manuel cohen

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  • La Cite de la Mode et du Design, or City of Fashion and Design, designed by Jakob + MacFarlane, opened 2010, on the quai d'Austerlitz, in the 13th arrondissement of Paris, France. The building houses the Institut Francais de la Mode and Art Ludique. Picture by Manuel Cohen
    LC22_FRANCE_MC_0670.jpg
  • Friday fashion day at Old Spitalfields Market, London, UK. Picture by Manuel Cohen
    LC_London_MC207.jpg
  • Friday fashion day at Old Spitalfields Market, London, UK. Picture by Manuel Cohen
    LC_London_MC208.jpg
  • Two-storey branch of fashion retailer AllSaints, 2009, furnished with antique Singer sewing machines, Portobello Road Antiques Market, Notting Hill, London, UK. Picture by Manuel Cohen
    LC_London_MC181.jpg
  • Crucifixion of St Andrew, detail, 1415-18, tempera painting on wood in International Gothic style by Louis Borrassa, detail of altarpiece from Church of Sant Andreu de Gurb, Osona, in the Museu Episcopal de Vic, specialising in medieval liturgical catalan art, in Vic, Catalonia, Spain. Beneath the cross kneels the wife of the Aegean proconsul, dressed in Burgundian 15th century fashion in a brocade coat or houppelande. Angels receive the soul of St Andrew and the proconsul is killed by demons. Picture by Manuel Cohen
    LC20_SPAIN_MC_221.jpg
  • Proconsul killed by demons, detail from the Crucifixion of St Andrew, 1415-18, tempera painting on wood in International Gothic style by Louis Borrassa, detail of altarpiece from Church of Sant Andreu de Gurb, Osona, in the Museu Episcopal de Vic, specialising in medieval liturgical catalan art, in Vic, Catalonia, Spain. Beneath the cross kneels the wife of the Aegean proconsul, dressed in Burgundian 15th century fashion in a brocade coat or houppelande. Angels receive the soul of St Andrew. Picture by Manuel Cohen
    LC20_SPAIN_MC_222.jpg
  • Crucifixion of St Andrew, 1415-18, tempera painting on wood in International Gothic style by Louis Borrassa, detail of altarpiece from Church of Sant Andreu de Gurb, Osona, in the Museu Episcopal de Vic, specialising in medieval liturgical catalan art, in Vic, Catalonia, Spain. Beneath the cross kneels the wife of the Aegean proconsul, dressed in Burgundian 15th century fashion in a brocade coat or houppelande. Angels receive the soul of St Andrew and the proconsul is killed by demons. Picture by Manuel Cohen
    LC20_SPAIN_MC_249.jpg
  • Detail of a painting of Madonna and child surrounded by angels, or Madonna lactans, by Jean Fouquet, 1420-81, painted 1453-55, with Agnes Sorel dressed in the latest fashion posing as the Virgin about to breastfeed the Christ child, in the royal lodge of the Chateau de Loches, a medieval castle in the Loire Valley consisting of the old collegiate church of St Ours, royal lodge and keep, at Loches, Indre-et-Loire, Centre, France. Agnes Sorel was the favourite royal mistress of King Charles VII of France. The chateau was built in the 9th century and the keep in 1013 by Foulques Nerra, Count of Anjou. It is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_1106.jpg
  • Painting of Madonna and child surrounded by angels, or Madonna lactans, by Jean Fouquet, 1420-81, painted 1453-55, with Agnes Sorel dressed in the latest fashion posing as the Virgin about to breastfeed the Christ child, in the royal lodge of the Chateau de Loches, a medieval castle in the Loire Valley consisting of the old collegiate church of St Ours, royal lodge and keep, at Loches, Indre-et-Loire, Centre, France. Agnes Sorel was the favourite royal mistress of King Charles VII of France. The chateau was built in the 9th century and the keep in 1013 by Foulques Nerra, Count of Anjou. It is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_1105.jpg
  • Krystel Gualde, author of Nantes and the Atlantic Slave Trade, 2017, and scientific director at the Musee d'histoire de Nantes, in the Chateau des ducs de Bretagne, in Nantes, Pays de la Loire, France. Behind is the portrait of Marguerite Deurbroucq, oil painting, 1753, by Pierre-Bernard Morlot, 1716-80, showing the wife of Dominique Deurbroucq, a trader, wearing a fashionable silk dress, with a pet parrot, served by a black slave who brings sugar for her coffee. The museum opened in 2007 and covers the history of Nantes, focusing on slavery, world wars, industrialisation and the chateau. Picture by Manuel Cohen
    LC21_FRANCE_MC_0127.JPG
  • Portrait of Marguerite Deurbroucq, detail, oil painting, 1753, by Pierre-Bernard Morlot, 1716-80, in the Musee d'histoire de Nantes, in the Chateau des ducs de Bretagne, in Nantes, Pays de la Loire, France. The wife of Dominique Deurbroucq, a trader, is shown with Louis XV style furniture and wearing a fashionable silk dress, with a pet parrot. She is served by a black slave, bringing sugar for her coffee, whose dark skin accentuates the whiteness of the lady's, a sign of beauty. The museum opened in 2007 and covers the history of Nantes, focusing on slavery, world wars, industrialisation and the chateau. Picture by Manuel Cohen
    LC21_FRANCE_MC_0001.jpg
  • Portrait of Marguerite Deurbroucq, oil painting, 1753, by Pierre-Bernard Morlot, 1716-80, in the Musee d'histoire de Nantes, in the Chateau des ducs de Bretagne, in Nantes, Pays de la Loire, France. The wife of Dominique Deurbroucq, a trader, is shown with  Louis XV style furniture and wearing a fashionable silk dress, with a pet parrot. She is served by a black slave, bringing sugar for her coffee, whose dark skin accentuates the whiteness of the lady's, a sign of beauty. The museum opened in 2007 and covers the history of Nantes, focusing on slavery, world wars, industrialisation and the chateau. Picture by Manuel Cohen
    LC21_FRANCE_MC_0141.jpg
  • Temperley London Notting Hill store, Museum of Brand, Packaging and Advertising on the left, London, UK. Picture by Manuel Cohen
    LC_London_MC235.jpg
  • Temperley London Notting Hill store, Museum of Brand, Packaging and Advertising on the left, London, UK. Picture by Manuel Cohen
    LC_London_MC236.jpg
  • Portrait of Jean Guiton, 1580-1654, admiral of the La Rochelle Fleet 1621-, mayor from 1628 during the Siege of La Rochelle by Louis XIII and Richelieu, oil painting on canvas, 17th century, by unknown artist, in the Musee des Beaux-Arts, a fine art museum housing in the Hotel de Crussol d'Uzes, a Neoclassical episcopal palace in La Rochelle, Charente-Maritime, Nouvelle-Aquitaine, France. Picture by Manuel Cohen
    LC23_FRANCE_MC_0678.jpg
