manuel cohen

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  • The Centro Cultural de Belem or Cultural Centre of Belem, built 1989-92 to house the European Presidency and now used for conferences, exhibitions and concerts, Santa Maria de Belem, Lisbon, Portugal. Picture by Manuel Cohen
    LC15_LISBON_MC040.jpg
  • Headquarters of the Comando Carabinieri Tutela Patrimonio Culturale (Carabinieri Department for the Protection of Cultural Heritage), 18th century building designed by Filippo Raguzzini architect of the Piazza di Sant'Ignazio (Saint Ignatius' square), 1727-1728, Rome, Italy. Picture by Manuel Cohen
    LCITALY12_MC371.jpg
  • Carved wooden lintel on the reconstruction of the Maison du Jouir or House of Pleasure, home to French artist Paul Gauguin, 1848-1903, from 1901 to his death, now part of the Paul Gauguin Cultural Center, a museum which opened in 2003, in Atuona, on the island of Hiva Oa, in the Marquesas Islands, French Polynesia. The building is a traditional 2-storey hut with a wooden lintel carved by Gauguin in 1901 with the inscription, 'Be mysterious. Be loving and you will be happy'. Picture by Manuel Cohen
    LC17_POLYNESIA_MC_072.jpg
  • Reconstruction of the Maison du Jouir or House of Pleasure, home to French artist Paul Gauguin, 1848-1903, from 1901 to his death, now part of the Paul Gauguin Cultural Center, a museum which opened in 2003, in Atuona, on the island of Hiva Oa, in the Marquesas Islands, French Polynesia. The building is a traditional 2-storey hut with a wooden lintel carved by Gauguin in 1901 with the inscription, 'Be mysterious. Be loving and you will be happy'. Picture by Manuel Cohen
    LC17_POLYNESIA_MC_113.jpg
  • Reconstruction of the Maison du Jouir or House of Pleasure, home to French artist Paul Gauguin, 1848-1903, from 1901 to his death, now part of the Paul Gauguin Cultural Center, a museum which opened in 2003, in Atuona, on the island of Hiva Oa, in the Marquesas Islands, French Polynesia. The building is a traditional 2-storey hut with a wooden lintel carved by Gauguin in 1901 with the inscription, 'Be mysterious. Be loving and you will be happy'. Picture by Manuel Cohen
    LC17_POLYNESIA_MC_111.jpg
  • Wooden carving of a naked Marquesian woman, in the Paul Gauguin Cultural Center, a museum which opened in 2003, in Atuona, on the island of Hiva Oa, in the Marquesas Islands, French Polynesia. The museum includes a reconstruction of the Maison du Jouir or House of Pleasure, home to French artist Paul Gauguin, 1848-1903, from 1901 to his death, a traditional 2-storey hut with a wooden lintel carved by Gauguin in 1901 with the inscription, 'Be mysterious. Be loving and you will be happy'. Picture by Manuel Cohen
    LC17_POLYNESIA_MC_110.jpg
  • Carved wooden tiki sculpture outside the reconstruction of the Maison du Jouir or House of Pleasure, a traditional 2-storey hut and home to French artist Paul Gauguin, 1848-1903, from 1901 to his death, now part of the Paul Gauguin Cultural Center, a museum which opened in 2003, in Atuona, on the island of Hiva Oa, in the Marquesas Islands, French Polynesia. Tiki sculptures represent Ti’i, a half-human half-god ancestor who is believed to be the first man. Tiki often have a huge head, symbolising power, and big eyes symbolising knowledge. Tiki are respected and are often placed outside houses as protective statues. Picture by Manuel Cohen
    LC17_POLYNESIA_MC_112.jpg
  • Reconstruction of the Maison du Jouir or House of Pleasure, home to French artist Paul Gauguin, 1848-1903, from 1901 to his death, now part of the Paul Gauguin Cultural Center, a museum which opened in 2003, in Atuona, on the island of Hiva Oa, in the Marquesas Islands, French Polynesia. The building is a traditional 2-storey hut with a wooden lintel carved by Gauguin in 1901 with the inscription, 'Be mysterious. Be loving and you will be happy'. Picture by Manuel Cohen
    LC17_POLYNESIA_MC_108.jpg
  • Carved wooden tiki sculpture outside the reconstruction of the Maison du Jouir or House of Pleasure, a traditional 2-storey hut and home to French artist Paul Gauguin, 1848-1903, from 1901 to his death, now part of the Paul Gauguin Cultural Center, a museum which opened in 2003, in Atuona, on the island of Hiva Oa, in the Marquesas Islands, French Polynesia. Tiki sculptures represent Ti’i, a half-human half-god ancestor who is believed to be the first man. Tiki often have a huge head, symbolising power, and big eyes symbolising knowledge. Tiki are respected and are often placed outside houses as protective statues. Picture by Manuel Cohen
    LC17_POLYNESIA_MC_109.jpg
  • Reconstruction of the Maison du Jouir or House of Pleasure, home to French artist Paul Gauguin, 1848-1903, from 1901 to his death, now part of the Paul Gauguin Cultural Center, a museum which opened in 2003, in Atuona, on the island of Hiva Oa, in the Marquesas Islands, French Polynesia. The building is a traditional 2-storey hut with a wooden lintel carved by Gauguin in 1901 with the inscription, 'Be mysterious. Be loving and you will be happy'. Picture by Manuel Cohen
    LC17_POLYNESIA_MC_107.jpg
  • Carved stone head from a tiki sculpture, 35cm tall, in red lava stone, with a jutting chin and eyes at the sides of the head, a thick mouth with tattooed cheeks, wearing a crown or bonnet, in the Paul Gauguin Cultural Center, a museum which opened in 2003, in Atuona, on the island of Hiva Oa, in the Marquesas Islands, French Polynesia. The museum includes a reconstruction of the Maison du Jouir or House of Pleasure, a traditional 2-storey hut and home to French artist Paul Gauguin, 1848-1903, from 1901 to his death. Tiki sculptures represent Ti’i, a half-human half-god ancestor who is believed to be the first man. Tiki often have a huge head, symbolising power, and big eyes symbolising knowledge. Tiki are respected and are often placed outside houses as protective statues. Picture by Manuel Cohen
    LC17_POLYNESIA_MC_082.jpg
  • Carved stone head from a tiki sculpture, in grey volcanic stone, with huge eyes and mouth, in the Paul Gauguin Cultural Center, a museum which opened in 2003, in Atuona, on the island of Hiva Oa, in the Marquesas Islands, French Polynesia. The museum includes a reconstruction of the Maison du Jouir or House of Pleasure, a traditional 2-storey hut and home to French artist Paul Gauguin, 1848-1903, from 1901 to his death. Tiki sculptures represent Ti’i, a half-human half-god ancestor who is believed to be the first man. Tiki often have a huge head, symbolising power, and big eyes symbolising knowledge. Tiki are respected and are often placed outside houses as protective statues. Picture by Manuel Cohen
    LC17_POLYNESIA_MC_081.jpg
