manuel cohen

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  • Bowl, 11th century with painted decoration of woman drinking, in Madinat al Zahra style, in the Museo Nacional de Ceramica y Artes Suntuarias Gonzalez Marti, or National Museum of Ceramics and Decorative Arts, at the Palau del Marques de Dosaigues, a Rococo palace of the Marqueses of Dos Aguas, in Valencia, Spain. Majolica is a tin-glazed earthen ware produced from the 15th century onwards. The building was originally built in Gothic style in the 15th century, but was remodelled in 1740 for the 3rd marquis of Dos Aguas, Gines Rabassa de Perellos y Lanuza, 1706-65, by Hipolito Rovira Meri, Ignacio Vergara and Luis Domingo. Picture by Manuel Cohen
    LC21_SPAIN_MC_0897.jpg
  • Bowl, 11th century with painted decoration of a deer, in Madinat al Zahra style, in the Museo Nacional de Ceramica y Artes Suntuarias Gonzalez Marti, or National Museum of Ceramics and Decorative Arts, at the Palau del Marques de Dosaigues, a Rococo palace of the Marqueses of Dos Aguas, in Valencia, Spain. Majolica is a tin-glazed earthen ware produced from the 15th century onwards. The building was originally built in Gothic style in the 15th century, but was remodelled in 1740 for the 3rd marquis of Dos Aguas, Gines Rabassa de Perellos y Lanuza, 1706-65, by Hipolito Rovira Meri, Ignacio Vergara and Luis Domingo. Picture by Manuel Cohen
    LC21_SPAIN_MC_0896.jpg
  • Majolica plate with fish sgraffito decoration, 1951-54, by Pablo Picasso, 1881-1973, in the Museo Nacional de Ceramica y Artes Suntuarias Gonzalez Marti, or National Museum of Ceramics and Decorative Arts, at the Palau del Marques de Dosaigues, a Rococo palace of the Marqueses of Dos Aguas, in Valencia, Spain. Majolica is a tin-glazed earthen ware produced from the 15th century onwards. The building was originally built in Gothic style in the 15th century, but was remodelled in 1740 for the 3rd marquis of Dos Aguas, Gines Rabassa de Perellos y Lanuza, 1706-65, by Hipolito Rovira Meri, Ignacio Vergara and Luis Domingo. Picture by Manuel Cohen
    LC21_SPAIN_MC_0895.JPG
  • Decorative details of painted flowers and sculpted leaves and fruit, in the dining room, with original wooden furniture designed by Gaudi and 32 paintings by Francesc Torrescassana, 1845-1918, at Casa Vicens, a Catalan Modernist and Art Nouveau style house designed by Antoni Gaudi, 1852-1926, and built 1883, on the Carrer de les Carolines in the Gracia district of Barcelona, Catalonia, Spain. The house was commissioned by Manuel Vicens i Montaner as a summer residence and contains many references to mudejar architecture. The building is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC20_SPAIN_MC_1384.jpg
  • Decorative details of sculpted leaves and fruit, in the dining room, with original wooden furniture designed by Gaudi and 32 paintings by Francesc Torrescassana, 1845-1918, at Casa Vicens, a Catalan Modernist and Art Nouveau style house designed by Antoni Gaudi, 1852-1926, and built 1883, on the Carrer de les Carolines in the Gracia district of Barcelona, Catalonia, Spain. The house was commissioned by Manuel Vicens i Montaner as a summer residence and contains many references to mudejar architecture. The building is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC20_SPAIN_MC_1378.jpg
  • Decorative details of patterned ceramic tiles and ivy plasterwork, in the dining room, with original wooden furniture designed by Gaudi and 32 paintings by Francesc Torrescassana, 1845-1918, at Casa Vicens, a Catalan Modernist and Art Nouveau style house designed by Antoni Gaudi, 1852-1926, and built 1883, on the Carrer de les Carolines in the Gracia district of Barcelona, Catalonia, Spain. The house was commissioned by Manuel Vicens i Montaner as a summer residence and contains many references to mudejar architecture. The building is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC20_SPAIN_MC_1380.JPG
  • Decorative carvings of dragons and sun motif, on the first floor in the light well, in the Hotel Pams, a mansion or hotel particulier, built 1852-72 by Pierre Bardou, founder of the Job cigarette paper company, and reworked in the 1890s by his son-in-law Jules Pams with the architect Leopold Carlier, on the Rue Emile-Zola in Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. The internal gallery is lit by a large glass lantern and decorated in Art Nouveau style. The house is listed as a historic monument. Picture by Manuel Cohen
    LC20_FRANCE_MC_1229.jpg
  • Painted decoration with crosses and flowers on the walls of the Synodal Hall, where assemblies of clergymen would take place, in the Palais de Tau, the 12th century Episcopal Palace of Angers and former residence of the bishops of Angers, in Angers, Maine-et-Loire, France. The T-shaped palace was built on the site of an earlier 9th century building. It is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_0552.jpg
  • Decorative detail of a sculpted portrait medallion next to a curtain in the Ballroom, in the Palazzo Valguarnera-Gangi, commissioned by the prince and princess of Gangi, Pietro and Marianna Valguarnera, and built 1749-59, on the Piazza Croce dei Vespri in the Kalsa district of Palermo, Sicily, Italy. The ballroom has a Baroque openwork vault designed by Andrea Gigante and enormous chandeliers, and was used to film the ballroom scene in Luchino Visconti's film The Leopard. The mansion was decorated in Sicilian Baroque style by Marianna Valguarnera and later in Neoclassical stye, with great opulence throughout. Picture by Manuel Cohen
    LC20_ITALY_MC_576.jpg
  • Decorative detail on the vaulted ceiling of the Ballroom, in the Palazzo Valguarnera-Gangi, commissioned by the prince and princess of Gangi, Pietro and Marianna Valguarnera, and built 1749-59, on the Piazza Croce dei Vespri in the Kalsa district of Palermo, Sicily, Italy. The ballroom has a Baroque openwork vault designed by Andrea Gigante and enormous chandeliers, and was used to film the ballroom scene in Luchino Visconti's film The Leopard. The mansion was decorated in Sicilian Baroque style by Marianna Valguarnera and later in Neoclassical stye, with great opulence throughout. Picture by Manuel Cohen
    LC20_ITALY_MC_571.jpg
  • Painted decoration on walls, column, capital and arch, in the Synodal Hall, where assemblies of clergymen would take place, in the Palais de Tau, the 12th century Episcopal Palace of Angers and former residence of the bishops of Angers, in Angers, Maine-et-Loire, France. The T-shaped palace was built on the site of an earlier 9th century building. It is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_0553.jpg
  • Painted decoration on walls and wooden ceiling, in the Synodal Hall, where assemblies of clergymen would take place, in the Palais de Tau, the 12th century Episcopal Palace of Angers and former residence of the bishops of Angers, in Angers, Maine-et-Loire, France. The T-shaped palace was built on the site of an earlier 9th century building. It is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_0551.jpg
  • Painted decoration on walls, column, capital and arch, in the Synodal Hall, where assemblies of clergymen would take place, in the Palais de Tau, the 12th century Episcopal Palace of Angers and former residence of the bishops of Angers, in Angers, Maine-et-Loire, France. The T-shaped palace was built on the site of an earlier 9th century building. It is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_0549.jpg
  • Decorative detail on the vaulted ceiling of the Ballroom, in the Palazzo Valguarnera-Gangi, commissioned by the prince and princess of Gangi, Pietro and Marianna Valguarnera, and built 1749-59, on the Piazza Croce dei Vespri in the Kalsa district of Palermo, Sicily, Italy. The ballroom has a Baroque openwork vault designed by Andrea Gigante and enormous chandeliers, and was used to film the ballroom scene in Luchino Visconti's film The Leopard. The mansion was decorated in Sicilian Baroque style by Marianna Valguarnera and later in Neoclassical stye, with great opulence throughout. Picture by Manuel Cohen