  • Portrait of Marie-Jeanne Grellier with her slave, oil painting on canvas, 1718, by Chanteloup, in the Musee du Nouveau Monde, or New World Museum, opened 1982 in the Hotel Fleuriau, an 18th century mansion home to merchant Aime-Benjamin Fleuriau, 1707-1877, in La Rochelle, Charente-Maritime, Nouvelle-Aquitaine, France. The Grelliers were plantation owners in the Dominican Republic. The girl accepts fruit from a platter held by her slave, who wears a metal collar and turban. The museum explores links between France and the Americas, including the slave trade. Picture by Manuel Cohen
    LC23_FRANCE_MC_0674.jpg
  • David and Bathsheba, Symbolist oil painting on canvas, 1906, by Gustav-Adolf Mossa, 1883-1971, in the Musee des Beaux Arts de Nice, Nice, Provence, France. Mossa, born in Nice, was a founding curator of the museum. The museum was founded in 1928 as the Palais des Arts Jules Cheret and is housed in a mansion built 1878 for Elizaveta Vasilievna Kochubey. Picture by Manuel Cohen - Further clearances may be required
    LC22_FRANCE_MC_1713.jpg
  • La Grande Soeur, or the Big Sister, painting, by <br />
Louise Catherine Breslau, 1856-1927, in the Musee des Beaux Arts de Nice, Nice, Provence, France. The museum was founded in 1928 as the Palais des Arts Jules Cheret and is housed in a mansion built 1878 for Elizaveta Vasilievna Kochubey. Picture by Manuel Cohen
    LC22_FRANCE_MC_1686.jpg
  • Au jardin en Provence, or Garden in Provence, with woman sewing surrounded by potted flowers, Neo-Impressionist oil painting on canvas, by Blanche-Augustine Camus, 1884-1968, in the Musee des Beaux Arts de Nice, Nice, Provence, France. The museum was founded in 1928 as the Palais des Arts Jules Cheret and is housed in a mansion built 1878 for Elizaveta Vasilievna Kochubey. Picture by Manuel Cohen - Further clearances may be required
    LC22_FRANCE_MC_1680.jpg
  • Portrait of Madame Grand, or Noel Catherine Vorlee, 1761-1835, wife of Talleyrand, painting, copy of original, 1783, by Elisabeth Louise Vigee Le Brun, 1755-1842, at the Metropolitan Museum in New York, at the Chateau de Valencay, at Valencay, Indre, France. The chateau was built in Renaissance style 1540 - 18th century, owned by the d'Estampes family 1451-1747 and the Talleyrand-Perigord family 1803-1979. It is listed as a historic monument. Picture by Manuel Cohen
    LC23_FRANCE_MC_0457.jpg
  • Portrait of Maria Adelaide of Austria, 1822-55, wife of Vittorio Emanuele II, painting, 1861, by Felice Barucco, 1830-1906, in the Galleria dei Ritratti, or Portrait Gallery, in the Castello Reale di Racconigi, royal palace of the House of Savoy, at Racconigi, Cuneo, Piedmont, Italy. The palace is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0581.jpg
  • Portrait of Maria Elisabettta of Savoy, 1800-56, archduchess of Austria, painting, 1840, by Francesco Barucci, in the Castello Reale di Racconigi, royal palace of the House of Savoy, at Racconigi, Cuneo, Piedmont, Italy. The palace is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0580.jpg
  • Portrait of Carlo Emanuele II of Savoy, 1634-75, painting, 1641-54, attributed to Pierre Dufour, 1630-79, in the Galleria dei Ritratti, or Portrait Gallery, of the Castello Reale di Racconigi, royal palace of the House of Savoy, at Racconigi, Cuneo, Piedmont, Italy. The palace is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0577.jpg
  • Portrait of Vittorio Amedeo II of Savoy, 1666-1732, wearing the habit of Grand Master of the Order of Santissima Annunziata, detail, painting, 1728, by Maria Giovanna Battista Clementi, known as La Clementina, 1692-1761, in the Galleria del Cinema, or Cinema Gallery, of the Castello Reale di Racconigi, royal palace of the House of Savoy, at Racconigi, Cuneo, Piedmont, Italy. The palace is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0561.jpg
  • Portrait of Catherine of Bavaria, wife of Beroldo of Saxony, detail, oil painting on canvas, early 17th century, by Piedmontese artist, in the Citroniera or lemon house at the Royal Palace of Venaria, or Reggia di Venaria Reale, a royal residence of the House of Savoy, built from 1675 in Baroque style by Amedeo di Castellamonte, for Carlo Emanuele II duke of Savoy, in Venaria Reale, Piedmont, Italy. The palace was restored 1999-2007 and is now a visitor attraction. It is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0457.jpg
  • Portrait of Adelaide of Susa, or Adelaide of Turin, 1014-91, countess of Savoy, wife of Oddone of Savoy, detail, oil painting on canvas, early 17th century, by Piedmontese artist, in the Citroniera or lemon house at the Royal Palace of Venaria, or Reggia di Venaria Reale, a royal residence of the House of Savoy, built from 1675 in Baroque style by Amedeo di Castellamonte, for Carlo Emanuele II duke of Savoy, in Venaria Reale, Piedmont, Italy. The palace was restored 1999-2007 and is now a visitor attraction. It is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0452.jpg
  • Portrait of Beatrix of Geneva countess of Savoy, 1180-1252, wife of Tomasso I, oil painting on canvas, late 18th century, by Vittorio Amedeo Grassi, in the Citroniera or lemon house, at the Royal Palace of Venaria, or Reggia di Venaria Reale, a royal residence of the House of Savoy, built from 1675 in Baroque style by Amedeo di Castellamonte, for Carlo Emanuele II duke of Savoy, in Venaria Reale, Piedmont, Italy. The palace was restored 1999-2007 and is now a visitor attraction. It is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0450.jpg
  • Portrait of Christine of France, 1606-63, duchess of Savoy, wife of Vittorio Amedeo I of Savoy, detail, oil painting on canvas, late 18th century, attributed to Giovanni Panealbo, 1742-1815, in the Citroniera or lemon house at the Royal Palace of Venaria, or Reggia di Venaria Reale, a royal residence of the House of Savoy, built from 1675 in Baroque style by Amedeo di Castellamonte, for Carlo Emanuele II duke of Savoy, in Venaria Reale, Piedmont, Italy. The palace was restored 1999-2007 and is now a visitor attraction. It is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0441.jpg
  • Portrait of Henriette Adelaide of Savoy, 1636-76, electress of Bavaria, daughter of Vittorio Amedeo I, duke of Savoy, late 17th century, by Piedmontese artist, in the Citroniera or lemon house at the Royal Palace of Venaria, or Reggia di Venaria Reale, a royal residence of the House of Savoy, built from 1675 in Baroque style by Amedeo di Castellamonte, for Carlo Emanuele II duke of Savoy, in Venaria Reale, Piedmont, Italy. The palace was restored 1999-2007 and is now a visitor attraction. It is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0440.jpg
