manuel cohen

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  • Palace of Holyroodhouse, known as Holyrood Palace, on the Royal Mile in Edinburgh, Scotland. The palace has been the principal residence of the Kings and Queens of Scotland since the 16th century and remains a royal palace. The Northwest tower (left) is 16th century, built under James V, and the rest of the building dates 1671-78. The forecourt fountain (right) is a 19th century replica of the 16th century fountain at Linlithgow Palace. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_065.jpg
  • Grave slab depicting Donald MacGill'easbuig, crown tenant of Finlaggan, in West Highland armour with a sword and a galley, in the National Museum of Scotland, Edinburgh, Scotland. MacGill'easbuig was a mercenary leader in the wars in Ireland. This is a cast of the original at Oronsay Priory, Finlaggan, made for Murdoch MacDuffie of Colonsay, Argyll, died 1539. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_063.jpg
  • Royal arms from Scotorum Historiae by Hector Boece published in Paris 1526, 1 of the Beaton panels, in the National Museum of Scotland, Edinburgh, Scotland. The 8 carved wooded Beaton panels were made for Cardinal David Beaton, in the 1530s and are late Gothic in style. They may have been made for the cardinal's private apartments in St Andrews Castle and later removed by John Beaton of Balfour, captain of the castle. They were then installed in the dining room of Balfour House in Fife. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_061.jpg
  • Tomb of Mary Queen of Scots, 1542-87, detail, a cast of the original in Westminster Abbey, London, made 1606-12 by Cornelius and William Cure, in the collection of the National Museum of Scotland, Edinburgh, Scotland. The effigy depicts the queen wearing a coif and a ruff with her cloak fastened by a brooch and the lion of Scotland at her feet. The tomb was commissioned by her son, king James VI, and was a symbol of rehabilitation many years after her execution in 1587. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_058.jpg
  • Tomb of Mary Queen of Scots, 1542-87, detail, a cast of the original in Westminster Abbey, London, made 1606-12 by Cornelius and William Cure, in the collection of the National Museum of Scotland, Edinburgh, Scotland. The effigy depicts the queen wearing a coif and a ruff with her cloak fastened by a brooch and the lion of Scotland at her feet. The tomb was commissioned by her son, king James VI, and was a symbol of rehabilitation many years after her execution in 1587. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_057.jpg
  • Grave slab depicting John MacAlister, parson of Gigha, Argyll, 1500-60, from the chapel on Texa, a small island off Islay, given by Capt. Ian Ramsay of Kildalton, in the National Museum of Scotland, Edinburgh, Scotland. This is a cast of an original at Finlaggan. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_054.jpg
  • Carved woodwork in James IV’s Great Hall, 1503-13, the chief assembly hall in the castle, on Crown Square, in Edinburgh Castle on Castle Rock, Edinburgh, Scotland. The Great Hall was used as a military barracks in the 17th and 18th centuries and as a military hospital in the 19th century, then restored by Hippolyte Blanc, 1844-1917, to medieval style. The first royal castle built here was under David I in the 12th century, and the site has been built on, attacked and defended ever since. The castle now houses military museums and the National War Museum of Scotland and is run by Historic Scotland. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_052.jpg
  • Cherub, sculptural detail celebrating king James' alliance with England, mainly original but some later Victorian, in James IV’s Great Hall, 1503-13, the chief assembly hall in the castle, on Crown Square, in Edinburgh Castle on Castle Rock, Edinburgh, Scotland. The Great Hall was used as a military barracks in the 17th and 18th centuries and as a military hospital in the 19th century, then restored by Hippolyte Blanc, 1844-1917, to medieval style. The first royal castle built here was under David I in the 12th century, and the site has been built on, attacked and defended ever since. The castle now houses military museums and the National War Museum of Scotland and is run by Historic Scotland. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_050.jpg
  • Thistle, symbol of Scotland, sculptural detail celebrating king James' alliance with England, mainly original but some later Victorian, in James IV’s Great Hall, 1503-13, the chief assembly hall in the castle, on Crown Square, in Edinburgh Castle on Castle Rock, Edinburgh, Scotland. The Great Hall was used as a military barracks in the 17th and 18th centuries and as a military hospital in the 19th century, then restored by Hippolyte Blanc, 1844-1917, to medieval style. The first royal castle built here was under David I in the 12th century, and the site has been built on, attacked and defended ever since. The castle now houses military museums and the National War Museum of Scotland and is run by Historic Scotland. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_049.jpg
