manuel cohen

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  • Renaissance cloister of the Convent of Sant Salvador de Horta, or La Mare de Deu dels Angels Convent, or Convent of St Mary of the Angels, 12th - 17th centuries, Santa Salvador mountain, near Horta de Sant Joan, Terra Alta, Tarragona, Spain. The cloister is 2 storey structure of column-supported arches with a central well. The church itself is a 13th century Gothic building, built during the rule of the Templar knights. The Franciscan convent was founded in 1543 and became an important pilgrimage site after the death of Saint Salvador de Horta, who stayed here for 12 years and performed many miracles, in 1567. In 1985 the mountain and convent were listed as an Historic-Artistic Monument. Picture by Manuel Cohen
    LCSPAIN13_MC066.JPG
  • Coronation of the Virgin, detail, Renaissance fresco, 1440-41, by Fra Angelico, 1395-1455, in Cell 9, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. Christ in heaven crowns the Virgin, both robed in white. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_235.jpg
  • St Dominic in thought, detail from Mocking of Christ, with the Virgin and St Dominic, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, in Cell 7, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. Christ is blindfolded and crowned with thorns, and jeering soldiers appear as disembodied hands, a spitting head, cap raised in sarcasm, a hand and beating stick. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_226.jpg
  • Mocking of Christ, with the Virgin and St Dominic, detail, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, in Cell 7, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. Christ is blindfolded and crowned with thorns, and jeering soldiers appear as disembodied hands, a spitting head, cap raised in sarcasm, a hand and beating stick. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_224.jpg
  • Angel Gabriel, detail from the Annunciation, Renaissance fresco, 1442-43, by Fra Angelico, 1395-1455, on the first floor of the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_202.jpg
  • Chapel of St Francis in the Convent of Sant Salvador de Horta, or La Mare de Deu dels Angels Convent, or Convent of St Mary of the Angels, 12th - 17th centuries, Santa Salvador mountain, near Horta de Sant Joan, Terra Alta, Tarragona, Spain. This chapel is dedicated to St Francis of Assisi, who founded the Franciscan order, and contains simple wooden pews and a marble altar with statues of St Francis in his monk's robes. The church is a 13th century Gothic building, built during the rule of the Templar knights. The Franciscan convent was founded in 1543 and became an important pilgrimage site after the death of Saint Salvador de Horta, who stayed here for 12 years and performed many miracles, in 1567. In 1985 the mountain and convent were listed as an Historic-Artistic Monument. Picture by Manuel Cohen
    LCSPAIN13_MC073.jpg
  • Massacre of the Innocents, tempera painting on wood, 1451-52, by Fra Angelico, 1395-1455, and his assistants, detail from the Armadio degli Argenti, an ex voto door for Santissima Annunziata depicting the Life of Christ, now in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_334.jpg
  • Flight into Egypt, tempera painting on wood, 1451-52, by Fra Angelico, 1395-1455, and his assistants, detail from the Armadio degli Argenti, an ex voto door for Santissima Annunziata depicting the Life of Christ, now in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_333.jpg
  • Virgin and child, detail from the Tabernacolo dei Linaioli, or Tabernacle of the Linaioli, a marble aedicula or small shrine designed by Lorenzo Ghiberti, 1378-1455, made by Simone di Nanni da Fiesole, and painted 1432-33 by Fra Angelico, 1395-1455, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The tabernacle was commissioned for the exterior of the headquarters of the Linaoli or linen manufacturer's guild, in the Old Market of Florence. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_331.jpg
  • Portrait of Fra Angelico, 1395-1455, Early Renaissance Italian painter, Baroque painting, by Carlo Dolci, 1616-86, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_330.jpg
  • Last Judgement, 1425-30, tempera painting on panel by Fra Angelico, 1395-1455, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The painting was commissioned by the Camaldolese Order for abbot Ambrogio Traversar, for the church of Santa Maria degli Angeli in Florence. It depicts Christ in judgement with angels, the Virgin, St John and saints, with Hell on the right and Heaven on the left, with angels leading the saved through a garden. In the centre are broken tombs of the risen dead. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_329.jpg
  • Presentation at the Temple, Renaissance fresco, 1450-52, by Fra Angelico, 1395-1455, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. Joseph is carrying a basket with 2 doves and Mary witnesses Jesus being held by Simeon, while St Peter Martyr and St Catherine of Siena look on. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_327.jpg
  • Virgin and child enthroned with St Zenobius (or St Augustine) and St Thomas, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, in Cell 11, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_328.jpg