    LC20_ITALY_MC_575.jpg
  • Decorative detail on the vaulted ceiling of the Ballroom, in the Palazzo Valguarnera-Gangi, commissioned by the prince and princess of Gangi, Pietro and Marianna Valguarnera, and built 1749-59, on the Piazza Croce dei Vespri in the Kalsa district of Palermo, Sicily, Italy. The ballroom has a Baroque openwork vault designed by Andrea Gigante and enormous chandeliers, and was used to film the ballroom scene in Luchino Visconti's film The Leopard. The mansion was decorated in Sicilian Baroque style by Marianna Valguarnera and later in Neoclassical stye, with great opulence throughout. Picture by Manuel Cohen
    LC20_ITALY_MC_573.jpg
  • Decorative detail on the vaulted ceiling of the Ballroom, in the Palazzo Valguarnera-Gangi, commissioned by the prince and princess of Gangi, Pietro and Marianna Valguarnera, and built 1749-59, on the Piazza Croce dei Vespri in the Kalsa district of Palermo, Sicily, Italy. The ballroom has a Baroque openwork vault designed by Andrea Gigante and enormous chandeliers, and was used to film the ballroom scene in Luchino Visconti's film The Leopard. The mansion was decorated in Sicilian Baroque style by Marianna Valguarnera and later in Neoclassical stye, with great opulence throughout. Picture by Manuel Cohen
    LC20_ITALY_MC_572.jpg
  • Decorative detail on the vaulted ceiling of the Ballroom, in the Palazzo Valguarnera-Gangi, commissioned by the prince and princess of Gangi, Pietro and Marianna Valguarnera, and built 1749-59, on the Piazza Croce dei Vespri in the Kalsa district of Palermo, Sicily, Italy. The ballroom has a Baroque openwork vault designed by Andrea Gigante and enormous chandeliers, and was used to film the ballroom scene in Luchino Visconti's film The Leopard. The mansion was decorated in Sicilian Baroque style by Marianna Valguarnera and later in Neoclassical stye, with great opulence throughout. Picture by Manuel Cohen
    LC20_ITALY_MC_570.jpg
  • Decorative detail on the vaulted ceiling of the Ballroom, in the Palazzo Valguarnera-Gangi, commissioned by the prince and princess of Gangi, Pietro and Marianna Valguarnera, and built 1749-59, on the Piazza Croce dei Vespri in the Kalsa district of Palermo, Sicily, Italy. The ballroom has a Baroque openwork vault designed by Andrea Gigante and enormous chandeliers, and was used to film the ballroom scene in Luchino Visconti's film The Leopard. The mansion was decorated in Sicilian Baroque style by Marianna Valguarnera and later in Neoclassical stye, with great opulence throughout. Picture by Manuel Cohen
    LC20_ITALY_MC_569.jpg
  • Decorative detail on the vaulted ceiling of the Ballroom, in the Palazzo Valguarnera-Gangi, commissioned by the prince and princess of Gangi, Pietro and Marianna Valguarnera, and built 1749-59, on the Piazza Croce dei Vespri in the Kalsa district of Palermo, Sicily, Italy. The ballroom has a Baroque openwork vault designed by Andrea Gigante and enormous chandeliers, and was used to film the ballroom scene in Luchino Visconti's film The Leopard. The mansion was decorated in Sicilian Baroque style by Marianna Valguarnera and later in Neoclassical stye, with great opulence throughout. Picture by Manuel Cohen
    LC20_ITALY_MC_587.jpg
  • Sculpture of reclining woman with tambourine and decorative plant details in the dining room, with original wooden furniture designed by Gaudi and 32 paintings by Francesc Torrescassana, 1845-1918, at Casa Vicens, a Catalan Modernist and Art Nouveau style house designed by Antoni Gaudi, 1852-1926, and built 1883, on the Carrer de les Carolines in the Gracia district of Barcelona, Catalonia, Spain. The house was commissioned by Manuel Vicens i Montaner as a summer residence and contains many references to mudejar architecture. The building is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC20_SPAIN_MC_1385.jpg
  • Dining room, with original wooden furniture designed by Gaudi, 32 paintings by Francesc Torrescassana, 1845-1918, and decorative motifs of plants and ceramic tiles, at Casa Vicens, a Catalan Modernist and Art Nouveau style house designed by Antoni Gaudi, 1852-1926, and built 1883, on the Carrer de les Carolines in the Gracia district of Barcelona, Catalonia, Spain. The house was commissioned by Manuel Vicens i Montaner as a summer residence and contains many references to mudejar architecture. The building is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_SPAIN_MC_0001.jpg
  • Restored painting by Francesc Torrescassana, 1845-1918, in the dining room, with original wooden furniture designed by Gaudi, and decorative motifs of plants and ceramic tiles, at Casa Vicens, a Catalan Modernist and Art Nouveau style house designed by Antoni Gaudi, 1852-1926, and built 1883, on the Carrer de les Carolines in the Gracia district of Barcelona, Catalonia, Spain. The house was commissioned by Manuel Vicens i Montaner as a summer residence and contains many references to mudejar architecture. The building is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC20_SPAIN_MC_1433.jpg
  • Dining room, with original wooden furniture designed by Gaudi, 32 paintings by Francesc Torrescassana, 1845-1918, and decorative motifs of plants and ceramic tiles, at Casa Vicens, a Catalan Modernist and Art Nouveau style house designed by Antoni Gaudi, 1852-1926, and built 1883, on the Carrer de les Carolines in the Gracia district of Barcelona, Catalonia, Spain. The house was commissioned by Manuel Vicens i Montaner as a summer residence and contains many references to mudejar architecture. The building is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC20_SPAIN_MC_1375.jpg
  • Semi-vault ceiling panels with floral design, decorative lighting and names of musicians in mosaic, in the Concert Hall at the Palau de la Musica Catalana, built 1905-8 and designed by the Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in Casc Antic, Barcelona, Catalonia, Spain. The hall seats 2015 people and is illuminated entirely during the day by stained glass windows with a garland design and a huge stained glass drip-shaped skylight by Rigalt Granell & Cia. The hall was built for the Orfeo Catala choral society in Catalan Modernist style, with art nouveau inspired organic forms and much attention to decorative detail. The concert hall was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC362.jpg
  • Decorative light, and names of musicians in mosaic, in the Concert Hall, at the Palau de la Musica Catalana, built 1905-8 and designed by the Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in Casc Antic, Barcelona, Catalonia, Spain. The hall seats 2015 people, has a Walcker pipe organ and stepped stage and is illuminated entirely during the day by windows and a huge stained glass drip-shaped skylight by Rigalt Granell & Cia. The hall was built for the Orfeo Catala choral society in Catalan Modernist style, with art nouveau inspired organic forms and much attention to decorative detail. The concert hall was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC345.jpg
  • Seats and boxes on the second floor balcony in the Concert Hall, with decorative lighting and semi-vault ceiling panels with floral design, at the Palau de la Musica Catalana, built 1905-8 and designed by the Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in Casc Antic, Barcelona, Catalonia, Spain. The hall seats 2015 people and is illuminated entirely during the day by stained glass windows with a garland design and a huge stained glass drip-shaped skylight by Rigalt Granell & Cia. The hall was built for the Orfeo Catala choral society in Catalan Modernist style, with art nouveau inspired organic forms and much attention to decorative detail. The concert hall was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC393.jpg