  • Green man, symbol of fertility similar to one on the royal sceptre, sculptural detail celebrating king James' alliance with England, mainly original but some later Victorian, in James IV’s Great Hall, 1503-13, the chief assembly hall in the castle, on Crown Square, in Edinburgh Castle on Castle Rock, Edinburgh, Scotland. The Great Hall was used as a military barracks in the 17th and 18th centuries and as a military hospital in the 19th century, then restored by Hippolyte Blanc, 1844-1917, to medieval style. The first royal castle built here was under David I in the 12th century, and the site has been built on, attacked and defended ever since. The castle now houses military museums and the National War Museum of Scotland and is run by Historic Scotland. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_048.jpg
  • Female bust, symbol of love, sculptural detail celebrating king James' alliance with England, mainly original but some later Victorian, in James IV’s Great Hall, 1503-13, the chief assembly hall in the castle, on Crown Square, in Edinburgh Castle on Castle Rock, Edinburgh, Scotland. The Great Hall was used as a military barracks in the 17th and 18th centuries and as a military hospital in the 19th century, then restored by Hippolyte Blanc, 1844-1917, to medieval style. The first royal castle built here was under David I in the 12th century, and the site has been built on, attacked and defended ever since. The castle now houses military museums and the National War Museum of Scotland and is run by Historic Scotland. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_046.jpg
  • Suits of armour and weaponry on display in James IV’s Great Hall, 1503-13, the chief assembly hall in the castle, on Crown Square, in Edinburgh Castle on Castle Rock, Edinburgh, Scotland. The Great Hall was used as a military barracks in the 17th and 18th centuries and as a military hospital in the 19th century, then restored by Hippolyte Blanc, 1844-1917, to medieval style. The first royal castle built here was under David I in the 12th century, and the site has been built on, attacked and defended ever since. The castle now houses military museums and the National War Museum of Scotland and is run by Historic Scotland. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_045.jpg
  • Weaponry on display, including swords and halberds, in James IV’s Great Hall, 1503-13, the chief assembly hall in the castle, on Crown Square, in Edinburgh Castle on Castle Rock, Edinburgh, Scotland. The Great Hall was used as a military barracks in the 17th and 18th centuries and as a military hospital in the 19th century, then restored by Hippolyte Blanc, 1844-1917, to medieval style. The first royal castle built here was under David I in the 12th century, and the site has been built on, attacked and defended ever since. The castle now houses military museums and the National War Museum of Scotland and is run by Historic Scotland. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_043.jpg
  • Suits of armour in James IV’s Great Hall, 1503-13, the chief assembly hall in the castle, on Crown Square, in Edinburgh Castle on Castle Rock, Edinburgh, Scotland. The Great Hall was used as a military barracks in the 17th and 18th centuries and as a military hospital in the 19th century, then restored by Hippolyte Blanc, 1844-1917, to medieval style. The first royal castle built here was under David I in the 12th century, and the site has been built on, attacked and defended ever since. The castle now houses military museums and the National War Museum of Scotland and is run by Historic Scotland. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_042.jpg
  • Statues on the great fireplace in James IV’s Great Hall, 1503-13, the chief assembly hall in the castle, on Crown Square, in Edinburgh Castle on Castle Rock, Edinburgh, Scotland. The Great Hall was used as a military barracks in the 17th and 18th centuries and as a military hospital in the 19th century, then restored by Hippolyte Blanc, 1844-1917, to medieval style. The first royal castle built here was under David I in the 12th century, and the site has been built on, attacked and defended ever since. The castle now houses military museums and the National War Museum of Scotland and is run by Historic Scotland. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_041.jpg
  • Statues on the great fireplace in James IV’s Great Hall, 1503-13, the chief assembly hall in the castle, on Crown Square, in Edinburgh Castle on Castle Rock, Edinburgh, Scotland. The Great Hall was used as a military barracks in the 17th and 18th centuries and as a military hospital in the 19th century, then restored by Hippolyte Blanc, 1844-1917, to medieval style. The first royal castle built here was under David I in the 12th century, and the site has been built on, attacked and defended ever since. The castle now houses military museums and the National War Museum of Scotland and is run by Historic Scotland. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_040.jpg
  • Scottish National Gallery, designed 1850-59 by William Playfair in Neoclassical style with Ionic columns, in Princes St Gardens, in Edinburgh, Scotland. The 2 porticos were originally 2 entrances to the National Galleries of Scotland and the Royal Scottish Academy. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_082.jpg
  • Scottish National Gallery (left), designed 1850-59 by William Playfair in Neoclassical style, and (right), New College, the School of Divinity of the University of Edinburgh, built 1843 in Neo Gothic style by William Playfair, in Edinburgh, Scotland. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_081.jpg