  • Baptism of Christ, detail, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, in the cloister of the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. Christ, attended by angels, is baptised in the river Jordan by St John the Baptist, with the Virgin and St Dominic looking on. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_326.jpg
  • Baptism of Christ, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, in the cloister of the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. Christ, attended by angels, is baptised in the river Jordan by St John the Baptist, with the Virgin and St Dominic looking on. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_325.jpg
  • Mocking of Christ, detail from Homo Pietatis or Man of Sorrow, Renaissance fresco, by Fra Angelico, 1395-1455, in Cell 26, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. Christ is depicted in his tomb bearing the stigmata, with the Instruments of and scenes from the Passion. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_324.jpg
  • Homo Pietatis or Man of Sorrow, detail, Renaissance fresco, by Fra Angelico, 1395-1455, in Cell 26, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. Christ is depicted in his tomb bearing the stigmata, with the Instruments of the Passion (lance, sponge, cross, column), Judas kissing Christ, Peter and the handmaiden, the mocking of Christ, and with St Dominic and the Virgin below as witnesses. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_323.jpg
  • Homo Pietatis or Man of Sorrow, Renaissance fresco, by Fra Angelico, 1395-1455, in Cell 26, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. Christ is depicted in his tomb bearing the stigmata, with the Instruments of the Passion (lance, sponge, cross, column), Judas kissing Christ, Peter and the handmaiden, the mocking of Christ, and with St Dominic and the Virgin below as witnesses. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_322.jpg
  • Sacra Conversazione, or Holy Conversation, also known as Madonna delle Ombre, or Madonna of the Shadows, Renaissance fresco, c. 1443, by Fra Angelico, 1395-1455, in the east corridor between cells 25 and 26, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The saints are (left-right) St Dominic, St Cosmas, St Damian, St Mark, St John the Evangelist, St Thomas Aquinas, St Lawrence and St Peter Martyr. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_321.jpg
  • Kiss of Judas, Renaissance fresco, 1441-43, by Fra Angelico, 1395-1455, in Cell 33 in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. To the right is St Peter cutting off the ear of a servant of the high priest. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_320.jpg
  • Adoration of the Magi and Man of Sorrows, Renaissance fresco, 1440-41, by Benozzo Gozzoli, 1421-97, a student of Fra Angelico, 1395-1455, in Cell 39, the private cell of Cosimo de Medici, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_319.jpg
  • Adoration of the Magi and Man of Sorrows, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, in Cell 39, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_318.jpg
  • Crucifixion with the Virgin and Saints Cosmas, John the Evangelist and Peter Martyr, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, in Cell 38, the cell of Cosimo de Medici, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_316.jpg
  • Crucifixion with the Virgin and Saints Cosmas, John the Evangelist and Peter Martyr, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, in Cell 38, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_317.jpg
  • Nailing of Christ to the Cross, Renaissance fresco, 1441-42, by an assistant of Fra Angelico, 1395-1455, in Cell 36, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. Roman soldiers climb ladders to nail Christ to the cross, and below stand the grieving Virgin and Mary Magdalene, with the Sanhedrin on the right. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_315.jpg
  • Last Supper: Communion of the Apostles, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, in Cell 35, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_314.jpg
  • Nativity, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, in Cell 5, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The baby Jesus lies on straw in a stable, with Mary, Joseph, St Catherine of Alexandria and St Peter Martyr. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_313.jpg
  • Coronation of the Virgin, Renaissance fresco, 1440-41, by Fra Angelico, 1395-1455, in Cell 9, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. Below are (left-right) St Thomas, St Benedict, St Dominic, St Francis, St Peter the Martyr and St Mark. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_312.jpg
  • Resurrection of Christ and Women at the Tomb, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, in Cell 8, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. On the left is St Dominic in meditation, and on the right is Mary Magdalene and 3 women painted by Benozzo Gozzoli, 1421-97. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_311.jpg
  • Mocking of Christ, with the Virgin and St Dominic, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, in Cell 7, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. Christ is blindfolded and crowned with thorns, and jeering soldiers appear as disembodied hands, a spitting head, cap raised in sarcasm, a hand and beating stick. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_310.jpg
  • Archangel Gabriel, detail from Annunciation, Renaissance fresco, 1440-42, by Fra Angelico, 1395-1455, in Cell 3, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_309.jpg