  • Seats and boxes on the second floor balcony in the Concert Hall, with decorative lighting and semi-vault ceiling panels with floral design, at the Palau de la Musica Catalana, built 1905-8 and designed by the Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in Casc Antic, Barcelona, Catalonia, Spain. The hall seats 2015 people and is illuminated entirely during the day by stained glass windows with a garland design and a huge stained glass drip-shaped skylight by Rigalt Granell & Cia. The hall was built for the Orfeo Catala choral society in Catalan Modernist style, with art nouveau inspired organic forms and much attention to decorative detail. The concert hall was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC392.jpg
  • Boxes and decorative lighting on the second floor balcony in the Concert Hall, seating 2015 people and illuminated entirely during the day by stained glass windows with a garland design and a huge stained glass drip-shaped skylight by Rigalt Granell & Cia, at the Palau de la Musica Catalana, built 1905-8 and designed by the Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in Casc Antic, Barcelona, Catalonia, Spain. The hall was built for the Orfeo Catala choral society in Catalan Modernist style, with art nouveau inspired organic forms and much attention to decorative detail. The concert hall was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC382.jpg
  • The Kulturforum, a collection of cultural buildings developed in the 1950s and 1960s in West Berlin, Germany. This complex includes the Gemaledegalerie housing European paintings, the Kupferstichkabinett or Print Room, the Kunstbibliothek or Art Library and the Kunstgewerbemuseum or Decorative Arts Museum. Picture by Manuel Cohen
    LC14_BERLIN_MC0213.jpg
  • The Kulturforum, a collection of cultural buildings developed in the 1950s and 1960s in West Berlin, Germany. This complex includes the Gemaledegalerie housing European paintings, the Kupferstichkabinett or Print Room, the Kunstbibliothek or Art Library and the Kunstgewerbemuseum or Decorative Arts Museum. Picture by Manuel Cohen
    LC14_BERLIN_MC0214.jpg
  • The Kulturforum, a collection of cultural buildings developed in the 1950s and 1960s in West Berlin, Germany. This complex includes the Gemaledegalerie housing European paintings, the Kupferstichkabinett or Print Room, the Kunstbibliothek or Art Library and the Kunstgewerbemuseum or Decorative Arts Museum. Picture by Manuel Cohen
    LC14_BERLIN_MC0215.jpg
  • The Kulturforum, a collection of cultural buildings developed in the 1950s and 1960s in West Berlin, Germany. This complex includes the Gemaledegalerie housing European paintings, the Kupferstichkabinett or Print Room, the Kunstbibliothek or Art Library and the Kunstgewerbemuseum or Decorative Arts Museum. Picture by Manuel Cohen
    LC14_BERLIN_MC0217.jpg
  • Underside of painted lid of a Coffret or Minnekastchen, 1325-50, German, depicting Frau Minneolas, German goddess of love, and a young man, in The Cloisters, a museum specialising in European medieval architecture, sculpture and decorative arts, part of the Metropolitan Museum of Art, at Fort Tryon Park, Manhattan, New York, USA. The wooden box is made from oak, with inlay detail and a tempera painted lid. The Cloisters collection includes Byzantine, Romanesque, Gothic and Renaissance works from 12th to 15th centuries. Picture by Manuel Cohen
    LC20_NYC_USA_MC083.jpg
  • Leopard and unicorn, detail from Unicorn purifying water, 1495-1505, depicting the unicorn kneeling to cleanse the water from a fountain, surrounded by animals and birds, in the Unicorn Tapestries Room, housing 7 tapestries depicting the Hunt of the Unicorn, in The Cloisters, a museum specialising in European medieval architecture, sculpture and decorative arts, part of the Metropolitan Museum of Art, at Fort Tryon Park, Manhattan, New York, USA. This tapestry was woven in wool, silk, gilt and silver thread in the Southern Netherlands from a cartoon designed in Paris, France. The Cloisters collection includes Byzantine, Romanesque, Gothic and Renaissance works from 12th to 15th centuries. Picture by Manuel Cohen
    LC20_NYC_USA_MC131.jpg
  • Deer, rabbit and fountain, detail from Unicorn purifying water, 1495-1505, depicting the unicorn kneeling to cleanse the water from a fountain, surrounded by animals and birds, in the Unicorn Tapestries Room, housing 7 tapestries depicting the Hunt of the Unicorn, in The Cloisters, a museum specialising in European medieval architecture, sculpture and decorative arts, part of the Metropolitan Museum of Art, at Fort Tryon Park, Manhattan, New York, USA. This tapestry was woven in wool, silk, gilt and silver thread in the Southern Netherlands from a cartoon designed in Paris, France. The Cloisters collection includes Byzantine, Romanesque, Gothic and Renaissance works from 12th to 15th centuries. Picture by Manuel Cohen
    LC20_NYC_USA_MC129.jpg
  • Unicorn Crossing a Steam, 1495-1500, detail, tapestry depicting a unicorn hunt with hounds and lances, in the Unicorn Tapestries Room, housing 7 tapestries depicting the Hunt of the Unicorn, in The Cloisters, a museum specialising in European medieval architecture, sculpture and decorative arts, part of the Metropolitan Museum of Art, at Fort Tryon Park, Manhattan, New York, USA. This tapestry was woven in wool, silk, gilt and silver thread in the Southern Netherlands from a cartoon designed in Paris, France. The Cloisters collection includes Byzantine, Romanesque, Gothic and Renaissance works from 12th to 15th centuries. Picture by Manuel Cohen
    LC20_NYC_USA_MC177.jpg
  • Gathering Manna, 1497–99, stained glass window by the workshop of Friedrich Brunner, after a design by Jan Pollack, from the Cemetery Church of St Salvator, Munich, in the Boppard Room, in The Cloisters, a museum specialising in European medieval architecture, sculpture and decorative arts, part of the Metropolitan Museum of Art, at Fort Tryon Park, Manhattan, New York, USA. The Cloisters collection includes Byzantine, Romanesque, Gothic and Renaissance works from 12th to 15th centuries. Picture by Manuel Cohen
    LC20_NYC_USA_MC101.jpg
  • The falcon's bath, 1400-15, detail, depicting a lady and gentleman with courtiers training a falcon in front of a rose trellis, in the Unicorn Tapestries Room, housing 7 tapestries depicting the Hunt of the Unicorn, in The Cloisters, a museum specialising in European medieval architecture, sculpture and decorative arts, part of the Metropolitan Museum of Art, at Fort Tryon Park, Manhattan, New York, USA. 101 species of plant are depicted in the millefleurs background. This is a woollen tapestry woven in the Southern Netherlands. The Cloisters collection includes Byzantine, Romanesque, Gothic and Renaissance works from 12th to 15th centuries. Picture by Manuel Cohen
    LC20_NYC_USA_MC179.jpg
  • Unicorn Crossing a Steam, 1495-1500, tapestry depicting a unicorn hunt with hounds and lances, in the Unicorn Tapestries Room, housing 7 tapestries depicting the Hunt of the Unicorn, in The Cloisters, a museum specialising in European medieval architecture, sculpture and decorative arts, part of the Metropolitan Museum of Art, at Fort Tryon Park, Manhattan, New York, USA. This tapestry was woven in wool, silk, gilt and silver thread in the Southern Netherlands from a cartoon designed in Paris, France. The Cloisters collection includes Byzantine, Romanesque, Gothic and Renaissance works from 12th to 15th centuries. Picture by Manuel Cohen
    LC20_NYC_USA_MC166.jpg
  • Hunters return to the castle, 1495-1505, depicting the killing of the unicorn and the presentation of its body to the lord and lady, in the Unicorn Tapestries Room, housing 7 tapestries depicting the Hunt of the Unicorn, in The Cloisters, a museum specialising in European medieval architecture, sculpture and decorative arts, part of the Metropolitan Museum of Art, at Fort Tryon Park, Manhattan, New York, USA. This tapestry was woven in wool, silk, gilt and silver thread in the Southern Netherlands from a cartoon designed in Paris, France. The Cloisters collection includes Byzantine, Romanesque, Gothic and Renaissance works from 12th to 15th centuries. Picture by Manuel Cohen