  • Exhibition inside the Paul Gauguin Cultural Center, a museum which opened in 2003, in Atuona, on the island of Hiva Oa, in the Marquesas Islands, French Polynesia. The museum includes a reconstruction of the Maison du Jouir or House of Pleasure, home to French artist Paul Gauguin, 1848-1903, from 1901 to his death, a traditional 2-storey hut with a wooden lintel carved by Gauguin in 1901 with the inscription, 'Be mysterious. Be loving and you will be happy'. Picture by Manuel Cohen
    LC17_POLYNESIA_MC_080.jpg
  • Drawing of a petroglyph found on the island, in the Paul Gauguin Cultural Center, a museum which opened in 2003, in Atuona, on the island of Hiva Oa, in the Marquesas Islands, French Polynesia. The museum includes a reconstruction of the Maison du Jouir or House of Pleasure, home to French artist Paul Gauguin, 1848-1903, from 1901 to his death, a traditional 2-storey hut with a wooden lintel carved by Gauguin in 1901 with the inscription, 'Be mysterious. Be loving and you will be happy'. Picture by Manuel Cohen
    LC17_POLYNESIA_MC_078.jpg
  • Exhibition inside the Paul Gauguin Cultural Center, a museum which opened in 2003, in Atuona, on the island of Hiva Oa, in the Marquesas Islands, French Polynesia. The museum includes a reconstruction of the Maison du Jouir or House of Pleasure, home to French artist Paul Gauguin, 1848-1903, from 1901 to his death, a traditional 2-storey hut with a wooden lintel carved by Gauguin in 1901 with the inscription, 'Be mysterious. Be loving and you will be happy'. Picture by Manuel Cohen
    LC17_POLYNESIA_MC_079.jpg
  • Reconstruction of the Maison du Jouir or House of Pleasure, home to French artist Paul Gauguin, 1848-1903, from 1901 to his death, now part of the Paul Gauguin Cultural Center, a museum which opened in 2003, in Atuona, on the island of Hiva Oa, in the Marquesas Islands, French Polynesia. The building is a traditional 2-storey hut with a wooden lintel carved by Gauguin in 1901 with the inscription, 'Be mysterious. Be loving and you will be happy'. Picture by Manuel Cohen
    LC17_POLYNESIA_MC_077.jpg
  • Reconstruction of the Maison du Jouir or House of Pleasure, home to French artist Paul Gauguin, 1848-1903, from 1901 to his death, now part of the Paul Gauguin Cultural Center, a museum which opened in 2003, in Atuona, on the island of Hiva Oa, in the Marquesas Islands, French Polynesia. The building is a traditional 2-storey hut with a wooden lintel carved by Gauguin in 1901 with the inscription, 'Be mysterious. Be loving and you will be happy'. Picture by Manuel Cohen
    LC17_POLYNESIA_MC_076.jpg
  • Wooden lintel carved by Gauguin in 1901 with the inscription, 'Be mysterious. Be loving and you will be happy', on the reconstruction of the Maison du Jouir or House of Pleasure, a traditional 2-storey hut and home to French artist Paul Gauguin, 1848-1903, from 1901 to his death, now part of the Paul Gauguin Cultural Center, a museum which opened in 2003, in Atuona, on the island of Hiva Oa, in the Marquesas Islands, French Polynesia. Picture by Manuel Cohen
    LC17_POLYNESIA_MC_075.jpg
  • Wooden lintel carved by Gauguin in 1901 with the inscription, 'Be mysterious. Be loving and you will be happy', on the reconstruction of the Maison du Jouir or House of Pleasure, a traditional 2-storey hut and home to French artist Paul Gauguin, 1848-1903, from 1901 to his death, now part of the Paul Gauguin Cultural Center, a museum which opened in 2003, in Atuona, on the island of Hiva Oa, in the Marquesas Islands, French Polynesia. Picture by Manuel Cohen
    LC17_POLYNESIA_MC_074.jpg
  • Exhibition inside the reconstruction of the Maison du Jouir or House of Pleasure, home to French artist Paul Gauguin, 1848-1903, from 1901 to his death, a traditional 2-storey hut, part of the Paul Gauguin Cultural Center, a museum which opened in 2003, in Atuona, on the island of Hiva Oa, in the Marquesas Islands, French Polynesia. Picture by Manuel Cohen
    LC17_POLYNESIA_MC_073.jpg
  • Carved wooden lintel on the reconstruction of the Maison du Jouir or House of Pleasure, home to French artist Paul Gauguin, 1848-1903, from 1901 to his death, now part of the Paul Gauguin Cultural Center, a museum which opened in 2003, in Atuona, on the island of Hiva Oa, in the Marquesas Islands, French Polynesia. The building is a traditional 2-storey hut with a wooden lintel carved by Gauguin in 1901 with the inscription, 'Be mysterious. Be loving and you will be happy'. Picture by Manuel Cohen
    LC17_POLYNESIA_MC_071.jpg
  • Wooden lintel carved by Gauguin in 1901 with the inscription, 'Be mysterious. Be loving and you will be happy', on the reconstruction of the Maison du Jouir or House of Pleasure, a traditional 2-storey hut and home to French artist Paul Gauguin, 1848-1903, from 1901 to his death, now part of the Paul Gauguin Cultural Center, a museum which opened in 2003, in Atuona, on the island of Hiva Oa, in the Marquesas Islands, French Polynesia. Picture by Manuel Cohen
    LC17_POLYNESIA_MC_070.jpg
  • Wooden lintel carved by Gauguin in 1901 with the inscription, 'Be mysterious. Be loving and you will be happy', on the reconstruction of the Maison du Jouir or House of Pleasure, a traditional 2-storey hut and home to French artist Paul Gauguin, 1848-1903, from 1901 to his death, now part of the Paul Gauguin Cultural Center, a museum which opened in 2003, in Atuona, on the island of Hiva Oa, in the Marquesas Islands, French Polynesia. Picture by Manuel Cohen
    LC17_POLYNESIA_MC_069.jpg
  • Reconstruction of the Maison du Jouir or House of Pleasure, home to French artist Paul Gauguin, 1848-1903, from 1901 to his death, now part of the Paul Gauguin Cultural Center, a museum which opened in 2003, in Atuona, on the island of Hiva Oa, in the Marquesas Islands, French Polynesia. The building is a traditional 2-storey hut with a wooden lintel carved by Gauguin in 1901 with the inscription, 'Be mysterious. Be loving and you will be happy'. Picture by Manuel Cohen
    LC17_POLYNESIA_MC_068.jpg
  • Reconstruction of the Maison du Jouir or House of Pleasure, home to French artist Paul Gauguin, 1848-1903, from 1901 to his death, now part of the Paul Gauguin Cultural Center, a museum which opened in 2003, in Atuona, on the island of Hiva Oa, in the Marquesas Islands, French Polynesia. The building is a traditional 2-storey hut with a wooden lintel carved by Gauguin in 1901 with the inscription, 'Be mysterious. Be loving and you will be happy'. Picture by Manuel Cohen
    LC17_POLYNESIA_MC_067.jpg
  • Cultural centre and tower of the Cercos mill, part of the ruined castle complex, Amposta, Tarragona, Spain. Picture by Manuel Cohen
    LCSPAIN12_MC440.jpg
  • Part of the old Fabra i Coats factory set to be converted into a cultural space in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_328.JPG