  • Lamentation over Christ, Renaissance fresco, 1440-42, by Fra Angelico, 1395-1455, in Cell 2 of the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_308.jpg
  • Noli Me Tangere, Renaissance fresco, 1440-42, by Fra Angelico, 1395-1455, in Cell 1 of the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_307.jpg
  • Virgin and child, detail from the Pala de San Marco, or San Marco Altarpiece, tempera painting on wood, c. 1440, by Fra Angelico, 1395-1455, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The painting depicts the Virgin and Child enthroned under an architraved frame, with angels and saints, including St Lawrence, St. John the Evangelist, St Mark, St Dominic, St Francis of Assisi, St Peter Martyr, St Cosmas and St Damian. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_306.jpg
  • Hell, with sinners being tortured and burned alive, and Satan eating bodies, detail from the Last Judgement, 1425-30, tempera painting on panel by Fra Angelico, 1395-1455, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The painting was commissioned by the Camaldolese Order for abbot Ambrogio Traversar, for the church of Santa Maria degli Angeli in Florence. It depicts Christ in judgement with angels, the Virgin, St John and saints, with Hell on the right and Heaven on the left. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_305.jpg
  • Annunciation, Renaissance fresco, 1440-42, by Fra Angelico, 1395-1455, in Cell 3, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_304.jpg
  • Cloister at the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico, 1395-1455, and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_303.jpg
  • Last Judgement, with the damned tortured by demons, detail, tempera painting on wood, 1451-52, by Fra Angelico, 1395-1455, and his assistants, detail from the Armadio degli Argenti, an ex voto door for Santissima Annunziata depicting the Life of Christ, now in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_300.jpg
  • Annunciation, detail, tempera painting on wood, 1451-52, by Fra Angelico, 1395-1455, and his assistants, detail from the Armadio degli Argenti, an ex voto door for Santissima Annunziata depicting the Life of Christ, now in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The Virgin and Archangel Gabriel are depicted in an outdoor courtyard area with perspective architectural arcades. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_299.jpg
  • Annunciation, tempera painting on wood, 1451-52, by Fra Angelico, 1395-1455, and his assistants, detail from the Armadio degli Argenti, an ex voto door for Santissima Annunziata depicting the Life of Christ, now in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The Virgin and Archangel Gabriel are depicted in an outdoor courtyard area with perspective architectural arcades. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_298.jpg
  • Burial of St Cosmas and St Damian, detail from the predella of the Pala de San Marco, or San Marco Altarpiece, tempera painting on wood, c. 1438-40, by Fra Angelico, 1395-1455, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_297.jpg
  • Healing of Justinian by St Cosmas and St Damian, detail from the predella of the Pala de San Marco, or San Marco Altarpiece, tempera painting on wood, c. 1438-40, by Fra Angelico, 1395-1455, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_296.jpg
  • Burial of St Cosmas and St Damian, detail from the predella of the Pala de San Marco, or San Marco Altarpiece, tempera painting on wood, c. 1438-40, by Fra Angelico, 1395-1455, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_295.jpg
  • The elect, being chosen and led through a paradise garden, detail from the Last Judgement, 1425-30, tempera painting on panel by Fra Angelico, 1395-1455, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The painting was commissioned by the Camaldolese Order for abbot Ambrogio Traversar, for the church of Santa Maria degli Angeli in Florence. It depicts Christ in judgement with angels, the Virgin, St John and saints, with Hell on the right and Heaven on the left. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_294.jpg
  • Heaven, with angels leading the saved through a garden, detail from the Last Judgement, 1425-30, tempera painting on panel by Fra Angelico, 1395-1455, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The painting was commissioned by the Camaldolese Order for abbot Ambrogio Traversar, for the church of Santa Maria degli Angeli in Florence. It depicts Christ in judgement with angels, the Virgin, St John and saints, with Hell on the right and Heaven on the left. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_293.jpg
  • The damned being tortured and taken to Hell, detail from the Last Judgement, 1425-30, tempera painting on panel by Fra Angelico, 1395-1455, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The painting was commissioned by the Camaldolese Order for abbot Ambrogio Traversar, for the church of Santa Maria degli Angeli in Florence. It depicts Christ in judgement with angels, the Virgin, St John and saints, with Hell on the right and Heaven on the left. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_292.jpg