  • Princes St Gardens, with (left), the Museum of the Mound, a museum of money and economics opened 2006 in the Bank of Scotland headquarters, a Baroque Revival building on the Mound, and (right), New College, the School of Divinity of the University of Edinburgh, built 1843 in Neo Gothic style by William Playfair, in Edinburgh, Scotland. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_080.jpg
  • Museum of the Mound, a museum of money and economics opened 2006 in the Bank of Scotland headquarters, a Baroque Revival building on the Mound in Edinburgh, Scotland. Below is the Scottish National Gallery, designed 1850-59 by William Playfair in Neoclassical style. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_079.jpg
  • Edinburgh Castle on Castle Rock, in Edinburgh, Scotland. The first royal castle built here was under David I in the 12th century, and the site has been built on, attacked and defended ever since. The castle now houses military museums and the National War Museum of Scotland and is run by Historic Scotland. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_078.JPG
  • Edinburgh Castle on Castle Rock, in Edinburgh, Scotland. The first royal castle built here was under David I in the 12th century, and the site has been built on, attacked and defended ever since. The castle now houses military museums and the National War Museum of Scotland and is run by Historic Scotland. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_073.jpg
  • Statue of Sir James Young Simpson, 1811-70, obstetrician and pioneer of anaesthesia, by William Brodie, 1815-81, in West Princes St Gardens, Edinburgh, Scotland. Behind is Edinburgh Castle on Castle Rock. The first royal castle built here was under David I in the 12th century, and the site has been built on, attacked and defended ever since. The castle now houses military museums and the National War Museum of Scotland and is run by Historic Scotland. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_072.jpg
  • Edinburgh Castle on Castle Rock, in Edinburgh, Scotland. The first royal castle built here was under David I in the 12th century, and the site has been built on, attacked and defended ever since. The castle now houses military museums and the National War Museum of Scotland and is run by Historic Scotland. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_071.jpg
  • Edinburgh Castle on Castle Rock, seen from Princes St Gardens, in Edinburgh, Scotland. The first royal castle built here was under David I in the 12th century, and the site has been built on, attacked and defended ever since. The castle now houses military museums and the National War Museum of Scotland and is run by Historic Scotland. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_070.jpg
  • Edinburgh Castle on Castle Rock, seen from Princes St Gardens, in Edinburgh, Scotland. The first royal castle built here was under David I in the 12th century, and the site has been built on, attacked and defended ever since. The castle now houses military museums and the National War Museum of Scotland and is run by Historic Scotland. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_069.jpg
  • Marble statue of Sir Walter Scott by John Steell in the Scott Monument, built 1840-46, designed by George Meikle Kemp in Victorian Gothic style, on Princes Street Gardens in Edinburgh, Scotland. The monument serves as a memorial to Sir Walter Scott, 1771-1832, Scottish writer and poet, and is the largest monument to a writer in the world. The monument is adorned with statues of 64 characters from his novels. Behind the monument is the Balmoral Clock, in the tower of the Balmoral Hotel, situated next to Waverley station. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_067.jpg
  • Scott Monument, built 1840-46, designed by George Meikle Kemp in Victorian Gothic style, on Princes Street Gardens in Edinburgh, Scotland. The monument serves as a memorial to Sir Walter Scott, 1771-1832, Scottish writer and poet, and is the largest monument to a writer in the world. The monument houses a marble statue of Scott by John Steell and statues of 64 characters from his novels. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_066.JPG
  • Black Watch Boer War Memorial, by William Birnie Rhind, 1853-1933, in augurated 1910, dedicated to the soldiers who fell during the Boer War 1899-1902, on Market St and North Bank St, Edinburgh, Scotland. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_187.jpg
  • Scott Monument, built 1840-46, designed by  George Meikle Kemp in Victorian Gothic style, on Princes Street Gardens in Edinburgh, Scotland. The monument serves as a memorial to Sir Walter Scott, 1771-1832, Scottish writer and poet, and is the largest monument to a writer in the world. The monument houses a marble statue of Scott by John Steell and statues of 64 characters from his novels. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_186.jpg
  • General view over the rooftops of Edinburgh, Scotland. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_185.jpg
  • Fireplace, 15th century, with coat of arms of James VI of Scotland and I of England and Ireland (a Scottish unicorn and English lion), in Laich Hall, in Edinburgh Castle on Castle Rock, Edinburgh, Scotland. This room was remodeled as a dining hall for James VI’s golden jubilee in 1617, where he held a grand banquet. The first royal castle built here was under David I in the 12th century, and the site has been built on, attacked and defended ever since. The castle now houses military museums and the National War Museum of Scotland and is run by Historic Scotland. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_183.jpg