  • The Shed (left), an arts and cultural centre designed by Diller Scofidio and Renfro and Rockwell Group and built 2015-19, and Vessel (centre), a structure and visitor attraction designed by Thomas Heatherwick and opened in 2019, at Hudson Yards Public Square, part of the Hudson Yards Redevelopment Project in Midtown, Manhattan, New York City, NY, USA. Both are seen from the High Line, an elevated park along a former New York Central Railroad spur, 1.45 miles long, in Manhattan. Vessel consists of 16 storeys, 154 flights of stairs, 2,500 steps, and 80 landings, offering views over the Hudson River. Picture by Manuel Cohen
    LC20_NYC_USA_MC_007.JPG
  • Mural on the wall of the Cofradia de los Congos de Villa Mella, listed in 2001 by UNESCO as the Cultural Space of the Brotherhood of the Holy Spirit of the Congos de Villa Mella Site of Intangible Cultural Interest, in Santo Domingo Este, a suburb of Santo Domingo, in the Dominican Republic, Caribbean. This brotherhood of the Holy Spirit was created by the Dominican folklorist Sixto Minier, and is a traditional band used to celebrate festivals and religious occasions. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_279.jpg
  • Main facade of Pavilion no. 6 'dels distingits' of the Institut Pere Mata, a psychiatric hospital built 1897-1912 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, in Reus, Catalonia, Spain. The building is of brick on a stone plinth with decorative window surrounds, set in landscaped grounds. Pavilion no. 6 was used to house wealthy patients in great comfort and modernity, and was in use until 1986. It is now open to the public as part of Reus' Modernist Route and run by the town of Reus, whereas the rest of the building remains a hospital. The building is listed as a Cultural Asset of National Interest. Picture by Manuel Cohen
    LC16_SPAIN_MC130.jpg
  • Initials IM (Institut Mata) on Modernist stained glass in the door between the living room and the rear courtyard, in Pavilion no. 6 'dels distingits' of the Institut Pere Mata, a psychiatric hospital built 1897-1912 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, in Reus, Catalonia, Spain. Pavilion no. 6 was used to house wealthy patients in great comfort and modernity, and was in use until 1986. It is now open to the public as part of Reus' Modernist Route and run by the town of Reus, whereas the rest of the building remains a hospital. The building is listed as a Cultural Asset of National Interest. Picture by Manuel Cohen
    LC16_SPAIN_MC147.jpg
  • Woman working at spinning machine, photograph from 'Fabra i Coats, Sewn Stories', a digital altarpiece or mural installation by Friends of the Fabra i Coats, using photographs and interviews with former workers, at the old Fabra i Coats factory in San Andreu, Barcelona, Catalonia, Spain. The project was run by the Barcelona History Museum as part of the MUHBA Fabra i Coats project. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_350.jpg
  • Women working on fishing nets, photograph from 'Fabra i Coats, Sewn Stories', a digital altarpiece or mural installation by Friends of the Fabra i Coats, using photographs and interviews with former workers, at the old Fabra i Coats factory in San Andreu, Barcelona, Catalonia, Spain. The project was run by the Barcelona History Museum as part of the MUHBA Fabra i Coats project. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_349.jpg
  • Boiler 2 and behind, boiler 1 in the boiler room, Babcock & Wilcox systems installed in 1944, renovated and opened to the public by the Barcelona History Museum and Friends of Fabra i Coats, in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The boiler room housed 5 boilers and a steam engine and consumed 70 tonnes of coal a day. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_348.jpg
  • Boiler 1 in the boiler room, a Babcock & Wilcox system installed in 1944, renovated and opened to the public by the Barcelona History Museum and Friends of Fabra i Coats, in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The boiler room housed 5 boilers and a steam engine and consumed 70 tonnes of coal a day. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_347.jpg
  • 'Fabra i Coats, Sewn Stories', a digital altarpiece or mural installation by Friends of Fabra i Coats, using photographs and interviews with former workers, at the old Fabra i Coats factory in San Andreu, Barcelona, Catalonia, Spain. The project was run by the Barcelona History Museum as part of the MUHBA Fabra i Coats project. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_346.jpg
  • Boilers 2 and 3 in the boiler room, Babcock & Wilcox systems installed in 1944, renovated and opened to the public by the Barcelona History Museum and Friends of Fabra i Coats, in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The boiler room housed 5 boilers and a steam engine and consumed 70 tonnes of coal a day. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_345.jpg
  • Personnel document for Rosa Saladrigas who worked in the factory from age 14, from 1948 until 1960, in the Fabra i Coats factory in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_327.jpg
  • Woman working at spinning machine, photograph from 'Fabra i Coats, Sewn Stories', a digital altarpiece or mural installation by Friends of Fabra i Coats, using photographs and interviews with former workers, at the old Fabra i Coats factory in San Andreu, Barcelona, Catalonia, Spain. The project was run by the Barcelona History Museum as part of the MUHBA Fabra i Coats project. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_326.jpg
  • Startup Business Centre where businesses compete to win access to workspace, in the old Fabra i Coats factory in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_325.jpg
  • Startup Business Centre where businesses compete to win access to workspace, in the old Fabra i Coats factory in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_324.jpg
  • Engine room of the factory adjoining the boiler room, renovated and opened to the public by the Barcelona History Museum and Friends of Fabra i Coats, in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_323.jpg
  • Boiler 1 in the boiler room, a Babcock & Wilcox system installed in 1944, renovated and opened to the public by the Barcelona History Museum and Friends of Fabra i Coats, in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The boiler room housed 5 boilers and a steam engine and consumed 70 tonnes of coal a day. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_322.jpg
  • Valves in the boiler room, renovated and opened to the public by the Barcelona History Museum and Friends of Fabra i Coats, in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The boiler room housed 5 boilers and a steam engine and consumed 70 tonnes of coal a day. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_321.jpg