  • The damned being tortured and taken to Hell, detail from the Last Judgement, 1425-30, tempera painting on panel by Fra Angelico, 1395-1455, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The painting was commissioned by the Camaldolese Order for abbot Ambrogio Traversar, for the church of Santa Maria degli Angeli in Florence. It depicts Christ in judgement with angels, the Virgin, St John and saints, with Hell on the right and Heaven on the left. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_291.jpg
  • Hell, with sinners burned alive in cauldrons stoked by demons, detail from the Last Judgement, 1425-30, tempera painting on panel by Fra Angelico, 1395-1455, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The painting was commissioned by the Camaldolese Order for abbot Ambrogio Traversar, for the church of Santa Maria degli Angeli in Florence. It depicts Christ in judgement with angels, the Virgin, St John and saints, with Hell on the right and Heaven on the left. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_290.jpg
  • Hell, with sinners being tortured, burned alive and fed into the jaws of the Leviathan, detail from the Last Judgement, 1425-30, tempera painting on panel by Fra Angelico, 1395-1455, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The painting was commissioned by the Camaldolese Order for abbot Ambrogio Traversar, for the church of Santa Maria degli Angeli in Florence. It depicts Christ in judgement with angels, the Virgin, St John and saints, with Hell on the right and Heaven on the left. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_289.jpg
  • Hell, with sinners being tortured and burned alive, and Satan eating bodies, detail from the Last Judgement, 1425-30, tempera painting on panel by Fra Angelico, 1395-1455, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The painting was commissioned by the Camaldolese Order for abbot Ambrogio Traversar, for the church of Santa Maria degli Angeli in Florence. It depicts Christ in judgement with angels, the Virgin, St John and saints, with Hell on the right and Heaven on the left. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_288.jpg
  • Hell, with sinners being tortured, burned alive and fed into the jaws of the Leviathan, detail from the Last Judgement, 1425-30, tempera painting on panel by Fra Angelico, 1395-1455, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The painting was commissioned by the Camaldolese Order for abbot Ambrogio Traversar, for the church of Santa Maria degli Angeli in Florence. It depicts Christ in judgement with angels, the Virgin, St John and saints, with Hell on the right and Heaven on the left. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_287.jpg
  • Cloister at the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico, 1395-1455, and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_286.jpg
  • Virgin and child enthroned with St Zenobius (or St Augustine) and St Thomas, detail, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, in Cell 11, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_283.jpg
  • Joseph and Mary, detail from Presentation at the Temple, Renaissance fresco, 1450-52, by Fra Angelico, 1395-1455, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. Joseph is carrying a basket with 2 doves and Mary witnesses Jesus being held by Simeon, while St Peter Martyr and St Catherine of Siena look on. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_282.jpg
  • Presentation at the Temple, detail, Renaissance fresco, 1450-52, by Fra Angelico, 1395-1455, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. Joseph is carrying a basket with 2 doves and Mary witnesses Jesus being held by Simeon, while St Peter Martyr and St Catherine of Siena look on. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_281.jpg
  • Presentation at the Temple, detail, Renaissance fresco, 1450-52, by Fra Angelico, 1395-1455, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. Joseph is carrying a basket with 2 doves and Mary witnesses Jesus being held by Simeon, while St Peter Martyr and St Catherine of Siena look on. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_280.jpg
  • Annunciation, Renaissance fresco, 1442-43, by Fra Angelico, 1395-1455, on the first floor of the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_279.JPG
  • Angels holding towels, detail from Baptism of Christ, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, in the cloister of the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. Christ, attended by angels, is baptised in the river Jordan by St John the Baptist, with the Virgin and St Dominic looking on. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_278.jpg
  • Virgin Mary, detail from Homo Pietatis or Man of Sorrow, Renaissance fresco, by Fra Angelico, 1395-1455, in Cell 26, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. Christ is depicted in his tomb bearing the stigmata, with the Instruments of the Passion. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_276.jpg
  • Mocking of Christ, detail from Homo Pietatis or Man of Sorrow, Renaissance fresco, by Fra Angelico, 1395-1455, in Cell 26, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. Christ is depicted in his tomb bearing the stigmata, with the Instruments of and scenes from the Passion. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_275.jpg
  • Peter and the handmaiden, detail from Homo Pietatis or Man of Sorrow, Renaissance fresco, by Fra Angelico, 1395-1455, in Cell 26, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. Christ is depicted in his tomb bearing the stigmata, with the Instruments of and scenes from the Passion. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_274.jpg
