manuel cohen

Show Navigation
  • Portfolio
  • Search (in english)
  • Reportages
  • Fine Art Prints
  • About
  • Contact
  • Instagram
  • Facebook
  • PicRights

Search Results

Refine Search
Match all words
Match any word
Prints
Personal Use
Royalty-Free
Rights-Managed
(leave unchecked to
search all images)
{ 866 images found }

Loading ()...

  • The Tchoban Foundation or Museum for Architectural Drawing, designed by SPEECH Tchoban & Kuznetsov and founded by the architect Sergei Tchoban in 2009, opened 2013, Berlin, Germany. The aim of the museum is to promote architectural drawing by hand. It is comprised of 4 storeys resembling piled blocks, with magnified fragments of architectonic sketches in relief, and a glass box on top. Picture by Manuel Cohen
    LC14_BERLIN_MC0872.jpg
  • Interior southeast facade of the Renaissance Francois I wing, built 1515-18, with monumental spiral staircase, architectural drawing, 1570, by Jacques Androuet du Cerceau, 1510-85, in the collection of the Chateau Royal de Blois, built 13th - 17th century in Blois in the Loire Valley, Loir-et-Cher, Centre, France. The chateau is listed as a historic monument and UNESCO World Heritage Site. Picture by Manuel Cohen
    LC23_FRANCE_MC_0060.jpg
  • Chateau de Blois, architectural drawing, 1570, by Jacques Androuet du Cerceau, 1510-85, with the Chapelle Saint-Calais behind and the Francois I wing in the foreground, in the collection of the Chateau Royal de Blois, built 13th - 17th century in Blois in the Loire Valley, Loir-et-Cher, Centre, France. The chateau is listed as a historic monument and UNESCO World Heritage Site. Picture by Manuel Cohen
    LC23_FRANCE_MC_0059.jpg
  • Architectural drawing of facade elevations for the Chateau de Blois, c. 1635, by Francois Mansart, 1598-1666, who reconstructed the north wing in classical style in 1635, commissioned by Gaston d'Orleans, in the collection of the Chateau Royal de Blois, built 13th - 17th century in Blois in the Loire Valley, Loir-et-Cher, Centre, France. The chateau is listed as a historic monument and UNESCO World Heritage Site. Picture by Manuel Cohen
    LC23_FRANCE_MC_0058.jpg
  • Chinese drawing room, with harps belonging to Scott's daughter Sophia, and hand painted chinoiserie wallpaper, in Abbotsford House, built 1817-25 by Sir Walter Scott, 1771-1832, Scottish writer and poet, near Melrose, in the Borders, Scotland. The portrait above the fireplace depicts Scott with his dogs Camp and Percy in the Yarrow valley, painted 1809 by Sir Henry Raeburn. The building is in Scottish Baronial style and includes Scott's personal collections of books, furniture and Scottish historical artefacts, making it a centre for European Romanticism. The Scott family still own the building, which is open to the public as a tourist attraction. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_111.jpg
  • Blue Drawing Room, with portraits by Gainsborough and Reynolds, intricately carved busts and vases and 4 Gothic Windsor chairs, in the castle on St Michael's Mount, a tidal island in Mount's Bay, Cornwall, England, the site of a 12th century Benedictine monastery and 14th century castle. The island is managed by the National Trust but owned by the St Aubyn family. According to legend, the Mount is the site of a battle between King Arthur and a giant. Picture by Manuel Cohen
    LC17_ENGLAND_MC_054.jpg
  • Casaramona factory in 1913, drawing, exhibited at CaixaForum Barcelona, a cultural centre opened 2002 in the former Casaramona textile factory built 1911, designed by Josep Puig i Cadafalch, in Montjuic, Barcelona, Catalonia, Spain. The centre was repurposed by Japanese architect Arata Isozaki, b. 1931. It is sponsored by La Caixa bank, and holds temporary exhibitions, concerts, educational workshops and films, and has a media library, auditorium, classroom, restaurant and children's activity space. Picture by Manuel Cohen
    LC20_SPAIN_MC_1328.jpg
  • Plan and elevation of church, drawing, 1487-89, by Leonardo da Vinci, 1452-1519, from Manuscript B, Bibliotheque de l'Institut de France collection, in the Architect gallery, in Les Galeries Leonard de Vinci Peintre et Architecte, a new exhibition space in the grounds of the Chateau du Clos Luce, a manor house built 1468-71, designed in Renaissance style by Albert Dufet, in Amboise, Indre-et-Loire, France. Originally a stronghold of the Chateau d'Amboise, it later became a royal summer residence and Francois I offered its use to Leonardo da Vinci, who lived here 1517-19. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC23_FRANCE_MC_0131.jpg
  • Facade and pond on the Blois side of the Chateau de Chambord, copy of a drawing on vellum from an original of 1570, by Jacques Androuet du Cerceau, in the collection of the Chateau de Chambord, designed by Domenico da Cortona and built 1519-47 in French Renaissance style under King Francois I, at Chambord, Loir-et-Cher, France. The largest of the Loire Valley chateaux, Chambord has a central keep with 4 bastion towers on the corners, a moat and an elaborate decorative roofline. The chateau is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_FRANCE_MC_1208.jpg
  • Cavall banyegat, made in Barcelona, 1917, pencil drawing on canvas with ochre primer, (donation by Pablo Picasso 1970), in the Museu Picasso, an art gallery featuring over 4000 works by Pablo Picasso, 1881-1973, in La Ribera, in the Old City of Barcelona, Catalonia, Spain. This sketch was made in response to watching a bullfight, and is a precedent to Guernica. The museum opened in 1963 and is housed in 5 adjoining medieval palaces on the Carrer de Montcada. Picture by Manuel Cohen - Further clearances required for reproduction (artist's copyright)
    LC20_SPAIN_MC_1116.jpg
  • Drawing of a petroglyph found on the island, in the Paul Gauguin Cultural Center, a museum which opened in 2003, in Atuona, on the island of Hiva Oa, in the Marquesas Islands, French Polynesia. The museum includes a reconstruction of the Maison du Jouir or House of Pleasure, home to French artist Paul Gauguin, 1848-1903, from 1901 to his death, a traditional 2-storey hut with a wooden lintel carved by Gauguin in 1901 with the inscription, 'Be mysterious. Be loving and you will be happy'. Picture by Manuel Cohen
    LC17_POLYNESIA_MC_078.jpg
