, fountains, a waterfall and sculptures. The park was restored in 1992. Picture by Manuel Cohen
    LC21_SPAIN_MC_0746.jpg
  • Pont dels arcs, with its masculine figure, in the Jardins Artigas, gardens built 1905-6 in Modernist style and designed by Antoni Gaudi, 1852-1926, in La Pobla de Lillet, Bergueda, Catalonia, Spain. The gardens are on a plot of land owned by Joan Artigas i Alart, who owned a nearby textile factory. There are many similarities to Parc Guell, and the site includes bridges, a watchtower, fountains, a waterfall and sculptures. The park was restored in 1992. Picture by Manuel Cohen
    LC21_SPAIN_MC_0748.jpg
  • Masculine figure on the Pont dels arcs, in the Jardins Artigas, gardens built 1905-6 in Modernist style and designed by Antoni Gaudi, 1852-1926, in La Pobla de Lillet, Bergueda, Catalonia, Spain. The gardens are on a plot of land owned by Joan Artigas i Alart, who owned a nearby textile factory. There are many similarities to Parc Guell, and the site includes bridges, a watchtower, fountains, a waterfall and sculptures. The park was restored in 1992. Picture by Manuel Cohen
    LC21_SPAIN_MC_0767.jpg
  • Masculine figure on the Pont dels arcs, in the Jardins Artigas, gardens built 1905-6 in Modernist style and designed by Antoni Gaudi, 1852-1926, in La Pobla de Lillet, Bergueda, Catalonia, Spain. The gardens are on a plot of land owned by Joan Artigas i Alart, who owned a nearby textile factory. There are many similarities to Parc Guell, and the site includes bridges, a watchtower, fountains, a waterfall and sculptures. The park was restored in 1992. Picture by Manuel Cohen
    LC21_SPAIN_MC_0768.jpg
  • Figure looking down, sculpture at the base of ribs of the vaults of the Salle Capitulaire or Chapter House, 16th century, at Fontevraud Abbey, Fontevraud-l'Abbaye, Loire Valley, Maine-et-Loire, France. The abbey was founded in 1100 by Robert of Arbrissel, who created the Order of Fontevraud. It was a double monastery for monks and nuns, run by an abbess. The abbey is listed as a historic monument and a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC20_FRANCE_MC_0089.jpg
  • Keystone with female figure holding cross on the vaulted ceiling of the refectory, at Fontevraud Abbey, Fontevraud-l'Abbaye, Loire Valley, Maine-et-Loire, France. The abbey was founded in 1100 by Robert of Arbrissel, who created the Order of Fontevraud. It was a double monastery for monks and nuns, run by an abbess. The abbey is listed as a historic monument and a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC20_FRANCE_MC_0111.JPG
  • Standing steatopygous figure in red sandstone, 4th millennium BC, from Southwest Arabia, from a private collection, in the Idols exhibition, Sept 2018-Jan 2019, exploring 3-dimensional images of the human body created 4000–2000 BC, at the Fondazione Giancarlo Ligabue, Venice, Italy. Picture by Manuel Cohen
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  • Standing male figure in black stone, possibly basalt, 4th millennium BC, from Southwest Arabia, from a private collection, in the Idols exhibition, Sept 2018-Jan 2019, exploring 3-dimensional images of the human body created 4000–2000 BC, at the Fondazione Giancarlo Ligabue, Venice, Italy. Picture by Manuel Cohen
    LC19_ITALY_MC_045.jpg
  • Seated female figure with crossed legs in marble, late Neolithic period 5th - 4th millennium BC, from the Cyclades, possibly Amorgos, from the Musees Royaux d'Art de d'Histoire, Brussels, in the Idols exhibition, Sept 2018-Jan 2019, exploring 3-dimensional images of the human body created 4000–2000 BC, at the Fondazione Giancarlo Ligabue, Venice, Italy. Picture by Manuel Cohen
    LC19_ITALY_MC_035.jpg
  • Standing nude male figure in wood, Old Kingdom Egyptian, c. 2500 BC, from a private collection, in the Idols exhibition, Sept 2018-Jan 2019, exploring 3-dimensional images of the human body created 4000–2000 BC, at the Fondazione Giancarlo Ligabue, Venice, Italy. Picture by Manuel Cohen
    LC19_ITALY_MC_031.jpg
  • Seated figure with head ornament in limestone, Neolithic period, 5th millennium BC, from the Cabras Tomb 386 at Cuccuru s'Arriu, Sardinia, from the Museo Archeologico Nazionale, Cagliari, Sardinia, in the Idols exhibition, Sept 2018-Jan 2019, exploring 3-dimensional images of the human body created 4000–2000 BC, at the Fondazione Giancarlo Ligabue, Venice, Italy. Picture by Manuel Cohen
    LC19_ITALY_MC_029.jpg
  • Fresco of a dancing male figure, in the Casa dei Misteri, or Villa of the Mysteries, a large villa in a suburb of Pompeii, in the Parco Archeologico di Pompei, or Archaeological Park of Pompeii, Campania, Italy. Pompeii was a Roman city which was buried in ash after the eruption of Vesuvius in 79 AD. The site is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC18_ITALY_MC_014.jpg
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