  • Carved stone panel with the coat of arms of the Archibald family, late 17th century, found in Young Street, Edinburgh and given by Thomas Stevenson, in the National Museum of Scotland, Edinburgh, Scotland. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_064.jpg
  • Stone from Invereen, May, Inverness-shire, carved with Pictish symbols typical of the 7th and the 8th centuries, in the National Museum of Scotland, Edinburgh, Scotland. The meaning of the symbols is unknown. The red sandstone stone was discovered in 1932 and features a crescent and v-rod symbol, a double disc and z-rod, and a circle and line which may be later in date. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_062.jpg
  • Angels with the coat of arms of Cardinal Beaton, 1 of the Beaton panels, in the National Museum of Scotland, Edinburgh, Scotland. The 8 carved wooded Beaton panels were made for Cardinal David Beaton, in the 1530s and are late Gothic in style. They may have been made for the cardinal's private apartments in St Andrews Castle and later removed by John Beaton of Balfour, captain of the castle. They were then installed in the dining room of Balfour House in Fife. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_060.jpg
  • The Tree of Jesse and the Annunciation, carved oak panel after the Book of Hours of the Use of Rome by Thelma Never, 1 of the Beaton panels, in the National Museum of Scotland, Edinburgh, Scotland. The 8 carved wooded Beaton panels were made for Cardinal David Beaton, in the 1530s and are late Gothic in style. They may have been made for the cardinal's private apartments in St Andrews Castle and later removed by John Beaton of Balfour, captain of the castle. They were then installed in the dining room of Balfour House in Fife. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_059.jpg
  • Tomb of Mary Queen of Scots, 1542-87, a cast of the original in Westminster Abbey, London, made 1606-12 by Cornelius and William Cure, in the collection of the National Museum of Scotland, Edinburgh, Scotland. The effigy depicts the queen wearing a coif and a ruff with her cloak fastened by a brooch and the lion of Scotland at her feet. The tomb was commissioned by her son, king James VI, and was a symbol of rehabilitation many years after her execution in 1587. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_056.jpg
  • Tomb of Mary Queen of Scots, 1542-87, detail, a cast of the original in Westminster Abbey, London, made 1606-12 by Cornelius and William Cure, in the collection of the National Museum of Scotland, Edinburgh, Scotland. The effigy depicts the queen wearing a coif and a ruff with her cloak fastened by a brooch and the lion of Scotland at her feet. The tomb was commissioned by her son, king James VI, and was a symbol of rehabilitation many years after her execution in 1587. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_055.jpg
  • Writer's Museum, celebrating the life and works of Scotland's 3 most famous authors, Robert Burns, Sir Walter Scott and Robert Louis Stevenson, on Lady Stair's Close in Edinburgh, Scotland. The building housing the museum, Lady Stair's House, was built in 1622 for Sir William Gray of Pittendrum. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_053.jpg
  • Jester, musician and man with dogs, sculptural detail from the great fireplace in James IV’s Great Hall, 1503-13, the chief assembly hall in the castle, on Crown Square, in Edinburgh Castle on Castle Rock, Edinburgh, Scotland. The Great Hall was used as a military barracks in the 17th and 18th centuries and as a military hospital in the 19th century, then restored by Hippolyte Blanc, 1844-1917, to medieval style. The first royal castle built here was under David I in the 12th century, and the site has been built on, attacked and defended ever since. The castle now houses military museums and the National War Museum of Scotland and is run by Historic Scotland. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_051.jpg
  • Stained glass window depicting coats of arms, detail, in James IV’s Great Hall, 1503-13, the chief assembly hall in the castle, on Crown Square, in Edinburgh Castle on Castle Rock, Edinburgh, Scotland. The Great Hall was used as a military barracks in the 17th and 18th centuries and as a military hospital in the 19th century, then restored by Hippolyte Blanc, 1844-1917, to medieval style. The first royal castle built here was under David I in the 12th century, and the site has been built on, attacked and defended ever since. The castle now houses military museums and the National War Museum of Scotland and is run by Historic Scotland. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_047.jpg
  • Jester and musician, sculptural detail from the great fireplace in James IV’s Great Hall, 1503-13, the chief assembly hall in the castle, on Crown Square, in Edinburgh Castle on Castle Rock, Edinburgh, Scotland. The Great Hall was used as a military barracks in the 17th and 18th centuries and as a military hospital in the 19th century, then restored by Hippolyte Blanc, 1844-1917, to medieval style. The first royal castle built here was under David I in the 12th century, and the site has been built on, attacked and defended ever since. The castle now houses military museums and the National War Museum of Scotland and is run by Historic Scotland. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_044.jpg