  • Plan and elevation of a church in Greek cross style, drawing, 1487-89, by Leonardo da Vinci, 1452-1519, from Manuscript B, Bibliotheque de l'Institut de France collection, in the Architect gallery, in Les Galeries Leonard de Vinci Peintre et Architecte, a new exhibition space in the grounds of the Chateau du Clos Luce, a manor house built 1468-71, designed in Renaissance style by Albert Dufet, in Amboise, Indre-et-Loire, France. Originally a stronghold of the Chateau d'Amboise, it later became a royal summer residence and Francois I offered its use to Leonardo da Vinci, who lived here 1517-19. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC23_FRANCE_MC_0132.jpg
  • Plan and elevation of church, drawing, 1487-89, by Leonardo da Vinci, 1452-1519, from Manuscript B, Bibliotheque de l'Institut de France collection, in the Architect gallery, in Les Galeries Leonard de Vinci Peintre et Architecte, a new exhibition space in the grounds of the Chateau du Clos Luce, a manor house built 1468-71, designed in Renaissance style by Albert Dufet, in Amboise, Indre-et-Loire, France. Originally a stronghold of the Chateau d'Amboise, it later became a royal summer residence and Francois I offered its use to Leonardo da Vinci, who lived here 1517-19. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC23_FRANCE_MC_0130.jpg
  • Study for the lantern tower of Milan cathedral, drawing, 1486, by Leonardo da Vinci, 1452-1519, from the Codex Atlanticus, Veneranda Biblioteca Ambrosiana collection, in the Architect gallery, in Les Galeries Leonard de Vinci Peintre et Architecte, a new exhibition space in the grounds of the Chateau du Clos Luce, a manor house built 1468-71, designed in Renaissance style by Albert Dufet, in Amboise, Indre-et-Loire, France. Originally a stronghold of the Chateau d'Amboise, it later became a royal summer residence and Francois I offered its use to Leonardo da Vinci, who lived here 1517-19. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC23_FRANCE_MC_0129.jpg
  • Study for the lantern tower of Milan cathedral, drawing, 1486, by Leonardo da Vinci, 1452-1519, from the Codex Atlanticus, Veneranda Biblioteca Ambrosiana collection, in the Architect gallery, in Les Galeries Leonard de Vinci Peintre et Architecte, a new exhibition space in the grounds of the Chateau du Clos Luce, a manor house built 1468-71, designed in Renaissance style by Albert Dufet, in Amboise, Indre-et-Loire, France. Originally a stronghold of the Chateau d'Amboise, it later became a royal summer residence and Francois I offered its use to Leonardo da Vinci, who lived here 1517-19. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC23_FRANCE_MC_0128.jpg
  • Building a cannon in the Milan arsenal, drawing, 1485-90, by Leonardo da Vinci, 1452-1519, Windsor Castle collection, in the Architect gallery, in Les Galeries Leonard de Vinci Peintre et Architecte, a new exhibition space in the grounds of the Chateau du Clos Luce, a manor house built 1468-71, designed in Renaissance style by Albert Dufet, in Amboise, Indre-et-Loire, France. Originally a stronghold of the Chateau d'Amboise, it later became a royal summer residence and Francois I offered its use to Leonardo da Vinci, who lived here 1517-19. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC23_FRANCE_MC_0127.jpg
  • Plan of the city of Milan, drawing, 1508, by Leonardo da Vinci, 1452-1519, from the Codex Atlanticus, Veneranda Biblioteca Ambrosiana collection, in the Architect gallery, in Les Galeries Leonard de Vinci Peintre et Architecte, a new exhibition space in the grounds of the Chateau du Clos Luce, a manor house built 1468-71, designed in Renaissance style by Albert Dufet, in Amboise, Indre-et-Loire, France. Originally a stronghold of the Chateau d'Amboise, it later became a royal summer residence and Francois I offered its use to Leonardo da Vinci, who lived here 1517-19. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC23_FRANCE_MC_0126.jpg
  • Plans for a slewing crane, drawing, 1487-89, by Leonardo da Vinci, 1452-1519, from Manuscript B, Bibliotheque de l'Institut de France collection, in the Architect gallery, in Les Galeries Leonard de Vinci Peintre et Architecte, a new exhibition space in the grounds of the Chateau du Clos Luce, a manor house built 1468-71, designed in Renaissance style by Albert Dufet, in Amboise, Indre-et-Loire, France. Originally a stronghold of the Chateau d'Amboise, it later became a royal summer residence and Francois I offered its use to Leonardo da Vinci, who lived here 1517-19. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC23_FRANCE_MC_0123.jpg
  • Plans for building a city on canals, drawing, 1487-89, by Leonardo da Vinci, 1452-1519, from Manuscript B, Bibliotheque de l'Institut de France collection, in the Architect gallery, in Les Galeries Leonard de Vinci Peintre et Architecte, a new exhibition space in the grounds of the Chateau du Clos Luce, a manor house built 1468-71, designed in Renaissance style by Albert Dufet, in Amboise, Indre-et-Loire, France. Originally a stronghold of the Chateau d'Amboise, it later became a royal summer residence and Francois I offered its use to Leonardo da Vinci, who lived here 1517-19. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC23_FRANCE_MC_0121.jpg
  • Plans for a city, drawing, 1487-89, by Leonardo da Vinci, 1452-1519, from Manuscript B, Bibliotheque de l'Institut de France collection, in the Architect gallery, in Les Galeries Leonard de Vinci Peintre et Architecte, a new exhibition space in the grounds of the Chateau du Clos Luce, a manor house built 1468-71, designed in Renaissance style by Albert Dufet, in Amboise, Indre-et-Loire, France. Originally a stronghold of the Chateau d'Amboise, it later became a royal summer residence and Francois I offered its use to Leonardo da Vinci, who lived here 1517-19. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC23_FRANCE_MC_0120.jpg
  • Drawing by Marc Chagall, 1887-1985, of a king on horseback, made when he visited the cafe, exhibited in Cafe du Palais, opened 1930, on the Place Myron-Herrick, in the old town of Reims, Marne, Grand Est, France. The family-run cafe is filled with paintings and sculpture, and is crowned with an art deco stained glass skylight by Jacques Simon. Picture by Manuel Cohen
    LC21_FRANCE_MC_1542.jpg