  • Valves in the boiler room, renovated and opened to the public by the Barcelona History Museum and Friends of Fabra i Coats, in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The boiler room housed 5 boilers and a steam engine and consumed 70 tonnes of coal a day. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_320.jpg
  • Valves in the boiler room, renovated and opened to the public by the Barcelona History Museum and Friends of Fabra i Coats, in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The boiler room housed 5 boilers and a steam engine and consumed 70 tonnes of coal a day. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_319.jpg
  • Valves in the boiler room, renovated and opened to the public by the Barcelona History Museum and Friends of Fabra i Coats, in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The boiler room housed 5 boilers and a steam engine and consumed 70 tonnes of coal a day. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_318.jpg
  • Rear sections of boilers 1, 2 and 3 in the boiler room, Babcock & Wilcox systems installed in 1944, renovated and opened to the public by the Barcelona History Museum and Friends of Fabra i Coats, in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The boiler room housed 5 boilers and a steam engine and consumed 70 tonnes of coal a day. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_317.jpg
  • Boiler 1 in the boiler room, a Babcock & Wilcox system installed in 1944, renovated and opened to the public by the Barcelona History Museum and Friends of Fabra i Coats, in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The boiler room housed 5 boilers and a steam engine and consumed 70 tonnes of coal a day. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_315.jpg
  • Boiler 1 and the door of boiler 2 in the boiler room, Babcock & Wilcox systems installed in 1944, renovated and opened to the public by the Barcelona History Museum and Friends of Fabra i Coats, in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The boiler room housed 5 boilers and a steam engine and consumed 70 tonnes of coal a day. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_316.jpg
  • Old Fabra i Coats factory in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_332.JPG
  • Entrance to the exhibition and creation centre at the old Fabra i Coats factory in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_331.jpg
  • Entrance to the exhibition and creation centre at the old Fabra i Coats factory in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_330.jpg
  • Entrance to the exhibition and creation centre at the old Fabra i Coats factory in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_329.jpg
  • Bust of Jose Marti, 1853-95, Cuban politician, inaugurated 2018, at the old Fabra i Coats factory in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_313.jpg
  • Bust of Jose Marti, 1853-95, Cuban politician, inaugurated 2018, at the old Fabra i Coats factory in San Andreu, Barcelona, Catalonia, Spain. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_312.jpg
  • Main facade of Pavilion no. 6 'dels distingits' of the Institut Pere Mata, a psychiatric hospital built 1897-1912 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, in Reus, Catalonia, Spain. The building is of brick on a stone plinth with decorative window surrounds, set in landscaped grounds. Pavilion no. 6 was used to house wealthy patients in great comfort and modernity, and was in use until 1986. It is now open to the public as part of Reus' Modernist Route and run by the town of Reus, whereas the rest of the building remains a hospital. The building is listed as a Cultural Asset of National Interest. Picture by Manuel Cohen
    LC16_SPAIN_MC131.jpg
  • Double-height living room with furniture by Josep Prat, in Pavilion no. 6 'dels distingits' of the Institut Pere Mata, a psychiatric hospital built 1897-1912 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, in Reus, Catalonia, Spain. To the first floor is a balcony with balustrade by Josep Prat and decorative ceiling, while the ground floor is tiled, with wooden furniture and an art nouveau feel. Pavilion no. 6 was used to house wealthy patients in great comfort and modernity, and was in use until 1986. It is now open to the public as part of Reus' Modernist Route and run by the town of Reus, whereas the rest of the building remains a hospital. The building is listed as a Cultural Asset of National Interest. Picture by Manuel Cohen
    LC16_SPAIN_MC132.jpg
  • Dining room with furniture by Josep Prat, in Pavilion no. 6 'dels distingits' of the Institut Pere Mata, a psychiatric hospital built 1897-1912 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, in Reus, Catalonia, Spain. The dining room has wooden furniture, a decorative ceiling and tiled and painted walls with a pale blue scheme. Pavilion no. 6 was used to house wealthy patients in great comfort and modernity, and was in use until 1986. It is now open to the public as part of Reus' Modernist Route and run by the town of Reus, whereas the rest of the building remains a hospital. The building is listed as a Cultural Asset of National Interest. Picture by Manuel Cohen
    LC16_SPAIN_MC133.jpg
  • First floor corridor leading to the bedrooms, with stained glass windows by Rigalt Granell i Cia, in Pavilion no. 6 'dels distingits' of the Institut Pere Mata, a psychiatric hospital built 1897-1912 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, in Reus, Catalonia, Spain. Pavilion no. 6 was used to house wealthy patients in great comfort and modernity, and was in use until 1986. It is now open to the public as part of Reus' Modernist Route and run by the town of Reus, whereas the rest of the building remains a hospital. The building is listed as a Cultural Asset of National Interest. Picture by Manuel Cohen
    LC16_SPAIN_MC134.jpg
  • Rear facade overlooking courtyard of Pavilion no. 6 'dels distingits' of the Institut Pere Mata, a psychiatric hospital built 1897-1912 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, in Reus, Catalonia, Spain. The building is of brick on a stone plinth with decorative window surrounds, set in landscaped grounds. Pavilion no. 6 was used to house wealthy patients in great comfort and modernity, and was in use until 1986. It is now open to the public as part of Reus' Modernist Route and run by the town of Reus, whereas the rest of the building remains a hospital. The building is listed as a Cultural Asset of National Interest. Picture by Manuel Cohen
    LC16_SPAIN_MC136.jpg