  • Edinburgh Castle on Castle Rock and the Scottish National Gallery in Princes St Gardens, at night, in Edinburgh, Scotland. The first royal castle built here was under David I in the 12th century, and the site has been built on, attacked and defended ever since. The castle now houses military museums and the National War Museum of Scotland and is run by Historic Scotland. The Scottish National Gallery was designed 1850-59 by William Playfair in Neoclassical style, with Ionic columns, porticoes and stylobate steps. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_039.jpg
  • Statue of Sir James Young Simpson, 1811-70, obstetrician and pioneer of anaesthesia, by William Brodie, 1815-81, in West Princes St Gardens, Edinburgh, Scotland. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_077.jpg
  • Edinburgh Castle on Castle Rock, in Edinburgh, Scotland. The first royal castle built here was under David I in the 12th century, and the site has been built on, attacked and defended ever since. The castle now houses military museums and the National War Museum of Scotland and is run by Historic Scotland. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_076.jpg
  • Edinburgh Castle on Castle Rock, seen from Princes St Gardens, in Edinburgh, Scotland. The first royal castle built here was under David I in the 12th century, and the site has been built on, attacked and defended ever since. The castle now houses military museums and the National War Museum of Scotland and is run by Historic Scotland. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_074.jpg
  • We Are Still Here, social street art, mural depicting many raised hands and highlighting issues such as poverty, homelessness, austerity and mental health, by Artists for Justice and Peace, at St John's Church, Princes St, Edinburgh, Scotland. The street paintings at the church are regularly changed and encourage passers by to stop and consider social issues. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_075.jpg
  • Royal Scots Greys Monument, bronze equestrian statue of a Royal Scots Dragoon Guard (Carabinier and Greys) in uniform with bearskin hat, sword and rifle, by William Birnie Rhind, 1853-1933, inaugurated 1906 by the Earl of Rosebery, Princes St Gardens, Edinburgh, Scotland. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_068.jpg
  • Fight for the Standard, painting depicting the battle of Waterloo, 1848, by Richard Ansdell, 1815-85, in James IV’s Great Hall, 1503-13, the chief assembly hall in the castle, on Crown Square, in Edinburgh Castle on Castle Rock, Edinburgh, Scotland. The painting was presented by Ansdell's family to the commissioners of the Royal Hospital, Chelsea who lent it to Edinburgh Castle. The Great Hall was used as a military barracks in the 17th and 18th centuries and as a military hospital in the 19th century, then restored by Hippolyte Blanc, 1844-1917, to medieval style. The first royal castle built here was under David I in the 12th century, and the site has been built on, attacked and defended ever since. The castle now houses military museums and the National War Museum of Scotland and is run by Historic Scotland. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_182.jpg
  • James IV’s Great Hall, 1503-13, the chief assembly hall in the castle, with displays of armour and weaponry and a grand fireplace, on Crown Square, in Edinburgh Castle on Castle Rock, Edinburgh, Scotland. The Great Hall was used as a military barracks in the 17th and 18th centuries and as a military hospital in the 19th century, then restored by Hippolyte Blanc, 1844-1917, to medieval style. The first royal castle built here was under David I in the 12th century, and the site has been built on, attacked and defended ever since. The castle now houses military museums and the National War Museum of Scotland and is run by Historic Scotland. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_181.jpg
  • Coat of arms of James VI of Scotland and I of England and Ireland (a Scottish unicorn and English lion), above the 15th century fireplace, in Laich Hall, in Edinburgh Castle on Castle Rock, Edinburgh, Scotland. This room was remodeled as a dining hall for James VI’s golden jubilee in 1617, where he held a grand banquet. The first royal castle built here was under David I in the 12th century, and the site has been built on, attacked and defended ever since. The castle now houses military museums and the National War Museum of Scotland and is run by Historic Scotland. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_184.jpg
  • Section of the Berlin Wall depicting a detail from Doin It Cool For The East Side by Jim Avignon, damaged by graffiti, part of the East Side Gallery, a 1.3km long section of the Wall on Muhlenstrasse painted in 1990 on its Eastern side by 105 artists from around the world, Berlin, Germany. Picture by Manuel Cohen
    LC14_BERLIN_MC0166.jpg
  • People walking past a section of the Berlin Wall depicting the painting Doin It Cool For The East Side by Jim Avignon, damaged by graffiti, part of the East Side Gallery, a 1.3km long section of the Wall on Muhlenstrasse painted in 1990 on its Eastern side by 105 artists from around the world, Berlin, Germany. Picture by Manuel Cohen