    LC20_NYC_USA_MC164.jpg
  • Theodosius arrives at Ephesus, from a scene from the Legend of the Seven Sleepers of Ephesus, stained glass window, c. 1200–10,<br />
French, from the Cathedral of Notre-Dame, Rouen, in the Early Gothic Hall, in The Cloisters, a museum specialising in European medieval architecture, sculpture and decorative arts, part of the Metropolitan Museum of Art, at Fort Tryon Park, Manhattan, New York, USA. In this scene, emperor Theodosius and 2 companions ride to Ephesus to see the brothers who had miraculously awakened. The Cloisters collection includes Byzantine, Romanesque, Gothic and Renaissance works from 12th to 15th centuries. Picture by Manuel Cohen
    LC20_NYC_USA_MC156.jpg
  • Lions, detail from Unicorn purifying water, 1495-1505, depicting the unicorn kneeling to cleanse the water from a fountain, surrounded by animals and birds, in the Unicorn Tapestries Room, housing 7 tapestries depicting the Hunt of the Unicorn, in The Cloisters, a museum specialising in European medieval architecture, sculpture and decorative arts, part of the Metropolitan Museum of Art, at Fort Tryon Park, Manhattan, New York, USA. This tapestry was woven in wool, silk, gilt and silver thread in the Southern Netherlands from a cartoon designed in Paris, France. The Cloisters collection includes Byzantine, Romanesque, Gothic and Renaissance works from 12th to 15th centuries. Picture by Manuel Cohen
    LC20_NYC_USA_MC130.jpg
  • Unicorn purifying water, 1495-1505, detail, depicting the unicorn kneeling to cleanse the water from a fountain, surrounded by animals and birds, in the Unicorn Tapestries Room, housing 7 tapestries depicting the Hunt of the Unicorn, in The Cloisters, a museum specialising in European medieval architecture, sculpture and decorative arts, part of the Metropolitan Museum of Art, at Fort Tryon Park, Manhattan, New York, USA. This tapestry was woven in wool, silk, gilt and silver thread in the Southern Netherlands from a cartoon designed in Paris, France. The Cloisters collection includes Byzantine, Romanesque, Gothic and Renaissance works from 12th to 15th centuries. Picture by Manuel Cohen
    LC20_NYC_USA_MC095.jpg
  • Boppard room, with tapestry with Armorial Bearings and Badges of John, Lord Dynham, naval commander and treasurer of England, c. 1488–1501, woven in South Netherlands with wool and silk thread, in The Cloisters, a museum specialising in European medieval architecture, sculpture and decorative arts, part of the Metropolitan Museum of Art, at Fort Tryon Park, Manhattan, New York, USA. The Cloisters collection includes Byzantine, Romanesque, Gothic and Renaissance works from 12th to 15th centuries. Picture by Manuel Cohen
    LC20_NYC_USA_MC098.jpg
  • Hunter blowing horn, detail from Unicon defending himself, 1495-1505, in the Unicorn Tapestries Room, housing 7 tapestries depicting the Hunt of the Unicorn, in The Cloisters, a museum specialising in European medieval architecture, sculpture and decorative arts, part of the Metropolitan Museum of Art, at Fort Tryon Park, Manhattan, New York, USA. This tapestry was woven in wool, silk, gilt and silver thread in the Southern Netherlands from a cartoon designed in Paris, France. The Cloisters collection includes Byzantine, Romanesque, Gothic and Renaissance works from 12th to 15th centuries. Picture by Manuel Cohen
    LC20_NYC_USA_MC093.jpg
  • Unicon defending himself, 1495-1505, detail, depicting the unicorn goring a greyhound and kicking a hunter, in the Unicorn Tapestries Room, housing 7 tapestries depicting the Hunt of the Unicorn, in The Cloisters, a museum specialising in European medieval architecture, sculpture and decorative arts, part of the Metropolitan Museum of Art, at Fort Tryon Park, Manhattan, New York, USA. This tapestry was woven in wool, silk, gilt and silver thread in the Southern Netherlands from a cartoon designed in Paris, France. The Cloisters collection includes Byzantine, Romanesque, Gothic and Renaissance works from 12th to 15th centuries. Picture by Manuel Cohen
    LC20_NYC_USA_MC092.jpg
  • Unicon defending himself, 1495-1505, detail, depicting the unicorn goring a greyhound and kicking a hunter, in the Unicorn Tapestries Room, housing 7 tapestries depicting the Hunt of the Unicorn, in The Cloisters, a museum specialising in European medieval architecture, sculpture and decorative arts, part of the Metropolitan Museum of Art, at Fort Tryon Park, Manhattan, New York, USA. This tapestry was woven in wool, silk, gilt and silver thread in the Southern Netherlands from a cartoon designed in Paris, France. The Cloisters collection includes Byzantine, Romanesque, Gothic and Renaissance works from 12th to 15th centuries. Picture by Manuel Cohen
    LC20_NYC_USA_MC091.jpg
  • Hunters return to the castle, 1495-1505, detail, depicting the killing of the unicorn and the presentation of its body to the lord and lady, in the Unicorn Tapestries Room, housing 7 tapestries depicting the Hunt of the Unicorn, in The Cloisters, a museum specialising in European medieval architecture, sculpture and decorative arts, part of the Metropolitan Museum of Art, at Fort Tryon Park, Manhattan, New York, USA. This tapestry was woven in wool, silk, gilt and silver thread in the Southern Netherlands from a cartoon designed in Paris, France. The Cloisters collection includes Byzantine, Romanesque, Gothic and Renaissance works from 12th to 15th centuries. Picture by Manuel Cohen
    LC20_NYC_USA_MC090.jpg
  • Hunters return to the castle, 1495-1505, detail, depicting the killing of the unicorn and the presentation of its body to the lord and lady, in the Unicorn Tapestries Room, housing 7 tapestries depicting the Hunt of the Unicorn, in The Cloisters, a museum specialising in European medieval architecture, sculpture and decorative arts, part of the Metropolitan Museum of Art, at Fort Tryon Park, Manhattan, New York, USA. This tapestry was woven in wool, silk, gilt and silver thread in the Southern Netherlands from a cartoon designed in Paris, France. The Cloisters collection includes Byzantine, Romanesque, Gothic and Renaissance works from 12th to 15th centuries. Picture by Manuel Cohen
    LC20_NYC_USA_MC089.jpg
  • Hunters return to the castle, 1495-1505, detail, depicting the killing of the unicorn and the presentation of its body to the lord and lady, in the Unicorn Tapestries Room, housing 7 tapestries depicting the Hunt of the Unicorn, in The Cloisters, a museum specialising in European medieval architecture, sculpture and decorative arts, part of the Metropolitan Museum of Art, at Fort Tryon Park, Manhattan, New York, USA. This tapestry was woven in wool, silk, gilt and silver thread in the Southern Netherlands from a cartoon designed in Paris, France. The Cloisters collection includes Byzantine, Romanesque, Gothic and Renaissance works from 12th to 15th centuries. Picture by Manuel Cohen
    LC20_NYC_USA_MC088.jpg
  • Unicorn Tapestries Room, housing 7 tapestries depicting the Hunt of the Unicorn, in The Cloisters, a museum specialising in European medieval architecture, sculpture and decorative arts, part of the Metropolitan Museum of Art, at Fort Tryon Park, Manhattan, New York, USA. On the left is a monumental fireplace, late 15th - early 16th century, with central figure of St Michael, from Alencon, Normandy, France. The Cloisters collection includes Byzantine, Romanesque, Gothic and Renaissance works from 12th to 15th centuries. Picture by Manuel Cohen
    LC20_NYC_USA_MC086.jpg