  • Main facade of Pavilion no. 6 'dels distingits' of the Institut Pere Mata, a psychiatric hospital built 1897-1912 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, in Reus, Catalonia, Spain. The building is of brick on a stone plinth with decorative window surrounds, set in landscaped grounds. Pavilion no. 6 was used to house wealthy patients in great comfort and modernity, and was in use until 1986. It is now open to the public as part of Reus' Modernist Route and run by the town of Reus, whereas the rest of the building remains a hospital. The building is listed as a Cultural Asset of National Interest. Picture by Manuel Cohen
    LC16_SPAIN_MC135.jpg
  • Carved stone capital with floral design and decorative tilework on the rear facade of Pavilion no. 6 'dels distingits' of the Institut Pere Mata, a psychiatric hospital built 1897-1912 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, in Reus, Catalonia, Spain. The building is of brick on a stone plinth with decorative window surrounds, set in landscaped grounds. Pavilion no. 6 was used to house wealthy patients in great comfort and modernity, and was in use until 1986. It is now open to the public as part of Reus' Modernist Route and run by the town of Reus, whereas the rest of the building remains a hospital. The building is listed as a Cultural Asset of National Interest. Picture by Manuel Cohen
    LC16_SPAIN_MC181.jpg
  • Rear facade overlooking courtyard of Pavilion no. 6 'dels distingits' of the Institut Pere Mata, a psychiatric hospital built 1897-1912 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, in Reus, Catalonia, Spain. The building is of brick on a stone plinth with decorative window surrounds, set in landscaped grounds. Pavilion no. 6 was used to house wealthy patients in great comfort and modernity, and was in use until 1986. It is now open to the public as part of Reus' Modernist Route and run by the town of Reus, whereas the rest of the building remains a hospital. The building is listed as a Cultural Asset of National Interest. Picture by Manuel Cohen
    LC16_SPAIN_MC180.jpg
  • Rear facade overlooking courtyard of Pavilion no. 6 'dels distingits' of the Institut Pere Mata, a psychiatric hospital built 1897-1912 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, in Reus, Catalonia, Spain. The building is of brick on a stone plinth with decorative window surrounds, set in landscaped grounds. Pavilion no. 6 was used to house wealthy patients in great comfort and modernity, and was in use until 1986. It is now open to the public as part of Reus' Modernist Route and run by the town of Reus, whereas the rest of the building remains a hospital. The building is listed as a Cultural Asset of National Interest. Picture by Manuel Cohen
    LC16_SPAIN_MC182.jpg
  • Rear facade overlooking courtyard of Pavilion no. 6 'dels distingits' of the Institut Pere Mata, a psychiatric hospital built 1897-1912 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, in Reus, Catalonia, Spain. The building is of brick on a stone plinth with decorative window surrounds, set in landscaped grounds. Pavilion no. 6 was used to house wealthy patients in great comfort and modernity, and was in use until 1986. It is now open to the public as part of Reus' Modernist Route and run by the town of Reus, whereas the rest of the building remains a hospital. The building is listed as a Cultural Asset of National Interest. Picture by Manuel Cohen
    LC16_SPAIN_MC183.jpg
  • Billiards room with lighting by Escofet, wood panelling and furniture by Josep Prat and stained glass doors, in Pavilion no. 6 'dels distingits' of the Institut Pere Mata, a psychiatric hospital built 1897-1912 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, in Reus, Catalonia, Spain. Pavilion no. 6 was used to house wealthy patients in great comfort and modernity, and was in use until 1986. It is now open to the public as part of Reus' Modernist Route and run by the town of Reus, whereas the rest of the building remains a hospital. The building is listed as a Cultural Asset of National Interest. Picture by Manuel Cohen
    LC16_SPAIN_MC184.jpg
  • Decorative ceiling of the main living room, with tiled rose design and central heraldic figure of a woman and ribs with floral sculptures, in Pavilion no. 6 'dels distingits' of the Institut Pere Mata, a psychiatric hospital built 1897-1912 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, in Reus, Catalonia, Spain. Pavilion no. 6 was used to house wealthy patients in great comfort and modernity, and was in use until 1986. It is now open to the public as part of Reus' Modernist Route and run by the town of Reus, whereas the rest of the building remains a hospital. The building is listed as a Cultural Asset of National Interest. Picture by Manuel Cohen
    LC16_SPAIN_MC163.jpg
  • Central detail from the decorative ceiling of the main living room, with tiled rose design and heraldic figure of a woman, in Pavilion no. 6 'dels distingits' of the Institut Pere Mata, a psychiatric hospital built 1897-1912 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, in Reus, Catalonia, Spain. Pavilion no. 6 was used to house wealthy patients in great comfort and modernity, and was in use until 1986. It is now open to the public as part of Reus' Modernist Route and run by the town of Reus, whereas the rest of the building remains a hospital. The building is listed as a Cultural Asset of National Interest. Picture by Manuel Cohen
    LC16_SPAIN_MC162.jpg
  • View of the staircase from the main living room, with decorative details such as tilework, stained glass door panels and a leaf design on the wall, in Pavilion no. 6 'dels distingits' of the Institut Pere Mata, a psychiatric hospital built 1897-1912 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, in Reus, Catalonia, Spain. Pavilion no. 6 was used to house wealthy patients in great comfort and modernity, and was in use until 1986. It is now open to the public as part of Reus' Modernist Route and run by the town of Reus, whereas the rest of the building remains a hospital. The building is listed as a Cultural Asset of National Interest. Picture by Manuel Cohen
    LC16_SPAIN_MC164.jpg
  • Carved stone capital with leaf design, on a column in the double-height living room, in Pavilion no. 6 'dels distingits' of the Institut Pere Mata, a psychiatric hospital built 1897-1912 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, in Reus, Catalonia, Spain. Pavilion no. 6 was used to house wealthy patients in great comfort and modernity, and was in use until 1986. It is now open to the public as part of Reus' Modernist Route and run by the town of Reus, whereas the rest of the building remains a hospital. The building is listed as a Cultural Asset of National Interest. Picture by Manuel Cohen
    LC16_SPAIN_MC166.jpg