  • Drawing room in the roof space, 15th century, at the Manoir de Launay, built in the late 14th and mid 15th centuries, then bought by King Rene, duke of Anjou, in 1444, where he lived with Isabelle de Lorraine, at Villebernier, near Saumur, Maine-et-Loire, France. The manor house is Renaissance is style, with decorative turrets and moats, and the complex includes a chapel, Hall of the Lords, gallery, recess rooms, dovecote, kitchen, courtyards with peristyle colonnades. It is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_0681.jpg
  • 'Bicorp Man', a man climbing lianas to collect honey from wild bees, drawing based on a prehistoric rock painting, c. 6000 BC, at the Cuevas de la Arana, at the Ecomuseo Bicorp, Valencia, Spain. The Bicorp Ecomuseum is a Heritage Interpretation Centre exploring the landscape, history and heritage of the surrounding area, including the cave paintings in the nearby Cuevas de la Arana and the Barranco Moreno, listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC19_SPAIN_MC161.JPG
  • Drawing, 1630, depicting the town of Bellinzona and its castles, in the Museo Storico Archeologico, or Museo Castelgrande, in Castelgrande, a large defensive medieval castle in the Old Town of Bellinzona, Ticino, Switzerland. A fortification has been in place here since the 1st century BC, although the current buildings date from the 12th and 15th centuries. The castle is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC18_Bellinzona_MC026.JPG
  • Female with bird, detail from the sculpted Carrara marble fireplace in the Drawing Room of Kylemore Castle, built in the 19th century by Mitchell and Margaret Henry and converted to a Benedictine monastery, Kylemore Abbey, in 1920, in Connemara, County Galway, Ireland. Picture by Manuel Cohen
    LC18_Ireland_MC_110.jpg
  • Sculpted Carrara marble fireplace in the Drawing Room of Kylemore Castle, built in the 19th century by Mitchell and Margaret Henry and converted to a Benedictine monastery, Kylemore Abbey, in 1920, in Connemara, County Galway, Ireland. Picture by Manuel Cohen
    LC18_Ireland_MC_108.jpg
  • Drawing Room, used by ladies after dinner, with sculpted Carrara marble fireplace, wallpaper and a portrait of Margaret Henry donated to the Benedictines by the Henry family, in Kylemore Castle, built in the 19th century by Mitchell and Margaret Henry and converted to a Benedictine monastery, Kylemore Abbey, in 1920, in Connemara, County Galway, Ireland. Picture by Manuel Cohen
    LC18_Ireland_MC_104.jpg
  • Drawing Room, used by ladies after dinner, with sculpted Carrara marble fireplace, stucco ceiling and a portrait of Margaret Henry donated to the Benedictines by the Henry family, in Kylemore Castle, built in the 19th century by Mitchell and Margaret Henry and converted to a Benedictine monastery, Kylemore Abbey, in 1920, in Connemara, County Galway, Ireland. Picture by Manuel Cohen
    LC18_Ireland_MC_103.jpg
  • Marble inlaid side table by Pietro Bossi, 18th century, in the Drawing Room, in Malahide Castle, originally built in the 12th century by the Talbot family, and home to them for almost 800 years, near Malahide in County Dublin, Ireland. Malahide castle is situated in a 260 acre estate, the Malahide Demesne Regional Park, and is home to the Talbot Botanical Gardens. Picture by Manuel Cohen
    LC18_Ireland_MC_028.jpg
  • Drawing Room, in Malahide Castle, originally built in the 12th century by the Talbot family, and home to them for almost 800 years, near Malahide in County Dublin, Ireland. Malahide castle is situated in a 260 acre estate, the Malahide Demesne Regional Park, and is home to the Talbot Botanical Gardens. Picture by Manuel Cohen
    LC18_Ireland_MC_027.jpg
  • Drawing of the Jewel of the Order of the Golden Fleece, by Pierre Andre Jacquemin, 1720-73, Jeweller to the King and Keeper of the Crown Jewels under Louis XV. The jewel was reproduced in 2010 by Herbert Horovitz and his team of jewellers in Geneva, taking 600 hours of work. The blue diamond set in this piece was brought to France from India by Jean-Baptiste Tavernier in 1668 and sold to Louis XIV. It was cut by Jean Pittan in a new 'rose de Paris' design and set in the Grand Insignia of the Order of the Golden Fleece in 1749 for Louis XV. In 1792 this piece and many others were stolen by a revolutionary mob from the Garde-Meuble Royal in Paris. The blue diamond was later re-cut to become the Hope Diamond, now in the Smithsonian Museum in Washington DC, USA, as proved by Francois Farges in 2008. Picture by Manuel Cohen
    LC_HISTORY_MC_0388.jpg
  • Franz Schubert, 1797-1828, Austrian composer, with friends at the piano, drawing by Ferdinand Georg Waldmuller, Austrian painter and writer, 1827. Copyright © Collection Particuliere Tropmi / Manuel Cohen
    LC_HISTORY_MC_0167.jpg
  • Marcel Proust, 1871-1922, French novelist, critic and essayist, drawing, 1891, by Jacques-Emile Blanche, 1861-1942, French artist. Copyright © Collection Particuliere Tropmi / Manuel Cohen
    LC_HISTORY_MC_0166.jpg
  • Plundering of the Hotel de Castries on the rue de Varennes in Saint-Germain, Paris, France, 13th November 1790, drawing on paper, from the Musee Carnavalet in Paris. The building was pillaged by a mob during the French Revolution. Copyright © Collection Particuliere Tropmi / Manuel Cohen
    LC_HISTORY_MC_0150.jpg
  • Perspective study for Adoration of the Magi painting, drawing, c. 1480, by Leonardo da Vinci, 1452-1519, Galleria degli Uffizi collection, in the Architect gallery, in Les Galeries Leonard de Vinci Peintre et Architecte, a new exhibition space in the grounds of the Chateau du Clos Luce, a manor house built 1468-71, designed in Renaissance style by Albert Dufet, in Amboise, Indre-et-Loire, France. Originally a stronghold of the Chateau d'Amboise, it later became a royal summer residence and Francois I offered its use to Leonardo da Vinci, who lived here 1517-19. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC23_FRANCE_MC_0125.jpg
  • Plans for a city of 4 levels with arcaded galleries and portico, drawing, 1487-89, by Leonardo da Vinci, 1452-1519, from Manuscript B, Bibliotheque de l'Institut de France collection, in the Architect gallery, in Les Galeries Leonard de Vinci Peintre et Architecte, a new exhibition space in the grounds of the Chateau du Clos Luce, a manor house built 1468-71, designed in Renaissance style by Albert Dufet, in Amboise, Indre-et-Loire, France. Originally a stronghold of the Chateau d'Amboise, it later became a royal summer residence and Francois I offered its use to Leonardo da Vinci, who lived here 1517-19. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC23_FRANCE_MC_0122.jpg