  • Portrait of Francoise Madeleine d'Orleans, 1648-64, duchess of Savoy, wife of Carlo Emanuele II, detail, oil painting on canvas, 18th century, by Piedmontese artist, in the Citroniera or lemon house at the Royal Palace of Venaria, or Reggia di Venaria Reale, a royal residence of the House of Savoy, built from 1675 in Baroque style by Amedeo di Castellamonte, for Carlo Emanuele II duke of Savoy, in Venaria Reale, Piedmont, Italy. The palace was restored 1999-2007 and is now a visitor attraction. It is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0438.jpg
  • Portrait of Maria Theresa of Austria-Este, 1773-1832, queen of Sardinia, wife of Vittorio Emanuele I of Sardinia, detail, oil painting on canvas, 19th century, by Tommaso Andrea Lorenzone, 1824-1902, in the Citroniera or lemon house at the Royal Palace of Venaria, or Reggia di Venaria Reale, a royal residence of the House of Savoy, built from 1675 in Baroque style by Amedeo di Castellamonte, for Carlo Emanuele II duke of Savoy, in Venaria Reale, Piedmont, Italy. The palace was restored 1999-2007 and is now a visitor attraction. It is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0436.jpg
  • Portrait of Maria Cristina of Bourbon-Naples, 1779-1849, queen of Sardinia, wife of Carlo Felice of Savoy, detail, oil painting on canvas, 1851, by Francesco Marabotti, in the Citroniera or lemon house at the Royal Palace of Venaria, or Reggia di Venaria Reale, a royal residence of the House of Savoy, built from 1675 in Baroque style by Amedeo di Castellamonte, for Carlo Emanuele II duke of Savoy, in Venaria Reale, Piedmont, Italy. The palace was restored 1999-2007 and is now a visitor attraction. It is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0433.jpg
  • Portrait of Elisabeth Therese of Lorraine, 1711-41, queen of Sardinia, third wife of Carlo Emanuele III, oil painting on canvas, late 18th century, attributed to Giovanni Panealbo, 1742-1815, in the Citroniera or lemon house, at the Royal Palace of Venaria, or Reggia di Venaria Reale, a royal residence of the House of Savoy, built from 1675 in Baroque style by Amedeo di Castellamonte, for Carlo Emanuele II duke of Savoy, in Venaria Reale, Piedmont, Italy. The palace was restored 1999-2007 and is now a visitor attraction. It is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0430.jpg
  • Portrait of Polissena Cristina d'Assia Rheinfels Rotenburg, 1706-35, queen of Sardinia, second wife of Carlo Emanuele III of Savoy, detail, oil painting on canvas, late 18th century, attributed to Giovanni Panealbo, 1742-1815, in the Citroniera or lemon house at the Royal Palace of Venaria, or Reggia di Venaria Reale, a royal residence of the House of Savoy, built from 1675 in Baroque style by Amedeo di Castellamonte, for Carlo Emanuele II duke of Savoy, in Venaria Reale, Piedmont, Italy. The palace was restored 1999-2007 and is now a visitor attraction. It is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0429.jpg
  • Portrait of Anne Marie of Orleans, 1669-1728, queen of Sardinia, first wife of Vittorio Amedeo II of Savoy, detail, oil painting on canvas, late 18th century, attributed to Giovanni Panealbo, 1742-1815, in the Citroniera or lemon house at the Royal Palace of Venaria, or Reggia di Venaria Reale, a royal residence of the House of Savoy, built from 1675 in Baroque style by Amedeo di Castellamonte, for Carlo Emanuele II duke of Savoy, in Venaria Reale, Piedmont, Italy. The palace was restored 1999-2007 and is now a visitor attraction. It is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0426.jpg
  • Portrait of princess Margaret of Valois, 1523-74, duchess of Savoy, wife of Emanuele Filiberto of Savoy, detail, oil painting on canvas, early 17th century by Piedmontese artist, in the Citroniera or lemon house at the Royal Palace of Venaria, or Reggia di Venaria Reale, a royal residence of the House of Savoy, built from 1675 in Baroque style by Amedeo di Castellamonte, for Carlo Emanuele II duke of Savoy, in Venaria Reale, Piedmont, Italy. The palace was restored 1999-2007 and is now a visitor attraction. It is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0422.jpg
  • Portrait of Beatrice of Portugal or Beatrice d'Aviz, 1504-38, duchess of Savoy, wife of Carlo II of Savoy, oil painting on canvas, early 17th century, by Piedmontese artist, in the Citroniera or lemon house at the Royal Palace of Venaria, or Reggia di Venaria Reale, a royal residence of the House of Savoy, built from 1675 in Baroque style by Amedeo di Castellamonte, for Carlo Emanuele II duke of Savoy, in Venaria Reale, Piedmont, Italy. The palace was restored 1999-2007 and is now a visitor attraction. It is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0420.jpg
  • Portrait thought to be of Francesca di Valois, oil painting on canvas, 1660-64, by Piedmontese artist, in the Room of the quadrupeds and Alcove of the Hunters, at the Royal Palace of Venaria, or Reggia di Venaria Reale, a royal residence of the House of Savoy, built from 1675 in Baroque style by Amedeo di Castellamonte, for Carlo Emanuele II duke of Savoy, in Venaria Reale, Piedmont, Italy. The palace was restored 1999-2007 and is now a visitor attraction. It is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0412.jpg
  • Portrait of Marie Jeanne Baptiste of Savoy-Nemours, 1644-1724, duchess of Savoy, wife of Carlo Emanuele II of Savoy, oil painting on canvas, 1680-85, by Piedmontese artist, in the Room of the quadrupeds and Alcove of the Hunters, at the Royal Palace of Venaria, or Reggia di Venaria Reale, a royal residence of the House of Savoy, built from 1675 in Baroque style by Amedeo di Castellamonte, for Carlo Emanuele II duke of Savoy, in Venaria Reale, Piedmont, Italy. The palace was restored 1999-2007 and is now a visitor attraction. It is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0411.jpg
  • Portrait of Ancilla, 980-c.1054, countess of Savoy, wife of Umberto I Biancamano, detail, oil painting on canvas, early 17th century, by Piedmontese artist, in the Citroniera or lemon house at the Royal Palace of Venaria, or Reggia di Venaria Reale, a royal residence of the House of Savoy, built from 1675 in Baroque style by Amedeo di Castellamonte, for Carlo Emanuele II duke of Savoy, in Venaria Reale, Piedmont, Italy. The palace was restored 1999-2007 and is now a visitor attraction. It is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0399.jpg
  • Portrait of Vittorio Alfieri and Luisa Stolberg countess of Albany, oil painting on canvas, 1796-97, by Francois Xavier Fabre, 1766-1837, in the Royal Palace of Venaria, or Reggia di Venaria Reale, a royal residence of the House of Savoy, built from 1675 in Baroque style by Amedeo di Castellamonte, for Carlo Emanuele II duke of Savoy, in Venaria Reale, Piedmont, Italy. The palace was restored 1999-2007 and is now a visitor attraction. It is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0385.jpg