  • First floor of the double-height living room, with balcony balustrade by Josep Prat and stained glass windows by Rigalt, Granell i Cia, in Pavilion no. 6 'dels distingits' of the Institut Pere Mata, a psychiatric hospital built 1897-1912 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, in Reus, Catalonia, Spain. Pavilion no. 6 was used to house wealthy patients in great comfort and modernity, and was in use until 1986. It is now open to the public as part of Reus' Modernist Route and run by the town of Reus, whereas the rest of the building remains a hospital. The building is listed as a Cultural Asset of National Interest. Picture by Manuel Cohen
    LC16_SPAIN_MC165.jpg
  • Carved stone capital with vine design, on a column in the double-height living room, in Pavilion no. 6 'dels distingits' of the Institut Pere Mata, a psychiatric hospital built 1897-1912 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, in Reus, Catalonia, Spain. Pavilion no. 6 was used to house wealthy patients in great comfort and modernity, and was in use until 1986. It is now open to the public as part of Reus' Modernist Route and run by the town of Reus, whereas the rest of the building remains a hospital. The building is listed as a Cultural Asset of National Interest. Picture by Manuel Cohen
    LC16_SPAIN_MC167.jpg
  • First floor of the double-height living room, with balcony balustrade by Josep Prat and stained glass windows by Rigalt Granell i Cia, in Pavilion no. 6 'dels distingits' of the Institut Pere Mata, a psychiatric hospital built 1897-1912 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, in Reus, Catalonia, Spain. Pavilion no. 6 was used to house wealthy patients in great comfort and modernity, and was in use until 1986. It is now open to the public as part of Reus' Modernist Route and run by the town of Reus, whereas the rest of the building remains a hospital. The building is listed as a Cultural Asset of National Interest. Picture by Manuel Cohen
    LC16_SPAIN_MC169.jpg
  • Corner of the main living room with furniture by Josep Prat, with the dining room seen through the stained glass doors, in Pavilion no. 6 'dels distingits' of the Institut Pere Mata, a psychiatric hospital built 1897-1912 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, in Reus, Catalonia, Spain. Pavilion no. 6 was used to house wealthy patients in great comfort and modernity, and was in use until 1986. It is now open to the public as part of Reus' Modernist Route and run by the town of Reus, whereas the rest of the building remains a hospital. The building is listed as a Cultural Asset of National Interest. Picture by Manuel Cohen
    LC16_SPAIN_MC168.jpg
  • Staircase outside the main living room leading to the first floor bedrooms, with decorative tilework with floral and foliage designs in the treads and on the walls, in Pavilion no. 6 'dels distingits' of the Institut Pere Mata, a psychiatric hospital built 1897-1912 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, in Reus, Catalonia, Spain. Pavilion no. 6 was used to house wealthy patients in great comfort and modernity, and was in use until 1986. It is now open to the public as part of Reus' Modernist Route and run by the town of Reus, whereas the rest of the building remains a hospital. The building is listed as a Cultural Asset of National Interest. Picture by Manuel Cohen
    LC16_SPAIN_MC170.jpg
  • Staircase outside the main living room leading to the first floor bedrooms, with decorative tilework with floral and foliage designs in the treads and on the walls, in Pavilion no. 6 'dels distingits' of the Institut Pere Mata, a psychiatric hospital built 1897-1912 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, in Reus, Catalonia, Spain. Pavilion no. 6 was used to house wealthy patients in great comfort and modernity, and was in use until 1986. It is now open to the public as part of Reus' Modernist Route and run by the town of Reus, whereas the rest of the building remains a hospital. The building is listed as a Cultural Asset of National Interest. Picture by Manuel Cohen
    LC16_SPAIN_MC171.jpg
  • Decorative wall painting of large pink flowers in a first floor bedroom, and a carved wooden chair with floral relief by Josep Prat, in Pavilion no. 6 'dels distingits' of the Institut Pere Mata, a psychiatric hospital built 1897-1912 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, in Reus, Catalonia, Spain. Pavilion no. 6 was used to house wealthy patients in great comfort and modernity, and was in use until 1986. It is now open to the public as part of Reus' Modernist Route and run by the town of Reus, whereas the rest of the building remains a hospital. The building is listed as a Cultural Asset of National Interest. Picture by Manuel Cohen
    LC16_SPAIN_MC153.jpg
  • Decorative wall painting of large pink flowers in a first floor bedroom, in Pavilion no. 6 'dels distingits' of the Institut Pere Mata, a psychiatric hospital built 1897-1912 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, in Reus, Catalonia, Spain. Pavilion no. 6 was used to house wealthy patients in great comfort and modernity, and was in use until 1986. It is now open to the public as part of Reus' Modernist Route and run by the town of Reus, whereas the rest of the building remains a hospital. The building is listed as a Cultural Asset of National Interest. Picture by Manuel Cohen
    LC16_SPAIN_MC154.jpg
  • Decorative ceiling of the billiards room, with tiled rose design and ribs with floral sculptures, in Pavilion no. 6 'dels distingits' of the Institut Pere Mata, a psychiatric hospital built 1897-1912 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, in Reus, Catalonia, Spain. Pavilion no. 6 was used to house wealthy patients in great comfort and modernity, and was in use until 1986. It is now open to the public as part of Reus' Modernist Route and run by the town of Reus, whereas the rest of the building remains a hospital. The building is listed as a Cultural Asset of National Interest. Picture by Manuel Cohen
    LC16_SPAIN_MC155.jpg
  • View of the double-height living room with furniture by Josep Prat, seen from the billiards room in Pavilion no. 6 'dels distingits' of the Institut Pere Mata, a psychiatric hospital built 1897-1912 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, in Reus, Catalonia, Spain. To the first floor is a balcony with balustrade and decorative ceiling, while the ground floor is tiled, with wooden furniture and an art nouveau feel. Pavilion no. 6 was used to house wealthy patients in great comfort and modernity, and was in use until 1986. It is now open to the public as part of Reus' Modernist Route and run by the town of Reus, whereas the rest of the building remains a hospital. The building is listed as a Cultural Asset of National Interest. Picture by Manuel Cohen