  • Theodosius arrives at Ephesus, detail, from a scene from the Legend of the Seven Sleepers of Ephesus, stained glass window, c. 1200–1210, French, from the Cathedral of Notre-Dame, Rouen, in the Early Gothic Hall, in The Cloisters, a museum specialising in European medieval architecture, sculpture and decorative arts, part of the Metropolitan Museum of Art, at Fort Tryon Park, Manhattan, New York, USA. In this scene, emperor Theodosius and 2 companions ride to Ephesus to see the brothers who had miraculously awakened. The Cloisters collection includes Byzantine, Romanesque, Gothic and Renaissance works from 12th to 15th centuries. Picture by Manuel Cohen
    LC20_NYC_USA_MC048.jpg
  • Unicorn surrendering to a maiden, 1495-1505, in the Unicorn Tapestries Room, housing 7 tapestries depicting the Hunt of the Unicorn, in The Cloisters, a museum specialising in European medieval architecture, sculpture and decorative arts, part of the Metropolitan Museum of Art, at Fort Tryon Park, Manhattan, New York, USA. 101 species of plant are depicted in the millefleurs background. 2 fragments of this tapestry remain, this one depicts a tamed unicorn with a dog licking its woads and a lady wearing a red dress. This tapestry was woven in wool, silk, gilt and silver thread in the Southern Netherlands from a cartoon designed in Paris, France. The Cloisters collection includes Byzantine, Romanesque, Gothic and Renaissance works from 12th to 15th centuries. Picture by Manuel Cohen
    LC20_NYC_USA_MC167.jpg
  • Condemned soldiers, with the consul falsely accusing 2 soldiers of treason, from Scenes from the Life of St Nicholas, stained glass window, c. 1200–10, French, from the Cathedral of Saint-Gervais-et-Saint-Protais, Soissons, in the Early Gothic Hall, in The Cloisters, a museum specialising in European medieval architecture, sculpture and decorative arts, part of the Metropolitan Museum of Art, at Fort Tryon Park, Manhattan, New York, USA. The Cloisters collection includes Byzantine, Romanesque, Gothic and Renaissance works from 12th to 15th centuries. Picture by Manuel Cohen
    LC20_NYC_USA_MC158.jpg
  • St Nicholas accuses the Consul from Scenes from the Life of St Nicholas, stained glass window, c. 1200–10, French, from the Cathedral of Saint-Gervais-et-Saint-Protais, Soissons, in the Early Gothic Hall, in The Cloisters, a museum specialising in European medieval architecture, sculpture and decorative arts, part of the Metropolitan Museum of Art, at Fort Tryon Park, Manhattan, New York, USA. The Cloisters collection includes Byzantine, Romanesque, Gothic and Renaissance works from 12th to 15th centuries. Picture by Manuel Cohen
    LC20_NYC_USA_MC157.jpg
  • Vision of Saint Germain of Paris, stained glass window, 1245–47, French, in the Lady Chapel of the Benedictine abbey of Saint-Germain-des-Pres, Paris, in the Early Gothic Hall, in The Cloisters, a museum specialising in European medieval architecture, sculpture and decorative arts, part of the Metropolitan Museum of Art, at Fort Tryon Park, Manhattan, New York, USA. The window shows a sleeping monk dreaming of the saint. The Cloisters collection includes Byzantine, Romanesque, Gothic and Renaissance works from 12th to 15th centuries. Picture by Manuel Cohen
    LC20_NYC_USA_MC153.jpg
  • Woman dispensing poison, from the Legend of Saint Germain of Paris, stained glass window, 1245–47, French, from the Lady Chapel of the Benedictine abbey of Saint-Germain-des-Pres, Paris, in the Early Gothic Hall, in The Cloisters, a museum specialising in European medieval architecture, sculpture and decorative arts, part of the Metropolitan Museum of Art, at Fort Tryon Park, Manhattan, New York, USA. The Cloisters collection includes Byzantine, Romanesque, Gothic and Renaissance works from 12th to 15th centuries. Picture by Manuel Cohen
    LC20_NYC_USA_MC152.jpg
  • King Louis IX carrying the crown of thorns, stained glass window, c. 1245–48, French, from the Cathedral of Saint-Gatien, Tours, France, in the Early Gothic Hall, in The Cloisters, a museum specialising in European medieval architecture, sculpture and decorative arts, part of the Metropolitan Museum of Art, at Fort Tryon Park, Manhattan, New York, USA. The window shows Saint Louis carrying holy relics back from the Holy Land to install in Sainte-Chapelle. The Cloisters collection includes Byzantine, Romanesque, Gothic and Renaissance works from 12th to 15th centuries. Picture by Manuel Cohen
    LC20_NYC_USA_MC150.jpg
  • Angel of the Annunciation, stained glass window, c. 1290–1300, German, from the convent church at Altenberg-an-der-Lahn, near Wetzlar, Germany, in the Early Gothic Hall, in The Cloisters, a museum specialising in European medieval architecture, sculpture and decorative arts, part of the Metropolitan Museum of Art, at Fort Tryon Park, Manhattan, New York, USA. The Cloisters collection includes Byzantine, Romanesque, Gothic and Renaissance works from 12th to 15th centuries. Picture by Manuel Cohen
    LC20_NYC_USA_MC148.jpg
  • 3 kings bearing gifts, from the Adoration of the Magi, stained glass window, c. 1290–1300, German, from the convent church at Altenberg-an-der-Lahn, near Wetzlar, Germany, in the Early Gothic Hall, in The Cloisters, a museum specialising in European medieval architecture, sculpture and decorative arts, part of the Metropolitan Museum of Art, at Fort Tryon Park, Manhattan, New York, USA. The Cloisters collection includes Byzantine, Romanesque, Gothic and Renaissance works from 12th to 15th centuries. Picture by Manuel Cohen
    LC20_NYC_USA_MC147.jpg
  • 2 Seated Apostles from a Pentecost Scene, stained glass window, c. 1245–48, French, from the Cathedral of Saint-Gatien, Tours, in the Early Gothic Hall, in The Cloisters, a museum specialising in European medieval architecture, sculpture and decorative arts, part of the Metropolitan Museum of Art, at Fort Tryon Park, Manhattan, New York, USA. The Cloisters collection includes Byzantine, Romanesque, Gothic and Renaissance works from 12th to 15th centuries. Picture by Manuel Cohen
    LC20_NYC_USA_MC146.jpg
  • Virgin and St Martin, from a Pentecost scene, stained glass window, 1245–48, French, from the Cathedral of Saint-Gatien, Tours, France, in the Early Gothic Hall, in The Cloisters, a museum specialising in European medieval architecture, sculpture and decorative arts, part of the Metropolitan Museum of Art, at Fort Tryon Park, Manhattan, New York, USA. The Cloisters collection includes Byzantine, Romanesque, Gothic and Renaissance works from 12th to 15th centuries. Picture by Manuel Cohen
    LC20_NYC_USA_MC145.jpg
  • Unicorn Crossing a Steam, 1495-1500, detail, tapestry depicting a unicorn hunt with hounds and lances, in the Unicorn Tapestries Room, housing 7 tapestries depicting the Hunt of the Unicorn, in The Cloisters, a museum specialising in European medieval architecture, sculpture and decorative arts, part of the Metropolitan Museum of Art, at Fort Tryon Park, Manhattan, New York, USA. This tapestry was woven in wool, silk, gilt and silver thread in the Southern Netherlands from a cartoon designed in Paris, France. The Cloisters collection includes Byzantine, Romanesque, Gothic and Renaissance works from 12th to 15th centuries. Picture by Manuel Cohen
    LC20_NYC_USA_MC097.jpg
  • Unicorn purifying water, 1495-1505, depicting the unicorn kneeling to cleanse the water from a fountain, surrounded by animals and birds, in the Unicorn Tapestries Room, housing 7 tapestries depicting the Hunt of the Unicorn, in The Cloisters, a museum specialising in European medieval architecture, sculpture and decorative arts, part of the Metropolitan Museum of Art, at Fort Tryon Park, Manhattan, New York, USA. This tapestry was woven in wool, silk, gilt and silver thread in the Southern Netherlands from a cartoon designed in Paris, France. The Cloisters collection includes Byzantine, Romanesque, Gothic and Renaissance works from 12th to 15th centuries. Picture by Manuel Cohen
    LC20_NYC_USA_MC094.jpg