    LC14_BERLIN_MC0167.jpg
  • Section of the Berlin Wall depicting a yellow East German Trabant car, detail of a painting entitled Mauern International by Alexej Taranin, damaged by graffiti, part of the East Side Gallery, a 1.3km long section of the Wall on Muhlenstrasse painted in 1990 on its Eastern side by 105 artists from around the world, Berlin, Germany. Picture by Manuel Cohen
    LC14_BERLIN_MC0191.JPG
  • Section of the Berlin Wall depicting a painting of a man escaping from East Berlin through Checkpoint Charlie, part of the East Side Gallery, a 1.3km long section of the Wall on Muhlenstrasse painted in 1990 on its Eastern side by 105 artists from around the world, Berlin, Germany. Picture by Manuel Cohen
    LC14_BERLIN_MC0188.jpg
  • Jordanian east coast of the Dead Sea, Jordan Rift Valley, Jordan, Middle East. Picture by Manuel Cohen
    LC12_Jordan_MC017.jpg
  • Jordanian east coast of the Dead Sea, Jordan Rift Valley, Jordan, Middle East. Picture by Manuel Cohen
    LC12_Jordan_MC016.jpg
  • Jordanian east coast of the Dead Sea, Jordan Rift Valley, Jordan, Middle East. Picture by Manuel Cohen
    LC12_Jordan_MC015.jpg
  • Jordanian east coast of the Dead Sea, Jordan Rift Valley, Jordan, Middle East. Picture by Manuel Cohen
    LC12_Jordan_MC013.jpg
  • Jordanian east coast of the Dead Sea, Jordan Rift Valley, Jordan, Middle East. Picture by Manuel Cohen
    LC12_Jordan_MC011.jpg
  • Director's House or Maison du Directeur, flanked by the (left) West Saltworks or Batiment des Sels Ouest and (right) East Saltworks or Batiment des Sels Est, part of the Royal Saltworks or Saline Royale, begun 1775 in Neoclassical style by architect Claude Nicolas Ledoux, 1736-1806, at Arc-et-Senans, Doubs, Bourgogne-Franche-Comte, France. On the right is the Berniers Est, housing saltworkers' accommodation. The Director's House has an imposing portico with 6 Doric columns, a triangular pediment with oculus and a belvedere. The building houses an assembly room, offices, bank, apartments, servants quarters and a basement for storage. The site is designed in a semicircle, with the Director's House, 2 saltworks containing drying ovens, heating pots and salt stores, workers' accommodation and Director's stables. An Ideal City was also planned but never built. The site is listed as a UNESCO World Heritage site. Picture by Manuel Cohen
    LC17_FRANCE_MC_1016.jpg
  • Jordanian east coast of the Dead Sea, Jordan Rift Valley, Jordan, Middle East. Picture by Manuel Cohen
    LC12_Jordan_MC014.jpg
  • Jordanian east coast of the Dead Sea, Jordan Rift Valley, Jordan, Middle East. Picture by Manuel Cohen
    LC12_Jordan_MC012.jpg
  • Jordanian east coast of the Dead Sea, Jordan Rift Valley, Jordan, Middle East. Picture by Manuel Cohen
    LC12_Jordan_MC018.jpg
  • East gate in the city wall, 4th century BC, Priene, Aydin, Turkey. The city wall is approximately 6m high and about 2m wide. Priene was an ancient Greek city in Ionia, originally sited on the sea coast on a steep hill, although the site is now inland. Picture by Manuel Cohen
    LC13_Turkey_MC451.jpg
  • Tourists visiting a section of the Berlin Wall covered in graffiti, part of the East Side Gallery, a 1.3km long section of the Wall on Muhlenstrasse painted in 1990 on its Eastern side by 105 artists from around the world, Berlin, Germany. Picture by Manuel Cohen
    LC14_BERLIN_MC0156.jpg
  • Section of the Berlin Wall covered in graffiti, including a yellow figure holding a globe, part of the East Side Gallery, a 1.3km long section of the Wall on Muhlenstrasse painted in 1990 on its Eastern side by 105 artists from around the world, Berlin, Germany. Picture by Manuel Cohen
    LC14_BERLIN_MC0159.jpg
  • Section of the Berlin Wall, part of the East Side Gallery, a 1.3km long section of the Wall on Muhlenstrasse painted in 1990 on its Eastern side by 105 artists from around the world, Berlin, Germany. Many of the artworks are now damaged by graffiti. In the background is the Fernsehturm or TV Tower near Alexanderplatz. Picture by Manuel Cohen
    LC14_BERLIN_MC0160.jpg
  • Section of the Berlin Wall depicting the painting Der Morgen by Dieter Wien, damaged by graffiti, part of the East Side Gallery, a 1.3km long section of the Wall on Muhlenstrasse painted in 1990 on its Eastern side by 105 artists from around the world, Berlin, Germany. Picture by Manuel Cohen
    LC14_BERLIN_MC0165.jpg
  • Man walking past a section of the Berlin Wall depicting a painting of a Trabant car bursting through the wall entitled Test the Best (Test the Rest) by Birgit Kinder, part of the East Side Gallery, a 1.3km long section of the Wall on Muhlenstrasse painted in 1990 on its Eastern side by 105 artists from around the world, Berlin, Germany. Picture by Manuel Cohen
    LC14_BERLIN_MC0170.jpg
  • Section of the Berlin Wall depicting a detail from Touch The Wall by Christine Kuhn, damaged by graffiti, part of the East Side Gallery, a 1.3km long section of the Wall on Muhlenstrasse painted in 1990 on its Eastern side by 105 artists from around the world, Berlin, Germany. Picture by Manuel Cohen
    LC14_BERLIN_MC0172.jpg