  • Female with shawl and flowers, detail from the sculpted Carrara marble fireplace in the Drawing Room of Kylemore Castle, built in the 19th century by Mitchell and Margaret Henry and converted to a Benedictine monastery, Kylemore Abbey, in 1920, in Connemara, County Galway, Ireland. Picture by Manuel Cohen
    LC18_Ireland_MC_109.jpg
  • Portrait of Hector Berlioz, 1803-69, French Romantic composer, leaning on his music stand, late 19th century drawing for a planned statue.<br />
Copyright © Collection Particuliere Tropmi / Manuel Cohen
    LC_History_MC0033.jpg
  • Portrait of Frederic Chopin, 1810-49, Polish Romantic composer, drawing, 1847, by Rudolph Lehmann, 1819-1905, German-English portrait artist. Copyright © Collection Particuliere Tropmi / Manuel Cohen
    LC_History_MC0038.jpg
  • Portrait of Frederic Chopin, 1810-49, Polish Romantic composer, in contemplative pose, drawing, 1840, by T Kwiatkowski, Polish artist. Copyright © Collection Particuliere Tropmi / Manuel Cohen
    LC_History_MC0040.jpg
  • Portrait of Ludwig van Beethoven, 1770-1827, German Classical and Romantic composer and pianist, walking in the street of Vienna, drawing by Loyser. Copyright © Collection Particuliere Tropmi / Manuel Cohen
    LC_History_MC0047.jpg
  • Joseph Haydn, 1732-1809, Austrian Classical composer, drawing, 1794, by William Daniell, 1769-1837, English painter. Copyright © Collection Particuliere Tropmi / Manuel Cohen
    LC_History_MC0063.jpg
  • Portrait of Hector Berlioz, 1803-69, French Romantic composer, drawing, 1860, by Alphonse Legros, 1837-1911, French artist. Copyright © Collection Particuliere Tropmi / Manuel Cohen
    LC_History_MC0036.jpg
  • Historical plan of the Chateau de Blois and its Renaissance Gardens, planted 1499-1515 under Louis XII for growing fruit, vegetables, and healing plants, in the collection of the Chateau Royal de Blois, built 13th - 17th century in Blois in the Loire Valley, Loir-et-Cher, Centre, France. The chateau is listed as a historic monument and UNESCO World Heritage Site. Picture by Manuel Cohen
    LC23_FRANCE_MC_0057.jpg
  • Plan of the abbey and its cloister, built 1644-66, and cloister gardens, 17th century, at the Abbaye Notre-Dame du Bec or Bec Abbey, a Benedictine monastery founded 1034 by Saint Herluin, in Le Bec Hellouin, Eure, Normandy, France. The cloister is in Tuscan style, with semicircular arcades with folded archivolts and square pillars. The abbey is listed as a historic monument. Picture by Manuel Cohen
    LC19_FRANCE_MC_0011.jpg
  • Glass paste sculpture with drawing, detail, in the studio of sculptor Pauline Betin, b. 1986, in Betton, near Rennes, Ille-et-Vilaine, Brittany, France. Betin is a sculptor in glass paste who produces work exploring the nature of landscape and the crossover from urban to rural landscapes. Her work explores themes of the natural and man-made, the personal and collective, using contrasts of opacity and transparency; matt and shiny surfaces, and drawing, photography and sculpture. Picture by Manuel Cohen
    09062018_PaulineBetin_MC_08.jpg
  • Construction of Strasbourg cathedral, Alsace, France, engraving after a pen and ink drawing by Theopile Schuler, 1821-78, French Romantic illustrator and painter. Strasbourg Cathedral or the Cathedral of Our Lady of Strasbourg was begun in the 11th century and completed in 1439. The drawing shows the flying buttresses outside the nave and many medieval construction processes. Picture by Manuel Cohen
    LC15_FRANCE_MC0657.jpg
  • Hand painted chinoiserie wallpaper, detail of people in garden, in the Chinese drawing room, in Abbotsford House, built 1817-25 by Sir Walter Scott, 1771-1832, Scottish writer and poet, near Melrose, in the Borders, Scotland. The wallpaper was a gift from Scott’s cousin Hugh Scott, who worked for the East India Company. The building is in Scottish Baronial style and includes Scott's personal collections of books, furniture and Scottish historical artefacts, making it a centre for European Romanticism. The Scott family still own the building, which is open to the public as a tourist attraction. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_114.jpg
  • Hand painted chinoiserie wallpaper, detail of bird, fruit trees and flowers, in the Chinese drawing room, in Abbotsford House, built 1817-25 by Sir Walter Scott, 1771-1832, Scottish writer and poet, near Melrose, in the Borders, Scotland. The wallpaper was a gift from Scott’s cousin Hugh Scott, who worked for the East India Company. The building is in Scottish Baronial style and includes Scott's personal collections of books, furniture and Scottish historical artefacts, making it a centre for European Romanticism. The Scott family still own the building, which is open to the public as a tourist attraction. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_117.jpg
  • Portrait of Walter Scott with his dogs Camp and Percy in the Yarrow valley, detail, painted 1809 by Sir Henry Raeburn, 1756-1823, in the Chinese drawing room, in Abbotsford House, built 1817-25 by Sir Walter Scott, 1771-1832, Scottish writer and poet, near Melrose, in the Borders, Scotland. The building is in Scottish Baronial style and includes Scott's personal collections of books, furniture and Scottish historical artefacts, making it a centre for European Romanticism. The Scott family still own the building, which is open to the public as a tourist attraction. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_116.jpg
  • Hand painted chinoiserie wallpaper, detail of family, in the Chinese drawing room, in Abbotsford House, built 1817-25 by Sir Walter Scott, 1771-1832, Scottish writer and poet, near Melrose, in the Borders, Scotland. The wallpaper was a gift from Scott’s cousin Hugh Scott, who worked for the East India Company. The building is in Scottish Baronial style and includes Scott's personal collections of books, furniture and Scottish historical artefacts, making it a centre for European Romanticism. The Scott family still own the building, which is open to the public as a tourist attraction. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_115.jpg