  • Portrait of Marie Jeanne of Savoy, or Maria Giovanna Battista di Savoia-Nemours, duchess of Savoy, 1644-1724, wife of Charles Emmanuel II of Savoy, known as Madama Reale, who lived at Palazzo Madama 1684-1724, oil painting on canvas, attributed to Charles Beaubrun, 1604-92, and Henri Beaubrun, 1603-77, in the Museo Civico d'Arte Antica, in the Palazzo Madama e Casaforte degli Acaja, built in the 14th - 18th century by the House of Savoy as a castle and royal residence, in Turin, Piedmont, Italy. The palace is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0316.jpg
  • Camera di Madama Reale, 1708-09, for Marie Jeanne of Savoy, with painted ceiling by Domenico Guidobono with gilded stucco cornice and wall panels, in the Palazzo Madama e Casaforte degli Acaja, built in the 14th - 18th century by the House of Savoy as a castle and royal residence, in Turin, Piedmont, Italy. The panels over the doors depict allegories of authority, benevolence, faithfulness, and charity. The carved wooden panel over the mantelpiece, 1688-89, by Cesare Neurone, holds a portrait of Charles Emmanuel II. The palace name celebrates its residents Christine of France and Marie Jeanne of Savoy (the Madama Reali), who renovated the palace. The palace houses the Museo Civico d'Arte Antica and is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0282.jpg
  • Camera di Madama Reale, 1708-09, for Marie Jeanne of Savoy, with painted ceiling by Domenico Guidobono with gilded stucco cornice and wall panels, in the Palazzo Madama e Casaforte degli Acaja, built in the 14th - 18th century by the House of Savoy as a castle and royal residence, in Turin, Piedmont, Italy. The panels over the doors depict allegories of authority, benevolence, faithfulness, and charity. The carved wooden panel over the mantelpiece, 1688-89, by Cesare Neurone, holds a portrait of Charles Emmanuel II. The palace name celebrates its residents Christine of France and Marie Jeanne of Savoy (the Madama Reali), who renovated the palace. The palace houses the Museo Civico d'Arte Antica and is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0281.jpg
  • Camera di Madama Reale, 1708-09, for Marie Jeanne of Savoy, with painted ceiling by Domenico Guidobono with gilded stucco cornice and wall panels, in the Palazzo Madama e Casaforte degli Acaja, built in the 14th - 18th century by the House of Savoy as a castle and royal residence, in Turin, Piedmont, Italy. The panels over the doors depict allegories of authority, benevolence, faithfulness, and charity. The carved wooden panel over the mantelpiece, 1688-89, by Cesare Neurone, holds a portrait of Charles Emmanuel II. The palace name celebrates its residents Christine of France and Marie Jeanne of Savoy (the Madama Reali), who renovated the palace. The palace houses the Museo Civico d'Arte Antica and is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0280.jpg
  • Sala delle Quattro Stagioni, or Four Seasons Room, with cabinets by Luigi Prinotto and Pietro Piffetti and exhibition of landscape paintings and dresses, in the royal apartments at the Palazzo Madama e Casaforte degli Acaja, built in the 14th - 18th century by the House of Savoy as a castle and royal residence, in Turin, Piedmont, Italy. Its name celebrates its residents Christine of France and Marie Jeanne of Savoy (the Madama Reali), who renovated the palace. The palace houses the Museo Civico d'Arte Antica and is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0277.jpg
  • Sala delle Quattro Stagioni, or Four Seasons Room, with cabinets by Luigi Prinotto and Pietro Piffetti, painted ceiling and exhibition of landscape paintings and dresses, in the royal apartments at the Palazzo Madama e Casaforte degli Acaja, built in the 14th - 18th century by the House of Savoy as a castle and royal residence, in Turin, Piedmont, Italy. Its name celebrates its residents Christine of France and Marie Jeanne of Savoy (the Madama Reali), who renovated the palace. The palace houses the Museo Civico d'Arte Antica and is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0276.jpg
  • The game of chess, Renaissance oil painting on canvas, c. 1530-32, by Giulio Campi, 1502-72, in the Museo Civico d'Arte Antica, in the Palazzo Madama e Casaforte degli Acaja, built in the 14th - 18th century by the House of Savoy as a castle and royal residence, in Turin, Piedmont, Italy. The painting is possibly an allegory of love or war with the main characters resembling Venus and Mars, and the minor characters are thought to be portraits of the artists' family and his own self portrait. The palace is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0271.jpg
  • Portrait of Laure Junot, duchess of Abrantes, 1784-1838, French writer, oil painting on canvas, mid 19th century, by Hector Jean-Louis Viger-Duvigneau, 1819-79, after the original of 1812 by Ferdinando Quaglia, 1780-1853, in the Musee Balzac at the Chateau de Sache, a Renaissance manor house built 15th century, in Sache near Tours in the Loire Valley, France. Jean Margonne owned the building in the 19th century and Balzac stayed here many times from 1825 to 1840, working and writing. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC23_FRANCE_MC_0267.jpg
  • Portrait of Madame Grand, or Noel Catherine Vorlee, 1761-1835, wife of Talleyrand, painting, copy of original, 1783, by Elisabeth Louise Vigee Le Brun, 1755-1842, at the Metropolitan Museum in New York, at the Chateau de Valencay, at Valencay, Indre, France. The chateau was built in Renaissance style 1540 - 18th century, owned by the d'Estampes family 1451-1747 and the Talleyrand-Perigord family 1803-1979. It is listed as a historic monument. Picture by Manuel Cohen
    Pano_DSCF6380_DSCF6381.jpg
  • Chambre Louis-Philippe, or Chambre d'Orleans, with First Empire and Louis-Philippe style furniture, including a boat bed and crib, portrait of king Louis Philippe I, 1773-1850, and modern copy of the dress of Helene Mecklenburg-Schwerin, duchess of Orleans, by workshop of Madame Augustine, in the Chateau d'Amboise, a medieval castle which became a royal residence in the 15th century and was largely reworked in the 15th and 16th centuries, on the River Loire, at Amboise, Indre-et-Loire, Centre, France. It is listed as a historic monument and is part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC23_FRANCE_MC_0160.jpg