  • Section of the Berlin Wall including Touch The Wall by Christine Kuhn (left) and Vorsicht by Rodolfo Ricalo (right), part of the East Side Gallery, a 1.3km long section of the Wall on Muhlenstrasse painted in 1990 on its Eastern side by 105 artists from around the world, Berlin, Germany. Many of the artworks are now damaged by graffiti. In the background is a new high-rise building under construction. Picture by Manuel Cohen
    LC14_BERLIN_MC0171.jpg
  • Section of the Berlin Wall depicting the painting Die Tanzenden or the Dancers by Sabine Kunz, damaged by graffiti, part of the East Side Gallery, a 1.3km long section of the Wall on Muhlenstrasse painted in 1990 on its Eastern side by 105 artists from around the world, Berlin, Germany. Picture by Manuel Cohen
    LC14_BERLIN_MC0175.jpg
  • People walking past a section of the Berlin Wall depicting the painting Die Tanzenden or the Dancers by Sabine Kunz, damaged by graffiti, part of the East Side Gallery, a 1.3km long section of the Wall on Muhlenstrasse painted in 1990 on its Eastern side by 105 artists from around the world, Berlin, Germany. Picture by Manuel Cohen
    LC14_BERLIN_MC0176.jpg
  • Section of the Berlin Wall covered in graffiti, part of the East Side Gallery, a 1.3km long section of the Wall on Muhlenstrasse painted in 1990 on its Eastern side by 105 artists from around the world, Berlin, Germany. Picture by Manuel Cohen
    LC14_BERLIN_MC0180.jpg
  • Section of the Berlin Wall depicting a painting by Rosemarie Schinzler entitled Alles Offen, with 2 doves lifting the Brandenburg Gate and a cross, damaged by graffiti, part of the East Side Gallery, a 1.3km long section of the Wall on Muhlenstrasse painted in 1990 on its Eastern side by 105 artists from around the world, Berlin, Germany. Picture by Manuel Cohen
    LC14_BERLIN_MC0182.jpg
  • A gate in a hole in the Berlin Wall where people have attached padlocks, and graffiti covering this side of the Wall, part of the East Side Gallery, a 1.3km long section of the Wall on Muhlenstrasse painted in 1990 on its Eastern side by 105 artists from around the world, Berlin, Germany. Picture by Manuel Cohen
    LC14_BERLIN_MC0181.jpg
  • Section of the Berlin Wall depicting a painting by Dimitri Vrubel entitled Mein Gott Hilf Mir Diese Todliche Liebe Zu Uberleben or God Help Me To Survive This Deadly Love, with Brezhnev and Honecker kissing, after restoration, part of the East Side Gallery, a 1.3km long section of the Wall on Muhlenstrasse painted in 1990 on its Eastern side by 105 artists from around the world, Berlin, Germany. Picture by Manuel Cohen
    LC14_BERLIN_MC0185.jpg
  • Section of the Berlin Wall depicting a detail of the painting Ode An Die Freude or Ode to Joy by Fulvio Pinna, damaged by graffiti, part of the East Side Gallery, a 1.3km long section of the Wall on Muhlenstrasse painted in 1990 on its Eastern side by 105 artists from around the world, Berlin, Germany. Picture by Manuel Cohen
    LC14_BERLIN_MC0189.jpg
  • Section of the Berlin Wall with the tag Berlin! in graffiti, part of the East Side Gallery, a 1.3km long section of the Wall on Muhlenstrasse painted in 1990 on its Eastern side by 105 artists from around the world, Berlin, Germany. Picture by Manuel Cohen
    LC14_BERLIN_MC0196.jpg
  • Section of the Berlin Wall covered in graffiti, part of the East Side Gallery, a 1.3km long section of the Wall on Muhlenstrasse painted in 1990 on its Eastern side by 105 artists from around the world, Berlin, Germany. Picture by Manuel Cohen
    LC14_BERLIN_MC0197.jpg
  • Section of the Berlin Wall covered in graffiti, part of the East Side Gallery, a 1.3km long section of the Wall on Muhlenstrasse painted in 1990 on its Eastern side by 105 artists from around the world, Berlin, Germany. Picture by Manuel Cohen
    LC14_BERLIN_MC0389.jpg
  • East Gate, with an arch over the road to the agora, at Aspendos, an ancient Greco-Roman city in Antalya Province, Turkey. Although settled before 1000 BC, Aspendos grew under the Greeks and subsequently the Persians and Romans, before declining in importance from the 4th century. Picture by Manuel Cohen
    LC20_TURKEY_MC_085.jpg
  • South East facade of the Villa Farnese or Villa Caprarola, a 16th century Renaissance and Mannerist fortified villa designed by Giacomo Barozzi da Vignola and built 1559-73 for the Farnese family under Cardinal Alessandro Farnese, in Caprarola, Viterbo, Lazio, Italy. A double staircase leads to the main entrance (with carriage entrance in the basement below), with the main floor decorated with 5 enormous arched windows. 2 further storeys house bedrooms and servants quarters. The Villa Farnese is now owned by the state and run by the Polo Museale del Lazio. Picture by Manuel Cohen
    LC16_ITALY_MC_0405.jpg
  • South East facade of the Villa Farnese or Villa Caprarola, a 16th century Renaissance and Mannerist fortified villa designed by Giacomo Barozzi da Vignola and built 1559-73 for the Farnese family under Cardinal Alessandro Farnese, in Caprarola, Viterbo, Lazio, Italy. A double staircase leads to the main entrance (with carriage entrance in the basement below), with the main floor decorated with 5 enormous arched windows. 2 further storeys house bedrooms and servants quarters. The Villa Farnese is now owned by the state and run by the Polo Museale del Lazio. Picture by Manuel Cohen
    LC16_ITALY_MC_0404.jpg