  • Hexensabbat or Witches Sabbath, 1515, pen and ink drawing, by Hans Ulrich Franck, 1603-75, in the Kupferstichkabinett or Museum of Prints and Drawings, Berlin, Germany. Picture by Manuel Cohen
    LC_HISTORY_MC_0250.jpg
  • Portrait of Anton Fugger, 1493-1560, German merchant and nephew of Jacob Fugger, 1510-1515, drawing in silver pen with pen and ink, by  Hans Holbein the Elder, 1460-1524, in the Kupferstichkabinett or Museum of Prints and Drawings, Berlin, Germany. Picture by Manuel Cohen
    LC_HISTORY_MC_0251.jpg
  • Glass paste houses adorned with drawings and photographs, in the studio of sculptor Pauline Betin, b. 1986, in Betton, near Rennes, Ille-et-Vilaine, Brittany, France. Betin is a sculptor in glass paste who produces work exploring the nature of landscape and the crossover from urban to rural landscapes. Her work explores themes of the natural and man-made, the personal and collective, using contrasts of opacity and transparency; matt and shiny surfaces, and drawing, photography and sculpture. Picture by Manuel Cohen
    09062018_PaulineBetin_MC_12.jpg
  • Glass paste houses and drawings of structures and sculptures, in the studio of sculptor Pauline Betin, b. 1986, in Betton, near Rennes, Ille-et-Vilaine, Brittany, France. Betin is a sculptor in glass paste who produces work exploring the nature of landscape and the crossover from urban to rural landscapes. Her work explores themes of the natural and man-made, the personal and collective, using contrasts of opacity and transparency; matt and shiny surfaces, and drawing, photography and sculpture. Picture by Manuel Cohen
    09062018_PaulineBetin_MC_10.jpg
  • Women with grapes, 1920, ochre on paper, by Richard Guino, displayed in the family home of Impressionist painter Pierre-Auguste Renoir, 1841-1919, restored and opened to the public in 2017, in Essoyes, in Champagne, Aube, Grand Est, France. Renoir stayed and painted here every summer from 1896 until his death, and there is a separate art studio in the garden. Picture by Manuel Cohen
    LC21_FRANCE_MC_1786.jpg
  • Hussar, charcoal study on paper by Victor Gaudinot, in the Musee Napoleon or Museum of Napoleon I, opened 1969 in the former Ecole Royale Militaire or Royal Military School, where Napoleon trained 1779-84, at Brienne-le-Chateau, Aube, Grand Est, France. Picture by Manuel Cohen
    LC21_FRANCE_MC_2511.jpg
  • Sketch of a woman reading, 1901, for a poster for publishing house L'Avenc, by Ramon Casas i Carbo, 1866-1932, from the collection of the Museu National d'Art de Catalunya, in the Palau de Maricel, now the Maricel Museum, inaugurated 1970 and reopened in 2015, in Sitges, Catalonia, Spain. The complex was built 1910-18 by Miquel Utrillo for Charles Deering, converted from a hospital to a residence and gallery to house Deering's collection. Picture by Manuel Cohen
    LC21_SPAIN_MC_1038.jpg
  • Glass paste houses and drawings of structures and sculptures, in the studio of sculptor Pauline Betin, b. 1986, in Betton, near Rennes, Ille-et-Vilaine, Brittany, France. Betin is a sculptor in glass paste who produces work exploring the nature of landscape and the crossover from urban to rural landscapes. Her work explores themes of the natural and man-made, the personal and collective, using contrasts of opacity and transparency; matt and shiny surfaces, and drawing, photography and sculpture. Picture by Manuel Cohen
    09062018_PaulineBetin_MC_11.jpg
  • Docteur Miquel, charcoal drawing, c. 1836-48, presumed to be a self portrait by the doctor, who was called to Sache on 26th June 1836 to treat Balzac, who had suffered a stroke, in the Musee Balzac at the Chateau de Sache, a Renaissance manor house built 15th century, in Sache near Tours in the Loire Valley, France. Jean Margonne owned the building in the 19th century and Balzac stayed here many times from 1825 to 1840, working and writing. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC23_FRANCE_MC_0263.jpg
  • Hommage to Rimbaud (Arthur Rimbaud, 1854-91, French poet), oil pastel drawing, 1962 by Jean Cocteau, 1889-1963, in the Musee Arthur Rimbaud, opened in 1969 in the Vieux-Moulin, a former water mill on the river Meuse in Charleville-Mezieres, Ardennes, Grand Est, France. The city is on the Rimbaud Verlaine Trail. Picture by Manuel Cohen
    LC21_FRANCE_MC_1506.jpg
  • Sketch for the menu for Els Quatre Gats cafe, made in Barcelona, 1899-1900, charcoal drawing on paper, (donation by Pablo Picasso 1970), in the Museu Picasso, an art gallery featuring over 4000 works by Pablo Picasso, 1881-1973, in La Ribera, in the Old City of Barcelona, Catalonia, Spain. The museum opened in 1963 and is housed in 5 adjoining medieval palaces on the Carrer de Montcada. Picture by Manuel Cohen - Further clearances required for reproduction (artist's copyright)
    LC20_SPAIN_MC_1110.jpg
  • Emily Kidson, a jewellery designer who works with wood, laminate and silver to create colourful pieces, at work drawing shapes in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Emily is inspired by urban architectural forms and cuts and finishes each piece by hand. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_174.jpg
  • Workbench covered in glass paste houses, in the studio of sculptor Pauline Betin, b. 1986, in Betton, near Rennes, Ille-et-Vilaine, Brittany, France. Betin is a sculptor in glass paste who produces work exploring the nature of landscape and the crossover from urban to rural landscapes. Her work explores themes of the natural and man-made, the personal and collective, using contrasts of opacity and transparency; matt and shiny surfaces, and drawing, photography and sculpture. Picture by Manuel Cohen
    09062018_PaulineBetin_MC_06.jpg
  • Sala da Giocco, or Games Room, used as a drawing room and music room in the 18th century, with chinoiserie wall paintings by Christiano Wehrlin, ceiling painting, 1765, by Giovanni Pietro Pozzo, and French Louis XV style inlaid gaming table, in the apartments of the duke of Chiablese, in the Palazzina di caccia di Stupinigi, a hunting residence, rebuilt and designed early 18th century by Filippo Juvarra for Vittorio Amedeo II of Savoy, in Stupinigi, Nichelino, Piedmont, Italy. The palace is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0517.jpg