  • Dress of Helene Mecklenburg-Schwerin, duchess of Orleans, 1814-58, as featured in the portrait of 1839 by Franz Xavier Winterhalter, modern copy, 2022, by workshop of Madame Augustine, in the Chambre Louis-Philippe, or Chambre d'Orleans, with First Empire and Louis-Philippe style furniture,  in the Chateau d'Amboise, a medieval castle which became a royal residence in the 15th century and was largely reworked in the 15th and 16th centuries, on the River Loire, at Amboise, Indre-et-Loire, Centre, France. It is listed as a historic monument and is part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC23_FRANCE_MC_0168.jpg
  • Portrait of Helene Mecklenburg-Schwerin, duchess of Orleans, 1814-58, with her son count of Paris, painting, detail, 1839, by Franz Xavier Winterhalter, 1805-73, in the Chambre Louis-Philippe, or Chambre d'Orleans, in the Chateau d'Amboise, a medieval castle which became a royal residence in the 15th century and was largely reworked in the 15th and 16th centuries, on the River Loire, at Amboise, Indre-et-Loire, Centre, France. It is listed as a historic monument and is part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC23_FRANCE_MC_0166.jpg
  • Portrait of Eugene Adelaide Louise, princess of Orleans, known as Madame Adelaide II, with her nephew Francois d'Orleans, prince of Joinville<br />
painting, detail, by Louis Hersent, 1777-1860, in the Chateau d'Amboise, a medieval castle which became a royal residence in the 15th century and was largely reworked in the 15th and 16th centuries, on the River Loire, at Amboise, Indre-et-Loire, Centre, France. It is listed as a historic monument and is part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC23_FRANCE_MC_0188.jpg
  • Portrait of Helene Mecklenburg-Schwerin, duchess of Orleans, 1814-58, with her son count of Paris, painting, 1839, by Franz Xavier Winterhalter, 1805-73, in the Chambre Louis-Philippe, or Chambre d'Orleans, in the Chateau d'Amboise, a medieval castle which became a royal residence in the 15th century and was largely reworked in the 15th and 16th centuries, on the River Loire, at Amboise, Indre-et-Loire, Centre, France. It is listed as a historic monument and is part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC23_FRANCE_MC_0184.jpg
  • Portrait of Agnes Sorel, 1422-50, mistress of Charles VII, painting, 17th century, by unknown artist, in the Chateau de Loches, in the Cite Royale de Loches, Indre-et-Loire, Centre, France. The chateau is a medieval castle in the Loire Valley consisting of the old collegiate Eglise Saint-Ours, the Renaissance Logis Royal built 14th and 16th century, and the keep, built 1013 by Foulques Nerra, count of Anjou. It is listed as a historic monument. Picture by Manuel Cohen
    LC22_FRANCE_MC_1664.jpg
  • Portrait of young woman with dog, presumed to be Agnes Sorel, 1422-50, mistress of Charles VII, painting on wood, early 16th century, by French School artist, in the Chateau de Loches, in the Cite Royale de Loches, Indre-et-Loire, Centre, France. The chateau is a medieval castle in the Loire Valley consisting of the old collegiate Eglise Saint-Ours, the Renaissance Logis Royal built 14th and 16th century, and the keep, built 1013 by Foulques Nerra, count of Anjou. It is listed as a historic monument. Picture by Manuel Cohen
    LC22_FRANCE_MC_1668.jpg
  • Portrait of Agnes Sorel, 1422-50, mistress of Charles VII, with bared breast, detail, oil painting on canvas, 20th century, by unknown artist, after an original by Francois Clouet, 1510-72, in the Chateau de Loches, in the Cite Royale de Loches, Indre-et-Loire, Centre, France. The chateau is a medieval castle in the Loire Valley consisting of the old collegiate Eglise Saint-Ours, the Renaissance Logis Royal built 14th and 16th century, and the keep, built 1013 by Foulques Nerra, count of Anjou. It is listed as a historic monument. Picture by Manuel Cohen
    LC22_FRANCE_MC_1666.jpg
  • Portrait of Agnes Sorel, 1422-50, mistress of Charles VII, with bared breast, oil painting on canvas, 20th century, by unknown artist, after an original by Francois Clouet, 1510-72, in the Chateau de Loches, in the Cite Royale de Loches, Indre-et-Loire, Centre, France. The chateau is a medieval castle in the Loire Valley consisting of the old collegiate Eglise Saint-Ours, the Renaissance Logis Royal built 14th and 16th century, and the keep, built 1013 by Foulques Nerra, count of Anjou. It is listed as a historic monument. Picture by Manuel Cohen
    LC22_FRANCE_MC_1676.jpg
  • Portrait of Mme Leonard-Juvigny, oil painting on canvas, by Auguste de la Brely, 1838-1906, in the Musee des Ursulines, an art and archaeology museum housed since 1968 in the former Ursulines convent, built 1675-80, in Macon, Saone-et-Loire, France. Picture by Manuel Cohen
    LC22_FRANCE_MC_1627.jpg
  • Portrait of Jules Adler and Ernest Quost, oil painting on canvas, by Adolphe Dechenaud, 1868-1926, in the Musee des Ursulines, an art and archaeology museum housed since 1968 in the former Ursulines convent, built 1675-80, in Macon, Saone-et-Loire, France. Jules Adler, 1865-1952, and Ernest Quost, 1842-1931, were French painters. Picture by Manuel Cohen
    LC22_FRANCE_MC_1611.jpg
  • Charles IX and his mother, oil painting, c. 1866, by Arnold Scheffer, in the Musee des Ursulines, an art and archaeology museum housed since 1968 in the former Ursulines convent, built 1675-80, in Macon, Saone-et-Loire, France. Picture by Manuel Cohen
    LC22_FRANCE_MC_1608.jpg
  • Self portrait in the studio, oil painting on canvas, 1630, by Joost Cornelisz Droochsloot, 1586-1666, in the Musee des Ursulines, an art and archaeology museum housed since 1968 in the former Ursulines convent, built 1675-80, in Macon, Saone-et-Loire, France. Picture by Manuel Cohen
    LC22_FRANCE_MC_1600.jpg
  • King Umberto Salon, with monogram U in stucco above the doorways, and dress belonging to queen Margherita, in the Royal Rooms, in the Royal Palace of Venice, now the Correr Museum, on the Piazza San Marco in Venice, Veneto, Italy. King Umberto, 1844-1900 and Margherita stayed here for the first Venice Biennale in 1895. The Napoleonic wing was built 1807-13 designed by Giovanni Antonio Antolini and Giuseppe Maria Soli and was used by Napoleon until 1814, the Emperor of Austria until 1866 and the king of Italy until 1919, and restored 2000-22. The historic centre of Venice is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0215.jpg
  • King Umberto Salon, with monogram U in stucco above the doorways, and dress belonging to queen Margherita, in the Royal Rooms, in the Royal Palace of Venice, now the Correr Museum, on the Piazza San Marco in Venice, Veneto, Italy. King Umberto, 1844-1900 and Margherita stayed here for the first Venice Biennale in 1895. The Napoleonic wing was built 1807-13 designed by Giovanni Antonio Antolini and Giuseppe Maria Soli and was used by Napoleon until 1814, the Emperor of Austria until 1866 and the king of Italy until 1919, and restored 2000-22. The historic centre of Venice is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0182.jpg