  • Virgin and child, detail from Sacra Conversazione, or Holy Conversation, also known as Madonna delle Ombre, or Madonna of the Shadows, Renaissance fresco, c. 1443, by Fra Angelico, 1395-1455, in the east corridor between cells 25 and 26, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_273.jpg
  • St John the Evangelist, St Thomas Aquinas, St Lawrence and St Peter Martyr, detail from Sacra Conversazione, or Holy Conversation, also known as Madonna delle Ombre, or Madonna of the Shadows, Renaissance fresco, c. 1443, by Fra Angelico, 1395-1455, in the east corridor between cells 25 and 26, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_272.jpg
  • St Dominic, St Cosmas, St Damian and St Mark, detail from Sacra Conversazione, or Holy Conversation, also known as Madonna delle Ombre, or Madonna of the Shadows, Renaissance fresco, c. 1443, by Fra Angelico, 1395-1455, in the east corridor between cells 25 and 26, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_271.jpg
  • Virgin and child, detail from Sacra Conversazione, or Holy Conversation, also known as Madonna delle Ombre, or Madonna of the Shadows, Renaissance fresco, c. 1443, by Fra Angelico, 1395-1455, in the east corridor between cells 25 and 26, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_269.jpg
  • St Cosmas, St Damian and St Mark, detail from Sacra Conversazione, or Holy Conversation, also known as Madonna delle Ombre, or Madonna of the Shadows, Renaissance fresco, c. 1443, by Fra Angelico, 1395-1455, in the east corridor between cells 25 and 26, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_270.jpg
  • Virgin and child, detail from Sacra Conversazione, or Holy Conversation, also known as Madonna delle Ombre, or Madonna of the Shadows, Renaissance fresco, c. 1443, by Fra Angelico, 1395-1455, in the east corridor between cells 25 and 26, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_268.jpg
  • St Peter cutting off the ear of a servant of the high priest, detail from Kiss of Judas, Renaissance fresco, 1441-43, by Fra Angelico, 1395-1455, in Cell 33 in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_267.jpg
  • Kiss of Judas, detail, Renaissance fresco, 1441-43, by Fra Angelico, 1395-1455, in Cell 33 in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_266.jpg
  • Kiss of Judas, detail, Renaissance fresco, 1441-43, by Fra Angelico, 1395-1455, in Cell 33 in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. To the right is St Peter cutting off the ear of a servant of the high priest. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_265.jpg
  • Adoration of the Magi and Man of Sorrows, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, in Cell 39, seen through the doorway of Cell 38, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_264.jpg
  • Worshippers in procession, detail from Adoration of the Magi, Renaissance fresco, 1440-41, by Benozzo Gozzoli, 1421-97, a student of Fra Angelico, 1395-1455, in Cell 39, the private cell of Cosimo de Medici, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_263.jpg
  • Worshippers in procession, detail from Adoration of the Magi, Renaissance fresco, 1440-41, by Benozzo Gozzoli, 1421-97, a student of Fra Angelico, 1395-1455, in Cell 39, the private cell of Cosimo de Medici, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_262.JPG
  • Worshippers in procession, detail from Adoration of the Magi, Renaissance fresco, 1440-41, by Benozzo Gozzoli, 1421-97, a student of Fra Angelico, 1395-1455, in Cell 39, the private cell of Cosimo de Medici, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_261.jpg
  • Magi, detail from Adoration of the Magi, Renaissance fresco, 1440-41, by Benozzo Gozzoli, 1421-97, a student of Fra Angelico, 1395-1455, in Cell 39, the private cell of Cosimo de Medici, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_260.jpg
  • Virgin and child, detail from Adoration of the Magi, Renaissance fresco, 1440-41, by Benozzo Gozzoli, 1421-97, a student of Fra Angelico, 1395-1455, in Cell 39, the private cell of Cosimo de Medici, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_259.jpg
  • King worshipping the Christ child, detail from Adoration of the Magi, Renaissance fresco, 1440-41, by Benozzo Gozzoli, 1421-97, a student of Fra Angelico, 1395-1455, in Cell 39, the private cell of Cosimo de Medici, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_258.jpg
  • King worshipping the Christ child, detail from Adoration of the Magi, Renaissance fresco, 1440-41, by Benozzo Gozzoli, 1421-97, a student of Fra Angelico, 1395-1455, in Cell 39, the private cell of Cosimo de Medici, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_257.jpg
  • Man of Sorrows, Renaissance fresco, 1440-41, by Benozzo Gozzoli, 1421-97, a student of Fra Angelico, 1395-1455, in Cell 39, the private cell of Cosimo de Medici, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. This recessed fresco shows Christ in his sepulchre with his wounds and stigmata, wearing a crown of thorns, alongside Instruments of the Passion. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_256.jpg
  • Entrance to Cell 39, the private cell of Cosimo de Medici, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. Cell 39 is painted with the Adoration of the Magi and Man of Sorrows, Renaissance frescoes, 1440-41, by Benozzo Gozzoli, 1421-97, a student of Fra Angelico, 1395-1455. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_255.jpg