  • Painted wall panels in oriental style with wild animals and bird, by Christiano Wehrlin, in the Sala da Giocco, or Games Room, used as a drawing room and music room in the 18th century, in the apartments of the duke of Chiablese, in the Palazzina di caccia di Stupinigi, a hunting residence, rebuilt and designed early 18th century by Filippo Juvarra for Vittorio Amedeo II of Savoy, in Stupinigi, Nichelino, Piedmont, Italy. The palace is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0481.jpg
  • Painted wall panel in oriental style with owl and other birds and flowers, by Christiano Wehrlin, in the Sala da Giocco, or Games Room, used as a drawing room and music room in the 18th century, in the apartments of the duke of Chiablese, in the Palazzina di caccia di Stupinigi, a hunting residence, rebuilt and designed early 18th century by Filippo Juvarra for Vittorio Amedeo II of Savoy, in Stupinigi, Nichelino, Piedmont, Italy. The palace is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0480.jpg
  • Sala da Giocco, or Games Room, used as a drawing room and music room in the 18th century, with chinoiserie wall paintings by Christiano Wehrlin, ceiling painting, 1765, by Giovanni Pietro Pozzo, and French Louis XV style inlaid gaming table, in the apartments of the duke of Chiablese, in the Palazzina di caccia di Stupinigi, a hunting residence, rebuilt and designed early 18th century by Filippo Juvarra for Vittorio Amedeo II of Savoy, in Stupinigi, Nichelino, Piedmont, Italy. The palace is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0479.jpg
  • Portrait of Francois Rabelais, 1483-1553, French Renaissance writer and humanist, drawing, 1951, by Henri Matisse, 1869-1954, 1 of a series of 8 expressive heads of Rabelais, in the Musee Rabelais in the Maison La Deviniere, a 15th century farmhouse, home to a young Francois Rabelais, in Seuilly, Indre-et-Loire, France. The Maison La Deviniere is listed as a historic monument. Picture by Manuel Cohen - Further clearance requested, please contact us
    LC23_FRANCE_MC_0083.jpg
  • Vitruvian Man drawing in the Architect gallery with works by Leonardo da Vinci as civil religious and military architect, town planner and stage director, in Les Galeries Leonard de Vinci Peintre et Architecte, a new exhibition space in the grounds of the Chateau du Clos Luce, a manor house built 1468-71, designed in Renaissance style by Albert Dufet, in Amboise, Indre-et-Loire, France. Originally a stronghold of the Chateau d'Amboise, it later became a royal summer residence and Francois I offered its use to Leonardo da Vinci, 1452-1519, who lived here 1517-19. The chateau houses a museum and is listed as a historic monument. Picture by Manuel Cohen
    LC23_FRANCE_MC_0119.jpg
  • Portrait of Emir Abdelkader, 1808-83, Algerian religious and military leader, kept at Amboise as a prisoner of war 1848-52, drawing, in the Salon de Musique, or Music Room, on the second floor of the Logis Royal or Royal Residence, in the Chateau d'Amboise, a medieval castle which became a royal residence in the 15th century and was largely reworked in the 15th and 16th centuries, on the River Loire, at Amboise, Indre-et-Loire, Centre, France. It is listed as a historic monument and is part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC23_FRANCE_MC_0163.jpg
  • Agnes Sorel, 1422-50, mistress of Charles VII, print of a drawing by Francois Souchon, 1787-1857, in the Chateau de Loches, in the Cite Royale de Loches, Indre-et-Loire, Centre, France. The chateau is a medieval castle in the Loire Valley consisting of the old collegiate Eglise Saint-Ours, the Renaissance Logis Royal built 14th and 16th century, and the keep, built 1013 by Foulques Nerra, count of Anjou. It is listed as a historic monument. Picture by Manuel Cohen
    LC22_FRANCE_MC_1665.jpg
  • Portrait of Mahaut de Bethune, daughter of Berengere Durieu de Lacarelle and Maximilien de Bethune-Sully, pastel drawing, 1902, by Edmundo Pizzela, in the Petit Salon on the first floor of the Chateau de Sully-sur-Loire, begun 14th century by Raymond du Temple for Gui VI de La Tremoille, in Loiret, France. It is listed as a historic monument and forms part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_FRANCE_MC_1447.jpg
  • Dunois and Joan of Arc at a tower, engraving by Abraham Bosse, 1602-76, after drawing by Claude Vignon, 1593-1670, published in the book 'The Maid or France delivered, heroic poems' by Augustin Courbe, 1656, in the collection of the Chateau de Chinon or Forteresse royale de Chinon, Indre-et-Loire, France. The chateau was founded in the 11th century by Theobald I, count of Blois. King Henry II of England lived and died here in the 12th century and the chateau has been out of use since the late 16th century. It is listed as a historic monument and part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_FRANCE_MC_1328.jpg
  • Chateauroux giving the sword of Fierbois to the warrior, engraving by Abraham Bosse, 1602-76, after drawing by Claude Vignon, 1593-1670, published as a frontispiece in the book 'The Maid or France delivered, heroic poems' by Augustin Courbe, 1656, in the collection of the Chateau de Chinon or Forteresse royale de Chinon, Indre-et-Loire, France. The chateau was founded in the 11th century by Theobald I, count of Blois. King Henry II of England lived and died here in the 12th century and the chateau has been out of use since the late 16th century. It is listed as a historic monument and part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_FRANCE_MC_1327.jpg
  • Allegory of Joan of Arc breaking the chains of France, engraving by Abraham Bosse, 1602-76, after drawing by Claude Vignon, 1593-1670, published as a frontispiece in the book 'The Maid or France delivered, heroic poems' by Augustin Courbe, 1656, in the collection of the Chateau de Chinon or Forteresse royale de Chinon, Indre-et-Loire, France. The chateau was founded in the 11th century by Theobald I, count of Blois. King Henry II of England lived and died here in the 12th century and the chateau has been out of use since the late 16th century. It is listed as a historic monument and part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_FRANCE_MC_1326.jpg