  • Portrait of Giuseppe Borsato, 1770-1849, artist, in the Antechamber of the apartments (whose ceiling he decorated), linking the Sissi apartment with the Maximilian apartment, in the Royal Palace of Venice, now the Correr Museum, on the Piazza San Marco in Venice, Veneto, Italy. The Napoleonic wing was built 1807-13 designed by Giovanni Antonio Antolini and Giuseppe Maria Soli and was used by Napoleon until 1814, the Emperor of Austria until 1866 and the king of Italy until 1919, and restored 2000-22. The historic centre of Venice is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0154.jpg
  • Portrait of Margherita of Savoy, 1851-1926, queen of Italy and wife of Umberto I, painting, possibly by Vittorio Tessari (1860-1947), in the Lounge of king Umberto, in the Royal Rooms of the Royal Palace of Venice, now the Correr Museum, on the Piazza San Marco in Venice, Veneto, Italy. King Umberto, 1844-1900 and Margherita stayed here for the first Venice Biennale in 1895. The Napoleonic wing was built 1807-13 designed by Giovanni Antonio Antolini and Giuseppe Maria Soli and was used by Napoleon until 1814, the Emperor of Austria until 1866 and the king of Italy until 1919, and restored 2000-22. The historic centre of Venice is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0224.jpg
  • Portrait of Giuseppe Borsato, 1770-1849, artist, in the Antechamber of the apartments (whose ceiling he decorated), linking the Sissi apartment with the Maximilian apartment, in the Royal Palace of Venice, now the Correr Museum, on the Piazza San Marco in Venice, Veneto, Italy. The Napoleonic wing was built 1807-13 designed by Giovanni Antonio Antolini and Giuseppe Maria Soli and was used by Napoleon until 1814, the Emperor of Austria until 1866 and the king of Italy until 1919, and restored 2000-22. The historic centre of Venice is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0220.jpg
  • King Umberto Salon, with monogram U in stucco above the doorways, and dress belonging to queen Margherita, in the Royal Rooms, in the Royal Palace of Venice, now the Correr Museum, on the Piazza San Marco in Venice, Veneto, Italy. King Umberto, 1844-1900 and Margherita stayed here for the first Venice Biennale in 1895. The Napoleonic wing was built 1807-13 designed by Giovanni Antonio Antolini and Giuseppe Maria Soli and was used by Napoleon until 1814, the Emperor of Austria until 1866 and the king of Italy until 1919, and restored 2000-22. The historic centre of Venice is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0185.jpg
  • Portrait of Antoine de Flandre, seigneur de Brunville, oil painting on canvas, 1761, by Alexandre Roslin, 1718-93, in the Musee des Beaux Arts de Tours, a fine arts museum founded 1801, and housed since 1910 in the archbishop's palace on the Place Francois Sicard in Tours, Indre-et-Loire, France. The museum houses paintings from 14th - 21st centuries, sculpture, prints, ceramics and furniture, and is listed as a historic monument. Picture by Manuel Cohen
    LC22_FRANCE_MC_1569.jpg
  • Virgin and child with donors Alexander Goubau, 1540-1614, grand almoner of Antwerp, and his wife Anna Antoni, oil painting on wood panel, by Peter Paul Rubens, 1577-1640, in the Musee des Beaux Arts de Tours, a fine arts museum founded 1801, and housed since 1910 in the archbishop's palace on the Place Francois Sicard in Tours, Indre-et-Loire, France. The museum houses paintings from 14th - 21st centuries, sculpture, prints, ceramics and furniture, and is listed as a historic monument. Picture by Manuel Cohen
    LC22_FRANCE_MC_1560.jpg
  • Florentine inlaid cabinet with secret drawers, 17th century, in the Salon Vauban, originally the castle chapel but converted to a bedroom by the marquise de Valentinay, daughter of Vauban, in 1670, in the Chateau d'Usse, built 15th - 17th century in medieval and Renaissance style, in Rigny-Usse, Indre-et-Loire, France. The sitting room is decorated with 16th century Brussels tapestries. Mannequins wearing period costumes are part of a 2022 exhibition 'Telle Mere, Telle Fille'. An existing ruined castle was rebuilt from 1440s by Jean V de Breuil and later rebuilt by Charles d'Espinay. The chateau is owned by the duc de Blacas and is listed as a historic monument. Picture by Manuel Cohen
    LC22_FRANCE_MC_1462.jpg
  • Salon Vauban, originally the castle chapel but converted to a bedroom by the marquise de Valentinay, daughter of Vauban, in 1670, in the Chateau d'Usse, built 15th - 17th century in medieval and Renaissance style, in Rigny-Usse, Indre-et-Loire, France. The sitting room is decorated with 16th century Brussels tapestries. Mannequins wearing period costumes are part of a 2022 exhibition 'Telle Mere, Telle Fille'. An existing ruined castle was rebuilt from 1440s by Jean V de Breuil and later rebuilt by Charles d'Espinay. The chateau is owned by the duc de Blacas and is listed as a historic monument. Picture by Manuel Cohen
    LC22_FRANCE_MC_1461.jpg
  • Chambre du Roi or King's Bedroom, with walls lined with red silk from Tours, furniture made in 1770 and 4-poster bed, restored in 1995, in the Chateau d'Usse, built 15th - 17th century in medieval and Renaissance style, in Rigny-Usse, Indre-et-Loire, France. Mannequins wearing period costumes are part of a 2022 exhibition 'Telle Mere, Telle Fille'. An existing ruined castle was rebuilt from 1440s by Jean V de Breuil and later rebuilt by Charles d'Espinay. The chateau is owned by the duc de Blacas and is listed as a historic monument. Picture by Manuel Cohen
    LC22_FRANCE_MC_1473.jpg
  • Antechamber of the king, refurbished 17th century, with a copy of Wedding at Cana by Paolo Veronese, and 17th century marquetry desk, in the Chateau d'Usse, built 15th - 17th century in medieval and Renaissance style, in Rigny-Usse, Indre-et-Loire, France. Mannequins wearing period costumes are part of a 2022 exhibition 'Telle Mere, Telle Fille'. An existing ruined castle was rebuilt from 1440s by Jean V de Breuil and later rebuilt by Charles d'Espinay. The chateau is owned by the duc de Blacas and is listed as a historic monument. Picture by Manuel Cohen
    LC22_FRANCE_MC_1472.jpg
  • Portrait of a lady, thought to be comtesse de Montdidier, oil painting, c. 1672, attributed to Henri Gascars, 1635-1701, in the Chateau d'Usse, built 15th - 17th century in medieval and Renaissance style, in Rigny-Usse, Indre-et-Loire, France. An existing ruined castle was rebuilt from 1440s by Jean V de Breuil and later rebuilt by Charles d'Espinay. The chateau is owned by the duc de Blacas and is listed as a historic monument. Picture by Manuel Cohen