    LC16_SPAIN_MC156.jpg
  • Decorative wall in the kitchen and dining room, with tiles with garlands of oranges, and a stylised foliage design above, in Pavilion no. 6 'dels distingits' of the Institut Pere Mata, a psychiatric hospital built 1897-1912 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, in Reus, Catalonia, Spain. Pavilion no. 6 was used to house wealthy patients in great comfort and modernity, and was in use until 1986. It is now open to the public as part of Reus' Modernist Route and run by the town of Reus, whereas the rest of the building remains a hospital. The building is listed as a Cultural Asset of National Interest. Picture by Manuel Cohen
    LC16_SPAIN_MC157.jpg
  • Decorative wall in the kitchen and dining room, with tiles with garlands of oranges, and a stylised foliage design above, in Pavilion no. 6 'dels distingits' of the Institut Pere Mata, a psychiatric hospital built 1897-1912 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, in Reus, Catalonia, Spain. Pavilion no. 6 was used to house wealthy patients in great comfort and modernity, and was in use until 1986. It is now open to the public as part of Reus' Modernist Route and run by the town of Reus, whereas the rest of the building remains a hospital. The building is listed as a Cultural Asset of National Interest. Picture by Manuel Cohen
    LC16_SPAIN_MC158.jpg
  • Pendant light by Escofet and tiled decorative ceiling with oranges and ribs with floral sculptures, in the kitchen and dining room, in Pavilion no. 6 'dels distingits' of the Institut Pere Mata, a psychiatric hospital built 1897-1912 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, in Reus, Catalonia, Spain. Pavilion no. 6 was used to house wealthy patients in great comfort and modernity, and was in use until 1986. It is now open to the public as part of Reus' Modernist Route and run by the town of Reus, whereas the rest of the building remains a hospital. The building is listed as a Cultural Asset of National Interest. Picture by Manuel Cohen
    LC16_SPAIN_MC159.jpg
  • Double-height living room with furniture by Josep Prat, with view through to the kitchen area behind, in Pavilion no. 6 'dels distingits' of the Institut Pere Mata, a psychiatric hospital built 1897-1912 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, in Reus, Catalonia, Spain. To the first floor is a balcony with balustrade by Josep Prat and decorative ceiling, while the ground floor is tiled, with wooden furniture and an art nouveau feel. Pavilion no. 6 was used to house wealthy patients in great comfort and modernity, and was in use until 1986. It is now open to the public as part of Reus' Modernist Route and run by the town of Reus, whereas the rest of the building remains a hospital. The building is listed as a Cultural Asset of National Interest. Picture by Manuel Cohen
    LC16_SPAIN_MC160.jpg
  • Tiled decorative ceiling with orange trees and ribs with floral sculptures, in the kitchen and dining room, in Pavilion no. 6 'dels distingits' of the Institut Pere Mata, a psychiatric hospital built 1897-1912 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, in Reus, Catalonia, Spain. Pavilion no. 6 was used to house wealthy patients in great comfort and modernity, and was in use until 1986. It is now open to the public as part of Reus' Modernist Route and run by the town of Reus, whereas the rest of the building remains a hospital. The building is listed as a Cultural Asset of National Interest. Picture by Manuel Cohen
    LC16_SPAIN_MC161.jpg
  • Carved stonework with a winged lion, crown and coat of arms bearing a thistle and rose design on the main facade of Pavilion no. 6 'dels distingits' of the Institut Pere Mata, a psychiatric hospital built 1897-1912 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, in Reus, Catalonia, Spain. The building is of brick on a stone plinth with decorative window surrounds, set in landscaped grounds. Pavilion no. 6 was used to house wealthy patients in great comfort and modernity, and was in use until 1986. It is now open to the public as part of Reus' Modernist Route and run by the town of Reus, whereas the rest of the building remains a hospital. The building is listed as a Cultural Asset of National Interest. Picture by Manuel Cohen
    LC16_SPAIN_MC142.jpg
  • Carved stonework with a winged lion, crown and coat of arms bearing a thistle and rose design on the main facade of Pavilion no. 6 'dels distingits' of the Institut Pere Mata, a psychiatric hospital built 1897-1912 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, in Reus, Catalonia, Spain. The building is of brick on a stone plinth with decorative window surrounds, set in landscaped grounds. Pavilion no. 6 was used to house wealthy patients in great comfort and modernity, and was in use until 1986. It is now open to the public as part of Reus' Modernist Route and run by the town of Reus, whereas the rest of the building remains a hospital. The building is listed as a Cultural Asset of National Interest. Picture by Manuel Cohen
    LC16_SPAIN_MC143.jpg
  • Carved stone capitals and decorative windows and tilework on the main facade of Pavilion no. 6 'dels distingits' of the Institut Pere Mata, a psychiatric hospital built 1897-1912 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, in Reus, Catalonia, Spain. The building is of brick on a stone plinth with decorative window surrounds, set in landscaped grounds. Pavilion no. 6 was used to house wealthy patients in great comfort and modernity, and was in use until 1986. It is now open to the public as part of Reus' Modernist Route and run by the town of Reus, whereas the rest of the building remains a hospital. The building is listed as a Cultural Asset of National Interest. Picture by Manuel Cohen
    LC16_SPAIN_MC144.jpg
  • Painted floral motif from the decorative ceiling of the main living room, in Pavilion no. 6 'dels distingits' of the Institut Pere Mata, a psychiatric hospital built 1897-1912 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, in Reus, Catalonia, Spain. Pavilion no. 6 was used to house wealthy patients in great comfort and modernity, and was in use until 1986. It is now open to the public as part of Reus' Modernist Route and run by the town of Reus, whereas the rest of the building remains a hospital. The building is listed as a Cultural Asset of National Interest. Picture by Manuel Cohen
    LC16_SPAIN_MC145.jpg