  • Unicorn in Captivity or Unicorn Resting in a Garden, 1495–1505, in the Unicorn Tapestries Room, housing 7 tapestries depicting the Hunt of the Unicorn, in The Cloisters, a museum specialising in European medieval architecture, sculpture and decorative arts, part of the Metropolitan Museum of Art, at Fort Tryon Park, Manhattan, New York, USA. This tapestry symbolises the beloved tamed and was woven in wool, silk, gold and silver thread in the Southern Netherlands from a cartoon designed in Paris, France. The pomegranate tree, flowers and plants all represent fertility. The Cloisters collection includes Byzantine, Romanesque, Gothic and Renaissance works from 12th to 15th centuries. Picture by Manuel Cohen
    LC20_NYC_USA_MC096.jpg
  • Unicon defending himself, 1495-1505, depicting the unicorn goring a greyhound and kicking a hunter, in the Unicorn Tapestries Room, housing 7 tapestries depicting the Hunt of the Unicorn, in The Cloisters, a museum specialising in European medieval architecture, sculpture and decorative arts, part of the Metropolitan Museum of Art, at Fort Tryon Park, Manhattan, New York, USA. This tapestry was woven in wool, silk, gilt and silver thread in the Southern Netherlands from a cartoon designed in Paris, France. The Cloisters collection includes Byzantine, Romanesque, Gothic and Renaissance works from 12th to 15th centuries. Picture by Manuel Cohen
    LC20_NYC_USA_MC165.jpg
  • Fireplace, late 15th - early 16th century, with central figure of St Michael, from Alencon, Normandy, France, in the Unicorn Tapestries Room, housing 7 tapestries depicting the Hunt of the Unicorn, in The Cloisters, a museum specialising in European medieval architecture, sculpture and decorative arts, part of the Metropolitan Museum of Art, at Fort Tryon Park, Manhattan, New York, USA. The Cloisters collection includes Byzantine, Romanesque, Gothic and Renaissance works from 12th to 15th centuries. Picture by Manuel Cohen
    LC20_NYC_USA_MC087.jpg
  • Unicorn Tapestries Room, housing 7 tapestries depicting the Hunt of the Unicorn, in The Cloisters, a museum specialising in European medieval architecture, sculpture and decorative arts, part of the Metropolitan Museum of Art, at Fort Tryon Park, Manhattan, New York, USA. On the left is a monumental fireplace, late 15th - early 16th century, with central figure of St Michael, from Alencon, Normandy, France. The Cloisters collection includes Byzantine, Romanesque, Gothic and Renaissance works from 12th to 15th centuries. Picture by Manuel Cohen
    LC20_NYC_USA_MC085.jpg
  • Martyrdom of St Lawrence, stained glass window, c. 1180, British, from Christ Church Cathedral, Canterbury, Kent, England, in the Early Gothic Hall, in The Cloisters, a museum specialising in European medieval architecture, sculpture and decorative arts, part of the Metropolitan Museum of Art, at Fort Tryon Park, Manhattan, New York, USA. The window shows St Lawrence martyred by fire but conquering it with 3 bands of fire within (faith, love of Christ, and knowledge of God). The Cloisters collection includes Byzantine, Romanesque, Gothic and Renaissance works from 12th to 15th centuries. Picture by Manuel Cohen
    LC20_NYC_USA_MC154.jpg
  • Archbishop Gauthier Cornut of Sens displaying the crown of thorns, stained glass window, c. 1245–48, French, from the Cathedral of Saint-Gatien, Tours, France, in the Early Gothic Hall, in The Cloisters, a museum specialising in European medieval architecture, sculpture and decorative arts, part of the Metropolitan Museum of Art, at Fort Tryon Park, Manhattan, New York, USA. Saint Louis brought back holy relics from the Holy Land. The Cloisters collection includes Byzantine, Romanesque, Gothic and Renaissance works from 12th to 15th centuries. Picture by Manuel Cohen
    LC20_NYC_USA_MC151.jpg
  • Virgin and child, from the Adoration of the Magi, stained glass window, c. 1290–1300, German, from the convent church at Altenberg-an-der-Lahn, near Wetzlar, Germany, in the Early Gothic Hall, in The Cloisters, a museum specialising in European medieval architecture, sculpture and decorative arts, part of the Metropolitan Museum of Art, at Fort Tryon Park, Manhattan, New York, USA. The Cloisters collection includes Byzantine, Romanesque, Gothic and Renaissance works from 12th to 15th centuries. Picture by Manuel Cohen
    LC20_NYC_USA_MC149.jpg
  • Hunters enter the woods, 1495-1505, in the Unicorn Tapestries Room, housing 7 tapestries depicting the Hunt of the Unicorn, in The Cloisters, a museum specialising in European medieval architecture, sculpture and decorative arts, part of the Metropolitan Museum of Art, at Fort Tryon Park, Manhattan, New York, USA. 101 species of plant are depicted in the millefleurs background. This tapestry was woven in wool, silk, gilt and silver thread in the Southern Netherlands from a cartoon designed in Paris, France. The Cloisters collection includes Byzantine, Romanesque, Gothic and Renaissance works from 12th to 15th centuries. Picture by Manuel Cohen
    LC20_NYC_USA_MC015.jpg
  • First floor balcony of the Concert Hall, with stained glass windows with garland design by Rigalt Granell & Cia and mosaic columns, at the Palau de la Musica Catalana, built 1905-8 and designed by the Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in Casc Antic, Barcelona, Catalonia, Spain. The hall seats 2015 people, has a Walcker pipe organ and stepped stage and is illuminated entirely during the day by windows and a huge stained glass drip-shaped skylight by Rigalt Granell & Cia. The hall was built for the Orfeo Catala choral society in Catalan Modernist style, with art nouveau inspired organic forms and much attention to decorative detail. The concert hall was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC394.jpg
  • Concert Hall, seating 2015 people and illuminated entirely during the day by windows and a huge stained glass drip-shaped skylight by Rigalt Granell & Cia, with Walcker pipe organ and stepped stage, at the Palau de la Musica Catalana, built 1905-8 and designed by the Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in Casc Antic, Barcelona, Catalonia, Spain. The huge arch in front of the stage is by Didac Masana and Pau Gargallo, with sculptures of a choir singing Les Flors de Maig, Anselm Clave, a tree, the ride of the Valkyries and Beethoven. Around the stage are figures of 18 muses sculpted by Eusebi Arnau with mosaic work by Lluis Bru. The hall was built for the Orfeo Catala choral society in Catalan Modernist style, with art nouveau inspired organic forms and much attention to decorative detail. The concert hall was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC398.jpg
  • Pegasus sculpture by Eusebi Arnau, and behind, skylight by Rigalt Granell & Cia, and sculpture of Les Flors de Maig (The Flowers of May) and bust of Anselm Clave, representing Catalan folk music, by Pau Gargallo, in the Concert Hall of the Palau de la Musica Catalana, built 1905-8 and designed by the Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in Casc Antic, Barcelona, Catalonia, Spain. The hall seats 2015 people, has a Walcker pipe organ and stepped stage and is illuminated entirely during the day by windows and a huge stained glass drip-shaped skylight by Rigalt Granell & Cia. The hall was built for the Orfeo Catala choral society in Catalan Modernist style, with art nouveau inspired organic forms and much attention to decorative detail. The concert hall was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC384.jpg
  • Concert Hall, seating 2015 people and illuminated entirely during the day by windows and the huge stained glass drip-shaped skylight by Rigalt Granell & Cia, with Walcker pipe organ and stepped stage, seen from the second floor balcony, at the Palau de la Musica Catalana, built 1905-8 and designed by the Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in Casc Antic, Barcelona, Catalonia, Spain. The huge arch in front of the stage was sculpted by Didac Masana and Pau Gargallo, and around the stage are figures of the muses sculpted by Eusebi Arnau with mosaic work by Lluis Bru. The hall was built for the Orfeo Catala choral society in Catalan Modernist style, with art nouveau inspired organic forms and much attention to decorative detail. The concert hall was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC390.jpg