  • Drawing of the facade of the Chateau de Chambord and plan of the Chambord estate, 1821, in the collection of the Chateau de Chambord, designed by Domenico da Cortona and built 1519-47 in French Renaissance style under King Francois I, at Chambord, Loir-et-Cher, France. The largest of the Loire Valley chateaux, Chambord has a central keep with 4 bastion towers on the corners, a moat and an elaborate decorative roofline. The chateau is listed as a UNESCO World Heritage Site. Collection Manuel Cohen © Domaine de Chambord
    LC22_FRANCE_MC_1233.jpg
  • Plan of the river Loire elevation of the Chateau d'Amboise, drawing by Jacques Androuet du Cerveau, with existing buildings in black and destroyed sections in red, published in Les Plus Excellents Batiments de France, 1576-77, in the Chateau d'Ambois, a medieval castle which became a royal residence in the 15th century and was largely reworked in the 15th and 16th centuries, on the River Loire, at Amboise, Indre-et-Loire, Centre, France. The chateau was rebuilt as a Gothic palace under Charles VIII and Renaissance and Italianate additions were installed under Francois I and Henri II. It is listed as a historic monument and is part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_FRANCE_MC_0862.jpg
  • Portrait of the friends of Arthur Rimbaud, 1854-91, French poet, including Etienne Carjat, Ernest Delahaye, Paul Demeny, Georges Izambard and Germain Nouveau, charcoal and ink drawing, 1950, by Jose Correo, in the Musee Arthur Rimbaud, opened in 1969 in the Vieux-Moulin, a former water mill on the river Meuse in Charleville-Mezieres, Ardennes, Grand Est, France. The city is on the Rimbaud Verlaine Trail. Picture by Manuel Cohen
    LC21_FRANCE_MC_1503.jpg
  • Portrait of Arthur Rimbaud, 1854-91, French poet, ink drawing, 1948, by Fernand Leger, 1881-1955, in the Musee Arthur Rimbaud, opened in 1969 in the Vieux-Moulin, a former water mill on the river Meuse in Charleville-Mezieres, Ardennes, Grand Est, France. The city is on the Rimbaud Verlaine Trail. Picture by Manuel Cohen
    LC21_FRANCE_MC_1507.jpg
  • Portrait of Arthur Rimbaud, 1854-91, French poet, drawing, 1960, by Pablo Picasso, 1881-1973, in the Musee Arthur Rimbaud, opened in 1969 in the Vieux-Moulin, a former water mill on the river Meuse in Charleville-Mezieres, Ardennes, Grand Est, France. The city is on the Rimbaud Verlaine Trail. Picture by Manuel Cohen - Further clearances required for reproduction (artist's copyright)
    LC21_FRANCE_MC_1508.jpg
  • Portrait of Paule Lazerme in catalan dress, black pencil drawing on paper, 19th August 1954, by Pablo Picasso, 1881-1973, in the Musee d'Art Hyacinthe Rigaud, an art gallery housed in the Hotel de Lazerme, a private mansion built in the 18th century by the marquis Etienne de Blanes and bought in 1827 by Joseph de Lazerme, and the Hotel de Mailly, on the Rue de l'Age, Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. The museum was renovated and reopened in 2017 and houses 3 exhibitions: Gothic Perpignan, Baroque Perpignan and Modern Perpignan, including works by local artists Hyacinthe Rigaud and Aristide Maillol. Picture by Manuel Cohen - Further clearances required for reproduction (artist's copyright)
    LC20_FRANCE_MC_1270.jpg
  • Les Voiles Blanches, or The White Sails, pastel drawing on cardboard, by Augustin Hanicotte, 1870-1957, in the Musee d'Art Moderne de Collioure, in Collioure, Pyrenees-Orientales, Catalogne du Nord, France. The Collioure Museum was created by the painter Jean Peske in 1934 and has a collection of modern and contemporary art. Collioure is a small town depicted by many artists in the 20th century, on the Vermilion Coast near the Spanish border. Picture by Manuel Cohen
    LC20_FRANCE_MC_0926.jpg
  • Barques et poulets, or Boats and hens, ink drawing on paper, 1906, by Henri Matisse, in the Musee d'Art Moderne de Collioure, in Collioure, Pyrenees-Orientales, Catalogne du Nord, France. The Collioure Museum was created by the painter Jean Peske in 1934 and has a collection of modern and contemporary art. Collioure is a small town depicted by many artists in the 20th century, on the Vermilion Coast near the Spanish border. Picture by Manuel Cohen
    LC20_FRANCE_MC_0924.jpg
  • La Place Louis XV, (now Place de la Concorde), seen from the left bank of the River Seine, drawing with gouache, 1770-80, attributed to Louis-Nicolas Van Blarenberghe, 1716-94, painter for the Ministere de la Marine, from the collection of the Musee Carnavalet, in the Hotel de la Marine, built 1757-74 by Ange-Jacques Gabriel, 1698-1782, architect to King Louis XV, on the Place de la Concorde, in the 8th arrondissement of Paris, France. The building was made to house the Garde-Meuble de la Couronne, the king's furniture collection. From 1789, the building became the Ministere de la Marine, the navy ministry. It was restored 2017-20 and is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_0787.JPG
  • Stage curtain design, drawing with watercolour, 1966-67, for La Flute Enchantee or The Magic Flute, an opera by Mozart, by Marc Chagall, 1887-1985, copyright ADAGP, in the exhibition Marc Chagall : Le Triomphe de la Musique, in the Philharmonie de Paris. Chagall was a Russian-French artist of Jewish heritage. Throughout his career he designed many sets for theatres and opera houses, and music is a major theme in his work - Please contact ADAGP Paris for Artist's reproduction right - Picture by Manuel Cohen
    LC21_FRANCE_MC_0257.jpg
  • Elevation of the royal aqueduct at Maintenon in full length and height, drawing, at the Chateau de Maintenon, built 13th - 18th century, and from 1674, residence of Madame de Maintenon, 1635-1719, second wife of King Louis XIV, at Maintenon, Eure-et-Loir, France. The Aqueduc de Maintenon is an unfinished aqueduct built 1686-89 by Vauban, part of a project to supply water in the Canal de l'Eure or Canal de Louis XIV, across the Eure valley to the Chateau de Versailles. The castle is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_0294.jpg
  • Whipping, overseer punishing a slave, hand coloured drawing, early 19th century, by Jean-Baptiste Debret, 1768-1848, from the Musee des Salorges fund, in the Musee d'histoire de Nantes, in the Chateau des ducs de Bretagne, in Nantes, Pays de la Loire, France. The museum opened in 2007 and covers the history of Nantes, focusing on slavery, world wars, industrialisation and the chateau. Picture by Manuel Cohen