  • Staircase outside the main living room leading to the first floor bedrooms, with decorative tilework with floral and foliage designs in the treads and on the walls, in Pavilion no. 6 'dels distingits' of the Institut Pere Mata, a psychiatric hospital built 1897-1912 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, in Reus, Catalonia, Spain. Pavilion no. 6 was used to house wealthy patients in great comfort and modernity, and was in use until 1986. It is now open to the public as part of Reus' Modernist Route and run by the town of Reus, whereas the rest of the building remains a hospital. The building is listed as a Cultural Asset of National Interest. Picture by Manuel Cohen
    LC16_SPAIN_MC146.jpg
  • Detail of the wall covering of the main living room, with a raised pattern of leaves in pale blue on a gold background, in Pavilion no. 6 'dels distingits' of the Institut Pere Mata, a psychiatric hospital built 1897-1912 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, in Reus, Catalonia, Spain. Pavilion no. 6 was used to house wealthy patients in great comfort and modernity, and was in use until 1986. It is now open to the public as part of Reus' Modernist Route and run by the town of Reus, whereas the rest of the building remains a hospital. The building is listed as a Cultural Asset of National Interest. Picture by Manuel Cohen
    LC16_SPAIN_MC149.JPG
  • Detail of the decorative ceiling of the main living room, with peacock and roses on tiles and ribs with floral sculptures, in Pavilion no. 6 'dels distingits' of the Institut Pere Mata, a psychiatric hospital built 1897-1912 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, in Reus, Catalonia, Spain. Pavilion no. 6 was used to house wealthy patients in great comfort and modernity, and was in use until 1986. It is now open to the public as part of Reus' Modernist Route and run by the town of Reus, whereas the rest of the building remains a hospital. The building is listed as a Cultural Asset of National Interest. Picture by Manuel Cohen
    LC16_SPAIN_MC150.jpg
  • Detail of a medallion with winged heraldic figure from a stained glass window by Rigalt Granell i Cia on the first floor of the main living room, in Pavilion no. 6 'dels distingits' of the Institut Pere Mata, a psychiatric hospital built 1897-1912 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, in Reus, Catalonia, Spain. Pavilion no. 6 was used to house wealthy patients in great comfort and modernity, and was in use until 1986. It is now open to the public as part of Reus' Modernist Route and run by the town of Reus, whereas the rest of the building remains a hospital. The building is listed as a Cultural Asset of National Interest. Picture by Manuel Cohen
    LC16_SPAIN_MC151.jpg
  • Detail of a medallion with winged heraldic figure from a stained glass window by Rigalt Granell i Cia on the first floor of the main living room, in Pavilion no. 6 'dels distingits' of the Institut Pere Mata, a psychiatric hospital built 1897-1912 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, in Reus, Catalonia, Spain. Pavilion no. 6 was used to house wealthy patients in great comfort and modernity, and was in use until 1986. It is now open to the public as part of Reus' Modernist Route and run by the town of Reus, whereas the rest of the building remains a hospital. The building is listed as a Cultural Asset of National Interest. Picture by Manuel Cohen
    LC16_SPAIN_MC152.jpg
  • First floor bedroom with tiled floor, wooden furniture by Josep Prat and walls painted with a rose design, in Pavilion no. 6 'dels distingits' of the Institut Pere Mata, a psychiatric hospital built 1897-1912 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, in Reus, Catalonia, Spain. Pavilion no. 6 was used to house wealthy patients in great comfort and modernity, and was in use until 1986. It is now open to the public as part of Reus' Modernist Route and run by the town of Reus, whereas the rest of the building remains a hospital. The building is listed as a Cultural Asset of National Interest. Picture by Manuel Cohen
    LC16_SPAIN_MC137.jpg
  • View through Modernist stained glass window on the ground floor, to the main facade, in Pavilion no. 6 'dels distingits' of the Institut Pere Mata, a psychiatric hospital built 1897-1912 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, in Reus, Catalonia, Spain. Pavilion no. 6 was used to house wealthy patients in great comfort and modernity, and was in use until 1986. It is now open to the public as part of Reus' Modernist Route and run by the town of Reus, whereas the rest of the building remains a hospital. The building is listed as a Cultural Asset of National Interest. Picture by Manuel Cohen
    LC16_SPAIN_MC138.jpg
  • Corner tower on the main facade of Pavilion no. 6 'dels distingits' of the Institut Pere Mata, a psychiatric hospital built 1897-1912 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, in Reus, Catalonia, Spain. The building is of brick on a stone plinth with decorative window surrounds, set in landscaped grounds. The surrounding fence on the left is set down in a ditch so as not to spoil the view of the gardens for the patients. Pavilion no. 6 was used to house wealthy patients in great comfort and modernity, and was in use until 1986. It is now open to the public as part of Reus' Modernist Route and run by the town of Reus, whereas the rest of the building remains a hospital. The building is listed as a Cultural Asset of National Interest. Picture by Manuel Cohen
    LC16_SPAIN_MC140.jpg
  • Carved stone capital with leaves on the main facade of Pavilion no. 6 'dels distingits' of the Institut Pere Mata, a psychiatric hospital built 1897-1912 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, in Reus, Catalonia, Spain. The building is of brick on a stone plinth with decorative window surrounds, set in landscaped grounds. Pavilion no. 6 was used to house wealthy patients in great comfort and modernity, and was in use until 1986. It is now open to the public as part of Reus' Modernist Route and run by the town of Reus, whereas the rest of the building remains a hospital. The building is listed as a Cultural Asset of National Interest. Picture by Manuel Cohen
    LC16_SPAIN_MC141.jpg
  • A ground floor entrance on the main facade of Pavilion no. 6 'dels distingits' of the Institut Pere Mata, a psychiatric hospital built 1897-1912 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, in Reus, Catalonia, Spain. The building is of brick on a stone plinth with decorative window surrounds, set in landscaped grounds. Pavilion no. 6 was used to house wealthy patients in great comfort and modernity, and was in use until 1986. It is now open to the public as part of Reus' Modernist Route and run by the town of Reus, whereas the rest of the building remains a hospital. The building is listed as a Cultural Asset of National Interest. Picture by Manuel Cohen
    LC16_SPAIN_MC139.jpg
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