  • Skull, detail from Crucifixion with the Virgin and Saints Cosmas, John the Evangelist and Peter Martyr, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, in Cell 38, the cell of Cosimo de Medici, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_254.jpg
  • St John and St Peter Martyr, detail from Crucifixion with the Virgin and Saints Cosmas, John the Evangelist and Peter Martyr, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, in Cell 38, the cell of Cosimo de Medici, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_253.jpg
  • Sanhedrin council, detail from Nailing of Christ to the Cross, detail, Renaissance fresco, 1441-42, by an assistant of Fra Angelico, 1395-1455, in Cell 36, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_251.jpg
  • St Cosmas and Virgin Mary, detail from Crucifixion with the Virgin and Saints Cosmas, John the Evangelist and Peter Martyr, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, in Cell 38, the cell of Cosimo de Medici, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_252.jpg
  • Virgin Mary and Mary Magdalene grieving, detail from Nailing of Christ to the Cross, detail, Renaissance fresco, 1441-42, by an assistant of Fra Angelico, 1395-1455, in Cell 36, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_250.jpg
  • Nailing of Christ to the Cross, detail, Renaissance fresco, 1441-42, by an assistant of Fra Angelico, 1395-1455, in Cell 36, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_249.jpg
  • Nailing of Christ to the Cross, detail, Renaissance fresco, 1441-42, by an assistant of Fra Angelico, 1395-1455, in Cell 36, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_248.jpg
  • Nailing of Christ to the Cross, detail, Renaissance fresco, 1441-42, by an assistant of Fra Angelico, 1395-1455, in Cell 36, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_247.jpg
  • Hands of apostles, detail from Last Supper: Communion of the Apostles, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, in Cell 35, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_246.jpg
  • Apostles, detail from Last Supper: Communion of the Apostles, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, in Cell 35, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_245.jpg
  • Apostles, including Judas with a black halo, detail from Last Supper: Communion of the Apostles, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, in Cell 35, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_244.jpg
  • Christ feeding bread to an apostle, detail from Last Supper: Communion of the Apostles, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, in Cell 35, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_243.jpg
  • Christ feeding bread to an apostle, detail from Last Supper: Communion of the Apostles, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, in Cell 35, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_242.jpg
  • Joseph and St Peter Martyr, detail from Nativity, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, in Cell 5, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The baby Jesus lies on straw in a stable, with Mary, Joseph, St Catherine of Alexandria and St Peter Martyr. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_241.jpg
  • St Catherine of Alexandria and the Virgin, detail from Nativity, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, in Cell 5, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The baby Jesus lies on straw in a stable, with Mary, Joseph, St Catherine of Alexandria and St Peter Martyr. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_240.jpg
  • Baby Jesus, detail from Nativity, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, in Cell 5, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The baby Jesus lies on straw in a stable, with Mary, Joseph, St Catherine of Alexandria and St Peter Martyr. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_238.jpg
  • Baby Jesus, detail from Nativity, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, in Cell 5, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. The baby Jesus lies on straw in a stable, with Mary, Joseph, St Catherine of Alexandria and St Peter Martyr. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_239.jpg
  • Coronation of the Virgin, detail, Renaissance fresco, 1440-41, by Fra Angelico, 1395-1455, in Cell 9, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. Christ in heaven crowns the Virgin, both robed in white. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_237.jpg
  • Coronation of the Virgin, detail, Renaissance fresco, 1440-41, by Fra Angelico, 1395-1455, in Cell 9, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. Christ in heaven crowns the Virgin, both robed in white. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_236.jpg
  • Coronation of the Virgin, detail, Renaissance fresco, 1440-41, by Fra Angelico, 1395-1455, in Cell 9, in the Dominican Convent of St Mark, now the Museo Nazionale di San Marco, in Florence, Tuscany, Italy. Christ in heaven crowns the Virgin, both robed in white. The original convent was rebuilt 1437-52 for Cosimo I de Medici by Michelozzo di Bartolomeo Michelozzi, 1396-1472, in Renaissance style. The interior walls were painted 1439-44 with frescoes by Fra Angelico and his assistants. The convent is part of the Florence UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_234.jpg
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