    LC22_FRANCE_MC_1476.jpg
  • Portraits of Anne of Brittany and Charles VIII (Karolus), who were married here in 1491, in the Salle de la Devise, or Currency Room, in the Chateau de Langeais, a Renaissance castle built 1465-69 by king Louis XI, on the river Loire in Langeais, Indre-et-Loire, France. Originally built in the 10th century by Foulques Nerra, it was rebuilt in the 15th century by Jean Bourre and Jean Briconnet. The chateau is listed as a historic monument and forms part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_FRANCE_MC_1397.jpg
  • Woman wearing collar, painting, by Michel-Jansz Van Mirevelt, 1566-1641, in the Chateau de Chenonceau, built 1514–22 in late Gothic and early Renaissance style, on the River Cher near Chenonceaux, Indre-et-Loire, France. The chateau was extended on a bridge across the river, commissioned by Diane de Poitiers and built 1556-59 by Philibert de l'Orme, with a gallery added 1570–76 by Jean Bullant. The chateau is listed as a historic monument and forms part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_FRANCE_MC_1284.jpg
  • Portrait of the Duchesse d'Olonne, 1634-1714, painting, by Pierre Mignard, 1612-95, in the Bedroom of the Five Queens, in the Chateau de Chenonceau, built 1514–22 in late Gothic and early Renaissance style, on the River Cher near Chenonceaux, Indre-et-Loire, France. The chateau was extended on a bridge across the river, commissioned by Diane de Poitiers and built 1556-59 by Philibert de l'Orme, with a gallery added 1570–76 by Jean Bullant. The chateau is listed as a historic monument and forms part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_FRANCE_MC_1300.jpg
  • Portrait of Michel Chamillard, 1652-1721, minister to Louis XIV, painting by Gaspard Netscher, 1639-84, in the Chateau de Chenonceau, built 1514–22 in late Gothic and early Renaissance style, on the River Cher near Chenonceaux, Indre-et-Loire, France. The chateau was extended on a bridge across the river, commissioned by Diane de Poitiers and built 1556-59 by Philibert de l'Orme, with a gallery added 1570–76 by Jean Bullant. The chateau is listed as a historic monument and forms part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_FRANCE_MC_1302.jpg
  • Portrait of Catherine de Medici, oil painting on canvas, 19th century copy of an original, in the room known as the Bedroom of Catherine de Medici, who acquired the castle in 1550, in the Chateau de Chaumont-sur-Loire, in the Loire Valley, Loir-et-Cher, Centre, France, rebuilt in the 15th century by Charles I d'Amboise on the site of a 10th century Burgundian castle founded by Odo I count of Blois. The chateau is listed as a historic monument and is part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_FRANCE_MC_1252.jpg
  • Portrait of Catherine de Medici, detail, oil painting on canvas, 19th century copy of an original, in the room known as the Bedroom of Catherine de Medici, who acquired the castle in 1550, in the Chateau de Chaumont-sur-Loire, in the Loire Valley, Loir-et-Cher, Centre, France, rebuilt in the 15th century by Charles I d'Amboise on the site of a 10th century Burgundian castle founded by Odo I count of Blois. The chateau is listed as a historic monument and is part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_FRANCE_MC_1244.jpg
  • Portrait thought to be of Diane de Poitiers, 1500-66, oil painting on canvas, probably 19th century, in her bedroom in the Chateau de Chaumont-sur-Loire, in the Loire Valley, Loir-et-Cher, Centre, France, rebuilt in the 15th century by Charles I d'Amboise on the site of a 10th century Burgundian castle founded by Odo I count of Blois. The chateau is listed as a historic monument and is part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_FRANCE_MC_1245.jpg
  • Portrait of Marie Leszczynska, 1703-66, queen of France, wife of king Louis XV, oil painting on canvas, 19th century, after Jean-Marc Nattier, 1685-1766, in the Chateau de Chambord, designed by Domenico da Cortona and built 1519-47 in French Renaissance style under King Francois I, at Chambord, Loir-et-Cher, France. The chateau is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_FRANCE_MC_1176.jpg
  • Portrait of Eleanor of Austria, queen consort of France, 1498-1558, oil painting on canvas, by Atala Stamaty, 1803-85, after Joos van Cleve, c. 1485-1541, in the Chateau de Chambord, designed by Domenico da Cortona and built 1519-47 in French Renaissance style under King Francois I, at Chambord, Loir-et-Cher, France. The chateau is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_FRANCE_MC_1205.jpg
  • Portrait of Francois I, 1494-1547, king of France, oil painting, 17th century, in the collection of the Chateau de Chambord, designed by Domenico da Cortona and built 1519-47 in French Renaissance style under King Francois I, at Chambord, Loir-et-Cher, France. The largest of the Loire Valley chateaux, Chambord has a central keep with 4 bastion towers on the corners, a moat and an elaborate decorative roofline. The chateau is listed as a UNESCO World Heritage Site. Collection Manuel Cohen © Domaine de Chambord
    LC22_FRANCE_MC_1215.jpg
  • La Grande Mademoiselle, portrait of Anne Marie Louise d'Orleans, 1627-93, daughter of Gaston d'Orleans and cousin of king Louis XIV, oil painting on canvas, 17th century, by Jean Nocret, 1615-72, in the Chateau de Chambord, designed by Domenico da Cortona and built 1519-47 in French Renaissance style under King Francois I, at Chambord, Loir-et-Cher, France. She holds a portrait of her father Gaston d'Orleans who lived at Chambord. The chateau is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_FRANCE_MC_1218.jpg
  • Portrait thought to be of Maria Theresa of Austria, 1638-83, as a girl (later to be wife of Louis XIV and queen of France), oil painting on canvas, c. 1662, copy of painting by the workshop of Henri and Charles Beaubrun, in the Chateau de Chambord, designed by Domenico da Cortona and built 1519-47 in French Renaissance style under King Francois I, at Chambord, Loir-et-Cher, France. The chateau is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_FRANCE_MC_1219.jpg
  • Portrait of Anne of Austria, 1601-66, in mourning dress (after the death of Louis XIII), oil painting on canvas, 17th century, by the studio of Henri 1603-77 and Charles 1602-92 Beaubrun, in the Chateau de Chambord, designed by Domenico da Cortona and built 1519-47 in French Renaissance style under King Francois I, at Chambord, Loir-et-Cher, France. The chateau is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_FRANCE_MC_1221.jpg