  • Seats on the first floor balcony in the Concert Hall, seating 2015 people and illuminated entirely during the day by windows and a huge stained glass drip-shaped skylight by Rigalt Granell & Cia, at the Palau de la Musica Catalana, built 1905-8 and designed by the Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in Casc Antic, Barcelona, Catalonia, Spain. The huge arch in front of the stage was sculpted by Didac Masana and Pau Gargallo, and around the stage are figures of the muses sculpted by Eusebi Arnau with mosaic work by Lluis Bru. The hall was built for the Orfeo Catala choral society in Catalan Modernist style, with art nouveau inspired organic forms and much attention to decorative detail. The concert hall was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC373.jpg
  • Ceiling design with semi-vaults with floral motifs, arches and columns on the second floor balcony in the Concert Hall, seating 2015 people and illuminated entirely during the day by stained glass windows with a garland design and a huge stained glass drip-shaped skylight by Rigalt Granell & Cia, at the Palau de la Musica Catalana, built 1905-8 and designed by the Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in Casc Antic, Barcelona, Catalonia, Spain. The hall was built for the Orfeo Catala choral society in Catalan Modernist style, with art nouveau inspired organic forms and much attention to decorative detail. The concert hall was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC391.jpg
  • Staircase leading to the second floor of the Concert Hall, seating 2015 people and illuminated entirely during the day by windows and a huge stained glass drip-shaped skylight by Rigalt Granell & Cia, with Walcker pipe organ and stepped stage, at the Palau de la Musica Catalana, built 1905-8 and designed by the Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in Casc Antic, Barcelona, Catalonia, Spain. The hall was built for the Orfeo Catala choral society in Catalan Modernist style, with art nouveau inspired organic forms and much attention to decorative detail. The concert hall was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC378.jpg
  • View of the double-height living room with furniture by Josep Prat, seen from the billiards room in Pavilion no. 6 'dels distingits' of the Institut Pere Mata, a psychiatric hospital built 1897-1912 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, in Reus, Catalonia, Spain. To the first floor is a balcony with balustrade and decorative ceiling, while the ground floor is tiled, with wooden furniture and an art nouveau feel. Pavilion no. 6 was used to house wealthy patients in great comfort and modernity, and was in use until 1986. It is now open to the public as part of Reus' Modernist Route and run by the town of Reus, whereas the rest of the building remains a hospital. The building is listed as a Cultural Asset of National Interest. Picture by Manuel Cohen
    LC16_SPAIN_MC156.jpg
  • Painted panel in gilded boiserie on the wall of the Ballroom, in the Palazzo Valguarnera-Gangi, commissioned by the prince and princess of Gangi, Pietro and Marianna Valguarnera, and built 1749-59, on the Piazza Croce dei Vespri in the Kalsa district of Palermo, Sicily, Italy. The ballroom has a Baroque openwork vault designed by Andrea Gigante and enormous chandeliers, and was used to film the ballroom scene in Luchino Visconti's film The Leopard. The mansion was decorated in Sicilian Baroque style by Marianna Valguarnera and later in Neoclassical stye, with great opulence throughout. Picture by Manuel Cohen
    LC20_ITALY_MC_574.JPG
  • Concert Hall, seating 2015 people and illuminated entirely during the day by windows and a huge stained glass drip-shaped skylight by Rigalt Granell & Cia, with Walcker pipe organ and stepped stage, at the Palau de la Musica Catalana, built 1905-8 and designed by the Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in Casc Antic, Barcelona, Catalonia, Spain. The huge arch in front of the stage is by Didac Masana and Pau Gargallo, with sculptures of a choir singing Les Flors de Maig, Anselm Clave, a tree, the ride of the Valkyries and Beethoven. Around the stage are figures of 18 muses sculpted by Eusebi Arnau with mosaic work by Lluis Bru. The hall was built for the Orfeo Catala choral society in Catalan Modernist style, with art nouveau inspired organic forms and much attention to decorative detail. The concert hall was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC397.jpg
  • Walcker pipe organ of 1908 and huge stained glass drip-shaped skylight by Rigalt Granell & Cia in the Concert Hall, seating 2015 people and illuminated entirely during the day by stained glass, at the Palau de la Musica Catalana, built 1905-8 and designed by the Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in Casc Antic, Barcelona, Catalonia, Spain. The hall was built for the Orfeo Catala choral society in Catalan Modernist style, with art nouveau inspired organic forms and much attention to decorative detail. The concert hall was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC383.jpg
  • Concert Hall, seating 2015 people and illuminated entirely during the day by windows and the huge stained glass drip-shaped skylight by Rigalt Granell & Cia, with Walcker pipe organ and stepped stage, seen from the second floor balcony, at the Palau de la Musica Catalana, built 1905-8 and designed by the Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in Casc Antic, Barcelona, Catalonia, Spain. The huge arch in front of the stage was sculpted by Didac Masana and Pau Gargallo, and around the stage are figures of the muses sculpted by Eusebi Arnau with mosaic work by Lluis Bru. The hall was built for the Orfeo Catala choral society in Catalan Modernist style, with art nouveau inspired organic forms and much attention to decorative detail. The concert hall was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC386.jpg
  • Concert Hall, seating 2015 people and illuminated entirely during the day by windows and the huge stained glass drip-shaped skylight by Rigalt Granell & Cia, with Walcker pipe organ and stepped stage, seen from the second floor balcony, at the Palau de la Musica Catalana, built 1905-8 and designed by the Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in Casc Antic, Barcelona, Catalonia, Spain. The huge arch in front of the stage was sculpted by Didac Masana and Pau Gargallo, and around the stage are figures of the muses sculpted by Eusebi Arnau with mosaic work by Lluis Bru. The hall was built for the Orfeo Catala choral society in Catalan Modernist style, with art nouveau inspired organic forms and much attention to decorative detail. The concert hall was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC387.jpg
  • Seats and boxes on the second floor balcony in the Concert Hall, seating 2015 people and illuminated entirely during the day by stained glass windows with a garland design and a huge stained glass drip-shaped skylight by Rigalt Granell & Cia, at the Palau de la Musica Catalana, built 1905-8 and designed by the Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in Casc Antic, Barcelona, Catalonia, Spain. The hall was built for the Orfeo Catala choral society in Catalan Modernist style, with art nouveau inspired organic forms and much attention to decorative detail. The concert hall was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC389.jpg
  • Concert Hall, seating 2015 people and illuminated entirely during the day by windows and the huge stained glass drip-shaped skylight by Rigalt Granell & Cia, with Walcker pipe organ and stepped stage, seen from the second floor balcony, at the Palau de la Musica Catalana, built 1905-8 and designed by the Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in Casc Antic, Barcelona, Catalonia, Spain. The huge arch in front of the stage was sculpted by Didac Masana and Pau Gargallo, and around the stage are figures of the muses sculpted by Eusebi Arnau with mosaic work by Lluis Bru. The hall was built for the Orfeo Catala choral society in Catalan Modernist style, with art nouveau inspired organic forms and much attention to decorative detail. The concert hall was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC388.jpg