  • South East facade of the Villa Farnese or Villa Caprarola, a 16th century Renaissance and Mannerist fortified villa designed by Giacomo Barozzi da Vignola and built 1559-73 for the Farnese family under Cardinal Alessandro Farnese, in Caprarola, Viterbo, Lazio, Italy. A double staircase leads to the main entrance (with carriage entrance in the basement below), with the main floor decorated with 5 enormous arched windows. 2 further storeys house bedrooms and servants quarters. The Villa Farnese is now owned by the state and run by the Polo Museale del Lazio. Picture by Manuel Cohen
    LC16_ITALY_MC_0402.jpg
  • Section of the Berlin Wall with a painting entitled Unsere Besten, part of the East Side Gallery, a 1.3km long section of the Wall on Muhlenstrasse painted in 1990 on its Eastern side by 105 artists from around the world, Berlin, Germany. Picture by Manuel Cohen
    LC14_BERLIN_MC0954.jpg
  • Section of the Berlin Wall covered in graffiti, part of the East Side Gallery, a 1.3km long section of the Wall on Muhlenstrasse painted in 1990 on its Eastern side by 105 artists from around the world, Berlin, Germany. Picture by Manuel Cohen
    LC14_BERLIN_MC0955.jpg
  • Section of the Berlin Wall covered in graffiti, part of the East Side Gallery, a 1.3km long section of the Wall on Muhlenstrasse painted in 1990 on its Eastern side by 105 artists from around the world, Berlin, Germany. Picture by Manuel Cohen
    LC14_BERLIN_MC0953.jpg
  • Section of the Berlin Wall depicting a painting entitled You Can See Infinity by Laszlo Erkel (Kentaur), part of the East Side Gallery, a 1.3km long section of the Wall on Muhlenstrasse painted in 1990 on its Eastern side by 105 artists from around the world, Berlin, Germany. Picture by Manuel Cohen
    LC14_BERLIN_MC0168.jpg
  • Section of the Berlin Wall including Flucht wie Tornado by Kasra Alavi, part of the East Side Gallery, a 1.3km long section of the Wall on Muhlenstrasse painted in 1990 on its Eastern side by 105 artists from around the world, Berlin, Germany. Many of the artworks are now damaged by graffiti. In the background is a new high-rise building under construction. Picture by Manuel Cohen
    LC14_BERLIN_MC0155.jpg
  • Section of the Berlin Wall depicting an untitled work by Karin Velmanns damaged by graffiti, part of the East Side Gallery, a 1.3km long section of the Wall on Muhlenstrasse painted in 1990 on its Eastern side by 105 artists from around the world, Berlin, Germany. Picture by Manuel Cohen
    LC14_BERLIN_MC0157.jpg
  • Section of the Berlin Wall depicting an untitled work by Andrej Smolak depicting a dove holding a ball and chain transforming into a rose, damaged by graffiti, part of the East Side Gallery, a 1.3km long section of the Wall on Muhlenstrasse painted in 1990 on its Eastern side by 105 artists from around the world, Berlin, Germany. Picture by Manuel Cohen
    LC14_BERLIN_MC0158.jpg
  • Section of the Berlin Wall depicting the painting Big Kremlin's Wind by Theodor Tehzik, damaged by graffiti, part of the East Side Gallery, a 1.3km long section of the Wall on Muhlenstrasse painted in 1990 on its Eastern side by 105 artists from around the world, Berlin, Germany. Picture by Manuel Cohen
    LC14_BERLIN_MC0161.jpg
  • Man walking past a section of the Berlin Wall painted by Jolly Kunjappu entitled Dancing to Freedom, part of the East Side Gallery, a 1.3km long section of the Wall on Muhlenstrasse painted in 1990 on its Eastern side by 105 artists from around the world, Berlin, Germany. Many of the artworks are now damaged by graffiti. Picture by Manuel Cohen
    LC14_BERLIN_MC0162.jpg
  • Woman walking past a section of the Berlin Wall painted by Jolly Kunjappu entitled Dancing to Freedom, part of the East Side Gallery, a 1.3km long section of the Wall on Muhlenstrasse painted in 1990 on its Eastern side by 105 artists from around the world, Berlin, Germany. Many of the artworks are now damaged by graffiti. Picture by Manuel Cohen
    LC14_BERLIN_MC0163.jpg
  • Section of the Berlin Wall depicting a detail of an untitled painting by Jens Hubner and Andreas Kamper of a man trying to escape over the Wall with a hand grabbing his foot, damaged by graffiti, part of the East Side Gallery, a 1.3km long section of the Wall on Muhlenstrasse painted in 1990 on its Eastern side by 105 artists from around the world, Berlin, Germany. Picture by Manuel Cohen
    LC14_BERLIN_MC0164.jpg
  • Section of the Berlin Wall depicting a detail from a pinting entitled Himmel und Sucher by Peter Russell, with a still life of a lobster, part of the East Side Gallery, a 1.3km long section of the Wall on Muhlenstrasse painted in 1990 on its Eastern side by 105 artists from around the world, Berlin, Germany. Picture by Manuel Cohen
    LC14_BERLIN_MC0169.jpg
  • Section of the Berlin Wall depicting a painting by Stephen Jaeger entitled Buerlinica, a parody of Picasso's Guernica, damaged by graffiti, part of the East Side Gallery, a 1.3km long section of the Wall on Muhlenstrasse painted in 1990 on its Eastern side by 105 artists from around the world, Berlin, Germany. Picture by Manuel Cohen
    LC14_BERLIN_MC0173.jpg
  • Section of the Berlin Wall depicting the painting Justitia by Klaus Niethardt, with Justice balanced against Schiller, Goethe and Einstein, damaged by graffiti, part of the East Side Gallery, a 1.3km long section of the Wall on Muhlenstrasse painted in 1990 on its Eastern side by 105 artists from around the world, Berlin, Germany. Picture by Manuel Cohen
    LC14_BERLIN_MC0174.jpg
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