  • Intimate portrait of the Dauphin Louis, later king Louis XIV, 1638-1715, with his mother queen Anne of Austria, 1601-66, oil painting on canvas, 17th century, painted shortly before the death of king Louis XIII in 1643, in the Chateau de Chambord, designed by Domenico da Cortona and built 1519-47 in French Renaissance style under King Francois I, at Chambord, Loir-et-Cher, France. The chateau is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_FRANCE_MC_1227.jpg
  • Portrait of the Duc de Berry, 1778-1820, oil painting on canvas, c. 1820, after Francois Gerard, 1770-1837, in the Chateau de Chambord, designed by Domenico da Cortona and built 1519-47 in French Renaissance style under King Francois I, at Chambord, Loir-et-Cher, France. The chateau is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_FRANCE_MC_1230.jpg
  • Francois I conferring on Rosso the titles and benefices of the Abbey of Saint-Martin, as a reward for this decorative work at the Palace of Fontainebleau, detail, oil painting on canvas, 1865, by Isidore Patrois, 1815-84, in the Chateau Royal de Blois, built 13th - 17th century in Blois in the Loire Valley, Loir-et-Cher, Centre, France. The chateau has 564 rooms and 75 staircases and is listed as a historic monument and UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_FRANCE_MC_1089.jpg
  • Francois I conferring on Rosso the titles and benefices of the Abbey of Saint-Martin, as a reward for this decorative work at the Palace of Fontainebleau, oil painting on canvas, 1865, by Isidore Patrois, 1815-84, in the Chateau Royal de Blois, built 13th - 17th century in Blois in the Loire Valley, Loir-et-Cher, Centre, France. The chateau has 564 rooms and 75 staircases and is listed as a historic monument and UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_FRANCE_MC_1088.jpg
  • Portrait of Mary Queen of Scots or Mary Stuart, Queen of Scotland and France, 1542-87, in mourning clothes, oil painting on wood, early 17th century, after Francois Clouet, 1515-72, in the Garde-robe de la Reine, or Queen's Dressing Room, in the Francois I wing, built early 16th century in Italian Renaissance style and restored by Felix Duban 1861-66, at the Chateau Royal de Blois, built 13th - 17th century in Blois in the Loire Valley, Loir-et-Cher, Centre, France. The chateau has 564 rooms and 75 staircases and is listed as a historic monument and UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_FRANCE_MC_1101.jpg
  • Portrait of Marguerite de France, Queen of Navarre, known as La Reine Margot, 1553-1615,<br />
detail, oil painting on canvas, after Francois Clouet, 1515-1572, in the Garde-robe de la Reine, or Queen's Dressing Room, in the Francois I wing, built early 16th century in Italian Renaissance style and restored by Felix Duban 1861-66, at the Chateau Royal de Blois, built 13th - 17th century in Blois in the Loire Valley, Loir-et-Cher, Centre, France. The chateau has 564 rooms and 75 staircases and is listed as a historic monument and UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_FRANCE_MC_1099.jpg
  • Portrait of Marguerite de France, Queen of Navarre, known as La Reine Margot, 1553-1615,<br />
oil painting on canvas, after Francois Clouet, 1515-1572, in the Garde-robe de la Reine, or Queen's Dressing Room, in the Francois I wing, built early 16th century in Italian Renaissance style and restored by Felix Duban 1861-66, at the Chateau Royal de Blois, built 13th - 17th century in Blois in the Loire Valley, Loir-et-Cher, Centre, France. The chateau has 564 rooms and 75 staircases and is listed as a historic monument and UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_FRANCE_MC_1098.jpg
  • Portrait of Henri II, 1519-59, oil painting on canvas, 17th century, by French School, in the Galerie de la Reine or Queen's Gallery, decorated in 16th century Renaissance style and restored by Felix Duban in 1861-66, on the first floor of the Francois I wing, built early 16th century in Italian Renaissance style, at the Chateau Royal de Blois, built 13th - 17th century in Blois in the Loire Valley, Loir-et-Cher, Centre, France. The gallery overlooks the gardens and houses an important portrait collection. The chateau has 564 rooms and 75 staircases and is listed as a historic monument and UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_FRANCE_MC_1096.jpg
  • Portrait of Francois I, 1494-1547, oil painting on canvas, 17th century, by French School, in the Galerie de la Reine or Queen's Gallery, decorated in 16th century Renaissance style and restored by Felix Duban in 1861-66, on the first floor of the Francois I wing, built early 16th century in Italian Renaissance style, at the Chateau Royal de Blois, built 13th - 17th century in Blois in the Loire Valley, Loir-et-Cher, Centre, France. The gallery overlooks the gardens and houses an important portrait collection. The chateau has 564 rooms and 75 staircases and is listed as a historic monument and UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_FRANCE_MC_1095.jpg
  • Portrait of Anne de Rohan, with a lace ruff, oil painting on canvas, c. 1625, by unknown artist, from the Gallery of portraits from the Chateau de Saint Germain-Beaupre, Creuse, now in the Musee des Beaux-Arts de la Ville de Blois, housed since 1869 on the first floor of the Louis XII wing of the Chateau Royal de Blois, built 13th - 17th century in Blois in the Loire Valley, Loir-et-Cher, Centre, France. The museum originally opened in 1850 in the Francois I wing, but moved here in 1869 after the rooms had been restored by Felix Duban in 1861-66. The chateau has 564 rooms and 75 staircases and is listed as a historic monument and UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_FRANCE_MC_1124.jpg
  • Portrait of Anne d'Autriche, or Anne of Austria, 1601-66, queen of France as wife of Louis XIII, oil painting on canvas, c. 1625, by unknown artist, from the Gallery of portraits from the Chateau de Saint Germain-Beaupre, Creuse, now in the Musee des Beaux-Arts de la Ville de Blois, housed since 1869 on the first floor of the Louis XII wing of the Chateau Royal de Blois, built 13th - 17th century in Blois in the Loire Valley, Loir-et-Cher, Centre, France. The museum originally opened in 1850 in the Francois I wing, but moved here in 1869 after the rooms had been restored by Felix Duban in 1861-66. The chateau has 564 rooms and 75 staircases and is listed as a historic monument and UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_FRANCE_MC_1123.jpg
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