  • Seats on the first floor balcony in the Concert Hall, seating 2015 people and illuminated entirely during the day by windows and a huge stained glass drip-shaped skylight by Rigalt Granell & Cia, at the Palau de la Musica Catalana, built 1905-8 and designed by the Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in Casc Antic, Barcelona, Catalonia, Spain. The hall was built for the Orfeo Catala choral society in Catalan Modernist style, with art nouveau inspired organic forms and much attention to decorative detail. The concert hall was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC372.jpg
  • Seats on the first floor balcony in the Concert Hall, seating 2015 people and illuminated entirely during the day by windows and a huge stained glass drip-shaped skylight by Rigalt Granell & Cia, at the Palau de la Musica Catalana, built 1905-8 and designed by the Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in Casc Antic, Barcelona, Catalonia, Spain. The huge arch in front of the stage was sculpted by Didac Masana and Pau Gargallo, and around the stage are figures of the muses sculpted by Eusebi Arnau with mosaic work by Lluis Bru. The hall was built for the Orfeo Catala choral society in Catalan Modernist style, with art nouveau inspired organic forms and much attention to decorative detail. The concert hall was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC375.jpg
  • Semi-vault ceiling panels with floral design, in the Concert Hall at the Palau de la Musica Catalana, built 1905-8 and designed by the Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in Casc Antic, Barcelona, Catalonia, Spain. The hall seats 2015 people and is illuminated entirely during the day by stained glass windows with a garland design and a huge stained glass drip-shaped skylight by Rigalt Granell & Cia. The hall was built for the Orfeo Catala choral society in Catalan Modernist style, with art nouveau inspired organic forms and much attention to decorative detail. The concert hall was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC376.jpg
  • Concert Hall, seating 2015 people and illuminated entirely during the day by windows and the huge stained glass drip-shaped skylight by Rigalt Granell & Cia, with Walcker pipe organ and stepped stage, seen from the second floor balcony, at the Palau de la Musica Catalana, built 1905-8 and designed by the Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in Casc Antic, Barcelona, Catalonia, Spain. The huge arch in front of the stage was sculpted by Didac Masana and Pau Gargallo, and around the stage are figures of the muses sculpted by Eusebi Arnau with mosaic work by Lluis Bru. The hall was built for the Orfeo Catala choral society in Catalan Modernist style, with art nouveau inspired organic forms and much attention to decorative detail. The concert hall was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC379.jpg
  • Columns covered with mosaic in floral designs, by Lluis Bru, on the balcony outside the Lluis Millet Room (a lounge area), on the first floor of the main facade of the Palau de la Musica Catalana, built 1905-8 and designed by the Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in Casc Antic, Barcelona, Catalonia, Spain. The hall was built for the Orfeo Catala choral society in Catalan Modernist style, with art nouveau inspired organic forms and much attention to decorative detail. The concert hall was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC385.jpg
  • Corridor with water fountain and decorative ceramic tiles, in the Casa Amatller, a catalan Modernisme style building by Josep Puig i Cadafalch, built 1898-1900 as a home for chocolatier Antoni Amatller, on the Passeig de Gracia in the Illa de la Discordia district of Barcelona, Catalonia, Spain. The floor tiles are by Mario Maragliano, 1864-1944, to simulate carpets decorated with floral ornaments. Picture by Manuel Cohen
    LC20_SPAIN_MC_1010.jpg
  • Corridor with water fountain and decorative ceramic tiles, in the Casa Amatller, a catalan Modernisme style building by Josep Puig i Cadafalch, built 1898-1900 as a home for chocolatier Antoni Amatller, on the Passeig de Gracia in the Illa de la Discordia district of Barcelona, Catalonia, Spain. The floor tiles are by Mario Maragliano, 1864-1944, to simulate carpets decorated with floral ornaments. Picture by Manuel Cohen
    LC20_SPAIN_MC_1009.jpg
  • Stucco wall decoration beside the staircase leading to the front door of the Casa Amatller, a catalan Modernisme and art nouveau style building by Josep Puig i Cadafalch, built 1898-1900 as a home for chocolatier Antoni Amatller, on the Passeig de Gracia in the Illa de la Discordia district of Barcelona, Catalonia, Spain. Picture by Manuel Cohen
    LC20_SPAIN_MC_1029.jpg
  • Putti, painted and gilded stucco decoration in the ballroom, in the Palau del Marques de Dosaigues, a Rococo palace of the Marqueses of Dos Aguas, in Valencia, Spain. The building was originally built in Gothic style in the 15th century, but was remodelled in 1740 for the 3rd marquis of Dos Aguas, Gines Rabassa de Perellos y Lanuza, 1706-65, by Hipolito Rovira Meri, Ignacio Vergara and Luis Domingo. Picture by Manuel Cohen
    LC21_SPAIN_MC_0899.jpg
  • First floor of the living room with decorative stained glass windows and skylight by Jeroni Ferran Granell i Manresa, and marble work by Alfons Juyol, in the Casa Navas, built 1902-7 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, on the Plaza del Mercadal or Market Square in Reus, Catalonia, Spain. The house was built for Joaquim Navas Padro. The interiors were completed by Alfons Juyol i Bach (marble), Tomas Bergada (paintings), Gaspar Homar (furniture) and Hipolit Montseny (ceramics). The building is listed as a national monument. Picture by Manuel Cohen
    LC16_SPAIN_MC105.jpg
  • External patio, with brick faceted facade with decorative tile scene and mosaic floor, in the Casa Navas, built 1902-7 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, on the Plaza del Mercadal or Market Square in Reus, Catalonia, Spain. The house was built for Joaquim Navas Padro. The interiors were completed by Alfons Juyol i Bach (marble), Tomas Bergada (paintings), Gaspar Homar (furniture) and Hipolit Montseny (ceramics). The building is listed as a national monument. Picture by Manuel Cohen
    LC16_SPAIN_MC106.jpg
  • Ground floor of the living room with decorative stained glass windows by Jeroni Ferran Granell i Manresa, furniture by Gaspar Homar and marble work by Alfons Juyol, in the Casa Navas, built 1902-7 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, on the Plaza del Mercadal or Market Square in Reus, Catalonia, Spain. The house was built for Joaquim Navas Padro. The interiors were completed by Alfons Juyol i Bach (marble), Tomas Bergada (paintings), Gaspar Homar (furniture) and Hipolit Montseny (ceramics). The building is listed as a national monument. Picture by Manuel Cohen
    LC16_SPAIN_MC108.jpg
  • First floor of the living room with decorative stained glass windows and skylight by Jeroni Ferran Granell i Manresa, and marble work by Alfons Juyol, in the Casa Navas, built 1902-7 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, on the Plaza del Mercadal or Market Square in Reus, Catalonia, Spain. The house was built for Joaquim Navas Padro. The interiors were completed by Alfons Juyol i Bach (marble), Tomas Bergada (paintings), Gaspar Homar (furniture) and Hipolit Montseny (ceramics). The building is listed as a national monument. Picture by Manuel Cohen
    LC16_SPAIN_MC103.jpg
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