    LC21_FRANCE_MC_0038.jpg
  • Princess' Drawing Room, known as the Salon aux Oiseaux or Bird Room, in the Chateau de Chalais, in Chalais, Charente, Nouvelle-Aquitaine, France. The Princesse de Chalais is the great grandmother of Charles-Maurice de Talleyrand Perigord. The castle was built, between the Aude and Viveronne rivers, in the 11th century, destroyed during the Hundred Years War in the 15th century, and rebuilt in the 16th century. It was the home of the Talleyrand-Perigord family, princes of Chalais from the 14th century to 1883. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC20_FRANCE_MC_0267.jpg
  • Clothworkers' Company Award 2018 certificate, photographs of weavings and a drawing, in the studio of Sophie Graney, in her studio at Cockpit Arts, a social enterprise and creative business incubator in Deptford, London, UK. Sophie uses unusual materials such as rubber, leather and PVC in her weavings and makes pieces for homewares, art pieces and fashion. Cockpit was founded in 1986 with 5 units opening in Cockpit Yard in Holborn, and now supports 170 businesses in the Holborn and Deptford sites. Creatives receive training, support and bursaries and work across a wide range of art and craft practices. Photographed on 31st May 2019 by Manuel Cohen
    LC20_CockpitJune2019_MC_090.jpg
  • Reconstruction of the Temples of Dilmun, drawing, in the Bahrain National Museum, designed by Krohn and Hartvig Rasmussen, inaugurated December 1988 by Amir Shaikh Isa Bin Salman Al-Khalifa, in Manama, Bahrain. 5 temples have been excavated, at Sar, Diraz, Umm as-Sujur and Barbar, with architecture in the Sumerian Mesopotamian style. The museum houses cultural and archaeological collections covering 6000 years of history, with rooms entitled Burial Mounds, Dilmun, Tylos and Islam, Customs and Traditions, Traditional Trades and Crafts, and Documents and Manuscripts. Picture by Manuel Cohen
    LC19_BAHREIN_MC_219.jpg
  • Reconstruction of the Temples of Dilmun, drawing, in the Bahrain National Museum, designed by Krohn and Hartvig Rasmussen, inaugurated December 1988 by Amir Shaikh Isa Bin Salman Al-Khalifa, in Manama, Bahrain. 5 temples have been excavated, at Sar, Diraz, Umm as-Sujur and Barbar, with architecture in the Sumerian Mesopotamian style. The museum houses cultural and archaeological collections covering 6000 years of history, with rooms entitled Burial Mounds, Dilmun, Tylos and Islam, Customs and Traditions, Traditional Trades and Crafts, and Documents and Manuscripts. Picture by Manuel Cohen
    LC19_BAHREIN_MC_221.jpg
  • Workbench covered in glass paste houses, in the studio of sculptor Pauline Betin, b. 1986, in Betton, near Rennes, Ille-et-Vilaine, Brittany, France. Betin is a sculptor in glass paste who produces work exploring the nature of landscape and the crossover from urban to rural landscapes. Her work explores themes of the natural and man-made, the personal and collective, using contrasts of opacity and transparency; matt and shiny surfaces, and drawing, photography and sculpture. Picture by Manuel Cohen
    09062018_PaulineBetin_MC_07.jpg
  • Portrait of sculptor Pauline Betin, b. 1986, in her studio in Betton, near Rennes, Ille-et-Vilaine, Brittany, France. Betin is a sculptor in glass paste who produces work exploring the nature of landscape and the crossover from urban to rural landscapes. Her work explores themes of the natural and man-made, the personal and collective, using contrasts of opacity and transparency; matt and shiny surfaces, and drawing, photography and sculpture. Picture by Manuel Cohen
    09062018_PaulineBetin_MC_01.JPG
  • Portrait of sculptor Pauline Betin, b. 1986, in her studio in Betton, near Rennes, Ille-et-Vilaine, Brittany, France. Betin is a sculptor in glass paste who produces work exploring the nature of landscape and the crossover from urban to rural landscapes. Her work explores themes of the natural and man-made, the personal and collective, using contrasts of opacity and transparency; matt and shiny surfaces, and drawing, photography and sculpture. Picture by Manuel Cohen
    09062018_PaulineBetin_MC_02.JPG
  • Orphans' Hospital in the Ursuline Convent, seen from the ramparts, engraving by James Mason after a drawing by Richard Short, published in 1761 as a collection of Views of Quebec in the 18th century, by Thomas Jefferys in London, in the collection of the Musees du Quebec, Quebec City, Quebec, Canada. Picture by Manuel Cohen
    LC18_QUEBEC_MC_108.jpg
  • View of Quebec City from Point Levy, with embarking troops, engraving by P Canot after a drawing by Richard Short, published in 1761 as a collection of Views of Quebec in the 18th century, by Thomas Jefferys in London, in the collection of the Archives du Seminaire de Quebec, Quebec City, Quebec, Canada. This print is dedicated to the Honourable Sir Charles Saunders, Vice Admiral of the Blues and Knight of the most Honourable Order of the Bath. Picture by Manuel Cohen
    LC18_QUEBEC_MC_107.jpg
  • Inside of the Recollect Friars' Church, or Eglise des Recollets, with damaged roof, on the Place des Armes, engraving by C Grignion after a drawing by Richard Short, published in 1761 as a collection of Views of Quebec in the 18th century, by Thomas Jefferys in London, in the collection of the Musees du Quebec, Quebec City, Quebec, Canada. Picture by Manuel Cohen
    LC18_QUEBEC_MC_106.jpg
  • Episcopal Palace or Bishop's House and ruins, seen from the hill leading from Lower Town to Upper Town, engraving by Antoine Benoist, 1632-1717, after a drawing by Richard Short, published in 1761 as a collection of Views of Quebec in the 18th century, by Thomas Jefferys in London, in the collection of the Archives du Seminaire de Quebec, Quebec City, Quebec, Canada. Picture by Manuel Cohen
    LC18_QUEBEC_MC_105.jpg
  • Treasury and Jesuits' College, engraving by C Grignion after a drawing by Richard Short, published in 1761 as a collection of Views of Quebec in the 18th century, by Thomas Jefferys in London, in the collection of the Musees du Quebec, Quebec City, Quebec, Canada. Picture by Manuel Cohen
    LC18_QUEBEC_MC_104.jpg
Next
  • Facebook
  • Twitter
x